#how do introduction???

[forgettable-au]

PROLOGUE

FORGETTABLE-AU (Page 1-9)

AND SO IT BEGINS!

[CONTINUE] [MASTERPOST]

[teratomatica]

you always land on all fours

[lucien-leigh]

[sukibenders]

When other Yellowjackets fans, majority who are poc themselves, talk about how weird and frustrating it is that the writers introduced a random yte character and gave them a storyline when there were two (technically three but they killed off Lottie even when there was an opportunity for more) woc, who have been around since s1, that could've fit the mold instead (like Mari) and have actual personalities outside of building up/being the lapdog for another character. Or how often times many of the, limited, poc characters are often either treated poorly and killed off, or pushed to the side (Simone, reduced to the disposable black girlfriend trope and is nearly killed by her partner because she's in the way of a ship; Travis, since s1, had his trauma dismissed or ignored and was overly hated but no one talks about how he was SA'd by the girls he's now stuck with on top of having to eat his brother and not be able to grieve over it). How Taissa's whole storyline is just revolving around Van even with all the potential, especially given she's fighting to be free from her own mind, how Lottie's mental illness is treated so poorly as if it's not the butt of a joke then it's met with heavy criticism (and the only time she is met with sympathy for it, it's through the lens of a yte character embodying her and having an emotional conversation with her father). How you can have all of these reasons (and more) for being annoyed by Melissa's character or the direction of the show, and be met with #those fans downplaying these concerns, or just being overly antagonistic just because they find yte character #243 entertaining so obviously these conversations don't have merit. But this fandom has always had an...."interesting" way in which it discussed the poc characters on the show, so I'm not surprised.

[madbard]

I just played through Slay the Princess for the first time, and… I cannot stop thinking about the Cage.

To be profoundly and finally severed from the illusion of your autonomy. To look on, from a prison of your own making, as your body acts out a legacy of violence against the body of the only other person who can or will come near you. To see their body perform that same violent dance. To be bound to this person, and in your limited state not to understand why. In that moment, as the silhouettes in the shadows act out the story of the princess and the slayer, to share a moment of peace with the one sent to kill you.

Intertwined. Diminished. Reductive, mutually destructive. Trapped in an infinite dance.

Beautiful.

To have been so determined you never had free will, never could have found another way. To realize you may have been wrong. To be trapped in a pattern, but unaware of what that pattern truly is.

Still, for that finite and watchful moment, not to be alone.

(Mild gore under cut.)

(Also this art from the game haunts me.)

[wimbledon2008]

buck and eddie being bad at roleplay is so charming and romantic to me like they're such best friends it's really just them doing bits in bed most of the time but one day buck says no let's try it for real and eddie says ok baby :) so buck does his research and fills out dnd character sheets and writes half a screenplay in preparation and then at the agreed upon time and date they're both naked in bed and eddie says two words as a sexy mob boss or whatever and buck instantly gets so hard he gets nauseous and breaks character and says eddie i think i hauve covid instead of his line

[maryymaruu]

I'm happy to be able to finally, officially, introduce my first Iterator oc, Three Signals! :"D

As one may tell, I can't help myself but to write novels on top and around my ocs, so apologies for the large amount of text.

Their lore is almost completed and I'd advise to referr to posts from here onward, if anyone is interested :0c

The story is grounded on a lot of my personal lore interpretation and headcanons, but those I will establish in a separate post some time! For now, it's still not 100% figured out, so there will be plotholes and uncertainty ^^);;

Three Signals belongs to a group far away from the in-game location. Specifically, a group pretty close to, if not outright including, Sliver Of Straw. That group is not particularly well integrated, and most members prefer to keep it to themselves.

After first generation was built, an issue arose; due to a large distance in the South between them and another group, the communications were weak, the signals were getting lost over particularly tall mountains. To fix that, Three Signals was strategically placed to bridge the distance, equipped with advanced for the time satellite plate, additional cell towers etc, essentially becoming a cell tower of the group.

A very vocal Iterator who quickly proved their creativity and love for their people and arts, became a perfect breeding ground for artists to find shelter from a rather conservative group climate. Their citizens were eager to involve TS into everything they did, only further strengthening their bond. They enjoyed their cyclical life together so much so, that the idea of Ascension slowly grew to be something undesirable. That raised controversy and distaint in the group against TS and their city of "heretics".

At some point, the tension grew enough to cause action to be taken. Other cities demanded arrest of TS's leaders and most prominent figures. TS and their city resisted, resulting in overly drastic measures; the city was pressured into compliance by force. Cutting off delivery of supplies and eventually attacking TS themselves with a malware attack, to shake the people out of the perceived heresy. A traumatic event for everyone involved. TS struggled to freely speak ever since.

Time passed, and the day of Mass Ascension came. Many of TS's citizens were not thrilled, many were fearful, many reluctant, many cried and reached out to their beloved Iterator for comfort. TS did their very best to comfort them, using what their city loved most; song. They sang, they sang all together, the city slowly rumbling with thousand voices into a solemn roar, then grew quieter and quieter again, until the very last voice left to be heard was Three Signals alone. And then silence ever since.

More time passed. Sliver Of Straw sends out the Triple Affirmative broadcast-

But TS, being equipped specifically to pick up weak signals, has heard something else coming from her; distressed cries of pain, and then the Triple Affirmative. Essentially convincing TS that it was nothing but an erroneous cry of a dying Iterator.

Horrified by what they witnessed, TS was moved to do whatever they can to try and comfort their fellow Iterators, to try and avoid something like that happening again. And what other way could TS do it, other than broadcast comforting tunes? A sign that they're not alone, and something to hopefully offer an alternative to spiraling into madness.

Their broadcast is wide ranged, but not enforced, and they're not even sure if anyone is listening or not- if its even effective or not. But at the very least, they can say they tried something.

(More to come)

[intramoon]

Lovell Art Club @ Spice District San Myshuno

Nes's just opened her own art studio, Lovell Art Club, a local spot for art classes, with free art spaces and a small supply store! Her dream has always been to have her work in a formal art installation. But now, as she transitions out of sex work and into the next stage in her life, Nes wants to create a creative space she can share, particularly with her daughter. She is employing other sex workers who are also transitioning out of sex work. This is the space and the team!

Left to Right: Wednesday Bennett (Owner, Painting Instructor), Bernia "Bernie" Banks (Cermantics & Pottery Instructor), Genevieve Fields (Sales, Fill-In Instructor), Araceli DeLa Rosa (Painting Instructor)

[starryeyed-seer]

me: I'm not a bat

Mr pages: (stuffing novels under its robe): I must abscond

[gooddogsbite]

How Do We Relationship really tricks you into thinking it's gonna be a romcom and then beats you to death with beautiful and honest portrays of relationships and all their messiness and complexities

[forgettable-au]

FORGETTABLE-AU (Page 36-39)

* To note. Her hands are scaly. * And...unexpectedly wet?

[BEGINNING] [PREVIOUS] [CONTINUE]

[22mzk03]

I watched inside out guys, and that means that I now have so many Anxiety doodles because she is SO CUTE. Yet Im posting these two first because wlw always wins!

[fusionsprunt]

Non-canon instance where Beatrix accidentally falls into another dimension in which Holloway's Comet didn't make it to planet Zona.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[i-like-forcefem]

One of my favourite memories of training is when something came up and I needed to leave a doll alone for a little while

Of course my little Tsundere first rejoiced in her break from her duties of looking cute for me, the cameras I’ve got set up confirmed that much

But it was first quite surprising that she didn’t make any escape attempts, though the amount of blackmail I’ve gathered does make that the logical choice

But then what took me really of guard was what she did when fully alone

She always wore the most masculine clothes we have for the first while, some booty-shorts and a T-shirt that says princess, she decided to wear inside out

But still each morning she spent just a little bit more time inside the closet, I see how she keeps glancing at our adorable dresses, she keeps feeling out all the wonderfully soft skirts, how she glances at the drawer where I keep the little bows I always put up in her hair,

always just a little longer each day

And then a couple days pass, and she no longer wears her adorable shirts inside out, instead showing off the beautiful prints to the mirror she keeps staring in

And a couple more days pass and she’s ran out of clean shorts again, and she’s tired and lazy, and it’s not like anyone’s watching so she might as well grab a skirt instead of washing them all again

And the next day she realises just how much better her outfit looks if she’d just put in a single hairclip

And the next she realises that while she’s at it why not do a little make-up?

And by the time I’m back she looks cuter then I’ve ever made her, and the look on her face when I say that… I wouldn’t trade it on the world, she got pinker then her dress, one I can firmly remember her saying “she’d rather die then wear”

[swordscleric]

I'm only halfway through the second phase of Predathos (which, to be clear is an incredible vibe for a bossfight, love a good head & hands/multitarget-same-entity boss) but I cannot shake the feeling of disappointment and just dissatisfaction I have had with this campaign that definitely started with Dusk/Yu, got followed up handily with the first Delilah/Sun Tree fight and then has been unfortunately reinforced with every discussion surrounding the Prime Deities since Hearthdell. This campaign is fascinating to pick apart, I have been really enjoying pulling apart why it isn't working compared to C1 or C2. But as much as I'm having fun dissecting where the worldbuilding has led to the current weaknesses in the gods' argument or reading other people's incisive commentary on the lack of personalities on the Ruby Vanguard's end, the "girlfailure" nonsense, etc etc, man do I wish this campaign was better than it is.

There are so many avenues of improvement -

Matt telling everyone to prep and write characters for this campaign instead of a C2-esque character-focused campaign.

Matt working religious organisations into the world properly.

The cast engaging with Marquet as a genuine location rather than set-dressing.

Otohan, Ozo and the rest of the Vanguard having more than "*insert snappy line here*" for their personalities.

No Delilah.

Bell's Hells having an iota of curiosity for anything outside of their own selves, including but not limited to: the gods, religious worship, the Elemental Titans and why they were sundered, how the people of Exandria feel about the gods, Vasselheim and its role in suppressing information about Predathos, Ludinus Da'Leth's plan and how it would still break the world if they did it in his place

I don't know why all of this fell into place in the way that it did, but it did. We can endlessly speculate why - the cast resting on their laurels after C2, not having enough time between the animated shows and Daggerheart and Candela Obscura and, and, and - but at the end of the day I really do hope that whatever form the final campaign wrap-up takes, they burn the damn questions asking the cast "what if the world was made of pudding and this character and this character kissed?" and instead pick questions that get them to introspect for a potential Campaign 4. Otherwise I don't know what will happen, but it sure as hell won't be Mighty Nein part 2: Issylra Boogaloo.