#how to get scholarships

[smurburn]

What majors get the most scholarships?

What majors get the most scholarships? https://www.smurburn.com/2024/01/what-majors-get-most-scholarships.html

[seumyo]

the art of loving bakugou katsuki’s name.

You loved his name.

You remembered the first time you had heard it—Bakugou Katsuki. It wasn’t an uncommon name, but it was his. His name was easy to remember, sharp on the tongue, and impossible to forget.

And that’s the funny thing about names, isn’t it? No names were ever truly the same. It could be written with the same characters, spoken in the same pronunciation, but the person behind them made it unique.

His was different.

His was his.

Getting to know Bakugou’s name had been one of the most exciting parts of meeting him. The way it rolled off your tongue the first time you said it out loud. The way he grumbled at you when you got too familiar too quickly, scowling at you and scolding you—telling you to say it right or don’t bother at all.

You grew to whisper it in the quiet of study halls, writing it absentmindedly in the margins of your notes when you were too exhausted to focus. You had yelled it across battlefields when you were still young and reckless, had murmured it in moments of vulnerability when it was just the two of you—when the world felt smaller, safer—because he shared the world with you.

It softened over the years, how you said his name. How he let you call him Katsuki when no one else could.

You loved his name.

Because it had been yours to say back then.

And now, he shared it with someone else.

It was a cruel thing, really. To love a name, to cherish it, to include it in a solemn prayer every night just as you’re about to fall asleep, only to have it slip through your fingers.

The wedding was beautiful. Grand, as expected for someone like Bakugou.

The kind of celebration is fitting for a man who had always been larger than life, someone who fought hard and loved even harder. The bride—his wife—was stunning, radiant in a way that made you feel something you didn’t want to name.

“Do you, Bakugou Katsuki, take your—“

His name sounded different now.

You had imagined this moment before, once, a long time ago. Not like this—never like this.

You forced a smile when they exchanged vows, when they kissed, when the crowd erupted in cheers.

You lifted your glass when it was time for the toasts and laughed when it was appropriate.

You played the part of an old friend, a guest who had long since moved on.

Because today was all about him. Not you.

But when the celebration stretched into the late hours, you found yourself stepping out, out into the quiet of the evening just outside the reception hall. You had too many thoughts and too little drinks acquired at the mini bar to drown out this incessant feeling.

You closed your eyes and whispered his name once, just to hear it. Yours.

“[Last Name]?”

Your breath hitched.

You turned, and there Bakugou Katsuki was—standing at the threshold, half in shadow, looking at you the same way he always had. His tie was slightly undone, and his suit jacket draped over his arm. He looked tired. But more than that, he looked at you like he still knew you.

Like he still saw you.

That version of you that only he met and got to know well.

“Hi,” you greeted. “Congrats on getting married, by the way. All my congratulatory messages are in your gifts.”

He scoffed, though it’s quiet, barely audible.

“Right.”

. . .

His gaze lingered, searching. Searching for something that he will never find.

“You okay?”

“Of course. It’s your wedding day. Why wouldn’t I be?”

The answer was too quick, too . . . prepared.

Bakugou didn’t retaliate right away. Instead, he stepped closer, just enough that you could see the way his brows furrowed, the way his jaw tensed.

“[Last Name]—“

“Katsuki.”

His name left your lips before you could stop it, like muscle memory. Like a prayer.

You had intended to call him by his last name. A formality. A distance.

Bakugou stiffened.

You had spent years getting to know his name, understanding every way it could be spoken. The anger in it, the laughter, the quiet tenderness in the dead of night.

And now, for the first time, you didn’t know how to say it.

Because words shouldn’t hurt, they shouldn’t feel like your throat’s being repeatedly stabbed.

. . .

“I never wanted things to end like they did.”

You let out a slow breath. “Neither did I.”

But it had ended. And you both knew why.

Careers. Distance. Bad timing.

Then it all just got too much to fight for.

Because love, even if it’s meant to fight for, gets exhausting when you can no longer love that person the way you used to.

And no matter the reason, endings were still endings. It can’t be erased and rewritten. It isn’t a story on paper that can be edited with a simple pencil and eraser.

“You ever think about—“

“I don’t.” Not anymore, at least, you wanted to add.

Because thinking about it now—on his wedding day—is like disregarding all that he made for himself after you. Disregarding his wife, the one he vowed to love ‘til hell freezes over and whatnot.

“You should go,” you smiled once you heard his wife calling his name.

He lingered for a second longer, as if debating whether to say more. Then, with a nod, he turned and walked away.

You watched as Bakugou joined his wife, the woman who now shared his name, the name of the person you had loved with every fiber of your being.

The name you thought you’d share with him—and once dreamed to keep as yours.

SEUMYO © 2025. PLEASE DO NOT REPOST, PLAGIARIZE, MODIFY OR TRANSLATE.

[stankworth]

after many years of being strong // may you have the chance to be gentle again

[chiquilines]

Public garden study date!!

[suchasurfriend]

gord's gay ass in the background while im being body slammed into the ground

[kat-mp5]

Mini comic. Take it n have fun :]

[soup-is-here]

If you listen to Life in the World to Come you might recognize me as Mod Soup, Beloved Evil Lord of the LITWTC discord server. I've come to make an announcement. Please go to Snooter Friends and help save these tour cats. They're just lil creatures and they need your money. Yes, your money, person reading this. It's actually kinda scary how they specifically requested your money, by name, in perfect English, then never spoke again. Anyways here's the link: https://linksta.cc/@SnooterFriends

[minty364]

DPXDC Prompt #58

Gotham is a city with a lot of ambient ectoplasm, enough that the Fentons move here instead of Amity Park. Danny being a pretty smart kid being the son of 2 scientists gets a scholarship to Gotham academy where he makes friends with Tim and Damian. Well the 2 were only doing it at first because they wanted to keep an eye on them scientists rarely didn’t become rouges in Batman’s gallery so can you really blame them for being cautious?

Danny is telling them about the portal that they were trying to build and how it wasn’t working and how Danny felt guilty about it. The 3 venture down there when the parents are gone and Danny wearing his hazmat goes into the portal while the other 2 watch on. Danny trips and no one’s having a good time.

They decided to take Danny to Wayne manor until they can figure out what exactly happened to him, unfortunately Danny’s new powers act up and he winds up phasing through the floor into the basement… or more accurately the Bat cave.

[smurburn]

What is the most expensive scholarship?

[theodysseyofhomer]

i don't think penelope is faithful to odysseus because she's the ideal wife, because i don't believe penelope is the ideal wife. i mean, FOR ODYSSEUS, yes. FOR ME, sure. but is like the common denominator ideal wife a liar and a swindler and a crybaby?? which are the first things we learn about penelope & not incidentally the first things we learn about odysseus?? is the average joe in want of a wife hoping and praying for a practiced con artist

[catboygirljoker]

i think about xigbar. why does he do those things

[bidisaster-peanut-romano]

soo hi everyone!! i'm back on my bully essay/meta/something writing!! sort of. i did this.

anyways anyone who's been on this page for some time know how from time to time i have insistently mentioned the parallels between lola and peanut, right?

welp! that was a joke but the time has finally come!! a super-pretentious essay just for the fun of it!! (and also bc i haven't been writing actually argumentative texts in like months perhaps a year, so. yikes, i really need to practice again)

word count: 2.2k WOAH. IM SORRY

i, in my corner, with my monstrous needs. — susan sontag, as consciousness is harnessed to flesh

take this quote both as a title and an anticipation of what is to come. the essay will be distributed analyzing first the dependence of each of them on johnny, to then draw comparisons. i'll make sure to steer as away from headcanons as possible, sticking closely to the source text. obviously, some things' interpretation might be ambiguous, but, you know. your usual occupation hazard.

also, a disclaimer before we start: while they are psychologically complex and there is always a mimetic intention in developing them, these are fictional characters, and, as such, their primary function is to be vessels for different themes, questions and so forth. therefore, i will prioritize meaning and themes over moral implications and similar elements.

i. peanut

for how much i can adore talking about him, the way peanut depends on johnny is very much on the nose; worn on his sleeve, even. in 11:11 minutes of voice lines, he mentions johnny 30 times.

many interpret this as the caricature of a boy crush, but i have reasons to believe it is much less cute than that.

the problem is that, really, more than trying to identify specific situations... peanut seems to rely on johnny for a significant part of what he does. when he does good at dodgeball:

Look at me, Johnny, look at me!

almost like a child calling for his parent's attention to be praised. he calls johnny's name when he's going through hardships, when he's scared or when he's sad.

more than someone he just loves, johnny is a point of reference. whenever there's something going on, whenever he does or has to do something, his first thought goes to johnny; vice versa, what johnny asks of him is his priority.

I gotta tell Johnny! No time. I gotta see Johnny now. Gotta help Johnny. What can I do next to please Johnny? I mean Lola! I mean…

(this also goes in a "negative" direction, envy being the other side of the medal to adoration. especially because, in some way, this reliance on johnny might be felt by him as emasculating, and, being johnny his model of masculinity, adding it to the napoleon complex thing, it's not hard to guess why it can be so unpleasant. we can see this manifest through some of the things he expresses in regards to lola- not as much an interest he has towards her, but the interest he wishes to have from her- which are a bit more different than it might seem at a first glance. but this is a mouseketool we'll need later. still:

Last time I saw her, Lola made eyes at me, not Johnny!

do we really need this part? heh. i'm not sure, but it's always good to point out)

(also, just because, for the purpose of this analysis, it might be useful to specify: while these sentiments are very much implied in peanut's canon quotes, we have no evidence in canon in what measure they are reciprocated by johnny. the fandom has universally agreed that johnny also views peanut as his Best Friend In The World; while in some measure, they must be at least a bit close, i think it is even safe to say, given the caricaturist nature of bully's characterizations, that johnny holds peanut in less consideration that peanut deludes himself into believing. quoting another post of mine, the kids who show some level of obsession towards their leader mention him on average ten or less times (gord mentions derby eight times, parker six times, kirby mentions ted five times). the leaders don't usually make names at all, that much is true; however, peanut mentions johnny 30 times, and, even in front of this proportion, johnny mentions peanut 0 times. just to make that clear)

overall, what undeniably shines through his voice lines is a feeling of general inadequacy, whether about his height, or his strength in front of a bigger adversary. the audios in which he tries to show off range from being disingenuous, to straight up improbable.

crossing what we have until now said, it is not hard to come to the conclusion that he really tries to make up, to fill this empty feeling of inadequacy by taking pride in his role as johnny's second in command.

while i am a big fan of bully's characteristic of having left much content out of the main game, leaving the gamers to dig it up for themselves, i do believe that scrapping some of the stuff that was prepared for peanut is a loss. we have a number of voice lines coming from chapter 3, in which it was heavily implied how important peanut's role as johnny's right hand man was.

for example, much like... all other seconds in command, really, he was to be followed and then fought in the rumble, before you could get to johnny, with the specific duty to cover his back. even his very first scene, the opening cutscene of chapter 3, i believe, is not to be underestimated. most of the other people, as far as i recall, call you when they need it in person; johnny, however, sends peanut. making him, de facto, an extension of himself, almost.

again, you choose the motivation. what is important, from a narrative point of view, is that peanut clings to johnny through these acts of service, almost making it the foundation of his personhood.

basically, he makes it so that, if he can't be of help to johnny, his whole self is fundamentally annihilated, giving himself completely to johnny.

ii. lola

with lola, reading between the lines gets a bit more difficult; first of all, because lola is much less transparent than peanut, her insincerity being a supporting beam of the whole chapter 3. secondly, whether she was done dirty by the creators or not, it is undoubted that being the perspective that of a teenage boy (namely, jimmy, but we certainly, as viewers, are brought to sympathize more with johnny than with lola) with all the prejudices it can bring with itself.

however, it doesn't mean that there isn't anything to work with- quite the contrary, actually. the issue with lola is that there is a certain amount of layers to get through before gaining a satisfying perception of her as a character. still, we're here to try our best, aren't we!

even behind the muddiness of her intentions and the manipulation she shows herself a master at, it is clear from the second we first meet her that what she does is in function of johnny.

to get through this mess with order, we'll start from an easy, measurable numeric information: lola mentions johnny in her audio files 19 times. which, we're assessed, IS a considerable amount.

we have extensively talked about the way her cheating patterns are a strategy not to succumb to the passive role of the girl in the heteronormative, patriarchal prototypical couple (there's a post here breaking down a lot of this stuff, if any of you is interested!!), so, instead of this, i want to focus on what lies beneath that behavior.

ultimately, the whole point is that lola expects and wants johnny to fight for her. whether is it because she feels taken for granted, or just because he can't perceive it if not through grandiose gestures like the rumble- your interpretation will work; she wants to see johnny fighting nail and teeth not to lose her, she wants him to show her that he wants her.

she's all about that attention, and she knows exactly what and how to do to get it. and i think this is especially clear when you compare the moments in which she knows there's no advantage she could go for; when she has understood that jimmy won't fall for her manipulation, when algie and chad leave her unsatisfied, when norton openly accuses her and antagonizes her - she loses her temper, lets go of that sweetened and/or flirtatious voice tone, abandons that specific kind of gesturing. she doesn't care anymore about obtaining something. she was actually angry, and she was actually upset that johnny had disappeared.

in some of her audios, she references johnny with some amount of fondness, as well:

Johnny and I were on the best date ever.

(there is also a voice line in which she says "He told me he likes me because of my personality. Isn't that sweet?"; due to it being a general chatter and not exclusive to one chapter, i assume it is relatively safe to assume she is quoting johnny. however, as i said at the beginning, we're trying to stay as close to canon material as possible, so, do your thing- and i'm open to arguments!!)

a considerable amount of audio files, however (which will lead us to our final point) is about her... calling for help for johnny, or stating, confidently, that he will come save her, or avenge her later.

Someone get Johnny! Johnny's gonna get you for this. Johnny is gonna kill you!

but wait... i have some sense of déjà vu...

You're gonna be sorry when Johnny finds out!

iii. two faces of the same medal

if i had to pick an effective image for a metaphor, i'd say that the thing about lola and peanut is that they are both dogs looking for someone to take their leash; we’re talking here about an exclusive relationship with someone they can rely totally on, someone we’ll call the Other (with a capital o, distinguished from just other. yes it is unnecessarily complicated i’m sorry).

for what my professor would call accidents of history, it happened that both of them found that Other in johnny.

each of them attempts at creating an exclusive relationship with the Other, one foolproof and fundamentally… perfect. perfect in the way that everything works like oiled gears, in the way that every next move is predictable, in the way that any accident will not break the created equilibrium. (even if, in the general sense of the term, lola and johnny's relationship is everything but perfect, it is in the connotation that we have established here. lola is aware that, no matter what she does, johnny will come back around. hell, the very thing that she does is aimed at keeping that balance; specifically, keeping him a bit on the edge, pushing him into a corner where he has to actively make an effort to keep her close.)

they both hide something they are ashamed of, regulating not only their actions and reactions but their very way of existing in the world, in order to keep that gear working, in order to remain in johnny's hand. lola hides that craving for a genuine and stable affection, dissimulating it with the cheating and the fatuous physical demonstrations of closeness; peanut hides his sense of inadequacy and complex of inferiority, by being the tough and reliable second in command.

basically, what they mean to achieve is a sense of security, the safety of not really being the one to lead but, at the same time, finding a purpose, other than a shield from the outside world that they are not willing to concede themselves to. like a... symbiotic relationship?? i was going to say parasitic, but, yknow. the Other does get some advantages, which are, respectively, peanut's acts of service and lola's capacity to boost johnny's pride.

now, of course, johnny is not aware of either of their play. which makes it even better, since, as we already said, both of their approach to the relationship needs some degree of insincerity.

like, i don't deny that johnny might be a good friend, or a loyal one. but he is an oblivious, prideful fuck who can't see past his own nose; he's got a tendency to make it all about himself - which of course goes perfectly with what we said about both peanut and lola making the Other their center, taking up, in a certain way, a passive role in the relationship.

this way, both of them aim at creating with johnny a relationship that is, in a way, codependant and conditional, in which the do ut des (their respective "service" ↔ johnny's guarantee of stability) creates the foundation of the very relationship.

this, of course, brings up the problem of exclusivity; on which, however, i prefer not to delve into too much, as this would bring us to the topic of their antagonism which... isn't really what i wanted to go for, at least not here. (it would risk bringing us a bit too close to my subjective interpretation and too far away from the canon, which i PROMISED i wouldn't do. however, someday i might elaborate on that??? idk , please do lmk if someone's interested around here)

i will, however, show you a diagram (it looks like a triangle- i guess it is, but it is VERY important that it is a pyramid, with a top and a larger foundation) and a quote, to wrap this up bc i think it is already WAY too long and ramble-y lmao. let me know what you think anyway, my ask box is always open <3

it almost feels like a joke to play out a part when you are not the starring role in someone else's heart you know i'd rather walk alone (i'd rather walk alone) than play a supporting role if i can't get the starring role -- starring role, marina and the diamonds

[thatoneluckybee]

uh yay like 99% chance i just lost gpa to keep parents off my back over a test and i didn’t pull grade up as much as i needed to uh. my parents really do not like this teacher so they said it was fine this time but also do not believe that in the slightest they have changed their minds about it before so we shall see. if i lose access to the outside world privileges for a little while at least i have new books to read?? I will be Fine but bored

APOLOGIES FOR RANDOM LIFE LORE INFODUMPS I JUST DONT WANT YALL TO THINK IM DEAD AGAIN IF I GET PHONE TAKEN TuT I AM NOT. IF I DISAPPEAR IM GOOD!! Just no tumblr for a bit :’)

[iightwoodbane]

i don't trust people who don't like adam parrish as a character. i'm usually very open to people's opinions but if you think adam is anything but an amazingly written character then ur wrong and u just don't get his vibes like i do.

[orangejuice2004]

i've noticed a resurgence in bully oc content lately so… to whoever needs help with their ocs (designs, names, backstories, etc), my inbox is open for your asking pleasure ! ^_^