#i think getting scrivener recently helped. great for notes and outlining

[bloodsbane]

i started writing a mlp fic recently and i feel like ive unlocked something

[writing-in-the-tiny-house]

The Gift of Beta Readers

The Gift of Alpha Readers

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The following is a transcript of this episode. For the complete transcript, please visit the show’s website.

[00:00:00] So you did it guys. You have written the next best thing and you are so eager to get this out into the world that you have revised it, you have combed through it, and you have all of these things ready, but nobody has read it yet. So what do you do next? Well, let's find out today on Writing and the Tiny House.

[00:00:26] Hello. Hello. Hello. And welcome back to the show. Welcome to Writing in the Tiny House. I am your host Devin Davis, and I am the guy in the tiny house who is here to show you, you busy adults working a nine to five like me, that it is completely possible for you to write that work of fiction that you have always wanted to do.

[00:01:06] And you should. I just recorded 20 minutes of audio and didn't actually record any of it. So we're starting over and it's fine. Because now I get to say the things that I didn't save very well the first time, and it's okay to start over. We're still learning some of this new recording equipment and that's okay too.

[00:01:26] But many of you know, because I announced in last week's episode that I have been working on some smaller things as a way to get my writing more available, to get my writing into the hands of people who are eager to read it and to do it faster than I could do if I were to just write a book just because the time to produce a book is much longer and there are a million different ways to share your writing with other people.

[00:01:57] So I have been working on some smaller things and I am working on them in conjunction with Krissy Barton from Little Syllables Editing. She is going to be the editor on call or whatever, the editor in this whole project of writing a collection of short stories or novelettes. And so with this, I am writing these smaller works, and I'm going to be releasing them on a schedule, provided all of this works out okay. Right now we are on track with this first thing. And so I expect everything to be okay. And I think that this is something that we can reproduce right now. All of this is tentative stuff though. Like this is not gospel truth yet, but in doing these shorter things, I still need to go through the different steps of writing and revising and cleaning up these smaller works of fiction as I would have to do with a book.

[00:03:07] But because the thing is shorter, all of those steps don't take as long to do, which is kind of cool. It's fun to blaze through some of these different steps a little faster, and to get that progress done faster, to arrive there more quickly. And with this, I also hope to have myself on a regular releasing schedule, which means that there is kind of a stopwatch going for each of these projects.

[00:03:35] And for this first one, I am hoping more than anything. And I am taking a leap announcing this on the podcast that this will be ready for sale by the end of October. I'm going to post it on amazon.com and it will be available to purchase there. It'll be affordable. Don't worry about that. But I wanted so badly to share my writing and I think that I'm going to do it.

[00:04:00] So what I'm doing is this collection of short stories ties into the larger books that I am also in the middle of that I have set aside for the moment. So the world that all those things take place in these smaller short stories will tie into that same world. And this collection is called Tales from Vlaydor, and this is Installment One, which is entitled Brigitte.

[00:04:29] And so, yeah, so we did it. We've written a manuscript. We've gotten, you know, a few revisions under our belts, but if you are like me, perhaps you don't outline things very well. I surely don't, I don't like to outline. I like to write and then make huge revisions to what I've written because I don't like to outline, but for this first installment, I did not get any feedback to begin with on the story itself. I wanted to sit down, I wanted to write the story, revise a couple of things just because I wanted to present it in a good way to a small group of people. So I sat down. I wrote the thing. I revised it a couple times. I sent it through Pro Writing Aid, which by the way, Pro Writing Aid is amazing.

[00:05:19] Especially if you are using Scrivener as your word processor, because it integrates into Scrivener. It was the easiest thing to do. I recommend sending anything you are working on through Pro Writing aid before you let anybody read it, just because the edits were easy to do. And because Pro Writing Aid made it easier to read.

[00:05:42] Everybody seemed to have a better time. Pro Writing Aid does not replace a professional editor, but it is a very good tool to use along the way. So I wrote the thing, I sent it through Pro Writing Aid, and then I gathered in a way, a group of people that I would want to get feedback on this first draft, I guess we can call it a first draft. On this first revision, I guess.

[00:06:09] And this is what we do, this is how we approach this. So I needed to get feedback because first of all, I needed to know if this was a story that anybody wanted to read. I wanted to know also if this was a story that people would be willing to buy, and I needed to know if after reading this, they would be interested in reading more.

[00:06:35] And if the results were such that, no, this story idea is not a good idea. You need to switch to something else. I didn't want to spend so much time and energy on something that nobody would want. And so I would sooner scrap the whole idea and start a fresh with a new story idea rather than try to simply make something work.

[00:07:04] And so, because I'm writing to market because I want this to be sold. And so I want there to be a certain audience appeal. I wanted to make sure that I was on track and on base with the very foundation of this story. So that's what I did first. And I recommend you doing the same thing with your shorter works of fiction also, or with your novels.

[00:07:29] So here's the deal. I'm sure that you have heard the term beta readers a million different times if you are engaged in the writer, community. Beta readers are basically the people who are doing product testing for your book. They get your book and you need to know that the book is working for them as books need to work for readers. Does it keep their attention? Is it easy to read? Is it entertaining? Can they keep track of characters? Can they keep track of places? Do they have a good experience? Are they surprised during the surprising parts? Are they scared during the scary parts, all those things.

[00:08:10] That is what beta reading is for, but there's a big step before that. Some people call it alpha readers. Some people call it, I don't know other stuff, but. I had this concept and I needed to make sure that the concept was okay. So I selected a few of my close friends and another person that I'll get into in order to share ideas.

[00:08:36] So I wrote this novelette called Brigitte. It is about 9,000 words long, and I included just some questions at the end as a prompt, as a way to help people give feedback. And I recommend that you do the same. In a novel I recommend actually that you include things like that in sections of the book, rather than just a big, long list at the end of the book, just as a way to get the gears moving so that people can be inspired or understand how to give feedback, just because, especially in this most recent round of feedback, I have found that so many people read just to be entertained and they don't read critically. And that is fine. And so the little bit of help for that is really good for them. And it's good. It's good to hear all sorts of feedback. I've also found that for many people. So with this story, the vast majority of the feedback was positive.

[00:09:45] People liked the story. It was pretty middle of the road, which is okay. But people liked the story. They thought that it was easy to read. It was easy to get to the end. They weren't confused by people or names or places. And so I took that as a good affirmation or confirmation that I was on the right track with this, and I should move forward.

[00:10:14] And that is great. With many of the people though, the feedback was simply, Hey, this is great. I like it. I would want to read more of things like this. And that feedback is valuable for a specific reason. If that is all they're saying, this is great. I want to read more. While that feedback is not going to help you iron out the kinks and dings and dents in your manuscript. And it's not necessarily going to help you with your craft. It can show you that producing work like this. There are people who want to support your craft. And that is very valuable. So even though the tools aren't there, even though the feedback isn't there to help you get better as a writer, it is really cool to know that people are there to support you as a writer.

[00:11:12] And like I said, that is valuable too. However, with a lot of people, they responded to the questions. And I liked that and I took notes and I paid attention. With those questions though, I found that with many of them, I didn't require seven people to answer each of those questions just because the same answers for many of those questions ended up showing up like seven different times.

[00:11:41] That's okay. We live and we learn. However, there were a couple peers a couple people that read it, took notes, re-read it. And then had a really long conversation with me about how it went about, what was working and what wasn't working. And I'll come back to that in just a second, just because people who are willing to put that type of attention and energy into my work, those are people that I hold near and dear. I mean, everybody who is supporting my work is held near and dear, but those are the people that I will go to with the first ideas, with the baby ideas that I need to grow from, the really underdeveloped things that need to grow that are still vulnerable and still scary and still underdeveloped. And working together we're able to come up with some cooler things for the next revision of this story. 

[00:12:47] With this, and I recommend this thing until the day I die. It is important to send your work, especially if you are writing to market, it is important to send your work to someone you don't know, or to many people that you don't know.

[00:13:02] When you are ready for that, you will know. I sent this first revision. I will likely try to find another person that I don't know to read this after this next round of revisions, but here's the reason why. The feedback that a stranger gives you is really hard to take, but it is super honest and it's usually really direct and it's really easy to understand, and that matters my friends.

[00:13:30] These people are not preserving a friendship. And so there is no holding back when it comes to what isn't working, what is confusing, what seems silly, but seems banale or stupid. I mean, what other words did this nice person include? But the points that this person brought to my attention were good points. It was clear that I had not conveyed so much of this story clearly.

[00:14:01] And like I said, because we weren't already friends, there was no reason to pretend like we were friends and try to sugarcoat anything. Most of the stuff that this person told me was really good and really valuable feedback. And so what I was able to do is take the key points from her feed back and talk about them with these other friends who were interested in helping me develop the story.

[00:14:29] So they didn't have to worry about stepping on eggshells. They didn't have to worry about offending. I got to say, oh, this other lady said this and this and this. And they're like, oh yeah, I guess that makes sense. And then we were able to discuss together ways to make it better. So with these conversations, some people tend to kind of freak out about it because they don't know how to have a critique conversation. So with these conversations, it is you and somebody else. And maybe a third person who are trying to improve a specific work. They're trying to make things better. If you or someone is coming to the table just in the attitude of saying this sucks. You need to leave it alone. You need to throw it away.

[00:15:16] Then you're not going to have this conversation with that person, but everybody has the common goal and the common understanding that this work is not finished and we are joining forces to make it better. The way that this conversation unfolds is much of the time the person will have notes. The person will have some ideas, but they don't really know how to get started about it just because Cohesion and hoping that everything links together and thoughts and different things like that.

[00:15:50] But this conversation is not going to be a dissertation. This conversation is not going to be like baring of souls. This conversation is largely brainstorming, which means a lot of the ideas and a lot of the topics don't have to mesh in the most beautiful way throughout the conversation. It's okay to jump from topic to topic.

[00:16:15] It's okay to say, oh, are we done with this? Because on the next page, this completely different problem is there. Let's talk about that now. And through those, I had two friends who were very interested in helping me improve this work of fiction. And that is exactly how the conversation went. They put aside an hour, we had a phone call and we talked about all the things that didn't work.

[00:16:42] And we talked about the things that this stranger critique partner brought to my attention, and we were able to iron out things and bring up some different ideas and some different approaches that I should try to incorporate into the next revision of this work. And that happened to me twice and it was beautiful and I felt enriched at the end and they were excited that they were included with this.

[00:17:11] And it was a really good thing. So I guess the takeaway here is when you are searching for feedback, it is important to help by supplying a list of questions. If it's a person who's already experienced with giving feedback, they likely won't pay much attention to those questions, but a lot of people don't read fiction critically.

[00:17:35] And so they they may need a little help with that. And that's great. Also, if you find those friends who are so engaged and so interested in helping you develop your craft, make sure to keep them near and dear. Take care of those friends. And lastly, If you have the people who say this is good, I want to read more, and then don't say much more than that. That means that you're on the right track and that what you have written is good. And while it may not improve your craft, it shows that there are people in the world who want to support your craft. So that's the quick take home for today. 

[00:18:24] Thank you so much for tuning in and listening to this episode. If you wish to become a patron of this writing in the tiny house podcast, go topatreon.com/writinginthetinyhouse. And I will have links to that in the show notes of this episode. Go ahead and follow me on Instagram. My handle is @authordevindavis and on Twitter my handle is@authordevind. And have fun writing. We will see you next time guys. Bye.

Check out this episode!

[tcheschirewrites]

Hey, are you participating in NaNoWriMo? Have you ever? And what was your experience like? I'm considering it but I feel so intimidated because I know I won't be able to commit to it wholeheartedly. Lowering my expectations and pacing myself would seem like the perfect solution but work kills my creative brain cells by the seconds. I wouldn't be surprised if by the end of November I've only written half of page of alien language. Any advice? Also does Nano have to be a new project?

Oh man, Nano. I’m well familiar with Nano, and I’ve participated a few times (to varying degrees of success). This got very long, so I’m putting a cut.

The first time I attempted Nano was in 2006 for my novel Seerking. I had heard about it from a friend who was in an LJRP I was in, and she encouraged me to try it. I was still in high school at the time, and very frankly I did not have the dedication necessary to complete it. I got a lot of worldbuilding complete, but very little writing. I got about two pages of prose, and three notebooks of character and setting history, as well as a fairly detailed outline. I still have all of this.

The second time I attempted was in 2009, for a story that is based heavily on the Iron&Wine song ‘Boy With a Coin’. I got a little bit further, but I got stuck in a few places. I think it’s because my idea was bigger than my life experience, and I also got stuck in a lot of small details. Additionally, my first Word document (where I got about two chapters in?) was destroyed when my laptop’s hard drive just straight gave up on life - I did buck up and rewrite quite a bit, though it didn’t sing quite the same notes, and I have this handwritten copy still. (It’s possible I tried again with this same project the year after? I don’t remember tbvh)

My third attempt was in 2011, about a goverment operative and a faun. This one I got the furthest, and I still have the original handwritten draft and the typed copy. I pantsed this one, 100%. To this day, I still don’t know how this story ends, but I’d love to attempt a rewrite someday.

Then, unfortunately, from around 2012 until Fall of last year, I stopped writing period. I was in a real bad situation, and just didn’t have the energy for anything, let alone a novel. My most recent experience with Nano as an organization was Camp Nano, which is a much looser structure, and it is in May and July. Rather than the hard and fast 50k, you set your own goal when you announce your project.

I can understand your hesitance to participate, honestly. Nano is a beast of a project – to reach the minimum goal of 50k in the 30 allotted days, you have to produce 1667 words of new content every single day. This is approximately 3 pages, maybe a little more – which is a lot when you’re already stressed! And if you miss a day you have to adjust your daily totals for every following day, and the pressure starts to mount! It’s a lot, even if it is only meant to be a neat little challenge (mostly, I’ll cover benefits a bit later).

Now, my recommendations are going to follow two paths: planning, and pantsing. If you are naturally a planner – that is, you like having rough outlines, refined outlines, you like having character data, history, etc – then I recommend you have as much of your novel planned ahead of time before November 1st hits. Whatever notes or files you need to have set aside before you begin writing those first words, have them ready – read over them, refine them, and have them memorized front to back so that you know what your story is meant to be. If you are a natural planner, and you have not done this by today’s date (it’s 30 October where I am), then I do not recommend participating this year because it will stress you the fuck out and you might even make yourself sick.

The other popular option is called pantsing – essentially, you have a rough idea, and you’re flying by the seat of your pants. (This is literally what it is called on the Nano website, by the by – there are badges for it and everything.) If you are a pantser, then I still recommend a little preparation, but of a wildly different degree and type: find your story’s ambiance. If you are a pantser, think about what sparked the idea for your story? Try to put yourself back in the place (emotionally or physically) where you had the most intense version of the idea, and hang onto that feeling with both hands. This is incredibly important, because it will allow you to harken back to that feeling without chasing the high of first being hit by that feeling. If you are a pantser, focus heavily on the feelings you want to evoke with your story, and let your heart guide you.

Now the third option (I know what I said, I lied all right) is if you are a combination planner-pantser; you don’t want to have the rigidity of the outline, but you also like having a little bit of structure, or at least a direction to go in. If you are a combination planner-pantser, I recommend doing very soft preparation for yourself in the week leading up to Nano. So things like building yourself a playlist, maybe doodle what your main looks like in your head, or small details like character names and short dossiers. If you’re able, I recommend coming up with an ending, so you know what the end-goal looks like and you are able to track your story’s completion in your head.

For all three, I would recommend deciding ahead of time how you want to write your novel – are you going to type it up in a word processor (please make so many backups, do not live the heartache that I had to)? Are you going old school and hand writing it? Are you feeling like a boss that day and maybe want to dictate it into an app on your phone? Pick one, and make a dedicated space for your novel. You can mix them up, certainly, but make sure that you are able to consolidate effectively or you’re going to stress yourself out.

Now, you asked whether or not it has to be a “new” project. There are actually a few answers to this, depending on what you mean. Now, if we are to assume that “new” strictly means a brand new, fresh idea that you have just come up with specifically for National Novel Writer’s Month 2020, then the answer is no; it does not. Back in the day, there were a few purists that insisted you had to have a designated project every year, but like most purists, they’re just being assholes about it.

As a matter of fact, it does not even have to be a brand new project that you have not written any words for at all – however, if you do have an idea that you have already written for, you are not permitted to use any of your previous word count toward your goal. This is definitely a no-no. Personally, I’ve tried this, and I found it rough – I liked having the designated project, and I liked the buildup to it.

If you have, though, an idea that you’ve worked over and you are simply ready to start putting words on a page, this, I think, is Nano’s sweet spot.

Now, I know most of this 1000+ answer has been cautioning and reminders that Nano is tough – because, well, it is. It is a huge undertaking, and I feel like every participant has their horror stories to tell about their experience. But I want to reassure you that it isn’t 100% a hard slog to a dreary end; there are so many tools that Nano themselves provide you, as well as user-run communities and workshops, and even some benefits after the fact. These are the things I want to wrap this post up with.

Firstly, no matter how tired or stressed you are, if you register for nanowrimo.org, you’ll begin receiving daily emails from published authors and past participants. These range from silly and tedious, to incredibly comforting. My favorite one, which I cannot remember a lot of specifics from, was from a man who detailed his experience and reassured everyone that the work doesn’t have to be good – it just has to be 50k words. That’s it. You can have typos and errors all over the place, plot holes of all shapes and sizes, and a main character who doesn’t make any sense at all; it doesn’t matter, because the point of the event is simply to finish. Neil Gaiman has also said a time or two that your first draft’s only purpose is to exist. Just get the words out; you can fix them later.

Additionally, when you are completing your profile, you can enter in your location and there are designated forums for participants in your area. In the past, there have been meetups for group-writes and workshops as well, though I imagine they will be more along the lines of Discord calls this year. If you are a social person who needs a pair of eyes to help you work through a scene, Nano’s got your back. They will also send you statistics for your area for the average word count, daily word count, past winners, etcetera. It can sometimes feel like you are very alone during this difficult project, but a lot of these things bring a very human element to the event.

Finally, what comes after you have completed. A lot of these benefits are newer than my time, but I browsed through them when I did my Camp Project. When you complete the goal in the allotted time, you get a neat little badge for your webpage and a printable certificate for the immediate boost of dopamine. But you will also get discounts to some neat shit, like different word processing applications (I got 50% off of Scrivener when I finished Camp), as well as things like The Great Courses, discounts in the swag store, etc. But more than that, there are partnering websites who want to help you on the road to being published. Wattpad is in this group, but I believe also big name publishers (I might have seen Penguin on there at one point) are willing to work with winners to get their works distributed.

All that said, I recommend every writer attempt Nano at least once in their writing career. Even if I personally have not done so stellar in the past, it is a fantastic learning experience for all of the work that goes into producing a novel from start to finish – it forces you to know your limits, and sometimes to overcome them. I don’t think I will be participating this year – I have so many side projects that I want to get done, but I will very likely drop everything to do it next year. I have two novels that are real roughly built up that I could do for this, though, and I would love the dedicated time to spend on them.

[alcego-writes]

Writing With ADHD

Writing is hard at the best of times, but when you have to add your brain to your list of obstacles, it gets exponentially more difficult. That doesn’t mean you can’t do it! Like most things, it just means you have to find a way to write that works for you.

I am notoriously ADHD. For the majority of my writing experience, I have done nothing but write short snippets of something and then disappear into obscurity because that was all I could manage to do. However, recently I’ve been able to spend time trouble-shooting my writing experience and that’s been a godsend. I’ve been writing consistently (at least four days a week) since mid-September of this year, something that was previously unthinkable. In that time, I’ve written roughly 82,000 words across several projects, which is more than I’ve written in my entire life, let alone over such a short span of time.

I’m not saying this to brag, although I am certainly proud of this, but to say that it is possible to write with ADHD. It is possible to write a lot with ADHD. And it is possible to write without being in agony with ADHD.

It’s not an easy process, as what works for writers without ADHD may not work for you, or may need to be tweaked considerably to work for you. So here I’ve broken down a few issues that I struggled with, as well as some ways to overcome those issues. (Note: These may not work for you, or may need to be changed to work for you. Don’t worry about that! All that matters is you’ve found a way to write that works for you.)

Inspiration Overload

You know what I’m talking about: when you’ve got one great idea, but before you can make any real headway on the project you get another great idea, but before you can get started on that you get yet another great idea, and so on and so forth. It happens to the best of us, and it doesn’t have to get in the way of progress!

Obviously there are a ton of ways to overcome this, but for this post I’m just going to focus on these three:

Idea Dumps

Multiple Projects

Work It In

1. Idea Dumps

It’s not exactly an attractive name, so apologies for that, but it does mean roughly what it says. Personally, I have two idea dumps: one is a Scrivener document where I jot down loose lines of inspiration or basic ideas. The other is a notebook where I loosely outline ideas so I can appease the side of my brain that demands I work on it right-now-immediately.

Obviously, there’s more options than just that. You may find that sticky notes or a legal pad or a Google Doc or the notes program on your phone works better. That’s fine! Just get the idea down, so you won’t have to worry about forgetting it and you get a little bit of satisfaction knowing you’ve gotten some work done on it.

2. Multiple Projects

If you can manage it, pull up several documents. Write down the idea and bounce between the docs as your inspiration shifts. This does require some self-control, namely knowing how many WIPs you can actively work on at the same time (and when you need to shift something onto the back-burner). 

This will look different for everyone. For me, I can work on two projects at a time when time and energy allows, but as soon as mid-terms/finals/holidays come into play, I have to shift my focus to one WIP or risk burning myself out.

Play with it! Look at your history of WIPs. When has it been the easiest for you to write? The hardest? Apply that to your writing routine and tweak it as needed until it works for you.

3. Work It In

This doesn’t work for all ideas, but finding ways to include a heist narrative in your vaporwave novel can be an incredibly rewarding feeling. To do this, consider your active WIP and the new idea you have. What does the new idea have that the other is lacking? Can the new idea be shaped to fit into the active WIP? 

For example, I developed the concept for my sci-fi novel from two different ideas. One was a young woman who doubled as a superhero trying to take down a corrupt government, and the other consisted of three clearly defined characters who lacked anything resembling a plot. By merging the two, I gave that WIP a well-rounded cast and ensured that those three characters didn’t waste away in my idea dump doc without ever getting a plot.

It’s trial and error, but it can work!

What the Fuck is a “Routine”

I don’t know about y’all, but I cannot function without a routine. I also struggle to establish anything resembling a routine without a lot of struggling. It’s hard! It’s difficult to do anything, let alone create a method of going about your day that leads to consistent productivity.

The biggest thing that helped me get a routine was to stop thinking about it as a rigid, immovable thing. Routines can be that, yes, but for me it was impossible to create a routine without trying to track my every task down to the minute. Which, if you’ve ever tried a routine like that and started falling behind, is a slippery slope.

Instead, make a list of the things you want to do every day, or every week, or every month. Look at the ones you want to do right now, and focus on doing those on a regular basis. Once you’ve worked that one thing into your day and can do it without struggling overmuch, you can start focusing on adding another.

For example, I wanted to write consistently. Not every day, but at least every week. And I wanted to have something to show for that, so I would be able to look back and say, “Hey, I’ve been doing good!” So I grabbed a sticky note, wrote the date on the top, and listed every day of the week on a different line. Each day I wrote something, I wrote the word count on the sticky note. At the end of the week, I totaled up what I wrote for the week and then stuck it in the front cover of my writing notebook.

I’ve spoken with people who take their planner/calendar and put one sticker per thousand words on the day they wrote (e.g. on November 28, I wrote 2,000 words, so I would put two stickers on November 28). You might grab a clear jar and some cotton balls/marbles/little rocks and put one in for every thousand words, or enter it into a writing program that tracks that for you. Whatever works!

The point of this is to give yourself a reward system. What I outlined above is a form of reward system, where you can see your efforts clearly and on paper. This is more effective for me than telling myself I can’t get on Tumblr/read/listen to a podcast until I’ve written x number of words, but there are different strokes for different folks. Play around with it, and find a way to reward yourself for your work! (Your brain will appreciate the dopamine boost, I guarantee it.)

Once you’ve added a few things to your daily/weekly/monthly tasks, you’ll have a routine! I like to break down my tasks as little bullet-points on a notepad so I can cross them out when I get done. (Right now my lists look like 1. Write, 2. Algebra HW, 3. Sociology HW, 4. Eat, if that gives you any idea of my priorities.

Burnout

This shit sucks!! You write 5k in one sitting and then nothing for the next eight months (I’m totally not speaking from experience... that would be.... ridiculous). It’s really disheartening, as it feels like you’ve lost all creative ability. You go to write but words Won’t Happen. The ideas don’t just turn stale; they disappear entirely.

It happens. Unfortunately, it does. Some people may call it writer’s block (which I could do an entire post about on its own, as it comes in so many different shapes and sizes) but in the end, all that matters is you Can’t Write.

Before you decide that writing just isn’t for you, take a moment to consider why you’ve burnt out. What external factors (school, work, social obligations) affected you? Were any internal factors (mental health, illness, bad break-up, etc.) getting in the way of your work? Is there anything you can do to ease those challenges?

You might be surprised to notice a few patterns. For example, I always struggled to write during a flare-up, or when my mental health got bad, or when school and work collided in disastrous ways. There isn’t always something you can do to fix those things, but just knowing that there’s a reason can be helpful.

Also, take note of when you start getting your mojo back. When do you notice the first ghostly shape of an idea taking form? When do you start itching to write? Music, relaxation, and days off can have a significant effect on your creative cycle.

In fact, your creative cycle will almost definitely insist you take days off. There’s a reason I don’t hold myself to more than 4 days of writing a week, and that’s because I know my limits. My idea-brain needs time to recharge, even if I can occasionally go weeks at a time without taking a break. (Which, for the record, usually results in burnout.)

Be kind to yourself. Take note of your patterns and play into them. Take time off, force yourself to write on the days when you know it’s just hell-brain throwing a tantrum, remember to eat and drink. You’d be surprised by how often burnout coincides with a decline in self-care.

Consistency

Routines aren’t all that matter. Consistency is key, and not for any of those bullshit “you’re not a real writer unless you write every day” reasons. Momentum is incredibly helpful, and you can’t build that unless you’re also developing good habits.

Routines can help build momentum, but the crux of it all lies in self-discipline. AKA ADHD hell.

Reward systems can help, as can accountability systems (like posting your writing progress every week...), but the biggest change for me was not any of that.

It was letting myself write badly, and celebrating those words anyway.

Sounds odd, right? Why would I celebrate what is objectively bad? It’s because a combination of ADHD-brain and my upbringing led me to develop a paralyzing case of perfectionism. What’s the point of writing it unless you do it perfect?

It’s better to write it badly and make sense of it later. As the saying goes, you can’t edit a blank page. Write badly. If you need to, turn the text the same color as the background so you can’t obsess over the quality. Write in Comic Sans (which is a very good font, but also incredibly difficult to take seriously) or something that you can’t read easily. Find a way to write garbage and then celebrate it. Celebrate the number, or the fact that you’ve gotten the dumbest version out and it can only get better from here.

By doing that, you allay fears of perfectionism. Practice makes perfect, and practice means several drafts, many of which will hurt to read. You’ll get better the more you write, and the more you write the easier it will be to push through the scenes that aren’t working. Hell, get into the practice of using brackets when you can’t think up the scene, or need a name, or need to do research, and just keep writing. No matter what, keep that momentum going.

If you need an outline to avoid getting lost, do that. If you need to feel free to explore the story without restraints, do that. Just write. Keep writing. It’s bad? Keep going. Your ideas will change; adapt to the new concept and make a note to yourself to fix the earlier aspects later. Keep going. 

And there’s obviously more I can go on about, but these are the main things that helped me. (Apologies if the text gets thick at times. Writing is one of those things I can talk about forever when the mood strikes.) Please let me know if there’s anything else you want to know! If you have any questions, feel free to pop into my ask box! I’m happy to chat.

[authorkimberlygrey]

Hi! I LOVE your blog, seriously my fav writer blog. How and when, and even where do you write? How do you find the energy to write? I’ve been working on a few WIPs for a few years, and lately I’m wondering if I should just throw all my outlines out the window and just completely revamp my writing practices, because I’ve felt so constructed by the outlines, lately. Much love, adore your stuff 💙

I’m your fave?😭😭 awwwwww ❤❤❤❤❤❤ that makes me so happy! I’m glad you like my blog and I hope you continue to like it. 

On to your questions tho: 

First off, feeling constricted by outlines is a Big Mood, my friend, I used to go into super detail on my outlines, I’m talking I planned out individual scenes and blocked out interactions. Which was a pain when, inevitably, I’d have a Great Idea in the middle of a scene that would make the entire outline pointless. 

I can’t stick to an outline, so I just don’t. I make an outline, sure, but the minute it stops working for me? I just chuck it and make a new one. Yeah, I make a lot of outlines, and sometimes having such a thin outline can get me into trouble because I don’t know what I’m getting into (but that’s easily solved by yet another outline.) 

I do some drawing so it helps me to think of outlines as sketches, its a structure for me to put more detail onto, but its not anything final or permanent.

An outline is there to help you, as soon as it's not doing that, toss it and make an outline that is helping.  

As for your other questions, and tips on revamping your writing process, check  under the readmore because I ramble lol

For those of you in a hurry: 

Be kind to yourself, positive reinforcement will always work worlds better than negative. Give yourself rewards for your victories, no matter how small they are. Make writing a habit! I write at 7 every night, it helps to have a schedule, it trains your brain. Go with the flow, but don’t let yourself go over a waterfall. Take breaks if that’s what you need, but make sure its a break not an abandonment.Find the root of the problem, don’t attack the symptoms.  Find what works for you, don’t worry about what everyone else is doing. You can look for examples that will help you, but don’t compare yourself to others. It never makes you happy. 

I tend to think of myself as a pretty laid back writer. I don’t usually sit down at the computer and pound out 4k words a day usually my total word count when I save and exit is 500 words. Sometimes its less. Yesterday I went to bed with 200 words, it wasn’t a lot of progress, but it was progress. 

The secret, for me at least, is finding the balance between being kind to yourself, but also not letting yourself slack off. 

For me, that means I have to actually try at writing for 30 minutes a night. If I sit at the computer for 30 minutes and come up with half a sentence, that’s fine, that means I need to figure out what the problem is and get through it tomorrow. 

I see a lot of writers beating themselves up for not hitting big numbers every night, even I can fall into that a little bit. We want progress, its natural, and when we don’t make progress then it can be frustrating and it's easy to fall into the temptation of putting yourself down over it. 

Resist that. If you sit down and get frustrated and beat yourself up over writing, you’re not going to want to do it. You’re going to dread sitting down to write every night and as a result, you’re going to procrastinate it more and now you’re writing even less. 

Instead, be patient with yourself. Sit down and figure out why you’re not writing. Are you distracted? Are you not sure what needs to happen in this scene? Are you afraid of it being bad? 

If you’re distracted by stuff going on around you, find a quieter place to write, or get some headphones. Even if you don’t play music. 

If you’re distracted by the internet *cough* tumblr *cough* I recommend Forest, its a chrome extension and app that grows a little tree as you focus and you can use it to plant *real* trees as well, so bonus! 

If you’re not sure where the scene is going, outline it! When I’m stuck I go down a list: What Needs to happen, what do I want to happen, and how do I get those things to work together? 

If you’re afraid that your writing is going to be bad, you have to be a bit sterner with yourself, but that doesn’t equal being mean. Sit down and accept imperfection, sometimes I sit down and I tell myself that I’m not walking away from the computer until I get at least one sentence down, even if it means that I stay up all night. I am yet to stay up all night at the computer. Sometimes one sentence is all that I get, sometimes that one sentence leads to another, and another, and eventually I’ve got a paragraph, or a page. 

And if you’re interested in how I do my writing

I hate working at a desk so I have a comfy chair in the living room that I sit in. Sometimes if its too distracting there I’ll go to my room and chill on my bed to write. Like I said above, 30 minutes a night at 7pm every night unless I’m giving myself a break. I recently discovered the wonders of scrivener and have transferred over to that (Ywriter is a good free alternative btw!) OneNote and Microsoft word made too much of a habit of toying with my emotions ((and sacrificing my outline to the Dwellers of the Void)) so I’ve mostly quit writing there. I do save there though because I’m paranoid about losing stuff. 

My elaborate backup system is as follows: 

Every night after I finish writing I save on the computer and onto my USB. (note that I save every night as a new, dated file all in one folder.)

After every chapter, I save onto another document on my computer and onto Google docs. I used to send chapters out by email as well for an additional back up but I’ll admit that I’ve gotten lazy about that. 

and when a draft is complete its saved in every location and onto another back up USB. 

I’ll admit, I’m paranoid about losing stuff. but on the other hand, I also very rarely lose stuff so who’s the real winner here?

Anyway! Thank you for the question anon! I hope you enjoyed my giant rambling answer and I hope your writing goes well going forward! feel free to message me any time if you’ve got more questions or even if you just want to talk, I’m always up for more friends ❤❤❤

[blanketed-in-stars]

10, 15, 16, 22, 38<3

omgggg el thank you!!! this was so fun and i'm super curious what you would say to these as well! i think i only asked you one of these so feel free to lmk your own answers if you want 👀

10. Has a piece of writing ever “haunted” you? Has your own writing haunted you? What does that mean to you?

well the first thing this makes me think of is a 3-parter that i started in 2018 and still have only written 1/3 of and honestly will never finish. that sure as shit haunts me. i also think writing can absolutely haunt a person in the sense that when you think you're done with something, you'll still be reminded of it in poems/quotes/art you encounter and interactions you have and places you visit. much like a ghost, often no one else can see it but you.

15. Do you write in the margins of your books? Dog-ear your pages? Read in the bath? Why or why not? Do you judge people who do these things? Can we still be friends?

I don't really write in the margins anymore but I do highlight esp. if it's something I've read more than once. I have recently started dog-earing pages but I can't even remember what books I dog-eared them in lmao. I DO read in the bath, I love it. No judgment, books are meant to be well-loved and enjoyed!!! They should show their age and how much they mean to people! And if you keep your books pristine that is also fair, I have a couple that I would never touch lol.

16. What’s the weirdest thing you’ve ever used as a bookmark?

If it's just sitting on the table and I need to step away then I've been known to use silverware as a bookmark. If it has to be carried somewhere then the weirdest thing is probably a scrap of bookcloth.

22. How organized are you with your writing? Describe to me your organization method, if it exists. What tools do you use? Notebooks? Binders? Apps? The Cloud?

Omg noooooo. I use a combo of Google Docs & Scrivener - gdocs is great if I want to write at work, but scrivener is my favorite because of the outlining/structuring power. Currently I have a 41-page gdoc which is 2/3 notes which I FINALLY moved into scrivener in order to force some sense into it. I only recently started seriously outlining most things I write - in the last year and a half I think. Before that it was all pantsing, all the way. I kinda miss that tbh but I just can't hack it anymore.

38. What is something about your writing process YOU think is Really Weird? If you are comfortable, please share. If you’re not comfortable, what do you think cats say about us?

This might not be that weird per se, but it did surprise me that it was so helpful - I recently started writing dialogue-first, to get the scene down as just a script before doing so much blocking/description, and in particular slang-ifying all the lines, particularly if they have really distinct voices and/or use a lot of period language. I'm sure others do this too but I was amazed at how much easier it became to get to the meat of what actually needed to be said (and making it setting-appropriate later) instead of getting bogged down in phrasing.

[scifrey]

Get To Know The Writer

 Get to Know the Writer Tag

Rules (always post the rules): answer the questions given to you, write ten questions of your own, tag ten people.

@rosecorcoranwritessaid anyone who wants to do it can, and it looked interesting.

1.) Where did the title(s) of your latest project(s) come from?

 The titles for The Accidental Turn Series were sort of decided by a committee of my agent, my editor, my publisher and me. I’m rubbish at naming books, so through a series of emails a list of about a hundred throw-them-out-there titles were whittled down (mostly by Googling them and seeing if any other book had that title already) to a few themes. From there we narrowed down and named the first book (The Untold Tale, where I had been calling it That Feminist Meta Thingy), and then the other two books dominoed into place after that (The Forgotten Tale, and The Silenced Tale.)

These titles are because in book #1, the fantasy is being told from a side character who in fantasy-novel tropes is often overlooked. In book #2, other fantasy stories start vanishing, forgotten by the readers, and in book #3,someone is trying to silence the writer of these fantasy books forever.

 City By Night, one of my novellas, is also being reissued next month. Its original title was The Dark Side f the Glass, which was both an allusion to Alice Through The Looking Glass, as it’s about a woman who falls into a TV instead of through a mirror, and a tip of the head to the song of the same title from the soundtrack of one of the television shows the novella satirizes, Forever Knight. However, my agent thought the reference was too obscure, and after another big round of back-and-forth, it was decided to name the novella after the fake-TV show I made up for the story.

 The titles of the to books in The Skylark’s Saga (#1 The Skylark’s Song, and #2, The Skylark’s Sacrifice) are because I do love alliteration when I can get away with it! These are the only titles of the recent projects that I decided on my own and the rest of my team liked! Score!

2.) Do you have any rhyme or reason behind your character names?

Sometimes yes, sometimes no. For the Accidental Turn Series fantasy books, I stole a lot of street names or snipped letters out of traditionally “European” names, like Kintyre, Forsyth, and Bevel to make them look suitably fantasy-esque on the page. But when the characters come to the “real world” I made a point of surrounding them with characters who had distinctly non-white, no-European names like Ahbni, Ichiro, and Juan just to really emphasize how much more diverse the “real world” is over traditional fantasy. 

In Triptych, every friend who helped me with edits got a character named after them. And in The Skylark’s Saga I got a bit silly - the Sealies all have surnames inspired by pagan gods, the Saskwayins are colors, and the Klonn are plants.

3.) What is your writing routine, if any?

When possible, I like to write at night, in silence, and with only my desk lamp on.  I try to keep my desk area very tidy, too, with only notes about the project I’m immediately working on written on my whiteboard wall. I need the only mess to be what’s in my head.

I’m more of a pantser who has, by virtue of writing series, been forced to learn how to plan. But even then, my planning is pretty rudimentary. I often do this in a notebook on transit (I tend to come up with ideas when I’m in liminal spaces), and run that by my editor. If she approves the vague outline, then I often write whatever scene is foremost in my mind - whichever has really grabbed my imagination, and allows me to figure out who my characters are, what the voice is, who the narrators are.

From there I often write chapter one, and then usually skip straight to the climax of the book and write that. This way I know where I’m aiming before I properly knock the arrow. Even if the target eventually shifts, I still have a sense of its shape and location.

From there I tend to skip all over the narrative and write whatever arrests me or I have in the front of my mind. Once that’s done, I go back to the start and begin the process of filling in the gaps. If I get another idea, I’m always happy to jump ahead and do that.

Using Scrivener has made this process a thousand times easier than when I had to scroll-scroll-scroll through Word.

When I don’t have to go to my dayjob, I try to write about 4000 words per day. When I do, I am for 500-1669, which keeps me limber for NaNoWriMo.

4.) Where is the weirdest place you’ve ever written?

I actually wracked my brains on this one, and I was going t say something like “a 400 year old house on the top of a mountain in Japan” or “in the shadow of the Great Pyramids in Giza”, but honestly, the real answer is on my BlackBerry while high off my face on morphine in the emergency room. Apparently I wrote a GREAT short story, which I emailed to all my friends, and emailed them. Without telling anyone that I was in hospital with Organ Death ™. And without remembering at all that I’d done it.

5.) Do you prefer to write by hand or type?

Typing, hands down. I type way faster than I handwrite, and I get frustrated that my pen can’t keep up with my brain. If I get an idea when I’m away from the computer, I usually only jot down enough to remember the scene/idea/mood/exchange without writing it out. I despise having to do the work twice, and that’s what transcribing from paper to computer feels like.

6.) Ideally, where would you like to see your writing take you in five years?

I’d like to break this barrier there seems between me and the Big 5. My agent and I have been working at it, but there seems to be some strange gap. Lots of editors at the Big 5 like my work, but no one seems to want to sign it. I get compliments on my voice, on my word crafting, but no contracts. It’s so frustrating to be so close to the possibility of working with a team with more resources than I have so far. 

7.) Which character is most fun to write and why?

Now that Triptych is complete and being serialized on Wattpad, any opportunity to revisit Kalp is a delight. I love looking at the world through his eyes. Olly, from The Maddening Science was a lot of fun too, again because of the way I have to shove aside my own assumptions about how and why the world works and see it through the lens of his own intelligence and lived experience. And Bevel will never not be a hoot, because there’s something just so great about getting to be that crass, and to come up with dirty jokes that fit in a fantasy world.

8.) What advice would you give writers just starting out?

Read widely outside of the genre you want to write in. If you want to write fiction, read non-fic, pop sci, and academic papers. Read the news. Read blogs. Read things that are in your wheelhouse, but then randomly grab something from the library that looks cool. You never know where the next idea will come from. Let your imagination wander.

9.) Do you have any “writing heros”? (This could be published writers or non.)

Anyone giving it a go! It’ hard, and it’s disheartening when people don’t love something you’ve put so much work and heart into. It’’s easy to give up on. Don’t.

Otherwise, I love Dianne Wynne Jones’ blatant subversion of stereotypes and tropes, which has really informed my writing, an Jane Austen’s ability to create such diverse, thoughtful, and complex characters.

I also super appreciate fanfic writers, cause they do it out of sheer love, and work for years to hone their craft. Among my faves are @bendingsignpost @sheafrotherdon, and @madlori.

10.) Tell me about your work-in-progress.

 Oh lord, is this a can of worms you really want to open?

 The Silenced Tale & The Accidental Collection  - books #3 and #4 of The Accidental Turn Series  are done. They just need to be line-edited and then the editor can lock the manuscript and it’s out of my hands and into the typesetter/designer’s. (And then of course I need to ramp up to marketing machine.)

 Book #3 is the conclusion of a trilogy of books about a secondary character in  fantasy epic who becomes self-aware and slips the pages of his book.

 The Skylark’s Saga - The two books are written, but one of the relationships is changing dramatically and I need to go in and shift that. I have no idea how much writing/rewriting this is going to entail. However, I do know that I want to get it done by the end of the year. As soon as the manuscript for The Silenced Tale is locked, I’ll be moving onto this.

 This duology is a steampunk-adventure-romance book about a girl vigilante and her ornery rocketpack who gets trapped behind enemy lines after being shot down in a dogfight.

 The Austen Hollywood AU  - I’ve written the first book of the series, and my agent is shopping it now. It’s possible that it may only get signed as a one-book deal, but ideally I’ve developed it as a six-book series (one for each of Austen’s). At some point I’d like to write the first three chapters of the remaining five books, to demonstrate what the voice and tone of each is gong to be like. (Possibly for NaNoWriMo this year??)

 These books are modern adaptations of Austen’s work, but they will all intertwine as characters from different aspects of the entertainment industry cross paths, work together,  and as they do in the originals, find love and contentment.

 The Maddening Science  - at some point I’d like to develop my short story of the same name into a full-length novel, but it would take a lot of research on my part, and a lot of buy-in on a publisher’s. I’m not quite ready to tackle this one yet, though I have pitches and synopsizes and the like written.

Henrietta - This idea is relatively new idea, born from watching a documentary and then reading the non-fic biography that inspired it (see, reading outside your genre helps!), but I think I’d really like to take a swing a writing a historical romance based on the life of a certain historical mistress, something like The Other Boleyn Girl. It would take a massive amount of research as well, but I think would be really interesting and engaging. The woman’s life was fascinating.

The Neridis - I wrote this book about four years ago and it’s been trunked. I’d like to pull it back out and give it a spit-polish and a steam-up, then self publish it sometime next year under my erotica pseudonym. It’s a time-travel lesbian romance story that can easily be punched up into erotica.

And of course, there are three other books that are sort of hovering in the back of my mind, but I’m not ready to write them, or even really a pitch for them yet. The vampire one might be a screenplay instead, I’m not sure.

 Oh, and I am looking to place a script, too - I wrote it under spec for a company that later decided not to shift from distribution into development any more, so I’m not sure what do with 228 pages of cute lesbian comic-book creators falling love over lattes and superheroes. I keep thinking that it would make a great webcomic/graphic novel, but I have no idea how to find an artist willing to commit to like a 500-page graphic novel, and more importantly, find the money to pay them.

I tag whomever wants to jump in. No pressure.

[haydenstudiesblog-blog]

Writer Ask-Meme

“This isn’t studyblr-related shocker right? but I’m a writer so I wanted to do something fun that will also allow my followers to get to know me a little better!

01: When did you first start writing?

I started writing when I was 10 (around 10, I don’t remember for sure. It was before I started middle school)

02: What was your favorite book growing up?

While I wish I could say it was Harry Potter, I didn’t read that until a little over a year ago (in college). I’d have to say The Giving Tree by Shel Silverstein, I actually want to get a tattoo about it :)

03: Are you an avid reader?

YES! Reading is my all-time favorite activity. I have too many books in my TBR pile (my theoretical one, they’re all on a shelf). I’ve reread some books more times than I can count because I love them so much, but recently I’ve been “broadening my horizons” that sound so lame and reading new authors and genres.

04: Have you ever thrown a book across the room?

Not that I can recall. I don’t think I could even if I wanted to, I try to take care of my books for as long as I can (until they start to get old, then I just embrace them being broken-in except my HP books those are kept somewhere safe)

05: Did you take writing courses in school/college?

WELL. At my current university I decided to enroll in an Elements of Creative Writing course this fall, which I’m excited about. I’m also going to be taking Intro to Professional Writing. If all goes well, I’m hoping to transfer to a different university to finish up school and major in English and Creative Writing (one whole major, not 2), so I’ll be taking more literature and writing courses.

06: Have you read any writing-advice books?

I’m reading an old textbook that I had when I took a creative writing course in high school through our local community college (back when I had health problems and couldn’t finish the course but already had the book so I kept it and didn’t read it, so I don’t count this course as a creative writing course I’ve taken). So I decided to read it now. I also have a list of books on writing that I’m looking to buy!

07: Have you ever been part of a critique group?

When I was in 5th grade we had an assignment to write a short story. I did, and my teacher said it was amazing and took me to a writer’s workshop where shy-little-me was forced to sit at a table with strangers my age and take turns reading our stories aloud. I hated it, but we got to go to McDonalds after. Also since then I’ve looked back at the story I wrote and it super sucks but maybe I’ll try to rewrite it because the idea is decent at least.

08: What’s the best piece of feedback you’ve ever gotten?

Honestly, I don’t even remember. What a boring answer.

09: What’s the worst piece of feedback you’ve ever gotten?

It’s not really feedback, but in high school I wrote a research paper and my best friend at the time peer reviewed it and she tried to cross out a bunch of my commas. I was so annoyed because she was horrible at grammar. I ended up leaving all the commas and I did great on the paper haha!

10: What’s your biggest writer pet-peeve?

Bad grammar. Hands-down. I’ll be reading someone else’s writing (I look over my boyfriend’s and sister’s papers for them) and I genuinely get baffled by how bad their spelling is or how they don’t know when to use a semi-colon. In my head it’s all just second nature (not that I don’t make mistakes, especially because I hate editing my own work so sometimes I just don’t, but still!).

11: What’s your favorite book cover?

I have two, and they’re for the same books. The new HP covers!!! I LOVE the ones where you line up the books and the spines create Hogwarts. I also love the ones that have the horcruxes in them. I want to buy those sets, but I literally just got my own hard cover set from my mom for Christmas (they came in a box that looks like a trunk) so I’d feel bad for buying new books. They just look SO COOL though. 

12: Who is your favorite author?

I currently love Michael Crichton (I said I’m broadening my horizons, these are the books I’m using to do that). I’ve loved Sarah Dessen for a very long time; I own all of her books, and I preorder her new ones. But of course I have to mention J.K. Rowling and Stephenie Meyer. Not everyone is a HP fan and not everyone loves the Twilight series, but I’m die-hard HP and I’ve read the Twilight series twice. 

13: What’s your favorite writing quote?

“We could have been killed- or worse, expelled.” -Hermione Granger, HP

14: What’s your favorite writing blog?

I don’t have one because I can’t find any!

15: What would you say has inspired you the most?

Emma Watson and J.K. Rowling. I feel like it’s so easy for characters from the HP series to just be identified as their characters, but Emma went to college and she does amazing things and she’s just made a great name for herself and I’ve always loved her. J.K. Rowling is obvious, if you don’t know her back story you should look it up (I’m not going to talk about it, it’ll make this post even longer).

16: How do you feel about movies based on books?

They’re never good enough. My preference is (if I can help it) to watch the movie before I read the book, so I’m not disappointed. If I read the book and then watch the movie, I’ll be upset with how much they changed or left out. If I watch the movie first and then go and read the book, I can’t be as disappointed with bad casting (because they’re already planted in my head and I didn’t have an opportunity to create my own characters) and the storyline is always just better because you get MORE information instead of them leaving things out!

17: Would you like your books to be turned into TV shows, movies, video games, or none?

Movies, definitely. Any time I begin a story I imagine what it would be like if it were a movie. Actually, my process is that I usually hear a song and I think of a storyline for it (I prefer to listen to songs that tell stories in my free time, rap and stuff is for clubbing haha) and then I write a story with that song in mind. I love letting music inspire me. But yes, from the very beginning I usually picture my books as movies.

18: How do you feel about love triangles?

I guess I don’t have much of an opinion. Wait JK I do, I’m currently writing about one. Sort of. They can be good if they’re done correctly, sometimes they can just be too predictable. IMO, if you use a love triangle you should incorporate some elements of surprise into your story, things to keep the reader on their toes, especially if the love triangle itself becomes predictable. 

19: Do you prefer writing on a computer or longhand?

I love the idea of writing longhand, but I write kind of weird and my hand cramps up fast, I hate my handwriting (I write too big), and typing works better for me because I can get my thoughts out much faster.

20: What’s your favorite writing program?

I’m going to assume this is in regards to Microsoft Word, Pages, etc? I personally use Scrivener. I paid, like, $45 for it but it’s just a one-time payment. I saw that a lot of writers use it because it has tools for plotting, characters, it’s just really organized. I watched tutorials on it and then I did a 30-day free trial (I don’t think it strictly goes by days, I think it counts the days you open the program and use it) and I fell in love, so I bought it and I haven’t used Word since (except for homework and notes, but I’m going to try to switch to OneNote for that).

21: Do you outline?

No, but I really should. I’ve been trying to. Like, I’ll at least put into Scrivener in a separate folder the idea of my story and maybe a storyline, how I know I want it to end and what could happen in the middle. But it’s by no means an outline, and I really do need to work on that. I think it would help me a lot.

22: Do you start with characters or plot?

I definitely start with plot. Like I said before, I hear a song and I think of a story and then I just go from there.

23: What’s your favorite and least favorite part of making characters?

My favorite part is definitely coming up with their personalities, and my least favorite has to be deciding their names and how they look. It takes me forever to decide on names, and I change them a lot.

24: What’s your favorite and least favorite part of plotting?

I don’t know if this is considered plotting, but it’s SO hard for me to figure out where and when my story should begin. I also hate trying to put in fillers in-between all the scenes that I know I want to happen. I’ve read about a process where people who write the way I do write out the scenes they already have in their head, and then they just go from there. They don’t write in order. So maybe I should try that, just write as it comes.

25: What advice would you give to young writers?

Oh god, I’m only 20, I still consider myself a young writer! I don’t think I’m in any position to give advice. BUT, if you’re in high school and you have a passion for reading and writing, start considering your options and make sure you get into a good school that has a good program. I didn’t do that because I was stupid, and I should have because I’m at a university that I don’t enjoy and I’m trying to transfer.

26: Which do you enjoy reading the most: physical, ebook, or both?

Physical, 100%.

27: Which is your favorite genre to write?

It’s been Young Adult for a while (before I even knew what YA was, or that what I was writing was YA), but as I’m getting older I’m noticing that my writing is maturing a bit more.

28: Which do you find hardest: the beginning, the middle, or the end?

The beginning

29: Which do you find easiest: writing or editing?

Writing. Sometimes I’m not in the mood to edit, my work or anyone else’s.

30: Have you ever written fan-fiction?

Nope!

31: Have you ever been published?

HA. I wish.

32: How do you feel about friends and close relatives reading your work?

I’m really shy and self-conscious so I don’t let anyone read my writing. They have, though, because they’re stinkers and they did it secretly. I recently found out that my mom printed out all of my old stories from our old computer and kept them in a binder and would show people.

33: Are you interested in having your work published?

Yes, even though I just said I’m shy and won’t let people I know read it. I think things are easier when people I don’t know read my stuff. So weird.

34: Describe your writing space.

My writing space isn’t one space yet. I’m going to be moving into an apartment out at my school with some roommates, and I plan on making my room really calming and relaxing. Just a bunch of pastel colors, because I’ve found that those calm me. I want twinkle lights in my room, a fuzzy rug, candles, all of it. Recently I’ve been going to our student union/common area and library to write at school, though. The hustle and bustle keeps my mind working. I can’t work in silence, I’ve found that out the hard way.

35: What’s your favorite time of day for writing?

I usually write in the afternoon and whenever I have free time because I’m a full-time student. I do good writing at night, though. I’ve read that you should lay down and write at night, because that’s where you do your best thinking. It’s worked for me so far!

36: Do you listen to music when you write?

While I write and while I do homework I’ll look up the piano instrumentals to Disney songs and I turn them down so I just barely hear them.

37: What’s your oldest WIP?

If this means Work In Progress (God I hope it does or I’ll feel so stupid!), I couldn’t even tell you honestly. All of my writings are WIPs.

38: What’s your current WIP?

It’s about two women who are best friends. One gets engaged and the other is either in love with the guy, having an affair with him, or both. I haven’t decided yet. There’s more to it, but that’s the gist.

39: What’s the weirdest story idea you’ve ever had?

I don’t think I’ve ever had any weird ones. If I have they’re from middle school and I’ve forgotten about them (thank god).

40: Which is your favorite original character, and why?

SUCH a boring answer, but I don’t have one! UGH UGH UGH.

41: What do you do when characters don’t follow the outline?

Considering I don’t use much of an outline, I just follow them where they try to go. It’s usually better than what I had in mind, anyway.

42: Do you enjoy making your characters suffer?

.... No.... Of course not, what an awful question............... No writer EVER enjoys that, nope, never.....

43: Have you ever killed a main character?

Not yet... :)

44: What’s the weirdest character concept you’ve ever come up with?

I haven’t really come up with any weird ones.

45: What’s your favorite character name?

Cora

46: Describe your perfect writing space.

See #34, that’s my dream space. Hopefully I can make it happen. Also, a giant, beautiful old library surrounded by books but also in a nook by myself would be amazing.

47: If you could steal one character from another author and make them yours, who would it be and why?

Hermione Granger. I could only dream of creating someone so iconic as her character. She’s my dream character, and just reminds me so much of myself. In case you haven’t guessed yet she’s my favorite character ever haha

48: If you could write the next book of any series, which one would it be, and what would you make the book about?

I WOULD MAKE ANOTHER HARRY POTTER BOOK. I so badly just want to do this on my own (basically fan-fiction I guess?) but never try to publish it or anything. I would make it about everyone where they are now, where they work and their kids. Not ABOUT their kids, but still just about them. Actually I don’t think I’ll ever attempt that because I wouldn’t execute each character correctly and I’d never be happy with it, but yeah.

49: If you could write a collaboration with another author, who would it be an what would you write about?

Okay. Sarah Dessen, a YA novel, not sure what it’d be about. Maybe she could help me with one of my own ideas. J. K. Rowling, we could collaborate on a new HP book (lol in my dreams). Stephen King, we can write whatever the hell he wants to write about because he’s amazing and I love his writing and it’d be a huge honor to even meet him.

50. If you could live in any fictional world, which would it be?

You can probably guess this. Obviously the world of Harry Potter. I literally got a fake Hogwarts acceptance letter, a student ID, and potions bottles for Christmas when I was little. I played Harry Potter every day with my sister (surprise, I was Hermione).

If you read this, thank you love you’re so sweet! I super appreciate it! This was super fun to do, I honestly love answering random questions. My boyfriend and I ask each other random questions that we look up online all the time because it’s just fun to think of answers and stuff. :)

xx Hayden 

[meganlaliberte]

Tools for The Writer

So, you’ve decided to try your hand at writing but you’re not sure what you need to get start. Don’t worry you’ve come to the right place. A lot of newbie writers get caught up on the idea that you need specific things to be a writer. They want to know what the perfect desk is or the perfect chair. What programs you need and so on. I’m here to tell you that you don’t need anything special to get started. There are a lot of writers out there who just need paper and a pencil. James Patterson is one of these authors. His writing tools consist of a legal pad and a pencil. He uses these to outline and write his novel. See I told you that you didn’t need a lot. Here are a few things I recommend to get you started:

1. Novels Why novels? You need novels because reading is also a part of being a writer. Reading helps you build vocabulary and will also help expose you to the genre you plan to write for. It’s also a good thing to do when you’re taking a break from writing. I personally like to write a bit and then read some.

2. Software I see this question asked a LOT and every time I see it I scratch my head wondering why. I don’t know I guess people think that being a writer requires some super fancy program. The truth is it doesn’t. Here are a few programs that you can use and guess what…a few of these are free.

Word Word can be free if your school or work uses Office 365 and you can use the online word app if you have a Hotmail account. You could buy it but I recommend staying away from the subscription versions only because well it’s a subscription you’ll end up having to pay to use it every year.

Pages Pages is a free word processing program that comes built into the Mac OS. You can write your novel and save it as a Word doc for Word users. It will also open Word docs.

OpenOffice OpenOffice is a free office suite that you can get from Openoffice.org. It works just like Microsoft Office. You can open Microsoft office documents and save your OpenOffice documents so they can be opened in Microsoft Office. I used this program for some time before I got Microsoft Office free through my work. I recommend this if you’re looking to not spend any money on an office program. It also runs on Windows, Mac OS, and Linux.

Scrivener I have seen a lot of writers recommend Scrivener. Until recently I used Microsoft Office but I decided to give Scrivener a try. I do like how it can organize everything in one place instead of having to open multiple documents at one time. I won’t lie there are somethings that I wish it did but so far it meets my needs. The only downside to it is the price. I’m not made of money and I had to purchase it for my MacBook and my iPad.

Scrivener is available to try for 30 days. That’s 30 days of you opening the program not 30 days from the time you open it. They are also sponsors of NANOWRIMO so in November you can give it a go for longer and they also offer a discount to winners of NANO.

You can give Scrivener a try at https://www.literatureandlatte.com/scrivener.php and learn more. If you find you enjoy it the program is currently on sale (at the time of this post) for $26.99 and is normally around $40.00. The program runs on both Windows and Mac but prices vary based on platform. If you’re looking to use the program on both Windows and Mac, they offer a bundle for $65.95. If you’re looking for a mobile option, they offer it for iPad for around $19.99. It also works on your Iphone and I don’t think there is an additional cost to use it on your Iphone and iPad.

3. Backup Method I don’t know if I can stress this enough and it might just be the tech support specialist in me but one of the most important things you’ll need in your tool kit is a backup method. This one thing is more important than any other tool. Anything can happen to your computer. Your hard drive could die and when that happens you’ll lose everything. I can’t tell you how many people I work with have lost their files because they saved them to their hard drive and didn’t back them up anywhere else.

There are so many options out there for you to use and I recommend backing up in more than one location and to at least two different types of media. For example, back up to OneDrive but also put it on a thumb drive. Here are a few suggestions:

OneDrive

GoogleDrive

DropBox

Thumbdrive

External Hard drive

4. Notebooks Okay I’m going to say notebooks can be optional it depends on your preference. Personally, I use notepads to jot down some ideas while I’m researching or when trying to name characters. For A Love to Kill for I’m hand writing it because I found the computer to be distracting. I did a lot of planning in notebooks and used legal pads to outline and a journal to write in.  Personally, I think it’s good to have a notebook with you always in case an idea hits you. I usually have one but I also have Scrivener on my phone so I use that as well as the Notes app. This just depends on your preference. As for the type of notebook I’ve seen writers suggest Moleskin. Honestly, I can’t justify the expense when a simple composition notebook works just as well.

5. Motivational Inspiration I seriously recommend writing inspiration. I have memes that encourage me to write hanging on the wall in front of my desk as well as a candle because it helps me relax. Here is an example of what I mean:

6. Writing Groups A great way to find inspiration and help in your writing journey is to connect with other writers. The lovely Kim Chance has put together a Facebook group called Chance2Connect. You will need to have a Facebook account but once you do you can join the group with this link https://www.facebook.com/groups/chance2connect/?ref=group_browse_new. Kim also hosts weekly Chance2Connects via twitter. Join using #Chance2Connect.

Twitter is another great way to connect with writers. Many writers use the hashtags #writerslife and #amwriting and you can follow these on twitter.

Another option is to browse the internet and look for writing groups in your area. I try to post as many upcoming writing events as I can on my website under Events.

7. The internet I know it might seem a little stupid to include this but a lot of people don’t know or consider that the internet is probably one of the best tools to have. You can find just about anything on the internet making it almost unnecessary to visit locations your writing about (I still recommend traveling to locations you write about when possible).

8. Craft books I’m a little on the fence when it comes to craft books since I have yet to find one I really like. That being said I have seen a lot of writers recommending Stephen King’s On Writing to new writers. I have not had the chance to read this but I’m planning on it. If you’re interested you can get it here https://www.amazon.com/Writing-10th-Anniversary-Memoir-Craft/dp/1439156816/ref=sr_1_1?ie=UTF8&qid=1485046991&sr=8-1&keywords=On+Writing

9. Optional:

Here are a few optional items you might want to considering:

Headphones

Something fuzzy for stress relief

Caffeine

Tissues

For some more ideas on the tools a writer might need check out Kim Chance’s video on Tools Every Writer Should Have in Their Toolbox.

Until next week happy writing!

[rayalez]

How I went from idea to finished draft in 2 months

Photo by Oliver Thomas Klein @oliverthomasklein from unsplash.com.

How I went from idea to finished draft in less than 2 months

Like many people, I’ve wanted to become a writer for as long as I can remember. I’ve seriously wanted to become a writer for at least 15 years, and although I wrote some short stories and had too many story ideas to keep track of, I was never able to actually get it done.

I had excuse upon excuse, and all of them seemed logical at the time, but they were just that — excuses. So after 15 years of starting countless drafts, I did the one thing that had eluded me—I finished!

I conceived an idea and completed the first draft of a feature-length screenplay in just two months.

This was a major breakthrough for me, and I’d like to share how I did it.

What changed?

This is the big question. How did I go from not producing anything to finishing a major work in such a short timeframe?

First, I started to view my writing as a job.

If I were to start a new job, I’d invest the time to learn the industry. I’ve always been an avid reader, but reading and appreciating a good story doesn’t translate into understanding how to tell one. There are a lot of components to the art of storytelling, and to be effective, you need to learn the craft.

Since I was tackling a screenplay, I read Story: Style, Structure, Substance, and the Principles of Screenwriting by the great Robert McKee while I was working on my outline. Despite being a screenwriting book, it’s a bible for storytelling. I also enrolled in the MasterClass with James Patterson. From what I learned in the class and the book, I had the tools and the confidence to put a complete story together.

The second thing was to change my perspective about the process.

I have a lot of experience in project managing communications projects and events, so I used that knowledge, and I project-managed writing my script. I broke it down into parts, as I would any other work-related project. I gave myself deadlines, and I stuck to it.

The third thing I did was outline.

Completely and thoroughly. This was something I’d never done before and is probably the #1 thing that got me to the finish line. I’ve read that outlining (aka plotting vs. pantsing) is helpful, but I never understood how and why.

One of my problems in the past was I liked to talk about my story ideas. My husband would hear countless tales that I would never end up writing. We’d discuss an idea, or rather I’d explore it out loud while we were driving or making dinner, and by the time I finished talking about it, I was already bored with it. I felt like I had already told the story and shared it, so I’d lose interest. I also found problem areas, which I wanted to avoid because solving them would be hard.

So I guess that could be another thing I did differently—I didn’t share my whole story. I shared a little, just to gauge his general interest, but then I kept it to myself. It was my story, and it was going to stay my story until I was ready to share it.

So back to the outlining. This was my biggest takeaway from the James Patterson MasterClass. The process he shared is that he and his co-authors don’t start writing until a detailed outline is complete. This entails 1–2 paragraphs about each scene.

So that’s what I did. My process for outlining was a multi-step process. I first created my basic outline. I needed to do this visually so I could get a feel for the flow of my story. I didn’t want to invest a lot of money, so I purchased a cardboard trifold display board for about $3 and a pack of 3" square Post-it notes.

This worked incredibly well. The three panels represented the three acts, and I was able to start adding scenes as they came to me by placing them where I thought they would go in the story. I could then fill in the holes as needed and move scenes around easily until I felt I had a complete story. This is what my first round outline looked like:

From this board, I fleshed out my outline in more detail in Scrivener. If you’re a writer and you don’t use Scrivener, you should check it out. It’s only $45 and I can’t imagine writing anything without it.

I didn’t start writing until my detailed outline was complete. This is the most critical point, so I’ll say it again. I didn’t start writing until my detailed outline was complete. For every scene I wrote, I knew exactly what was supposed to happen in that scene and that’s what I wrote.

Below, you can see the basic look of my Scrivener desktop. The synopsis in the top right was my guide. All I had to do was write what I put in the outline and that was that.

The other bonus of outlining is that it gave my story form. Previously, I’d get hung up on all of the paths down which I could take the story. By creating a detailed outline, I worked that out before I wrote the first word. And it allowed me to write my draft quickly because I had a good map to follow.

I started fleshing out my idea around March 1, and I finished the first draft on April 24. A completed draft in less than two months.

The final thing I did was figure out what I’m going to do with my finished work.

In hindsight, I think this was more important than I first gave it credit. It’s easy to say you’ll figure it out once it’s done, but unless you have plans, it may never get done. It’s like saying you’ll take vacation when things slow down at work. In my experience, that never happens.

So, before I even finished, I spent a little time thinking of what I was going to do with a screenplay. I’m going to enter it into a contest. Chances are I won’t win, but one of the things I learned in my research is that if you want to make a living as a writer, you need to get your work out there. No one can fall in love with it if they don’t have the chance to read it. And the contest has an entry deadline, which gives me the motivation to finish it, and move on.

I still have a bit of work to do before I submit to the contest, and I know it won’t be perfect. But, another great quote I’ve read recently is that perfect is the enemy of good, so I’m not shooting for perfect. I’m happy with good.

What’s next?

I have a novel that’s about 3/4 finished that I stopped working on because I wrote myself into a hole I didn’t know how to escape. So my next project is to take what I’ve done on that novel and backtrack. I’m going to go back to step one and create the outline using what I have and figuring out what should be cut and what I need to add, and then I’ll work through the same steps.

Everyone has their own process. I wanted to share what helped me finally climb over the hump and actually finish. I’d love to hear your thoughts and tips for what’s helped you succeed.

If you enjoyed this story, give it some love with a heart. ♥♥♥

Amy Pinkston is a writer and recovering higher education communicator. She lives in Bend, Oregon, with her husband and their two cats. She’s on Twitter @amypinkston, and is currently finishing her first screenplay and working on her first novel.

How I went from idea to finished draft in 2 months was originally published in Fiction Hub on Medium, where people are continuing the conversation by highlighting and responding to this story.

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