#i'm...gonna go hide...
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attleboy · 1 year ago
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little doodle to celebrate going into 2024!!! 🎉 idk what's coming but may we make the best of it :D
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royalarchivist · 4 months ago
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Pac: [Seeing Fit died] I feel sick…[Walks to the edge of their hiding spot and sniffs] I'm going to leave, I'm going to go down, I'm going down! I'm going down. 😭💔
Fit: [Seeing Pac died] Oh no, Pac! 😦
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javier-pena · 1 year ago
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Pairing: Marcus Acacius x f!reader
Word Count: 2k
Rating: Explicit
Summary: On a stormy night, you’re haunted by a ghost from your past.
Warnings: dub con | unprotected p in v sex | creampie | unsanitary sexual practices | cheating | coercion | possessiveness | (brief) fingering (f receiving) | biting | oral (f receiving) (mentioned) | mentions of food and alcohol | mentions of blood and war
Notes: God idk what it is with me and seeing random pictures of Pedro characters that make me go feral. Anyways, wrote this in an hour, hope this is anything. I had Latin in school but I’m not vouching for any of the Latin words in this. I mostly wrote this because I’ve had a vendetta against international bestselling author Robert Harris ever since I was 15 years old. This is loosely based on a scene from his novel Imperium that has been haunting me for almost 20 years now. Also based on this post by @ozarkthedog.
***
There’s war. Outside the city, the land is burning. Behind the city walls, life goes on as it always has. There’s decadence and dissipation and life. That’s your part of the story. That’s all you’ve ever known. The comfort and the safety. That’s all you’ve ever needed to feel fulfilled.
During the night, when the city quiets down, when the people return to their homes and the public life ceases, you can sometimes hear it, like a storm brewing over the distant sea, like the rumbling of a volcano miles and miles away, taking deep breaths before spewing its fiery death. On clear nights, nights free of clouds and wind, nights where the air is so heavy it feels like a blanket weighing you down, you can even see it, the light from the battlefield, the glow of a carnage that swallows everything, even itself.
This night isn’t clear at all. This night brought rain and hail and thunder so violent it shakes the foundations of your house. You’re alone, reclining on your triclinium, too drained from dinner to move much. The storm promised some reprieve from the muggy summer air, but the heat is worse now than it was this afternoon. The wine you had with your meal, the glass in front of you now refilled a third time, combined with the weather makes your head feel like it has been wrapped in wool. Even breathing seems laborious.
But there are footsteps against mosaic floors, and footsteps mean visitors and visitors mean business. Business at such a late hour is never a good sign. With a groan you stand, with a sigh you straighten your tunic, and then the footsteps are drowned by a clap of thunder so loud you flinch.
What follows it is not the sight of one of your servants or even your husband. In the gloomy darkness that always follows a flash of lightning a shadow moves into the room, and when your eyes have adjusted to the dim lights of the lucernae all around you, you flinch again, this time with cause.
A man is standing before you, looking like the slain ghost of a soldier from the battlefield nearby. He is covered in dirt and grime, wet from the rain, wet from the blood he has recently spilled. His armor looks black in the darkness, and your eyes flicker to his side in trepidation only to discover that he’s still wearing his sword. He’s still wearing his sword, going against the rules of your house, the rules of your husband.
“Where is he?” the stranger asks, his voice deep and dangerous like the thunder outside.
You could play dumb, you could act like you don’t know who he’s talking about, but in that voice you discover something familiar, like a memory of a distant dream, never quite forgotten.
“He isn’t here,” you reply. “He might come back later, but he’s with the senate.”
The man steps closer, quick strides that take him right to the foot of your triclinium. You step backward until you reach its head, trying to put the piece of furniture between the two of you. Your hands are clammy.
“Good,” the stranger answers with a twitch of his lips that’s all too familiar for all the wrong reasons. “I promised you I’d be back for you, and I always keep my promises.”
There’s a doorway behind you leading through a small peristyle straight to your husband’s tablinum. You glance at the court, at the shrubs and flowers and fountains that you know are there but that are currently hidden by curtains of rain and darkness.
“Don’t –,” the stranger starts, but it comes too late.
You turn and run, skip down the two steps from the porch into the garden itself, your feet splashing into puddles as you run and run. Heavy footfalls behind you, heavy breathing, and a heaviness in your heart, calling back to a similar moment years ago that happened on such a different day full of laughter and sunshine and secret kisses exchanged in secret corners.
You reach the doorway to the tablinum. “Stop!” you bellow, and to your surprise he does. To your surprise, this works, and you don’t know what to do with that. “What do you want, Acacius?” you ask, your heart growing even heavier when you name him.
“You know what I want,” he answers, the rain loudly hammering against his armor, the water dousing his hair, making his curls stick to his forehead. “I came back to collect what you owe me.”
“We were children,” you remind him.
He’s up the steps faster than you can say those three words, the years between now and that summer afternoon seemingly having left no traces.
“Keep telling yourself that,” he growls, the storm raging over the city reflected in his eyes.
You step backwards into the tablinum, one hand protectively slung across your stomach. “You should leave, Acacius. I have nothing more to say to you.”
But there is only so far you can go before your back connects with your husband’s writing desk. And once it does there is nowhere for you to run to.
“I don’t need you to say anything.” His face is cast in shadows now, but when another flash lights up the night sky, you see that his expression is completely blank. “I just need you to lift up those expensive skirts of yours and let me take what’s mine.”
“Go back to that battlefield of yours,” you reply. “Go back and defend Rome like you’re supposed to. Or are you too much of a coward still?”
You should have known he would not take that kindly, should have known that provoking him wouldn’t make him leave. But when you feel his cold, wet hand wrapped around your wrist, when you’re being yanked into his chest, turned around, and shoved up against the desk, it still catches you by surprise. Some part of you, the one that never left that sunny afternoon, didn’t think he’d have it in him. Another part wanted him to.
His body presses into you with such force the desk scrapes against the stone floor with a creak loud enough to be heard over the storm. The sound that cannot be heard is the gasp you let out when he pushes up your tunic, exposing your legs to the humid night air.
“Don’t –,” you start.
He shushes you, one dirty finger touching your lips. You can smell the storm and the blood on him. He can feel your shaky breath.
“Just this once,” he mumbles into your hair.
Maybe you should fight this, but you don’t know how. He kicks your feet apart, and maybe you should kick back, connect your heel to his shin, and run. He bites the spot where your neck connects to your shoulder, and maybe you should bite his finger that is now resting against your lips while the rest of his hand is wrapped around your chin and throat, bite down hard until the bone cracks. He runs his other hand down your backside and pushes it between your legs, groaning at the warmth and wetness he finds there, and maybe you should use this moment of weakness to climb across the desk and search for something to defend yourself with.
All of it passes and you do nothing. All of it passes and you push backward against him, sucking his finger in between your lips. He pulls it out of your mouth, grabs the hair at the back of your neck, and pushes your head down toward the desk, your shoulders straining in protest. The groan you let loose is read as defiance by him.
“I told you to be quiet,” he hisses. “Just …”
He trails off and at first you don’t know why but then the hand at the back of your neck is gone and you sigh with relief, a sound that turns into something less human when he pushes two fingers into you.
“God, you’re tight,” he groans, his forehead resting against your shoulder.
“Please …,” you try again, but you’re not quite sure what you’re asking for.
There’s a rustling sound behind you, leather and fabric being moved frantically, and then his fingers are gone, replaced by something thick and heavy spreading you open. You lift yourself up on the tips of your toes, trying to adjust, trying to lessen the burn, but he digs his fingers into your hips and pushes you back down, right onto him.
“Stay,” he orders. “Just … just take it.”
His words are slurred now, and your vision is blurry, your eyes wet from biting your lip so hard you can taste blood on your tongue. He rocks into you, and your nails scrape against the wood of your husband’s desk, leaving marks in their wake. But you do as you’re told.
“That’s better.” He bites your shoulder again and you gasp from the sudden burst of pain, gasp from the way you constrict around him in response. He laughs, a rumbling like thunder, then pushes your upper body against the wood, holding you down, one hand in your hair, the other firmly locking your hip in place.
Another bolt of lightning must have illuminated your face, turned sideways for him to see the trepidation in your eyes because he says, “Don’t cry. I’m going to take good care of you.”
You don’t know how to tell him that you’re not crying because you’re afraid of him. You’re crying because you don’t remember the last time you’ve felt this way, the last time sex wasn’t just a duty you had to fulfill but something someone wanted from you, and just from you, so much so he would abandon his duty to take what’s his. You don’t know how to tell him you’re terrified of what that discovery might mean for you and your marriage, how you’re hoping your husband is going to walk in right this very moment and free you from the bonds that bind you to him.
Acacius starts to lose control of his body then. He’s pushing himself up deeper and deeper into you, groaning louder with each thrust. You know those sounds, dread them when they’re coming from your husband, encourage them now with desperate whimpers of your own. He grips your hair again, pulls you up flush against his chest so hard you yelp with pain, fumbles with your tunic until he finds that bundle of nerves between your legs that he loved to kiss when you were both free to enjoy each other’s company. But it’s just for a brief moment he considers your pleasure before hitting the desk with his open palm, holding onto the wood, and letting go.
You close your eyes, waiting. It doesn’t take long for him to let out a sigh, to still deep inside of you. You can feel him twitch, you feel his hot release, but most of all you feel the sting of a promise broken. Your whole body is on edge, wound up, pulled taut, and there is nothing he’s going to do about it.
When he’s done, he pulls out of you and lets your tunic fall down around your legs. You turn to face him, your cheeks burning with shame, but his face is once again hidden behind all those shadows that come with a starless night.
“You wanted to take good care of me,” you point out, trying to keep your voice steady.
“I just did,” he says, running his thumb from the corner of his mouth along his bottom lip. “You’re mine now. Leave that between your legs for him to find.”
“Acacius …,” you try, a name once so familiar then so strange now growing familiar again.
He crowds you against the desk, chest to chest this time, and wraps his thick fingers around your throat. The kiss he presses to your lips is hard, devoid of all tenderness. “Mine,” he repeats. “Never forget that.” And then he’s nothing more than heavy footsteps against mosaic floors.
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akgadget · 1 month ago
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redrawn a magma sketch in clip. the husbands-
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crownedwille · 6 months ago
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- Have you told Simon it was August who posted the video? - No, Mama is right about one thing. If I tell Simon he'll go to the police because he thinks it's right. He doesn't understand that everyone will protect August, the school, the royal family, to protect themselves. - So what are you gonna do? - I'm gonna take away everything he cares about. - Sorry but does August care about anything else but himself? - Yes, he loves being prefect and team captain and the power. You'll see, I'm gonna punish him...in my own way.
Felice Ehrencrona and Prince Wilhelm in Young Royals 2.01
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johnslittlespoon · 10 months ago
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Tough And Sweet (Like You And Me) ♡
'Gale looks unfairly handsome in the soft golden light of the late evening, but even more unfair is the fact that John can’t just bridge the gap between them and kiss his feelings away. The more time he spends around Gale, the more it feels like he’s being consumed by his overwhelming infatuation, and there’s not a single thing he can do about it that doesn’t involve the risk of scaring the man out of his life.
So he shuts the truck door behind him after promising Gale he’ll text when he’s safe inside, and he tries not to stare too forlornly as the truck putters off down the street and rounds the corner.'
[ AO3 ]
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nekrosmos · 7 months ago
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What is Nik doing behind Price's desk? He's looking down and looks ... very content .... Oh no
Follow-up piece (NSFW) HERE (or HERE if you don't have Twitter)
Inspired by this lovely fic by @on-a-lucky-tide❤️
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smokin-salmon · 11 months ago
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Drew something for the Random Palette Challenge.
Odile My Beloved
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overlording · 1 year ago
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art to go with @mal-co-holic's excellent fic for a friend. you should go read it 😎
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fellthemarvelous · 1 year ago
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Aziraphale hate makes my brain hurt.
Like let's be really fuckin' for real here.
Neurodivergent fans have repeatedly said that Aziraphale is autistic coded. I agree with them. I have never been diagnosed but I wonder about myself. If only I could get a doctor to take me seriously enough to test me for it, but alas, I'm a 43-year-old woman living in the good ole US of A.
Those with religious trauma have repeatedly said that they identify with him as well. I'm one of those people. I endured 12 years of Catholic schools and just as much time being taught a very black and white view of things that I've had to spend more than 20 goddamn fucking years working to unlearn.
I find that my views as a survivor of religious abuse are often dismissed because people keep wanting to say "Aziraphale doesn't have religious trauma." Yes, thank you, I get that, but unless you've been indoctrinated and brainwashed into a very black and white view of the world, you probably don't understand the kind of feelings Aziraphale's onscreen experiences evoke in so many of us. Heaven might not be real, but the feelings of "God is always watching" still stick with me today even though I no longer believe in God. I have entirely denounced Christianity because of my own personal experience, and I refuse to allow people to try and guilt me or shame me for trauma that I didn't ask for. I wasn't given a choice.
As a child I was told that God was real and always watching everything you do (just like Santa Claus) and can hear everything you say and knows everything you are thinking. Do you know what I learned to do in order to cope with this overwhelming and anxiety-inducing information as a small child? I learned to censor my thoughts. I never spoke up, and I have always felt like I was putting on a show for people because I had to be who I was told to be or I would get into trouble.
Aziraphale said "poverty is a virtue" during The Resurrectionists, and as someone who grew up in the Bible belt and went to private schools, I was taught this very same shit by the Catholic church. He learned in that very same episode that "poverty is a virtue" is actually a tool of oppression to keep the poor poor and the wealthy wealthy. I know we all watched the episode. He went into that episode believing what he said, but by the end of it he knew it was actually utter bullshit. Aziraphale is not ignorant. He's highly intelligent, and he has never been too proud to admit when he has been wrong. He accepts that the information he learned before is not matching up with reality.
And it's so obvious some of you have zero experience with that type of indoctrination because of how very little empathy you show Aziraphale for his "mistake" of "choosing Heaven over Crowley" and "making Crowley sad" so clearly Aziraphale must somehow be "abusive" and "manipulative" and "selfish" and "self-centered" because he didn't choose to run away with Crowley at the end of season two.
First of all.
FIRST OF ALL...
Aziraphale has a mind of his own.
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Aziraphale is always going to try and do what is right.
Aziraphale is an angel. He's a being of love. And the reason he's so "bad" at being an angel is because he actually wants to protect humanity. He has always loved humanity. He repeatedly has to contend with what is "right" versus what is "good" and "wrong" versus "evil". Yeah, he has flaws. He's an angel, not a goddamn fucking saint. He has lived on Earth for more than 6,000 years. He has seen everything. He loves doing human things.
He's obsessed with magic. It makes him so happy. He's not very good at it...well not when he's trying to put on a show for Crowley.
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He chose to learn French the hard way, so even though he knows every single language in the world, he chooses to be mediocre at French. Something that annoys and amuses Crowley at the same time.
He loves to dance even though angels aren't supposed to dance, and dancing with Crowley was what he wanted the most.
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He owns a bookshop and refuses to sell any of his books because they are books he's had for as long as there have been books. He will chase customers away from his collection, and Crowley understands how much they mean to Aziraphale because he refuses to sell any when Aziraphale leaves him in charge.
He and Crowley have been speaking to each other in coded language for more than 6,000 years. They have to be very careful about what they say because Heaven and Hell are always watching.
Heaven has photographs of Crowley and Aziraphale sitting or standing together throughout history. Hell had one photo of Crowley and Aziraphale actually working together and it was Aziraphale's quick thinking and how good he actually is at sleight of hand tricks that managed to get that photo out of Furfur's hands so he wouldn't be able to turn Crowley over to the Dark Council.
Aziraphale saved Crowley from being taken to Hell again. He wasn't able to save Crowley from Hell in Edinburgh, but he sure as heck managed to save Crowley from Hell during WWII. He took Crowley to his bookshop and showed Crowley that he stole the picture from Furfur. He saved Crowley.
You get that, right?
Aziraphale SAVED Crowley.
People always talk about how it's "always Crowley saving Aziraphale" because apparently heroic acts are only heroic when they are grand gestures. The sleight of hand wasn't heroic at all, am I right? It wasn't sparkly and showy. It wasn't interesting enough, therefore not heroic. At least that's all I'm hearing when people start with their "blah Aziraphale deserves to suffer because I have no imagination or ability to understand the media in front of me blah", and all these reasons he deserves to suffer is because Crowley almost got hurt.
Aziraphale did that without flinching and I watch that part closely every single time. He's not scared for himself. He's scared for Crowley, and he managed to hold onto that photograph. He did not fail Crowley. He protected Crowley.
And so here's another thing that we like to point out. The way that Aziraphale, an angel who is effeminate and male presenting, an angel who is soft and full of love, an angel who is kind and forgiving because he has empathy and compassion, is somehow painted as abusive and manipulative. He's not violent, but he could easily fuck up your world. He doesn't use his powers. We have no idea how powerful he is because we only ever see him do small acts. He's used to hiding. It's the only way he has ever been able to protect Crowley.
And I'm not saying that Aziraphale has actually saved Crowley before means that Crowley hasn't also saved Aziraphale. Like, you get that those are not mutually exclusive and their relationship is not transactional, right? They have spent their entire existence protecting each other but never actually getting to be together because Heaven and Hell are always watching.
Yeah, Crowley fell. We all know this. We are aware of this. He was the serpent of Eden. He gave humanity the knowledge of free will.
But what we don't talk about is what Aziraphale gave humanity.
What did he give them?
We all know what it is!
Let's say it together!
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He gave Adam and Eve his flaming sword because it was dangerous outside the garden and Eve was pregnant and she was already having a really bad day. He showed them compassion and gave them his extremely powerful angelic weapon so they would stand a chance on the outside of the garden. He gave humanity the gift of compassion. It's just unfortunate that his flaming sword became a weapon of War.
And then what did he do after that?
Ooooh, yeah, that's right.
God asked him about it and he straight up lied to her and pretended he had no idea where he'd managed to misplace it. She didn't say anything after that. He told Crowley the truth though. He told Crowley the truth even though Crowley fell.
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Yeah, we know Aziraphale has done some really fucking questionable things. He and Crowley both suck at passing for human in front of observant people like Nina. They're not human. They are still learning, but they managed to experience human history together despite being on opposite sides and their experiences with humanity are what has shaped them into the compassionate and loving duo they are now. One of them is not better from the other.
This, my friends, is what we call meeting in the middle. It's why shades of gray is so important. Aziraphale constantly breaks the rules. Crowley refused to play by Heaven's rules. It's the reason he fell. He doesn't play by Hell's rules either. These two dorks figured out how to cancel each others' miracles out throughout human history in order to have more time learning about humanity and each other because working all day every day sucks when there are so many new things to learn and experience with the people you love.
We know Crowley and Aziraphale both love each other. Neither of them are good at hiding the hearts stars in their eyes.
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But here's what's really fucking annoying about the Aziraphale hate.
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Aziraphale was already crying when Crowley grabbed him and kissed him. Aziraphale is trying so very hard to do the right thing. He loves Crowley. He does. But he also has a duty to humanity, and he has taken that job very seriously since the creation of Adam and Eve. He sent them out into the world with a flaming sword so they would have a chance at surviving beyond the walls of the garden.
And he knows that Something Terrible is going to happen and he spent all of second season trying to figure out what that Something Terrible was while trying to have some sort of more honest and open relationship with Crowley, but again, they aren't human, they are a demon and an angel approaching life from opposite sides who met in the middle and fell in love with humanity together.
He wants more than anything to tell Crowley how he feels about him, but he wants to do something grand for Crowley because Crowley has always been grand and dramatic and sexy and a little bit scary.
Crowley is impulsive and has a temper and sometimes says the wrong thing but he has always trusted Aziraphale because Aziraphale gave him a chance even after he fell. Aziraphale chose to shelter him instead of smiting him while they stood on top of that wall. He knew he was supposed to kill Crowley, but oops, he gave his sword away to the humans so he didn't really have anything to kill him with and Crowley is the one who created nebulas. The Pillars of Creation is Crowley's work and Aziraphale was there to witness that, but he watched Crowley more than he watched the nebula. He witnessed the pure joy on Crowley's face when he said "let there be light" as a nebula full of colors exploded before their eyes. He was fascinated by Crowley.
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But Aziraphale is going back to Heaven even though he has made it perfectly clear he absolutely has no desire to go back to Heaven. He told the Metatron this during their conversation. He spoke these words out loud. They exist.
But then The Metatron said this....
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The Metatron. The very same angel who told Aziraphale in season one "to speak to me is to speak to the Almighty." He's the boss. He's the big guy. He's used to existing as a giant head and he had to give himself a body so he wouldn't stand out on Earth. And he knows that Aziraphale and Crowley have been working together since the beginning. He knows they worked together to prevent Armageddon in season one, and now he's made it clear he knows they were working together long before that. And let's face it, Aziraphale really wants to know what this Something Terrible is that Gabriel is running from so he can try to prevent it from happening.
It makes sense that he would want to take Crowley to Heaven with him because he would be able to keep Hell from getting their hands on him again. Aziraphale hates it in Heaven. He doesn't want to go, but Something Terrible is happening and Metatron isn't taking no for an answer, and maybe Heaven won't be so bad if Crowley is there with him. At least they can fix Heaven together.
But Crowley can't go back. We all get that. We don't blame him for saying no. It doesn't change anything.
Something Terrible is about to happen and Aziraphale has to figure out what it is. He wants to change Heaven.
He is fully aware that Heaven sucks. He still has faith in God. His faith isn't in Heaven. He deserted his platoon in season one and threw himself back to Earth so he could figure out how to make sure the war between Heaven and Hell doesn't happen.
But see, here's the thing. Heaven is at the top. Heaven has all the resources. Heaven is responsible for the creation of Hell. Heaven is empty and Hell is overpopulated. Aziraphale knows this. Crowley knows this. It's obvious every time we see either place. Both sides are desperate to go to war and will not hesitate to destroy humanity in the process. This is the opposite of what Crowley and Aziraphale want for humanity. If anyone can change Heaven, it's Aziraphale. He's the only one up there who gives a shit about humanity as far as we know. No one else is going to speak on humanity's behalf.
Some of us are so busy getting mad at Aziraphale for going back to Heaven and giving Crowley a Big Sad. Newsflash: Crowley is not the main character of Good Omens. Aziraphale and Crowley are equals, yet we wanna hold Aziraphale to higher standards because he's an angel, and when he makes mistakes it's proof that he's the bad guy.
Holy mother of all things that trigger my religious trauma, let me tell you. I spent my entire life hating myself every time I made mistakes. I've had to teach myself that just because I mess up sometimes doesn't mean I'm bad. It means I'm human. I still struggle with it. I probably always will. So when you say that Aziraphale deserves to be punished for breaking Crowley's heart, you not only ignore that Aziraphale's heart is also broken, you're saying he deserves to be punished for doing what he thinks is right.
Wanting to change Heaven for the better is not a bad thing.
And some of y'all wanna see him suffer for going back into the lion's den that is Heaven, knowing that he is already an outcast, that they have already tried to kill him once, knowing that he is a deserter, that he has been lying to Heaven about a lot of things, and you still think he's blinded by Heaven? You think he's just so naive and that's the only reason he's going back. He doesn't show his emotions the same way Crowley does so it means he doesn't care as much. He's expected to consider Crowley's feelings over his own when making choices. Like holy shit if all of that hasn't defined my experience as a woman with religious trauma in this fucking society. He's expected to be subservient to Crowley and if he doesn't do what Crowley wants then he's being unreasonable and illogical.
What the actual fuck, y'all.
Like seriously.
I'm sick of this bullshit. I had to step away from this fandom because of how toxic some people in this fandom are. It's not chasing me away, but the fact that I chose to hang out in a a more toxic fandom that is already notorious for being really toxic over a fandom that claims to be more open-minded and welcoming should probably tell you something.
It gave me a lot of perspective, and yeah, I'm still gonna speak up against the bullshit Aziraphale hate.
People are entitled to their opinions, but the Aziraphale hate isn't an opinion. It's just ableist, misogynistic garbage. At this point we all know y'all say these extreme things about Aziraphale because y'all get more joy out of the harm and alienation it is causing others.
Keep being loudly wrong, but if you think I'm not entitled to challenge shitty-ass, harmful, hateful discourse, bite my ass.
I'm not the one who lost the plot in this fandom.
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wickedsmille · 7 months ago
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batman, robin, sentient super suits, oh my!
I got this idea stuck in my head and rather than committing it to the 15 page graveyard of other story ideas, I actually wrote it! (I'm so proud of me :'3) The aforementioned is. . . . The suits/costumes are sentient! With limited autonomy!! And their own personalities!!! So, yep. This one might actually make it onto AO3 when part two is done.
Probably rated T because Jason. Did not edit because nope. Sillies at the end because of Jason's Tim!feelings and stellar repression skills.
(Here's Part 2!)
-----
Imagine Jason’s surprise when Bruce leads him down to the Cave, the Batcave, and he spots the costumes of Batman and Robin innocuous in their cases. The bright lights above them shine down, illuminating the bright colors of Robin and glistening off the dark planes of armor of Batman. All four feet of Jason was vibrating with excitement. Patiently with a small, private smile, Bruce guided him towards the cases.
The closer he gets, Jason notices how they’re not on mannequins. A few more steps and he can’t spot any internal structures keeping them up or wires suspending them. Curiously enough, the costumes seem to be standing of their own accord. He didn’t question it as he came to stand right before the glass. His hand rose to press against the case, mouth open wide in awe and eyes about the size of dinner plates.
Now, just picture how a tiny, baby Jason reacted when the Robin suit recoiled. The fabric gathered together and plastered itself to the other side of the case away from Jason. The neck of the suit shifted back and forth like an invisible body was shaking its head. Pulling his hand away as if he’d been burned, Jason took a staggering step back and looked to Bruce for answers. The man stared at the case, eyes narrowed and mouth pinched into a thin line of disapproval.
It was then Bruce explained the nature of suits and the heroes they choose. Here Jason had thought Bruce created Batman and Robin, not the other way around.
Apparently one night, after getting the hair-brained idea to take to the night to fight crime with nothing but his wits and an arsenal of R&D weaponry, Batman came to him. The suit was in his study hanging off the clock. As he stepped inside the room, the suit slithered off the clock to stand before him. Tall, dark and imposing. Written in quickly disappearing fog on the glass of the clock was the name Batman.
Robin was all Dick until he decided to leave it behind. It came to Dick mid-swing from the chandelier. One second he’s flipping through the air to reach the banister, the next he’s flailing wildly after misjudging the distance. Robin caught him, the sleeve of the suit wrapped tightly around his wrist. Then the suit skittered down the stairs to the main foyer, wild and energetic as it seemed to do a round-off, onodi, bridge, illusion and finished with a needle. Again and again till Dick’s face lit up like the sun itself. Robin became a permanent fixture next to Batman from then on.
Robin was devastated after Dick left it but it still took months for Bruce to coax the suit into engaging with Jason. He did everything he could to help. Sitting and even sleeping in front of the case. Whispering his secrets and wants to the layers of kevlar and nomax. He told Robin things he could barely admit to himself let alone anyone else. It was after Jason confessed how much he loved his mom and dad in equal measure that Robin finally accepted him. That night, when Bruce opened the case and once more tried to take the suit out, it came easily where normally it was immovable. 
The tight fabric slipped on like it had been made for Jason and Jason alone. Deep down, he knew it hadn’t been. The suit made his chest hum and his skin tingle but it was like wearing someone else’s skin. The discordant feeling didn’t stop Jason from fully losing himself to the magic of Robin. Even when Dick loudly protested Jason using the suit but what could he do? Robin chose Jason, eventually, even if Dick hadn’t. 
Maybe that’s why Robin couldn’t as effectively protect him from the Joker as Batman did for Bruce night after insane night tangling with the rogues. 
For a long time, Jason didn’t have a suit aside from the grave clothes he clawed his way back to the land of living in. Time gets fuzzy from there but he doesn’t remember another suit coming to him. Not then and not after Talia took him in, healing his body while his mind stayed locked up till she tosses him into the Pit against her father’s wishes. Jason suffered under the League and its training, shuffled off periodically to one master or expert or another to learn more about demolition and explosives, firearms and sharp shooting, spy craft and more. 
When Red Hood comes to him, Jason is just coming back to his clay walled room with its moth bitten wool blanket and wood cot, blood on his knuckles and the beginnings of a nasty shiner. He’s who-the-hell-knows where. Talia never did see fit to keep him in the loop no matter how loudly or persistently he pestered her for details. She dolled out what she wanted when you wanted to achieve whatever twisted goal she’d cooked up in her head. Like siccing him on Bruce and the whole of Gotham like a living nightmare tailor made to make Bruce hurt.
Seeing a suit laid out across his cot has been the most significant deviation from his routine in a long time. Long enough the site of the black tactical gear and heavy armor visibly startles him. His hand tightens around the handle of his door as he stares unabashedly at the suit. 
“What the fuck is that?” he asks, pointing to the red helmet facing the doorway at the head of the bed.
The sleeve of the leather jacket raises up a couple inches. The buckle around the wrist rises up straight and Jason doesn’t need to be a genius to know his suit just flipped him the bird. He returns the gesture and the lenses of the helmet flare a bright white before going out again. 
“Well, aren’t you cheery.”
The entire upper part of the suit shudders in what he assumes is a shrug. Cheeky. He kind of hates it.
He’s trying very hard to not look a gift horse in the mouth despite his suit’s apparent attitude. It’s not as showy as Robin, thank god. There’s a cliff with his name on it, ripe for pitching himself off of, if he got a gimmicky costume. He’d take his chances rolling back into Gotham in a t-shirt and jeans then toss on another pair of undies and tights. The mercenary look is much preferred and appreciated.
Besides, despite the attitude, this suit is his. Not some hammy down Bruce needed to coax into accepting Jason.  
“What am I supposed to call you?”
The lenses of the helmet light up again but this time they stay on. Cautiously, he takes a couple steps closer. The suit doesn’t move again, patiently waiting for him. Nothing happens so he closes the distance and gingerly picks up the helmet. The metal of it is warm beneath his fingers and a hum starts deep in his chest. The helmet slips on easily and fits like a glove. A wash of colors and symbols scroll across the HUD as it springs to life. 
The screen blanks out entirely then a burst of red that settles into the words Red Hood. Then Lets fuckin do this bitch it reads.
“Huh,” Jason says. “Huh.”
Red Hood is an asshole apparently though he can’t deny the poetic justice of taking on the old name of his murderer. Terrorizing Bruce is going to be so fun.
Jason leaves for Gotham that night. 
Within three months, he has his claws in Crime Alley and a burgeoning drug empire. It takes him six months to properly align the pieces around the board so he can set his plans for Batman into action. He’s a veritable force of nature when he’s wearing the Red Hood. Bullets glance off the armor, knives slip right past and the brass knuckles sewn into the gloves teach as effective a message when he needs to get up close and personal. It allows him the space and strength he needs to wrestle the city under his control so he can start making moves.
He becomes the Red Hood.
Things don’t go as planned though, per say. 
He barely hobbles away from the confrontation with Batman and the Joker. At least this time, with the Red Hood, he does walk away. 
The world is a whirlwind of sights and sounds, colors and impressions. He works himself down to the bone till the bitterness and anger dissipate enough for him to feel like a person again. Separating Jason Todd from the Red Hood, making the distinction rather than losing himself to the suit, is one of the most difficult things he’s ever done. 
Red Hood isn’t happy about it and makes it known with the hard hits he takes. Not enough to threaten his life. Until Jason is facing down at least thirty heavily armed guys and the building is rigged to blow. The suits can do a lot of things like help Batman become one with the shadows and keep the laws of gravity from gripping too tightly to Robin. Red Hood is built for protection through thick armor for Jason and a nasty assortment of weaponry for those who hurt others. 
But they do have their limits. 
Jason just never thought he would reach it except he does and it leaves him bleeding out in some dingy back alley in Gotham. He presses hard against the wound on his side around the jagged piece of metal sticking out to stem the bleeding. His head is throbbing in time with the beating of his heart. The harder it pounds, the more it slows, the less Jason thinks he’ll make it out of this one. He’s fuckin’ clawed and crawled, sweat and bled and turned himself inside out again and again and this is how he goes? Bullshit. Straight up bullshit.
He blinks the sweat out of his eyes and forces himself to focus as the HUD flickers on and off. The light of it is faint as the air filtration system hums loudly. A tiny icon pops up in the corner that hadn’t been there before. Some simple silhouette of a person’s bust. It clicks open without his say so and the screen darkens before it springs back, determined and stubborn. 
Pictures and words flash across the display, too quick for him to properly make any of it out since his brain is as good as scrambled eggs at the moment. It centers on a cartoon version of Batman’s face, complete with comically severe scowl. Jason frowns and shifts, wincing at the white hot flare of pain shooting up his side. And his arm. Shit, guess he’s not just dealing with the shrapnel in his side.
“Don’t you dare,” Jason rasps in warning. 
In answer, his suit selects the icon and, to his immense surprise, it immediately connects to the comm network the Bats use. You know, the heavily encrypted one only the masters of top tier hackers have ever been able to get into. The one he isn’t supposed to have access to. At least, he didn’t think so. Things haven’t been bad with Batman and his clown car of other bats and birds. They haven’t been good either. 
“Hood,” Batman acknowledges with a hint of confusion and trepidation. Jason groans but it tapers off in a pained grunt as he shifts and the metal lodged in side moves with him. “Hood, report,” Batman demands, confusion abandoned for concern. 
It’s touching in that I-wish-this-weren’t-happening-but-since-we’re-here kind of way. 
He doesn’t say anything so his voice modulator whirs loudly in protest of his silence. Fucking suit. Civilians truly don’t know how lucky they are to not be dogged and bullied by sentient costumes and, wow, when he thinks about it that way it is incredibly weird. He may not be thinking clearly either since he’s pondering the very existence of the hero communities suits rather than answering. Concussion, maybe? Probably, he decides as a wave of nausea rises up.
Swallowing past the bile, Jason projects as much chipper nonchalance as he can when he replies, “Not much going on here. Might’ve gotten blown up. A little. Tis but a flesh wound.”
“Location,” Batman growls. 
“The intersection of Nun-ya-business and Fuck-off,” Jason says because he wouldn’t be him if he didn’t take every chance to be a shit to Bruce. Although, now may not be the time for it since black spots are dancing across his vision and he feels the bad kind of numbness sneak in. 
Jason’s locator flips on and a message goes direct to Bruce with his coordinates. Red Hood is a traitor. He’d rage at his suit for being so presumptuous and taking liberties. Most suits back down on playing such an active role after they choose their wearer. Maybe an automatic switch in imaging or restocked first aid supplies in a pocket. Never this. His suit is a busy body. To think, the fearsome Red Hood with all its holsters and extra layers of armoring and plating, a mother hen.
Not the worst thing, he guesses, as he loses consciousness.  
Coming out of a three day sedation to the bright overhead lights of the medical bay in the Cave with Batman looming over him, fully suited up and staring, a traumatic enough experience Jason readily steals his alternate-universe’s Red Robin suit. Unlike his own universe, this one doesn’t have to deal with fabric capable of higher thinking. The Red Robin suit is just that. A suit and nothing more, nothing less. It’s simple and perfect when he’s still angry at the Red Hood suit.
Running a few patrols back in his Gotham proves him wrong. Very, very wrong. 
He forgets to restock his belt and his hand meets an empty pocket on the belt where there should be smoke pellets. Except he used them the night before when breaking up a gang initiation. The armor plating doesn’t shift the quarter an inch Jason needs to avoid getting nicked with a knife. Plus switching between lenses in the mask manually is annoying. And needing his hand to work the comms? Horrible. 
Playing as Red Robin, the incredibly unexceptional and totally normal super-suit, shows him how spoiled he was with the Red Hood. 
Thoroughly frustrated, Jason tears into his safe house and tears out of the suit. He kicks it off into the corner then kicks it again because fuck this. He’s over it. So over it. Hopefully Red Hood isn’t salty about being benched and relegated to the cache he has hidden in the ceiling. 
Moving aside the ceiling tile and sneezing from the dust and what he hopes isn’t asbestos, Jason grabs the lock box. He pulls it close then lets it drop unceremoniously onto the floor. Sue him, the thing is heavy. A ball of writhing unease makes a home in Jason’s gut as he kneels next to the box and starts methodically disarming the security on. His hands hesitate opening the lid. 
What if the Red Hood decided to fuck off to parts unknown wherever these things go when they get retired?
Then he realizes how stupid it is to be mostly naked aside from his undershirt and shorts, scared to face the consequences of his own actions. He built the mythos of the Red Hood on forcing the human shaped garbage of Gotham to pay up on their moral debts. Being brash, antagonistic, caustic and aggressive he’ll own up to but Jason has always prided himself on shying away from hypocrisy. So he holds his breath and flips open the lid -
To the suit, crammed in the small metal box, lifting the sleeve of the leather jacket on top and flipping him off with the wrist buckle. Again. 
“You son of a bitch,” Jason laughs, back handing the buckle. Looking over his shoulder at the disarray of the Red Robin suit, he adds, “Look, it’s not me. It’s you.”
The next night, when he gets suited up and pulls the iconic red helmet of the Red Hood on, Jason stands over Gotham and feels whole. Jason and the Red Hood and Jason-as-Red-Hood, co-existing peacefully within and around one another. The pieces click together, making him feel lighter than he has in years. He thinks this must be how Bruce feels when he’s Batman or Dick when he’s Nightwing. When you know who you are. Robin was an ideal he clung to desperately even if it never quite fit right and Red Robin was a bad idea he needed to understand the nature of suits.
They weren’t his, not like the Red Hood is because it’s an autonomous extension of himself.
Because he’s not completely heartless even if the Red Robin suit lacks any sort of intelligence, Jason takes pity and dumps it in the Cave. Let Bruce or Lucius dissect the thing so they can unlock the secrets of suits. Or use it to mop the floors. Whatever, he doesn’t really care. At least it’s not his problem anymore. 
Then Tim steals the suit. It’s a theme with Tim, apparently. Jason would take it as a goad and beat his ass if Tim didn’t leave and come back different. As is, when he first sees Tim looking pale and world weary in the Cave with an equally exhausted looking but alive Bruce next to him, Jason is feeling too many things too quickly to focus on Tim’s sticky fingers. In no way does looking like warmed over shit excuse Tim for constantly taking his stuff but he can delay payback. There’s feelings he needs to repress at seeing Bruce whole and right there.
Tim doesn’t abandon Red Robin like Jason did. No, he keeps it. Why, Jason has no clue. It’s punishment enough to wear a plain Jane suit like Red Robin so Jason elects not to confront him. If Tim wants to punish himself, it saves Jason the time he would take to do it. As time goes on, they start to get along so why shake it up for something stupid like the Red Robin suit, he thinks. 
Landing softly on the roof Tim’s crouched on, Jason’s heavy boots barely make a whisper of noise as he creeps up on Red Robin. He’s bent over with his arms extended so he can scare the shit out of him. 
Jason doesn’t get the chance to. About five feet away, back still turned to Jason, Tim asks him dryly, “Can I help you?”
With a sniff, Jason straightens up. “Yeah, by not being such a fun sucker.”
“Oh, so sorry,” Tim says while not sounding at all sorry, “next time I’ll let you jump scare me so I totally blow my stake out.”
“Thank you,” Jason replies.
He can feel Tim’s eye roll even if he can’t see him. “Did you come here because you’re bored or do you need something?” Tim asks.
With a shrug Tim can’t see, Jason answers, “A little of column A, a little of column B.”
“As you can see, I’m indisposed at the moment either way.”
“Alls I see is you sitting on your ass.”
“Exactly, now shoo.”
“I will not be shoo’ed,” Jason says as he comes around and sits down next to Tim. “I am un-shoo-able.”
To prove his point, Tim twists so he’s facing Jason and makes the actual shoo’ing motion with his hands. It says a lot that Tim will give him a hard time considering their past. Never once has he shied away from Jason since he and the others got chummy again. If it were him, Jason would incessantly badger and pester and be a complete dick. But Tim has never been like that, even when he should. Like he should with Jason.
Quiet reigns over them. Tim goes back to surveying the building across the street and Jason absently watches too for lack of anything better to do. Truly, he was bored. Patrolling Crime Alley was slow, for once. Who would’ve thought? Tim happened to be the first person he came across as he was traipsing the city just because he could. Lucky him. 
“How’s the suit treating you?” Jason asks casually, honestly curious. Tim has been wearing it for months now.
A subtle tension stiffens the set of Tim’s shoulders. “Fine,” Tim says cautiously. 
“Why even keep it on? I tried since it’s all, ya know, not a semi-conscious being literally handling my tits and bits for hours a night. Didn’t work out so well for me, obviously.”
Tim chews on the inside of his cheek while his hands tighten around the binoculars pressed to mask. It’s a testament to Jason’s growth that he lets Tim think through his answer without disrupting him with a heckle or five. Plus he’s invested. He really wants to know why the hell Tim is keeping Red Robin when the alternate-dimension suit is so sub-par compared to the costumes they have. 
“I don’t have any others,” Tim finally replies, voice quiet and tight. 
Oh, oops. Looks like he stepped on a landmine without meaning to. The thought that a suit wouldn’t immediately choose analytical, ambitious and surprisingly badass Tim Drake hadn’t even crossed his mind. 
“I get that,” Jason says. “Can’t tell you how many times I’d turn a corner when I was with the League and hope there’d be a suit. Some signal like, yeah, you’re ready to leave these shitheads behind.” 
Man, he did not mean to share some deep-down, touchy-feely bullshit. But that doesn’t make it any less true. Waiting for the Red Hood was agonizing. Empty days spent learning how to snap a person’s neck and the most painful bones to break, how to engineer car bombs, what kind of scope it takes to blow someone’s brains out from five hundred yards. Never feeling ready because he didn’t have anything but his ratty jeans and tee and standard issue League garb. Wishing he’d be released from the never-ending violence that is the League because nobody else seemed keen on letting him go easy. At least with the Red Hood, he was able to convince Talia it was a sign from a higher power on how truly ready he was to ditch them and enact her not-at-all-subtle machinations.
The silence makes Jason feel awkward and uncomfortable but Tim is thoughtful when he responds, “I’ve never been chosen by a suit before.”
“Really?” Jason can’t help but ask. 
He thought Robin would’ve been scrambling to claim Tim. Robin did give Tim pants, after all. He’s always wondered if Robin kept the scaly panties just to troll Jason since it wasn’t happy with his wearing it. 
Tim nods. “I, well, Dick and Bruce were in trouble and I was there but Robin didn’t. It didn’t want anything to do with me. Alfred tried getting it to see some sense but I eventually had to wrestle it on. Robin wasn’t happy with me.”
“Huh,” Jason says because he doesn’t actually know what to say but leaving Tim hanging feels like a crime in and of itself.
Like the psycho he is, Tim laughs. “Yeah, pretty much. Robin fought me my whole tenure but I like to think I did alright. Besides, I don’t think Robin is very happy with Damian either after he forced it on. You should hear the arguments he gets in with the suit.” A vicious little smirk curls up the edge of Tim’s mouth. It’s a ruthless thing Jason likes the look of. 
Now Jason really can’t cash in Tim’s debt to him for taking yet another suit from him. Tim repurposed what was essentially his garbage because he had nothing better to use. Kind of sad, now that he thinks about it. And Tim fucked off to parts unknown with a regular ass suit to do the impossible. Actually did the impossible. Tim really is the best of them, in Jason’s humble and will-never-be-voiced opinion.
“I can imagine. You got some video footage of one?” Jason questions, steering the conversation back to safer waters. 
“No, I would never keep something like. Come on, I’m a good guy,” Tim says sarcastically.
“The only thing good about you is that mouth.”
Even though he’s the one that said it, Jason’s brain overloads and crashes all in the span of a nano second. That was definitely flirty. In no possible universe, dimension or other-world would that line not be considered flirty. He didn’t mean to do it. Right? Right, because flirting with Tim would be weird enough Jason would need to submit himself to a litany of invasive tests just to figure out what in the hell is wrong with him. Slips of the tongue do happen-
Bad analogy to use now that he’s thinking about Tim’s mouth.
“I get that a lot,” Tim says, brushing off Jason’s folly easily. 
“Get some,” Jason encourages lamely. 
In another feat of extraordinary social ineptitude, Jason reaches up and ruffles Tim’s hair but he does it too hard. It ends up being some weird combination of a noogie and hair pet. He stops that right away and instead uses Tim’s head to lever himself up. Obviously he’s not going to recover from this interaction. Several fatal blows have been dealt. The only sensible thing to do is escape as quickly as he can and go scream out the embarrassment into the void. 
Tim squawks in protest and bats away Jason’s hand. His brows are furrowed and sporting a deep set scowl as he no doubt glares at Jason for using him as a hand hold. Whatever, all the better if Tim is pissy. It means he hasn’t noticed Jason being a complete and total moron. Or picked up on the way the shivering, shimmying pool of warmth building in Jason’s belly is making him grimace and sweat.
Hands up in a gesture of surrender, Jason backs away. Satisfied, Tim goes back to watching his building. Jason backs up another step when, weirdly enough, Tim’s cape moves. Like a full on flap to the side. It opens up a brief glimpse to Tim’s backside, boots and belt and skin tight leggings, before the heavy material settles again. There’s no breeze tonight though Tim might have been fiddling with it or something. 
Jason can’t be sure. Doesn’t really care. He has a hasty retreat to get to. 
He means to retreat but Red Hood, the motherfucking, traitorous dickbag the suit is, must take some measure of joy in Jason looking like an idiot because Jason trips on the laces of his boot on his next step. Now, he’s sure he tied them. Double, triple, quadruple knotted with a complicated pattern Bruce taught them all so this exact thing wouldn’t happen. Yet, flailing and just barely saving himself from belly flopping onto the roof, when Jason looks back his laces are definitely undone and the culprit of his current predicament.
The one in which Tim turns oh so slowly with an eyebrow so high it disappears into his hairline. Judgement is pouring off Tim in palpable waves. He meets Tim’s gaze and wants to melt through the roof. 
“That wasn’t me,” he instantly denies.
“Uh huh,” Tim says dubiously which makes Jason glower. “Thanks for reminding me why I like having a regular suit.”
“You sure you don’t want to take Red Hood for a ride?” 
Jason decides he’s going to stop talking for the rest of ever. He had wanted to annoy Tim for lack of anything better to do. Not test the limits of how much mortification a person can feel before their will to live force quits. Things have gone so, so wrong. 
Tim wrinkles his nose at Jason’s offer. “No thanks,” he says simply. 
Nothing in his tone gives him away so Jason isn’t even sure if Tim picked up on the accidental and subtle as a sledgehammer come ons. He’s not about to point them out so he rolls over, ties his goddamn shoes and gets up. Carefully. In case his suit decides to do something else unforgivable. Thankfully, he doesn’t have any issues getting to the edge of the roof or setting himself up to grapple off. 
“We can play How Much Gasoline Until the Nomax Melts if you want,” Jason threatens his suit, voice barely above a whisper. Then, louder, to Tim Jason says, “Okay then, see ya, Red.”
While Jason has been preoccupied with the simple task of traversing the roof, Tim has already gone back to his task. Binoculars up, body pitched forward as he intently watches something, he waves lazily over his shoulder.  No indication is made that Tim needs him to stay and act as back up. Must be a survey and report only kind of night. All the better because Jason would rather eat concrete and sleep on glass than stay with Tim for a few hours.
He has some more emotional repression to get to in the form of whatever he’s feeling about Tim. Very important stuff.
Stay tuned for a part two! (For real this time.)
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simptasia · 9 months ago
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LOST: Season One
#lost#abc lost#lost one cap per ep#this was a project i was gonna do anyways but the timing worked out that i could post the first one on the 20th anniversary!#this is one cap per ep every season. from left to right. and this is important: its not a cap that sums up each ep#its a cap that REPRESENTS each ep. the way i choose them varies every episode#sometimes its an utterly iconic moment. sometimes it reps the theme of the ep. or it hits with a theme of the character themselves#sometimes the cap i use won't even involve the character whose centric episode it is. trust me. this makes sense#anyways i'll give a good example: for outlaws i was so tempted to use a shot of the judgemental soulful gaze of the boar#or perhaps sawyer in the rain after he shot that man#but! i used that shot of sawyer's dads legs as sawyer is hiding under the bed. i feel it worthy because this moment. this scene#is literally a core part of sawyer. it's a defining moment of his backstory. of his character. so yeah. makes sense yeah?#anyways some eps had Too Much going on (lord i could make one of these for exodus part 1 alone) and some not enough#or well they DID but like lacked in caps that Hit in the way im thinking. thank heavens charlie shot ethan cuz i was worried about that ep#i was like ''aw shit what am i gonna use'' and then an iconic lost moment happened kjhfdsjkhfd#anyways. there are 25 eps in season one. so im really glad that the last ep contains one of the moment iconic visuals/moments in all of los#oh i should add that these caps are unedited. i did not fuck with the colours or saturation in any way#i found 'em and i pieced them together. this is harder than it sounds. i browsed through all the screencaps of every ep of season one#and i will do so the remaining five seasons#some of these were super easy like i knew what cap i'd be using before i even started (eg. do no harm. the moth. in translation)#but some took some real Thinking. and some eps even had several caps that would have worked. this has all been quite interesting#also yeah. y'all already know damn well what cap i'm using for the very last episode
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47-bunnies-in-a-labcoat · 2 years ago
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had to show a train ticket on my phone and right as the person was checking my screen, my wife horny texted me calling me a "poor desperate girl" and the notification covered the ticket
help I'm
hhhhhhhhhhhh-
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coconut530 · 4 months ago
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GETAWAYS
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autisticlenaluthor · 1 month ago
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thinking about when noah kahan said "i know that it ain't much, i know that ain't cool, oh you don't have to tell the other kids at school" and nat being so ashamed of herself and her home whenever jackie comes over; reassuring her ad nauseam that the others don't need to know that they're friends. because nat might not care what anyone else thinks but she cares about having jackie in her life and she knows that jackie cares. so she'll water herself down and hide in dark corners if it means she'll still get to bask in jackie's light
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causeimanartist · 2 years ago
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Behold, the last lunch break drawing in my sketchbook
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