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fagcrisis · 2 years ago

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SPOILERS

so, as you all know i went into this with haterism in my heart. i dont trust neil gaiman to make a good series of television (and he didnt!) and i especially dont trust him to write good gay rep because ive read. literally everything hes ever written i know what hes like

i did however first read good omens the book the myth the legend at the tender age of 11 and im not ashamed to say watching this season made me legitimately insane. its very hard to formulate critical thoughts about this show when i just saw one of my favorite characters in literature ever gay kiss. BUT IM GOING TO TRY

first of all the plot is kind of nonsensical. the intrigue of what mightve happened to gabriel is interesting, but i do not feel like the eventual reveal of his relationship with beelzebub was set up in any manner. the only reason i spotted that beelzebub seemed weirdly fixated on finding him was because i saw spoilers about this plotline first and knew to expect it. i feel like because this obviously was not at all present in season one, aziraphale's investigation should have revealed a lot more about their relationship because as it stands, the main reason he went to edinburgh was to say the word grindr and have a flashback

the pressure and the villains this season didnt really feel, well real. the angels are bumbling idiots and while shax is initinally presented as somewhat competent, the demons also turn out to be kind of bumbling idiots. there is not really any danger presented to our protagonists, and the pressure to get maggie and nina together is also not really something that plays a role (due to muriel being a bumbling idiot), although that plotline i didnt actually hate but more on that later.

i still dont understand why the angels didnt recognize metatron when he was there at gabriels trial and he is like, as far as i can tell their boss. him being the sort of final villain/main villain of s3 possibly didnt feel like a reveal but thats bc ive seen supernatural and read his dark materials. its not a bad twist and i do feel like any urban fantasy involving christianity is inevitabely gonna end up at metatron being the final boss bc how are you gonna involve god and make him evil. supernatural nonwhitstanding they were smoking crack at that point. anyway i dont neccesarily hate him showing up but it was in somewhat of a weird manner.

ALSO people jumped to the conclusion that he wrote this season so quickly guys this is NOT supernatural u cant explain bad writing away diagetically

despite the bad writing me and @totopopopo had a great time and thats partially due to mental illness but its also due to the fact that tennant and sheen are, incredible. they absolutely carried this show, it was kind of an experiment in how much bad writing can these amazing actors make you forget about. they looked like they were having fun the whole time and they made me have fun too. despite my issues with the story i cant say i didnt have a ball on this bitch because watching michael sheen prance around and queen out while david tennant reprises his famous role in the ministry of silly walks and stares at aziraphale like he wants to eat him was basically everything ive ever needed in this show. i would watch these two say anything and id enjoy it

now onto their relationship and also maggie and nina, because i haven't slept well and have not been able to decide how i feel about this. i feel like their relationship was done well but thats like 80% due to the actors being good and only like 15% due to the script, the rest is all in my head. i did really enjoy the both of them getting deeply invested in these womens' lives for the sake of sort of vicariously living out their own desires, even if it felt a little bit rushed and also the talk they gave to crowley at the end was really funny and cute but it was also like, twitterspeak which annoyed me

overall i dont think i can be an objective judge of how it went because my head is literally just ineffable husbands gay moments compilation on loop atm. i liked it and i dont think it was like, offensive in any manner but i also do think its mostly on the actors understanding their characters very well

the final verdict is that if you dont care deeply about this story then its not really a must watch, it felt like a rushed season that needed a lot more episodes and time to breathe, as well as some fucking script revisions. however it is kind of fun and if your standards are not very high and you want to see david tennant sit on chairs in entirely new ways i recommend watching it with friends. if you do care deeply about this story however you will become insane

ps.: hes totally raphael

i woke up im normal now im going to try and gather my thoughts about gomens 2 coherently

#needed to get this out there #if u took the time to read through it i would love to hear your thoughts

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narwhalandchill · 2 years ago

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anyway tho like. now that ive played the 1.2 story and sat on it a bit id say my overall thoughts are def mixed. i enjoyed a lot of it but theres some things that sorta just stick out or dont work and the pacing definitely worked against the story

(just a long rant/ramble upcoming its not coherent at all lol)

one thing that rly rubbed me the wrong way was like. while overall this story rly sold fu xuan as a character to me (i was a huge fan of her presence overall) the dan shu thing just felt? wrong? and like to be clear it wasnt just fu xuan the scenes writing was off in general but her role in being the one countering dan shus points just made her p central to the problem.

but like my issue is that dan shu is previously established as having very understandable reasons behind her resentment of lan that made her compelling as twist villain imo. Yet that resolve was nowhere in the scene in her rebuttal of the xianzhous ways?? when i think that shouldve been The moment of her calling out the xianzhou and actually challenging fu xuan properly. it wouldve been an even better opportunity to expand upon how fu xuan responds to being confronted with the xianzhous flaws and hypocrisy and problems. but somehow yassified dan shu really just. had a generic villain speech and thats it. the callback to their heritage as former followers of abundance was... fine? but like it wasnt that impactful. and fu xuan essentially calling her nothing but a power hungry villain when thats very much Not what dan shus motivation boils down to sucks and now players who didnt read her diary or play/pay attention to her side quest will think of her as just a generic bad guy and not a very tragic complex figure of her own

then the like. underutilization of blade was just like. ok what was the point. it IS funny to reference the tuxedo mask meme and how he skewers his ex yet immediately gangs up with him against yanqing and all but honestly he shouldve gotten to be more feral and present than he did like its just meh. ig its kafka keeping him from messing up elios script but cmon. i want more of him. yanqing also got done so dirty in that scene like. he shouldve gotten some more screentime and focus even if his job was p much to just get bodied. kid just watched jing yuan make deals with criminals no way he isnt affected by it

in general i was p shocked how inexistent the high cloud quintet was from the story. but ig w how rushed the pacing was for dan hengs backstory reveals at times already ig its better left for later (hopefully). i just rly hope this means that the topic get its time to shine properly in the future. esp since im p sure they never even named any of dan fengs crimes outright which is a curious choice.

jing yuan got a rly solid characterization and i definitely enjoyed it!!! even if im a little miffed at how they didnt give dan heng enough breathing room to come to terms with the emotional impact of facing his past and memories thanks to the plot moving forward so fast and he was kinda the one leading that. but he was still great - i liked the scheming side to him and the arguably pretty ruthless way he leveraged dan hengs exile status to force his hand to cooperate a lot. his reasoning makes sense obvi but its still a very brutal and utilitarian approach and i like that energy for his character. his duty is to the luofu above all else even if thats far from all he is about. overall his and dan hengs interactions including dan heng very much emphasizing his desire to be seen as separate from dan feng were a highlight for sure. and jing yuans final showdown moment against phantylia slapped obviously

and then w dan heng im torn between like. really loving all the good stuff we got with the insane cutscenes and the vidyadhara echoes and then wishing that he got just that little bit more for his own realizations and inner conflict. and the part about not properly featuring blade also hurt his story too imo bc the anticlimactic nature of the scene where blade confronts him and forces the transformation and how he n kafka just... leave rly kinda flattens the impact of the reveal moment esp since thats when jing yuan just all but openly says ok time for the plot. but they still did a great job selling DHIL and i think im overall a fan of how they seem to have handled the dan feng vs dan heng thing (and its roughly what i was expecting). dan feng is dead but its never just that simple either. i hope theyll be exploring the exact nature of dan fengs sins and the sedition in the future

im so mad i spoiled myself the tingyun thing bc jfc the neck snap wouldve hit So hard if the reveal itself was also a complete surprise. and its sth that was genuinely well built up like i remember thinking her 1.0 dialogue was kinda sus but wouldve never imagined the actual truth. dont do leaks folks sometimes this happens and it sucks :/ but i have to say phantylia herself was kinda? underwhelming. i liked when she picked up jing yuan like a little bug she wanted to squish and the boss fight was cool but to be fair. this was like 50% bc of how bad the sound mixing was for all of her dialogue that overlapped w in game battle. she rly lacks the necessary menace and imposing energy when u can barely even make out what shes saying 😭 her voice shouldve been as loud and large as her..... Presence. jing yuan carried the boss fight and the final cutscene but man the fade to black rly didnt do the abrupt ending any favors like we just teleport to exalted sanctum and thats it???? maybe jing yuan dies maybe not!!!

overall my prime issue is p much just how like. it feels like they shoved 3-4 mini arcs worth of stuff into one speedrun when all of them deserved more focus and exploration and the pacing rly got rough at times. it wasnt like inazuma level bad but it does get me wondering if hoyos just bad at doing these big conclusions to prior build up and holding the story threads tightly together until the end.

this comes off as super negative helpp but like. by no means did i hate all of it so dont take it the wrong way lmao. its more that there was good stuff there but also wasted potential. for the most part i was having a blast but to be fair that was 40% just playing blade ridiculously underleveled through it all. i only got him to lvl 80 for the boss fight

#rambles #hsr #hsr spoilers /#long post

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tamaharu · 3 years ago

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thank you @eurydicees for tagging me (〃´▽` ) i love talking about myself. a list of my five favorite fics ive written (and thoughts!) oldest to newest

1. don't knock it till you've tried it

the magnus archives + 5.6k. this is, i wanna say, my most popular fic? and im glad for it! its one thing for your most popular content to be something you hate, but i think this still holds up really well. theres a lot i like about it, such as the pronoun/titles between povs, georgies whole pov, the ending line. high five past me. and OH MAN is it crazy that this has 700 kudos. its a very nice feeling to know that that many people liked something you wrote... even if what you wrote is about a guy murdering his past self haha.

2. i'm not wearing my usual lipstick, i thought maybe we would kiss tonight

ohshc + 16.4k. my ouran magnum opus! i still care so deeply for this hc, and i have gotten so many sweet comments on this, im very glad it resonated with a lot of people. 3k hits!!! i think thats really really good for an ouran fic posted in 2020. if i have time there are a few things id like to go back and change about this - unnecessary prose or some of the ending - but frankly, the emotional heart of this is something im very proud of. every person who reads this and either gets their gender reflected to them OR at least is indoctrinated into trans!tamaki is another point towards me making it to heaven. if i was going through this list by favorites, this definitely holds the number one spot.

3. blunt not the heart

the magnus archives + 11.3k. OH MY GOD. this is my UNDERRATED GEM. my white fucking whale. i am SO MAD that this has received DUST considering my another tma fic has 700~ kudos. SO MAD. i really really like melanie king as a character. outside of the feminism of it all, its really fucking hard to write an effective character study. getting into a characters head is difficult. you know what would make it easier? NOT WRITING IT IN SCRIPT FORMAT LOL. but heres the thing: i made it fucking work. the fact that tma is an audio drama/script format already definitely lends itself easier to translation, but it was an interesting exercise to try and get into melanies head while still maintaining the format. and tying it into macbeth? inspired choice, past me! while its not more popular unfortunately, im still insanely proud of it, and the attention it did get is personally satisfying. please read it!

4. Feel Your Way Home

artemis fowl + 12.6k. ah.. my artemis fowl magnum opus.. i still care for that silly little guy a whole lot, but at this point i will say that my artemis fowl obsession was bright, but fleeting. im really really glad i managed to write this before i fell out of it, and even more so I GOT IT PUBLISHED ON THE 20TH ANNIVERSARY!! thats something i am weirdly very proud of. i worked really hard on this for several long months, and i think it turned out very very well. this is one where i really dont care how much attention its gotten for not, as it was very much written for myself. and im pleased with it.

5. name your courage now

ace attorney + 11.8k. my newest one! probably still have a serious case of rose-tinted glasses on, but idc. i love maya and her relationships to her siblings a whole lot. i found her dialouge during her testimony just so insanely ripe for potential, i was shocked nobody else had ever seemed to talk about it. i have so many feelings about bridge to the turnabout! frankly, the entire time i knew what i wanted to do with this story, and i feel as if i pulled it off really effectivly. keeping it emotional while also utilizing aspects of mayas brash, funny voice for the narration was a challenge i enjoyed. that, and trying to use the canon dialouge for the most part, while also attempting to speed it up/make it sound less like it came out of a video game. again, im proud of it, and heres to hoping that it'll get more attention.

thats it! im not big on tagging ppl but if you wanna do this by all means, please tag me so i can read your stuff °˖✧◝(￣▽￣)◜✧˖°

#long post #sorry. headbonk emoticon for your troubles (￣▽￣)ゞ⌒☆#i cant stop usingkaomojis i keep using them while texting even rl friends HELP #look at this one its so cute Σ>―(〃°ω°〃)♡→#selk.txt

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the-artist-rae · 4 years ago

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Trolls 4 au idea

Edit: i just realised theres already a thistle (who apparently s real name is Dennis??) so i gotta rename my character 😭

So basically im writing a mock script for a trolls 4. I want to write one for trolls 3 but .... I WANT BROBBY CHILDREN, so here we are. Basically in my au, poppy and branch have a set of twins. A girl named Aster who is bright blue with pinkish purple undertones and a boy named Thistle. But, theyre shocked and suprized to find out thistle comes out of his bright purple egg, grey!

A time skip happens and a argument between him and his father causes branch to loose some of his colors.

The argument is set up like:

Branch finds his son in his pod sitting in darkness.

Branch- so ya like it dark, huh?

Thistle- yeah, so what of it.

Branch-Nothing i just was wondering if u wanted to-

Thistle- I dont.

Branch- look i just want you to be happy and find your true colors...

Thistle- sounds like you just want me to be like Aster!

Branch- Now hey now, i didnt say that! Ive been in your place before and i know how you feel, and i dont want someone i care and love to feel that way!

Thistle- You dont know what i feel! All you want me to be is the same happy annoying and insane troll... Just like everyone else!

Branch- Hey, No-

Thistle- I HATE YOU!

Thistle stops for a moment and looks at his father to see his skin darken, widening his eyes. He gets angry at himself and runs away.

Thistle runs to his friend Fern in hope of him knowing a way to get his true colors in hope itll reverse the color loss on branch. Fern tells thistle of a guardian troll of purity who live in a mountain who can give him his colors. Thistle tells his parents that hes going to travel and see aunt Barb, and they go on their adventure!

On the first day they run into a rock/classical troll who lives in the Forrest by herself because her parents are deceased and she had no idea there was other people (basically a tarzan situation but she knows how to talk and has basic understanding of most things) ... The situation is, Thistle and Fern stop to make camp, roasting marshmallows. And out of nowhere a arrow zings right in front of Thistle's face! Him and Fern crowd together to see a dark figure come out of a bush and she says "Who are you?" In a somewhat demanding tone. And they shiver in fear " We're just travelers!! Please dont hurt us!!". She sighs and and chuckles," Oh, i thought you were here to hurt ME!".... This all comes to a conversation that Fern leads and that she'll join them cuz she knows her way around the Forrest.

In the background through out the story, villain trolls are introduced into the story who gave Fern the map and everything about the purity troll who can grant only one trolls wish. And throughout the movie they follow the gang and get caught into their hijinks.

Having Button (the female troll) in the mix has gotten Thistle to come out of his shell and he slowly starts getting happier and sings throughout the movie.

When they finally reach the mountain they come to a cave with paintings and rural architecture. At the end of the cave is a clearing with a waterfall. The waterfall spreads to find a troll pure of white and glowing in a deep sleep in a coven.

The villain characters seep out of the darkness with evil laughter. " Nice job Fern you got us where we need to"

The rest of the gang gasps and gets tied up.

"Well take it from here". Turns out, the purity trolls was sleeping on a gem. And the gem was the wish granting miracle not the troll. They grab the gem and head to troll village where they plan using the gem to destroy it.

Thistle and button get into an argument over whether they should try to save the village. He believes its too late to save anyone. Button unties herself with and arrow tip that was seeping out of her back pack. And says," Well , i do!". She unties Thistle and makes her way out of the cave.

Thistle sits there and sings a song thinking about his family and Button which gives him the courage to start running also.

He makes it to the village before the fern and his crew. And runs straight to his mom and warns her of whats happening. Before he can explain she starts off saying how he looks so different and brighter and why hes back early. After he explains, she tells branch of whats happening and puts everyone in the bunker. The villains make it to the village and one says, " well isnt this a nice beaut, its about to get a whole lot MESSIER!".

Fern is shocked to hear their plans of wrecking the village, he just wanted to be the new ruler in a world where trolls respected him. They tie him up. And the villain crowd together to think of the exact words on how to word out the wish. The leader gets up and points the gem outward "alright get ready for my wish to destroy the village" and at this second and arrow hits the gem and falls down the hill they were standing on and lands into the village. She and the villains start running to gem. Alas, branch grabs it. Poppy stands beside him. "Not today!". The villains look at him and scoff. "You think we were the only ones?". They gasp and turn around to find villainous trolls surrounding them. They fidget before the leader says " dont even think about saying no" and two trolls come out holding button. Thistle, who had been sitting on the side lines murmurs to himself," no this cant happen! No, no,no..!!" And starts running and startles the villains grabbing the gem. Suprizing everyone. Branch says," Son.... Dont..!".

Thistle looks at him with scrunched eyebrows,"i have to." The leader says with a slight panicked voice,"i wouldnt do that boy...!"

Thistle whispers to the gem ," i wish for this gem to be destroyed" . the gem floats into the air, shining brighter than anything they've ever seen and deteriorates into glitter falling to the ground. The light from the gem had flushed through the crowd causing them to have a slight amnesia and questioning "hey,why are we here?".

The trolls in the bunker come out celebrating. Buttons runs to Thistle and hugs him and he hugs back. Poppy and branch run to him. Saying things things like ,"what were u thinking you couldve got hurt?!". Thistle looks into his fathers eyes and replies," Because, i love you.". His parents both look back at him shocked. And slowly but surely from top to bottom his true colors fill in. A bright purple pink. His parents exclaim in happiness and branchs colors get brighter as well. They get excited,hugging and laughing and crying. Thistle points out Button who had wondered a little father to give him space with his parents and brings her into the hug. In which poppy winces," ughhh whats that smell???" And button moves to the side chuckling nervously. "Uhhh... Shes been homeless for awhile give her a break." And chuckles.

The purity troll comes out flowing from the sky to everyone saying how she thanks Thistle for awakening her from her slumber by destroying the gem and continues ,"Ive been asleep for sometime, now lets paRTY!!".

Then theirs the end song where everyone sings. The purity comes up to Thistle and aster and gives them crowns of flowers and robes. Everyone cheers. And we fade to black with a circle transition popping up of fern tide up, " Uhhh hey guys anyone here??? Can someone please tell me whats going on??!!!" And the screen goes black showing the rest of the credits.

These are just the main points. Of course Aster is more involved in the story. I just didnt wanna type all that down cuz i have a big phone and small hands haha.

But as for my trolls 3 au ... Its basically the generic set up of branch trying to propose to poppy throughout the film...and id like to add a backstory of his parents and them not actually being dead and survived escaping the bergins.

But anyways here are some of my character designs!!

Soundtrack ideas-

Aster design i havent yet finalised so yeahhhh but i plan on her having two ponytails!

#dreamworks trolls #poppy and branch #trolls the beat goes on #broppy #ttbgo #poppy #trolls #branch #ttbgo season 6 #trolls oc #trolls fanart #poppy trolls #trolls 2 #branch trolls #trolls fanfiction

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misterbitches · 4 years ago

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Dude yong jie’s character is literally unbearable this is like how not to write a vharacter 101

Our first intro to him is stalking, then PUNCHING someone in the LIVER bc the person he “loves” was fucking drunk and he blames his best friend? Then his mom is like “lmao actually um hes psycho” so anything they try to do retroactively like how they peppered in HIS DAD DIED A BLOO BLOO but previously it was also his OWN MOM going “im afraid he’ll lose his humanity” so not only was there no breathing room then it’s bumrushing him into their lives as best friends and it doesnt work. This dude sucks and he isnt even fun to watch. You know how breaking bad has one of the most abysmal main characters of all time but all of us were fucking ENGROSSED but the show made it clear that every enemy he faces, even the DEA, we want THEM to win (it is also a class analysis but woreva) so i am like wtf they show us literally nothing here. He’s just there. Wasting space and being awful. What is the purpose of his character in ssu’s life? Once you rape someone it is fucking over full stop but he didnt even fucking manage to start off in any compelling fucking way. Absolutely bonkers dude Esp bc theres at least a base moral code ie DONT HARRASS GIRLS UR “INTO” and thats why mei fang the absolute mad lad beaut was like “lmao nah i hate u”

Soooooooooooooooooooooooooooooooo?????????????????????????????????? WHERE IS THE WRITING HERE? WHAT IS THE SCRIPT? awhat is the PROGRESSION? This is such an insanely fucking dumb plo5 point i rly cannnnjnnntoeiwijshsgsgsgsgsgsgeggwiwowiw GORL

Lets talk abt the good things in the characters (theres none for yong jie hes just there being a little bitch)

Li cheng - himbo dumbass “manly” cutie and the manly stuff is fun cos it gets heaped on and yet every bit of him can be extremely “feminine” and jubilant. Great.

Muren - seems >:O but i rly like that hes actually pretty open in his own way. Side note: he is so thin and willow-y i rly loke tall pretty boys (and all women lmao) and he doesnt do it for me but He suits the character like his body and the way his character is. Also u gotta be weird and he is

Hsinng ssu (girl im never gonna learn how to spell their names it’s too much work cos the eng alphabet andnromanization is terrible) - mild mannered, good son, a homosexual confirmed confirmed g”(awesome!) great friend, good brother (and i guess his reward is being raped, great message!) and someone ppl like

The establishment of the three of them and their distinct personalities happens within minutes and then we meet

Yongjie - what about him? He may have an MI, okay, but we dont know for sure and oh gee that doesnt matter actually bc u have to get urself treated and also not be terrible. Not even psychopaths do the shit he does BC THEY HAVE TO GET HELP. Why the parents didnt get him help and are just realizing their son is terrible? Who knows . His purpose seems yo be “boy obsessed with brother like his actual brother” i dont care id they arent related in that way bc that’s not the fucking crux of incest and it is so insanely Fucked every thing to do with incest is almost always a disgusting powe r issue. WHAT PURPOSE DOES HE SERVE? WHAT DO WE ONOW ABOUT HIM OTHER THAN HE IS A FUCKING JERK AND AN IDIOT AND SUCKS AND I HATE HIM AND THAT HE WANTS TO STALK AND ATTACK THIS REALLY AWESOME FUCKING DUDE OK

There’s no returning point deom rhe line they croased byt theyb set him up for failure. Even in the fight hes a fucking cheater hes a goddamn immature rat they know he fucking sucks but he just sits there and waits for everyone else to move around him. A fucking selfish prick with nor edeeming qualities snd hes also a violent rapist stalker. Really great that thry have no clue how to make this dude actually have any humanity or likeability. Hes the man from 365 days basically except not even that hot and at least he kidnapped her but “WAITED” for “CONSENT” but in that movie’s world nothing mattered and it was bad and the point was to have a horny movie. But this show is for younger ppl and also IT HAS RULES AND IT KNOWS WHAT BAD ACTIONS ARE???? Soooooooooooooo in all these other dumb salacious books there seems to be just a mutual agreement that it’s fucked up but totally normal i their movie’s universee (it isnt and it is still just bad filmmaking)

Also it is up to yong jie to figure put how to get over it and understand that his brother is concerned for him. Bc it is. His brother. There’s a reason that incest is never advisable and thays bc there is no way in that situation that people aren’t somehow being coerced. There has to be a sort of split in the pursuer and the person being pursued bc one person is not thinking that way. (This is why people who find out they are related after the fact and havent grown up together is something thatms really unfortunate. They had no idea and they have to grapple with that but that is another scenario and it happens bc THEY DIDNT GROW UP TOGETHER.) i have experienced this from a (not immediate) fam member and i was the vulnerable one, had less powr, that is how it must go.

Thats why the power imbalance is scary and none of this is acceptable but it begs the question how did they get to this point? But the show doesnt even address that bc they cant bc theyre not original. And power imbalance does not mean automatic absolutely not territory. Theres things we dont like (in my casee i hate age gaps a lot) but i will avoid that.

I havemt seen “right or wrong” and i have no desire but from what ive garnered from ppl i like who liked that episode, the show outlined the moral issues with it. Idk if they did it in a way i would have preferred (again no desire) but at lesst from what ive heard it...tries? Idk i dont see the need for these if they dont give us a reason why these ppl should be together and there’s several lines that cannot be crossed that were. Basically it’s like stockholm syndrome now and there’s no choice for him, it goes beyond power imbalance and “legality” so to speak and now it’s just entrapment.

Theres not even avoiding or enjoying. Even for MODC as stupid as i found the secondary rship and negligent even like ok. Fine. Whatever. His boyfriend is 100 but at least it was semi agreed upon. It is what it is, go forth. I will criticize it but at least it was the story and as stupid and gross as i think it is and they will probs break up (idc what the show says) at least there are set ups that can make us see “why” it works and oh, gee, their whole rship relies on a different fucked up but at least at some point it could possibly be transcended. The foundation of youngjie is “rape entrapment and aw now they are in lvoe” BITCH NOOOO???? Where is the REASON? And why should we root for them? (There is none and when the Thing happens it is now impossible for that not to be absolutely foundational to their rship lmao and that is never something that goes away.)

I would like to say theres nothing romantic int he flashbacks i know thats what theyre trying to twll us but the actor is 30 and that child is like 8.

Im not missing the point bc i see it with my eyes and it sucks. If you cant even write the character well then how do you interest something heavy and work out the links? The only solution is yongjie dying i mean fucking off forever and hsing ssu not letting him into his lifeXni doubt we will get that but at the very least they cannot end up together and that will be their crowning fucking achievement over the waste of time bullshit plot this was. Imagine actual conflict that wasnt so deeply fucking traumatic and, oh, again WHERE ARE THE PARENTS? They fucked up SO FUCKING BADLY. This gives people the wrong idea about how these things work. God he is truly a shitty character and his ass isnt even fat so wtf bitch why am i here!

#history 4: close to you #history 4 #a thot #god my anxiety was thru the roof turns out i needed to eat

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mardoufox21111 · 4 years ago

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wow how time goes!

so i lasted SIX whole weeks i nthat hell hole job. my colleagues quit the week after my boss did. i was alone trying to work and learn by myself, then after 4 weeks some bitch came back to work and told mei needed to ‘go home’ and change and yadda yadda yadda. i quit. then i had about 3 weeks off before getting ANOTHER full time job! insane. now im working from home, its been okay i like the work from home aspect of it, some of my colleagues are kind of jerks though like they dont help out or answer questions i have which sucks but i guess you get that everywhere.

in other news nothing else has changed! our house in b is still under renovation, i am not any closer than i was before to moving out, it seems like my money just swooshes out of my account! anyway i guess my plan is to see this contract out if i can! all my colleagues at this job are trying to quit too which is funny/weird. for me il ike that it’s relatively easy except having jerk customers. i want to try save up as much as i can and then maybe move out while also doing 3-4 days a week ... its a terrible time for me to be renting at the moment and they think that will continue into next year which is SUPER annoying, i finally get my shit sort of together and i cant afford to get out. its been hard emotionally i feel like its all kind of catching up to me as an adult about how my childhood was and how it still is! i buy lottery tickets in hope that i can escape but never win more than $15.00, better than nothing i remind myself. ideally id just have a little house near the beach that i can write in, and feel safe in, be financially free and occasionally sell the odd script, have some good friends. i wouldnt mind having a partner but that is not realistic for me, sadly i think we can see at this point at 30 it’s not going to happen. or if it does i will be emotionally unavailable, i like being alone but would like someone to help me out. i just read about emotional abuse and smothering, it said that people generally turn out like me, alone, trying to be independent and somehow failing while people who have been raised in a more healthy environment are able to live normal lives. amazingly i havent turned out to be too much of a jerk. after reading the article though it really hit home all the things i do and the repercussions of how ive been raised. it hurts to realise that perhaps if i was in a more healthy household my life may have been significantly different, i might be a much better person, i would probably be living alone, my parents probably would have fixed my eye at birth and my life would have been normal/i wouldnt have known any different. but its not.

in other news i keep seeing 11:11, at night and now during the day. iread it means your future is changing for the better, you’re achieving a higher self and/or someone who’s dead is trying to send you a message... i dont know if thats all bs but its definitely weird!

anyway i have to go drop d off at work, i have work myself tomorrow.. its a public holiday and ill get 60$ an hour!! i have never done that before. i hope i am on webchats or emails not phones, i hate being on phone calls its just too complicated for my tiny puny sensitive brain and body.

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succubused · 5 years ago

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what do you find so interesting about ddlc

mm well...couple of reasons which can be reduced to 1. game design 2. monika 3. the potential

im really interested in game development and although ive never technically worked in a design role (havent worked in the industry period in over a year....lol), im very into the idea of learning how & i really love the concept of using gameplay as a narrative vehicle. ddlc does that in what i consider to be an extremely effective way using a relatively small number of moving parts and i think its impressive and i think its something i can learn from if i want to start designing stuff one day

ive seen a lot of people say that it looks plastic or that the writing is boring at first and every time i feel like yeah it sure is and thats the point!! it replicates a remarkably bland dating sim in almost every way up until [redacted] except for a few weird monika moments which brings me to my next point which is. monika.

(spoilers after this)

shes one of my favorite characters of all time right up there with isa and jotaro and the like and its because she like.....ISNT a villain at all. shes just a teenage girl who happens to become aware that she doesnt exist in the material world. and the only thing she can do about it is fuck around in the code and its not like she knows whats going to happen...she basically says that sayoris suicide was an accident and after that she started to fixate on the MC bc she like. was doing all these awful things and i think she needed to believe she was doing them for a reason? she reprioritized the MC to be the most important thing possible so of course it makes sense shed be willing to kill/delete her friends in order to get to him...only she doesnt.

even when she thinks they arent real she cant even delete the files. not permanently. so i dont know. i see monikas spiral as the same sort of thing as natsuki/sayori/yuri....all of them were having those facets of their personalities amplified as the result of their scripts being fucked with. and i have a really hard time believing that monika never messed with her own scripts. so monika becoming more and more obsessive/more and more willing to go to extremes to get what she wants probably was her own fault. and i think eventually she realizes that & even when the whole GAME was busted she still didnt delete them.

i kind of think that when you delete her in the just monika end youre deleting the wrecked code that made her act like that and the remnant that protects you afterwards is the “real” monika but thats like. well a lot of this is just me...looking way into an anime girl dating sim horror game....but we are quarantined after all

& speaking of that when she makes it so the game can no longer be played, shes not only protecting the MC, i imagine shes also protecting her friends. sayori wouldve ended up in the same state as monika, and yuri probably would have done even more insane shit. shes trying to make it so that what happened to her can never happen to them & what she did to them can never be done again.

um well the last thing i was going to say is that for such a sparse game that doesnt really involve that much in terms of actual execution it like. theres a lot to work with you know? like i can take the core elements and then build off of them and write hundreds of words about how i think a sprite has psychological trauma. but i think i just kind of proved my point by writing all this in the first place.....the story/implications have a lot of potential and id like to look into that because thats the sort of thing i enjoy doing with fiction

basically, i dont necessarily think it’s a “good” game, but im not sure its meant to be. and it is an excellent framework. so im gonna work with it for a while and see what i can come up with

#sorry you definitely did nto ask for this sort of essay but i did it anyway because i have personal problems #(psychoanalyzes monika ddlc on my blog) anyway #ddlc #Anonymous

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zerochanges · 6 years ago

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Valentine’s Chocolates and Glass Masks

The romance genre in anime is a little weird, and honestly on the whole the majority of the genre in anime is probably a bit too slow for its own good. “Will they or won’t they” is something most romantic fiction is guilty of, but I think you’d be hard press to come across 150 episode TV series dedicated solely to that premise anywhere else. And this has nothing on the pure silliness that can come with the genre; hand holding, indirect kisses, masked secret admirers, all that good stuff. Really, I’m not here to trash talk romantic anime though, but as I sat down and tried to think about writing a Valentine's Day blog post I just couldn't help but think to myself how romance anime might be the hardest to explain to anyone not in the fandom. I mean, I think I’d have an easier time explaining the plot of any given saga in DBZ than I would explaining “Notice me, senpai” to somebody.

You know what though, I kind of ironically enjoy all of this. Yeah, pure romance anime can be cheesy, but it’s just the right amount cheese that it’s like, c’mon, how can you not enjoy this? Perhaps the worst (or best!) offender of this are older shoujo titles where they can seem almost downright like a soap opera at times. Shows like these are just so full of bizarre, off-the-walls, and over-the-top melodrama that they manage to suck me completely in. They’re heartbreaking, they’re engaging, and the times when they fail at being those things they are hilarious.

My most recent experience with an older shoujo title like this would have to be studio Eiken’s 1984 adaptation of Glass Mask. Now Glass Mask (or Glass no Kamen as it is known by some) is a manga that started life in 1976 and to this day has yet to be finished, with the manga creator Suzue Miuchi stating she would like to finish it soon, but hasn't quite figured out when that will be (move over Hunter x Hunter fans). Having been one of the earlier shoujo titles starting back in the mid-70’s the series is full to the brim with pretty much every cliche and trope you can think of for shoujo anime, and to a modern audience it can often be almost hilarious at times to sit through. It is important to remember that for its time Glass Mask was a trend-setter and arguably if not the creator than certainly the reason why a lot of these cliches became cliches in the first place. Over the years Glass Mask has received its fair share of adaptations and even parodies, and currently has 3 different animes as well as a live action drama series and real life stage plays based on it. I heard the most recent anime, the 2005 TMS adaptation of Glass Mask, does a pretty great job at modernizing several aspects of the series, but unfortunately I have yet to watch that to weigh in so all I can say is that I was inundated with more cliches than I could count and laughed a ton while watching the 1984 series and I loved every minute of it.

Glass Mask is the story of a young 13 year old girl Maya Kitajima, who has a dream to be a great theatre actress. Unfortunately for Maya she’s from a very poor family, and even more unfortunately for her, she is incredibly average looking with no flair--and don’t worry, the anime will remind you of that fact countless times every episode. Despite her damnable curse of “just looking kind of average” Maya will stop at nothing to pursue her dream and eventually runs away from home after getting a scholarship for an acting school. There, the enigmatic Chigusa Tsukikage notices Maya’s talents and takes her on as her protege. Soon, Maya learns that her mentor Tsukikage was once a legendary actress thought to be truly one of the all time greats who due to a tragic Phantom of the Opera style accident had her face hideously scarred and retreated out of the spotlight.

Tsukikage is looking to pass on her talents to the future generation and eventually pass on her greatest possession, the rights to the elusive Crimson Goddess play--a supposed legendary masterpiece that has not been seen by anyone in decades; not since Tsukikage’s career ruining accident. For some reason the director and creator of the the Crimson Goddess play saw it fit to beseech all the rights to his masterpiece to Tsukikage and thus nobody else has been able to produce this elusive phantom play since. It won’t be easy for Maya and the Tsukikage acting school, as media conglomerate and mega corporation Daito Entertainment will stop at nothing to get the rights to the Crimson Goddess, and isn't afraid to sabotage them at every step of the way. Perhaps Maya’s greatest rival however is the young Ayumi Himekawa, the daughter of an already famous actress who is said to be the favorite to inherit the Crimson Goddess role, and is everything Maya isn't; beautiful, rich, famous and well loved by all, and while not a student of Tsukikage she is more than willing to pass on the rights to Himekawa if Maya fails to prove herself.

It’s easy to already see the cheesiness just from me trying my best to summarize the basic plot, and we haven’t even gotten into the romances yet. Maya’s relationship with the young Yu Sakurakoji is fairly simple at first, as he helped rescue her from a feral dog and despite being in rival acting schools--one affiliated under Daito no less, he’s a pretty chill guy that enjoys spending time with her and doesn't care about all that stuff. It’s only after Maya starts to take off in her career that Sakurakoji starts to spiral into this insane inferiority complex centered around her, where he thinks she has become too good an actress for him to be around anymore and starts to give her the cold shoulder all because of his own make-believe shortcomings. It’s very odd and sudden, and the entire thing is blown out of proportions as Maya clearly does not think that and Sakurakoji eventually has to be lectured by bad boy Masumi of all people to come around and start spending time with Maya again. Even after this however it isn't like the old days anymore and the gap that was created from his own complex still lingers.

And oh boy, don’t get me started on Masumi, he’s quite the character. Masumi Hayami is the 24 year old son of the president of Daito Entertainment and is currently running the corporation in his father’s stead. Masumi serves as both an antagonist and love interest (because of course he can be both) in the early parts of the story and is often behind some (but not all) the sabotage done to Tsukikage’s acting school. Masumi will eventually take a more reasonable approach when it comes to trying to yank the rights of the Crimson Goddess away from Tsukikage’s hands as the anime progresses, often just by having his acting school beating Tsukikage’s students in contest and the like, and it’s here where we usually see Masumi’s employees that work under him being the more underhanded characters instead of Masumi directly engaging in the conflict.

Despite being on different sides, so to speak, Masumi catches one of Maya’s earliest performances, her role as Beth in Little Women, and falls in love with the young girl, impressed by both her potential as an actress and her fortitude for going on with the show despite suffering from a dangerously high fever and immediately being rushed to the doctors after the curtains fall. From this point on her takes the role of “Mr Purple Rose” named for the bouquet of purple roses he sends to her at every show. As her secret admirer and the first fan Maya has ever had he means a lot to her yet as his true identity of Masumi he’s an enemy that Maya cannot stand to breathe the same air as. So in short, Masumi is just your average 24 year old CEO of a mega corporation crushing on a 13 year old girl from a small acting school he is trying to ruin and also her secret admirer. Somehow Masumi is one of the best characters in the series, and is my best boy. Only in shoujo!

So far I've been having some cheap laughs at the expense of the 1984 Glass Mask anime but it’s not all like this. The over-the-top bombardment of old school shoujo cliches and the laughs I got from them may be one of the most memorable component of my viewing but there’s actually a lot more to this anime than that. When you get beyond the silly age gap romances and the flowery melodrama of young teenage love, Glass Mask is a story of artists trying to pursue their passions and dedicating their everything to them. Maya may be cursed to forever be “only average looking” but I really respect her drive to dedicate her entire life to theatre.

Well, that is to say, the times when she isn't acting like punching bag to the rest of the cast (Glass Mask has a tendency to make Maya into a Cinderella surrounded by tons of wicked stepsisters). When Maya is written not as a Cinderella she’s fiercely determined, and never backs down despite some straight-up abusive behavior she is put through. At times her mentor Tsukikage is absolutely savage, regularly beating Maya and putting her through some training that is definitely highly illegal, at least for today’s standards. For instance she once threw Maya in a shed and locked the door refusing to let her out until she finally understood her character she was assigned. Did I mention it was in the middle of the freezing cold winter and snowing out and Maya only had the clothes on her back for warmth? She was out there for days with no food, water, or even warmth. But don’t worry, she had her script to read and that made it all okay. Like goddamn, somebody call child protective services on this lady.

Speaking about “the art” and everyone’s passions, the more you watch the series the more it becomes obvious that the creator, Suzue Miuchi, really cares for theatre and isn't just using it as a vehicle to propel her own story. There are countless renditions of classic plays shown in Glass Mask, such as the mentioned already Little Women, The Miracle Worker, and Wuthering Heights, just to name a few. Some of these plays are presented without any changes while others may have reinterpretations made to them by the characters who are trying to give their roles a life of their own away from the original source material. Miuchi very much understands theatre and does a great job converting many famous plays into a more compressed and easily digestible form of entertainment that can be viewed on a week by week bases. The analysis characters give about the plays and other characters’ performances, the ways characters interpret their parts, and how the plays that we are privy to see in the series end up all show a deeper understanding of the medium. Watching Glass Mask is almost like taking a beginning course in theatre that covers all the classics, only with way more melodrama and over-the-top romance than you will find in your local theatre group. I hope.

What’s the most impressive however goes beyond just Miuchi’s renditions of other classic works and instead are her own plays that she creates herself. As not only does Glass Mask use pre-existing plays it also has its own original productions that will spring up in-between the real world plays. A lot of these self created plays are very enjoyable too, and some feel way more fleshed out than they have any right to be and you often find yourself regretting that you are only privy to a small part of the performance and not able to just sit there and watch the entire play like the characters in the anime do. Maybe that’s why it shouldn't be too much of a surprise that some of the plays Miuchi has created for her manga have later been adapted into real life plays in Japanese theatres. This is probably the greatest testament to the series’ popularity right there, where its own fictional works are turned real. I can’t think of many examples of something like that happening before.

I’d be remiss not to mention the visual aspect of this series before wrapping up my thoughts on it too. While certainly no powerhouse in animation, Glass Mask 1984 goes for a more picturesque route, and does a great job with tons of beautiful still shots and intricately detailed background images. It’s a humble production but with the right use of lighting a lot of scenes can really shine (pardon the terrible pun it was an accident), especially the night shots which can be pure art. Hang it in a museum, I say. I’m almost surprised we don’t see more “aesthetic” anime blogs mining images from this series. Veteran director Gisaburo Sugii (Dororo, Touch, Osamu Tezuka’s Phoenix) leads the production with skilled marksmanship you would expect from his previous (and future) pedigree, and along with legendary animator the late Shingo Araki (Ashita no Joe, Galaxy Express 999, Saint Seiya) the series has a wonderful 80’s flair to it that just fills any retro anime fan full of nostalgia whether or not they have seen the show before.

Studio Eiken’s 1984 Glass Mask adaptation is a short, briskly paced 22 episode series that is easy on the eyes and not hard at all to still sit through for modern audiences. It’s full of tons of laughs (both ironic and sincere) as well as tons of melodrama and over-the-top romance. Most importantly though, it’s a full of passion; lots and lots of passion. During its short episode count the series watches Maya progress as an actress and grow older, with her finishing middle school and beginning high school while also balancing full time acting jobs on the side. The ending is left open--and let’s face it the manga hasn't even ended some 35 years later still--but there’s enough forward momentum in the series to really feel like your time with the characters wasn't wasted and that they were able to accomplish something--not to mention the ending spot is a pretty decent one leaving the viewer wanting more but enjoying a satisfying conclusion to one of the more interesting story arcs adapted. Overall I think anyone who enjoys cheesy anime romance can sit down with this series and have a fun Valentine’s.

#Glass Mask #Glass no Kamen #Shoujo #anime

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saints-row-2 · 7 years ago

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film watch day 31: Every Halloween Film

happy Halloween today i watched every Halloween film currently available to me. i couldnt get to rewatch Halloween 2018 but i already wrote about it a couple of weeks back so feel free to revisit that post. anyway, i watched ten Halloween movies today. It took around 17 hours. i started at 11:15am and im writing this now at 6 am.

so lets get to the post. for the most part i went in chronological order, except i chose to start with Rob Zombie’s remakes because i knew if i didnt id be finishing the day by watching them at the break of dawn and the idea of doing that was so fucking putrid to me that i decided to get them out of the way first.

Halloween (2007)

i hate this fucking movie. i mentioned in an ask the other day but im happy to repeat here, i dont hate the idea of expanding on Michael’s backstory. like the fact is we largely know his backstory, the issue is how this film chose to portray it. the original Halloween is frightening because its based around the idea that the seemingly safe, quiet suburbs are not as safe as they seem; you can be on a street youve known your entire life, only a few metres from your own home, and still at risk. the whole idea of showing Michael as a murderer when he was six is to tell us that anyone could be a threat, that our conventions that all killers are a particular kind of person is false.

Halloween 2007 says fuck that, we know what serial killers are, and theyre those poor kids who come from shitty neighbourhoods and have abusive parents and mothers who are sex workers. everything that Halloween brings to the table is fucking tedious, played out, and massively uninspired. it wants to bring us the truth about why Michael is like he is, but Rob Zombie’s only understanding of serial killers is in the cliche and exploitative. he has nothing honest about human nature to show us, only the exact same stories that have been fed to us by crime and horror movies past.

this film is incredibly loud and in fucking constant motion. even on steady shots of still scenes the camera constantly shakes, and in every other scene its always whirling around from tracking shot to panning over the scene to just idly zooming in and out of nothing. Zombie’s favourite shot is to have something large and out of focus in the foreground -- like some plants -- and to shoot the characters standing about six feet away muttering to themselves. every single fucking shot in this movie lingers too long, every scene drags a little longer than it needs to. this film moves with the pace that i would describe as “family guy gag”.

and this film is so loud. people are always talking or screaming, largely about nothing important or interesting. theres always music, but it never particularly adds anything; for reasons i fail to fucking understand the entirety of the original theme plays over mostly uninteresting tracking shots of a minor character walking around yelling filler lines about nothing.

the writing is horseshit. everyone in this film is vile, no one talks or behaves like real human beings. almost every exchange in this movie is the characters saying the exact same thing back and forth inanely, frequently punctuated by screaming FUCK as loudly as possible and talking about sex in a way that 40 year old men really really wished teenage girls talk about sex. Halloween (2007) is thoughtlessly gross and mean and nasty, disconnected from any kind of human sensitivity and empathy. it wants to be complicated and to be deep but its crushingly simplistic and stupid. the only thing that redeems it is that its not Halloween II (2009). speaking of which...

Halloween II (2009)

jesus christ this movie is so fucking boring. Halloween II is two hours long but feels like its about twenty hours long. i felt like i was watching this film for twenty days and twenty nights. i was trapped in an eternal purgatory with this movie.

i really cant fucking emphasise how boring this film is. endless scene after scene of nothing of consequence happening, uninteresting death scenes that add nothing, and Michael wandering around doing jack shit. Halloween II fucking made Michael Myers boring, and im saying this as someone who (as i repeat once every 8 seconds) has a tattoo of him. this film couldnt hold MY interest in two of my favourite characters of all time.

the big fun new addition from the first movie is the presence of Michael and Laurie’s mother as a kind of weird goth ghost guiding Michael to kill. i dont know why Michael had to be Jason Voorhees and be a mommy’s boy all of a sudden, but this addition brings absolutely nothing of interest to the film or to his character. its meant to be symbolic of fucking... something im sure, but it feels meaningless. somehow Michael and Laurie are both able to see and interact with this ghost and the ghost has an agenda to do... something? it feels about as intelligent and coherent as the bullshit cult of thorne shit from 6, but a lot less fun. at some point Michael Myers apparently has mind control powers?

not to repeat myself a hundred fucking times but this film is insanely unpleasant to watch. every scene someone is screaming, generally wailing “fuck you bitch” at anyone in their vicinity. this is two hours of people howling swear words at each other and not infrequently making rape jokes. Rob Zombie loves rape jokes! almost as much as he loves putting sexual assault in his movies over and over again for no reason.

there is nothing to enjoy in this film. theres nothing to gain. there is too much slow-mo and far too many strobe lights and absolutely nothing of any intelligence or grace. Halloween II is a thirteen year old boy in a korn T-shirt calling his mom a bitch while he draws zombies on the back of his homework, which he will get an F for because the only thing he wrote was “reading is for faggots”.

Halloween (1978)

what the fuck can i say. this is one of the greatest horror movies ever made, if not the greatest. its one of my favourite movies. its forty years old and still just as chilling and frightening as it ever was. it has some shot composition and cinematography thats up with the best ive ever seen, all while being shot on a budget of $300,000. it does more with less than just about any film, launched the slasher genre, shot Jamie Lee Curtis to stardom and created a pop culture icon that stayed strong for decades. its a masterclass in tension and suspense, a lean-cut perfectly paced film with heaps of atmosphere and character.

i love this film with a frantic passion that makes me unable to talk about it in a particularly helpful way. i cant “review” Halloween. I love this film beyond reason and sense and you either get it or you dont.

Halloween II (1981)

Halloween II is largely one of the less remembered entries in the franchise; its a decent enough movie, neither matching up to the highs of the original or the lows of the later films. its a pretty enjoyable little film, created under the logic of ‘well the first one did well, lets do the same thing again’. Carpenter wrote the script but didn’t direct, and while the film has a solid story, the directing lacks his signature flair. its hard to pinpoint, because the film is generally fairly well-shot, but lacks a kind of eye for shot composition that Carpenter made look easy, doesnt have as much patience for suspense.

on its own merits, theres still some great shots and great scenes in the movie. and a lot of really cool kills; II got a lot more creative with what Michael was capable of, and i think the boiling water drowning kill is rightfully pretty infamous.

this was the last Halloween movie Carpenter wrote, and it was the film where the idea of Laurie and Michael being siblings was introduced. and believe me ill defend this fucking decision to the grave. adding the human connection between Michael and Laurie gives a whole other layer to their relationship thats so fascinating to me, and i love that other films try to expand on the themes of family. in general, deciding that this film would continue to focus on Laurie and not do what later slashers did with bouncing around between different casts was a great fucking move, ironically for a franchise that was intended to be an anthology.

quietly exploring the aftermath of the first film was a good idea for a follow-up, and i especially really enjoy Loomis’ role in this movie, and his discussion about who Myers is. the biggest disappointment for me personally is that Laurie lacks a lot of presence in this film. Curtis is great, as always, but the movie dawdles on some side characters who are too disconnected from her to get a sense of what shes going through.

all that being said, Halloween II is decent. the ending is really great, with some really powerful shots. Michael bleeding from the eyes of his mask after Laurie shoots him is one of the best fucking images in horror and him swinging blindly as Laurie and Loomis slowly orchestrate his death is a fucking amazing scene. i have an immense fondness for this movie, with all its flaws. it brings a lot of really cool concepts to the table, and i think it deserves some appreciation.

heres a question tho; where the fuck were Laurie’s parents. theres a suggestion theyre missing, but theres no explanation why and we never hear from them. did michael kill them too? hello? mr and mrs strode? your daughter just fucking killed a guy and all her friends are dead. where the fuck are you.

Halloween III: Season of the Witch

Halloween III is infamous as being the Halloween movie that isn’t about Michael Myers at all. when it first released it was wildly unpopular and remained so for quite a while, but has had a surge in popularity over the last few years. i think just about every horror critic i know now considers Halloween III one of the best in the franchise. and to be fair to it, its a great little movie. not a slasher at all but rather a conspiracy thriller, Halloween III is all about the mystery of what the Silver Shamrock mask-making company are really up to, and why people are disappearing. its a weird and creative little movie, with some really fucking great practical effects that turn it from just being a thriller to being an all-out horror film. it has a few too many ineffective jumpscares and some of the plot twists are kind of disappointing and feel a little too much like the easy option -- and then others are so wildly bizarre no one would see them coming because theyre fucking completely out there. but i kind of love that sort of nonsense in a horror movie. like lets just have a fucking good time in here for once in our fucking lives.

Halloween III is not a perfect or even a really great movie, but yknow, fuck it. the idea that only perfect films are worth watching is dumb. i appreciate the weird shit this film tried and i think it deserves a lot more respect than what it got; if it had been released under another title it probably would have gone down as a classic instead of being derided for years, you ask me.

now things start going rapidly downhill

Halloween 4: The Return of Michael Myers

Halloween 4 is when Jamie is introduced as the new final girl; Laurie’s seven year old daughter, after Laurie herself died off-screen in a fucking car crash. the decision to kill off Laurie came from Jamie Lee Curtis decided not to return to the character and instead of recasting her, they went with just having her… die. off-screen. in the franchise where the previous two movies were about her triumph and determination to stay alive. like its the casual thoughtlessness of this that, the idea no one would give a shit a character returned, that in my eyes epitomises how fucking little anyone cared about this franchise going forward.

man the idea of Laurie dying completely irrelevant to Michael… thats a lot. anyway continuing on his quest to erase anyone related to him, Michael starts targeting his niece Jamie for the three movies in the franchise. this is where the series started rapidly losing any grip on reality. while Michael always had some kind of superhuman elements to him (he took six bullets to the chest and survived in the first movie) these became increasingly wildly exaggerated. now hes crushing peoples skulls with his bare hands shit like what the fuck. first of all do that to me and secondly, it was this kind of slide into unreality that let the supernatural elements of the series creep in further until you end up with the shitshow that is Halloween 6. like it was the decrease in the impact of violence and human life that really fucked this franchise over.

this film is not great. its a definite decline in quality after 2 and was on the slippery slope downwards. it has some high points, primarily in Dr Loomis. Donald Pleasance is a better actor than most movies deserve and brings gravitas to a role that in the hands of a less capable actor would be laughable. his sincere plea to Michael at one point to just kill him instead of going after Jamie is honestly fucking tragic.

outside of that, the film isnt massively interesting. Michael himself isnt particularly threatening or engaging, and his mask looks like shit in this film. the characters in this film are largely very stupid, also, which doesnt help anything much.

Halloween 5: The Revenge of Michael Myers

if theres a Halloween movie people talk about the least, its this one. II has the sibling twist, III is the black sheep, 4 is the return, even 6 gets talked about for its troubled production history. no one has anything to say about Halloween 5. and thats mostly because there is fucking nothing to say about Halloween 5. it is a relentlessly fucking dull movie that pads out its 100 minute run time with endless unnecessary scenes of shit that does… nothing. this film is dull in a way that i find incredibly detestable. i cant even watch it through a haze of impassioned anger like i can with the also incredible dull Halloween II (2009). its just fucking boring. every single scene drags like its trying to walk on two broken legs. the plot is so bare bones its nonsensical. it constantly adds new characters and new elements but all that does is makes it more incoherent and confusing. watching this movie i literally found my fucking eyes glazing over in my skull. if this film was edited correctly it would be twenty minutes long. i cannot fucking emphasise enough how much of relentless slog it is. Halloween 4 was dull but even that had the lifeline of ‘some cool ideas’. Halloween 5 is nothing. Halloween 5 is puddle dirt water.

Halloween 6: The Curse of Michael Myers

if Halloween 5 is puddle dirt water Halloween 6 is just a fresh hot glass of piss. there are two versions of Halloween 6, the director’s cut and the theatrical release, and both are wretched. this film went full ham with introducing the supernatural elements, telling us that Michael was his whole life psychically controlled by a pagan cult called the Cult of Thorne in order to make Halloween scary again or summon the devil or who fucking cares. this movie is fucking insufferably dull, totally absurd, and wildly unsympathetic. i loathe Halloween 6 and every terrible, stupid plot decision it makes. Paul Rudd defeats Michael Myers by drawing druid symbols on the ground and Michael just gives up and lies down. theres a baby that does nothing and serves no purpose. Halloween is apparently banned in Haddonfield, which makes this more closely related to Footloose than Halloween i think. this film takes itself incredibly seriously while spouting nothing but total fucking bullshit drivel and i dont believe that anyone involved in this movie, from the cast to the cameraman to the guy who served the lunch had any faith in this movie outside of the vague hope it might make money and i wish this movie had been burned at the stake. also i hate Paul Rudd.

Halloween H20: 20 Years Later

oh thank fucking god finally some good fucking food. Halloween H20 took the decision to retcon all the sequels (except II) twenty years before Halloween 2018, proving that everyone knew 5 and 6 were fucking mistakes.

this film loses a lot of the Halloween feeling in favour of making a more generic late 1990s/early 2000s style horror. theres nothing particularly interesting about the way this movie is directed or shot, the music is largely very generic, it has a generally uninteresting glossy quality to it that studio movies always do. its very obvious this movie was inspired by Scream and it looks a lot more like Scream than it does Halloween. all of this makes me kind of sad, but other films in the franchise have proved that other directors generally are not capable of imitating Carpenter’s style so maybe its better they dont really try.

what H20 does so well, and the reason i love it so much, is that it explores the relationship between Michael and Laurie, which is something im endlessly fascinated with. this was the first movie to have Laurie shake off her fear and rise up against Michael, and while it doesnt do it with quite as much depth and intelligence as Halloween 2018, it still has a fucking good crack at Laurie’s character, and its still powerful watching her turn on the man who terrorised her for years. Michael is great in this movie too; while he has a terrible mask, watching him back on his shit as a furious force of nature who wants nothing more than to destroy anyone who gets in his way.

honestly i kind of enjoy having a Halloween in a different style; theres something fun about seeing characters recontextualised and done with justice and empathy. most of the Halloween sequels before this one (and after, looking at Resurrection) are shallow, unconcerned with any kind of emotional depth or personality. and while a lot of the stock filler characters in H20 who are lined up for the chopping block arent that interesting and dont particularly standout, watching Jamie Lee Curtis’ performance and seeing her interplay with Michael is enough. and most of the side characters arent particularly annoying, which is more than i can say for half this franchise.

this film also has what is one of my absolute favourite endings in a movie ever; the final confrontation between Michael and Laurie has a particular interaction between them that i absolutely adore and that alone is enough to make this movie one of my favourites.

H20 isnt perfect; it weirdly feels like a blueprint that Halloween 2018 would later refine into a better movie, but the idea its going to be completely disregarded for Halloween 2018 in the future makes me a little sad. in the face of so many fucking mediocre and awful Halloween sequels it did the right thing in trying to focus on what actually mattered; the connection between Michael and Laurie, although i dont feel like it succeeded in making Michael as scary as 2018 would much later. that said, the shot where Michael and Laurie just stare at each other through the glass of a window? that gives me chills every time. and hearing the Halloween theme kick in as Laurie marches off into the school with an axe looking for Michael is so fucking triumphant.

i love H20 even if Michael’s mask looks like his hair was dunked in a bucket of water and then gently blow-dried. i have no idea why it looks so fucking stupid in this movie. why is it so hard to get Michael’s mask right. you wouldnt think it was that fucking hard. anyway, i really fucking love Laurie Strode a lot, which didnt help to make Resurrection any easier to swallow.

Halloween: Resurrection

so whats the obvious thing to do after you have a movie where the power and emotion all comes from the emotional catharsis of seeing a woman get her vengeance on her tormentor? you, uh, make a sequel in which she is immediately defeated and pointlessly killed after its revealed her victory at the end of the previous film was entirely false, and then you never return to focus on her and instead introduce a horde of entirely uninteresting stock characters. yeah, makes sense.

Resurrection is fucking incredibly stupid, in the kind of fucking hysterical way only really bad horror movies can capture. theres absolutely nothing of Halloween in this other than the presence of Michael, who just as easily could have been replaced with anyone or anything. the story has a group of people on a reality show staying in the Myers house to… stay there? its not entirely clear what the challenge is meant to be, other than to just be inside the house, which i imagine gets to be pretty dull viewing pretty quickly. theres no suggestion theyre like, hunting for ghosts or something along those lines, theyre just… looking at stuff.

Michael slopes around this movie like he doesnt fucking understand where he is or whats going on, an entirely out of place relic of better times past while the cast cavorts around him doing nothing of interest and having no plots or characterisation to speak of. the film has exactly two or three funny moments, including the legendary ‘Michael Myers getting electrocuted in the dick by Busta Rhymes’, but youre way, way better off just looking that up on youtube instead of watching this movie. there is an hour of pointless plot development about characters no one cares about until Michael starts fucking killing people. this movie shouldnt exist and we should all go back to pretending it doesnt.

and thats it. thats all the halloween films. i can die now.

#rantsfilmwatch #this is around 4000 words long so yknow consider yourself warned

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