#in that particular example

[mienar]

the wandering painter, part one

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[calamarispiderart]

magical girls, generally, have something they fight against. this holds true in hms mg:ljga!.

heart, mind and soul fight 'Shadows', abstracted manifestations of consciousness and circumstance that have a tendency to mirror (or 'shadow') their individual and group situations. they often carry repetitive motifs or themes, functioning as tangible metaphors that must be 'resolved', much like any conflict.

the way in which a shadow is resolved varies. itd be wrong to say that there is ever one true or 'correct' resolution. rather, its a matter of what the group (or the individual,) sees as a proper ending to the matter. often, they default to violence.

it works well (or well enough...) for most shadows, as far as they can tell. its certainly easier than trying to talk it out...

[lobotomy-enthusiasm]

Genuinely love the way some ships are just... no it's not a joke, it was never a joke to begin with, but that absolutely does not stop it from being fucking hilarious to me in a deeply personal manner

[aroaceleovaldez]

underappreciated Nico detail that I like - he seems to be an angry crier! very frequently he's angry when he cries and he cries when he's extremely angry. very AuDHD of him. emotional regulation sucks my guy and he's just going through it.

[wortsandall]

in the spirit of honesty...the way some of yall write jazz in transformers fanfic is honestly appalling. it screams ive never met a black person in my life. it screams i watched michael bays 2007 transformers and took notes, as if the bayverse hasnt been criticized for its terrible stereotyping.

yes, he has an accent. yes, he uses slang. but jesus christ. his usage is not as egregious as yall write it. yall write him like hes stupid and uneducated. the ultimate caricature of a black man. its super insulting.

and i get that he's not actually black due to not being human but he is black coded and the treatment is abysmal at times.

my advice? JUST WRITE DIALOGUE. our brains do the rest. i know what he sounds like, i can fill it in myself.

stop writing "ay, ya sure ya got shit handled, fam'? bro, i 'aint no fool, i gots that dog n' me."

ESPECIALLY BC JAZZ HAS NEVER. SPOKEN LIKE THAT ANYWAY.

sincerely, a (very) frustrated black person.

[ilynpilled]

i do find it interesting how queasy ppl become when george actually uses real very bad ppl as examples when trying to explain what he is getting at w the issue of redemption and its exploration in his story. like yeah thats what an actual mature exploration of redemption is… the question is can someone like that be redeemed? what does it take to be forgiven after that? is the possibility of it even there? like it is about truly vile figures here and their capacity to change and what that means. him using those examples is not supposed to answer the question itself for u about the arcs in the books lol

[cool-as-steel]

A selection of Allen & Gintner cigarette cards from the 1888 'Pirates of the Spanish Main' series.

[pencilofawesomeness]

How Fairy Tail could have had a really cool thematic parallel if they Committed to the Bit:

I often joke about my constant urge to spew essays on characters and topics I have thought too much about, but I refrain because translating all the thoughts in my head to words takes time and effort, and sometimes I am speaking to the void. However. I am spinning in my chair, gnawing at the bars of my enclosure, and frankly thinking way too much right now so I must scream.

It would have been so impactful if Fairy Tail emphasized Jellal being brainwashed.

Jellal is my boy, of course, but I’m not even just talking about the impact to his character: I mean the impact of the entire plot. This, of course, if we went the whole mile with the theming. The machination of being controlled, emotionally or magically influenced, or even unable to fulfill a desire due to an insurmountable obstacle, comes up numerous times throughout the plot, to both primary characters, supporting characters, and antagonists. While Fairy Tail is absolutely a series about friendship, it is also about choosing your path, with a large recurring theme of, regardless of connotation, about being selfish, and what that means on both ends of the spectrum. It’s a matter of free will, and the antithesis to this is all manner of external control. So really, it makes sense that this should be a thoroughly explored theme.

I could talk all day about all the different examples and aspects of this but I came here to talk about Jellal. First, the slavery aspect really hits the nail on the head, so we’re off to a great start—this, of course, applicable to multiple characters, which I really enjoy. Things go wild, however, when Jellal effectively chooses to trade himself for Erza in the punishment game and gets the ever-living shit beat out of him at the ripe age of eleven or twelve years old. He is, understandably, not in a good place, and he comes to the stunning conclusion that… he hates the slavers. Yeah. Checks out. Then, he hears the voice of ‘Zeref’ spewing rhetoric about hate, and it overwhelms; this, we know in hindsight especially, to be Ultear casting a mind-fuck spell in order to manipulate him, under the guise of pretending to be a figure young Jellal believed to be a god. 

When I first saw this flashback, watching the anime, I was unbelievably hyped. For all of Fairy Tail’s odd relationship with foreshadowing, I got the gist of it as soon as the magic went into his right eye and overwhelmed him. In Japanese media especially (largely due to the prevailing symbolism of the daruma doll), the right eye is a huge indicator of free will and the future—namely one’s goals. Creepy magic ghost entering the right eye with magic-bind looking things and immediately warping Jellal’s goal? A+ delivery. Of course, at the time Zeref—an unrevealed ‘evil’ entity—seemed a likely culprit, but Ultear being the puppeteer changes little of the result. In fact, it actually creates a super interesting parallel, but more on that later.

First, there are the consequences of Jellal being an antagonist who is not in control of his actions. I see people lament that it “cheapens” the severity of the arc and provides a cop-out redemption for Jellal, and while the execution of the latter certainly could have been different, I don’t think the premise of mind alteration cheapens the overall plot and theme of Fairy Tail at all; on the contrary, it could have been used to further emphasize intra- and inter- character conflict as well as provide a super engaging parallel for the end of the series. The theme of nakama, family, and friendship is huge, so what better way to emphasize that than to show a twisted example of it?

Jellal goes from ride-or-die loyal and ‘good’ to circumstantially loyal to an ideal (and the people attached to it) and ‘evil’ with the flip of a magic switch. Erza gets the immediate short of the stick when she is the first victim (aside from Jellal himself) to this meddling, and the caring friend she had seen days or weeks before is now cruel, insane, and full of threats—threats she takes heed to as she is cast from the island. Now, Erza is also a child, and one full of trauma, so I am not trying to invalidate her fear or blame her for any outcome. This also does not dive into the intricacies of saving friends at cost to oneself, and all of the conflict thereof; if anything, the complication of the matter bolsters the drama and impact. And then, we have the rest of the squad. Sho, Wally, and Milliana buy into the idea without any trouble, and they continue to buy into it as they get older. Beyond morality, it’s a power fantasy, and those are easy for formerly powerless people to latch onto. However, Simon is the only one who realizes that something is fundamentally wrong and twisted with Jellal… and his ultimate goal, developed over the course of roughly seven to eight years, is to wait it out until he finds the opportunity to kill him, or get somebody else to do it. Ultear, even after integrating herself into the group out of nowhere, gets away with her plan, because ultimately nobody questions that Jellal’s sudden change was anything but a result of trauma and his own will—even in a world with magic, where the very first arc revolves around the use and mistreatment of charm magic.

(Now, as an aside, I unfortunately have some experience in friends suddenly changing. In real life, it is rarely so sudden and obvious, of course, and the culprit is usually those horrible little signals and hormones within the mind, and nothing so fanciful or external as magic. I had a friend take a nosedive into some truly batshit ideas—cult-starting worthy—and exhibit wild mood swings and displays of unprecedented behavior. It admittedly took me a moment to ascertain it among the known issues, but once the pieces clicked, it clicked. I wished I had noticed sooner, and even though she was more culpable of her choices than a person supernaturally influenced by an outside force, I still can’t hate her for all the harm done. This is all just to say that I have, especially in recent years, a personal perspective on this trope and an appreciation for the painful nuance.) 

Refusing to reveal this mindfuckery in the arc diminishes the severity of it a great deal, I fear. We, along with the characters, spend time believing he died an insane villain… and then when he comes back amnesiac, it softens his character but does nothing to contradict how awful he had been. It’s not until years later, arcs later, that we get this random instance of the long overdue reveal to tell us that the manipulation has been discovered off screen. Not only is this utterly underwhelming, but Jellal is now actively working with Ultear and is fine with it! He’s still (understandably, after all this damn time thinking otherwise) blaming himself and lighting his own pyre to atone for things started by a factor completely outside of his control, and every character lets him. The discussion of autonomy is wasted. So, too, is all the juicy emotional fallout. We don’t see Jellal grapple with the horrifying reality that he has not been himself, that years of his life were wasted as a mental slave instead of a physical one; we don’t see Erza beat herself up (likely unnecessarily) because she could have potentially protected him but she hadn’t out of fear, and then she condemned him unknowingly; we don’t see the others truly come to terms with the fact that Jellal had been stolen from under their noses and they never noticed; we don’t even get more than a glimpse in Ultear’s head, who committed the deed because she thought her means wouldn’t matter and then they did. 

It’s horrifying. It’s tragic. It was, perhaps, preventable—in that the problem was a punchable one, to a degree—except the people involved were just children, just human, and it wasn’t enough. Friendship and flashy magic power could not trump trauma and entrapment, not this time. No matter how I think the series could have and should have handled it (and I have several ideas, of course), Jellal’s story provides a haunting case of failure regarding the themes of friendship/community and freedom that our protagonists embody. 

Which brings me to the perfect opportunity to follow up this occurrence of stripped autonomy and loss of freedom with a culmination of the affected themes, plot points, and more: the books of Zeref. 

Namely, the idea that the etherious—sapient, cognizant, and fully capable of autonomy via every depiction given of them, from Tartaros to even Lullaby to especially Natsu—can be and have been resolutely manipulated and controlled via the books by Zeref. Now Zeref, infamously hands-off up until the finale, barely utilized this. The most we ever see is instilling a directive and supernatural need to kill Zeref in the texts, which serves as an externally imposed goal. (Sound familiar, yet?) Provided Larcade clearly doesn’t have these instincts, it is not a guaranteed addition either, which further adds to the sense of deliberation. Natsu experiences this only in the last arc, in what I assume is supposed to be a very tense and jarring plot of a friend and protagonist suddenly losing himself, but it does not get expounded on for long enough to hammer the point home. The plot point of reclaiming the book becomes about saving his life only, and not his autonomy. Not only could this have been emphasized to be properly horrifying and devastating, but the effect—and the suspense—would be doubled with the prior establishment of Jellal’s arc and the tragedy therein. 

To back up for a moment, this parallel is further accentuated by the fact that Ultear and Zeref are clear mirrors of each other. Ultear was afflicted by a magic condition outside of her control and she was enslaved as a lab rat for it. When she broke free, she perceived her mother to have abandoned her, so Ultear, in her unresolved anger and grief, aims her entire goal to rectifying it, which culminated in planning to undo the entire timeline in order to make the one she wanted all along. Any casualties, any cruelties—including the mental enslavement of a slave child—are means to an end, and will ultimately be forgotten. Zeref lost his entire family to tragedy, and in his grief, he refused to forfeit the idea of regaining what was lost, namely his brother. He became afflicted with a curse—a magic condition outside of his control—and experienced cognitive dissonance for it. Ultimately, this miserable existence culminated in the idea of erasing the timeline entirely and forging his own. Any casualties, any cruelties—including subjecting his creations to the same lack of complete cognitive control—are means to an end, and will not matter. 

I mentioned that selfishness is also a recurring theme and this is a prime example of the dark side of it. For Lucy, claiming her independence and following her own path against the wishes of her estate, it is a wondrous thing. Freedom cannot be achieved without some selfishness, and this is a wonderfully handled theme in Fairy Tail, where our protagonists unabashedly put their friends above concrete morals and follow a creed to live their life to the fullest—the eternal adventure. For characters like Ultear and Zeref, their personal desires—born of horrible tragedy and frankly understandable things to want—come at the cost of the autonomy of everyone else, especially the pawns they use to further their goal. This, in true fictional hyperbole, begs the question of where the line in the sand is to be drawn, of what is acceptable on a moral standard and what is not. It is, of course, colored by the protagonist’s point of view as clear antagonism, but as a viewer of the media it provides to us to question when protecting one’s ideal becomes irrevocably an attack on the sanctity of others. 

Which brings us back to the matter of the books. The intended horror of Natsu losing control of himself, I think, could have been really emphasized in order to highlight these aforementioned themes. Imagine if, instead of a complete menagerie of new characters as the final invading force, Zeref’s key piece of his invasion was Natsu. With the intended goal of undoing time, having Natsu kill him is no longer necessary, so it would be more pragmatic to use Natsu instead as a weapon of mass destruction for his goal. Not only is he inside of Fairy Tail, but Zeref is, theoretically, doing this for Natsu too, and he won’t remember this upon success—nevermind that the Natsu we know, that presently exists, that we have watched develop over the entirety of the series, would be forever erased regardless. 

Armed with the knowledge of what happened to Jellal, and how he ultimately had no one to intervene for him, this increases the urgency within the characters and will likely expedite their discovery of why Natsu turned against them out of nowhere. This time, a resistance is launched, and characters have the chance to intervene on the behalf of a friend. Gray couldn’t save Ur, Lucy spent years ensnared by the will of a family member, Erza didn’t recognize Jellal’s plight until it was too late, but they can save Natsu, and save him quickly. Fairy Tail, Team Natsu especially, can rewrite the book of E.N.D. solely for the great cause of freeing their friend and handing him back his free will, and in the process, Fairy Tail saves their own future as well. This doesn’t preclude the ability to free Zeref from his curse, but with or without that we have a beautiful culmination of fighting for the sake of a friend, for the individual and for the whole group. This time, friendship wins. 

I just think it could have been really cool.

[r-aindr0p]

Hi, probably a silly question but how much would it be to get like… just a little gremlin guy as a commission? They are like, the best think known to man, and I’m just curious if that’s possible

Aaaaa using this (very old) ask as an opportunity to show my updated commission sheets !!!! ✨ I do draw gremlins yea !

Updated the link on my pinned post too ! Added mecha to the ok list because hey, I know I will suffer and have the time of my life simultaneously if I ever get asked to draw one

[sonknuxadow]

not to have two complaining posts back to back but i can't be the only person who finds the shadow loves latinas joke extremely unfunny right

[goldensunset]

i looooove pokémon npcs whose team members subtly imply something about them that's never touched upon in the story or at least never outright said. i love villains having friendship evos. i love trainers who commit hard to one aesthetic or vibe with their team (beyond simply sharing a type) and i love it even better when there's one random exception especially if that's their ace. i love when later down the line someone boxes the cute fun soft baby pokémon they used to have in favor of a seemingly stronger or scarier one to show that they're getting serious. i love when they have a pokémon that's difficult to get and raises lots of questions about them. i love it when the lore behind a pokémon fits the character to a T and i love it even better when it appears to contradict them. give me the story-gameplay harmony but better yet give me what appears to be story-gameplay dissonance but might actually have implications if we're willing to dive deep into it

[jon-sedai]

Something that’s always missing whenever people talk about Lyanna and the Kingsguard at the Tower of Joy is that these things should always circle back to Jon Snow. He’s our main character here. Rhaegar and Lyanna, as well as the Kingsguard, are all dead. They were dead before this story began. This tiny section of text is meant to give color to Jon — who is alive, and whose story is currently unfolding. The events at the Tower of Joy, told entirely through Ned’s fever dream for a reason, essentially serve as one thing: fantasy protagonist myth building 101. Three wise men, a legendary magical sword, some of the greatest knights of an era, a dying queen lady, the end of an age, a dead prince, a dead king, and then here comes a soon to be completely orphaned prince whose life hangs on the balance and whose survival depends on the compassion of one lord and his wizard friend. GRRM is literally retelling King Arthur’s backstory through Jon. This whole thing is one giant literary allusion to Uther and Igraine and the boy king Arthur, to Lancelot and his Joyous Guard, to Guinevere, and to tragic romances. It reads as an ode to Arthurian fantasy and is meant to backdrop the main protagonist’s fantastical origins. The Kingsguard are there to play into that. Their presence at the Tower, in that moment, was never about Lyanna; not solely, anyway. Their presence is tied to Rhaegar’s last surviving male child, and the language used suggests that they had chosen their king, for better or worse. Any discussion surrounding the Kingsguard’s presence at the Tower that focuses on anyone but Jon completely misses the point imo.

[nattikay]

OC lineup! All the characters that currently exist in this "story"

[goomyloid]

Goomy i need u to know that ive been listening to ur kriselle playlist for the last few days and u have absolutely impeccable vocaloid taste

-a fellow vocaloid + deltarune fan

Thankyou… if by any chance you got jumpscared by Sugarcoat of Love by Utsu-p due to the sudden very loud noise of heavy metal i apologize. i only say this because it happened to me and its my own damn playlist

im not sure if you’ve been listening to the youtube or spotify one (because they’re slightly different) but i wasnt sure if either came off as disorganized or not… i usually listen to these playlists on shuffle anyway so theyre not in any particular order… if it seems like theres a lot of songs on there its because i can make any song about kriselle. but they’re all still kriselle songs i promise. even if some of them are more personal association than actual objective This Is Kriselle. all piano pieces on there are played by kris. if you care

id also apologize for the Vast amount of different genres/styles on that playlist but that’s kind of just vocaloid there’s nothing i can do about that. i was talking to nyx NyxTheShield once and he said something like, “its funny how snowgrave [as an idea] sounds so different to everyone [music association-wise]” and i was thinking in my head, Everything is Snowgrave actually, if you’re like me,

[fluffydice]

The biggest tragedy of Teruhashi is the fact that she could be up there among the best examples of a complex female character that guides the audience through an understanding that characters don't have to be all-or-nothing when it comes to their moral alignment to be considered 'good' or 'bad' or something else--and then isn't because this is both a gag anime and she wasn't written by a woman

[chocostrwberry]

What’s your art process, if you don’t mind sharing? I adore your style!

YEAH OFC!! 🩷🩷😼

So basically, I just do a rough sketch of what I want. I always use a more simplistic shapes for it, like planning how I want the drawing to look! Then I do lineart (I don’t do the under parts for Marinette’s eyes since in my style she doesn’t have those) then I color, and do the bold outline!!

As you can see, I added some changes to the drawing, like Tikki’s mouth and Marinette’s lil hair cowlick. My process isn’t all that impressive,, but hopefully it’s p clear!!

And for the cartoony effect, I go to Gaussian Blur, and I apply it to the drawing. Then I set the opacity I want (I just did a quick 30%), and also added the Chromatic Abberation (Moving) Filter! I also add “Noise” for screenshots specifically, but I didn’t for this one.

AND TA-DA!! MY SECRETS HAVE BEEN REVEALED!🌈