#it did perfectly capture that initial wonder and confusion every player experiences for the first time
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the best rain world regions are the ones that are objectively vibrant and gorgeous i stg
#the watcher dlc has problems and will 100% be the most divisive campaign for a multitude of reasons but lets be real#it did perfectly capture that initial wonder and confusion every player experiences for the first time#and god is it absolutely nailed here i love this so much#rain world#the watcher spoilers#watcher spoilers#rain world watcher
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Smokey brand Select: Vast and Infinite
I’ve done a few of these Smokey brand Selects, lists of some of my favorite films in any specific sub-genre, and it occurs to me that I haven’t even touched my actual, favorite, sub-genre at all. A few of these movies have made different lists, sure, but I've never cobbled together an actual, dedicated, catalog for the Cyberpunk category. I absolutely adore these types of film. They capture every aspect I look for in a flick; Beautiful imagery, enthralling sounds, compelling narrative, existential questions, and so much more. The sheer depth of this genre lends itself to great storytelling, diverse creativity, and enthralling visuals. I love Cyberpunk and these films are some of the best I've seen.
10b. Johnny Mnemonic

Johnny Mnemonic is probably the purest, US made, Cyberpunk film I have ever seen. It’s not a great watch, there’s a ton going on all of the time, but it is bursting with creativity and ideas. I adore this film, I really do. Even with all of it’s confusing, spastic, scatter-brained, story telling, I loved this film. Up until The Matrix and then John Wick, Johnny was my favorite Keanu Reeves performance. That, alone, has me coming back year after year. I highly recommend checking this one out if your a fan of the genre but it’s probably the weakest select on this list by a wide berth.
10a. Virtuosity

I was hesitant to put this one on the list because, I mean, this makes it eleven instead of ten, but moreso because I wasn’t sure of this thing qualifies as Cyberpunk. There’s a couple ahead on this list that have the same issue but I ended up putting them on so I guess this goes on here, too. Plus, I never hear anyone talking about this thing and I feel it deserves a bit more of a spotlight. Virtuosity is a goddamn blast. There’s a great performance from Denzel Washington a trite but ably executed plot, and some pretty interesting choices from a relatively new director. The strongest draw, however, is Russell Crowe as the artificial, glass eating, super psychopath, SID 6.7, as well as all of that mid 90s, virtual reality, conjecture. Virtuosity is definitely a product of it’s time but it's still a great time to watch.
9. Tron: Legacy

Legacy is, admittedly, not the best film. Even so, i had a ball with this one. The soundtrack by Daft Punk, alone, is worth the price of admission but couple that with the stunning, neon, visuals and you have a combo that can move even the most stoic of moviegoers. I absolutely adore this film. It get way too much hate for what it is. I’m a little perturbed we’ll never see the capping to this narrative but, for a second outing, I really did enjoy returning to this world. I’d put the first on this list but I really did connect with it beyond how dope it looked. Legacy gave me so much more to dig my teeth into and I respect it for that.
8. 12 Monkeys

I don’t even know where to begin with this movie. I’ve seen it a few times and dissected it in a couple of essays for school but I'm still not sure if i understand it wholeheartedly and that is incredible. For a movie to keep me so off-balance and I still enjoy the show is testament to the brilliant direction on display. The plot, itself, as convoluted as it can be sometimes, is rather gripping once you get a handle on what’s going on and the performances are outstanding. Brad Pitt really shows his range in this one, shades of things to come. 12 Monkeys is a Cyberpunk on the strictest sense but, like The Matrix, I was hesitant to add it tho this list. But, also just like The Matrix, if it is truly a Cyberpunk film, it has to be required viewing.
7. Dredd
Dredd is entirely Cyberpunk. From page to screen, Cyberpunk everything. The first outing was a little too campy to make this list but the second? The Karl Urban Dredd? That one fits this list perfectly. It’s a crying shame we didn’t get a sequel. I was itching to see Judge Death do it’s thing but the siege of Peachtree was more than enough to sate my ultraviolent appetite. Seriously, this movie is outstanding and it’s a crime more people didn’t see it. I feel like if this thing was released today, maybe on VOD, it would get the respect it deserves. Too early to the party, it seems.
6. RoboCop

It’s crazy to me that all of the classic, US made, Cyberpunk movies are all championed by foreign directors. Ridley Scott, Denis Villeneuve, Terry Gilliam, and Paul Verhoeven. Verhoeven’s RoboCop is a scathing indigent of consumerism and it’s interchangeability with corruption. When I was a kid, that sh*t flew right over my head. All I saw was a dope cyborg named Murphy and a beautifully alien war machine called ED-209. As I got older, I learned to appreciate, more and more, Verhoeven’s vision and RoboCop became more than just an action film for me. This thing is one of the best in the sub-genre and far more intelligent than anyone gives it credit for being.
5. The Matrix

I don’t know if The Matrix belongs on this list. It never felt Cyberpunk to me but everyone else tells me it is. When I think about it, it checks all the boxes; Existentialism, robots, future dystopia, etc. All the boxes but I always felt it skewed more toward Neo Noir than anything. That said, if it is Cyberpunk, and it seems that is the accepted consensus, how can it not make this list? The Matrix is one of the most influential films ever made. It’s easily the greatest action film in history. Terminator 2 is usually the front runner for that title, I’ll eventually make a Select for action films so don’t worry, but Neo’s maiden voyage matches anything Cameron created.
4. Alita: Battle Angel

I was initially introduced to Alita way back in the early 90s. the SyFy channel, back then know as the Sci-Fi Channel, used to show these blocks of what was called “Japanimation”, later known properly as anime, and the original Alita OVA was one of the few that aired. I loved every bit of it. It got me wondering about the manga so i went looking for that, too. Imagine my surprise when it was hundreds of chapters deep and encapsulated an entire world. I was hooked. So was James Cameron because he optioned it for the big budget, US, blockbuster treatment and spent the next decade and change, adapting technology to bring Gally and her universe to life. What we eventually got was, hands down, the best adapted anime or manga to the big screen, ever. Alita: Battle Angel is an incredible film experience that deserves more eyes on it and more love. Here’s hoping HBO Max and ATT give it that sequel everyone wants because it gets real awesome after the rollerball arc we just witnessed. Plus, I mean, Rosa Salazar’s Alita is just f*cking adorable, man.
3. Akira

Akira was the first anime I really watched with intent and that viewing colored my perception of cinema going forward for the rest of my life. I had seen anime before, of course, but not like this. Macross and Go-Lion were serials, cartoons for kids, but Akira was a completely different animal. I didn’t understand the narrative as a child, that came later, but i knew the experience was revolutionary. As I watched this film over and over, year after year, I began to understand exactly the story being told in a critical nature. It wasn’t only the breathtaking visuals that held up. Akira is as influential as it is because of it’s absolutely pristine storytelling. It’s reputation is unassailable and if you count yourself a fan of cinema, you have to see it at least once. I am petrified at what America is going to do to this narrative, man.
2. Ghost in the Shell

Ghost is easily the most balanced Cyberpunk film i have ever seen. It’s what I measure all movies in the sub-genre against. The narrative is poignant, profound, and perfectly executed. For the record, I’m speaking about the 1995 anime, not whatever the f*ck ScarJo starred in a few years back. That sh*t was the worst but Oshii’s masterpiece? That sh*t is the best. For such a short stint in Masamune Shirow‘s world, you are immersed in the grit of it all immediately. Kusanagi’s story, her struggle with being and conflict, mirror each other brilliantly. This would be top of the list if not for how much the world, itself, resembles our own. The Cyberpunk aesthetic kind of eludes this most Cyberpunk narrative. Even that juxtaposition is a positive in my eyes.
1. Blade Runner 2049

This one was hard to place. I love the original Blade Runner to bits. I think it’s a masterwork of cinema. It’s deftly acted, brilliantly directed, and easily one of the most gorgeous films I have ever laid eyes upon. And then Denis Villeneuve drops his continuation. Everything i just said about the original, stands for it’s sequel, but maybe even more. 2049 is breathtakingly gorgeous. It tells a simple, yet, emotional story driven by outstanding performances from everyone. No one is bad in this at all. I enjoyed the characters as much as I enjoyed the first’s, absolutely falling in love with Joi and Luv. This movie is everything and doesn’t get the love it deserves. Admittedly, it can be a little long in the tooth, but it needs all of that time to tell it’s story. If you commit to the narrative, engage with the visuals, and accept what the film is offering, you will be absolutely rewarded with one of the best movies ever captured on film.
Honorable Mentions: Terminator, Appleseed Alpha, Hotel Artemis, Run Lola Run, Demolition Man, Black Magic M-66, Elysium, Upgrade, The Lawnmower Man, Dark City, Armitage III, Ready Player One, The Zero Theorem, Minority Report, Looper
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Smokey brand Select: Vast and Infinite
I’ve done a few of these Smokey brand Selects, lists of some of my favorite films in any specific sub-genre, and it occurs to me that I haven’t even touched my actual, favorite, sub-genre at all. A few of these movies have made different lists, sure, but I've never cobbled together an actual, dedicated, catalog for the Cyberpunk category. I absolutely adore these types of film. They capture every aspect I look for in a flick; Beautiful imagery, enthralling sounds, compelling narrative, existential questions, and so much more. The sheer depth of this genre lends itself to great storytelling, diverse creativity, and enthralling visuals. I love Cyberpunk and these films are some of the best I've seen.
10b. Johnny Mnemonic

Johnny Mnemonic is probably the purest, US made, Cyberpunk film I have ever seen. It’s not a great watch, there’s a ton going on all of the time, but it is bursting with creativity and ideas. I adore this film, I really do. Even with all of it’s confusing, spastic, scatter-brained, story telling, I loved this film. Up until The Matrix and then John Wick, Johnny was my favorite Keanu Reeves performance. That, alone, has me coming back year after year. I highly recommend checking this one out if your a fan of the genre but it’s probably the weakest select on this list by a wide berth.
10a. Virtuosity

I was hesitant to put this one on the list because, I mean, this makes it eleven instead of ten, but moreso because I wasn’t sure of this thing qualifies as Cyberpunk. There’s a couple ahead on this list that have the same issue but I ended up putting them on so I guess this goes on here, too. Plus, I never hear anyone talking about this thing and I feel it deserves a bit more of a spotlight. Virtuosity is a goddamn blast. There’s a great performance from Denzel Washington a trite but ably executed plot, and some pretty interesting choices from a relatively new director. The strongest draw, however, is Russell Crowe as the artificial, glass eating, super psychopath, SID 6.7, as well as all of that mid 90s, virtual reality, conjecture. Virtuosity is definitely a product of it’s time but it's still a great time to watch.
9. Tron: Legacy

Legacy is, admittedly, not the best film. Even so, i had a ball with this one. The soundtrack by Daft Punk, alone, is worth the price of admission but couple that with the stunning, neon, visuals and you have a combo that can move even the most stoic of moviegoers. I absolutely adore this film. It get way too much hate for what it is. I’m a little perturbed we’ll never see the capping to this narrative but, for a second outing, I really did enjoy returning to this world. I’d put the first on this list but I really did connect with it beyond how dope it looked. Legacy gave me so much more to dig my teeth into and I respect it for that.
8. 12 Monkeys

I don’t even know where to begin with this movie. I’ve seen it a few times and dissected it in a couple of essays for school but I'm still not sure if i understand it wholeheartedly and that is incredible. For a movie to keep me so off-balance and I still enjoy the show is testament to the brilliant direction on display. The plot, itself, as convoluted as it can be sometimes, is rather gripping once you get a handle on what’s going on and the performances are outstanding. Brad Pitt really shows his range in this one, shades of things to come. 12 Monkeys is a Cyberpunk on the strictest sense but, like The Matrix, I was hesitant to add it tho this list. But, also just like The Matrix, if it is truly a Cyberpunk film, it has to be required viewing.
7. Dredd
Dredd is entirely Cyberpunk. From page to screen, Cyberpunk everything. The first outing was a little too campy to make this list but the second? The Karl Urban Dredd? That one fits this list perfectly. It’s a crying shame we didn’t get a sequel. I was itching to see Judge Death do it’s thing but the siege of Peachtree was more than enough to sate my ultraviolent appetite. Seriously, this movie is outstanding and it’s a crime more people didn’t see it. I feel like if this thing was released today, maybe on VOD, it would get the respect it deserves. Too early to the party, it seems.
6. RoboCop

It’s crazy to me that all of the classic, US made, Cyberpunk movies are all championed by foreign directors. Ridley Scott, Denis Villeneuve, Terry Gilliam, and Paul Verhoeven. Verhoeven’s RoboCop is a scathing indigent of consumerism and it’s interchangeability with corruption. When I was a kid, that sh*t flew right over my head. All I saw was a dope cyborg named Murphy and a beautifully alien war machine called ED-209. As I got older, I learned to appreciate, more and more, Verhoeven’s vision and RoboCop became more than just an action film for me. This thing is one of the best in the sub-genre and far more intelligent than anyone gives it credit for being.
5. The Matrix

I don’t know if The Matrix belongs on this list. It never felt Cyberpunk to me but everyone else tells me it is. When I think about it, it checks all the boxes; Existentialism, robots, future dystopia, etc. All the boxes but I always felt it skewed more toward Neo Noir than anything. That said, if it is Cyberpunk, and it seems that is the accepted consensus, how can it not make this list? The Matrix is one of the most influential films ever made. It’s easily the greatest action film in history. Terminator 2 is usually the front runner for that title, I’ll eventually make a Select for action films so don’t worry, but Neo’s maiden voyage matches anything Cameron created.
4. Alita: Battle Angel

I was initially introduced to Alita way back in the early 90s. the SyFy channel, back then know as the Sci-Fi Channel, used to show these blocks of what was called “Japanimation”, later known properly as anime, and the original Alita OVA was one of the few that aired. I loved every bit of it. It got me wondering about the manga so i went looking for that, too. Imagine my surprise when it was hundreds of chapters deep and encapsulated an entire world. I was hooked. So was James Cameron because he optioned it for the big budget, US, blockbuster treatment and spent the next decade and change, adapting technology to bring Gally and her universe to life. What we eventually got was, hands down, the best adapted anime or manga to the big screen, ever. Alita: Battle Angel is an incredible film experience that deserves more eyes on it and more love. Here’s hoping HBO Max and ATT give it that sequel everyone wants because it gets real awesome after the rollerball arc we just witnessed. Plus, I mean, Rosa Salazar’s Alita is just f*cking adorable, man.
3. Akira

Akira was the first anime I really watched with intent and that viewing colored my perception of cinema going forward for the rest of my life. I had seen anime before, of course, but not like this. Macross and Go-Lion were serials, cartoons for kids, but Akira was a completely different animal. I didn’t understand the narrative as a child, that came later, but i knew the experience was revolutionary. As I watched this film over and over, year after year, I began to understand exactly the story being told in a critical nature. It wasn’t only the breathtaking visuals that held up. Akira is as influential as it is because of it’s absolutely pristine storytelling. It’s reputation is unassailable and if you count yourself a fan of cinema, you have to see it at least once. I am petrified at what America is going to do to this narrative, man.
2. Ghost in the Shell

Ghost is easily the most balanced Cyberpunk film i have ever seen. It’s what I measure all movies in the sub-genre against. The narrative is poignant, profound, and perfectly executed. For the record, I’m speaking about the 1995 anime, not whatever the f*ck ScarJo starred in a few years back. That sh*t was the worst but Oshii’s masterpiece? That sh*t is the best. For such a short stint in Masamune Shirow‘s world, you are immersed in the grit of it all immediately. Kusanagi’s story, her struggle with being and conflict, mirror each other brilliantly. This would be top of the list if not for how much the world, itself, resembles our own. The Cyberpunk aesthetic kind of eludes this most Cyberpunk narrative. Even that juxtaposition is a positive in my eyes.
1. Blade Runner 2049

This one was hard to place. I love the original Blade Runner to bits. I think it’s a masterwork of cinema. It’s deftly acted, brilliantly directed, and easily one of the most gorgeous films I have ever laid eyes upon. And then Denis Villeneuve drops his continuation. Everything i just said about the original, stands for it’s sequel, but maybe even more. 2049 is breathtakingly gorgeous. It tells a simple, yet, emotional story driven by outstanding performances from everyone. No one is bad in this at all. I enjoyed the characters as much as I enjoyed the first’s, absolutely falling in love with Joi and Luv. This movie is everything and doesn’t get the love it deserves. Admittedly, it can be a little long in the tooth, but it needs all of that time to tell it’s story. If you commit to the narrative, engage with the visuals, and accept what the film is offering, you will be absolutely rewarded with one of the best movies ever captured on film.
Honorable Mentions: Terminator, Appleseed Alpha, Hotel Artemis, Run Lola Run, Demolition Man, Black Magic M-66, Elysium, Upgrade, The Lawnmower Man, Dark City, Armitage III, Ready Player One, The Zero Theorem, Minority Report, Looper
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