#it doesnt need to be it is for me

[strangechildproductions]

Ignore the bad spelling!!!! I drew these at work!! I don't have name for this Au but it's a weird combination of the royalty aus I've seen and BioShock and freaking Anastasia and what have I done!!!!

Anyway lore:

In this world some people are gifted a magical ability. They are called the gifted.

Freddy, Bonnie, Roxy, Sun and Moon are gifted.

Freddy has the ability to admit a calming arua within a thirty mile radius of himself

Bonnie can teleport himself, people and objects but what he's teleporting greatly depends on how much energy he has. He also has to be able to see it.

Roxy can run fast, and move quickly. Making her a hard target to hit.

Sun can tell when people are lying to him, and can even make people speak the truth when making physical contact. How ever he can only do this when it is daytime, or well lit

Moon can make people fall asleep but has to come into physical contact to do so. His abilities can only be done at night or in the dark. Under a full moon Moon can emit a pulse that puts anyone within fifty feet of him to sleep.

The crew:

Foxy is the captain of a ship that is primarily sea bound, but can also fly if he wanted it to.the ship is called the Daystar. Because calling the ship the daycare or the superstar sounded stupid to me

Freddy is the first mate, and is Foxy's right hand man

Bonnie would be first mate if he wasn't so unpredictable. Instead he is a scam artist and is often a distraction for the crew from the local authorities .

Chica is the chef of the crew. She often uses various kitchen ware as weapons since it's what she's more comfortable handling.

Roxy is the crews mechanic keeping the shop from falling apart as well as Foxy's robotic prosthetic from malfunctioning.

Sun tried to act as the crews navigator but often gets distracted. Moon will usually subtly alter their course to correct him without Sun noticing.

Moon is their stealth man. He gets in, gets the job done and leaves.

Plot ( if there is any)

Sun and Moon come from a kingdom where gifted are seen as cattle. Despite how rare they are. The big corporation of that particular kingdom buys gifted people and children and even kidnaps them off the street. What the corporation does with the gifted isn't hidden from the public, but the extent is not well known.

They essentially try to use the abilities of the gifted as a resource to make various products. Weapons, home goods, medicine, ECT.

Sun and Moon were sold by their mother when their gifts became known to her. The corporation was running tests on Sun to try and figure out how to use his abilities to make a lie detector for their law enforcement. He was still in the observation stage.

Moon had moved past the observation stage, as his gift was a tad simpler to figure out how to extract. They regularly drew blood from him which made him weak and frail when Foxy finally finds them.

Foxy discovered Sun and Moon while trying to bust Bonnie out of the corporation's labs. He took them with him. Due to the rarity of sleep magic this put a decent sized bounty on Foxy and his crew who up until this point had not obtained a sizable one. Despite this they managed to avoid capture for the next sixteen years. Raising Sun and Moon as his own.

The corporation ( unbeknownst to the Daystar crew) had been using Moon's blood to make a sleep aid that they sold worldwide. They called this sleep moondrops. It became the most powerful and popular sleep aid. The corporation had a relatively decent back supply of Moon's blood but were running dangerously low. So they raised the bounty on Moon.

With Moon's bounty ridiculously high Foxy worried for his boys'safety. He won't always be there to protect them after all. He heard through the grapevine of a noble lady who's trying marry off her brother's. Figuring Moon and Sun would be safest if connected to a noble family he talks Moon into faking nobility and agreeing to an arranged marriage with the nobleman.

DJ, though at first frustrated with his sisters meddling since he wasn't even next in line for head of the family, falls head over heels for Moon fast. Though he can't help but feel like something is off. Like Moon is hiding from something.

I might make a fanfiction I might idk!!! I got brain rot of it though so here take it!

[skellydun]

I don't think I'm meant to be employed. It really cuts into my goofy silly haha time. and it makes it nearly impossible to have any wow life is beautiful let me take it in time.

[mochasucculent]

Was looking at refs and since Viktor has two different leg braces I was wondering, do we think he wears them simultaneously?? The refs don't perfectly line up perspective-wise so it's hard to tell but parts of the one he wears during the Hexcore scenes look like they could maybe line up with the brace that he wears over his clothes, but also some parts really don't and look like they'd be super uncomfy. Also HOW does he take these on and off. Experts weigh in

[marciaillust]

your design of me

[majunju]

father lyney + alts

[noornight]

Long distance besties. This definitely happened after the third movie (source: trust me bro)

Based on this

[idolomantises]

i say this as a lover of yuri but does anyone else get kind of annoyed by the amount of GL that's just two baby faced skinny girls.

[hinamie]

I'm always pushing you away from me / but you come back with gravity / and when I call, you come home

[aeonvy]

silly doodle i did this morning to test out a stylus pen that a friend of mine let me borrow

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[sofadofax]

thinking rockstar eddie and normal guy/stay at home dad steve. their kid has career day at school and steddie think they’re gonna choose eddie for his presentation bc duh but he brings in steve instead. he’s fascinated with all the work steve does around the house plus he makes my lunch for school and cooks dinner EVERY NIGHT. just their kid being absolutely amazed and grateful with everything steve does. of course they also care about eddie’s job and his music etc and loves them both equally but thinks steve’s job is way cooler

[kiwibrain]

i finished reading dungeon meshi, i needed to make a silly crossover :)

ill probably make a continuation with the dish description

EDIT: Part 2 here ✨

[arcade-confetti]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[h20milk]

tfw you fall in love with the magicless prefect that keeps running around campus 🤦‍♀️

[iwantmochisoup]

control?

[seiishindraws]

forgot to put these for pokemon day oops!

me and (one of) my faves :D