#it is almost time for sleep and yet

[cj-the-random-artist]

I have made. Another comic. I took a very, very long time, as usual lmao. I originally got inspired to make this after watching through Arcane cuz. Nicely done media makes me want to make things and all that. And, at that time, I'd sent Narinder out on a mission trip in my new save and he came home full of existential dread (I have terrible luck with Narinder on missions therefore so does QPR AU Lambert I guess lol), and it had occurred to me that that would make an interesting premise for a comic maybe?? Turns out it did.

I think I'm happy with this?? The perfectionist in me is not, and to be honest I think I could've drawn a lot of things better and also I think this would read better if it felt a little slower... but also it's 13 pages long so I can't fault myself all that much. I do wish I had spent more time on some of these interactions, particularly between Lambert and the Goat and also between Narinder and his siblings, I have a lot of thoughts about the Bishops post their joining the cult but I haven't had a ton of time to really like... flesh out those ideas as much as I would like to. Maybe someday?? Idk.

Semi-related, while this comic gave me a lot of thoughts about the Bishops it also gave me a lot of thoughts about like, the exact like, I guess boundaries and terms of Narinder and Lambert's QPR, and also about what exactly happened to Narinder while he was out, and he's not lying a lot did happen but that's a little too long to just throw in the description here so maybe future me will describe it somewhere or something. This comic also got me thinking about Webber a fair bit, and once day I will expand upon those thoughts but not today, I have outside activities today lol

Anyways. This comic, like all my art, is not perfect, but it was fun to make and I spent too long on it for nobody to see it, so... enjoy!!

[simplydnp]

The Dan in the Shrek shirt and hat is giving “we were being silly and soft still in our pjs in the hotel room” vibes like he looks like he just woke up 😭🥺

lightly tousled for sure. a lil squinty a little flirty a little ruffled. definitely part of how they recovered from jet lag

[angelmush]

magenta smoothie 4 breakfast, vibrant vase of tulips 4 my gf, black dragon dog 4 sharing the couch with, and a big stack of notebooks 4 writing

[moeblob]

I've been obsessively playing Fantasy Life i....

I might be a little bit too enamored with the angler hat (thank you for letting me use its appearance on any job i want without losing stats. that's a pro-fun move game. thank you).

[gingermintpepper]

For the longest time, the quintessential song describing Apollo's wrath and consequent murder of Coronis for me was Marah in the Mainsail's 'Your Work isn't Done'.

It's dark. It's seething. Its image of Fate pushing the scorned speaker to complete his foul, terrible work of killing the man who stole his lover away from him is particularly powerful and it's always evoked this gruesomely tragic evolution of a glassy eyed Apollo stumbling through the streets, weak-legged and trembling from the betrayal growning more and more wrathful 'til he can think of no other course than to aim his bow and shoot. The price of betraying his trust is death and Coronis betrayed so much more than just his trust by taking Ischys as her lover.

The song itself captures that sensation of building wrath so well too. From the lonely guitar and vocals at the beginning which evoke this lonely, stripped back but distant grief to the way the singer is practically screaming his refrain of "Your work here isn't done" by the end, accompanied by the full blasting of instruments and an omnious chorus at his side, everything about this song is centered around building stakes, building realisations, building tensions and it creates this feeling of the speaker growing closer and closer with each new verse and chorus that adds to his anger.

There's also the absolute treasure trove of lyrics that work so well for specifically this tale. A brief overview of some of my favourites include;

- There's a crow overhead singing "Oh, Death is my friend."

- And though you think your time has come, the wheels of Fate have spun. Death has declared your work here isn't done.

- There's a girl on my heart safe ashore in her lover's arms

There's just such a vivid image to be drawn here - of Apollo's emotions being swallowed by his rage, of his resolve to end everything the more he bears witness to Coronis' brazen affair. There's even a strong female voice in the first two verses which seem to egg the speaker on in his spiral - a perfect opening to include Artemis who wishes for her brother to hunt that which brought him such pain alongside her. An Artemis who reinforces just what Coronis has done, an Artemis who does not want her brother to repress his anger after such grave an insult just because love was once there.

To me, it was perfect. Apollo's killing of Coronis was a crime of passion, an execution he sometimes cannot even bring himself to commit according to who is telling the tale. It's a wretched situation, harrowing, suffocating and cruel but if not by Apollo's hands, Coronis would simply die by another's. She cannot live after what she has done. The gods simply would not allow it.

AND THEN MY BIAS WAS COMPLETELY WRECKED BY LORD HURON.

Now, let it be known, I am a huge Lord Huron fan. Strange Trails is perhaps the most Apollo-coded album I've ever heard and songs like Yawning Grave and The Balancer's Eye capture such a visceral, gorgeous portrait of cosmic grief and anger that they haven't really left my brain since I first listened to them. Still, 'Setting Sun' from their Lonesome Dream album completely flew under my radar. Maybe it's because the commercial version is so much snappier than the Alive from Whispering Pines recording, maybe it's because I just hadn't listened to Lord Huron's discography in a while but my god. My god.

This song has it all; a quiet menace in its music, a strong male singer who sounds only barely restrained, an absolute HOST of lyrics that are so wonderfully perfect for the scenario -- after getting over how wonderful the song itself is, I immediately dethroned Your Work isn't Done because ultimately, 'Setting Sun' has something in abundance that 'Your Work isn't Done' minimised in order to focus on the wrath driving the song forward.

And that's love.

Setting Sun is so powerful because it's not just a revenge ballad - it's a dirge, a breakup song, a lament, a regret manifesto. So many times during the song, the speaker wonders when his lover stopped loving him. He recounts intimate moments and wonders if his lover was thinking of the other man when she was enjoying herself, wonders if anything she'd said was even real. And I love that so, so much.

Ultimately, Apollo adored Coronis. As inevitable as her death was, he regretted every second of it. No matter how angry, no matter how betrayed, no matter how intensely he was shamed, he still loved her. He weeps for her when she dies, he screams and grieves and cries when he's faced with her corpse. In some tales, no matter the cocktail of emotion driving him, he simply cannot bring himself to kill her. He'd rather cry in Artemis' arms and take his anger out on his own servant than hurt her. His own father has to dispatch Ischys since Apollo can't even bring himself to hurt that which Coronis once loved. Of course, in this case, Apollo's going to kill someone but the point is, it's not a decision of pure anger so much as its this complicated, horrible mix of resolve and lost love.

And my god does Setting Sun capture this conflict, passion, grief and love so well. UGH, I'm vibrating just thinking about it -- there are so many points where I hear its lyrics and can vividly picture Apollo, jaw clenched looking Coronis in her eyes and quietly confronting her.

Coronis, returning home at twilight after spending the day with Ischys to Apollo stringing his bow, "Oh? Is he ready to die for you baby? No, but you know I would."

Coronis lying to him about who she's spent her time with and Apollo's soft, near pained, "Does it hurt when you lie to me? If you asked, I would set you free."

I even really love the image of a Coronis who runs away from Apollo upon realising what will soon happen, not to escape his arrows but to warn Ischys who does not know what will happen. Of Apollo getting into his stance, taking aim at them and gathering his strength as the final refrains rings out "I know I'll never reclaim your love and that's as hard as it gets, so I'll be taking a life when the sun sets."

Other favourite lines of mine include;

- Oh, is he ready to die for you baby, now that the deed is done?

- Tell me when did I lose your love? Was it him you were thinking of?

- And I could never betray your love, you had me heart and soul. You might never have known it girl, but I was all yours.

And ultimately, I just like this conflicted portrait of premeditated murder much more than the crime of passion 'Your Work isn't Done' paints. Crimes of passion - especially when Apollo is concerned - are tragic in their own right, but in Coronis' case, I think I prefer it so much more when there's no way for Apollo's action to be misconstrued for anything other than what it is, especially since he goes on to cut Asclepius from his mother's corpse then carry on with building her funeral pyre. I think there's something so much more impacting about Apollo being unable to hide away from Coronis' blood on his hands and him having to raise Asclepius with those selfsame hands.

Love of the mortal does not supercede the responsibility of the divine. If Coronis' sentence no matter what is death, who better to lead her gently to the knife than he who still loves her?

[uncharted-constellations]

I’ve started a new job and still gotta get used to the flow so for now have a peter dooble

[buddiesmutslut]

I’m genuinely so fucking sick of the “you all would have loved it if it was Eddie who made that comment” take.

First of all, Eddie wouldn’t have made comment then, bc he knows how hard it is for Buck to talk about his emotions, & is REALLY good at giving him the space to talk about them, even if he does make jokes, they’re not out of pocket (the coming out scene, anyone? Breaking the tension with a joke & still being supportive without making a joke of his feelings.)

Secondly, even if Eddie DID make that comment, I’d probably still roll my eyes, but I’d be more willing to accept it. Do you wanna know why???

Who was the person that knew the details of what Buck was talking to his therapist about during their emergency session before the Buckley’s visit? Who is the first one they show at Buck’s side when he gets stuck in the warehouse trying to pull Saleh out after learning about Daniel?? Who is the one who was pacing downstairs in the station & making sure Buck was okay after the warehouse, and the one who warned him about his visitors??

Who was the one praying at Bobby’s bedside, right next to Buck in the hospital?

(I’ll give you a hint, it’s not the dude that’s had 10 minutes of fucking screen time that everyone forgot about post s1.)

It wouldn’t have been the same bc TOMMY AND EDDIE ARE NOT THE SAME. They are not on the same level of knowing Buck & understanding when to make jokes & what jokes to make. Your best friend, partner & co-parent of 6 years and the man that you haven’t even called your boyfriend yet are not on the same level of familiarity.

I get that you’re pissed that Tommy is being compared to Buck’s previous love interests (which would be the case, even if he wasn’t just as shitty & uninterested in Buck as a person as they all were) but if you genuinely think that he’s anywhere near Eddie’s level, EVEN PLATONICALLY, then I fear that you have been watching another show entirely, & I encourage you to watch more than just s7, bc that’s the only explanation I can come up with for why this fuck ass take exists.

[necrotic-nephilim]

Hey there, are you ok?

hey! thank you for checking up on me, this was really sweet!

i SWEAR i did not die. i just got a bit busy doing SladeRobin Week (which i will finish so help me god-) as well as things in my real life. i'm still trying to find the balance of like. fandom creation and working. i am very lucky to have the living situation that i do rn, but it is the sort of schedule where i do have to be ready to watch a baby at really any given point so. it's a tricky balance right now, but i'm going to be active here again! maybe not as many asks answered a day as before, but i want to try to answer like, a few a day and whatnot.

i also think i got briefly overwhelmed, in that i got more asks faster than i answered them. which is the opposite of a problem and something i'm very lucky for! but it did make it difficult for me to keep up and know what to answer next. (this is *not* a discouragement to sending asks! i love them all and pls send as many as you want! i just am a little slow sometimes so i appreciate the patience! <3)

so! i'm back and i'm good, ty for asking! we are back to the regularly scheduled programming <3

[krowhonie]

🧡 the boy savior 🧡

[cody-paranatural]

almost forgot about my gifs. goodnight cody nation

[mariyekos]

Thoughts on the new DMC trailer?

Going to be honest I haven't watched any trailers since the trailer at the Game Awards (or whichever one I have those 2 breakdown posts for) 😅 I keep seeing the trailer announcements when I don't have my headphones on me, and I've been behind on watching them once I have the time... maybe tomorrow I'll finally get to watching them! Tonight I'm dead tired so I don't think I'd be in much of a good mood and I don't want to start off on the wrong foot, so to speak. When I watch them I can make a write up on it though! Would probably be fun.

[everythingwasnormalhere]

south park scene redraw :)

@milkyw4y-marshwalker our* favorite scene XD my boy shows his face i cant not be obsessed with it lmao

textless version under the cut :3

[six-improbable-things]

I had to open the ship combat rules doc I made for Rook's campaign the other day, and man, that thing was (and still is tbh) my fucking magnum opus. I put so much effort into creating rules for a type of combat that dnd doesn't naturally support, and it was SUCH a fun challenge. I'll admit it's not perfect, but it works for our campaign, and everyone seemed to like it during our one test so far, so that's good enough for me.

I think between the stat blocks, the rules themselves, and the maps of the ships, I spent easily 48 hours total on making this sailing arc happen. (No, I'm not the DM, I just like homebrewing shit, and also happen to be the one who decided to play a pirate and make that involved in the story.)

[cowardlycowboys]

#2 for the ask thing!

2. An embarrassing story. you ever pee the bed as grown adult and then it almost happens 3 more times in your grown adult life for a total of 4 times that's about as embarrassing as it gets!

[outlying-hyppocrate]

something i have not done in so long.

[m1dnight-blu3]

someone please free me from the shackles of my ableist job so I can read my books, draw and write my silly little fics in PEACE