#joey light

[angiedoodles]

Doodles of boyfriend shirt swap + obligatory puppyshipping dog and cat analogies 🫡

[ricky-mortis]

Time Bastard trapped in Tinky’s blorbo box

[tiger-balm]

"another big night for matthew knies" | leafs @ flyers | Jan 7th 2025

[jackienova]

Fairy Lights Series

Inspired by songs from The Amazing Devil ---------- Shop Links: ✦ Redbubble for prints, stickers, notebooks, buttons, t-shirts, tote bags, blankets, pillows, and more! ✦ Ko-fi for digital downloads, or if you'd like to give a little monetary support.

[a-snake-makes-moodboards]

California Family (Ethan Green, Lex Foster and Hannah Foster) from the Hatchetfield universe moodboard with cozy sleepover/movie night inspo (7th stop on their journey to California!! stop 1 stop 2 stop 3 stop 4 stop 5 stop 6)

requested by: 🦧 anon!! hope you like it, I had a lot of fun w this inspo :3

[divider creds: @lucidve] [png creds: @pngblog]

(all images were found on Google Images, except Hannah and Lex (Starkid wiki) and Ethan (screenshotted from YJ))

song to go with it: 'Pain' by PinkPantheress (1 bc its cozy, 2 bc I love angst)

Reblogs are appreciated, requests are open!!

[glitchskies]

Uhmhmhm I really like the Chance-Swap! design from @just-a-joey (Slightly Turn Up Brightness- Bright Colors!) When I have time I shall attempt Swap Azure and Twotime because oh my god these designs are yummy

The design for them is so cool omg

I might make a swap Jason because why not /silly (I need more Swap Jason In my life)

(REPOST, FIXED SOMTHING)

[isogenderskitty]

this is ruining my fucking life rn

[deathandnonexistentialdread]

Jonouchi has a crush

[angiedoodles]

Fully indulgent impromptu beach date ⛱️

[ricky-mortis]

Curtwen Week Day 3: Scars

[python-nebula]

Uh. SAF lighting/staging(/whatever else happens to come up) analysis be upon ye. This is a very loose definition of 'analysis' and is more like 'I wrote this with the power of Autism, Being a Film Student, and 'Song 2' by Blur', enjoy :)

^ These are the images I'm gonna be referencing, but I'm talking about the scene in general too. I'm gonna keep the main body of the text in white and my notes in pink :)

Ough okay so. The staging + body language. Owen is specifically placed higher than Curt because in his eyes, he has the upper hand. The slight low angle also lends weight to this and aids in making him look powerful. Because of this, his gun arm isn't raised higher than his shoulder level as it doesn't need to be, giving him a casual air, along with his pulled-back, loose posture and his head lolling slightly to the side.

Despite his body language, we can see from his face and words that he is actually very tense internally. This is probably a very deliberate choice on the director's part, as it emphasises Owen's demeanour of laid-back power (or at least, that's what he tries to present himself as).

This all contrasts directly to Curt. His gun arm has to be at a very high angle because of his positioning in relation to Owen, meaning his posture is very tense and his head is held rigidly upwards. Owen has been planning this meeting for (presumably) years, but Curt obviously hasn't. This is reflected in how they stand (as just explained).

He looks up to Owen, both literally and metaphorically. When they were together, they looked up to each other, and therefore were on equal footing because of their mutual respect and love. But now that Owen feels betrayed and scorned, that resect and love has become one-sided (but half-buried by Curt).

(A detail I like is that even though both actors are (I assume bc it's more common) right-handed, Owen holds his gun in his left hand, meaning the guns are level with each other, creating nice symmetry).

//

LIGHTING TIME. Oh boy, the lighting. Owen stands not only shrouded in stage smoke (giving him an etherial appearance), but also severe white light. This separates him and Curt, showing the now-clear stark contrast between them (whereas before they were both in normal light levels together).

It also represents how Owen has essentially become a ghost; he doesn't exist in his own identity to anybody other than Curt now (and Tati but she isn't in this scene). He isn't part of this world anymore, and exists outside of ever being in Curt's life again.

The light from around Owen casts down on Curt, almost invoking religious imagery. From both perspectives, it represents Curt's adoration and idolisation for Owen (both from being in love with him and from building a version of Owen in his head for four years), and need to 'save' him (his quote unquote 'Messiah complex' that his mother describes).

From Curt's perspective, he is gazing up at Owen, and is bathed in some of his light (he moves closer to Owen later in the scene, more into his light, symbolising his resignation to, and acceptance of, the fact that he can't save Owen. He moves past his memory of, and built-up mental image of, Owen). Up the stairs is Owen, the man he loves, and the light. Back down the stairs is his life without him; darkness.

From Owen's perspective, he knows that Curt feels this way about him - hell, he probably felt the same way about Curt, before the accident - but he keeps his distance. The light, for him, isn't holy light, but a barrier he has put up. In the scene, he doesn't move closer to Curt, he stays high up where he doesn't have to face the man he loves (loved?) and see the pain on his face from up close, see the tears (of anger, or heartbreak? Both, I'd say) that are probably forming in his eyes. Does he feel guilty or regret it? Possibly, considering he apologises several times to Curt in 'One Step Ahead'.

Either way, the stark white light isn't healthy for either of them. So they leave the light, together, when the shot rings out and the stage falls into darkness.

Okay!! This has been my over-the-top, unhinged, accidentally-a-character-study ''''analysis'''' of a single fucking scene from a spy musical that I've been a fan of for a grand total of 24 hours!! :D Please let me know if I made any mistakes, I'm not as knowledgeable about staging as I'd like to be, and as said, I also haven't been a fan for very long.

(I'm gonna post this now and stop adding more to it lmao)

Tagging @kairithemang0 @venomousray @consumingthecheese

[jackienova]

Now let the earth a-tumble, love, and humble you withal, keep running. It's not from what we run that drums, but what's to come, what’s to come.

One of my favorites! It's always so difficult to choose which lyrics to use, but this line always hits. Based on “Love Run” by The Amazing Devil.

The design and a sticker cut-out is up in my shop @ jackienova.redbubble.com

6"x6" Gouache and Micron Pen. May 2024.

[reader-twisted]

I'm hopeless and awkward and desperate for love!

[riddleronline]

joey + bi lighting 🌌

bonus tat:

[a-snake-makes-moodboards]

Lautski (Stephanie Lauter x Peter Spankoffski) from Nerdy Prudes Must Die moodboard with prom/dance inspo

requested by: @genisis1224!! here's your 3rd rq, ty and I hope you like it!! :3 (gotta have that bisexual lighting fr)

[divider creds: @cafekitsune]

(all images were found on Google images, including overlay)

song to go with it [part of rq]: 'Love Bites' by Ice Nine Kills

Reblogs are appreciated, requests are open!!

[yourmoodboards-areonfiirree]

Lautski moodboard with Green Plaid, Handholding and Streets at night inspo!

☼︎ rq'd by @python-nebula! ☼︎

(all images found on pinterest)