#josephkosuth

[vowism]

Arte Povera: from historical origins to contemporary influence Arte Povera emerged in Italy during the late 1960s as a response to the growing dissatisfaction with traditional art forms and the commercialization of art. The movement sought to reject the formalities of institutionalized art and break away from the constraints of modernism. Influenced by political and social changes of the time, Arte Povera embraced experimentation and the use of non-traditional materials. The artists of this movement focused on raw, everyday objects and explored themes of impermanence and transformation, making the art itself a part of the natural processes it aimed to represent. Key artists associated with Arte Povera include Pier Paolo Calzolari, Jannis Kounellis, and Michelangelo Pistoletto. One of the movement’s central ideas was to challenge the traditional hierarchy of materials in art, favoring natural and ephemeral elements. For instance, Calzolari’s works like Soffio (1970) and Rosa e Nero (1969) exemplified the use of raw materials like salt, ice, and sulfur, emphasizing themes of transformation, ephemerality, and the passage of time. This focus on natural processes and transitory states highlighted Arte Povera’s core principle of breaking down artistic conventions by incorporating elements that were often overlooked or deemed insignificant. The influence of Arte Povera continues to resonate in contemporary art, where its legacy can be seen in the work of many modern artists who engage with the raw and authentic aspects of materials. By focusing on the transient nature of both the materials and the art itself, Arte Povera challenged viewers to rethink the value of art and its relationship to the world around us. Its emphasis on impermanence, transformation, and the sensory experience remains an essential part of how we engage with art today. Read in full via link

[badarchitecturesucks]

Joseph Kosuth

[bm-contemporary-art]

276. (On Color Blue), Joseph Kosuth, 1990, Brooklyn Museum: Contemporary Art

Size: 30 x 162 in. (76.2 x 411.48 cm) Medium: Neon tubing, transformer, and electrical wires

https://www.brooklynmuseum.org/opencollection/objects/148620

[moma-prints]

Four Titled Abstracts from S.M.S. No. 3, Joseph Kosuth, 1968, MoMA: Drawings and Prints

Gift of Carol O. Selle Size: Sheet (each, unfolded): 19 15/16 x 19 15/16" (50.7 x 50.7 cm) Sheet (folded): 5 x 5" (12.7 x 12.7 cm) Medium: Four offset lithographs

http://www.moma.org/collection/works/69497

[damecuratedgoods]

#josephkosuth 2007 #linguistic #signs #thelanguage of #equilibrium #conceptualart #armeniandictionary in #yellow #neon 💛 #52venicebiennale (στην τοποθεσία San Lazzaro degli Armeni) https://www.instagram.com/p/CPcpj2uLmar/?utm_medium=tumblr

[3rd-plan]

[annkakultysgallery]

Annka Kultys Gallery is pleased to present Quid est veritas?, a multi-generational group exhibition exploring the concept of philosophical truth.  Through works by AES+F, Morehshin Allahyari, Imre Bak, crocodilePOWER, Simon Denny, Eva and Franco Mattes, Joseph Kosuth, Olia Lialina, Signe Pierce, Timur Si-Qin and Theo Triantafyllidis, curator Anton Svyatsky scrutinizes the cognitive mechanisms by which humans operate the label of truth.  

The exhibition is on view from 11 July - 21 September 2019 at AKG, London.

ANNKA KULTYS GALLERY

472 Hackney Road | Unit 3, 1st Floor | London E2 9EQ | T +44 20 3302 6070 http://www.annkakultys.com

OPENING TIMES Thursday – Saturday 12 – 6pm or by appointment

_____

Pictured: AES+F, New Liberty, 1996, Digital collage, c-Print © AES+F, Courtesy the artists.

[the-lo-renzo]

chair - LO-renzo #lorenzoclasseartiste #piotlaurentditlorenzo #readyarrhe #chair #josephkosuth #zipv #travailderecreationpermanente #monmerzbau #artistesdemerepereenfils #lejardindhelysoeuvre #lejardindhelys #jardindhelysoeuvre #jardindhélys #jardinremarquable #ministeredelaculture #dracnouvelleaquitaine (à le jardin d'hélys-oeuvre) https://www.instagram.com/p/Cqf0XIkIJgh/?igshid=NGJjMDIxMWI=

[asalvadorsala]

L'ottava investigazione (A.A.I.A.I.) proposizione 6, 1971 #JosephKosuth #GiorgioColombo

[xavierxa123]

Marcel Duchamp . . . . . . . . . . #manuelcalderon # frieze #colorfieldpainting #frankstella #donaldjudd #sollewitt #carlandre #richardserra #josephbeuys #marinaabramovic #pieromanzoni #johnbaldessari #christianboltanski #gerhardrichter #conceptualart #yvesklein #danielburen #josephkosuth #lawrenceweiner #marcelbroodthaers #jennyholzer #onkawara  #gilbertandgeorge #liuwei #bernarvenet #zhanghuan #francoismorellet #renémagritte #brucenauman #melbochner https://www.instagram.com/p/Cg023N2oYjo/?igshid=NGJjMDIxMWI=

[fabiopariante]

Queste cose visibili (Napoli, a Ferruccio Incutti) / These visible things (Naples, to Ferruccio Incutti), 2001 by Joseph Kosuth . Metro Dante #Napoli . #metropolitan #stazionedante #neon #vesuvio #like4like #follow4follow #igersitaly #gaeaulenti #campania #light #neonartist #neonart #stazionidellarte #instafollow #instamood #josephkosuth #contemporaryartist #naples #followme #italy #ilikeitaly #museumweek #words #views #dante #arteducation #artecontemporanea #stazioni (presso Naples, Italy) https://www.instagram.com/p/CV-DEa5sFw7/?utm_medium=tumblr

[shuntsuzawa]

夜街彫刻　20200719 ジョセフ・コスース《呪文、ノエマのために(テキスト：石牟礼道子「椿の海の記」、ジェームズ・ジョイス「若い芸術家の肖像」)　》1994 ファーレ立川 https://www.faretart.jp/art/880/ #JosephKosuth #artnightcruising (ファーレ立川アート) https://www.instagram.com/p/CEW0Fg5D7Aw/?igshid=17871sqon5bue

[monsterinmytumtum]

276. (On Color Blue). I was lucky that I went with @katanneclaire when there was a whole exhibit on the color blue at the @brooklynmuseum early last year!! 📸: @katanneclaire #mar072019 #blue #brooklynmuseum #art #broolyn #newyork #josephkosuth (at Brooklyn Museum) https://www.instagram.com/p/B7R-z3cHVGm/?igshid=1ma2dzl5xqliu

[bm-contemporary-art]

Ex Libris The Brooklyn Museum, Joseph Kosuth, 1990, Brooklyn Museum: Contemporary Art

Size: 22 x 28in. (55.9 x 71.1cm) Medium: Screenprint

https://www.brooklynmuseum.org/opencollection/objects/146347

[moma-prints]

O&A/F! D! (To 1.K. & 6F) #5, Joseph Kosuth, 1987, MoMA: Drawings and Prints

Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit Size: 12 × 18" (30.5 × 45.7 cm) Medium: Felt-tip pen on paper

http://www.moma.org/collection/works/289139