#js haunted house 2020
Explore tagged Tumblr posts
Text
Murder, He Wrote

Part 2 Co-Written with @southerngracela
Summary: After your ordeal at the hands of Ransom, you’re not sure that things can get any worse. Famous last words….
Warnings: Bad language words. MATURE (NSFW 18+) NON-CON situation, kidnap, violence. DO NOT READ IF ANY OF THOSE TRIGGER… READER DISCRETION IS ADVISED. YOU HAVE BEEN WARNED!!!!
Pairing: DARK! Ransom Drysdale x Reader
A/N: So this is Part 2 to our submission for @Jtargaryen18 ‘s Haunted House 2020 Challenge. Once again READ THE WARNINGS!!!! This is a DARK Series… don’t @ us if you can’t follow simple instructions and end up with butt-hurt. And if you’re under 18…get off my blog.
Disclaimer: This is a pure work of fiction and by writing it does NOT mean I agree with or condone the acts contained within. This fiction is classified as 18+. Please respect this and do not read if you are underage. I do not own any characters in this series bar reader and any other OCs that may or may not be mentioned. By reading beyond this point you understand and accept the terms of this disclaimer.
Murder, He Wrote Masterlist // Main Masterlist.
Part 1

With his pride wounded, Ransom drank himself to sleep that night, his mind plotting and scheming of more ways to make his point clear. She was his now and nothing was going to change that. He'd decided it might be time to let her in on his secrets and breakfast seemed as good a time as any and, as such, presented her with a plate of bacon and toast along with a cup of coffee to wash it down. He didn't cook, not well anyway, his preference being diner out or order in. He supposed if this was his new normal, he'd have to learn a new skill. He cringed just slightly at the thought of such domesticity.
When you heard the locks turn, your belly dropped out. You were shocked to see him, afraid of what was coming your way. If the events from the previous night were any indication, you had to steel yourself to once again fight back. Your tired eyes took him in. A plate and mug in his hands, jeans over his long legs, boots on his feet. Broad shoulders covered by a white ribbed long sleeve thermal shirt, eyes cold and distant, arrogant smirk over his lips. A smirk of your own barely parted your lips as you took note of the now pink lines adorning his right cheek, courtesy of your nails biting at his skin in the attack. You turned away from him, your body instinctively curling in on itself, chain stopping you from balling up completely when he approached. Your mouth watered at the smell of the bacon and coffee. You were hungry but your body fought to ignore the pangs, offering him that satisfaction.
"I'm not hungry," you managed, desperately irritated at how weak you sounded.
"Starve then," he set the plate and mug on the nightstand at your bedside. He stood rooted there, arms crossed over his chest.
"People are gonna be looking for me, you know," you point out, sitting up a little more, confidence growing by the second.
“You don’t think I’ve already thought of that?” His hands moved from across his chest to his hips.
As you looked at him, that maddening smug look present on his face it suddenly dawned on you that he might have been more calculating than you’d imagined. And then you understood. You figured out what the connection between him and the actor you’d been supposedly meeting was. None. None whatsoever, except that Lucas Lee had been easy, collateral damage. "You set him up," your brow rose and shock filled your voice. "Lucas Lee... You set him up. What the hell did you do?"
"Sweetheart, the guy's a complete tool, he walked right into it and he'll walk right out. Just a couple of hours of questioning and he'll be let go," Ransom shrugged as if this were nothing.
"You're disgusting," you seethe. This arrogant asshole used someone just to get to you and he was PROUD of it. You didn't know what you expected, but the notion of the reality was appalling.
"You don't know the half of it," he winked.
"You're never going to get away with this," you managed to threaten. The look in his eyes caught your breath as he leaned in close, hands on the mattress on either side of your hips.
"I killed Fran, got away with that. I nearly killed Marta, same story," he said, popping a shoulder up. "The point is, Sweetheart, I'm that good, they'll never find you."
"My family, my friends…they'll go to the police. Mick, my boss, he'll want to know where I am after not showing up today. You can't possibly have thought of everything," you shook your head as you wondered just how long he'd been plotting this. You’d only met the asshole a few months ago, interviewed him for a couple of hours max and then released the article days later. How on earth had that transpired into this utter shirt-show? The thoughts were spiraling so fast in your mind, it was dizzying.
"Your boss got an email this morning saying you no longer wanted to work for him, and as for your family and friends, well let’s just say I know where they are. I know your little sister's routine. I know the time your mom walks your dog, and that she does it alone.” Ransom continued and you felt the cold course through your body “You do as I say, and they're safe. If not, well, I can pick them off, one, by one, without even getting my hands dirty," he pulled back, standing over you. "So many criminal junkies in Boston, Sweetheart. Plenty who will take the fall for a little hit,” and with that he turned on his heel and walked to the door.
The true reality of your situation set in and you felt sick to your stomach, despite your hunger. You felt clammy and overwhelmingly dizzy. He had you. If he'd gone this far, followed your family, set up a well-known actor, plotted this entire plan down to how to convince Mick you quit, in a scary short amount of time, just to get to you, you were fully trapped.
"What happens if you lock me down here...and something happens to you?” Worry laced your words.
He turned over his shoulder, "I don't give a fuck." And he slammed the door, the sound of the locks echoing in your room.
In a gut reaction you grabbed the plate of food at threw it at the door where it shattered into pieces, the bacon and toast falling to the floor with it. You screamed as you threw it, for if you hadn't you'd have vomited where you led.
**** Ransom heard the scream and the smash of the plate and paused half way up the stairs. He took a deep breath, contemplating going back down and teaching Y/N some damned manners before he decided to leave it. He’d given her enough to think about for the time being, and besides, he didn’t want to lower himself to delivering another slap to her face like he had done last night. In all honesty, he hadn’t been expecting the site of the bruise on her right cheek to unsettle him as much as it had done. Her pretty face shouldn’t be marked in anyway, and looking at it had simply reminded him how he’d lost control. Of all the things he’d done, he’d never hit a woman before, despite murder and attempted murder. It left a bad taste in his mouth all things considered and a nasty twist in his gut that felt almost like guilt. But it wasn’t guilt, that wasn’t something he did either…no, it was the fact that in all of his actions, even the diabolical ones, he’d remained calm and in control. Until last night. He’d been feral, wild even, and it wasn’t a feeling he relished. But she’d pushed him to it, provoked him. It was her fault, not his.
He shrugged on his coat and grabbed his keys, before he headed out, locking the door and climbing into his black Mercedes SUV. God he missed his beamer, but this was a lot less conspicuous, just as he needed at the moment. He slipped his sunglasses on to shield his eyes against the bright fall sun and set off towards the City.
His mother was already seated and waiting for him when he arrived at the Harbor. He walked over to her table, pulling off his sunglasses and sliding them into the pocket of his camel coat, removing his trademark silk scarf as he went. He handed them off to the help showing him to his seat, asking him to bring him a beer, and sat across from Linda, who was watching him carefully as she lounged back in her seat, properly dressed as ever in a crisp pair of black trousers and a white long sleeved silk blouse. With her legs crossed, she cut quite the imposing figure, but not to him.
Ransom greeted her with a stiff nod and she frowned and gestured to his face.
“What on earth have you done to your cheek?” she questioned, clearly noticing the scratch marks. Ransom hesitated for a second, “Things got a little rough last night, ” he shrugged but his smirk didn't quite reach his eyes. Linda let out a slight groan as she grimaced “Jesus Ransom, I don’t want to know about your sordid little bedroom antics,” she scalded. “Then don’t ask, Mother,” He drawled, not missing a beat.
“Oh believe me, I wish I hadn't.” Linda rolled her eyes.
Ransom looked down at the menu that was on the table in front of him, giving it a cursory glance already knowing what he was ordering, the same as he always did when he was here, before he took a deep breath and raised his eyes to his mother. She wasn’t one for small talk, and neither was he, so he decided to get straight to the point.
“Why are we here?” he demanded “I mean, aside from the obvious guilt driven task of having lunch with your son.” “If you're going to be a spoiled brat why did you even agree to meet me?” Linda shot back and Ransom smirked.
“What was it you always told me mom? No matter how rich you are, never turn down a free meal.”
“Snarky smart ass” Linda retorted and it was his turn to snort as her brow furrowed.
“Now, now Mother. Those frown lines are getting worse” he arched an eyebrow and she glared at him before she sighed.
“I wanted to see how you were, is that so hard to believe.” “In a word, yes.” He shrugged.
“Well, it’s true.” She reached for her glass of wine and took a sip. “I've not seen you since you moved house.”
Ransom rolled his eyes, Jesus he didn’t have time for this shit. He took a deep breath and looked at her as she eyed him expectantly, waiting for his answer “Just fine. I'm enjoying my new place.”
“So, you like it then?” Linda set her glass down and leaned back once more. “I must admit when it came on our books I thought it would suit you.”
“It's different than Kenoak, less modern, but it does the job” he said vaguely and saw her body language stiffen.
“If you don’t like it why did you buy it Ransom?” her tone was exasperated and he had to fight back the grin that was threatening to spread across his face at the fact he was riling her. It was always so damned easy.
“Well, my last place had kinda turned into a bit of a media circus.”
“Yeah, I expect that’s what happens when you're involved in a homicide” she snapped back.
“Say it a bit louder.” Ransom deadpanned “I don’t think they heard you over by the bar.”
“Believe me, that wasn’t intentional.” she held his gaze “Your Granddad’s death isn't something I find funny, Ransom. Not that it ever occurred to you."
Ransom sighed. He was starting to get annoyed under her scrutiny and really wasn’t in the mood for a deep dive into the events of the past year.
“Not of sound mind, Mother.” He said, his voice a little softer as he reminded her of the argument his brief had made which had ensured his acquittal from his crimes, hoping it would shut her up. “Remember?”
“I know son, I know.” Linda leaned over and gently lay her hand on his where it rested on the table. Ransom took a deep breath and shifted in his seat. Physical affection from her always made him uncomfortable as he wasn’t used to it, but for some reason it was heightened in that moment. He sat and pondered for a second on what he had just said. His brief had spun the line about him being under emotional duress due to his granddad cutting him out of his will and whilst there was an element of truth in it, he’d been of perfect mental capacity when he’d enacted his plan. But, if it helped his mother believe that her only son isn’t a monster then…whatever. He pulled his hand back from her and she sighed, clearly mistaking his discomfort for guilt.
“You know, you used to be such an affectionate little boy, Ransom.” Linda looked at her hand as if his rebuttal had burned her before she shook her head and reached once more for her drink. “I often wonder where your dad and I went wrong.”
Ok, so this he could deal with. The reminder that he was a constant disappointment.
“Hard to say.” He snarked “Somewhere between boarding school and Harvard maybe?”
She rolled her eyes “We did what we thought was best.” She set her now empty glass down. “Clearly in hindsight...”
Ransom was saved from her self-indulgent moment of soul searching by the waiter who set his beer down in front of him and asked if they were ready to order. Ransom gestured to his mother who asked for the house salad with a side of tempura prawns whilst he went for his usual, fillet steak with all the trimmings. It was obnoxiously expensive but what the hell, like he cared. Especially not when his Mother was paying...
He took a long pull from his beer as the waiter topped his mother’s glass up from the bottle that stood in the ice bucket next to their table before she thanked him and he disappeared.
“You’ve not asked me how your father is.” Linda looked at Ransom who narrowed his eyes. Why does she care about that? But, deciding it was as good a conversation change as any he shrugged.
“How's Richard?”
Linda rolled her eyes but for the first time since he arrived he noticed a little smirk flicker on her lips before she looked at him. “He’s still your dad Ransom" she reminded.
“Ok, how is my dearest dad? Still fucking the 30 year old au-pair?”
“Yes, apparently, he's taking her to the villa.”
Now that did make him frown. The Villa that they owned in Lake Gada was his mother’s pride and joy.
“Seriously? You're just gonna let him do that?” Ransom’s tone was surprised.
“I have no choice.” Linda took a deep breath “Our divorce isn't final and he's contesting me keeping the property. It's not as cut and dry as one would assume despite his infidelity, numerous infidelities even.”
“He signed a pre-nup, Mom.” Ransom reminded her and Linda nodded.
“I know, but the Villa wasn't part of it. It's the one thing he can hold over me and he's doing just that.” She took a sip of her drink and snorted “Dumb bastard has nothing so he figures why not try his luck here. Fact is, he gets nothing else.”
“Good.” Ransom retorted, a little viciously and Linda eyed himself shrewdly.
“Careful Ransom, you almost sound like you care.” She smirked and he rolled his eyes, not gracing her with an answer. “Anyway, what are you doing with yourself these days?” she moved the conversation on “And I don't mean with women as we've already established when you sat down. Any hobbies or God forbid a job prospect I should know about?” “Aside from my love life, I’m actually writing mother, believe it or not.” He responded, amused at the visible look of shock that crossed her face.
“You're....writing?” her mouth dropped open before she hastily shut it.
“Don't sound too surprised, Linda,” Ransom let out a low chuckle as his mother rolled her eyes at his use of her name. “Granddad always said I had a flare for it. Just-” he paused for a moment before he shrugged “-well, I guess I never really used it much.”
Linda cocked her head to the side as she considered him for a moment before her face softened and once more Ransom felt uncomfortable at her change in demeanour. “He'd be proud of you. I suppose it's what he's always wanted for you, to find something for yourself.”
And there it was. The reminder that he was nothing but a trust fund prick, with no future and nothing of his own to live off. He took a deep breath, gritting his teeth slightly before he responded with a false air of nonchalance.
“I see that now.”
“Good. I'm pleased you do Son.” Linda nodded. “I'm not glad about how it all went down but...well, as dad used to say, things have a strange way of working out in the end.” It was a funny choice of words, Ransom thought, but before he had chance to dwell on it anymore their food arrived. The conversation slowed a little as they both ate, growing a little stilted in places as he told her vaguely what his writing project was about- a private detective- go figure. Linda moaned about more about his father, and then she dropped something casually into the conversation that really did surprise him, that they were planning a memorial for Harlan.
"When?" he frowned, swallowing a mouthful of potato.
“The end of this month, possibly the first week in December. It'll be after Thanksgiving.” Linda waved her hand before she paused, hesitating a little as if she was deliberating whether or not to tell him this next bit. And when she did, he fully realised why. “It was Marta’s idea.” The mere mention of that name was enough to get his hackles up and he took a deep breath, the nerve in his jaw twitching. He looked at his mother as she watched him carefully before he looked away and took a drink of his beer. “Hmmm” was all he could muster.
“Hmmm? What's Hmm, Ransom?” Linda looked at him.
“I figured with Harlan gone she'd be out of our lives.” He shrugged, feeling his neck grow hot. That bitch was responsible for all of this in the first place, the reason he was done out of his inheritance. If she hadn’t got her claws into him none of his would have happened.
“Yes, well, as much as it sticks in my throat that she got everything maybe if we play ball she'll come round to actually giving us all what we're owed.” Linda shrugged “And that aside...it will be nice to remember him.”
The rest of the lunch passed with simple conversation, Ransom steering it well away from the subject of his family. When they’d finished his mother, as predicted, picked up the tab and together they headed outside to wait for the Valet to fetch their vehicles. His mother’s arrived first and she turned to him, the pair of them engaging in the awkward, stilted kissing of the cheeks before she promised him his quarterly check from his shares in her company should land next week. With a nod and a thanks he bid her good bye and a few moments later climbed into his own car and set off back home.
***** With a yell you sat bolt upright, taking a moment to get your bearings as you emerged from the troubled sleep you had fallen back into. Yes, you were still here, in Drysdale’s fucking basement. The tears stung your eyes as you lay back, taking some deep breaths as you attempted to ebb the panic which was setting in. Your situation was disgusting and dire, you were trapped and therefore, you knew you needed to ask for the things you needed, not wanted, just simply needed, or in time, Hugh could add you to his notch post of growing murder victims. The question was, exactly how far could you push him for anything? One wrong move, as you'd learned last night, and you'd be regretting ever uttering a syllable. But you refused to go quietly, you'd be further letting yourself down if you did. You didn't have it in you. However, just how dangerous he was or could be now was no longer lost on you, you had the physical reminder in the biting sting of your cheek, throbbing and tenderness you felt between your legs, and the slight bruising around your wrists where he had pinned them above your head. You hadn’t examined the rest of your body to see what damage he’d done, you didn’t want to.
You ached all over from being led or sat on this damned bed since you’d arrived. The chain attaching you to the bed post wasn’t long enough to allow you to stand up and stretch our your aching limbs so for now you had to settle for attempting to massage some feeling back into your calves, your eyes casting over the various tears and ladders in your thick tights which you’d pulled back up last night with trembling hands after he had violated you.
The door clicked open and your head jerked towards the door as you scrambled higher up the bed, pressing your back into the headboard. You watched as your captor strode in, a packet of Biscoff in his hand pausing as his foot crunched over the shattered remnants of the plate that you’d hurled at the door. He looked up at you, raising an eyebrow, as if he'd forgotten he'd heard you throw it this morning.
“I don’t like cleaning up messes” He said simply as he stepped over it, shutting the door with his foot.
“Pity you killed the house keeper then” you glared at him as he shoved another cookie into his mouth.
“Who, Fran?” he asked with a scoff, his voice muffled by his food.
“How many other house keepers have you killed?” you shot back and he gave a snort.
“None.” Ransom shrugged nonchalantly “But for your information, Fran was a useless dimwit. She only cared about two things. Drugs and getting paid.”
You frowned, was that supposed to justify his actions in some way? He too only cared about getting paid and what money could do for him. “And you care about what exactly other than yourself?” you shot back. He looked at you, a smirk crossing his handsome face as she shoved yet another cookie into his mouth, chewing slowly.
At that point your stomach growled with hunger, just another way your body had betrayed since you since you had arrived and you tore your face from his, turning it to the side.
“Now are you hungry?” he asked as you realised that was probably the bastard’s plan all along. With a deep sigh you looked back at him.
“Can I have one?” you asked meekly.
Ransom studied you for a moment, tongue poking at his cheek, before he strode towards the bed and offered you the packet. You took one and stuffed it straight into your mouth.
“No thank you?”
“Piss off.” You shot back automatically, swallowing your cookie.
His good demeanour ebbed slightly as an irritated look flashed across his face. “Don’t push me, Sweetheart.” his voice was low as he sank onto the side of the bed, looking at you “I think your situation is precarious enough as it is, don’t you?”
You merely glared at him, you had no comeback. There was no comeback. He was right.
“Now if I make you something proper to eat are you gonna take it or throw it at the door again?” he raised his eyebrows “Because, frankly, you starving yourself is of no real concern to me except I kinda think you’re gonna need to keep your strength up.”
It didn’t take a genius to work out exactly what for. But you were so hungry, and the battle inside you raged on before your self-preservation mode won out and you hung your head slightly, looking at the comforter you were led on. “I’ll eat.”
“See, that wasn’t so hard was it?” Ransom smirked again.
“No.” you replied, your voice devoid of emotion. “Can I have some water too?”
“As long as you don’t throw the glass.”
“I’m thirsty.” You replied simply “I won’t.”
He nodded and stood up, offering you the packet of cookies “Have those for now.”
“Thank you.” You took them from him, your tone a little sarcastic, your eyes rolling as you spoke. He looked at you and for a moment you were worried he was about to do something about your response but he simply gave a huff of laughter and turned to leave.
“I’ll be back shortly.” He said, closing the door behind him.
You could no longer bite back the sigh of delight as you took another of the buttery spiced cookies into your mouth. It was rich on your tongue but it was food and you were so hungry. What you wouldn't do for a cup of coffee to go with. You surveyed the room as you chewed the Biscoff thoughtfully. The earlier despair you’d felt upon waking just before he had re-appeared was slowly giving way to determination as you realised that for now practicality had to win you over. Not only did you need sustenance and water, which you knew was on the way, you also needed clothing and access to the bathroom, which you now realized you were desperate for.
So now what, you thought to yourself. The fact that he was willing to feed you despite the fact you’d launched your morning’s meal against the door meant he didn't want you dead. Mind you, if he did you wouldn’t have made it out of that fucking dilapidated house so, just what kind of a game was he playing at here? You weren't sure what his end game was if it didn't mean your certain death. You just didn't understand and felt the struggle of thoughts seep into your mind as you contemplated each step. He doesn't want you dead, but you're locked up, chained up and he's obliterated your body by force. And that was only the first round. So far he's voiced his hell bent plan on keeping you here and making you suffer. And he's done a right job at it after just the first night. He couldn't keep this up for the rest of your life, could he? No, you didn't think, but he's gone as far as to know your every day, your family's every day, detail for detail. It couldn't possibly be for ironically a ransom, no, he had plenty of money still and if you were certain, his mother was still finding ways to slip him allowances and he'd managed to get a small chunk under the table and off the record from your publishers on your behalf. So no, it wasn't for money. Did he expect a better and firm, more sincere apology? Well he sure as shit wasn't going to get one now. Stupid, spoiled fuck. You outwardly scoff at the thought. What does he want that you have? The endgame is unknown but you were in the long game now, that much was apparent. You just had to not walk into verbal traps and wait for him to reveal his hand. But you guessed just by the times you've previously had with Hugh Ransom Drysdale that his hand wouldn't be revealed until he held the right cards.
True to his word Ransom came back what couldn't have been more than 15 minutes later. He handed you a plate containing a simple turkey sandwich, a bag of chips and a plastic bottle of water. “Just in case you get any ideas about smashing it and doing me in…” he said, placing it down.
“Murder is your speciality, not mine” you snarked back biting into your sandwich as the hunger you felt won out over the need to pee that you’d felt before. It was actually pretty good. The bread was fresh, the meat succulent, both more than likely from a deli and not a bog standard store. You ate eagerly, Ransom settled in the arm chair in the corner of the room by the low coffee table, his eyes watching you. You ignored him, concentrating on your food.
“So…” you said as you stuffed the last of your sandwich into your mouth “Are you gonna keep me down here?”
“Yup” he said simply, popping the P.
You swallowed and grabbed the water, cracking the top open and draining half of it in one, your hand trembling slightly. Thankfully you avoided spilling any. You screwed the top on and placed it back on the night stand and watched with horror as he rose from his seat and crossed towards you, sitting on the side of the bed
“So, because I don’t want anything to fuck up what we got here, sweetheart, I have a simple question which you’re gonna answer.” Ransom said, looking at you “Are you on birth-control?”
Your mouth dropped open as you glared at him.
“What the fuck?” you stuttered
“It’s a simple question that requires a yes or no answer.” His expression hadn’t changed, not one bit. Cool, calm and collected, like this was something he would simply ask anyone. As you stared at his smug face, your puzzlement at the seemingly straight outta left field question gave way to anger. He was asking you this, like it was his damned right to know, like he was your fucking boyfriend by choice.
“You tell me, I mean you thought of everything or so you took great pleasure in telling me last night.” You spat. Quick as a flash his hand grabbed your face, his fingers gripping your chin painfully and you let out a little whimper.
“Answer the question.” He said simply
And then you realised, it wasn’t really that out of left field at all was it? It was clear following last night what his intention for you was and like he’d want the added complication of any little surprises turning up in around 9 months. You swallowed, your eyes looked down
“Yes” you whispered, and he released your face.
“Good.” Ransom nodded “Makes things a lot easier.” “I’m not a sex toy, Hugh.” You glared at him and he looked back at you, giving a snort.
“You’ll be whatever I want you to be.” “You’re an asshole.”
“So it’s been said.” He shrugged simply, like he didn’t give a shit. Which, as you realised, he probably didn’t. People like him never did care what they came across like, arrogant trust fund prick.
With a sigh you pinched the bridge of your nose and glanced around the room you were in, as if you really hadn't paid much attention to it's details before. Ironically, if you weren’t here under duress it would actually be quite nice. The bed was large and comfy, there was a reasonably big bathroom attached which from what you could make out contained a fairly nice sized bath tub and a separate walk in shower cubicle. There was what looked like a built in closet next to the bathroom door, a night stand which contained a reading lamp to your right and on the opposite wall to the bed in front of you there was a dresser and a small shelf fixed to the wall a little higher, which was empty. To the left of the room was a large, plush armchair behind which another lamp was fixed to the wall and a fancy oak coffee table which matched the rest of the furniture. Above the chair, was a porthole like window, hexagonal in shape, but high enough to not allow for escape but for the warmth of daylight to seep into the space.
A fucking studio apartment, that half of Boston would probably kill to own…and you were trapped in it. Well, certainly until you could think of a way to un-trap yourself so to speak.
You looked back at him and decided to keep pressing your luck a little. There were things you needed, starting with the bathroom, and you were damned if you were going to let him degrade you even more than he already had by letting you piss yourself.
“There are things I’m going to need.” You spoke, taking care to keep your voice neutral, attempting to avoid outwardly displaying the desperation you were feeling “A pee and a shower for one” you gestured with your head to the small bathroom.
“Well if you’re gonna behave, I’ll undo this.” He reached down and jangled the chain that was attached to the shackle round your ankle.
“Clothes too…”
“The closet is full.” He said simply “But you have to behave, Sweetheart, or you go right back on the chain.
You grit your teeth. Sweetheart, you were no more his sweetheart than he was Harlan’s favorite grandchild. “Like I have a choice.”
“You do.” He said simply “Behave or not.”
You let out a frustrated growl “I told you I was gonna, now just undo the fucking dog collar on my ankle.”
“Ooh, so feisty.” Ransom mocked and you glared at him.
With a chuckle he stood up and pulled the key out of his pocket, undoing the shackle round your ankle and stood back slightly. You moved and shuffled to the edge of the bed where he watched as you rose to your legs. However, after the ordeal you’d been through the night before, plus your no doubt whacky blood sugar level, your head span a little and you staggered forward. Ransom caught you, both his hands hooking under your arms as he helped you steady yourself, his touch surprisingly gentle as his hands slid down to your ribs, thumbs brushing underneath your breasts and you looked at him, blinking. His action had caught you off guard and if the look on his face was anything to go by it had caught him off guard too. There was a moment where you stood still before you remembered exactly what was going on and with an angry scoff you raised both your hands, palms flat on his chest and shoved him as hard as you could.
It didn’t move him much, a half a step back or so, but it was enough to make a point. The unexpected softness on his face turned to anger and a split second later his right hand was round your throat.
“I'm warning you…” he snarled, his large fingers flexing causing his grip to tighten, around your throat. He gave a sharp squeeze, not enough to cut off your airway, instead serving as a threat, telling you he could if he wanted to. He released his grip as the tears stung your eyes and he moved aside to allow you to move to the bathroom. You went as quickly as you could and once you were there you made to shut the door.
Only there wasn’t one. “Why the fuck is there no door?” you turned and faced him.
“Because I won’t clean up a dead body.” He shrugged “So before you get any dumb ideas, anything that could make you think about a means to an end isn’t in this room either.”
You looked at him, frowning before you realised what he meant and you shook your head. “Oh trust me, I’m not about to kill myself over you.”
“Good.” He said simply, “You have 10 minutes” he said, leaning on the frame where the door should have been.
“You’re not watching me pee, Hugh!”
At that his face darkened “Call me Hugh one more time, I dare you, Sweetheart.” His voice was laced with venom as his eyes flashed dangerously, but despite all that you couldn’t help yourself. It was the only weapon you had in your arsenal to deploy.
“Hugh.” you spat, raising an eyebrow.
His jaw clenched and in two large strides he was on you, his hand grabbing your forearm as he yanked you across the bathroom, your feet skidding on the tiles as you struggled for traction on the floor. You yelled out at the pain of his grip but no sooner had it started it stopped as he flung you unceremoniously into the shower cubicle. Your knees and hip collided painfully with the tray and you gave a scream as a torrent of freezing cold water hit you, soaking your sweater dress. You gasped and spluttered, struggling to your feet, the cold making your chest contract and he looked at you, his face back to its stony calm expression.
“10 minutes” he repeated.
He turned to go and in a fit of rage you peeled the icy, sodden jersey dress off and flung it at him. It hit him square in the back before it slid to the floor, splattering on the tiles in a sopping mess. You saw him take a deep breath, his broad shoulders rippling under his thermal ribbed top as he stood up square and turned to face you as you stood, teeth chattering in the still cold spray in nothing but your bra and laddered thermal tights.
“You’re really testing my patience, Sweetheart.” He intoned darkly, before he cocked an eyebrow “9 and a half minutes.” He left the bathroom and headed into the main room, and you turned away instantly cranking up the heat on the shower. As it warmed you through, the water beating down on you, you reached for the shower gel which was on a small shelf in the corner of the cubicle. You scrubbed and scrubbed, not caring how much you used, attempting to rid yourself of the dirty feeling of him as you recalled his hands all over you, his cock violating you in the way it had. You didn’t stop the tears falling, your resolve breaking, as you turned your face into the spray, allowing it to hide your tears, before you washed your hair in the shampoo and conditioner. Eventually, when you’d done everything you could, you turned off the water, took a deep breath and squeezed your hair out before stepping out of the shower. Your eyes instinctively went to the doorway and you were relieved. You couldn’t see Ransom, which meant he didn’t have an eye-line directly into the shower, awarding you some level of privacy at least.
You grabbed a towel which you wrapped around yourself, before you took another and used it to squeeze your hair before you pulled it back into a messy bun out of the way, and stepped out of the bathroom.
“That was 11 minutes.” Ransom said simply as you emerged into the main area of the basement “I’ll let the 90 seconds slide.”
You glared at him as he sat in the armchair, his broad frame filling it, right leg crossed over his left, an I don't give a fuck look about his face, and you knew at that moment you had never hated anyone more in your life than you hated him right then. You turned towards the closet and began to route through, the tears filling your eyes again as you concentrated on finding something to wear. You pulled a few things out, checking the tags. Not only did the prices shock you (it was all high end, designer stuff- what else would the spoilt, trust fund prick buy) but it was all your size. Which unnerved you no end. Pushing that to the back of your mind, as after all in the situation you were in it was the least of your worries, eventually you settled on a simple pale blue cashmere sweater, and a pair of jeans.
“Underwear?” you turned and looked at him. He nodded to the drawers built into the bottom of the closet and you opened it, taking a breath. Of course it would all be lace, sexy. You picked the most modest pair of black, lace French-style briefs you could find and the matching bra, tossing the lot onto the bed. You looked at him, cocking your eyebrow and he mimicked the action, gesturing with his hand.
“Don’t mind me.” The dismay washed over you as you realised what he meant and you took a deep breath “You’re gonna sit there and watch?”
“Yup.” He replied simply, popping the p loudly.
You bowed your head, knowing there was no point turning your back on him, he’d just force you to turn round. As you stared to pat yourself dry though your towel, you blinked back the tears as for some reason this felt far more humiliating and degrading that what he’d done to you last night.
****
Ransom wasn’t sure he’d ever exercised self-control like this, he normally just bought (or took) what he wanted, and before he’d wanted nothing more than to trace the beads of water which moved down her neck and back, collecting in the towel as she rifled through the closet. She reached for the panties first, and attempted to shimmy them on under the towel and he gave a click of his tongue.
“Oh no doll.” He smirked, “lose it.”
She glared at him, and he simply held her gaze, not looking away and eventually he saw her shoulder sag as she reached up with a shaking hand and unhooked the edge of the towel which was tucked in on itself and let it fall to the floor. He gave a loud hum of approval as he took her in, her long-lithe legs up to her hips, the curve of her waist, pert breasts and delicate shoulders and collar bone. She swallowed on air and he watched her throat bob, and he instantly found himself thinking how good she’d look swallowing something else. He shifted slightly in his seat, the crotch of his jeans now feeling a little tight thanks to his semi-hard cock, and she reached for the lace briefs stepping into them. As she shimmied them up, her breasts jiggled a little and he gave an inward groan. For a second he thought about stopping her, taking her there and then but now wasn’t the time. They had things to discuss, certain rules she needed to understand.
Plus, the waiting and the anticipation would simply heighten the pleasure later when he finally did fuck her again.
He remained still as she pulled on the rest of the clothes before she turned to him, her cheeks adorably flushed.
“Hairbrush?” she asked.
Ransom nodded to the dresser opposite the bed and she moved over towards it, opening one of the drawers. She reached in and pulled the item out, dragging it through her hair before she braided it quickly and then turned to him expectantly.
“Sit.” He said, gesturing to the bed. She did as she was told, sinking down onto the edge of it, her hands clasped in her laps, fingers of her right hand pulling at the ones in her left nervously.
“Ok…” he leaned forward, his hands resting on his knees as he looked at her “Here’s how it’s gonna work.”
At his words Y/N looked at him, and then her hands released each other and she folded her arms, crossing her legs on the bed, chewing on her cheek with a sullen look on her face. The look of someone that really didn’t want to listen but had no option.
Such a petulant brat.
“You’re gonna do what I tell you, when I tell you.” Ransom spoke calmly and authoritatively “If I want you, I’m gonna have you.” At that she took a shaky breath but her eyes remained on his as he continued “You behave, you’ll get rewarded. If you don’t, you’ll be punished.”
“Punished?” she sputtered. “What could possibly be a worse punishment than this?” she waved her hand and Ransom allowed himself a chuckle.
Oh, Doll, you have no idea…
“Do you really want to know?” he asked, cocking an eyebrow up.
“No.” she said, hanging her head slightly.
“Smart move.” He nodded.
“Anything else?” she looked back at him, the defiance once more filling her features.
“Yes, don’t call me Hugh.”
At that she smirked and he felt a flash of annoyance “Sorry, am I amusing you?”
“Nope.” She shook her head quickly, the smirk fading as quick as it had appeared.
“Good.” He said, his palms slapping his thighs as he stood up.
“Is that it?”
“For now.” He nodded.
“Do I get to make any rules?”
Ransom hesitated, and looked at her. He had to hand it to her, she was gutsy but that was part of the reason she was hear after all. He shook his head, chuckling slightly “This isn’t a negotiation.”
“Can I ask you for things?”
“I just said, this isn’t a negotiation.” He started to get a little bit irked at her attitude now, “You behave, you get things.”
“So you’re gonna leave me down here with nothing? No TV, no books, no stereo?”
“Behave and I’ll think about it.” He replied simply and when she sighed he knew she understood that arguing and bargaining with him was futile.
Ransom Drysdale bargained with no one.
“You know…” he said, stepping towards the bed and she instantly took a deep breath, shying away a little. The fact he had so much power over her was exhilarating and he smiled, stopping a foot or so away from the edge of the bed, his large frame towering over her. “I should shackle you again, for your back chatting and slapping me in the back with your wet clothes but I’m fair. I’ll let that go. I hadn’t explained my rules.”
She blinked up at him and he nodded towards the bathroom. “Put your dirty stuff in the hamper. I’ll be back later.”
As he strode towards the door he could have sworn he heard her mumble something, something that sounded suspiciously like she’d called him a prick. He stopped, smirking, before he fixed a hard look on his face and turned round.
“What was that?”
“Nothing.” She said quickly
“Thought not.” He nodded, and with that he turned and left, locking the numerous bolts on the door behind him.
**** With a lack of anything else to do you cleaned up the water from the bathroom floor and tossed everything into the hamper like you’d been told to do and then, taking advantage of your new found “freedom” so to speak you set about exploring every single nook and cranny of your ‘cell’. You found the bathroom was fully stocked with all sorts of toiletries, sanitary products (fuck, you didn’t even want to think about what he was going to do to get his sordid little kicks when Aunt Flow came to visit in 3 weeks or so), there was a little make up as well in the drawer in the vanity unit that you’d spotted before and you pulled it out to examine it, once again finding it to be not your usual brand but high end all the same. Finding all this was only compounding your confusion as to what the hell his goal was in all this, but as you had realised before until he decided to show you those cards, you would simply be playing a guessing game.
In the drawers under your bed you found a few different sets of linen which was a relief as it meant you weren’t going to be at his mercy as to when you could change your bedding. Given what had happened the night before, you were half tempted to change them again but you hesitated and decided to wait until later, because you had a sinking feeling he was going to take you again, especially given his declaration earlier.
“If I want you, I’m gonna have you.”
If that was how your life was going to go for the foreseeable, you’d be going through a hell of a lot of bedding if you changed it every time he fucked you. Much more than was contained in the drawers anyway.
Pushing that horrible thought from your head, you took a deep breath, focussing on staying calm, staying collected, staying alive. She needed her wits, her strength, her continued ability of self preservation. And, given the fact that he's murdered before, you weren't entirely trusting his word of not wanting to kill you. You closed the drawers and then settled yourself down on the floor at the side of the bed nearest the arm chair and low coffee table indulging in a few yoga stretches and the like in an attempt to ease out your still aching muscles. You were sat on the floor, with your legs extended, reaching for your toes when he came back and with a little smirk on his face handed you a book.
“For the boredom.”
You blinked and then took it from him, shaking your head as you realised it was one of his granddads, most likely his idea of a joke. And what was more it was one you’d already read.
Nevertheless, not one to look a gift horse in the mouth, you thanked him and then stood up and dropped into the chair, opening the cover. How long had passed you had no idea, but you were a good few chapters on when the trust fund ass wipe re-emerged, and the smell of food wafted across the room. He set a tray down on the bed and jerked his head towards it, in a silent instruction for you to vacate the seat. With a roll of your eyes you tried to get comfortable on the bed to eat with said tray balanced on your knee and with an exasperated groan you looked at him.
“Is there any chance of getting some form of table and chair so I can eat off it and not where I’m expected to sleep?”
He looked at you for a second, before he shrugged “I’ll think about it, depending on how you behave.”
The chicken was dry, but you ate it anyway, remembering your earlier thoughts about staying strong. As you chewed you watched him where he sat in the chair in the corner of the room, looking at something on his phone. Having had time to think things over even more, you knew you needed to play this clever, get him on your side, let him believe that you could be trusted if you wanted to stand any chance of getting out of here. With a deep breath you supressed the desire you had to simply remain silent, sullen even and spoke.
“Are you not eating?” you asked him and he looked at you, surprise on his face.
“I had a big lunch.” He responded simply.
“Well I hope it was better than this.” You arranged your face into the best playful look you could muster “Because, no offence, it sucks.”
Ransom looked at you, before he snorted “Yeah, cooking isn’t my forte.”
“Maybe I could do it.” You offered “I’m not a bad chef.”
His eyes locked on yours and you concentrated on keeping the look on your face innocent as he studied you. Eventually he spoke again “Maybe. If you behave.”
Again, the focus on your behaviour. He clearly wanted you to be good, compliant maybe. Bolstered by the slight progress you were making into maybe understanding what you needed to do you continued. “So, did you go anywhere nice? For lunch I mean.”
“The Harbor.” He responded “Food was good, company was slightly irritating.”
“Company?” the surprise in your tone was genuine
“I met my mother.”
“Oh.” You replied, looking back down at the plate as you blinked back the tears, the thought of your own mother filling your head. She would be beside herself now. You took a deep breath, you might be able to be compliant but you were damned if you were going to show him any weakness, that’s what he wanted. Instead, you took another bite of your meal and looked up at him. “That must have been nice for you.”
“Is that sarcasm?” Ransom asked in an amused tone and you rolled your eyes.
“No, I was being serious. Mind you, you don’t strike me as being close to your family so…” you shrugged and shovelled a soggy piece of broccoli into your mouth.
“You’re smart, we're not.” He shrugged “But she wanted to know how I was getting on.”
“Bet that conversation was positively riveting.” You smirked “And that was sarcasm by the way.”
Ransom scoffed “It wasn’t bad to be honest, that was until she steered it around to Marta.”
“Marta?” you frowned, pondering what on earth could have brought their conversation around to that. “Why did you talk about her?”
“What is this Jeopardy?” he arched an eyebrow at you and you rolled your eyes. “Why not, I'll take Drysdale family politics for my share of the inheritance, Alec…”
“Watch your mouth, Sweetheart.” His tone was warning and his face stony. You swallowed and looked down at the plate.
“Sorry.” You said, keeping up your act. Silence fell again and you finished the last of your dinner and set the tray on the nightstand.
Ransom took a deep breath “Seeing as you’re so interested, Marta has approached my mother and the family about holding a memorial for Harlan.” You looked at him, and his eyebrows raised. “Ironic huh, the bitch who stole what was mine is planning a memorial for my grandad when she’s responsible for his death.”
At that you scoffed, he really was unbelievable and just like that your resolve to be nice started to ebb away at his utter narcissism “Are you for real? You’re responsible for Harlan’s death, and as for taking what was yours, you never had anything, none of you did! It was Harlan’s, you didn’t earn it.” Ransom glowered at you but you continued, shaking your head with a derisive laugh. “You know, the fact he would rather leave it to his nurse than his own family says more about you all than it does about her."
“What did you just say?” His voice was low, and there was an unmistakable flash of anger on his face.
“You heard me. Not that I expect any of that to bother you, Hugh, you do and take what you want anyway and fuck whoever gets hurt in the crossfire…” at that you gestured around the room, “prime example…”
There was a pause and in an instance you realised your mistake. You’d called him inadequate and worse, had broken one of those fucking rules, called him Hugh. His whole demeanour had changed, he was pissed. His jaw was set, his eyes dark, his entire body rigid.
Shit.
In a flash he was off the chair. You reacted equally as quick, jumping off the bed in an attempt to put some distance in between you. Why, you had no idea, it wasn’t like you were going to stop him, but maybe if you could buy some time you could talk him down as you backed toward the door. “I’m sorry, I didn’t mean…” but your apology was cut off as he rounded the bed, grabbing your hair painfully, yanking your braid down so your head was tilted back, looking at him. You let out a scream of pain and moved your hands to grab at his wrists “Oww, shit…you’re hurting me!”
“Like I care.” He snarled “Now, we can do this the easy way or the hard way.”
That predatory look was back on his face and you knew you were in for it again, and your apologetic front flew completely from your mind. Like hell you were doing this without a fight.
“Fuck you.” You spat back.
“Hard way it is.” He shrugged.
His hand tightening around your hair, he manhandled you into the middle of the bed easily. You yelled, bucked, lashed out but as with the previous night you were simply no match for him. He easily pinned you down with his knees clamped either side of your hips, holding you in place as he yanked your sweater over your head, pulling it down your arms so they were pinned behind you back. It was uncomfortable but did the job perfectly you realised to your horror, because you couldn’t move your arms at all.
Ransom then moved, his large hands grabbing at the button on your waistband and you continued to struggle, trying to buck your hips but once more to no avail. He had your jeans and panties down to your knees easily, before he flipped you over so your face was pushed into the pillow where it muffled your screams slightly.
One hand reached up, sliding round the front of your neck and he squeezed. This time it was harder than he had done earlier that day, and the pressure increased and increased, slowly shutting off your airway. You gasped, tears stinging in your eye as you desperately tried to move but it was pointless. Then, suddenly he eased off, and you drew in a harsh gasp of air, coughing and spluttering, still conscious that his fingers remained around your throat.
“Stop fighting it.” He instructed, his other hand sliding over your entrance, making you pull away from his touch, but to no avail as the hand that was on your throat slid down your spine and twisted the sweater, tightening your make shift restraints, jerking your arms even further behind your back. Your upper arms and shoulders screamed in protest and you let out a little sob of pain as he moved both his hands to your hips, tugging them up slightly. One hand trailed over your ass before he plunged two fingers into you and you jerked forward at the intrusion. Ransom groaned before he leaned over, his lips brushing your ear. “I can feel you. Your body doesn’t lie, Sweetheart.”
You turned your head away, pressing your cheek into the pillow and Ransom uncurled himself from over you and you felt him shift behind you. The tell-tale clanking of a belt buckle, followed by a zip and the rustling of fabric told you exactly what was coming. Despite your resolve to give him nothing, a choked whimper escaped your mouth and you turned you face, pressing it further into the pillow in an attempt to stifle your sobs.
“Oh no…” he said, one hand curling into your braid, yanking hard and jerking your head back. You cried out, your body was contorted in such an unnatural shape, back arched, arms pinned behind your spine, head jerked back. “I wanna hear you.”
He shuffled a little, and you felt the top of his cock teasing your entrance and then without warning he powered forward, stuffing you full, letting out a rumble of a growl as he did so.
“So fucking tight…” he grit out as he withdrew, then plunged straight back in, jerking your body as he did so. He took a few more deep, slow thrusts before he picked up the pace and began to piston into you, relentlessly. You felt each thrust, the slap of his balls slamming towards your clit. It hurt, just as it had done last time. He had zero self-control, grunting and growling as he bottomed out with every motion. The hand that was gripping your hip went beyond bruising, his dull nails biting at your skin as the other wound tighter around your braid, the odd angle of your body gritting at your joints. You were fighting tears and sobs as your body continued to betray you, soaking your walls, allowing his cock to slide in and out effortlessly. The hand against your hip glided along your side as a deep thrust came and you could feel it grip your breast between the mattress. His thumb brushing against your nipple through your bra. The friction of his piston thrusts, his hand forcing your bralete against your nipples and the yank of your hair was driving your body into sensory overload and filled you with burning sensations that verged on painful. The tip of his cock scrapped at your insides, no doubt bruising you. Your tears burned and your throat begged with dry thirst.
“Can feel you, Sweetheart…” he groaned, as he bottomed out, rotating his hips slightly making you cry out involuntarily “You feel close…you sound close…such a needy little slut.”
“I’m not a slut…” you sob, the feeble protest sounding as pathetic as you felt.
"Fucking look like one to me..." he growled, his hips rotating again, the burn in your stomach was now getting to hard to ignore. “Please…” you begged, “Just….stop…”
He answered your plea by driving deeper into you, picking up his pace once more and you felt yourself beginning to tumble.
"Oh God," the words flew from your mouth as your body shook violently and you took on your overload of orgasm and sensory extremes. You sobbed as your body betrayed you again with this man. Your mind screaming for understanding, your insides begging for more.
“Fuck…Sweetheart…” Ransom let out a groan as he picked up the pace, before after a few more deep thrusts, the hand that was holding your hair let go. Your head fell forward as you felt the warm ribbons of his come streak up your back before he released his hold on your hip and you collapsed onto the bed, your heart and self-respect shattered.
Every inch of your body ached thanks to the way you’d been contorted and as you lay still, trying to regain some control of your limbs you felt his hands press either side of your head and gave a sob as he leaned lean over your body, his ears brushing your lips.
“I'll take you like that every fucking day if I have to until you give in. Because you will.”
At that the feel of his chest that had been pressing into your back was gone and you heard a rustle of clothing and then footsteps across the floor before the door opened and his deep baritone filled the room once more.
“I would shackle you but I don’t think we need that anymore. You’re not going anywhere.” His tone was almost playful, like he was toying with you, teasing you. “I suggest you take a bath, you’re gonna be sore. That is, once you manage to work your way out of that sweater.”
And with a click followed by the familiar sliding of bolts you were sealed in your prison and you finally gave in to your tears as the sheer helplessness of your situation crashed over you in waves.
****
Part 3
#murder he wrote#js haunted house 2020#dark ransom drysdale#dark ransom drysdale x reader#dark ransom x reader#ransom drysdale#ransom drysdale x reader#ransom drysdale x you#ransom drysdale fic#chris evans#chris evans characters
277 notes
·
View notes
Text
It’s almost time...
3 notes
·
View notes
Text
How The Haunting of Bly Manor Pays Tribute to 1961’s The Innocents
https://ift.tt/3iQv1Tn
The first day at work for The Haunting of Bly Manor’s writers started with a field trip. Mike Flanagan’s team went out to the Amblin Entertainment screening room to watch a movie. “We did the same thing in [The Haunting of Hill House] with Robert Wise’s The Haunting,” Flanagan tells Den of Geek and other press outlets. “It’s a great way to start … to put up a really beautifully realized adaptation of the same source material, and to start talking to the writers about the things that I love about it and hear the things they love about it.”
For Bly Manor, the version of the same source material chosen was Jack Clayton’s The Innocents, released in 1961 and starring Deborah Kerr. It’s a film that Flanagan wanted to celebrate in his own adaptation of Henry James’ The Turn of the Screw.
“It’s a movie, I think, that isn’t talked about for whatever reason,” says Flanagan. “It doesn’t come up as often as The Haunting does. Though it employs a lot of the same technique and came out two years prior. So, it’s one of those films that cinephiles love and horror fans love, but a lot of people don’t know it. We were actively always looking for ways to tip our hat to it.”
And they found plenty. Though The Innocents cleaves more closely to The Turn of the Screw than Flanagan’s version does (the Netflix series is a mini anthology of James’ work, blending two of the writer’s other stories in with the events of the novella), the 1961 film invented several elements that reappeared in Flanagan’s series. The first is its ‘O Willow Waly’ song motif. The Innocents memorably starts with an entirely dark screen as a child’s voice sings Paul Dehn’s lyrics to a melody by composer George Auric:
We lay my love and I beneath the weeping willow. But now alone I lie and weep beside the tree.
‘O Willow Waly’ does not feature in The Turn of the Screw and was composed for the 1961 film where it’s heard several times: hummed by young Flora (Pamela Franklin), played on the piano by Miles (Martin Stephens), and as the tune to which a toy ballerina dances inside a musical jewellery box. As a tribute to The Innocents, the Netflix series borrows the same motif. Its opening lines are recited as a poem by the narrator in the very first scene, it’s sung and hummed by Flora a number of times – including when she’s playing hide-and-seek in the attic in the company of one of the faceless ghosts – and is once again the tune to which the toy ballerina dances in Miss Jessel’s jewellery box. That jewellery box (see below), and the photograph of Peter Quint discovered inside it, is another invention of The Innocents borrowed for the Netflix show.
A major tribute comes in the name of Victoria Pedretti’s Bly Manor character. In James’ original novella, the young woman who takes the position at Bly is known only as ‘the Governess’. In The Innocents, the governess character played by Deborah Kerr is called Miss Giddens. And in The Haunting of Bly Manor, she’s Danielle Clayton – her surname a nod to the 1961 film’s director, Jack Clayton.
Flanagan tells press that the hat-tips were meant to go further than character names; he also wanted members of The Innocents cast to cameo in Bly Manor. It’s a trick the team pulled off in The Haunting of Hill House, when actor Russ Tamblyn (who played Luke Sanderson in 1963 film The Haunting) was hired to cameo as Nell Crain’s psychologist Dr Montague.
“We didn’t have the benefit of being able to bring Russ Tamblyn in this time, but we went looking. We went looking for anyone on the cast that we could find from The Innocents to see if we could get them back.” Were they successful? Child actors Pamela Franklin and Mark Stephens appear to be the film’s only two surviving castmembers, the former now running a family-owned bookshop on Sunset Boulevard and the latter now a UK-based architect with his own Ted Talk. If you spot either of them in Bly Manor, be sure to let us know.
Read more
TV
The Haunting of Bly Manor: The Poignant Tale of Hannah Grose
By Louisa Mellor
TV
The Haunting of Bly Manor: Mike Flanagan Discusses Standout Eighth Episode
By Alec Bojalad
Castmembers notwithstanding, there are countless echoes of The Innocents across the Netflix show’s nine episodes. In the novella, the Governess is driven by coach to Bly’s front door, where she’s greeted by housekeeper Mrs Grose holding Flora’s hand. In The Innocents and Bly Manor, she asks the driver to stop early and let her walk the remainder of the way to the house, letting her drink in the paradisiacal grounds and stumble upon Flora playing by the lake. There are other shared links that don’t appear in the original story: The statue garden, Flora’s bath on Dani/Miss Giddens’ first night at Bly, the game of hide-and-seek, the children’s dress-up and ‘story time’ performance, Miles choking Dani/Miss Giddens, Miles killing a dove… (in The Innocents, he kills one of the birds he feeds on the tower and hides its under his pillow; in The Haunting of Bly Manor, he breaks the neck of his teacher’s classroom pet dove). And while it’s never confirmed how Miss Jessel died in The Turning of the Screw, the Netflix series adopts The Innocents’ explanation that she drowned in the house’s lake, following the death of her lover Peter Quint (the circumstances of which are quite different in the Netflix show).
The design of the Netflix series also takes inspiration from The Innocents. In The Turn of the Screw, the Governess first sees the ghost of her predecessor Miss Jessel across the lake when she’s sitting on a bench, sewing, with Flora playing nearby. In the 1961 film, Miss Giddens is sitting in a lakeside Gothic folly when she sees the apparition, and a very similar Gothic folly appears in the Netflix series.
The influence doesn’t stop at sets, props and plot points. The style of filmmaking is carried over from the film to the TV series. The Innocents’ director of photography Freddie Francis made clever use of the sides of the frame to show glimpses of the film’s ghosts. Francis used specially made lenses to blur the edge of shot, in some cases painting directly onto the lens to create a foggy effect with a channel of light in the centre. In this interview, Bly Manor cinematographer James Kniest tells Den of Geek he aimed for the same effect with the ghosts in the series. “They were always meant to be very subtle and not on the nose,” Kniest says. “And that was probably some of our biggest conversations, how bright to light the ghosts in the background and then how to deal with them in post. Sometimes they’re in reflections. Look in the dark corners.”
There are major differences too, of course. With almost nine hours of story versus The Innocents‘ 90 minutes, Bly Manor delves much deeper into Dani’s backstory, and fleshes out the barely mentioned characters of the Manor’s gardener and cook. While the ending of The Innocents is faithful to the final lines of the James story, Bly Manor goes in an altogether different direction.
The chief difference though, is Bly Manor’s unambiguous stance on the haunting. There’s no question in the series that the ghosts are real, but Clayton’s film dances beautifully around the ambiguity that Flora and Miles’ possession might only be happening inside Miss Giddens’ head. Revisit the moments in the film in which Miss Giddens sees Quint and Jessell, and almost every time, we first see her face reacting before we see the ghost itself – a suggestion that they only exist in her imagination. Director Jack Clayton was intrigued by the argument made by literary critic Edmund Wilson in his now-famous 1934 essay ‘The Ambiguity of Henry James’ that the original story is not a ghostly tale at all, but a Freudian fantasy in which a frustrated governess projects her repressed sexuality onto the lurid story of two children possessed by lustful adults. According to film historian Sir Christopher Frayling, when Deborah Kerr asked her director if the hauntings were all in Miss Giddens’ head, she was told to make up her own mind.
The Innocents was not adapted directly from James’ novella, but instead from a 1950 stage play by William Archibald that shares the film’s title. Jack Clayton worked with Archibald on the screenplay, and then brought in the successive help of playwrights and screenwriters John Mortimer, Harold Pinter and Truman Capote (with whom Clayton had worked on 1953 John Huston movie Beat the Devil) to fine tune the screenplay. It was Capote who gave the script its Southern Gothic and Freudian elements, says Sir Christopher Frayling in this video essay. The spider eating a butterfly (like the one Miles tries to scare Miss Clayton with in episode one of the Netflix show), the beetle crawling from the mouth of a statue … Capote’s preoccupation in the script, says Frayling, was to reveal “the skull beneath the skin.”
The result is both disturbing and beautiful. Clayton’s film is drenched in a Victorian horror of Peter Quint and Miss Jessel’s sexuality, and doesn’t shy from the novella’s unsettling hints towards the sexual dynamic between the adult Miss Giddens and the child-possessed-by-an-adult Miles. It’s a captivating, intense treatment of a story James himself described as a plaything, or an “amusette to catch those not easily caught”. French New Wave filmmaker Francois Truffaut was a fan, and according to one anecdote, praised The Innocents to its director as the greatest English film since Alfred Hitchcock’s 1938 The Lady Vanishes.
As remarked by Frayling, Clayton coincidentally appears to pay tribute to Hitchcock in The Innocents, visually quoting from 1958’s Vertigo in his shot of the winding staircase leading up to the house’s haunted tower (see below). He also included a nod to Orson Welles’ Citizen Kane in the shot of Miss Giddens leaning over a jigsaw, swamped by the vast stately house, and saluted Jean Cocteau’s 1946 La Belle et la Bête in the house’s ghostly, billowing curtains. Tributes all to the work of filmmakers Clayton admired.
Left: Vertigo (Hitchcock, 1958) Right: The Innocents (Clayton, 1961)
And so the game continues, with Bly Manor saluting Clayton’s work in turn. It’s a secret language, says Mike Flanagan. “One of the coolest things about being people who love movies is that we get to share that with each other, and there’s these little unspoken secret languages we develop just being fans of the same thing. … We’ve created telepathy, just based on our own shared love of something.”
“That to me is what an Easter egg is. It’s the opposite of a dog whistle. It’s a quiet and secret communication that’s meant to just awaken just a little moment of joy in people who see the same thing you see and like the same thing you like, and to invite other people into it.”
cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });
The Haunting of Bly Manor is streaming now on Netflix.
The post How The Haunting of Bly Manor Pays Tribute to 1961’s The Innocents appeared first on Den of Geek.
from Den of Geek https://ift.tt/358tljB
1 note
·
View note
Photo

New Post has been published on https://techcrunchapp.com/john-r-deschenes-news-sports-jobs/
John R. Deschenes | News, Sports, Jobs

John R. Deschenes, 70, a lifelong resident of Nashua passed away on Monday, October 12, 2020 at Southern New Hampshire Regional Medical Center after a brief illness.
Born in Nashua on September 6, 1950, he was the son of the late Roger and Juliette (Sigouin) Deschenes. He and his wife, Louise (Rudak) were married on August 12, 1978 and recently celebrated their 42nd anniversary at their home in Ogunquit.
John was a 1970 graduate of Nashua High School and a 1975 graduate of the New Hampshire Vocational-Technical College-Manchester. He also attended UMass-Lowell and was a member of Rise at Rivier University.
John entered the US Army upon graduation in 1970 and was honorably discharged in 1973, having served the majority of his deployment in Germany.
John began his career at a young age at Lenny’s Gulf Service Station in Nashua. He later worked for Nashua Corporation and retired from Elbit Systems of America in 2017.
John was previously an active parishioner of St. Stanislaus Parish where he served as a Eucharistic Minister, vice chair of the Parish Council and chair of the Buildings and Grounds Committee. He served as Treasurer for their weekly Bingo for many years and volunteered at the annual Parish Polish Picnic. John was recognized as Parishioner of the Year 1991-1992.
John is currently a parishioner of Immaculate Conception Parish and has continued to volunteer there for various functions. He particularly enjoyed a recent trip on a Rhine River Cruise with fellow parishioners.
John was passionate about his service work with the Nashua Lions Club. Over his 26-years of membership, he served in many capacities including: President, Secretary, Treasurer, Sight and Hearing Chairman, and Co-chair of the KidSight Program. On the District/State level he was the Health Van Coordinator, Cabinet Secretary-Treasurer, Multiple District Cabinet Secretary-Treasurer, Guiding Lion, Zone Chairman, and Sight and Hearing Committee member. John was the Coordinator of volunteers at the NH Special Olympics each June for the Opening Eyes Program. For many years he worked at the Lions of NH Haunted House each October. He was also a supporter and volunteer at Lions Camp Pride in New Durham. John and his family were lucky enough to attend several Lions Club International Conventions throughout the years in such places as Montreal, San Diego, Chicago, and Boston.
He was honored to have his service work acknowledged by his fellow Lions with a Progressive Melvin Jones Fellow (the highest recognition given on the International level), a Progressive Granite State Fellow (the highest recognition on the state level), and a Presidential Appreciation Award. He was named Nashua Lion of the Year twice in 1998-1999 and again in 2009-2010.
John also served on the Board of Directors for the Friendship Club in Nashua for many years.
Members of his family include his wife, Louise; daughter and son-in-law Sarah and Michael Kiley of Manchester, NH; son and daughter-in-law Gregory and Ashley Deschenes of Westfield, MA. His three granddaughters held a very special place in his heart: Callie and Addison Deschenes and Maeve Kiley.
John is also survived by his two brothers, Michael and Paul both of Nashua; his two sisters and brothers-in-law Diane Deschenes and Ronald Longworth of Nashua and Dr. Rose and Kenneth George of Fort Collins, Colorado, his aunt Marjorie Fischer of Nashua, his uncle Ronald Jenkins of Nashua, his aunt Lorraine (Raoul) Leveille of Sanford, ME; and many special nieces, nephews, and cousins.
Besides his parents, John was predeceased by his brother David; his father-in-law and mother-in-law Bolic and Lucille Rudak; and his sister-in-law and brother-in-law Jacqueline and Ronald Langlois.
John’s big heart and even bigger smile will be missed by all who knew and loved him.
John’s family wishes to express their grateful appreciation to the nurses, doctors, and staff of Southern New Hampshire Regional Medical Center ICU and 4 West for the care and compassion shown to him and his family during his final weeks.
His walk-through visitation will be held at the FARWELL FUNERAL HOME, 18 Lock Street, Nashua on Sunday, October 18th from 4 to 8 p.m. A Mass of Christian Burial will be celebrated in Immaculate Conception Church, 216 East Dunstable Road, Nashua, Monday, October 19th at 11 a.m. Friends are invited to attend. In lieu of flowers, the family kindly requests donations be made in his name to the Nashua Lions Club (PO Box 3361, Nashua 03061) or the Lions Sight and Hearing Foundation of NH (PO Box 970, Concord, NH 03302.) Arrangements are in the care of the FARWELL FUNERAL SERVICE. www.farwellfuneralservice.com.
(function(d, s, id) var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = "https://connect.facebook.net/en_US/sdk.js#xfbml=1&appId=583888071801021&version=v2.0"; fjs.parentNode.insertBefore(js, fjs); (document, 'script', 'facebook-jssdk'));
0 notes
Text
Railway Cuttings Cottage will be ready for Easter

Railway Cuttings Cottage available for Easter
One of our more popular cottages, Railway Cuttings Cottage in the village of Briston will be available for Easter 2020. The cottage has a new owner who is refurbishing it so that it will be in pristine condition by Easter.
Inside Railway Cuttings Cottage
Railway Cutting Cottage hints at the quality within as soon as you approach the front door. Being of modern flint construction it is built and finished to a very high standard. The main door and entrance hall is in the centre of the property off which are several doors to other rooms and a pay telephone.
Off to the right of the hallway is a very fully fitted kitchen with all the amenities you could wish for. You will find an electric cooker and hob, dishwasher, microwave and toaster. There is also a small breakfast bar with tall stools for typically staggered breakfasting as the holiday house wakes up.
Off the kitchen is a utility room with fridge freezer, washing machine and on the far side of that, there is a downstairs lavatory.
Off another door from the kitchen is access to the bright and airy dining table that easily seats 8 people plus a high chair. The French window doors off the dining area give it a bright outlook onto the patio in the back garden.
Off the dining area is a large lounge with three comfortable sofas, a great place to unwind after seeing some of Norfolk's hidden gem treasures.
Back out from the lounge into the hallway, the stairs lead up to the bedrooms.
Railway Cuttings Cottage Sleeping Arrangements
Railway Cuttings Cottage has the capacity to sleep eight altogether.
Four bedrooms in total:
A master double bedroom with en-suite shower room.
A bunk bedded room with space for a cot should it be required.
A further two twin bedded rooms one facing the rear and one to the front of the house.
All the bedrooms are well decorated and bright with high-quality bedding and towels provided.
The last room on the top floor is a well-appointed family bathroom.
Railway Cuttings Cottage Outside and Garden
To the rear, there is an extensive lawned garden with mature shrubs in borders. A rear paved patio area with patio furniture and BBQ, which is not overlooked.
The garden has views of the open fields that the property backs on to, with better views from the upstairs windows.
There is a garden shed available for guests to use (maybe storage for bicycles?) and an assortment of garden games.
The garden has a slight undulation and has been thoughtfully laid out to tire out the little ones.
To the front, there is a shingle drive that will enable up to 3 cars to park.
Surrounding area
The property is sited on the South-Eastern edge of Briston village. Backing onto estate land, there are fields and woodland as far as the eye can see.
The local Briston village boasts butchers, bakers and two local shops including a Co-op. There is a fresh fish shop in the village and in the next village a home delivery Chinese food outlet.
The village has two pubs with excellent food being prepared in them. One in easy walking distance of the cottage.
The cottage is only a short drive from the historic market town of Holt, a regular haunt of the Royal family when in Sandringham. There are regular shops and cafes together with plenty of excellent antique shops to peruse and book shops to lose yourself in.
Nearby are Morston National Trust (bird reserve and seal viewing trips) Blakeney, Cley and Salthouse. A little further East along the coast gets you to Sheringham, Cromer and Wells Next the Sea to the East.
Norwich is a 40-minute drive away as is Kings Lynn. Sandringham, Blickling and Holkham estates are all a great day out too. More details of places to visit can be found on our website and you can use this handy map to plan your week.
Norfolk's Hidden Gems Map
If you would like to join our mailing list please read our privacy policy and then fill in the form below.
Mailing List Sign Up Form
This is a link to a previous blog article.
if(window.strchfSettings === undefined) window.strchfSettings = {}; window.strchfSettings.stats = {url: "https://norfolk-s-hidden-gems.storychief.io/railway-cuttings-cottage-ready-for-easter?id=820888337&type=2",title: "Railway Cuttings Cottage will be ready for Easter",id: "fd4eb382-fd69-4864-a3b8-4b29330fe7b7"}; (function(d, s, id) { var js, sjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) {window.strchf.update(); return;} js = d.createElement(s); js.id = id; js.src = "https://d37oebn0w9ir6a.cloudfront.net/scripts/v0/strchf.js"; js.async = true; sjs.parentNode.insertBefore(js, sjs); }(document, 'script', 'storychief-jssdk'))
The post Railway Cuttings Cottage will be ready for Easter appeared first on Norfolks Hidden Gems.
0 notes
Text
Behind the Scenes on Inside No. 9’s Most Terrifying Episode
https://ift.tt/eA8V8J
Warning: contains spoilers for Inside No. 9 ‘The Harrowing’
“It was ‘WTF!? Oh my God! I’m not going to sleep! Why did you do that to me?!’” The moment the credits rolled on Inside No. 9’s series one finale ‘The Harrowing’, director David Kerr was deluged with messages. “People were very responsive,” he laughs. “We’d gone for something bold that was properly horrible and would haunt them. There’s not much out there that scares a horror fan because they’ve seen it all so many times. That’s the challenge. You want to hit people with a visceral, palpable gut punch that they didn’t see coming.”
Job done. The final shot of 2014’s ‘The Harrowing’ is truly deserving of the episode’s title. A schoolgirl, stripped, bound to a chair, gagged and anesthetised, whimpers in terror as the filthy curtains surrounding a four-poster bed begin to part. One necrotised cloven foot touches the floor, followed by another. A contorted, emaciated figure emerges, naked but for a soiled nappy, with curling fingernails and clouded eyes in a grey pock-marked face. It staggers towards the helpless girl, hissing a single world with demonic glee: “Mischief”
Kerr describes the image as “pretty strong meat” and few would disagree, especially considering that the meat in question was paid for by a comedy budget. Reece Shearsmith and Steve Pemberton’s anthology Inside No. 9 has never fitted neatly inside either the stall of comedy or drama. It’s one, the other and both at the same time. “Unfortunately, there isn’t a channel that has a horror department in the same way as comedy,” says Kerr. “That’s what we need to get going!”
Helen McCrory and Reece Shearsmith (BBC)
Kerr directed every episode of Inside No. 9’s first series: six half-hour films, each with a different setting, cast of characters, and tone. ‘The Harrowing’ is Shearsmith and Pemberton’s tribute to horror cinema classics, a specialist subject. Before starting work on the series, Kerr anticipated being schooled by the pair in obscure 1970s horror and rare Giallo movies they wanted to reference, but that wasn’t how it went. “’The Harrowing’ was very much a full-on genre film, and indebted to the Hammer tradition and the Amicus tradition of portmanteau horror, and though they have a tremendously deep knowledge of all that material – more so than me – Reece and Steve were actually very non-prescriptive.”
The script came to Kerr in a perfect state with plenty of detail, he remembers, but aside from some specific Vincent Price nods in costume and make-up, the creators were open to visual ideas – as far as the cash would stretch. “Always with Inside No. 9, budgetary challenges rear their head. You’re trying to make something that feels like a film, but you’re trying to do that on the budget of an episode of Mrs Brown’s Boys”.
It was clear there wouldn’t be the money for a full-body VFX transformation for the demonically possessed Andras who makes such an impression in the final scene. Like most limitations in Inside No. 9 though, it turned out to be a creative blessing, says Kerr.
Andras is the eldest of the three Moloch siblings, brother to the vampiric-looking Tabitha (Helen McCrory) and Hector (Reece Shearsmith). He lives in an upstairs room of their freezing Gothic mansion, kept tied to the bed and fed like a baby on milk formula and Rusks. Fifty years earlier, we’re told, Andras was possessed by mischief demon Castiel, an infernal spirit now in search of a new home – hence the anesthetised babysitter, Katy (Aimee-Ffion Edwards).
“You’re always wary of showing the monster, but we knew that we did want people to see Andras. A lot of the conversations ahead of the shoot were about what we could do with our limited pocket of money to make him properly scary, but in a way that you could still feel that he’s human. He’s right on the border between a poor, neglected sibling who’s just been left to stagnate in this room with a dirty nappy and untrimmed toenails. We wanted him to be just at the outer limit of the neglected human, but not to push him into a totally risible demon caricature state.”
Director David Kerr and actor Sean Buckley (David Kerr)
Casting Sean Buckley in the role was key to keeping a grip on the character’s pathos, says Kerr. He describes Buckley, who sadly passed away in 2016, as a hugely gifted physical performer. “He had a great physique and an amazing face, and he really understood the kind of contortions that would be useful for Andras when he was writhing and for his walk. The main thing was the physical tautness that he was going to be feeling when he’s writhing in the bed in chains. Sean just got it.”
As reference material for Andras’ look, Kerr and the team went to a range of sources: The Pale Man from Guillermo del Toro’s Pan’s Labyrinth, Dickensian ghosts and the Pee Pee Demon from Joss Whedon and David Greenwalt’s Angel. The character’s make-up was the work of Lisa Cavalli-Green, who brought in skilled prosthetics designer Kristyan Mallett to create Andras’ horrific set of teeth. “We went for details,” says Kerr. “Planning a shot, it was very much about half seeing him through that veil. As ever with horror and comedy, you’re just holding back the reveal. Again – testament to Reece and Steve – they didn’t give Andras tons of dialogue. Less was definitely more.”
The opposite applied to the episode’s Gothic location; in that case, more was definitely more. Kerr remembers his first look at the 19th century Highgate mansion that served as the Moloch house exterior (16 Broadlands Road, N6, if you’re planning a visit). “It was a real ‘we’ve got to use this’ moment. Reece would like to live there, incidentally, that’s going to be his home one day.”
For the interiors, it all came down to the staircase. Inspired by the grand staircases in films like The Others, The Orphanage and The Woman in Black, Kerr’s team went looking for similar. Another reference was more comic-horror. “For Reece and Steve, the characters of Tabitha and Hector felt a little bit like Addams Family characters. I found one of the original Charles Addams cartoons with a staircase in it and then found Langleybury and the staircase was almost identical. That was a real Eureka moment.”
Charles Addams cartoon and Langleybury (David Kerr)
The interiors were filmed in Langleybury, near Watford, which has also been used in the filming of Harlots, a 2011 Great Expectations and feature film The Little Stranger. The atmospheric, dilapidated interior with a galleried area and a series of ante-rooms was perfect for Shearsmith and Pemberton’s script. “You just felt – what could be behind those closed doors?”
Taking viewers up to those closed doors were Steadicam shots by specialist operator Alf Tramontin, whose previous work includes the Harry Potter films and Alfonso Cuarón’s Gravity. Kerr aimed to achieve “a prowling point of view” and designed shots very specifically to draw the eye through the house and give the impression there were whole rooms and wings that were rarely used. John Carpenter’s Halloween was an inspiration for the choreography of those shots. “It’s all about the girls, Katy and Shell (Poppy Rush) creeping up the stairs and just not being able to quite see past the corner, putting the audience in their point of view in terms of what might be behind a door, or a covered piece of furniture beneath a dust sheet.” The dusts sheets covering the furniture fed into the unsettling idea that you’re not quite sure what lurks beneath, says Kerr, before adding with a laugh, “that was also so that we could just put any old crap underneath without having to rent a lot of expensive props!”
Custom props were made for the hellish pictures on display in the Moloch hall. Production designer Brian Sykes had reproductions made of 15th and 16th century paintings depicting the Harrowing of Hell. “That was tricky, because really you wanted a whole gallery of these things, just to feel they were everywhere, but the flip side of that is if Tabitha and Hector had this stunning art collection, maybe they wouldn’t live in such a ratty house. The fact they only have a few of those paintings makes you think ‘are they for real? Is this all a bit of a con?’ And that’s what you want the audience to be asking themselves.”
A crucial part of directing the audience’s feelings in the episode is the work of Inside No. 9 composer Christian Henson. “He’s so inventive and brilliant,” says Kerr. “None of those films sound alike from a score point of view.” For ‘The Harrowing,’ Henson drew inspiration from the Giallo vintage synthesizer used in the Goblin score for Dario Argento’s Suspiria, and once again, from Carpenter’s famous Halloween theme.
Poppy Rush and Aimee Ffion-Edwards (BBC)
That’s a lot of horror talk for 30 minutes of television commissioned under a comedy banner. The comedy though, is very much there in ‘The Harrowing’, which begins as a fond pastiche of the kind of lurid characters found in Hammer Horror films such as Roger Corman’s Vincent Price-starring House of Usher. Kerr knew that guest star Helen McCrory had the colours to make Tabitha something special. “Helen just took to it and had that voice and poise. The character’s this sort of grande dame, larger than life.” McCrory and Shearsmith’s performances are expertly pitched to riff on the theatricality of those stars of vintage horror.
“So much of the film plays in a fairly camp register. You meet Hector and he’s Vincent Price-ish, a slightly campy eccentric. Tabitha is almost like a sort of Norma Desmond from Sunset Boulevard, shuttered in the chateau. They’re oddballs, and they’re funny and bicker like an old couple. By the time Hector pulls out the guitar and is singing Lord of the Dance, you’re thinking ‘this is bordering on ludicrous!’, and then it’s about how far can we push that comedy and turn the corner to something properly dark. The Lord of the Dance silliness takes your guard down, I hope, so that by the time Aimee-Ffion Edwards’ character is sitting there and Castiel in Andras’ body is advancing towards her, it’s properly horrifying, and you’re thinking ‘I didn’t see this coming’.
“They are twins, comedy and horror. They’re both the cinema of sensation, you’re trying to create a visceral reaction from people. Fear and laughter are proper physical reactions in people, rather than intellectual ponderings. You want to incite those reactions and you do that by getting ahead of the audience and not letting them get ahead of you. And that’s always been the genius of a script by Reece and Steve. That’s what they do.”
David Kerr’s festive film Roald & Beatrix: The Tail of the Curious Mouse will air this Christmas on Sky One and NOWTV.
cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });
Inside No. 9 is available to stream now on BBC iPlayer.
The post Behind the Scenes on Inside No. 9’s Most Terrifying Episode appeared first on Den of Geek.
from Den of Geek https://ift.tt/348PazZ
0 notes