#keep in mind she's been in the [redacted] organisation group for about? maybe two months now? and it's the first time she's ever sent a

[girldumas]

ok so this is actually kinda stupid but also not really check the tags.

also give me like half an hour to get dressed and get to the library and you can BET im gonna be a whiny bitch and complain about smth incredibly petty but incredibly annoying

[devilsknotrp]

Congratulations, Honey! You are accepted for the role of Mandy Silverman. This is another sample application for potential applicants to have a look at. You’ll notice that this is quite a long application, but that’s just how I write. You can do whatever you like with yours! If you have any questions about this application or any characters with a connection to Mandy, don’t hesitate to let me know.

OUT OF CHARACTER

Name: Honey Age: Twenty five Pronouns: She/her Timezone: GMT+11 Activity estimation: I essentially work full time and have several obligations, but this group is so tightly organised and planned that I’m confident in participating regularly on the dashboard and as an admin! My admin duties will always take precedence but I will be able to reply to threads several times a week. Triggers: (REDACTED)

IN CHARACTER: BASICS

Full name: Amanda “Mandy” Silverman Age (DD/MM/YYY): Thirty (02/03/1966) - Pisces (Sun), Virgo (Rising), Cancer (Moon) Gender: Cisgender female Pronouns: She/her Sexuality: Homosexual homoromantic Occupation: Adult Education Coordinator Connection to Victim: Mandy did not know the Goode family. She knew of them in the way all newcomers to Devil’s Knot are known: through rumor and glimpses in the Piggly Wiggly parking lot. Mandy had little to do with Linda; she’d seen David and Beth at school, when she’d gone in to meet Mary after work; but she’d never met Brian at all. Alibi: Mandy was at home that Saturday working on a craft project. She ran out of glue at around three, then walked into town to go to the craft store, where she spent a few dollars too many on a crocheting kit. She decided to pick up some coffee and doughnuts then walked back home, where she stayed for the rest of the day.  Faceclaim: Elizabeth Olsen

WRITING SAMPLE

 This is a self para written for the Mandy in 1984.

The Datsun.

It was such a shit little car. Really, it was. Sandy’s miscellaneous paraphernalia littered the dashboard. Her dad’s manuals and work shit stuffed beneath the front seats. Pete had stamped grubby hands all over the back windows - people asked them all the time if they had a dog. “No,” Mandy replied grimly, hoisting Pete up on one hip. “Just a kid.” The motor turned over more often than she could count, which would put her father, ever the optimist, into an agitated but vaguely amused mood. Him, hunched over the wheel, grinding the key, revving the engine, If I… could just... Then, Sandy, cranky and likely hungover, snapping from the passenger side: I told you we needed it serviced! They had about a thousand tapes in the center console, most of them in the wrong cases, with a mix that spanned from Bob Dylan to Pete’s ABC children’s songs. Them, zooming along a damp highway, rain splattering the glass, her dad cheerfully singing, The wheels on the bus go ‘round and ‘round! as Pete laughed in delight. Mandy tries to forget that she’d eventually lose her temper and shout, Can we turn this stupid shit off? as her mother mumbled, Amen, behind enormous sunglasses and a gas station Slurpee.

The Datsun, which was rotting away at the police station right this second. Mandy hasn’t asked when they’ll get it back. It’s evidence, that’s it. She has her bike or her skates and Sandy doesn’t leave the house unless she has a ride (Aisha pulling up front and blasting the horn; Sandy, clattering around gathering her things, muttering, Where’s my goddamn…). Their family car is nothing more than a shell, a marker in the Pete and Phillip Silverman’s trail to murder. Kind of like a pit stop. Wrappers marked with imaginary blood stains littering the cab floor. That clean-sour smell of nervous sweat. Her Dad was always a sweater, mopping his brow and fanning himself, Jeez, it’s hot today. Mandy kind of loved that about him. How when she was looking for him in a crowd, she just had to search for the slightly damp white button-down, the back of his nearly-balding head. His hair was soft, like down, and Pete’s was too. Two twin sandy blonde heads sitting in front of the television, Pete curled into his father’s side, Phillip slowly stroking back those baby-shampoo-soft curls.

So, yeah. The Datsun. Scene of family road trips and midnight grocery store emergencies. A wreck that managed to limp from point A to B, with her dad faithfully in the front, eager to drive her to friends’ houses or cheer practice or a competition two towns over. She still thinks about winding the windows down as far as they could go when they were on the highway. Her dad would look over, catch her eye, and grin in a way that made her think of him as a teenager, a young man, that cheerful abandon of youth that was infectious as a whisper, goose-bumps prickling her arms.

“Shall we see how fast this baby can go?” He’d yell, and Mandy would laugh and laugh: “Go, Dad, go!”

ANYTHING ELSE?

Here is my Pinterest board for Mandy (featuring ‘84 and ‘96 boards, because I’m that kind of person), and her account can be found here.

HEADCANONS

Mandy works at the Community Centre as an Adult Education Coordinator. Which is just a fancy way of saying she organises craft classes for senior citizens. Seriously. Mandy picked up the job mainly to get Sandy off her back. After commuting to Lansing to attend community college, her decision to drop out and live and work in Devil’s Knot was met, unsurprisingly, with a pointedly raised eyebrow and a loud slurp from a glass of wine. And Mandy knew, she just damn knew, that if she stuck around her childhood home any longer, she and Sandy would end up killing each other. The job isn’t taxing: she works a few days a week, has a desk up on the mayor’s floor in the Community Centre, and spends way too much time putting flyers together for their new pasta making courses or adult literacy classes. The administration is what really bothers her, because the students are lovely. Little old ladies she’s known for years; grandfathers who remember her father back in the day. Best of all, they like her. Mandy wouldn’t consider herself a charismatic person, but she is a patient one. She’ll listen to a grandmother’s story a thousand times, nodding in the right places, exclaiming, asking questions. She’s gentle. Around other people it can be a slightly different story. She’s not clipped, exactly, nor is she rude. But she is shy, and Mandy is naturally suspicious. When people stop her to talk, she hesitates. It would be too much to link that back to ‘84, although there’s little doubt that that October and the months that followed succeeded in severing her trust in adult figures for life. No, Mandy prefers to keep to herself, to the people she knows. It’s safer that way; controllable.

Mandy loves movies -- always has. Bobby, Mandy, and Perry always went on about music, talking rapturously about guitar solos and funky beats, all while Mandy pretended to grimace and trade teasing looks with Jenny and Mike. But movies. Mandy’s favourite genre is horror. Surprising, maybe, but she can’t get enough. Sci-fi is her second favourite. Her ritual is to go down to the Videoport on a Friday afternoon and stock up for the weekend. She trails down the aisles, fingers skating over the titles, looking for some weird German expressionist thing or a summer blockbuster she can zone out to. Mandy would hardly consider herself a connoisseur, but she has an encyclopedic knowledge for actors and actresses, and can name their filmography from memory just by looking at them. It’s like, one of her only talents.

Mandy enjoys cooking. She mainly enjoys cooking for Mary, who will always, without fail, praise her skills until Mandy’s rolling her eyes and begging her to stop. Even if it’s crap (which it is a lot of the time; God knows Sandy never taught her to cook; this was all the result of afternoon cable and Reader’s Digest), Mary will come up and hug her from behind, kissing the side of her neck, suffusing Mandy in warmth and her spicy perfume. That was so good. You’re so good to me. Doing things for people is Mandy’s way of showing she loves them. It doesn’t matter what it is -- laundry, vacuuming, cooking -- she’ll find herself doing things automatically. It’s a little funny that she’s turned into a housewife ever since moving out with Mary, but it’s also really damn nice. Mandy looks after their small apartment so tenderly. Watering the plants on the windowsill, buying kitsch ornaments from the thrift store, airing out their cramped bedroom in the spring sunlight. Much of Mandy’s life revolves around domestic duties. She picks up the mail, pays bills, goes grocery shopping. Mary comes too, of course, but doing things together in public can get difficult when all Mandy wants to do is kiss her deeply in the fruit and vegetable section. Mary’s full-time job is also demanding, and Mandy only works a few days a week (despite what you may believe, there are not that many adult education classes to organise; the biggest scandal was when they introduced a salsa class and everyone collectively lost their minds). Maybe, in some way, it’s Mandy’s way of holding up her end of their relationship. And maybe, in a deeper, smaller way, it’s also an excuse. If she’s busy, how can she possibly go back to college? Who’ll make apple crumble and fold the socks? Huh? The pixies? If this makes Mandy sound territorial, it’s because she is. She clings to these chores because it’s far easier than thinking about the alternative, which is to get off her ass and actually make something of her life. She’s thirty years old. Nearly thirty one. And she’s got absolutely nothing to show for it. That hurts more than anything. Maybe that hurts most of all.

Mandy is a lesbian. She knew. Even when she was a teenager, she sort of knew. She and Mike started dating when they were thirteen and just... kept going. Certain things seemed inevitable: prom, college, maybe even marriage. It was so simple to imagine her life with Mike, whose family, the Hawkers, were best friends with her parents; they’d all been born months apart; they were raised together. Most of Mandy’s childhood memories involve Mike and Mary, Jenny. They tumbled around together like puppies, climbing trees and having sleepovers. Then they started to grow up, and Mandy and Mike got together, and the atmosphere shifted a little. Mandy liked Mike. She did. Maybe she loved him, in a way. But it was so, so platonic, and the way she felt when she looked at Mary was anything but. Mary used to scare her; still does, sometimes. She was a force of nature and Mandy was the eye of the storm. Looking back, the signs were obvious, but then again, they always are.

Mandy used to dress the way people expected her to dress. T-shirts and jeans, bleached white sneakers and cheer uniforms. Not feminine enough to please Jenny, who’d wrinkle her nose and fondly say, “Mandy, are you kidding? You cannot wear that,” and not masculine enough for her dad, who’d hand her wrenches as he worked on the Cadillac on weekends, shooting sidelong glances at her squad jumper, mumbling, “You’ll get grease all over you, honey.” Scrunchies and high ponytails. Pale pink jackets and a signet ring Mike gave her when they were fourteen. Just enough to be acceptable; to be palatable. To blend in, fade away, be nothing at all. These days it’s the opposite: Mandy dresses like an amorphous blob. In fact, she’d rather people hazard a guess at what she really looks like underneath her oversized flannel shirts and huge boots. The more clothing she has on, the more protected she feels. Layers upon layers. Band shirts worn soft with too many washes; jeans more grey than black. She still has her pink jacket from high school (Mary hung it up in their wardrobe and shrugged when Mandy found it, saying, “You always looked cute, and I’m a sucker. So sue me.”) Mandy pulls her hair up and away from her face; she doesn’t wear make-up. Still has the signet ring, though. She’s a sentimental doofus, she knows.

Mandy loves arts and crafts. Pottery, weaving, knitting; painting, sketching, cooking. These are things that bring her peace, that quieten her inner world. Growing up, she wasn’t creative in the slightest. Mandy was decidedly pedestrian: the most creative thing she ever did was design banners for the cheer squad or doodle in the margins of her school notebooks. But after Pete was returned, she needed something, anything, to stifle the panic static in her brain. Countless nights were spent sitting on the couch in front of the television, Pete curled into her side, her doing finger knitting or making a collage, eyes darting between her project and the cartoon onscreen. Over the years she’s gotten better -- last winter she managed to knit Mary a hideous scarf -- but her hobbies were never pursued in the same vein as her other achievements. Mandy still remembers practicing for cheer for hours in the cold, or studying in her room until midnight, eyes dry and head aching, quietly panicking about a test the next day. Everything she did, she did obsessively. These days, Mandy just wants to be still. Their apartment is stuffed with half finished craft projects: stacks of coloured paper, jars of beads, wool in miscellaneous piles, flowers drying on the windowsill. Sometimes Mary will come home to find her sitting cross-legged at the kitchen table, a pot of sauce bubbling on the stove, Stevie Nicks in the background, Mandy carefully cutting out prints for her art journal. She started journaling when she was a teenager, mainly to help with her father’s murder and the stress of the subsequent trial, but it’s a habit that has followed her happily into adulthood. Mandy would be lost without her projects, her art. It’s a channel for everything she feels; it clarifies her. And it’s never undertaken with any attempt at perfection. Mandy’s learning, slowly, to let go of unattainable ideas. Life is messy. She’s trying to accept that about the world, herself.

Mandy failed community college. Well, it felt like she failed. In reality, she dropped out. There were only so many classes about psych and childhood trauma that she could take (and ironic, right? That she studied psych? Mandy remembers the day she flicked through the brochure to pick her classes, ticking boxes on the vague notion she’d specialise in children, maybe, in kids who’d been taken or abandoned, and help them find their childhood again). The people were too much. Tons of people like her -- great in high school, but not good enough for a decent college out of state -- and older people too, people who reminded her of her dad (not that he’d gone to college; he used to joke that that was all above his pay grade, No, no, I’m happy where I am! Although Mandy knew how avidly he poured over science magazines, and how impressed he was with Apple and that computer stuff. Maybe in another world he would have done something else, been someone great. Maybe it runs in the family). Mandy felt boring in turning down invitations to parties or even drinks down the campus bar. She’d cite anything -- Pete’s homework, the long drive home, dinner waiting -- and soon that got old. She felt old. Like she’d skipped the fun part of her twenties and jumped right into middle age. It didn’t help that everything after ‘84 melted her brain into goop. The minute Mandy received her final marks from school, she shoved the paperwork back into the envelope and hid it with her dad’s old things. The word failure pounded in her head. How did it happen? How could she have gone from mathletes and cheer to barely scraping by? To holding on by a thread? And why? Why did it all affect her so much; why was she such a damn baby about everything? Pete was back safe. That should have been enough, right? But his return didn’t come with everything. Somewhere between Pete disappearing and that Christmas, Mandy cut herself loose. Swapped SAT prep for making spaghetti for her returned little brother. Watching reruns on TV until it was way too late, tucking him into bed. Some nights she didn’t want to leave him, so she put out a sleeping bag on the floor by his bed between him and the door. Just in case. Mandy always wanted to go to Oberlin for one reason: it was far away from Devil’s Knot (and, okay, she liked the name). Ambition was a thing she wore because it fit, not because she liked it. Watching her dad’s face light up when she showed him her grades was reason enough to try hard; and studying with Bobby made her feel light, if only for a little while, them laughing and whispering about D&D campaigns, teasing each other like siblings. Being smart felt good, even if it didn’t come wholly naturally, and Mandy worked damn hard to keep it up. Giving it away should have been freeing. Instead, Mandy knows she disappointed everyone. She’s just another person who raced to the state line only to stop dead, toes at the edge, and feel fear prick the back of her neck.