#like ... holy SHIT lol | Explore Tumblr posts and blogs

starcurtain · 2 months ago

Text

"The Lion Has Its Own Historian:" Parallels Between Gorgo and Aglaea

While re-reading Mydei's "As I've Written" stories recently, I was intrigued again by the (seemingly impossible) section in which Aglaea unknowingly echoed Gorgo's words to Mydei, and this led me down a rabbit hole of thought: The roles of Aglaea and Gorgo--not only in Mydei's life but also in the story overall--form some interesting parallels that are worth looking at in closer detail.

Seize the Means of Control

Gorgo's ascension to a position of authority was predicated on power--not only on her martial prowess, which was expected in her culture (i.e. slaying a lion with her bare hands), but through her courage to meet the existing symbol of authority, Eurypon, in single combat and not concede. In Kremnos, status is conferred and maintained through violence. Though on the surface Gorgo defies this belief, she ultimately remains an active participant in Kremnos's tradition of "might makes right" through the Kremnos Festival, reinforcing rather than rejecting her culture's military-centric social structure.

Although Gorgo originally took part in the Kremnos Festival with the intention of beating Eurypon and seizing the throne of Kremnos for herself (presumably because she thought she could rule better), she ultimately chooses to accept his continued leadership and become queen instead, even granting him an heir to cement his legacy. In this way, despite presumably wishing for a less wasteful (of life) philosophy for the Kremnoans, Gorgo becomes one of the foremost beneficiaries of the very mindset she opposes. She clearly wants to reduce the meaningless bloodshed in Kremnos--she strongly rejects the notion of patricide, for example--but she doesn't (at this point) reject the overall structures of the Kremnoan culture, including the belief that combat ability should determine who leads.

In short, her position of authority was achieved strictly through her ability to oppose her foes.

Despite coming from a wholly different culture, one which (ostensibly) values debate, diplomacy, and the rule of law as the primary tools for establishing status, Aglaea's rise to power was remarkably similar to Gorgo's. The game confirms that the prominence and influence of the Chrysos Heirs in Okhema is no lucky accident--instead, Aglaea has clawed her way to the top, fighting tooth and nail to establish herself as a figure of authority in the Holy City.

We're told she exerts her pressure both through economic means, amassing wealth via monopoly on resources such as Amphoreus's internet, and through literal bloodshed.

The story dances around it, but Star Rail's marketing embraces it: Aglaea represents not just the joy of love but also the "deadliness" of romance, the figure of power in Okhema "pulling the strings" and making others dance to the tune of her vision for the future. She basically rules the roost in the Holy City in large part because of her capacity for violence, because of the literal physical and political power she wields as a demigoddess and the leader of the strongest group of fighters on their entire planet.

This "silk concealing steel" behavior reflects not just how she approaches any who oppose her--the Trailblazer and Krateros, for example--but also how even the NPCs throughout Amphoreus view her:

It's particularly Krateros's view of Aglaea which intrigues me, because the very same things he accuses her of are the things Castrum Kremnos is famous for (being warmongers, usurpers of power, etc.). By all rights, he should admire a "queen" such as Aglaea who rules by force and who is leading her people into the greatest war Amphoreus as ever known. And yet he and the rest of the Kremnoans seem to revile Aglaea for the very same things they saw as virtues in Gorgo.

The context is the key: Gorgo seizing power for herself is viewed as honorable and good because it happened in the context of Kremnos, while Aglaea's power struggle and military dominance occur within the so-claimed peaceful structure of Okhema's democratic society, casting her in the role of a "power-hungry tyrant" for the people living in Okhema, even those who should most appreciate her mindset.

Comparing Gorgo and Aglaea in this way highlights a key double standard in the way the Amphoreans react to women who rise to power, and makes it clear how thin the veneer of Okhema's "peace" really is. Stepping to the top rung of the social ladder through the threat of martial retaliation, Aglaea's battle against the Council and the Flame Chase's foes is no different from Gorgo tearing a lion apart with her bare hands, challenging a king, and taking her place at the top of Kremnos's hierarchy by seizing her weapon and making her stand. All that differs is how violence is received in their contrasting cultures, resulting in two diametrically opposed reactions from the "mere mortals" around them.

With Violence as Your Tool

I think it's important to emphasize that Aglaea and Gorgo also parallel each other not just in their rise to authority through physical power itself, but also in their stances on the necessity of that power: Both Aglaea and Gorgo (at least at first) view bloodshed as a necessary evil, an unpleasant facet of life that one must accept in order to achieve a goal. Violence, for both Gorgo and Aglaea, is a tool.

We see this clearly with Gorgo throughout her flashbacks, both in her initial fight with Eurypon (where she claims she would embrace the notion of death only so long as it is not "unnecessary") and in her other confrontations with Eurypon: Gorgo insists that the tradition of regicide must be broken and makes Eurypon promise not to lead Mydei to that path--yet later, she goes so far as to scold Eurypon when he shies away from his fate, essentially calling him a coward for fearing the prophecy that Mydei would one day kill him. "What prince of Kremnos hasn't killed his father?" she taunts, implying that, even as Gorgo fought to change the violent history of Kremnos, she still believed--at least at that moment--that refusing to face violence when it was foreordained made Eurypon a weak and unfit ruler.

However, we ultimately see this stance change. In Mydei's dream of training with his mother, Gorgo reveals that nearly losing Mydei completely changed her perspective on Kremnos's beliefs, finally killing any faith she had in their system of rule and their constant pursuit of Strife for strife's sake. She rejects the notion of combat being the ultimate test of a person's worth, explicitly casts aside her title and role as queen of Kremnos, and embraces a kinder identity as strictly "Mydei's mother." This is a crisis of faith brought on by experiencing the impacts of Kremnos's faith firsthand--by being forced to experience grievous loss, Gorgo is implied to have grown as a person, from one who is willing to accept violence as a tool to get ahead, into one who solely values peace.

These views, too, mirror Aglaea's pursuit of the Flame Chase Journey and her "hidden" feelings toward its necessary loss. We know already that Aglaea views the threat of violence as her go-to "means to an end" when it comes to achieving the Chrysos Heirs' goals.

She is not at all above putting people into harm's way to pursue the prophecy, such as letting Phainon take the Strife trial even knowing that he would fail, and she tells us players over and over again that her own humanity has nearly vanished, claiming that she now no longer has sufficient empathy for humankind to be swayed away from the path of Era Nova.

This is clearly not true (given how deeply she cares for Tribbie, how kind she is to Castorice, and how unwilling she is to actually bring any harm to Anaxa), but Aglaea insists on this emotionless illusion likely because it makes it easier to tolerate the cruelty required to continue pursuing her goal--she needs it to be true that the last of her humanity has already waned, because this is what makes it easier to accept that the Flame Chase Journey is a journey of "loss," one that is fueled by bloodshed.

It is an unfortunate truth of the prophecy that people will die in pursuit of the dream, that capturing all the coreflames and pushing the world forcibly into its next cycle will cost lives and require cold, rational decisions that will crush people's happiness and freedom. Aglaea cannot hesitate, cannot waver, cannot choose kindness over action.

But, like Gorgo, we know that accepting violence as a tool does not mean that the person wielding the tool is always happy to do so. As Gorgo loses her genuine faith in Kremnos's beliefs and begins to view training Mydei for war as nothing more than a rote requirement, devoid of meaning, Aglaea too struggles to uphold her emotionless facade, a protective cocoon whose cracks reveal the enormous weight she is bearing and how deeply the inhumanity of her own decisions wounds her.

We see this clearly in her character stories, where the actions and then later loss of her maid completely reshape her definition of "beauty":

And we also see it very clearly in her behavior toward Anaxa, where she hesitates at the crucial moment, unable to commit to the course of action that she herself set in motion:

Like Gorgo who longs for a softer world where she can simply be Mydei's mother, Aglaea too (no matter how much she claims) has not lost the part of herself that cares not only for the people closest to her but even for the innocents of the world, the boy who wants to bring his sister something beautiful, the girl who shares her bracelet...

Her nature, no matter how much of it has worn away, is at its core humble and kind--reviling the pain of others.

It's this fundamental conflict between love and what must be done that lends both Gorgo and Aglaea their depth as characters, that grants them both an air of nobility, in the way that everyone good who suffers is noble. Being forced to cause harm without a desire to do so creates quintessentially contradictory characters, making the audience privy to both their external mettle and their internal hesitation, easily humanizing both of them. Aglaea and Gorgo are virtuous women whose cruelty is justified for the greater good. Yet in watching both of them struggle under the immense pressure of that cruelty, we recognize the inherent evil of a world that forces kind-hearted people into positions where bloodshed is their only path forward.

Both Aglaea and Gorgo are not women who normally hesitate to seize the tools available to them, or the kind of women who will shy away from wielding their strongest weapon--the threat of death--with impunity. The reaction to female characters who are willing to exert this kind of power over others (including over the men in their lives) both in-game and in the fandom (where Aglaea in particular is treated poorly for her "coldness") demonstrates how unique this particular type of female character still is, and suggests interesting overall power dynamics in Amphoreus that privilege women willing to utilize violence even above men who choose the same route, despite the strong patriarchal bent one might expect of a story with ancient Greece as its primary influence.

Mydei is not the son of Eurypon, but explicitly and always "the son of Gorgo" even in flashbacks where Eurypon is still alive; in Okhema, both the Chrysos Heirs and the Council appear to be primarily directed by women (Caenis occupies the more visible role of Aglaea's opponent than Lygus does), with all of Okhema's demigods (including Cipher) being female. Gorgo's violence is regarded as honorable; Aglaea is met with disapproval from her peace-loving society but no one ever actually dares to stop her. Perhaps Krateros comes closest, by defying Aglaea's will and entering the Strife trial without her permission, but even he ultimately has to be rescued from Aglaea's clutches by Mydei, who explicitly invokes his mother's name to ensure Krateros's safety. Say it with me: The male character with the highest social status in all of Amphoreus has to rely on the power and reputation of his mother to rescue another man from a powerful woman. Amphoreus really said "Ladies first." 💯

Anaxa's reactions to Aglaea are humorous but are also a perfect example of this overall social structure in Amphoreus which assumes strong women in power have an automatic degree of legitimacy because they are willing to seize violence as their means, despite violence being, in real-world cultures at least, stereotypically the domain of men. In 3.1, Anaxa simply accepts it as a given that he will become Aglaea's prisoner and that she will be able to do whatever she wants to him, because nothing in Okhema's social, political, or military structures would enable him to genuinely oppose her (if he even wanted to).

Even in his (sort of) fake-out "siding with the Council" phase, all Anaxa does is move himself from the grasp of one powerful woman to the next, shifting from being Aglaea's prisoner to Caenis's ace. Cerces even has an entire voiceline where she points out word-for-word that Anaxa is functionally just moving from one woman's cage to the next. Caenis in particular seems to view Anaxa as an object, a biting dog she can keep on a leash until she sics him on her enemy. Anaxa obviously is not so easily manipulated, but Caenis's threat about karma eventually comes true, and he nevertheless suffers the final wrath of the Holy City's society, being judged more harshly than anyone else for his seeming unwillingness to submit to the power of either woman in control of Okhema.

Both literally and thematically, the game tells us players that Aglaea and Gorgo are courageous and effective leaders because they live by the blade, because they are willing to harden their hearts and do whatever it takes, whether that means taking another's life--or their own.

To Usher in a New Era

Of course what really distinguishes both Gorgo and Aglaea's willingness to cause harm from malevolent forces in Amphoreus is their ultimate intent. Although both women are willing to do whatever it takes, they do so only in service to a greater purpose, one that they believe will better their world. In this way, Amphoreus's writers reinforce the underlying impression in Amphoreus's plot that women are more trustworthy and reliable leaders than their corresponding male counterparts. Slight side note on this, but it's kind of funny just how consistent this is--even "outside" of Amphoreus, Welt and Sunday had to turn to Herta to save the day, while inside Amphoreus, Trailblazer is still relying on Acheron's advice to get them through. (When you cater to the incels so hard you somehow loop back around into writing staunchly feminist plotlines...)

The message, repeated and unsubtle, is that there is a link between women's leadership and righteousness, with both Gorgo and Aglaea representing an idealistic desire for a better future for Kremnos and Amphoreus as a whole--one by opposing fate and the other by enforcing it.

Both Gorgo and Aglaea face prophecies that promise to reshape the world as they know it, prophecies which require them to make decisions that will ultimately cost them their lives in a desperate bid to influence history toward the best path. Gorgo rejects the prophecy she is given, determined to protect Mydei despite the destruction the omens claim he will bring to Castrum Kremnos.

Because of the players' predilections for Mydei, this choice to reject fate paints Gorgo as a heroine, an unselfish and moral person who will choose the life of an innocent child over she own safety. Her willingness to fight to the death to prevent Eurypon's atrocity against their son flies in the face of fate itself, attempting to stop an inevitable, self-fulfilling prophecy.

And, in fact, the game even teases us with the idea: What would Kremnos have been like if Gorgo succeeded? When Mydei returns to Kremnos, he either "envisions" or actually experiences (via timelines bleeding into each other), a seemingly parallel universe where Gorgo succeeded in saving him from the Sea of Souls, and where she clearly rallied the people of Kremnos to her cause. The Kremnos we see in that vision is entirely different from Eurypon's:

The people are happy, rejoicing and at ease, talking about pomegranates and writing and playing games with kids, while the sun paints the whole city in a soft and gleaming gold.

Contrast that with the Kremnos that Trailblazer and Castorice find when they travel back into the past where Eurypon betrayed his wife and left Mydei in the sea:

In the seemingly alternate timeline where Gorgo lives long enough to raise Mydei, the Kremnos we're presented with... looks a lot like Okhema. Looks a lot like the peaceful, idyllic Holy City where children frolic in the streets and the people are still full of light and life. By defying fate, we are shown (at least in some fragment of Amphoreus's timeline) that Gorgo achieves what she had longed for in Kremnos from the start, creating a better, gentler future for the people, prosperous and free of the cycle of Strife and meaningless violence that had plagued their kingdom for thousands of years. In this way, we can say that, for that lost timeline at least, Gorgo essentially achieved the Era Nova for Kremnos, ushering in a time of peace for her people. What Aglaea seeks, the game shows us that Gorgo was capable of achieving.

Conversely, Aglaea's path forward involves taking the complete opposite road: Rather than rejecting fate to create a better future, Aglaea seeks to embrace it. She has fully invested herself and her resources in the prophecy of the Flame Chase. She has to, because if there's no Era Nova to look forward to, then there's no hope at all for Amphoreus, and how can it be that something so beautiful is doomed to total destruction? If the Flame Chase Journey will end in a new start, if someone--anyone--will get to live to see the world born anew, then every sacrifice, every burden, every agony will have been worth it.

By embracing her prophesied fate instead of rejecting it, Aglaea is taking the same decisive stand as Gorgo, seizing the future of her world in her own hands and forcing Amphoreus along the path toward what she believes will definitely be a brighter future.

Not only does the description of Era Nova match the idyllic Castrum Kremnos we see under Gorgo's likely rule, but even the moments where both women truly make their stand and reckon with fate reflect each other as well: Gorgo demands her fellow Kremnoans stand with her, hoping they will see the wickedness of Eurypon's decision and reject blind faith in the prophecy they've been given. With her own strength, if even just Krateros alone had stood with her, she easily would have been able to push back against Eurypon's scheme. She lays out her vision for a different future, rejects the notions of the past, and is met with silence.

Meanwhile, Aglaea faces the Council of Elders in Okhema, where the decision about the Flame Chase Journey hangs in the balance, waiting on the final vote of a single person to join up with her cause. Just like Gorgo, the alignment of even one person to Aglaea's cause will make proof of her righteousness, prove the she's right. Aglaea lays down the gauntlet, demands the loyalty of her allies--and her leadership and vision are rewarded when Anaxa joins up with the cause, tipping the literal balance of the scales towards the new era Aglaea believes her efforts will bring to fruition.

(In essence, at the end of 3.2, we get to watch Anaxa do exactly what Krateros failed to--stand on the side of the woman who wields justice.)

Ultimately, through they do it through diametrically opposite paths--rejecting and embracing prophecy, respectively--both women are characterized by their drive to create change, their refusal to accept a quiet descent into cruelty and darkness. Both take a stand, outlining their vision for the right way to go on, for a better, softer, brighter world, seeking the loyalty of comrades to legitimize their causes, and--failing that--willing to make the ultimate sacrifice of themselves to further their truly noble causes.

The strength of both women lies not just in their martial prowess, but in their unwavering dedication to a just cause, no matter the cost to themselves.

Generational Influence

What actually started me off on this whole look at Gorgo and Aglaea as thematic parallels was Mydei's scenes with Aglaea, particularly how he clearly considers her a role model for ideal leadership. While I won't go so far as to say Aglaea perceives herself filling any sort of maternal role for Mydei, I think the connection is obvious on Mydei's end: Having never gotten the chance to truly meet his mother, Mydei is almost certainly projecting "the leader my mother would have been" onto Aglaea. (Or perhaps we should say the opposite: The empty spaces in Mydei's mind when he thinks of "Gorgo" are sutured closed with Aglaea's golden filigree.)

Does this sort of praise sound a bit familiar? It ought to, because this is how Krateros describes Gorgo:

Both women are characterized by their ability to move people's hearts, to inspire hope, and to model ideal strategy for others.

So how could Mydei do anything but link Aglaea's leadership with the life he imagines his mother would have led if she had had the chance to rule Kremnos?

Consider the entire situation from Mydei's perspective: His people have just been (forcibly) rescued from an insane king whose true downfall began with his betrayal of wife, their nation's one genuinely noble leader. If Gorgo had been their ruler, none of this suffering would ever have happened. Fleeing the madness and death Nikador is bringing to Kremnos, the entire surviving host of his people migrate to the "Holy City," the (supposed) last bastion of light and peace and happiness in Amphoreus--which is effectively ruled by a woman so powerful that she knows and sees all.

Seemingly effortlessly, she commands respect and fealty, marshaling her forces to do battle with the might of her own sword, while fighting to maintain the very same values Mydei's mother wanted to bring to her own nation. While being unafraid of bloodshed, she treasures life more than anything else. She's honest, direct, and unflinching, but still, despite everything, kind and dedicated to protecting the world she loves.

Mydei doesn't know his mother but there she is. There's the "queen" that his mother should have had the chance to be. There is the leader that Kremnos needed. There is the powerful woman whose dream for the future could have single-handedly changed the course of fate.

Clearly, for lack of personal experience, the Gorgo in Mydei's mind is less a real person and much more an idealized figure. His only direct knowledge of her comes from one "dream," where she tells him that he's more important than the world to her (undoubtedly leaving Mydei to grapple with the question of whether that is something she truly felt or something he just wishes to be true, by the way). Mydei's only other frame of reference for his mother is Krateros's blind veneration, with Krateros constantly holding Gorgo up as the standard Mydei should meet.

Gorgo is clearly on an achingly high pedestal for Mydei. He shaped his entire youth around the need to avenge her, and then he shaped his entire adult ideology around her vision for Kremnos. In "our" timeline, Gorgo may not have lived to create the change she hoped for, but her goal was ultimately achieved nonetheless, through the inter-generational influence her memory had over Mydei. It was Gorgo's hatred of wasteful bloodshed that helped Mydei to hate it too. It was Gorgo's desire to change Kremnos's traditions that led Mydei to consider tearing down its dynasty. It's his mother's gentle love for her people that echoes in Mydei's same affection.

And through Aglaea, all those views and lessons were enforced. Before joining up with the Flame Chase Journey, the game tells us that Mydei's life was effectively still a hellscape even when he had his friends: They wandered the land with nowhere to call home and were attacked by (or themselves attacked) everyone they met, engaging in endless violence just to keep existing, while he watched his companions be brutally murdered one by one. At the risk of extreme understatement: Mydei was not living the life his mother wanted for him.

After joining the Flame Chase Journey, Mydei becomes one of the "heroes" who dedicates himself to protecting innocents and serving as a guardian; he finds a cause, does his best to create a new home for his people, and works to reshape their views towards the beliefs his mother espoused. Like Gorgo putting down her weapon and taking up the role of "just your mother," Mydei gets to (temporarily, briefly) let down his guard and live as just a person, cooking sweets, roleplaying with kids, and cuddling with chimeras.

He inches closer to the dream of finding meaning in finding peace.

And if it was Gorgo who inspired those choices, then it was Aglaea who made them possible--Aglaea who accepted the Kremnoan Detachment into Okhema, Aglaea who literally put aside her fear of Mydei to accept him as a fellow Chrysos Heir, Aglaea who guided him, Aglaea who modeled transformational leadership for him, Aglaea who gave him the final (if forceful) push he needed to commit to changing his people's future, destroying the bloodstained Kremnos of the past. In all his struggles to move forward, the threads of Aglaea and Gorgo's mirrored ideology lead Mydei through the labyrinth of uncertainty.

All things considered, Gorgo might actually be the character with the single most significant impact on Amphoreus's current plot other than the Trailblazer, because the guidance and beliefs she instilled in Mydei will live much longer than Gorgo and even Aglaea herself--may even live on through the end of the world and the rebirth of all of Amphoreus, because it is her exact ideology that becomes the backbone of Mydei's life advice to Castorice. When Castorice reveals their future, telling him the demigods of today's Amphoreus will become the titans of the new cycle, Mydei looks her in the eye and tells her the exact thing he learned from his mother and Aglaea:

Don't accept defeat--defy despair with everything you have and weave the future with your own two hands.

Perhaps nowhere do we see the parallels between Gorgo and Aglaea more clearly than in the "As I've Written" chapter, where we are told that what ultimately swayed Mydei's decision to join the Flame Chase Journey was when, completely without knowing it, Aglaea spoke the exact same words as his mother.

Though the organization of "As I've Written" is often unclear, making it difficult to determine which passages are actually linked to each other and which are entirely separate, I'm going to personally interpret the quote included in Mydei's third chapter as that special sentence once spoken by both Gorgo and Aglaea:

"The lion has its own historian, and the history of the hunt should not be held by the hunter alone."

Putting aside that all of this is completely impossible in the timeline as we know it (Mydei has no way of remembering the sentences his mother might have spoken to him, and none of the sentences in any flashbacks or her letter to him have anything to do with lions or historians), if this is the line echoed by both women, it is an obviously poignant phrase that would immediately signify to Mydei that Aglaea's ideology matches his mother's.

Although the English translation of "As I've Written" leaves A LOT to be desired (sometimes to the point of being entirely incomprehensible; I legitimately have no idea who okayed those translations, rife as they are with just straight up grammar errors lol), the origin of this phrase is unmistakable. It comes from the African proverb that is normally translated as:

"Until the lion has its own historian, the history of the hunt will always glorify the hunter."

Essentially, "History is written by the victors."

If we take the English translation seriously, what Aglaea and Gorgo would have been saying is that "the defeated" (which, by the way, is symbolized by the lion repeatedly in Kremnos's history) should have their own historian, and that no one should get to speak for them. That is, of course, that no one should get to speak for Mydei except himself--that he should take charge of his own destiny and write his own history into the books.

Krateros repeatedly insists that Mydei is the hunter, the one who should be controlling the whole hunting ground:

But Aglaea sees through Mydei in the first moment of meeting him--sees that he's not the victor but the victim, not the Kremnoan king-to-be but the "wandering lion" who is at risk of being slaughtered on the altar of Kremnos's glory. Kremnos's history is not the "hunting lion"--it's the lion hunt. Gorgo the founder killed the lion, Gorgo the mother killed the lion... So where does that leave Mydei, the symbolic lion?

This line is saying, Aglaea and Gorgo would both have been saying: I see you. I see that there's an entire unspoken legacy weighing on your shoulders, a horror you're fleeing from like wounded prey, a fierce desire in you to refuse the tale this world is writing for you. And in supposedly echoing Gorgo's words, Aglaea would also have echoed the very core of Gorgo's faith:

Those who have lost everything still deserve the chance to shape their own futures.

Those who have faced impossible odds, those who Fate itself has marked for death, those who would martyr themselves to secure the futures of others can and should still rage against the dying of the light, still fight with every tooth and nail to bring about a different ending.

When no one but (apparently) the ghost of Gorgo in his head had ever said it to him, Aglaea told Mydei:

If you want a different history, you can write it.

Of course he joined the Flame Chase Journey after seeing that its leader carries the very same deep-rooted goodness as his mother.

And while we're here talking about the mirrored ideologies and guidance both women have offered to Mydei, I also want to add a tiny aside about Aglaea's symbolic leadership of the other Kremnoans as well.

Although of course Mydei remains their de facto leader even in Okhema, Mydei himself makes a big deal out of the Kremnoans having submitted to Aglaea's authority, repeating in several places that the Kremnoans have a duty to follow her commands.

This isn't an off-hand statement; for someone who should have already been crowned king to state in his own words that his people should submit to someone else's authority is effectively tantamount to ceding his throne specifically to her--Mydei has essentially handed over the reins of Kremnoan leadership to Aglaea. He's the crown prince, but she's effectively the queen (that his mother never got to be). The promotional materials even label Aglaea and Mydei as occupying the same role ("King"). This is especially clear in how the Kremnoans refer to her. In multiple places, Aglaea is referred to as "the golden-haired usurper."

You don't get called a "usurper" unless people believe you're attempting to undermine their current ruler. In all but flat out saying it, the other Kremnoans perceive Aglaea as usurping Mydei's authority, despite Mydei himself willingly giving that power to her. Mydei isn't careless with the Kremnoans' futures, he doesn't shirk his duties as their crown prince, and he certainly would never surrender his power to a weak, unfit ruler. Undoubtedly, Mydei is comfortable with the idea of ceding authority to Aglaea in part because he recognizes his mother in her, sees the qualities that elevated Gorgo to royalty in Kremnos alive and well in Aglaea's Okhema. In this way, perhaps we could say that another factor contributing to Mydei's hesitance to take up Kremnos's throne might be a subconscious sense that the Kremnoans are already in the right hands, that Aglaea--embodying the ideal leadership Mydei projects onto the memory of his mother--is a better fit than he could ever be to lead them anyway?

Heck, while we're at it, I think it's even interesting that the cities of Okhema and Kremnos mirror each other so much, down to things that honestly don't make sense: We're told the legend explaining the lion heads on the walls in Kremnos, but... why are there are also talking lion heads all over Okhema's walls? Gorgo who tore the head off the Tretos lion is echoed in Aglaea, who rules a kinder, softer city still symbolized by the lion, where the talking lion heads get to be gossips and riddle masters instead of war strategists.

Okay, and the last silly thing I want to say: Aglaea would definitely not call herself a mother figure for Mydei, but after 3.2 reveals Gorgo's tough love methods, Aglaea's attempts at scolding him start to look pretty familiar, from her exasperated chiding to her genuine criticism:

Mydei has it tough, having to meet the expectations of women like these lol.

To Fade from the World

Sorry, that was a bit too light-hearted for me, so time to end this post with some more pain:

A final point I think worth comparing between Gorgo and Aglaea is the ultimate fate that both of them face in the story: Gorgo is already gone, but Aglaea is not far behind.

Gorgo's death in particular is treated as abominable. Kremnoans may be warmongers and Strife worshipers, but they're supposed to be honorable about it. Key to their obsession with combat is the idea of noble combat, between contestants who are each given a fair chance. Despite being Gorgo's greatest ally, Krateros does not stand up and join her in her revolt against Eurypon, likely because of that same "might makes right" mindset that shaped so much of Kremnos's decision-making: If Gorgo's cause was truly righteous, then she should have been able to stand up for it herself and win a duel against Eurypon. If it had been a fair contest as expected by Kremnoan cultural standards, then whoever won would have been considered the "correct" person, and no one could have contested the fair results.

But Eurypon's cowardice drove him completely from the path of Kremnos's sacred virtues, causing him to betray their values by betraying his wife, using poison to deny her her fair chance in the duel. This action--forsaking the core tenets of Nikador's divinity--marks the truest extent of Eurypon's downfall, and cements that he is utterly unfit to rule, lacking both the courage to confront his wife in fair combat and the honor to reject under-handed schemes to ensure victory.

Gorgo's death is treated as a tragedy, an act that entirely shapes the course of the story through Mydei's loss to the sea and his subsequent quest for vengeance. It was cowardly betrayal that took away Kremnos's path to a brighter future, locking the self-fulfilling prophecy of Kremnos's downfall into place.

And this, of course, is a perfect mirror to the prophesied end Aglaea is going to face, possibly sooner rather than later. Upon their ascension as demigods, each Chrysos Heir is told how their life will end. Aglaea's prophecy states: "You shall have your final bath in warm and radiant gold."

As Aglaea is most often seen there, the assumption is that she will literally die in the baths--Mydei states this in-game, saying "If a normal person heard that prophecy, they'd probably just stop coming to the baths." Aglaea effectively dismisses this threat (in a very Kremnoan fashion even, lol) by simply saying "Well, who cares? I like baths!" Whatever will be, will be; if her assassin has the strength to end a demigoddess, then truly, it doesn't matter where she goes in Okhema or across the world--fate will find her.

Of course, there's also the possible interpretation that "final bath in gold" refers simply to bathing in her own golden Chrysos Heir blood...

But in either case, the prophecy, Mydei's comments, and some plot leaks I've seen all point towards a violent and unexpected end--likely at the hands of a betrayal.

Like Gorgo, Aglaea will not live to see the world she wished to create, the softer, golden future she wanted to bring to her people. At the hands of her enemies, either facing it with honor or in an unexpected moment of vulnerability, Aglaea will be eliminated before the final hour, fading from Amphoreus's memory as the survivors succeed--or fail--to usher in the new era she sacrificed everything to create.

Although both unique characters on their own, entirely separate from each other, examining Aglaea and Gorgo's parallel plot points, core character traits, and their roles and influences on others throughout the course of the story reveals yet another incredible "echo effect" in Amphoreus's writing, aligning opposites--Okhema and Kremnos, Beauty and Strife--through eerily similar patterns and revealing the enduring thematic threads that bind together the separate portions of Amphoreus's tale.

More than anything, Amphoreus feels to me like a very Hamilton-esque "Who lives, who dies, who tells your story?" plot, one that hinges on the question of who has the power to shape and reshape the future of their world, who has the power to break through a pre-ordained structure and bring about a better end--who has the courage to sacrifice it all to seize the reins of fate itself.

Through Aglaea and Gorgo, the story reinforces a message about women in power, women who perfectly balance violence (the traditional domain of male figures) with love, with beauty, and with righteousness to shake the foundations of their world. In what they value and how they lead, the story mirrors and mirrors again, mise en abyme, the message that those who are willing to give it all for the greater good are the true crafters of our story.

(Perhaps all this is preparing for the presence of another woman, one just as willing or more to do all that must be done to usher in a brighter future for her world?)

The history of the hunt should not be held by the hunter alone.

The lion has its own historian--and so too does the lioness.

Although Gorgo and Aglaea will both fall before that golden Era Nova can be achieved, the marks they have left on Amphoreus's plot, through their legacies of defiance and grace picked up and carried, torch-like, by other characters, demonstrate just how central both women were to all that happened in the world's past and all that will happen in its future.

#honkai star rail #aglaea #gorgo #mydei's mother #amphoreus #character analysis #hsr meta #this is the post I had mentioned starting a while ago #and ended up with a bit of a sour taste in my mouth over the hsr fandom #but then thinking about Aglaea and Gorgo revived my love #so fuck it we ball #two absolute queens #and the story makes a fantastic mirror image #of vastly different characters whose hearts are well aligned #Mydei's relationship with Aglaea is very precious to me #SHE WAS AFRAID OF HIM #and he's just like “I wish my mom was still alive so she could rule our country like you rule yours” T_T #like ma'am #that's your secret self-appointed mentee you had no idea was idolizing you and taking notes on your leadership #I wish we had gotten to see any of this in the game #Mydei's efforts to be more Aglaea-like for his own people lol #I'm also still laughing to myself #over the fact that Krateros clearly worshiped the ground Gorgo walked on #and then is like “AGLAEA IS THE WORST”#Sir???#that's the Okheman version of your grown ass man crush???#“It's Okheman so it's bad by default!!” >:[#I loved writing this post #but holy shit was it cursed #tumblr drafts died on me and lost half the text and half the images like THREE times DDD;

217 notes · View notes

clipartdinosaur · 1 year ago

Text

Griddlehark Fics

I have read an absolutely insane amount of Griddlehark fanfics in the past few months so I figured I could make a like...list of all of my favorites that I bookmarked. I'm not sure if anyone will use this but if anything it will be for my own self-indulgence LOL. Just a heads up, this list WILL contain spoilers up to Nona the Ninth, so proceed with your own discretion. Anyway here we go!

(♥︎ = favorite!)

Short (<15k):

"By the Sword" by JeanLuciferGohard (2.6k)

The Reverend Daughter of the Ninth, Necrosaint, Ascended, the greatest bone adept in an Age, does one push-up, and collapses. Harrow does not beg for her cavalier. Harrow rakes her hair back and snarls, “Nav, I am going to unzip your cranial sutures. One by one. And zip them up again sideways.”

"Your Necro Questions Answered" by Magichorse (8.8k)

Syndicated columnist "Nav the Cav" offers a sympathetic ear to cavaliers across the galaxy and dispenses practical, no-nonsense, real talk advice on how to properly manage and care for your necromancer.

"A Lesson in Bones" by Magichorse (3.8k)

One of the laboratory trials at Canaan House compels Harrowhark to swap bodies with her cavalier. What will Gideon do with the power of the most talented bone adept in generations at her disposal? Nothing good, probably.

"Visions of Gideon" by tothewillofthepeople (13k)

Oh my god they were roommates...

"true love's kiss, or something equally nauseating" by corpsesoldier (4.6k)

She was where she needed to be. She was going to pull her necro out of this godforsaken tomb, end the game of musical bodies they were playing, and then everything would be all right. Harrow would be alive. And Gideon was going to give her shit for approximately the next myriad for not just taking what she’d offered and saving them a whole lot of trouble.

"The Big Warm Dark" by decalexas (haelstorm) (2.7k)

Gideon Nav knows how to swing a longsword, brandish a rapier, bridge the gap between life and death, punch the dead in the face, and maybe overthrow an Empire along the way. What she doesn't know how to do is reach for the girl who made all of this possible.

"carrion comfort, despair (not feast on thee)" by NotAFicWriter (5k)

Some time after Alecto wakes, Harrow and Gideon finally have a moment to speak to one another. Hearts are bared. Teeth are bared. Intentions are bared. It all comes at great personal cost (emotional honesty).

"never exhale all the way" by pigflight (1.2k)

Harrowhark paints Gideon's face.

"such an almighty sound" by CountingNothings (10k)♥︎

“I need you to marry me,” Harrow says, a propos of absolutely nothing that Gideon can see. And, uh, okay, this is not what childhood best frenemies say to each other upon discovering that both of their graduate programs have weird residence requirements. “What,” Gideon asks, “the fuck?”

"A Handsomely Dangerous Thing" by zoicite (1.5k)

Had Harrow ever looked at Gideon and felt pride before? Surely not. It sat like a tumor in her chest, a cancerous lump that had grown where it did not belong.

"How it didn't happen" by Nary (1.5k)

"How did you lose it?" Coronabeth asked, more softly than her sister's shrill voice. The group assembled at Canaan House barely knew her, and yet here they were, asking the most irritatingly personal questions, and acting as if they were being kind and thoughtful by prying into her secrets. "I dropped my pen into a vat of acid and reached in to grab it without thinking," Harrow said dryly. Coronabeth recoiled, screwing up her pretty nose. Ianthe looked unsure whether to believe her or not. Their meatslab of cavalier just stared blankly. "The Daughter of the Ninth House was blessed in this manner from her birth, as a symbol of her strength and power over the mysteries of necromancy," Ortus interjected. Harrow glared at him. "Oh," Coronabeth said, an expression of disgusting sympathy on her flawless face. "But then you would never have known who your soulmate was!" Harrow's glare intensified. "My soulmate is bones."

"Halcyon Nights" by Morike91 (10k)

It was hard to tell what was worse: feeling the full warmth of those unguarded honey eyes fall on Harrow, or watching them narrow in recognition and contempt, their warmth now hotter with something else. “What can I get you?” It has been at least four years since Harrow last heard the voice of Gideon Nav, but it was still as familiar as her right hand.

"I completely fucking hate you" by ClaraZorEl (7.5k)

In the coming weeks, Harrowhark learns an unfortunate great deal about Gideon Nav. The kind of porn she likes, the number of bread rolls she can fit into her mouth at once, that she always leans too heavily on her left leg when she fights but can do fifty-seven push-ups in a row without stopping, that her biceps rates 11/10 on the scale of good biceps, that her laugh rumbles like an army of skeletons, and most importantly, that she can’t fucking stand her. Gideon Nav is so grating that Harrow has no doubt she will be her undoing. OR Harrowhark Nonagesimus has been invited to Canaan University's ball. But to successfully represent her house, she needs a cavalier, and unfortunately, her only option is her least favourite barista from her least favourite coffee shop.

"A Thousand Teeth, Yours Among Them" by pipistrelle (7k)

"In the end, she poisoned Ortus; so it was Harrow Nova who walked out to the shuttle a half-step behind the Daughter of the Ninth, the chain of Samael Novenary wound about her offhand wrist, the black blade of the Ninth at her side."

"The Only Prayer We Know" by pipistrelle (12k) [Part 2 of "A Thousand Teeth, Yours Among Them"]

It's like a bad joke: two cavaliers (alive) and two necromancers (one dead) walk into a rebel faction of humanity, looking for a new life -- in every sense of the phrase. What they find is each other, and (in some cases) themselves.

"The Flames of Hell Are Warm" by silverapples (7k)

In which Harrow is a repressed evangelical Christian and Gideon performs burlesque in a lesbian nightclub. Feat. nipple pasties, chewing gum, and a steaming mug of gay coffee (wake up and smell it, Harrow).

"Necro Business" by rnanqo (1.6k) ♥︎

“Gideon,” you said carefully, “I will need to examine your mouth. Various structures, primarily the jaw, but also the lingual muscles—the tongue—” You stopped there. Your cheeks were going red, probably with indignity. “Yeah,” I said, a bit too loudly, “yeah, sure. Do it.”

"Holy Cross, Alaska" by softieghost (10k) ♥︎ ♥︎ ♥︎

Harrow meets Gideon. They go through it together.

"my love will be your armor" by TheKnightsWhoSayBook (2.3k)

"The princess has a right to bestow her favor on whoever she wishes to win a match," Gideon tells her. "Are you going to?" "Why would I? I don't want to marry him," Harrow answers bitterly. "Do you want me to win?" Princess Harrow will be engaged to the winner of the tournament, and her only champion is her useless bodyguard Sir Gideon Nav, who isn't going to save her. Unless...?

"The Meaning Of The Word" by pipistrelle (8.4k)

Harrow, along with a good percentage of Canaan University's necromancy students, has the flu. Gideon has a lot of feelings that she is in no way equipped to handle. It's a tough week.

"(i shine only with the light you gave me)" by sashawire (1.7k) ♥︎

God prods, gently, “Even just starting with their physical description, and we can go from there.” “Imagine,” you say, from somewhere outside your body, “the worst shade of orange you’ve ever seen in your life.” * Harrowhark receives her saintly title.

"i will learn to love the shears" by corpsesoldier (4.7k)

The avulsion trial left Harrow's hair in a sorry state and Gideon offers up her expertise with a blade. Or, Gideon gives Harrow a haircut.

"The Titty Texts: A Work of a Stupendous Titty Nature" by EleniaTrexer (3k)

Gideon accidentally sends Harrow boobs. And then just keeps on sending them.

"can we start over?" by breeeliss (10k)

Gideon needs a tutor. Harrow needs someone to get her out of college gym class. All in all, a pretty straightforward arrangement to make with your ex.

"Dark Mode Enabled" by senseoftheday (12k)

Tech Company AU in which a certain Sales bro with no filter decides to ruin Harrow's life (and feature roadmap) by initiating the cross-functional project from hell. At least, Gideon has the decency to work remotely, and Harrow's new office crush makes some pretty great coffee.

"deconsecrated graves" by emotionsandphenomena (4k)

Gideon and Harrow got out of the cult they were raised in. Okay, what's next?

"settle up in heaven" by liesmyth (3k) ♥︎

“Isn’t this arrogance, Harrow?” Kiriona says. “Think you could fix what God couldn’t?”

"Quoth the Maiden" by Sarsaparilla (10.9k)

The bold outlaws Nova Hawk and Gideon meet for the first time on a narrow log-bridge. But is it really their first meeting? Or: what if Robin Hood and Little John were both lesbians?

"twice in a blue moon" by sinshine (8.7k) ♥︎

Gideon snapped out of her depressing reverie and blinked at her. "That's a really good idea." "Obviously," said Harrow, and it was only a little bit condescending. "Step one, sneak out of the party. Step two, acquire the necessary items at a store. Step three–" Harrow gestured vaguely at the deer in Gideon's hands– "And step four, profit." [G&H rush to fix a smashed snow globe that Dulcinea made so that Cam doesn't kill them before the clock strikes midnight at their NYE party. The fact that Gideon is back in her hometown after a long time away and she and Harrow have unresolved romantic tension is secondary and definitely won't be a problem.]

"It Came From Planet Slut" by LockedTombMemes (8k)

Well. Evidently going undercover to an Idan society fling in order to deliver a message to a high-profile BoE agent was a tits-out kind of look.

"Apostate's Yuletide" by sinshine (12.6k)♥︎

Gideon raised one eyebrow comically high. She smiled easily, erasing any hint of the anxiety that Harrow might have sensed. "What's with all the questions today?" Harrow huffed indignantly and fidgeted with the blanket draped across her lap, worrying the frayed hem with her fingers. "I thought your ego would appreciate the interest." "Yeah, but it's weird coming from you. I'm used to you monologuing, not playing twenty questions." "Perhaps it's a Christmas miracle," suggested Harrow, with an expression so absolutely devoid of joy that Gideon couldn't help but laugh. [Harrow and Gideon burn down a church on Xmas.]

"when it's over" by Adertily (2.5k)

Harrowhark had sworn to herself to live to see the girl in the locked tomb awaken. Alecto has risen. Now God is dead, along with everyone who had ever been dear to her - and Gideon has returned as a distorted creature. The war is over. Harrow wishes she could be too. Or: A character study based on Harrow's suicidal ideation and Gideon's determination to never run anywhere unless she absolutely has to.

"Supernova Bloom!" by sinshine (13k)

"It's just for a week, and then you never have to see me again," said Gideon. "I don't have time to find anyone else." And, "Please." Slowly, Harrow took her hand off the door and cautiously turned around. Gideon watched a dozen unspoken questions flicker across her face. She voiced none of them, but eventually settled on an expression of grim resignation. "I suppose I could suffer you for a week." [Gideon needs help getting her new flower shop ready for the grand opening. Harrow needs cash.]

"I still need your teeth around my organs" by sinshine (7.8k)

Although she was a beloved Daughter and a talented necromancer, Gideon's greatest vice was that she dearly loved to fuck around and find out. Knowing this, perhaps it shouldn't have been as shocking when she lifted one of Nova's hands, flipped it over, and kissed her palm. [4 times Gideon kisses Harrow, 1 time Harrow kisses Gideon]

"cuckoo, cuckoo" by sashawire (1.2k)

What Wake gives it is not a name. To do so would be a moronic, unnecessary cruelty. But she does deign to give it the microscopic dignity of a title, a goal, a purpose. Bomb. Eighteen years later, in the rubble of a once-sacred home, Harrowhark Nonagesimus reaches up and touches Gideon Nav’s grit-covered, blood-rimed face, splits a laugh like the world is ending, and calls her “flower.” * Six times God's unwanted daughter was nicknamed, and once she wasn't.

"my teeth will only cut your lips, my dear" by sashawire (<1k) ♥︎

Gideon chomps into her tongue as hard as she can convince herself, stifling a very dignified squawk. Her eyes water, Emperor’s left tit that fucking hurts, but—it works. Blood weeps from the bite marks, creeping down the back of her throat, up into her nasal cavity, staining her teeth. Okay. She has blood in her mouth. Blood that, somehow, needs to get into Harrow’s mouth. * Step #6: Consume the flesh.

"fifteen percent concentrated power of will" by surreptitiously (9k)

Teaching someone to do a push-up is a love language, when that person is very annoying.

"GHAZAL WHERE I'M BEGGING YOU TO TOUCH ME" by igneousbitch (12k)

You had your body and I had mine, and it was a miracle. Your hands against my face were a miracle. The rest of your meat attached to your hands was a prayer answered and a promise broken, but we were flush and gasping and alive, and Harrow—I really thought you might’ve kissed me then. But I felt it happen. The way your breath suddenly stilled, and your body locked up beneath mine, remembering. How with splintering gentleness, you pushed me away. “I’m so sorry,” was the second thing you said upon waking. The first thing had been my name. Stranded in a safehouse on an Edenite moon, Gideon and Harrow try to put themselves back together.

"catch you on the flip side, sugar lips" by corpsesoldier (4.9k)

Maybe if Harrow's brain runs enough scenarios, she'll find a way to keep what she's lost.

"hand to heart, I swear" by corpsesoldier (5k)

Gideon has a broken heart, and there's only one necromancer who can fix it.

Medium (15-30k)

"If you're doing it right you'll break their ribs" by almostnectarine (22.4k)

"How do you know Nonagesimus has gone somewhere dangerous?" asked Isaac. "Have you wired some kind of alert system?" "It's, uh. It's on the schedule," said Gideon. "I just... forgot. Because of the bread." Nobody was convinced by this, least of all Gideon. "It's a Ninth House thing," Gideon went on, backing away with increasing desperation. This was a slightly more plausible explanation, if only because nobody wanted to look too closely at what fell under the awful skeletal-ribbed and rotting umbrella of Ninth House things. "Gotta go—!" And she was out the door, gone. But it wasn't a Ninth House thing, except inasmuch as it was happening to the only two representatives of the noble and decrepit Ninth House on this quite literally godforsaken rock. Gideon knew Harrow had gone somewhere dangerous—knew that Harrow was back in the lab where they had only just completed a horrible trial—because she could see it, clear as day: an awful overlay on her vision of that terrible dangerous room and a pair of terrible dangerous hands drawing some kind of ward next to the plinth. The hands were definitely Harrow's. This was definitely a problem.

"If Home Is Where the Heart Is (Then We're All Just Fucked)" by JeanLuciferGohard (17k) ♥︎

When Gideon Nav gets a call that her ex-girlfriend, who never bothered to change her designated emergency contact, is in the hospital, she goes against her better judgement and responds. Everything after that just gets more complicated.

"blue gray green lavender" by smolranger (29k) ♥︎

Laser Radial sailor Gideon Nav just wants pass her classes, win a few regattas, and keep her head down. FJ sailor Harrowhark Nonagesimus has grand plans to qualify for the Olympics, preserve her parent's legacy, and save her home town. Despite the ties binding them together, the two have kept their college lives carefully separate for two years. But when Harrow's helm, Ortus, suffers a concussion mid-way through the fall season, their carefully separated lives collide. Harrow needs someone capable of taking Ortus' place for the remainder of the season or her Olympic dreams — and Canaan College's entire sail team — are in peril. And Gideon is her only option.

"Daughters of Hungry Ghosts" by zoicite (24k)

Harrow and Gideon and times they have (and also have not) shared a bed over the years.

"Disney World, Florida" by softieghost (24.6k) [Part 2 of "Holy Cross, Alaska"]

After the events of Alaska, Harrow thanks Gideon the only way she knows how: devotion. -- Chapter 3: The journey concludes. More confessions.

"we've got a good thing goin' " by sinshine (14.6k) ♥︎

“Not to sound ungrateful, but being here makes me wish that you had left me for dead,” said Harrow. Gideon had been staring hard at the face of the fountain’s statue. She was pretty sure that it was carved in the likeness of Naberius himself, but she didn’t want to say it out loud and make it true. She shook her head and turned to Harrow. “Leaving me to live out eternity in your bony sock puppet of a body? Hard pass.” Palamedes and Camilla shared a look. It was the mutual understanding of two people who had been trapped in close quarters with the bickering of Gideon Nav and Harrowhark Nonagesimus for far too long. [Team 69 hide out in Babs's vacation home. Because it's not like he's using it anyway.]

"Cake by the Ocean" by zoicite (15k)♥︎

Okay, so the thing was, Gideon had always been shit at plans. She knew that. Everyone knew that, but this--she really didn’t think it would be this hard! Gideon’s voice was like the least memorable thing about her. Bargaining her voice for a well-shaped set of human legs--that really should have worked in her favor.

"careful fear and (un)dead devotion" by sinshine (23k)

[Gideon and Harrow wake up back in their own bodies but both of them are missing large parts of their memory. Camilla tries not to kill everyone.]

"who ya gonna call?" by igneousbitch (24k)

“Fret not, honeybun.” Gideon shook her red hair out of her eyes, belligerent. “I’m not totally sold on your whole skepticism thing.” “Well,” Harrow said, ignoring the nickname. She turned to the rest of the room, clearing her throat politely before addressing the empty air. “Ghosts, if you’re real, give us a sign. Make a noise. Move something. Send a shiver down our backs. Whisper softly into Nav’s left ear—” “I seriously fucking hate you.” - (Casual sex and paranormal investigation. Not necessarily in that order.) (or: the Buzzfeed Unsolved AU in which Gideon is ready to fight a ghost, and Harrow just wants to be haunted.)

Long(>30k):

"Beneath a Blue and Foreign Sky" by zoicite (35k)

Harrow has a decision to make.

"A Heart Full Of Sutures" by Rohad (40k)

All Gideon wanted was to get outside and ride her motorcycle. No part of that plan had included eight weeks in Canaan Medical Center with a broken Pelvis and the meanest little doctor this side of the eastern seabord.

"Midnight at the Mithraeum" by zoicite (66k) ♥︎

It'd been two years since Gideon Nav gathered her wine key and her gaming license and escaped The Locked Tomb, a speakeasy-style cocktail bar managed by the hateful Harrowhark Nonagesimus. Now, dealing tables at The Mithraeum Hotel & Casino, things were really looking up. So when Gideon scored a date with the most beautiful showgirl in the Gilded Halls of Ida, the last thing she expected was to wake up married to her old nemesis and former coworker. The story starts the night of Gideon's date and alternates between the events leading up to the wedding and the weeks that follow as Gideon tries to navigate life married to someone who claims to want nothing more than to forget she exists.

"Between the Devil and the Deep Blue Sea" by pipistrelle (90k)

Being the journal of Reverend Daughter Harrowhark Nonagesimus, chronicling the journey of the Emperor's warship Cenotaph on its hunt to slay an immortal Resurrection Beast. Or: the Moby Dick crossover AU that nobody asked for.

"The Darkest Night, The Brightest Light" by eternaleponine (50k)

Harrowhark has known for a long time that her home's financial situation is dire, and not getting better. She has plans to fix it all, but can't implement them until she turns eighteen in a few months. When her parents announce that the best (perhaps only) way to save Drearburh is to marry off its heir, Harrow realizes the timeline has changed and she needs to take action now to save her home... and herself. Desperate times call for desperate measures, after all. Enter Gideon Nav. Detested foe, and Harrow's only hope.

"putting your fist through a thick sheet of glass (i know you don't want to)" by oretsev (46k)

Harrowhark Nonagesimus and Gideon Nav have always been at each other’s throats, and the animosity has only intensified since the death of Harrow’s parents. But when a car accident leaves Gideon without any memories of her past, Harrow sees a chance at the clean slate she’s wanted for years. Becoming involved in Gideon’s recovery assuages some of the guilt, but as she and Gideon become closer and increasingly involved in each other's lives, Harrow worries that some of her secrets may be more than she can atone for.

Ongoing:

"semi-charmed kinda life" by strangedelight (182k+) ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎

Gideon asked questions. Harrow surprised her with answers. They reached an agreement; they decided to be smart, to be patient. Gideon made a promise, Harrow gave her one in return. Wait and see. OR the year is 1994, and Gideon and Harrow leave their small town for life in the city. OR team 69 roommates au only this time it's the 90s

"Intern the Sixth" by apocalypticTaco (33k+)

ADDRESSING THE HEIR TO THE NINTH HOUSE, OR PRESUMED EQUIVALENT: PALAMEDES SEXTUS, HEIR TO THE SIXTH HOUSE, PRESENTS HIS COMPLIMENTS TO THE NINTH AND REQUESTS A FORMAL ARRANGEMENT WHEREIN HIS MASTER WARDEN AND CAVALIER APPRENTICESHIP UNDER THE NINTH FOR FOUR YEARS IN EXCHANGE FOR THE SIXTH’S SERVICES. *Details to be discussed. Please turn to back page. Timeframe variable. Services and agreements variable upon the Ninth's request. An internship of this caliber is highly unprecedented and likely unheard of, but any information valuable to the Ninth and into the Tomb will remain undisclosed upon request; Primary experience and study is required as the Master Warden has already decided upon such being his final thesis prior to his end studies. No takebacks, no denials. Pleased to meet you. Palamedes Sextus, Heir to the Sixth and Master Warden and Camilla the Sixth, Cavalier Primary and Warden's Hand of the Library

TO THE MASTER WARDEN: FORMALLY REJECTED.

"What's Eating Gideon Nav?" by labyrinthineRetribution (40k+)

After a miserable fifteen years at Blessed Saint Anastasia's School for Girls, Gideon's luck finally changes.

"We Have Always Lived in the Apartment" by labyrinthineRetribution (171k+)

John looks up from his Jack and Coke in drunken curiosity. "What's with the face, Harrowhark?" he asks, genuinely concerned. "Contrary to popular belief," Gideon butts in, "her face just fuckin' looks like that, bitch." She tends to use "bitch" as liberally as commas when off her ass. "You're piss drunk," you shoot back. "And you, my good bitch, are just as contemptible as the day you clawed your way up from Hell." - It is Harrowhark Nonagesimus' birthday, and it only gets worse from there.

PWP (basically):

"I'll hold in these hands all that remains" by corvidlesbian (6.5k) ♥︎

“Do you want me to try?” Gideon said. “What?” “You got all hot and bothered without me trying. Do you want me to try?” Their newfound habit of cuddling gets interesting.

"sting of a wasp" by brightbolt, imperfectlyctor (42k) ♥︎

"You’re a virgin,” Gideon said, testing it out. "Huh." Harrow didn’t like the sound of that huh. She knew Gideon’s noises, and that was a thoughtful, sinister huh. That was the same huh she’d made before putting canned tuna in Crux’s work boots. Her eyes narrowed. “What.” Gideon cocked her head to the side. “Is there a reason you’re waiting?” There was no judgement in the question— only genuine curiosity. Perhaps it was this that made Harrow more inclined to answer. “I don’t have the time to look for someone new,” She shrugged. “And my available pool is… somewhat limited.” “Well,” Gideon said, with just a hint of conspiracy in those glittering golden eyes. “If you ever want to change that, you have my number.” What? What? Harrow blinked. “What?” Or: the five times Gideon and Harrow successfully bone, and the one time they don't.

"Suckle, Honey" by zoicite (7.9k)

“You crave my juice,” Gideon accused. “I do not crave your juice.” “Fuck, you do though. You went off to explore that study alone, without your cavalier, using a key that I nearly gave my life for, and then you snorted some powder that made you crave my juice! Harrow. I never would have let you sniff powder from a ten thousand year old jar.” This was untrue--Gideon probably wouldn’t have noticed Harrow breathing in a puff of jar powder until it was too late--but it sounded like something Camilla Hect might say, so Gideon went with it anyway. Camilla definitely would have stopped Palamedes from accidentally sniffing old as fuck Eighth House jarred juice addiction powder.

"Five Times We Hatefucked and One Time We Didn't" by rnanqo (8k)

“Fuck you,” you said. “Fuck me yourself, you coward.” You ran a hand through my hair, fisted it, and pulled my head up. From here I had a spectacular view of your weird blown-out seething expression, like I was the worst thing you’d ever seen. Also a view up your blood-crusted nostrils. Choice. “Maybe I will, Griddle,” you said. “Maybe I will stop fucking you over and start fucking you." Gideon and Harrow realize, abruptly, that their hatefucking is no longer hatefucking.

"a call to motion" by groundedsaucer (coasterchild) (10k) ♥︎

Harrow and Gideon watch a porno.

"put her canine teeth in the side of my neck" by stranded_star (8.8k)

Harrowhark Nonagesimus is getting a PhD and a divorce. Against her better judgment, she goes out to the bar to celebrate and meets an incorrigible, absolutely ripped salt-and-paprika butch who takes her home and gives it to her good. To her horror, it's the best night of her life, and she sneaks home with her tail between her legs. Harrow has more important things to worry about - like raising her daughter and building the next stages of her career. But when her daughter's favorite teacher, someone named Griddle, turns about to be the Gideon she met at the bar, she's forced to contend with allowing herself (and her daughter) to find the happy ending she never thought they'd have. Featuring MILF!Harrow, Teacher!Gideon, and a very amused Camilla Hect.

"The Wound That Swallows" by seelieunseelie (7.8k)

Harrow can make out an uncomfortable amount of detail about Gideon’s body beneath. Powerful, strong as ever, yet somehow vulnerable for its supplication below Harrow’s. “Are we gonna get this over with?” Gideon says in a voice softly scratchy. She blushes then when Harrow sits on the edge of the bed. “It will hurt,” Harrow says. “Yeah,” Gideon says. “I think I can handle it.”

#holy shit this is way longer than i thought it would be #uhm i literally gave myself a headache i sat here for like 3 hours doing this #that being said if you have any fic recs lmk LOL #griddlehark #gideon the ninth #harrow the ninth #nona the ninth #the locked tomb #tlt #tlt fic #tlt fanfiction #griddlehark fanfic #rec #long post

1K notes · View notes