#lokius endgame idc

[atomicradiogirl]

welcome to my TED talk about the beauty of the loki soundtrack and how natalie holt is proving the theory that it’s all about mobius and loki (lokius):

obviously let’s start with the piece ‘lokius’ which we know my thoughts on but this sets up the overall theme of this discussion. in a general summary of my previous TED talk, i claimed that lokius is all about mobius since the piece is mainly composed of his musical theme and the fact that he was literally jealous and discrediting sylvie and loki in that scene. it was all about him in that moment. but they could have easily left this theme as is.

however, natalie holt goes on to repurpose and interpolate the ‘lokius’ musical theme throughout the season 2 soundtrack especially in the show’s finale which is the culmination of loki’s arc. loki and mobius’ relationship grew over season 2 to the point where the last person who ever saw and truly saw loki was mobius.

in the score ‘complex and many’ in loki and mobius’ final goodbye scene, it’s a variation of ‘lokius’ that plays, not anything else. no other score of this magnitude plays when he says goodbye to anyone else, not even sylvie. this is the pivotal emotional climax because loki and mobius’ relationship is the core and heart of the show and to his character. loki would not have been able to sacrifice himself nor have the compassion to do it without mobius. loki gave mobius the choice to live and find his glorious purpose but the show ends with mobius waiting, letting time pass, because he’s alone now just like loki. so he’ll wait for loki to return.

this brings me to the score ‘purpose is glorious’ the final montage sequence in the loki finale. it’s such a beautiful score and it plays over everyone finding their purpose except for mobius who the score cuts out right as we see him stand in front of his sacred timeline home watching his true self play with his children. everyone finds purpose except for mobius. but the piece takes from ‘lokius.’ everyone found purpose because of mobius and his love and care for loki, except for mobius. which is the tragic irony.

finally we talk about the final score in the show, ‘history is now’ which takes elements from ‘loki’s green theme’ and ‘lokius.’ don’t believe me? the underlying violins in the ‘history is now’ is like ripped right from the violins in ‘lokius.’ and ‘history is now’ is the final time we see loki and mobius. mobius letting time pass, loki accepting his glorious purpose.

so in conclusion, it’s always been about mobius and for mobius. it’s always been lokius’ story. even since season one. and the loki soundtrack ITSELF proves this. don’t believe me? just listen.

[atomicradiogirl]

sylki shippers literally got their ship wiped from the timeline now that’s gotta hurt

THE SYLKI KISS HAS, TECHNICALLY, BEEN CANONICALLY WIPED FROM THE TIMELINE.

AND THE LOKIUS SCORE WAS PLAYING DURING THEIR FIGHTING.

AND IT WAS PLAYING WHEN LOKI BECAME THE GOD IF STORIES.

THERES SO MUCH MORE THAT I MIGHT TALK ABOU LATER BUT.

Eric martin. ERIC....ERIC WHEN I CATCH YOU ERIC. ERIC WHEN I CATCH YO-

[atomicradiogirl]

maybe mobius’ words echoing to loki “let time pass” means he will wait for him and that they just literally need to let time pass until they can be together again.

[atomicradiogirl]

lokius is the titanic and we’re all on oceangate

it has been an honor and a privilege going down with the ship with all of you