#louis underscore

[alarrytale]

those tweets felt like emotional manipulation, feeling disgusted. It’s toxic to hate on your racist gf but is okay for your fans your fans to always get de*ath thre*ats? lmao ok

Hi, anon!

Louis underscore out here policing fans again, aww how cute. Not happy with fans not buying and supporting your new fake relationship, maybe? Not happy with people turning on you and not tolerating your behaviour? Has he seen the negative social listening and sentiments statistic, perhaps? Scared it will affect your album sales? Need i remind him that the number one reason this fandom is toxic is *drumroll* Louis underscore Tomlinson on twitter?

Need i also remind him that the hate and negativity he (and ZMcD), who are public figures and chose to expose themselves like this, gets half of the hate us larries do? Larries who have done nothing but believe in and support a gay relationship and reject all attempts at gaslighting?

Does he need a reminder that my inbox looked like this a few days ago? And has looked like this pretty much since 2012?

The toxic environment is all on you, pal. It honestly is a miracle he still has any fans at all. Does he think by saying this that he'll get a less toxic environment in his fandom, and not a lot of solos and antis who'll feel even more entitled to send larries hate? Christ.

Being scared your album might not be recieved well by a fandom you've mistreated and disrespect for years? That fear is very much warranted at this point. He should be scared.

The only thing that will save Louis' career is ending bg at this point. Or else it's only downwards from here. Good luck!

[pynkhues]

https://www.tumblr.com/pynkhues/769063810095087616/im-curious-about-your-thoughts-on-something-i?source=share

Okay this whole post just blew my mind

Ahaha, I hope in a good way!

[wizardpink]

I'm watching s1e1 and just got to the part where Louis says he's come to embrace his sexuality, and asks, "but you knew that Daniel, we met at a gay bar." And Daniel brushes it off as just something he did for drugs, so Louis presses, "you've been married?" And Daniel says "twice. But we're not here for me, are we?" So Louis pivots to asking about the best drug he ever had, and they go from there...

I always thought it seemed kind of oddly provocative and forward and even unnecessary for Louis to basically say, "of course I'm out now, but you knew that, since you're gay, right?" Like what is the point of breaking the flow of the story to talk about Daniel here?

Of course it could just be a directorial decision to break up the flashback sequences and remind the audience that this is taking place within the frame of the Dubai interview. But plot wise, I just...

I can't help thinking about Louis continuing, as the interview goes on, to try to open a dialogue with Daniel about his sexuality, his past lovers (specifically Alice, never the second wife), and becoming a vampire. I can't recall Louis ever asking personal questions about Daniel's daughters, and in fact when Louis is talking about Claudia, Daniel is the one who says, "I've got two," without Louis asking.

This could all be writing and directing choices made to underscore that this is a Love Story between Louis and Lestat, but it's also a story about Family, and to my recollection it's almost always Daniel who brings up his daughters, and Louis who brings up Alice and Polynesian Mary's.

So yes it's a wild stretch but... if you're someone who like me has entertained the theory that Louis is doing this interview not just because he regrets how badly it went the first time, not just because Daniel doesn't have much time left for them to wrap it up, not just because Louis wants to warn humanity of the impending Great Conversion, but that he is doing it for Armand...

Well, I'm just saying, the breadcrumbs are there.

[danlous]

After my second watch i suspect even more strongly that this isn't exactly what happened when Louis was taken away. The way Armand tells it feels very cinematic and storylike. It feels like a tragic and moving conclusion to Claudia's story with underscored narrative symmetry. Claudia standing and smiling and mockingly singing to her killers the same song she was forced to sing to audience on stage for years feels something that might've been dreamed up to emphasize her resilience and fearlessness - especially when every other vampire we've seen burning in sun has been shown to be in such a horrible agony they weren't able to even speak and just collapsed and screamed. It feels like a story, perhaps a story to that is meant to be a tiny comfort for Louis, telling him that as horrific his daughter's death was, she still maintained her dignity till the end and was not afraid. I also remember what Armand did to Claudia and Madeleine in the books and i'm wondering if he did something similar here too. When Louis wasn't seeing Armand wouldn't have had to pretend anymore, there has been so many decapitation references this season, and Armand said out loud that he was wondering what it would be like if Claudia had a body equal to her mind so he's clearly fascinated by the idea like his book counterpart was. I've been going back and forth would they include it in the show but mentally preparing myself for the possiblity

[bunnydracula]

im not gonna say this better than any of the Black fans currently posting about this issue but i do want to underscore their points. it is genuinely misleading how much ldpdl fan content there is. like however bad the discrepancy between devils minion and any louis ship fics look, the problem is actually significantly worse when you factor fandom antiblackness in louis depictions. i straight up do not want to read romantic new orleans era loustat written by nonblack people and i don’t want to read any louis work that uncritically casts him as a dominating force over either lestat or armand. like that’s fucking nuts. and it’s not just fics, it’s fanarts where louis is somehow towering over a demure and feminized lestat. it demonstrates not only a profound misunderstanding of the text at its most basic symbolic level (you dont even need a good read of the SHOW to avoid this! you can just read the way the cast is arranged in official amc POSTERS!) but extreme antiblack conditioning and a total lack of curiosity around how antiblackness might be replicated in every facet of life including but never limited to fan communities and fan work.

[inkmonster21]

Your recent series has inspired this request for Noa. Can I request where the reader was raised by apes and her brother is very, very protective of his siter and doesn't like his siter with Noa. And he tries everything to make Noa look bad, like pushing into a small river. But the reader gets fed up and yells at him that she loves Noa. Happy ending, though. 💓🐒

Just Fun and Games

Hearts Across The Divide AU (not cannon)

Enjoy this as much as I did. Holy shit.

~o0o~

The warmth of the fire envelopes the scene as you and Noa sit together. There's a sense of acceptance in the air, as the clan welcomes Noa with open arms. However, Loui remains notably aloof, his rejection of Noa creating a stark divide within the acceptance and unity displayed around you.

Noa, feeling the weight of Loui's intense glare, fidgets nervously in his seat. The unspoken tension between them fills the air, creating an uncomfortable atmosphere. Noa's unease is palpable, as he struggles to maintain his composure beneath Loui's unrelenting gaze.

You look to Noa in confusion. Sensing his discomfort. “Are you okay?” You whisper. Noa meets your gaze, his expression filled with a mixture of unease and reassurance. He forces a small smile, trying to downplay his discomfort. "I'm okay," he whispers back, though the tension in his body betrays his words. There's a hint of strain in his voice as he responds, his attention still partially fixated on Loui's disapproving gaze.

You turn your attention back towards Soona and Keli, continuing the lighthearted banter and giggling. The conversation allows you a brief respite from the tension surrounding Noa and Loui, providing a moment of levity amidst the ongoing friction between them.

Loui's unwavering glare continues, fixated on Noa, until his mother's stern voice breaks the tension. "Stop that," she commands, her voice authoritative yet tinged with a touch of concern. Loui meets his mother's stern gaze, a flicker of defiance in his eyes. "But..." he begins to protest, but she cuts him off firmly. "He is here," she repeats, her voice leaving no room for debate. "He is her mate," she concludes, underscoring the permanency of the situation. Loui reluctantly relents, his glare shifting from Noa to the fiery blaze. A sullen pout forms on his face, his frustration and resentment evident even as he averts his gaze.

Teko and Anaya playfully engage in a spirited wrestling match on the grass, drawing the attention of several male apes who gather around to watch. There's a competitive edge to their interaction, as they push and tangle with each other, the surrounding males cheering and hollering in support.

A smirk appears on Loui's face as Anaya successfully pins down Teko, victorious in their wrestling match. "Told you!" he exclaims, a hint of satisfaction in his voice. "Anaya is stronger! Eagle Clan!" he repeats, proudly rooting for his clan. Noa watched the scene unfold, a warm smile gracing his lips as he observed Anaya's successful take-down. Pride for his friend surged through him, his expression filled with admiration for Anaya's display of strength and skill.

“Noa.”

Noa's attention snaps to Loui, drawn by the sound of his name. He turns to face him, his expression a mix of surprise and curiosity at the unexpected call. Noa responds with a prompt "Yes?" his voice carrying a hint of anticipation. He looks at Loui, waiting for him to continue, wondering what it is that he wants to say.

Loui's smirk widened, and he gestured towards the ongoing wrestling matches with a nod of his head. "Come on," he said, the challenge in his tone clear. The invitation seemed to be both a challenge and an opportunity to prove himself. Noa stands up, and just as he does, you reach out and grasp his wrist, the concern evident in your eyes. "What are you doing?" you ask, your voice filled with curiosity and a hint of apprehension.

Before Noa could answer, Loui speaks to him, “Just a friendly match," your brother replies. Before you can protest, Noa speaks up, sensing your concern. "It's okay," he reassures you, trying to pacify your objections. "It's just a friendly match."

As Noa takes his place in the circle, his eyes lock onto Loui's angered gaze. A shiver of unease runs down his spine. Noa recognizes the intensity in Loui's expression, sensing the unspoken anger behind it. He braces himself, preparing for the confrontation. The atmosphere is charged, as the surrounding apes gather expectantly around the arena. They sense the undercurrent of tension between Noa and Loui, the friendly match taking on a more serious tone. Loui crouches, his muscles tense, ready to make the first move. Noa keeps his stance, his eyes keenly focusing on his opponent's every move.

Anaya watches the unfolding scene anxiously, his concern for Noa palpable. He recognizes the stark difference in abilities between him and Loui. Understanding that Noa is skilled in fighting but not as experienced as Loui, he worries about the outcome of their match.

You observe as Loui begins to circle Noa, the two apes moving in a slow, calculated loop around the arena. The tension escalates as Noa mirrors Loui's movements, keeping his distance as he matches his pace.

You inhale deeply, a sigh escaping your lips. There's a sense of resignation as you acknowledge the situation. Noa is undoubtedly strong and proficient in combat, but you're aware that Loui was raised and trained to be a warrior, a fact that gives him an edge in their confrontation. You lean towards Keli and Soona, your voice tinged with a mix of worry and certainty. "This will not go well," you murmur, your eyes fixed on the ongoing confrontation between Noa and Loui. The words hang heavy in the air as the tension builds in the arena around you.

With a guttural roar, Loui darts forward, charging at Noa with surprising speed and intensity. The energy of his charge electrifies the arena, the surrounding apes, and you watching with bated breath. Noa braces himself, his eyes narrowing in concentration. He meets Loui's charge with admirable reflexes, sidestepping at the last moment to avoid a direct collision. The maneuver allows him to escape the brunt of the blow, but the force of Loui's charge still pushes him slightly off balance.

The crowd of apes watching erupt in cheers and gasps at Noa's evasive move. Noa quickly regains his footing, his senses heightened and his focus intensified. The adrenaline fuels him, and he locks eyes with Loui, his determination unflinching.

Loui growls in frustration but recovers quickly. He circles Noa once more, but this time with more caution. The tension between them thickens, and the two apes continue to circle each other, each seeking an advantage.

Noa maintains his position, watching Loui's every move keenly. Despite the disadvantage in experience and size, he remains steadfast, his determination unwavering. The surrounding apes watch with bated breath, the outcome of the sparring match uncertain.

With a loud groan, Loui unexpectedly lunges forward, tackling Noa. The impact of their collision echoes through the arena, causing both apes to tumble to the ground. Dust rises around them, temporarily obscuring the view. The scuffle continues, the two apes tangled in a fierce struggle on the ground. Their bodies writhe and contort as they grapple for dominance. Loui, with his strength and experience, initially has the upper hand, but Noa fights back with all his might, his determination matching his adversary's strength.

With a brutal display of strength, Loui gets the upper hand, forcefully shoving Noa's face into the ground. The surrounding apes gasp in shock as they witness Noa's momentary defeat. The sight of him pinned down, his face pressed into the earth, ignites a mix of concern and fear within you. Loui presses down even harder on Noa, his smirk growing wider as he sees Noa struggle against his grip. "Submit, Noa!" he mocks, the taunt ringing in the air with a sense of arrogance.

Despite his initial defiance, Noa ultimately succumbs to the inescapable force of Loui's strength. The surrounding apes watch in silence as Noa taps, signaling his submission. Loui grins triumphantly, relishing in his victory, while Noa lies there, panting and defeated.

Noa slowly rises to his feet, his expression a mix of embarrassment and anger. Without a word, he stalks off, leaving the battleground behind him. His defeat has bruised his pride, and the lingering frustration smolders within him.

Without wasting a moment, you quickly cross the arena to confront Loui. Your face is taut with anger, and you shove him hard, your strength fueled by frustration and protectiveness. Loui responds to your push with a smirk, his arrogance unshaken. "I told you. He's weak," he retorts, his tone oozing with cockiness. He stands there, his chest puffed out triumphantly.

“You are so… INFURIATING!” You scream at Loui. “Good," he responds smugly. His tone is nonchalant, almost dismissive as if your anger only fuels his sense of superiority.

The next day, Loui tracks down Teko, Noa, and Anaya, who are currently engaged in a fishing session. Loui approaches them with a smug expression on his face, clearly relishing the opportunity to gloat about his previous victory.

Loui takes a seat beside Noa, feigning a friendly demeanor. There's a subtle hint of arrogance in his posture as if he's savoring the moment.

"How are you, Noa?" Loui asks in a mockingly casual tone. Noa responds curtly, his expression guarded. "Fine," he mutters, his voice neutral. Teko and Anaya exchange a glance, sensing the underlying tension between Noo and Loui. Noa's composure remains steady, refusing to be provoked by Loui's presence.

Loui, ever the provocateur, chooses the moment to tease Noa further. He sneers, his voice dripping with mockery.

"You know, Noa… you shouldn't take defeats… so personally," he says, his tone dripping with condescension. Noa tightens his grip on his fishing rod, his frustration and anger mounting, but he remains composed. He refuses to give Loui the satisfaction of seeing him lose his cool.

With an air of calmness that belies his inner turmoil, Noa replies, "I've never claimed… to be invincible, Loui. Winning… is not everything."

Loui snickers at Noa's response, clearly unconvinced. He leans back against the rocks, his arms behind his head lazily.

"Oh, come on, Noa," he says, his tone dripping with sarcasm. "You can be honest with me… it is angering… isn't it? Knowing you… lost to me… In front of your mate… In front of everyone."

Noa's jaw clenches, and he takes a measured breath before replying. He's struggling to control the emotions bubbling within him. "Losing is not something… I enjoy, Loui," he admits, his voice strained, yet still controlled. "But I accept it… I learn from it."

Loui scoffs, his frustration growing. He can’t help but voice his opinion, unable to keep his thoughts to himself any longer. “You could at least… pretend to put up a fight. So annoyingly calm. It is nauseating."

Noa stoically accepts Loui's remark, his face revealing no hint of anger or annoyance at Loui's provocation. He remains collected, his composure like a fortress that Loui's taunts can't breach. Loui sighs, “Maybe that’ll make you talk.” Loui pushes Noa into the river.

Caught off guard by Loui's sudden action, Noa topples into the river with a surprised yelp. The water splashes around him, momentarily disrupting the tranquil fishing session. Teko and Anaya gasp at the unexpected shove, momentarily taken aback by Loui's impulsive action.

Noa surfaces, water dripping from his wet fur, as Teko and Anaya help him back onto dry land. He stands there, soaking wet, a mix of surprise and annoyance on his face as he glances at Loui.

Loui smirks, his eyes gleaming with satisfaction at the reaction he provoked. He turns to leave, his departure marked by a swaggering confidence as if he had accomplished his mission to rile Noa further.

Noa enters the communal area, still drenched from his unexpected dip in the river. His wet fur clings to his frame, creating a bedraggled appearance. There's a scowl etched into his features, evidence of the day's earlier incident and the pent-up frustration from the morning encounter.

You sigh upon seeing him. “Noa?” Noa looks up, his scowl deepening as he notices your puzzlement at his drenched appearance. He huffs, clearly irritated.

"your brother decided to push me into the river," he grumbles, his tone laced with sarcasm and irritation.

Loui lounges casually near a fire, a self-satisfactory smile plastered on his face after his provocation earlier. His smugness quickly fades, however, when he sees you storming towards him with an angry expression.

The sight of your furious approach causes Loui's earlier smugness to wane, replaced by a flicker of trepidation. He straightens up, bracing himself for the inevitable confrontation. Despite his usual bravado, there's a hint of caution in his eyes, recognizing the fierce temperament you possess.

“Listen here, you stop this childish game! He is my mate until the day we die. So get used to it.“ Loui's eyes widen at your fierce rant. He hadn't expected your passionate defense of Noa. He opens his mouth to argue, but he can see the determination in your eyes, making it clear that this is not a debate. He clenches his jaw, knowing that any attempt to argue would only fuel your anger further.

Despite being reprimanded, there's a hint of a smirk on Loui's face, evidence of the stubborn pride that courses through his veins. He looks past you towards Noa who stands there, still wet and somewhat sheepish after the earlier incident.

"Need my sister to fight for you?" Loui speaks, his tone laced with mockery, glancing at Noa in an attempt to provoke a reaction from him.

That was it. Without a second thought, Noa springs into action. He grabs your arm, gently but firmly pushing you behind him, keeping you out of harm's way. Then, with a sudden burst of speed, he lunges towards Loui, tackling him to the ground in a swift and decisive move.

The fury that had built up within Noa over the series of events unleashes as he tackles Loui. Driven by anger and frustration, Noa gains the upper hand. His movements are more determined, stronger, and precise, his focus solely on asserting himself against the one who had pushed his limits.

Loui's surprise is evident as he struggles against Noa's strength. Noa shows no signs of yielding, his strength seemingly fueled by his pent-up anger. Despite Loui's efforts to regain control, Noa stays focused, pressing his advantage. The spectators gathered around the area begin to cheer and clap as the fight escalates. The atmosphere is charged with a mix of excitement and anticipation. Loui's attempts to gain control look increasingly futile against Noa's determined onslaught, adding fuel to the crowd's cheers for Noa.

With a satisfied grin on his face, Noa presses further, his grip unwavering upon Loui. He leans in, his voice carrying a hint of mockery as he speaks.

"Come on, Loui," Noa taunts. "Just admit defeat. Submit."

Loui bucks and writhes, straining his muscles against Noa's iron grip, but it's clear his efforts are in vain. Sweat beads on his brow, and his breath coming in hurried gasps as exhaustion starts to set in. Reluctantly, he admits defeat.

"I submit!" Loui gasps out, his voice filled with both irritation and resignation.

Noa rises to his feet, his breath slightly labored from the intense struggle. He glances towards you, a satisfied smirk on his face. There's a glimmer of triumph in his eyes as he meets your gaze.

As you stand there, watching Noa rise, the sight of his dominant display sends a wave of excitement coursing through you. A shiver races down your spine, your breath catching in your throat. The tension between you and Noa is tangible, the adrenaline from the fight only adding to the charged atmosphere.

Noa extends his hand to help Loui up, and a moment of understanding passes between the two apes. There's a pause, and then Loui reluctantly accepts Noa's hand, allowing him to hoist him to his feet. They share a glance, a silent agreement acknowledging the new level of respect earned.

You couldn’t help but embrace him, whispering to him. “Why don’t we go somewhere?”

Caught off guard by your unexpected words, Noa's eyes widen slightly. He glances at you, a small smile tugging at the corner of his lips. The adrenaline from the fight still coursing through his veins, he nods subtly, understanding the implication behind your suggestion. “Lead the way.” He smirks into your neck planting a hidden kiss.

He was strong. He was a leader. He was your mate.

[historypaintings]

Belisarius

Artist: François-Gérard (French, 1770-1837)

Date: 1787

Medium: Oil on canvas

Collection: Getty Museum Collection, Los Angeles, CA, United States

Description

Along a winding dirt path, the blind Belisarius carries his young guide. The boy has been bitten by a snake, which remains coiled around his bleeding leg. With his right arm wrapped limply around Belisarius's neck and his eyes closed, the youth balances precariously between life and death. Belisarius's eyes are also closed, but guided by his stick he moves forward with determination and purpose. He rises heroically against the spectacular sunset, a monumental figure creating a powerful outline against the sky. But the flaring sunset also signals a chill night and the uncertainty of the path ahead.

Belisarius was a popular Byzantine general of the Roman Empire whose promising career was sabotaged by the jealous Emperor Justinian I. In 1767, a novel by Jean-François Marmontel revived interest in Belisarius. In Marmontel's novel, the emperor has the heroic general blinded, reducing Belisarius to begging. He is eventually rediscovered and aided by former officers and his family. This dramatic tale of patriotism, injustice, and redemption was widely embraced in revolutionary and post-revolutionary France and was a popular subject for artists--including Jacques-Louis David (François Gérard's teacher), Jean-Antoine Houdon, and Jean-Baptiste Stouf (whose sculpture Belisarius is also in the Museum's collection).

For this painting, Gérard both drew and departed from Marmontel's retelling of Belisarius's life. The general's young companion is present in Marmontel's novel. But to stress the bravery and pathos of the subject, Gérard introduced the incapacitating snakebite. While Belisarius was typically depicted in the act of begging, Gérard shows him standing and erect, his muscular form in sharp contrast to his guide's weakening body. The prominent helmet hanging from Belisarius's belt emphasizes the general's heroic past and underscores the injustice of his fall from favor.

[gladiusveritatis]

Since I shared the post titled "Share your opinion and Run, MTP Version", enough time has passed for it to gain traction and spark a range of questions, both in the comments and via anonymous messages. There were even some dedicated posts in response — apparently, I’ve managed to touch the hearts of everyone on Tumblr in this fandom.

As a result, I’ve decided to gradually create explanatory posts to address people’s questions about the why and how behind my statements.

Let’s start with William and Louis, focusing on the latter, whom I referred to as a better leader than William.

When someone is better than you, it doesn’t mean you are lesser. That analogy applies here. Yes, Louis is the better leader. However, his objectively excellent leadership qualities don’t make William worse; they merely highlight how different these two strikingly similar brothers truly are. William is a grey eminence, the shadowy mastermind who, when Albert posed the question at the very start of the manga — "Are you prepared to challenge the entire British Empire?" — confidently declared he was ready. From the outset, William’s story has never been about “us,” “team,” or “together.” It has always been about “I-will-do-this-with-your-help-but-don’t-get-in-my-way-too-much.”

And that’s where the distinction lies. As a leader, William combines charisma, manipulation, an unwavering determination to go it alone (!), and a degree of ruthlessness in his decisions, which are often extreme. Louis, on the other hand, is a more pragmatic and loyal leader — less idealistic than William and therefore more focused on practical outcomes. The entire arc, from the inception of William’s plan to his eventual displacement by Louis, was designed to illustrate that William himself was the embodiment of his plan. And his plan effectively ended the moment he leapt from the bridge — even if he didn’t die.

The focus on William throughout the story underscores that, for him, the team was merely a tool to achieve his goal. The one exception — the person he consistently refused to use as a mere instrument — was Louis.

Does William’s successful plan make him a poor leader? No. At most, he is a radical leader who recognised that he was willing to sacrifice everything for his goal. But the way Louis’s command structure functions, without the spotlight ever being stolen by a single individual, demonstrates that in the comparison between the two brothers, the younger is undeniably the superior leader.

And that’s it.

If someone is a 9/10, that doesn’t mean a 10/10 doesn’t exist.

And I still love William.

[alarrytale]

Marte who says those tweets are about his fans or larries? He probably read some things that he didn’t like? Let’s don’t forget that fans insult each other, daily, on twitter. It’s 100% not about larries or louies

Hi, anon!

Let's not be deliberately obtuse and let’s use our context clues here.

Louis underscore was on twitter only a couple of weeks ago and tweeted up a storm.

Louis underscore is primarily a tool to police, gaslight, and guilt trip in order to control the fandom and make it do his bidding.

Louis knowing that there are a lot of fans who are disappointed in him due to this stunt and his behaviour, especially larries, and who are expressing this explicitly on social media.

Reading something that he didn’t like isn't representative for the vast majority of his fans, and it doesn’t warrant posting this for everyone to see, making everyone feel guilty and responsible for the state of fandom. Especially, when he's the reason for it all himself. It's irresponsible of him not to explain himself if he's not referring to his own fandom.

Louis not knowing, after years of experience, that this will legitimise solos and antis, and sic them on larries, and create an even more toxic environment.

Louis underscore is what made this fandom toxic and fractioned in the first place. Tweeting this is as hypocritical as it gets.

And finally, this is something that he's done before. It's not the first time.

So let's not dismiss this or try to explain it away. Let's see it for what it is. This is his brand account, run by social media managers. It's not his personal diary. Hasn't been that since early 2012.

[cinesexual]

Click the link above to watch the gay-themed short film, 1992 (Anthony Doncque, 2016) France☝️☝️☝️

Tip me.

Subscribe to watch more.

Discover thousands more here.

From Perplexity:

Anthony Doncque's 1992 (2016) is a French short film that explores themes of teenage desire, self-discovery, and the complexities of relationships, particularly within a queer context. The film is set in 1992 and follows Martin, a 17-year-old who obsessively documents his life with a Hi8 camera. His world shifts when he meets Dominique, a 23-year-old student monitor at his high school, sparking an intense and intimate connection.

Key Themes and Relevance to Gay Cinema

Exploration of Desire: The film delves into Martin’s burgeoning romantic and sexual feelings for Dominique. It portrays these desires without judgment or external interference, focusing instead on Martin's subjective experience. This approach challenges traditional narratives that often frame such relationships as taboo or fraught with moral consequences[1][2][3].

Autobiographical Undertones: Director Anthony Doncque incorporates footage he shot as a teenager, blending personal history with fiction. This autobiographical element adds authenticity to the film’s portrayal of queer adolescence, making it resonate deeply with audiences familiar with the struggles of self-expression and identity during youth[2].

Queer Representation in Film: 1992 contributes to the canon of LGBTQ+ cinema by normalizing same-sex attraction and depicting it as an integral part of Martin’s coming-of-age journey. Its nuanced portrayal avoids sensationalism, instead offering a tender and introspective look at young love[3][4].

Cinematic Techniques: The use of Martin’s Hi8 camera as both a narrative device and a metaphor for his gaze underscores the voyeuristic yet participatory nature of filmmaking. This technique invites viewers to share in Martin's perspective, blurring the line between observer and participant[2].

Reception and Impact

Critical Acclaim: The film received praise for its sensitive handling of complex themes and its aesthetic qualities. It won the Grand Prize for Best LGBTQ Film at the Rhode Island International Film Festival in 2016 and was featured at several prestigious festivals, including BFI Flare and Clermont-Ferrand[4].

Performance Highlights: Louis Duneton’s portrayal of Martin was widely lauded for its depth and authenticity, capturing the vulnerability and intensity of first love[3][5].

Cultural Significance: 1992 stands out in gay cinema for its focus on internal emotional landscapes rather than external conflicts. Its depiction of queer desire as natural and unremarkable reflects broader shifts in LGBTQ+ storytelling toward normalization rather than marginalization[3][4].

Conclusion

Anthony Doncque’s 1992 is a poignant exploration of queer adolescence that resonates with gay cinephiles for its honesty, artistry, and personal touch. By centering on the intimate experiences of its protagonist, the film offers a refreshing perspective on young love and desire within LGBTQ+ narratives. Its blend of autobiographical elements and universal themes makes it a significant contribution to gay cinema history.

Citations: [1] https://letterboxd.com/film/1992-2016/ [2] https://directorsnotes.com/2017/04/07/anthony-doncque-1992/ [3] https://www.imdb.com/title/tt5492660/reviews/ [4] https://en.unifrance.org/movie/41505/1992 [5] https://1015productions.com/1992.p44 [6] https://www.imdb.com/title/tt5492660/ [7] https://filmmoon.com/movie/15522/1992 [8] https://www.themoviedb.org/movie/435104-1992 [9] https://mubi.com/es/mx/films/1992-2016 [10] https://mubi.com/en/us/films/1992-2016 [11] https://www.youtube.com/watch?v=uI0tCU6CoSw [12] https://orvel.me/1992-2016/ [13] https://archive.org/details/1992_2016_nsfw [14] https://cinegay.online/1992-corto-gay [15] https://mubi.com/en/mx/films/1992-2016 [16] https://www.themoviedb.org/movie/435104-1992?language=es-HN

Answer from Perplexity: pplx.ai/share

[zot3-flopped]

https://www.tumblr.com/alarrytale/784402678494183424/those-tweets-felt-like-emotional-manipulation?source=share

Major meltdown from Mad Marte! Comedy gold to see someone so angry over nothing.

She's still rambling on about 'Louis Underscore':

Louis underscore is a brand account run by social media managers to control the fandom and enforce his image. A lot of people have access to the brand account. My best guess is Sony, BMG, SJPR, 7 management and Louis himself.

She actually thinks Sony has access to Louis' account, and then wonders why people question her sanity.

[princess-of-the-corner]

As a history buff, I can never underscore enough why the moment in season 2 where Lila's mom was confirmed as a diplomat was more than enough to explain her stunts and anger (at least before TAS decided the terrorist wasn't a villain vile enough). So I'll share just one small event.

In 1914 the long standing alliance between Britain and the Ottoman Empire was suffering, courtesy of years of German diplomatic efforts, but still held enough that Constantinople bought warships in British shipyards. That was why the ambassador, sir Louis du Pan Mallet, took a long overdue vacation as the game of alliances was precipitating the Great War... And then, suddenly, the British government confiscated two almost completed battleships built for the Ottomans with their money, and he wasn't there to explain away the act while the German ambassador was there to promise two battleships for free if they used them "correctly" - and by the time Mallet was back, the Ottomans were preparing to enter the war on the German side.

THAT is why ambassadors have horrible hours, if they had reasonable ones their bosses could ruin the relations with the host country while they're taking a much needed vacation.

GOD politics is a fucking mess and I'm not touching that shit with a 39 1/2 foot pole.

But also yeah Lila being Like That™ is perfectly explained by her mom being far too busy to actually be a parent, so you get a combo of someone lacking attention and without a solid moral compass yet.

[hollowingearth]

no but maybe I've been thinking too hard and I'm definetly not the best person to dive too deep into it but there's just so many layers to Louis' reaction to Armand's past and his comparison of his relationship with Marius as a parallel to Louis' relationship with Lestat. like he's visibly angry and to underscore it Lestat barks at Armand through it. and it's like maybe it's because he doesn't think that his love for Lestat was that of devotion - in the first season he underscores that they felt like equals "in the quiet darkness" - and he resents the idea that there's a power imbalance inside their home, that Lestat was his superior and in control of him, that none of it was his own choice. maybe what Armand is saying sounds too much like he's comparing his condition to a slave, which Armand might not quite understand means something completely different to a black man than it did to him in the 15th century. maybe that anger comes from a place uglier because, you see, Louis was the pimp, he's the trafficker, he's the one who exploited such labour and being compared to the ones he took advantage of feels beneath him

[xxgothchatonxx]

“I’ve been a third all my life. Not saying it to fight, just saying that it’s true. I feel like I get to pick one thing for myself, and it’s her.”

I was so impressed by this scene because, knowing the book version so well, this version wasn’t what I expected, but it worked so perfectly, I’m not disappointed at all.  

This show really is a masterclass in adaptation because of what it keeps with its changes. Because in the book, Claudia is not even remotely close to being as calm and collected as she is at this moment in the show. I don’t blame her for going off in the book. And considering show!Louis had a more active role in her transformation, she would be more than justified to go off on him in the show if he said what book!Louis said. But with Claudia in the show, you can still feel the determination and desperation she has. But also the resignation.

Claudia has been hurt so many times in her life, disappointed and betrayed by so many people, but she keeps trying to find something else. Having hope that she won’t be hurt again. And with Madeleine, this is the closest she’s ever gotten. This is her last shot at happiness. And she knows it. You feel that hope that she has, but it’s still underscored by tragedy. She’s trying a different approach because she knows how it ended up last time with the boys she tried turning back in America. But it’s still not going to work out for her. The writing makes that clear, and Delainey portrayed that so well.

The tone is different, but the sentiment is still there.

[pynkhues]

hii! this might be a very stupid question but do we know if Louis actually wanted his book to be published. i always thought that he maintained the interview as a way to get Daniel to take an interest again and maybe because Louis knew deep down that something wasn't right with his memories. that everything that happened these two seasons was for himself, in order to take back control over his life. also at the end he tries to burn Daniel's laptop. and it seemes to me that it was never about telling his story to humans but to himself

Hi! Not a stupid question at all, anon! It's actually a really interesting one to consider, especially since Louis' end of the bargain for Daniel seems to be the money and the permission to publish.

I think it kind of depends on what you think about two things, firstly how much you think Louis' motivation for doing the interview changed between 1973 and the present day, and secondly, why you think he torched Daniel's laptop.

In terms of the motivation for the first interview, Armand actually explicitly calls Louis on it in 2.05. A big part of the reason he's doing it is specifically for it to be published in the hopes that he might bait Lestat out of wherever he's been hiding. The question is, has that changed? I'd say it probably has? The interview has a very different tone, Louis' older and more self-reflective, and I believe him when he says that he wants to remember. How that impacts whether or not he wants the interview published, I don't know, but I actually do think the show's underscored quite a lot that Louis' generally a man of his word. He always has been professionally, and he has been personally too with his sister, Armand and Lestat (in fact, the only person he regularly breaks his word to is, in true Bad Dad form, Claudia).

As for why he burnt the laptop - - I've wondered that a lot, actually. I think it was a casual display of power in a lot of ways? To show his degree of authority and control, which he'd just displayed to Armand and now wanted to emphasise with Daniel. A sort of don't cross me, and don't follow me given from memory, he knows Daniel's files are backed up (I'm at work, so can't check, sorry!)

I actually also wondered if burning Daniel's laptop was more about cutting the Talamasca out of the conversation than it was about getting rid of the files? That's how Raglan's been predominantly communicating with Daniel, and Louis now knows the Talamasca had Armand's annotated script from the trial, among other Paris ephemera. It wouldn't surprise me if a part of burning the laptop was more a fuck you to them than it was a message to Daniel about the book.

So yeah! I actually don't know, but I think I'd probably say that Louis might not have actively wanted the book published, but that he was okay with it and understood it to be a part of the transaction with Daniel. He certainly feels like he can say no to a sequel. I'm curious though now, haha, what do other people think?

[chicago-geniza]

Putting this here for future me as a cross-ref between book and show for Vampire Art History essay, Armand & Renaissance art, Louis & the 20th century and non-representative forms--ACTUALLY. Put a pin in this for later, sidenote, bracket, because I REALLY want to see how they adapt Armand's significant and symbolic connection to religious art (Orthodox icon painting) as a throughline to Renaissance art and Christian representative (if not strictly realist) aesthetics when show!Armand comes from a religious tradition that prohibits graven images. Rupture instead of continuity, which will underscore the colonialism aspect they are no doubt going to develop. ANYWAY. This passage from IWTV: The Book and their prissy gay argument about what to hang on the wall after selling the Bacon triptych