#luckily for me I still have a lot of hybrids to design and those guys were meant to be insane looking….hell yeah…..

[hana-bobo-finch]

the intrinsic desire to make every one of my characters look like a biblically accurate angel

[adventuretree611]

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The truth? A spectrum analyzer is one of these tools. SPAN is my favorite spectrum analyzer. You can control the ballistics and response of its graph, which makes it flexible enough for a wide variety of tasks. You can uad vst download route multiple tracks into SPAN and compare their frequency content.

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Omnisphere brings many different types of synthesis together into one amazing-sounding instrument that will inspire a lifetime of exploration. Until now only very few software synthesizers have been able to stand up to the sound quality standards of hardware synths.

Three virtual analog oscillators and a first-class set of filters produce a wealth of rich and inspiring sounds. However, this basic simplicity combined with its multilayer architecture turns it into an easy-to-use but extremely powerful instrument that can be programmed and tweaked quickly, almost effortlessly leveraging its maximum potential.

MegaVST - Free Download VST. Is a software interface that integrates software audio synthesizer and effect plugins. Available on standalone and VST version. LuSH-101, LuSH-101 plugin, buy LuSH-101, download LuSH-101. LuSH-101 is a synthesizer. The Gate may be used instead of the VCA for instant staccato sounds full. Free d16 group lush-101 VST download. Multimedia tools downloads - D16 Group Devastor VST Plug-In by D16 Group Audio Software and many more programs are available for instant and free download. LUSH-101's multilayer architecture gives you access to virtually limitless sound design possibilities and a wide spectrum of applications. Arpeggiator / Gater A powerful, built-in arpeggiator / gater section unique to the LUSH-101, with independent presets to get your groove on! Lush 101 vst.

With its emphasis on ease-of-use, the FM8 brings a high degree of simplicity to the otherwise intricate process of FM synthesis. Modules can be mixed and matched so you can build hybrids, but what sets Diva apart is the sheer authenticity of the analogue sound. The expressiveness of synthesized sounds next to the richness and complexity of samples that end up delivering top-notch, never-heard of and dancefloor-crushing kick sounds.

Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping. Your production toolbox is simply incomplete without these ones. Gain Reduction Deluxe will be your new go-to compressor. While making a lot of different compression styles possible, it’s general nature may be described as clear, smooth, open and distinct. An easy-to-use interface and a rich feature set give you hands-on control over all details of your sound. Its dual channel design lets the also function as two separate mono channels via a single compression setting.

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With FabFilter Pro-Q 2, you get the highest possible sound quality and a gorgeous, innovative interface with unrivalled ease of use. What makes it special: It features top quality samples of real spaces to create reverb, ranging from the Sydney Opera House to the cockpit of a Jumbo Jet. R4 is pure class and for this reason, is destined to become a classic. A great reverb sounds natural and sits in the mix perfectly.

At the same time, it should not confuse you with over-technical controls, but must be easy to set up and a joy to work with. This is exactly what FabFilter Pro-R delivers. Try it out for yourself and see why pros describe it with one word: Combine the power of multi-band, dual-stage distortions and advanced post-filtering for immediate sonic transformation.

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Various plugin give-aways when buying hardware? Not knocking UAD but they’re not the only company that have deals for their users!

https://adventuretree611.tumblr.com/post/655962541203308544/download-auto-tune-evo-vst-for-fl-studio. Has Apple ever given away anything? Chris With all due respect I don’t think you’ll convince me that digi is exactly generous to their customers. I bought a 25k system and then paid for mp3 and OMF support My original point about TDM, was that it is a proprietary format that is tied to outdated hardware and is more likely to become extinct long before AU or VST. To try their plugs or just to know if it’s compatible with my system I have to buy a card.

UAD is not the “angel” company some would like us to believe it is. As (bleep)(bleep)(bleep)(bleep)ty as that is and I do sympathize , being TDM that kind of illustrates my original point. Amp farm anybody? I don’t disagree, but when it comes to marketing and customer relations, I much prefer UAD to digi. Not that they’re perfect, but UAD strives to be as compatible as they can.

Digi on the other hand strives for exclusivity. Mikey MTC , I mean why is Dave working with those guys and not a TDM developer? Maybe because TDM has a date with destiny? According to the UA video this is a pretty intensive model that might be too much for the current TDM cards. These complaints are all about TDM.

Wait a year or so and see if UA is the only company you have these complaints about then. WHERE are you getting your “facts” from????? Why wouldn’t they?? Then how do you explain waves’ netshell stuff being RTAS compatible Why ALL of them would rather have to work through bugs in the fxPansion wrapper and put asterisks on their marketing materials. Digi has never, not once, gone on the record as to why they are refusing these licenses.

The Waves accelerator thing I think goes through the WaveShell which is in effect its own wrapper. I don’t think Digi can block it, and Waves has quite a bit of muscle for historical reasons.

Aha, you are hot on the trail! Denying the RTAS license digi is trying to do what now? Get them on the record. I never was able to.

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Yuuri Week 2017, Day 7: Free Day Title: Fruit Bearing Tree Characters: Katsuki Yuuri, Phichit Chulanont, Victor Nikiforov. Pairings: Yuuri/Victor, Yuuri & Phichit. Genres/Tags: Romance, Friendship, Humor, Fluff, Crack, AU. Rating/Warnings: T/None. Summary: Living as modern day botanical witches where witchcraft had already been outlawed certainly had its pitfalls. Luckily Yuuri and Phichit manage to get by. Yuuri’s boyfriend/neighbor also helped keep their secret, until he bit from a piece of wishing fruit.

Of all the ways Yuuri thought a lazy Sunday should go, this definitely wasn’t it. He and Victor tried to coordinate their days off as much as possible so they could sleep in together, but early this morning Yuuri had to go cosign and renew the lease on his and Phichit’s shared apartment. As Yuuri unlocked and opened the door he wasn’t a step in before he was knocked back by an abrupt force.

“Congratulations, Yuuri,” Phichit teased as he rounded the corner. “You now have two dogs named Victor. How do you feel?”

Yuuri simply stared at the silver tip and full size poodle in his lap. He couldn’t budge as the pooch licked a long stripe along his cheek in greeting. In a moment of bubbling hysteria he considered it ironic that he’s meeting the canine version of his boyfriend the same way he met Makkachin.

“Like I should have my licence to practice magic revoked,” He deadpanned.

If there was one all-inclusive word to describe Yuuri’s coven it had to be ‘simple.’ No, they didn’t cackle around a cauldron or organize a weekly Séance. The things people believed were hilarious actually, but the brewing aspect of mainstream media was accurate at least. Their coven specialized in botany. Specifically, they infused their brews into ordinary fruits to create hybrids that were generally various types of cures. Red berries with a purple diamond pattern served as balms, while stemless pink apples could cure a common cold after immediate consumption.

As the eldest and most versatile member Yuuri was the leader. Their coven was made of only six and they made sure to always stay in pairs for safety since their practice was still considered illegal on paper. The others were Leo and Guang Hong, as well as Mila and her new apprentice Yurio. Their magic stemmed from light and through it they made things grow. Cures weren’t the only things they could make though and Yuuri had recently begun experimenting with making a wishing fruit, although the effects were meant to be temporary. Apparently there were a few bugs to work out though...

Yuuri blinked at the sound of a shutter click.

“Not now, Phichit!”

Phichit grinned as he looked at his phone. “Oh come on, Yuuri. You have to admit this is pretty funny, look at him!” He turned the device around so Yuuri could see the picture. As a dog Victor looked just like Makkachin, but with light silver fur. “You guys look great!” He cheered.

“You should’ve been here when Vicchy and Makka first saw him, it’s like they were reacquainting with a long lost friend,” Phichit trailed off. At the moment the other two dogs were strangely keeping their distance. It looked like even they reached their quota of “Strange Things that always happen in the Yuuri and Phichit BFF apartment of Magic, Gardening and other Witchery.”

“Why would he change into a dog though?” Phichit wondered.

“I guess because he wanted to be one,” Yuuri said sharply.

“Well, what are you going to call him? Victor the second? Victor II? I guess neither makes much sense since he’s 28 years old and much older than Vicchan. Hey!” He looked gleeful. “I read the oldest known dog lived to 29 years and five months. If we keep him like this we could make a killing through Guinness.”

“I don’t know what your definition of ‘a killing’ is since Guinness doesn’t pay their record breakers. Besides, we’re not making money off my boyfriend...my dog...something. Ugh,” Yuuri sighed. It was barely noon and he already had a headache. Victor nuzzled against his neck and Yuuri automatically giggled.

“I don’t understand how this happened, though?” Yuuri wondered. “I had that fruit set aside for storage in the blue bowl.”

“You did?”

“Yes...Phichit, didn’t you put it away?”

“Wait a minute,” Phichit looked blank for a moment then his eyes widened.

“No, I did! I remember specifically...” Phichit moved over to the front entryway to retrace his steps. “I walked through the door, I put my keys on the hook, I went past the kitchen island to get my mail and... ...oh,” He hesitated when he didn’t automatically reach for the place they keep their newly made fruit before it was stored in their little greenhouse. “Uh...whoops?” He offered.

“‘Whoops’? That isn’t the word innocent people use, Phichit.”

“I was tired, okay? I’m a young adult, I’m entitled to the occasional ‘whoops’ moment.”

Despite the initial hiccup Phichit was quick to contact the others for help. He was the one in charge of coordinating their monthly Sabbath.

“Leo suggested a reverse agent. Since whatever Victor ate is untested we probably shouldn’t mix anything different, that could make him really sick...or worse; he and Guang Hong are looking into it now. I couldn’t really tell if Yurio had any ideas between sounds of cackling and proclamations of ‘stupid old man’ though.”

Yuuri sighed, at least he was having more of a normal reaction to the situation. “I’m sorry, Victor. I should’ve been more careful...”

Yuuri was currently seated on the couch and Victor hadn’t hesitated hopping up next to him and putting himself half in Yuuri’s lap. Phichit noted they didn’t actually look much different like this, with the exception of sharper teeth and more fur of course.

“He looks comfortable enough,” Phichit offered. “Really comfortable actually. Think he was a dog in a past life?”

“It’s possible, he loves them enough. He always talks about wanting to have a cute house with a white picket fence, adopt 2.5 kids and a big ‘doggo’ family.” He said with a smile.

Phichit clicked his tongue.

“Don’t worry, Yuuri. Although those families usually have only one dog you’ll still have your “American Dream.” Even though we’re not in America and this isn’t the 1950s anymore. This isn’t a fruitless endeavor.”

“Oh my god.”

Despite himself Yuuri still laughed as his roommate went into one of the bedrooms. Their apartment was spacious and consisted of three bedrooms, the last one they used as a greenhouse.

Yuuri had no idea how he did it, but Phichit had reconstructed the chemical makeup of his phone battery so he could charge it with light magic. Then he used a reflective surface and a projection screen to cast the light to feed their plants and smaller fruit trees during cloudy days. He wondered what people who strongly believed that magic couldn’t co-exist at the same time with technology and science would think of their methods.

Yuuri shook his head started looking through his tomes for a solution to their newest problem.

Later Yuuri scrubbed his eyes, the lines of text had started to bleed together and were giving him a headache. The wishing fruit was a prototype and were designed to only be temporary, the effects would ebb away after the fruit was no longer in the consumer’s system. However that was his first batch, he had no idea if the affects were permanent or not.

Yuuri liked to experiment and come up with new recipes. He wished more people were as open to new things like Victor. He’d recently created a fruit that looked like a hybrid of a starfruit, but with a pineapple’s blossoming leaves. If you ate three over three days it would mend a broken bone with only the need for a splint to prevent further damage during the healing process. He supposed that would put a lot of health practitioners and pharmaceutical companies out of business though. That didn’t prevent people from buying their fruit. It was their main source of income and did more than pay their bills and rent. They lived pretty comfortably considering their clientele thought they were simple herbal remedies and obviously nothing to do with magic.

Yuuri looked up as Phichit entered the room. He looked amused at the ‘dogtourage’ camped out around Yuuri.

“Yurio forwarded a reverse agent with very specific instructions. It’s for “Katsudon’s eyes only” he said.” Phichit handed over a sheet with detailed measurements. “It will need a base though.”

Yurio had an innate talent for combining elements in his recipes, but he struggled to develop them into full compounds. He was fifteen though, he had plenty of time. He was already advanced for his age.

“Thanks, Phichit. Thank him too for me. I’ve got it,” Yuuri said as he rose from the sofa. He headed over to an adjoining door in their kitchen which doubled as a utility and storage room, as well as Yuuri’s workshop.

The scent of vinyl was heavy in the room. It contained a pervasive musk, but Yuuri found it comforting in his work space. He grabbed a few anti bacterial wipes and rubbed down the surface of the wooden board on the tabletop and flipped it over to repeat. He then brought out his toolbox and snapped on a pair of latex gloves and goggles. No matter how cautious and sterile he made the place, every witch who specialized in botany ended up with a green tint on their fingertips.

Incidentally that was how Victor started suspecting he wasn’t an ordinary botanist or gardener early in their relationship.

“I’ve heard gardeners have a metaphorical green thumb, but this is a bit excessive, don’t you think?” Victor had asked during their third date. He was seated across from Yuuri in a nice restaurant when he’d leaned across and held his hand. He ran his fingers along each digit, pads rubbing into the mossy looking stains.

Yuuri knew then he had a choice; that Victor was leaving that choice up to him. He could choose to go along with the default story he and Phichit came up with, or he could take a chance and trust him. Victor would probably buy his old standby explanation, but the thought of lying to Victor made him sick. After so long he wanted to open up to someone outside of the coven. He really and truly did. 

After their date he decided to show him his workshop, seeing was believing after all. Victor had been shocked and awed of course. He’d stumbled over grasping the idea that witchcraft wasn’t something from movies or fiction and yet he didn’t react at all the way Yuuri had feared deep down. In fact he looked excited at the prospect.

“Thank you for sharing this with me, Yuuri.” He knew their secret would be safe with Victor. However seeing the unblemished look of awe on his face was enough for Yuuri to wish he could do it again just to see him smile like that.

Yuuri was brought of his thoughts with a start as the door creaked open. Yuuri was used to leaving it ajar now as Victor liked to come in and watch him work. Of course he had no magic to make the formulae work, but he found the brewing process fascinating. Victor was an accountant and financial planner, Yuuri imagined the careful measurements and calculations appealed to his affinity for numbers.

So much like he did as a human, canine Victor leaned against his desktop and watched him work. Yuuri missed him, it was ridiculous because he was still right there and it had only been a few hours since the transformation, but he missed him.

He set to work, cleaning his glassware and brought out a few flasks of green, yellow and mahogany red from the old fridge he and Phichit had purchased from Craigslist to store their chemicals in. He moved aside the stand and buret he used for titrations and brought out his Bunsen burner. He then followed the instructions and measured the proper quantities of each into an Erlenmeyer flask to make the medium and set it on the burner. Taking an eyedropper he added a few drops to the liquid, the mixture then started to bleed indigo. He then removed it to cool. He then followed the instructions Yurio sent and pipetted a few other chemicals into the cooling liquid.

Yuuri pinched the inside of his gloves, pulling them so they came off inside out and he wouldn’t get any chemicals on his skin. He then removed his goggles and replaced his glasses. With a few muttered words he wrapped his hands around the warm flask and then a flash, a brief whiff of mead and ozone, then the mixture fizzled to life and began to solidify. Before it could ruin the glass he dumped it onto an untempered orange in a bowl. It immediately absorbed into the fruit and became a bright teal with violet accents.

Normally with a new fruit he would dissect it so he and Phichit could harvest the seeds then cultivate and multiply them in the greenhouse, but he was pressed for time. He pivoted on his stool and slid off, sitting on the floor next to Victor. He began peeling the skin and held out the sky blue fruit.

“Come on, honey,” Yuuri says quietly. “Swallow all of it. For me, please?”

He held it in the flat of his hand and Victor eagerly lapped it up then gave an answering lick to the tip of Yuuri’s nose. Yuuri had to dig his heels into the tile to stop from being bowled over again by the sudden enthusiasm.

“Yuck,” He chuckled and readjusted his glasses, the gesture had knocked them askew. “Don’t do that. It’s too weird right now. Now my nose is sticky.”

He was sure Victor grinned at him.

“It’s still going to take awhile for you to change back,” Yuuri told him. “But at least we don’t have to go anywhere today...”

Yuuri turned his attention away at the sound of knocking on the door frame.

“Yuuri dear,” Phichit said with false cheer. “We have a new problem. Michele and Sara want to do their inspection now.”

Uh oh, Yuuri thought with a bit of trepidation. Michele was their landlord and last time he did an inspection he’d accused them of using too much water on their inside and outside garden. Of course he didn’t know they used magic on both, but he still tried to raise their rent. Fortunately for them the case was dropped when Michele couldn’t prove it.

“I can’t go out there with a second dog. He’ll probably try to raise our rent again,” Yuuri grimaced.

“I don’t want to talk to Michele either,” Phichit said. “You know how he is. He’s strict on his ‘one pet only’ policy to the point that he even disapproved of my hamsters coming to live with us. My hamsters, Yuuri. We had to smuggle them in during moving day, remember?”

“We can hide the hamsters, Phichit. We always do. What we can’t hide is another full size poodle who isn’t on ours or Victor’s lease. If Michele is suspicious of anything we’re doing he could report us and we’re looking at potential jail time here,” Yuuri reminded.

Thankfully Sara was there, Yuuri thought. She and Mila were dating and so she knew all about them.

“Fine,” Phichit relented. “But you owe me. Also, I’m putting the kids in here with you until they leave, so you better make sure they’re safe.”

“I promise,” Yuuri nodded. “Thanks Phichit.”

“I love you too,” He teased.

After they ran a checklist of every suspicious bit of equipment they had they were as ready as they’d ever be. For good measure they also moved the one empty pipette rack they kept in the kitchen refrigerator to the utility room. Phichit then went to answer the door while Yuuri stayed in the workroom with three dogs and three hamsters. He wasn’t sure how this became his life honestly, but they needed to be on their best behavior since Michele could be prickly.

Michele also didn’t like their flowering trees, even though they kept them in pots on their patio and away from common property. Sara liked them, she thought they were whimsical. She’d also winked at Yuuri and Phichit and Yuuri had found out later through Mila that she and her were dating. Being involved with another coven member meant that a great deal of trust was involved, therefore partners of coven members were also considered part of the family. When Michele asked where they’d acquired such ‘weird-looking’ vegetation in their greenhouse they settled on another standby and explained that they were tropical fruits from remote islands in the Caribbean. It was one of their least inventive stories to date, but Michele seemed to buy it at least. So, small blessings.

Yuuri settled down in a chair as he heard the front door open and Phichit’s voice greeting the Crispinos. Like he’d done all day, Victor hopped up next to him and settled in his lap.

As it would happen though, their caution wasn’t needed as the dog’s fur started to shimmer and glow. The shape then began to morph.

“Check the utility room, Sara.” Yuuri distantly heard Michele’s voice. “Find anything?”

Sara looked into the room at Victor—human Victor—sitting on Yuuri’s lap, with blue fruit juice dribbling from his mouth and the remains of a magical trail still dissipating. “Nope. All clear in here, Mickey.”

Not that the other two occupants in the room were paying much attention, she noted in amusement.

Yuuri gaped. “Victor! The fruit actually worked? You’re back to normal!”

Victor beamed at him. “I knew it would, my Yuuri.”

Seeing Victor happy and perfectly fine was too much for Yuuri to contain. He felt compelled to express every bit of relief he felt through the kiss he pulled him down into, pouring every bit of emotion he had into it. When they pulled back it was with matching grins and content giggles.

Sara later told them that Mila had called her and explained the whole situation. As building manager, Sara didn’t normally come for apartment inspections, but she thought they might need help playing defense against her twin brother’s nosy tendencies.

“Mickey’s not a bad guy,” She reassured before leaving. “He’s just a bit too ‘by the book.’ I think he’ll come around eventually. Then you two won’t have to hide so much.”

As for the reason for Victor’s transformation, it turned out it wasn’t that deep after all. Victor had just been leaving Yuuri’s bedroom when Yuuri returned from a walk with Vicchan and Makkachin. He grabbed what he thought was a clean pear while he watched Yuuri play with both dogs in the entryway and had the passing thought that he wanted to join in on the fun. It wasn’t technically even a wish. He didn’t notice until it was too late that the inside of the pear was fuchsia either. Yuuri had left soon after though to meet with Michele and Sara.

“Apparently there are more than a few kinks in the recipe...” Yuuri sighed and looked sheepishly over at Victor. This is exactly why he was trying to tint the skins of the magic fruit as well.

Victor just smiled and shrugged.

“Wow,” Phichit said with a chuckle. “It’s a good thing Victor wasn’t there while you were signing our new lease. He might have turned into a pen. Since Yuuri likes to nibble on the tips of pens.”

Yuuri made a choking sound.

“Would that have been bad?” Victor asked curiously.

“Actually it would have,” Yuuri answered uneasily. “Transformations from organic matter into something synthetic or vice versa never end well, the composition and chemical makeup aren’t equal, so...”

“Meaning?”

“You probably would have transformed back...in pieces,” Yuuri winced.

Not even Victor could hold back a cringe.

“Well,” Phichit pushed himself out of the chair. He stretched his back with a pop. “It all turned out fine. Although Victor might have trouble scrubbing out the scent of dog from his hair. Anyway, I’ve got work in half an hour. Those freshly grown antioxidants and antihistamines won’t sell themselves. To think we made durian fruit actually not smell and taste horrendous! Have fun you two.”

Yuuri waved as his friend grabbed his keys and jacket, closing the front door behind him. He couldn’t be more grateful for his help today. He felt eyes on him and noticed that Victor was staring at him with a muted giddy expression.

Yuuri smiled back. “What is it?”

There was definitely color rising on Victor’s face. Yuuri hoped it wasn’t a side effect of the change. “You called me honey. Before, in the workshop.”

Yuuri blushed up to his ears. Is that why he’d been so enthusiastic when he’d fed him the fruit? It wasn’t that big of a deal was it? He’d been willing himself to do it for awhile now, but... “Y-yes? I suppose I did.”

“I liked it.”

Yuuri smiled shyly. “Then I should call you that more, shouldn’t I?”

“I’d like that.” Victor beamed and not even Yuuri could deny that was a blush.

A quiet settled over the room, no doubt they were both feeling the effects of a long day. Yuuri cleared his throat.

“Aren’t you glad to be back to normal? That must have been pretty...awkward.”

“Of course,” Victor answered. “I have to say it was a very interesting experience.” He added simply.

“Weren’t you worried though? I mean, it was an experimental fruit you ate. They don’t have negative side effects, but it could have been permanent...” Yuuri trailed off guiltily.

“Not at all,” Victor answered immediately. “I know we’re worlds apart and I could never really understand what it’s like to live as you both do.” He reached over and balled one of Yuuri’s hands together and pressed a kiss to the back. “What I also know is that you’re the best at what you do. I knew you’d figure it out. What I enjoyed was watching you work towards it. You’re so focused and assured, your fingers so dexterous. I knew you’d find a solution,” He murmured reverently.

Yuuri exhaled and leaned into Victor’s side, turning to hide his blush in his lover’s shoulder. “Can I just say how much I appreciate your nonchalance and blasé attitude towards things that would make most people run screaming?”

Victor hummed, running his fingers through the tresses of Yuuri’s black hair. “Then they’re fools, to be honest. Knowing that fantastical elements like what you and your friends do and truly exists is something people should embrace, not be afraid of.”

Yuuri said nothing. He idly wore the fabric of Victor’s shirt between his fingertips. This was the first time they’d run into what could’ve been a bad situation for them all. Like Sara said, Michele wasn’t a bad guy, but there were people out there who would’t hesitate to see them brought to justice. Victor would get in trouble for being an accomplice, for essentially hiding them.

Yuuri sighed. He had to say something at least. It was the right thing to do.

“Victor, I...” Yuuri swallowed. “I hope you know what you’re getting into. I mean, I’m a witch, weird things are going to happen all the time. You have to know that not everyone shares your viewpoint and you could get in trouble for it.”

Victor shook his head. “Yuuri, the moment you worked up the courage to ask me out that first time—even though there wasn’t a chance I’d say no—I decided I was on this ride for a long as you wanted. I loved you before you shared your secret with me. You being a magical being just adds some extra spice to your dish,” He said with a wink.

Yuuri teared up at the swell of emotions. He felt so full of love for the man he already knew he wanted to spend the rest of his life with. Their coven was small, but at least they had each other however distance was a huge factor. For more than safety’s sake, the reason for staying in pairs was companionship. He would have felt so isolated if not for Phichit and now Victor.

“Victor, that means more than you might ever know. I love you too.”

[musicmapglobal]

Yon Eta

Producer, DJ, label honcho and promoter Yon Eta, aka Maarten Brijker, is an active figure in Amsterdam’s emerging nightlife scene, a loosely connected underground collective which also includes the likes of rising stars Lyzza and Torus.

Intrigued to find out more about his work ethic and creative projects, MusicMap.Global got in touch with Eta along with Skandl, our Netherlands scouts, to talk audio/visual shows, crafting personas and sampling pop music.

You’ve been described as a “shapeshifting DJ and A/V composer” – what does this entail and how do you describe what you do?

Yon Eta: I have been working under this pseudonym for around two years now and my bio has changed over time. I contextualise myself differently every time I output something. Whether that is playing a DJ set at a club, making a track for my SoundCloud, uploading stories to my Instagram etc. Yon Eta for me is this ever evolving identity that grows along with the culture I am in and I am inspired by. It is a persona for reflecting on the changes around us and how we react to that with certain sounds or rhythms and emotional states.

An important part of the method in creating the music is the emphasis on narrative and storytelling. In my works the initial layer is sonic, but it always refers to a visual story. I try to compose with sound as a way to sketch an audiovisual narrative, where the music sketches a physical or virtual space where it performs a story in. This, for example, can be a love story played out in the club, or a song that plays with cuteness as a gate out of an anxious mental space. The spaces I am sketching can be dark or light or anything in-between, but I aim to always create a door or progression to another space.

The Netherlands is famous for being a home to both hardstyle and techno, how does your music fit into the scene there?

I think in general the Netherlands is home to a lot of music genres. Next to Hardstyle and Techno, our country is just as famous for music styles like EDM, House, Electro, Bubbling, Dirty Dutch, Trance, and Global Bass. Though, I do not feel that I relate to a specific genre or scene here, but rather feel connected to a certain eclecticism I see in the way the Netherlands approaches genre. Artists here tend to ‘take a bit of everything’ and create something new out of it. That is a quality which also is apparent in my DJ sets where I try to mix/blend various genres together and search for a shared quality in different tracks from different genres. My own compositions are sketching out a personal narrative of myself in relation to music trends, and for that taking subtle references to club and pop music, yet always trying to be conscious of the meaning in the referencing.

Sphynx is someone who you often collaborate with. What does that collaboration produce and how did you meet each other?

Sphynx is visual artist and UX designer Enrique Arce Gutierrez, originally from Mexico. We met through a friend in common and clicked on both a personal and artistic level. He is interested in creating autonomous and embodied artworks that distance themselves from the author-as-the-operator. Which is interesting for me on a methodological level as I see myself recently questioning my own authorship and distance or closeness to the artworks I am making. Who am I in relation to the music I make, and what does the music say about me?, etc.

I have worked with Sphynx on several occassions, often in relation to my label DEVORM and my eventseries Bar None presents pl(us) in Amsterdam. Where in the latter he helped us doing flyers, promovideos and live visuals for the events. In the DEVORM context the collaborations takes on a more hybrid form and conceptual character. On my label DEVORM I mainly take on the role as artistic director and curator and I work with other artists on a release together. The last two releases consisted for example of ‘Metastasis’, a 25 minute music mix where Sphynx made 4 videos with a self written program that generated visuals based on the music. And our recent ‘Void, Separation and Waiting’ release, where he helped design icons/tokens for each track, the online web environment, and helped along on a conceptual level. Sphynx and I also recently did a collaboration for TodaysArt Festival, combining our VJ and DJ practices for a A/V experience around sample culture in the internet age.

You’re based in The Hague. Often people take Amsterdam to be the centre of Holland’s musical gravity, how does The Hague compare?

Well actually I grew up in Amsterdam, and just a year ago moved to the Hague for my master’s at the Royal Academy of Art here. Though I still spend plenty of time every week in Amsterdam, mainly on the weekends. Amsterdam is where several music events are happening every weekend, where every other guy is a DJ and where the bigger artists of the Netherlands reside. Amsterdam for sure has a more vibrant music scene going on, yet the Hague also had its fair share in the Dutch music culture. The Hague is the origin of a lot of the synthesizer obsessed and electro music of Bunker Records and artists like Legowelt and is the city where Bubbling emerged (sped up reggeaton/dancehall). Nowadays the Hague is pretty quiet music wise, but luckily there is a tight community at the art school where interesting music events happen from time to time.

Sampled pop music vocals is a central part of your own productions, as someone most heavily associated with the ‘underground’ what’s your relationship with commercial music?

I do sample pop music vocals for my music yes, yet I always try to be careful with it. I pick my samples and references to commercial music consciously, and always do it for the sake of the narrative in the track. Also, I think often the line between commercial music and underground is fading away, or perhaps did so long time ago. With the emergence of the internet and the dying out of the subculture society, I think the relation we have to music in terms of our identity is much more subtle. We aren’t per se either into some underground music genre or into commercial music. We are both of that combined into something new. I love a lot of commercial music and I try to embrace some of its qualities in my own tracks. There is nothing stronger than pulling in the listener by using universal music qualities and then taking them to a deeper level and exposing more subtle layers. For me that is the perfect merging of the underground and commercial or pop music.

Talk to us about Bar None, the night you run. What’s the philosophy behind the night and who have you booked to play the shows (and why)?

Bar None presents is a regular night I have been running for over a year now together with Fedor Oduber. It started off as a monthly event in a spot in the north of Amsterdam with limited capacity and with a slight DIY vibe. At first the nights where more about booking local DJs and building a community for music that wasn’t played much in other club nights in the eclectic way we did. Music blending contemporary club music with nostalgia vibes and non-western dance music. Over the course of the first year we started to curate our timetables more consciously, experimenting with the flow of the music or DJ sets as a whole over the evening.

This summer we decided to take things bigger and now we are doing parties in both the OT301 and Garage Noord. The former serving as a place to curate bigger line ups and the latter for smaller scaled evenings with room for live acts. After having had Cõvco, Manara and Dinamarca over for their strong and broad selections, FAKA for their energetic love gqom liveshow and DJ Nadia Rodrigues for her warm afrohouse sets, we now face our next event on January 27 with MM and Mina. MM is an tasteful and broad selector who knows how to maintain high energy in his eclective sets and Mina is an Enchufada affiliated DJ from London who will add her diasporic club sounds to the night. At Bar None we try to curate unexpected combinations in the lineups that bring a dynamic flow full of love and hype.

Void, Separation & Waiting by Ghost Kwini

Last but not least, what have you got planned/coming out in the near future on your DEVORM label?

In the past year we did two big releases, trying to challenge ourselves to create releases which went further then the typical release formats. We released a SD card in custom made packaging containing a 25 min audio mix and 4 videos and also a DIY Bio Organism Pack with download codes and complementary online environment. DEVORM for me is a space to collaborate with others and release those dialogues into new and custom made release formats. The plan for the future is to keep on pushing this method even more and gradually move into DEVORM being more of an art platform rather than just a music label. But this is all long term speaking. For 2018 I am working on releasing a remix version of Ghost Kwini’s recent ep on DEVORM with various artists, and planning to release some audioworks of my own related to my coming graduation work in the context of my masters.

Interview by Nicholas Burman Pic by Pieter Kers

[mthrynn]

For more than a decade the swelling output from life sciences experimental instruments has been overwhelming research computing infrastructures intended to support them. DNA sequencers were the first – instrument capacities seemed to jump monthly. Today it’s the cryo electron microscope – some of them 13TB a day beasts – causing consternation. Even a well-planned brand new HPC environment can find itself underpowered by the time it is switched on.

A good example of the challenge and nimbleness required to cope is Van Andel Research Institute’s (VARI) initiative to build a new HPC environment to support its work on epigenetic, genetic, molecular and cellular origins of cancer – all of which require substantial computational resources. VARI (Grand Rapids, MI) is part of Van Andel Institute.

With the HPC building project largely finished, Zack Ramjan, research computing architect for VARI, recalled wryly, “About 10 months ago, we decided we were going to get into the business of cryo-EM. That was news to me and maybe news to many of us here. That suite of three instruments has huge data needs. So we went back and luckily the design that we had was rock solid that’s where we kind of started adding.” He’d been recruited from USC in late 2014 specifically to lead the effort to create an HPC environment for scientific computing.

Titan Krios

The response was to re-examine the storage system, which would absorb the bulk of the new workload strain, and deploy expanded DDN storage – GS7K appliances and WOS – to cope with demand expected from three new cryo-EMs (FEI Titan Krios, FEI Arctica, and smaller instrument for QC). Taken together, the original HPC building effort and changes made later on the fly showcase the rapidly changing choices often confronted by “smaller” research institutions mounting HPC overhauls.

Working with DDN, Silicon Mechanics, and Bright Computing, VARI developed a modest-size hybrid cluster-cloud environment with roughly 2000 cores, 2.2 petabytes of storage, and 40Gb Ethernet throughout. Major components include private-cloud hosting with OpenStack, Big Data analytics, petabyte-scale distributed/parallel storage, and cluster/grid computing. The work required close collaboration with VARI researcher – roughly 32 groups of varying size – to design and support computing workloads in genomics, epigenetics, next-gen sequencing, molecular-dynamics, bioinformatics and biostatistics

As for many similar-sized institutions, bringing order to storage architecture was major challenge. Without centralized HPC resources in-house, individual investigators (and groups) tend to go it alone creating a chaotic disconnected storage landscape.

“These pools of storage were scattered and independent. They were small, not scalable, and intended for specific use cases,” he recalled. “I wanted to replace all that with a single solution that could support HPC because it’s not just about the storage capacity; we also need to support access to that data in a high performance way, [for] moving data very fast, in parallel, to many machines at once.”

A wide range of instruments – sequencers and cry-EM are just two – required access to storage. Workflows were mixed. Data from external collaborators and other consortia were often brought in-house and had a way of “multiplying after being worked on.” Ramjan’s plan was to centralize and simplify. Data would stream directly from instruments to storage. Investigator created data would likewise be captured in one place.

“There’s no analysis storage and instrument storage, it’s all one storage. The data goes straight to a DDN device. My design was to remove copy and duplications. It comes in one time and users are working on it. It’s a tiered approach. So data goes straight into the highest performing tier, from there, there is no more movement.” DDN GS7K devices comprise this higher performing tier.

As the data ‘cools’ and investigators move to new projects, “We may have to retain the data due to obligations or the user wants to keep it around; then we don’t want to keep ‘cold’ data on our highest performing device. Behind the scenes this data is automatically moved to a slower and more economical tier,” said Ramjan. This is the WOS controlled tier. It’s also where much of the cryo-EM data ends up after initial processing.

DDN GRIDScaler-GS7K

Physically there are actually four places the data can be although the user only sees one, emphasized Ramjan. “It’s either on our mirrored pool – we have two GS7Ks, one either side of the building for disaster recovery in terms of a flood or tornado something like that. If the data doesn’t need to have that level of protection it will be on one of the GSK7s or it will be replicated on WOS. There are two WOS devices also spread out in the same way so the data could be sitting mirrored, replicated, on either side. The lowest level of protection would be a single WOS device.”

“Primary data being – data we’re making here, it came of a machine, or there’s no recreating it because the sample is destroyed – we consider that worthy of full replication sitting in two places on the two GS7Ks. If the user lets it cool down and it will go to the two WOS devices and inside those devices is also a RAID so you can say the replication factor is 2-plus. We maintain that for our instrument data.”

Data movement is widely control by policy capabilities in the file system. Automating data flow from instruments in this way, for example, greatly reduces steps and admin requirements. Choosing an effective parallel file system is a key component in such a scheme and reduces the need for additional tools.

“There are really only three” options for a very high performance file systems,” said Ramjan, “GPFS (now Spectrum Scale from IBM), Lustre, and OneFS (Dell DMC/Isilon).” OneFS, said Ramjan, which VARI had earlier experience with, was cost-prohibitive compared to the other choices. He also thinks Lustre is more difficult to work than GPFS and lacked key features.

“We had Isilon before. I won’t say anything bad about it but pricewise it was pretty painful. I spent a lot of time exploring both of the others. Lustre is by no means a bad option but for us the right fit was GPFS. I needed something that was more appliance based? You know we’re not the size of the university of Michigan or USC or a massive institute with 100 guys in the IT department ready to work on this. We wanted to bring something in quick that would be well supported.

“I felt Lustre would require more labor and time than I was willing to spend and it didn’t have some of the things GPFS does like tiering and rule-based tiering and easier expansion. DDN could equally have sold us a Lustre GSK too if we wanted,” he said.

Zack Ramjan-VARI

On balance, “Deploying DDN’s end-to-end storage solution has allowed us to elevate the standard of protection, increase compliance and push boundaries on a single, highly scalable storage platform,” said Ramjan. “We’ve also saved hundreds of thousands of dollars by centralizing the storage of our data-intensive research and a dozen data-hungry scientific instruments on DDN.”

Interesting side note: “The funny things was the vendors of the microscopes didn’t know anything about IT so they couldn’t actually tell us concretely what we’d need. For example, would 10Gig network be sufficient? They couldn’t answer of those questions and they still can’t unfortunately. It put me in quite a bind. I ended up talking with George Vacek at DDN and he pointed me towards three other cryo-EM users also using DDN, which turned out to be a great source of support.”

Storage, of course is only part of the HPC puzzle. Ramjan was replacing a systems that had more in common with traditional corporate enterprise systems than with scientific computing platforms. Starting from scratch, he had a fair degree of freedom in selecting the architecture and choosing components. He says going with a hybrid cluster/cloud architecture was the correct choice.

Silicon Mechanics handled the heavy lifting with regard to hardware and integration. The Bright Computing provisioning and management platform was used. There are also heterogeneous computing elements although accelerators were not an early priority.

“The genomics stuff – sequencing, genotyping, etc. – that we’ve been doing doesn’t benefit much from GPUs, but the imaging analysis we are getting into does. So we do have a mix of nodes, some with accelerators, although they are all very similar at the main processer. The nodes all have Intel Xeons with a lot of memory, fast SSD, and fast network connections. We have some [NVIDIA] K80s and are bringing in some of the new GTX 1080s. I’m pretty excited about the 1080s because they are a quarter of the cost and in our use case seem to be performing just as well if not a little but better,” Ramjan.

“I had the option of using InfiniBand, but said listen we know Ethernet, we can do Ethernet in a high performance way, let’s just stick with it at this time. Now there’s up to a 100 Gig Ethernet.”

In going with the hybrid HPC cluster/cloud route, Ramjan evaluated public cloud options. “I wanted to be sure it made sense to do it in-house (OpenStack) when I could just put it Google’s cloud or Amazon or Microsoft. We ran the numbers and I think cloud computing is great for someone doing a little bit of computing a few times year, but not for us.” It’s not the cost of cycles; they are cheap enough. It’s data movement and storage charges.

Cloud bursting to the public cloud is an open question for Ramjan. He is already working with Bright Computing on a system environment update, expected to go live in March, that will have cloud bursting capability. He wonders how much it will be used.

“It’s good for rare cases. Still you have to balance that against just acquiring more nodes. The data movement in and out of the cloud is where they get you on price. With a small batch I could see it being economical but I have an instrument here that can produce 13 TB a day – moving that is going to be very expensive. We have people doing molecular dynamics, low data volume, low storage volume, but high CPU requirements. But even then latency is a factor.”

System adoption has been faster than expected. “I thought utilization would ramp up slowly, but [already] we’re sitting at 80 percent utilization on a constant basis often at 100 percent. It surprised me how fast and how hungry our investigators were for these resources. If you would have asked them beforehand ‘do you need this’ they probably would have said no.”

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