#mathilde froustey

[strechanadi]

Mathilde Froustey, Mathieu Ganio

Ivan Le Terrible

photo

[beakyinsight]

Mathilde Froustey

Paris Opera Ballet

[itslegribou]

Fanny Fiat, Myriam Ould-Braham, Mathilde Froustey et Dorothée Gilbert dans Le Lac des Cygnes de Tchaïkovsky, chorégraphie de Rudolf Noureev, Opéra de Paris, 2006.

[enchanted-keys]

Mathilde Froustey and Carlo Di Lanno in Helgi Tomasson's Romeo and Juliet (San Francisco Ballet)

[galina-ulanova]

Mathilde Froustey and Carlo Di Lanno in Romeo and Juliet (San Francisco Ballet)

[lagrenouillere]

[balletroyale]

Mathilde Froustey in Don Quixote (San Francisco Ballet)

[books0977]

Mathilde Froustey and Tiit Helimets in Tomasson’s 7 For Eight, San Francisco Ballet, January 2016. © Erik Tomasson.

Tracing Balanchinean shapes in soft lines, it expands on classical vocabulary with flowing transitions, torqued épaulement and far-reaching lunges and extensions. Tiit Helimets and Mathilde Froustey were a potent match in the spotlit opening adagio; they match well with their long limbs and cool affect.

[michaelshortphotography]

San Francisco Ballet principal dancer Mathilde Froustey and Michelin-starred chef Mourad Lahlou cover shoot for the SF Chronicle’s Style section.  February 2019.

[hipyoungkid]

[tutu-fangirl]

Mathilde Froustey in La Bayadere

[patrickrabbit-blog]

[tanaquilleclercq]

San Francisco Ballet’s Mathilde Froustey and Joseph Walsh in Alexei Ratmansky’s “Seven Sonatas.” photo erik tomasson

[enchanted-keys]

Mathilde Froustey and Carlo Di Lanno in Tomasson’s Romeo and Juliet -  act 1 Balcony pas de deux (San Francisco Ballet)

[galina-ulanova]

Sarah Van Patten, Mathilde Froustey and Ulrik Birkkjaer in Cathy Marston’s Snowblind (San Francisco Ballet, 2018)

[balletroyale]

Giselle: Act I vs. Act II

Mathilde Froustey and Tiit Helimets (San Francisco Ballet)