#mel love death and robots

[superiortrash]

I need her

[pedroam-bang]

Love, Death & Robots: Suits (2019)

[ratatattouille]

Why Arcane's Finale Fumbled Pt. 2

In my last post, I argued that Arcane's second season was artistically beautiful and thematically cheap. I broke down where I believed the writers fumbled with Vi's, Jinx's and Viktor's characters, and how the conflict of season 2 should have centred around a war between Piltover and Zaun rather than Piltover/Zaun against Ambessa and cosmic robots. I asserted the the real let-down of Season 2 had to do with its themes and its refusal to commit to the political story it had set up.

Well, folks, on further examination, it actually looks worse than I thought, and I'm going to use two characters--Silco and Mel--to break down what makes the message of Arcane so hollow and even a little dangerous.

Let's get into it.

Silco: The First Proposition

Silco and Vander:

Silco is a character CENTRAL to the themes of Arcane. The setup of the entire drama of the show, the central theme, are these questions: what is the price of progress and are we willing to pay it? Should we pay that price? Or as Silco says it quite bluntly to the first kid we see him give shimmer to: “Real power belongs to people who are willing to do anything to get it.” This story isn’t merely about ambition, but a dialogue on what actual progress costs and looks like. What does a better world look like? Is the better world we’re fighting for better for us or others? And what (or who) are we willing to sacrifice to achieve that goal? Vander, when faced with that question on the bridge answers, “No dream is worth the loss of those we love.”

The death on the Bridge of Progress during the early war/conflict had too high a cost to Vander. Silco, however, “had enough.” Unlike Vander, what happened on the Bridge of Progress radicalized him. Silco, while being drowned by Vander, realized in that moment that he would do anything, not just to live, but to achieve his dream of a free Zaun. With or without Vander. Even if he had to sacrifice Vander. And we soon see, that while Vander dedicated the rest of his life to keeping the vulnerable in The Lanes safe (even if it meant making deals with enforcers), Silco was willing to throw citizens of The Lanes to the wolves on his way to achieve independence for Zaun. Silco calls it, “The necessary violence for change.” And in this episode (3 of Season 1) Silco sets forth a proposition for the entire show: does the path to a better world require violence?

Silco and Sevika:

Silco’s new approach to crossing the bridge of progress, the path to freedom is winding and twisted. Silco embraces that, because only the goal matters: an independent Zaun. Silco won’t be at the mercy of the Council or anyone in The Lanes, and Sevika is into that shit. We saw that she percieved Vander as weak and servile to enforcers. Who she deems abhorrent without remorse (Vander and Grayson are both despised by Sevika and Marcus because they are percieved as being too lenient with their enemies). Silco, however, has an ACTUAL plan.

He creates a shimmer enterprise because having this control not only gives him a monopoly on The Lanes (and the gangs within), but leverage when it comes to manipulating the Council. Violence and the threat of war are the official languages of both Zaun and Piltover. It is how anyone bothers to listen to Silco both in The Lanes and within the Council. We know that the rich Piltovians (like those IRL) only speak money. “Progress” to them is prosperity and legacy (and I’ll get more into that later).

By creating the shimmer enterprise, Silco not only gets his foot in the door, monopoly over the other gangs and factions (thus uniting them), but a metaphorical seat at the table. His name has weight now, which positions him to make demands of Piltover and give Zaun a thriving industry (at least when it comes to money). Especially because (as we see with Salo and Lest) shimmer is also used by the elites. Silco is a brilliant tactician who exploits the hubris of Piltovians (like Marcus, who wanted to be in charge so he can neuter Zaunites indiscriminately), and manipulates them to his own advantage (much like Mel). But when Renni’s son is killed in the mines, Silco’s proposition is confronted once again: isn’t it easy to justify necessary violence when no one you love is the collateral?

Silco doesn’t care about Renni’s son, doesn’t see himself as remotely near Renni’s position. When Twitch calls Jinx his “dog” (something Sevika herself wanted to do lmao), Silco gets twitchy. He doesn’t recognize any similarity between his relationship with Jinx and Renni and her son. Jinx is not someone he would ever consider as up for debate. Which was the point of tension between him and Sevika (a Sevika who’s loyalty he KNEW he needed in order to keep control, especially in the wake of Jinx’s volatility and unpopularity). Nevertheless, Sevika doesn’t betray him in that moment, because she still sees Silco as stronger (even though she believes Jinx is a weakness he needs to get rid of). As with Vander, Sevika views affection for their own at the cost of freedom as weakness.

Yet, funnily enough, she is fiercely loyal. She, like Jinx, is Silco’s “dog.” She shares his weakness, the weakness that makes her zealous for a better world in the first place. But what Twitch and Renni pose to both Silco and Sevika is the unsettling question of: are you really willing to go far enough? Or do you still see yourself as an exception? Regardless, when it comes to Silco’s proposition, Silco WAS SUCCESSFUL (and also accurate in his deductions on what would get both cities to respect him and eventaully give him what he wanted - Zaun). His determination and focus paid off, indeed, it’s hard to see how he could have been successful without the “necessary violence”. It is clear that he wouldn’t have. No shimmer, no independence. Silco, for all his gruesome methods, WAS RIGHT. Except . . .

Silco and Marcus:

By exploiting and manipulating the vulnerable of The Lanes, Silco also ensured he would suffer the same fate as Marcus. Unlike Silco, Marcus did horrible things to protect his daughter. Marcus, at first, had started out as a zealous enforcer, eager to clean out the rats of The Lanes. Although he didn’t plan for Grayson to be killed, he was willing to get rid of her in order to ensure that he would get into a position that allowed him to do what he wanted to do: exterminate rats and be the hero of Piltover.

Silco offers him bodies for Stillwater in exchange for ease of shimmer distribution. Silco is willing to sacrifice his own people, the people Zaun is ironically for, in order to gain influence in Piltover. Silco, however, did the opposite. Because he loved Jinx, he recognized her deepest insecurity and sought to assuage it (inadvertently weaponizing it against her and those who loved her). He let Jinx get close and gave her responsibility so she could feel like she belonged (he let her drug his eye, a delicate process, while she was still thought of as reckless and untrustworthy). He brought her deeper into the heart of the violence and taught her to embrace it. He made her a child prodigy of warfare.

He takes a different approach to Vander (who kept telling the kids to stay out of trouble where they could and used himself as a buffer). So was Silco wrong? Was Vander? The answer was, quite poetically and profoundly, their deaths and the resulting silence. Both died, more or less, at the hands of their daughters. This is something overlooked often by fandom. It was Vi’s choice to lead her brothers and sister into Jayce’s apartment that would eventually bring the enforcers down to The Lanes, sparking the chain of events that would lead to Vander’s death (or had things gone “well,” his arrest). Vi is also how Powder got the arcane stones in the first place. Vi’s encouragement (well-meaning and innocent as it was) played a hand in the disaster that followed.

But the fact that both Vander and Silco die regardless, paints an excellent portrait of the constraints of oppression. Both tried different methods when it came to rearing their daughters. Both methods got them killed and thrust their children into peril. Vander could only have shielded Vi for so long, and Jinx could only have taken so much so young before she broke down completely. The fate of the girls is not merely their fathers’ fault, nor their sister’s. The tragedies of their lives happen due to the simple fact that they were born in The Lanes. No choice, on either Vander’s, Silco’s, Powder’s or Vi’s mattered in the end.

They were always playing a losing game, which is what makes it so fucking INFURIATING when S2 comes along and suggests that “ACKTUALLY the reason everyone’s happy in Ekko’s AU is because Vi died/hextech was no more/Silco and Vander made up).” All of those were symptoms of the bigger issue, not the issue itself. And that is the horrible irony of Silco’s story. He WAS right. But his folly was viewing himself and those he loved as exceptions to the rule. For when Zaun demands the final price, when Jayce asks for Jinx in exchange for his dream being realized, he isn’t willing to pay anymore.

Marcus only crossed the bridge of progress into Zaun for the sake of his daughter (as is shown in a chilling scene where he finds Silco playing with her in her room). Likewise, when Silco FINALLY finishes, after all those years, his march on The Bridge of Progress, like Marcus, he dies in a swarm of bullets. But unlike Marcus, he is afforded time to tell his daughter, “I wouldn’t have given you to them. Not for the world.” Not for his dream. So what did Season 2 do with that?

Summary of Fumblings:

-I’ll tell you what Season 2 did. Season 2 took the biggest shit on one of the most fascinating characters in animated history. The reason I didn’t put that much critique up there was to show you how complex, layered, deep and thoughtful Season 1 was with Silco’s character. Silco in S2 became a cheap gimmick flung in our faces like the marketing team was trying to sell Silco plushies following the release. His back-story in Season 2 clashes horribly with Season 1. If Vander, Silco and Felicia were such chums back then, why did neither Silco nor Vi recognize each other when they met in Season 1? They were quite grown by the time the March on The Bridge of Progress happened. Honestly, there’s too many mistakes and inconsistencies with how Season 2 handles the backstory I don’t even see a point in getting to it

-(excerpt from one of the writers) I can't BELIEVE MY FUCKING EYES! Silco’s respect for Vander, despite the fact that Vander tried to drown him (most likely after the carnage on the Bridge of Progress where Vander realized the cost of war), was that Vander remained dedicated to Zaun’s independence, at least, until he began prioritizing the safety of the children over Zaun’s freedom. Silco’s respect for Vander had never been a goal or motivation. Silco never expressed any desire to be respected by Vander. He merely expressed respect, ONLY because Vander, up until he became the enforcer’s “lapdog,” shared his pursuit of a free Zaun. Silco killed Vander for the same reason Vander tried to drown Silco: they had become a threat to what they held dear - Silco, his pursuit of Zaun, and Vander the safety of his adopted children.

-”We build our own prisons. Bars forged of oaths, codes, commitments.” This conversation is SO FUCKING—rips into mattress and pulls out stuffing Jinx hallucinates Silco from within the cell she’s in at Stillwater, maybe the same one Vi had been in. Silco starts off saying something like “It’s funny how Marcus thought putting Vi in this cell was a greater mercy than killing her,” cluing us in to not just Jinx’s mental state but the very real torment it must have been for Vi as a child as well. SO JUST TO RECAP, WE ARE TALKING ABOUT THE PRISON OF THE CYCLE OF KILLING AND VIOLENCE, OKAY. In addition to that already horrible quote above, Silco says, “. . . and it will continue, long after the two of you.” So, folks, IN CONCLUSION, this cycle of violence (which I have already established like a fucking broken record is EXPLICITLY started and perpetuated by Piltover) is eternal and inevitable. Just let that fucking sink in. Let it settle nice and sour in your gut and then tell me how that GERD feels. Not only is that an appalling thing to suggest about any oppressive regime, it’s also untrue. Yes, humanity has not gone a decade without some form of conflict and struggle, but individual societies have been PROVABLY capable of both progress and regress. Both of which require the agency and active participation of others. And Arcane seems to want to show that progress is indeed possible, but it has already declared it, to some extent, a pointless pursuit in this conversation. Which is it, Arcane S2 writers? Is progress worth striving for, or is it pointless? “Oh my god, you’re so dumb ratatatouille!” you say. “Of course they answered the former! Duh! In Ekko’s monologue when Jinx is trying to kill herself, he tells Jinx that someone special once told him that no matter what happened in the past, it’s never too late to build something new - someone worth building it for.” GREAT! DELICIOUS, EVEN! Now why is it that Ekko says this instead of Silco? Why isn’t this something Silco would say, given that this was the entire point of his and Vander’s story? That this is what his arc embodied and explored? “You’re so silly! Obviously Silco is a hallucination!” The show explicitly frames Silco as RIGHT and tries to tie in what Silco says with what Ekko says. More sympathetic viewers will say that since Ekko discovered that Jinx was never the problem, that hextech was, and that Jinx was actually the path towards progress - a path Silco had walked so she could run - Ekko approached her as someone he could finally save (and oh boy am I going to get into why that doesn’t work AT ALL later). Is is not Jinx, but the hextech, the ARCANE, that is dangerous. The hextech is the true jinx. It is what will keep the cycle going. That’s why Silco holds the arcane stone near his eye like that in the scene.

And to that I say . . . WELL THAT’S FUCKING STUPID. I don’t care that “Arcane” is the title of the show. It is the cheapest story gimmick I have seen since vibranium, except vibranium REMAINED a plot device and didn’t usurp the theme or political/interpersonal conflicts in Black Panther. Hextech was a PLOT DEVICE meant to be used to explore the themes which became the ENDPOINT. And this story SUFFERS SO MUCH from that simple change. This is why most critics of season 2 say the story should have remained focused on the interpersonal and political reasons characters did what they did, rather than siphoning all their stories into a mission to stop the evil, mystical stones. It is a fucking stupid distraction in S2, where in S1 it had been a beautiful metaphor, a fragment of a mirror that the characters held up to examine their faces.

But by claiming the cycle was the hextech all along, you just shat on everything that made S1 good.

Which brings me back to what Ekko tells Jinx, that she can still build a better world for the people she loves (like Vi, I guess). That’s why she comes back to help her sister. She cuts her hair (a symbol of letting go of the past) and joins Vi to defeat Ambessa and evil Viktor. This is treated as some kind of continuation (or the true point) of Silco’s “ending the cycle” speech. By letting go of Vi (literally) and Silco (also literally), she can finally . . . er . . . stop “running in circles.” So the show tells us she is BOTH supposed to fight one more time to achieve an autonomous Zaun AND fuck off to a new land to escape said cycle—which, what was the POINT of fighting if she still had to “escape” it in the end anyways?

NO S2 HALLUCINATION SILCO, JINX AND VI DID NOT BUILD THEIR OWN PRISONS. THEY SURVIVED THE CAGES THEY WERE PUT IN AS CHILDREN AND THEY DESERVED BETTER THAN THAT GODAWFUL DUMBASS SPEECH.

Do you see why this writing is so horrible? It contradicts itself so many fucking times, no matter how you splice it. Whether it’s about the cycle of violence being the fault of unforgiveness or hextech. None of it makes any sense because none of it was ever established in season 1 as being the cause for any of those things. And by even SUGGESTING that either or both of those could be the cause, the writers send us two very troubling messages: oppression is inevitable and also, somehow, the fault (rather than responsibility) of the oppressed. Actually no, I think the suggestion from the writers is even stupider: oppression is an option and you can opt in or out.

And that is the ultimate insult to Silco’s character and what he did for the story of the show.

Mel: The Counterpoint

Mel and Jayce:

Mel is Silco’s thematic counterpoint. In the story, Silco proposes that progress costs some “necessary violence.” Mel is faced with this same question as a child, when Ambessa presents her with the last remaining heir of a nation Noxus had conquered. Ambessa asks young Mel if they should kill or spare the girl. “Kino says war is a failure of statecraft,” Mel had said, when her mother told her about how her father had made her retrieve knives on the battlefield at ten so she’d know death. War, Mel is sure, is REGRESS not PROGRESS. It is the breaking down of the state, not the making of one. It’s obvious to Mel that sparing this girl, who looks about her age, is the progressive, less barbaric thing to do. Yet Ambessa insists, “Your brother thinks he can talk his way out of anything,” Likening him to being a fox among wolves when a good ruler needs to be both. To which Mel goes on to describe the kind of ruler the new conquered kingdom will need. A woman “with a kind, fat face to charm her subjects”, but moldable, to which Ambesaa basically says “So basically you? Cool. I’m down, but you have to prove yourself to me. Prove you can take it.” This is when Mel is presented with the ultimatum: choose to spare the girl or kill her. “We can show the people we are merciful,” she pleads on behalf of the girl. But Ambessa is firm. If Mel kills her now (a symbol of the old “regime”), she won’t (maybe) have to deal with any uprisings and kill thousands.

But Mel doesn’t swallow this poison, insists that diplomacy is the superior way, and is banished to Piltover, where she undertakes the task of proving herself. She tries to become the fox. She uses her kind, fat face to charm the Councilors of Piltover and utilizes Jayce to use hextech for Piltover so that her work in the city becomes impressive, cements her legacy as a Medarda, validates her as one of them, and ALSO proves her mother wrong, thus liberating herself from her mother’s cycle of violence and re-instating her rightful station as a worthy member of the Medarda clan.

But it’s not JUST that, though. Jayce’s enthusiasm to improve the world with hextech inspires Mel and validates what she felt so strongly as a child that Ambessa staunchly denied. When Jayce shares his dream with her, she goes all soft and says, “We’re (the Medarda’s) not often in the position to give back.” Which is . . . funny, lol. I think she was talking about herself rather than her entire family. Anyway, to Jayce, Mel was the one who gave him a second chance. He and Viktor wouldn’t have gone anywhere without her help. Jayce is likely the first person she’s felt capable of helping (especially outside Ambessa’s shadow), and likewise, Mel makes Jayce feel indominable (remember: “Nothing feels impossible when I’m with you”). Jayce makes her feel good about herself, hopeful that her ways can work. After all, being the fox has worked for Jayce and Piltover.

But Mel isn’t just the fox, and not for the reasons S2 thinks. Why? LONG before Ambessa sets foot in Piltover, Mel receives a letter from a correspondent overseas. She despairs that Jayce is not ready to be the success she needs him to be. Even after he confides in her about Viktor’s illness, to her it is not a personal loss. Like no matter what the meljayvik or melvik shippers say, Viktor and Mel DID NOT GIVE A FUCK ABOUT EACH OTHER OUTSIDE OF JAYCE. Jayce wants to uphold his promise in helping Viktor, the man who saved him from his own death (AND TRUST ME, WE’LL GET TO THAT) but Mel wants Jayce focused on keeping her investment and legacy IN PILTOVER safe from Ambessa.

So what does homegirl do? She manipulates Jayce into creating hextech weapons. The reason she moves for a vote to make Jayce a councilor on Progress Day is in light of Jinx’s attack. The councilors are worried that someone in the undercity got their hands on hextech and can use it against them. Jayce, feeling responsible for the situation (and that probably having something to do with Caitlyn nearly dying in the attack), proposes to pause all hextech developments until the threat is neutralized. Instantly, we see Viktor’s and Mel’s reactions—panic. Both are running out of time. Mel to make Piltover a success (in that it is able to defend itself from Ambessa), and Viktor to help those dying in The Lanes. So Mel proposes Jayce become a councilor instead.

We next see her examining Jinx’s bomb with Viktor and Jayce. Jayce asks Viktor if it’s possible that Jinx could create something resembling hextech. Viktor, who is busy marvelling at Jinx’s ingenuity and feeling a little proud of his people, says very confidently that “It’s a leap.” Meaning it’s far away from what Jayce and him are developing. But Mel needs SOMETHING to intimidate Ambessa. That, or she recognizes the undercity as a real threat to her dream of progress and prosperity. Legacy. The undercity is ugly and she wants to neutralize it before she loses her chance. Regardless, here, we see her make the choice to be the wolf. The relentless and unmerciful. Focused and driven by her ambition. She will be a Medarda, unlike last time. Armed and prepared. When Jayce asks if she knows for certain that Zaun intends to turn the gemstones into weapons, Mel says, “That doesn’t matter. We’ll assume,” which pisses Viktor off. But then she performs the ultimate manipulation on Jayce. She uses Jayce’s care for the Kirammans and Piltover to convince him that it’s necessary to “protect your people” which, Viktor can tell, does not extend to the people of the undercity.

Once again, Mel is demonstrating that she doesn’t see Zaunites as people. She barely acknowledges Viktor when he protests, saying “That’s not what we invented hextech for!” She merely looks at him, then looks back at Jayce and talks to Jayce. She repeatedly ignores Viktor, talks over him, as if he isn’t there. Doesn’t matter. After all, Jayce is the only one in Piltover worth her time. Piltover is her project, not the dirty undercity. Mel had already sown the seed for Jayce’s rampage by the time Ambessa showed up.

“Stay away from Jayce!” she says, and yet Mel is what brought Ambessa close to Jayce both physically and ideologically. For hextech and Piltover (the City of Progress) to be safe, Jayce has to commit some “necessary violence for change.”

This isn’t only Ambessa’s fault, but Mel’s and Jayce’s errors as leaders. By neglecting the undercity, Jayce fails to see how his innovations could be weapons until it's too late. Mel is also so focused on Ambessa as a threat that she neglects the threat of the undercity, a place that only became a threat because of YEARS of failed state-craft.

Jayce acquiesces to Ambessa's rhetoric since the attack at the bridge, and proposes to the other council members to go into The Lanes with force, which they are all (including Mel) hesitant to do. But then Jayce goes ahead anyways, and kills a kid (which we’ll come back to), and he not only regrets it, but does a 180 and returns, like Mel, back to his core values — peace and progress over prosperity or legacy. He makes a deal with Silco and then goes and tells the Council what’s up. Mel, now utterly convinced of her position, is the first to cast her vote in favor of an independent Zaun, and removes the Medarda ring while she does so, signalling her disdain for all the clan represents. Not only that, but she smears gold over the Noxian ships in her painting, which her mother correctly reads as a rejection of Noxus and an embrace of the Piltover her and Jayce want to build. Mel does not anticipate the attack, and Mel, in the last frame of the finale of Season 1, is the first target of Jinx’s bomb, the first councilor it was going to hit while her back was turned to it.

Mel and Viktor:

Mel’s parallel with Viktor is interesting. Mel’s interest in hextech (and initially Jayce) are to her own ends, later becoming altruistic (Viktor’s interest in Jayce also starts as an interest in his theories although his motivations were altruistic from the start). Jayce reminded her what she wanted to be in the first place. That her family name, like Jayce’s was to his, was a ball and chain around her neck. Holding her back from true progress. From a better world. A better legacy. Viktor comes from nowhere-land. Viktor doesn’t have a family legacy to inherit. Viktor is a Zaunite. And soon, much like Viktor, Mel is going to have to work hard to create her own legacy. Both Viktor and Mel are sort of outsiders in Piltover. As is shown in S2 with Salo, Piltover, the Fake City of Progress, has no accommodations for the disabled, which makes Viktor stand out like a sore thumb (also, Viktor is the one who made his own leg brace). Mel is a foreigner who has to make a name for herself before she can latch onto the Medarda title. Viktor wants the city to be good, while Mel wants the city (and herself) to look good by matching the strength and prosperity of Noxus.

This is why Viktor gets so sassy with her lmao. He sees through her manipulations and notices that she is pulling Jayce away from what they’d set out to do together (he is also annoyed at how easy it is for Jayce to forget). Mel is the one who tells Jayce it would be wiser to let the council members get away with their criminality (all while cracking down on The Lanes), which makes them wealthier, something that pushes Jayce deeper into his own prejudices against Zaun, where he starts seeing himself as primarily a caretaker of Piltover rather than hextech, as a councilor rather than a scientist, and it jeopardizes his relationship with Viktor.

But Jayce helped her re-connect with the values all three of them shared deep down. The desire to help people and make the world a better place. After the bridge massacre, Mel wants to put her charm and diplomacy to good use, and she does so in the Council Room when she votes for Zaun’s independence.

But here’s where the FUMBLE happens. In S2, we see that Mel’s magic seems to have shielded Jayce and herself, but not Viktor. Not only that, but it’s hinted that Viktor’s magic is resistant to her touch. We don’t get any answer as to why that is (although I’d like to think that was Viktor being petty even while unconscious). This is especially weird since the arcane is alluded to be where the mages get their power (and isn’t it convenient that Viktor became a mindless war machine controlled by the corrupted/corrupting arcane instead of a mage when we see that in other universes he is indeed a mage already?). Not only that, but Viktor can clearly “touch” her magic through the puppet, later on.

Jayce keeps asking her why he was spared and Viktor wasn’t, and Mel, once again, cannot answer him. She knows that her magic protected her and Jayce, but once again, Jayce is lowkey asking why all these horrible things keep happening to Viktor instead of him. Why he is spared instead of Viktor. Unlike Mel, I have an answer. The answer IS PRIVILEGE JAYCE NOT THE FUCKING ARCANE AND THE MYSTICAL NATURE OF MAGIC OR SOME UNKNOWN FORCE OF FATE. Viktor’s tragedy was something that could be helped by both hextech and just Piltover not being a bunch of fucking asswipes. Viktor’s “bad luck” was actually just piss poor governance, or as Kino would say, “a failure of statecraft.” When Mel forsook her original ideals in order to pursue her mother’s acceptance and her family legacy, she did what all the other council members did: make themselves comfortable in places of power at the expense of the oppressed. In order for her to reclaim herself, she had to abandon Noxus and her dream of returning or belonging to the Medarda Clan. Mel has to choose between her family’s legacy and her own longing for progress and dedication to mercy over violence.

Mel and Ambessa:

While Jayce has to fight Victor (who is really now reduced to just another weapon Jayce created that’s gotten into the wrong hands - and more on THAT later), Mel’s task is facing down her mother. By removing the context of oppressed/oppressor inherent to the Piltover/Zaun dynamic, we fail to explore S1’s setup for Mel. IT SHOULD BE NOTED that the reason diplomacy worked for Mel and not Silco was because of their differences in power. When Viktor tells Jayce “There is always a choice” after Jayce expresses his doubts regarding what Mel said about the Zaunites making hextech, Viktor was talking about Jayce’s choice. Mel’s choice. Mel could have chosen to be diplomatic, even with the threat of Jinx. But instead she forsook her ideals in pursuit of her desire to become a Medarda and, like her mother in her dream, preferred to eliminate the threat rather than integrate (Zaun). Even if she back-tracked by the time her mom came back.

Mel has to face the fact that, like Jayce, she betrayed her values and initiated something horrible: the war she’d always dreaded and despised. Mel is why Ambessa heard of the weapons in the first place. But S2 doesn’t focus on this at all. It barely acknowledges it. Instead, Mel is sucked into the Black Rose and told she’s a mage and that her mother must die for the sake of nameless nations the Black Rose mentions. You see, Ambessa is a scapegoat. An excuse to halt and dissolve any meaningful discussion on Piltover’s (and Mel’s) hand in the plight of The Lanes.

By making Ambessa the big bad, the council members and other Piltovians complicit in Zaun’s desperation get a free pass. Both in the show and by fandom. In fact, Mel can now be regarded as a hero (one of the GOATs of Arcane, if I recall) for killing Ambessa, then being christened the wolf by her mother. We don’t have to reckon with the fact that for most of the time she ignored Zaun, and that when Zaun got her attention, her first instinct was to weaponize Piltover, saying, “The peace was already broken.” And I’m pretty sure the reason she did this was LARGELY for ambition, because not more than an episode later, she’s backtracking, insisting that Jayce doesn’t know war like she does, that they should simply give Silco what he wants.

So Viktor was right. She wasn’t forced to create hextech weapons. She wanted to do it for her own gain. And Jayce rightfully gets mad at her in S2 when he recognizes her manipulations (even if he himself was complicit). He does, however tell her that “No one can control you and you’ll never be a passenger.” Once again affirming her incredible power—only this time, the focus is magic and not her political prowess. AND ISN’T IT CONVENIENT THAT MEL “DOESN’T UNDERSTAND” HER EMPATHIC POWERS SO SHE CAN BE TECHNICALLY EXCUSED FROM HER DECISIONS IN S1? HOW COOL IS THAT?!

Lmao when Mel starts lecturing her mother in the finale with “Mother, look at the price of your ambition,” it’s like . . . okay? You exacerbated this war long before your mother, girl. You were the one on the council for YEARS before she arrived. Mel, like Caitlyn, gets to play saviour while barely taking any credit for the fact that she was largely responsible for where Zaun and Piltover ended up (sis literally determined council votes singlehandedly). When Mel stands on the other side of the Bridge of Progress, she sees a trail of violence. She decides to cling even more firmly to her core values. Silco was right, but so was Mel. You see, diplomacy wouldn't have worked for Silco, but it could work for Mel, because Mel had power.

Summary of Fumblings:

-And what was that, “(Piltover is) the city I built for my family” BS? By the end of S1, it is clear that Mel wants NOTHING to do with being a Medarda anymore. She wants to keep Noxus and Piltover SEPARATE. So why does she tell her mother, “You will never be a Medarda” as some kind of gotcha? Lmao, like why tf does that matter? How would she know? Why would she care? Other than her and Kino, what other benevolent Medardas are out there that makes her say this?

-The Black Rose warns Mel of Ambessa’s “thirst for legacy” (much like Mel’s) leading to a worldwide calamity. Mel wants to imagine that her mother prizes her own children over her pride, but the Black Rose insists that’s not true. That Ambessa is willing to sacrifice her children for more power and legacy. We do understand, however, that when Ambessa is confronted by the Black Rose, she is resorting to hextech so she can avoid using Mel (”she’s safer as our enemy”). AND THAT WOULD MAKE SENSE IF THE THIRD ACT ACTUALLY ACTED LIKE IT. How is Mel going to be this really great weapon that Ambessa doesn’t want to use because she loves her (which like, why didn’t she love Kino then if it wasn’t about magic?), but also simultaneously SENT AWAY TO A DISTANT LAND OUT OF HER WATCH? So now she’s hiding Mel, but she wants to pursue the arcane that is waking her mage-ness up and making it impossible for Mel to hide? Ambessa was literally there in the council room in the aftermath of the explosion. She knew Mel had used magic to protect herself and Jayce, but she didn’t do anything? Say anything?

Now most of this is clearly setting up another story in Runeterra (which means my criticism will ultimately be left to conjecture), so I’m going to focus instead on her last words to Mel: “You are the wolf.” The wolf being a symbol (at least in callback to season 1) of ruthlessness and fearlessness: the opposite of mercy. Why does her mother say this? Because Mel finally made a kill? Or because she killed to protect what she built? Finally embraced her power? Yeah, let’s go with that last one. Mel’s development in S2 becomes one where we focus on the power she’s always had, both magical and influential. Yet the show focuses more on the cool magic part than the rammys of Mel’s decisions in S1. It ignores her political power and frontlines her magical abilities, even making her political prowess partly due to her magical empath powers . . . like . . .

-Mel had dislodged her legacy from the Medardas by the time S2 rolls around. . . except no she hasn’t. In the end, Mel is sailing back on the Noxian ships she painted over, and she is doing so as the new Warlord (even wearing what looks like her mother’s cape) because she is the badass wolf, the leader that her mom wasn’t. And how did she achieve that power? Magic. Why does she want to go back? To reform the Medarda name? To take on the mission her mother couldn’t finish against The Deceiver? Because Jayce is dead? Who even cares at this point, this is mainly happening for the spinoff. It isn’t illogical, it’s just the least interesting approach to her character. Mel had much more agency in S1, and her political prowess made her formidable. But that doesn’t matter anymore.

-Her whole arc in S1 was all about her finding the courage to leave the Medarda name behind in pursuit of true progress, but then she kills her mother and sails away from Piltover, the city she fought to protect and killed her mother for and is all about probably reforming the Medarda name—and that’s her job done? Is it me, or is that a reversal of her—pardon the pun—progress? Also, she grew up in Piltover, it must be more of her home than Noxus ever was. Not only that, but making Ambessa go from an imperialist tyrant to this woman bravely fighting against a larger, more powerful threat cheapens what Noxus represented for me. Sometimes conquerors do be conquering, and they make threats up to justify their greed. Not the other way around. It’s not too egregious, but it would’ve been nice if the Black Rose had been more of an epilogue thing.

-sigh I know I’ve said it before but it’s because it’s true . . . the conflict should have remained between Zaun and Piltover and Ambessa was a cheap way out of what S1 was building up

-Ambessa was not who Mel needed to physically defeat, but someone she needed to ideologically defeat. And we don’t see any of that. By the time Ambessa calls Mel “the wolf” it’s hollow, because it’s about Mel being a more powerful combatant than a wise ruler. In this moment, her “foxness” is about how she figured out the “deception” of the Black Rose and not how she outmaneuvered her mother politically. Perhaps it would be epic if we knew what the fuck she meant by “I see your face deceiver!” and then super sayan-ing out of nowhere. Her not having mercy on her mother is about being a Medarda, a question that wasn’t the focus of season 1, merely a catalyst. Becoming a Medarda was the goal Mel had, not the need. She needed to learn how to rule. Instead, she learns how to kill. And then she’s off to her home in Noxus as more of a soldier and spy than a queen. 

Which likely means two things:

-S2 got bored of Mel and just gave her cool reflective powers to make up for it. Making every interesting development about her character happen off-screen, in the writers room, or on another show.

-S2 was deliberately trying to communicate that it sided with Ambessa. That violence and combat, war, is not merely a failure of state craft, but necessary or inevitable to political growth. That militarism is the only thing that can answer militarism. That the only way to ensure the progress you make is secure is arming yourself. Even though this topic has some grey areas, Arcane explicitly picks a side by narratively using Ambessa to justify Piltover’s weaponization of hextech.

i know fandom has a lot to say about Mel being a “strong-black woman” character, but as a black woman myself, I hated how they stripped her of what made her such a strong, enigmatic presence in S1. Her prowess, her wit and cleverness. Her sheer intellectual power made her so FORMIDABLE.

She’s just a lost, hurt uwu little puppy for most of S2 before she’s given her US government assigned Avengers superhero uniform.

Mel in Act I was already using Lest to spy and we almost got a good story then—POOF!—Black Rose.

-Mel’s contribution to the development of hex-tech every step of the way is completely ignored. Instead Viktor and Jayce take full responsibility.

Conclusion:

Mel and Silco's arcs both ask: is violence necessary for progress? Both answer yes, but Mel's remains a little unsatisfactory. Because Mel had a choice. She had power. Power that Silco was willing to do (almost) anything to get. Both Mel and Silco's presence in S1 were formidable, and what made them so intriguing was there thorough understanding of people, both the good and the bad. But in S2, at least for Mel, what made her such an agentive character is thrust aside for spinoff hype. It's not that it isn't cool, it is. It's just one of the things that made S2 feel not only chunky, but disconnected from the roots of its story in S1. Both Silco's and Mel's characters in S2 reveal a very poor (or troubling) view of oppression, power dynamics and politics.

Anyway, that's just me. I was gonna do Ekko, Caitlyn and Jayce as well, but this post got too lengthy. I'll probably need to whittle it all down later. I've already cut so much.

[anotherdragon]

SPOILERS for like every jrwi campaign but they just love having one pc who is a spy/traitor/not what they seem its like a pretty consistent thing in most campaigns. riptide? jay is a navy spy. prime defenders? there's the whole thing they set up with ashe working with his dad behind the rest of pd's back. apotheosis? the original plan was that all of the characters would turn on each other and fight to the death because they all had such conflicting interests (though specifically pre transition elena). blood in the bayou? rolan was a bug the whole time. total monster kill? everett betrays the whole party and joins the hybrids. judgement? mel killed the king. the suckening? shilo was (unwillingly) a sleeper agent for edward. I think thats where the 'troy is a robot' theory came from and even if that isnt true he still WAS a spy just also kind of a dumbass. I love when you can find consistent themes through campaigns that they obviously enjoy doing. yes girl ruin that party dynamic

[avelera]

I mentioned this on Twitter but I feel like there needs to be more acknowledgement in the whole, “Jayce/Caitlyn/Mel are bad for making/using/promoting Hextech weapons” argument about the fact that Viktor very much made Hextech weapons too!

Like, to see his cultist robots in S2 or even his own evolved form with the Hexclaw laser beam and not say, “Hey wait, those are ALSO Hextech weapons!” Is borderline willfully obtuse. Though, to be fair, it’s obtuse in a way that I think Viktor is in the moment when he makes them, so I kind of excuse people who like Viktor don’t realize they’re weapons but let’s be clear: Viktor’s cult bots are VERY MUCH Hextech weapons that are just as deadly as any created throughout the course of the show, and arguably they are the most sophisticated Hextech weapons we ever see. (“No beast is more savage than man.”)

I’m sure Viktor would argue that his Hexbots are not made to be weapons, that they’re made to capture, incapacitate, and assimilate enemies in order to stop conflict. I’m sure he’d argue his Hexclaw was only used to cut opening in walls and ceilings during his fight with Jayce and not, say, intentionally used to intimidate or threaten Jayce by blasting it right next to Jayce’s face.

But that’s because I think the whole point of Viktor’s villain arc is how much he’s LYING to himself, or the Hexcore is lying to him, depending on how much you subscribe the mind control theory. But saying the Hexbots forcefully assimilating people isn’t a weapon is ludicrous. Saying the Hexclaw laser beam isn’t a weapon has been ludicrous ever since Viktor first invented it! It put his naïveté on full display when he was shocked that anyone would use it as a weapon instead of as a tool for artisans omg it’s a fucking DEATH LASER!

And the reason I think it’s important to pull into the debate that Viktor very much made Hextech weapons too is because it stops the debate from being about who is right and who is wrong, who should be put on a pedestal and who should be damned.

Because Arcane isn’t about who is right or wrong it’s about how humans act and react during times of stress, and because of love, and because their loved ones come under attack.

Caitlyn is AGAINST Hextech weapons UNTIL the Memorial Attack pushes her over the edge, just as it was meant to when Ambessa orchestrated it.

Mel was IN FAVOR of Hextech weapons UNTIL she realized the true cost and that it was all a play by her mother to get them for herself.

Jayce was AGAINST Hextech weapons UNTIL his beloved city came under attack. Between Jinx’s terrorist attacks, Silco’s pressure campaign, and Marcus as the insider traitor whispering poison in his ear, and finally Ambessa’s expert manipulation, Jayce was at the center of a paranoia campaign pushing him to a single conclusion that they were needed. UNTIL the Shimmer factory and the death of Renni’s son when he realized the true cost of war when he once again was against them.

But, I’d argue, like with Caitlyn, Jayce’s switch to being against Hextech weapons again gets outmaneuvered by Ambessa orchestrating the Memorial Attack. Tensions are just too high to not do anything so I personally see the strike team’s personal Hextech weapons as an attempt to make the best of an impossible situation because there IS in fact an arms race going on between Piltover and Zaun and Shimmer DOES make Zaun more powerful than normal humans in a ways that seems to demand an escalation only Hextech can answer. The show doesn’t say it’s right it just says this is an imperfect decision made in desperate times by those who are otherwise against Hextech weapons. I’d argue make a half dozen weapons for an elite strike team is VASTLY different than arming an entire invasion, BUT the show doesn’t excuse it. It asks if this is ok and leave the answer deliberately gray (haha no pun intended)

But I digress.

The point is, EVERYONE has a shifting view of the merits of Hextech weaponry, and not even Viktor is exempt. Viktor tries to be a pacifist, until HE TOO faces a violent situation that destroys his faith in humanity, just like Caitlyn did at the Memorial Attack and from there he’s angry and hurt and doesn’t see any way forward except to meet wrath with wrath, ally with Ambessa, forcibly convert those who refuse to convert willingly to his vision, and remake the world in his own image using the power of Hextech and Shimmer as weapons in this cause.

And lest we forget, Viktor’s vision would lead to more widespread death and destruction through Hextech than any other character is shown to be capable of in the whole series!

Arcane is about human choices and emotions, actions and unintended consequences, not humans competing to win the Morality Olympics. Refusing to acknowledge that every character is capable of making violent decisions and turn on their own dearly held principles during moments of stress, terror, pain, and disillusionment, in favor of arguing about Who Is Better is just such a flat and unnuanced way of looking at the nuances of this story.

Viktor made Hextech weapons too. No one in power is ever innocent.

[bruisedswan]

PLANET DISCORD'S 𓊰 DEAR SAINT.

fear is the little death... ✹⃟ that brings total obliteration

8teen. she / they. pansexual / polyam

WHO IS ... YOUR SAINT?

██ defying the fundamental laws of reality is the star bestowing vitality & chaos to our beloved planet, dear saint yen/yenna mayhem of planet discord. i am the kwisatz of this little pocket of space, the prophet shaping my own destiny, making the fates fall and thus taking their place as mother, maiden, crone. this mighty storm of an 8teen year old is made of steel, overwhelming finality, sweet cinnamony melange, rotting willows, azaleas, and orchids.

୧‿̩͙ ˖︵ ꕀ⠀*♱

...this aries born being believes no other being but herself. they've come to recognise their primordial nature, how they've sewn every single thought, every memory, and every bit of flesh and bone they choose to reside in. think of her as a weaver, the lone enigmatic tailor on the far end of the valley who resides in her own little world — except the loom is her thoughts and the thread little strings of reality and matter, malleable in her fingertips. the sybil is esoterica in human form.

...kin :: alia atreides, mel medarda, princess irulan, bonnie bennett, rochelle zimmerman, maren yearly

ART IS ... LOVE.

██ film / tv :: the substance, dune ( part 1 & 2 ), the love witch, arrival, sleeping beauty ( 2011 ), kill bill, the craft, bones & all, everything everywhere all at once, lucy, possession, the colour of pomegranates, atsv, black swan, love death & robots, arcane, adventure time, killing eve, steven universe, black mirror etc...

୧‿̩͙ ˖︵ ꕀ⠀*♱

██ books :: the dune books ( specifically dune messiah ), the folk of the air, iron widow, the wheel of time, hunger games, percy jackson & the olympians, game of thrones ( ty constance ) etc...

୧‿̩͙ ˖︵ ꕀ⠀*♱

██ on rotation / music :: nicole dollanganger, ethel cain, crumb, fka twigs, poison girlfriend, deftones, blood orange, men i trust, eye dress, frank ocean, the cranberries, björk, fiona apple, strawberry guy, la femme, the smiths, alex g

[idolomantises]

Thoughts on Arcane season 2

I didn’t like this season

It’s not bad, but I found it incredibly rushed, cramped and deeply unsatisfying

While season 1 had several protagonists it was also pretty obvious that Vi and Jinx were the emotional core of the entire show so why on earth was their dynamic barely explored here

Vi went from being my favorite character to a character I found deeply frustrating and annoying. What the hell is her personality of getting her sister back and fucking the hot lesbian. She has no consistency whatsoever and it’s something I don’t think the show realizes how batshit the constant flip flopping in. What do you mean you sister tells you she’s going to kill herself and then you start fucking your messy situationship

I don’t really care for Jayvik but I found Jayce’s confession very sweet.

Mel my beautiful queen they’re gonna call you a Mary Sue

What the fuck was with all that Witch shit and Ambessa’s death was incredibly unsatisfying

Victor fans who kept begging the team to not make him a hot buff robot so he can still be a skinny twink pisses me off so bad because now we have an inferior twink robot design. I know fans probably didn’t influence this but I also need to complain about their lack of taste like what do you mean you didn’t want to see a hot buff robot man.

Ekko feels like an incredibly unimportant character and I’m pretty sure fans only like him because of what he can do for Jinx. A part of me wished he actually did hold a grudge just to see how fans reacted.

Season 1 was all about setting up emotional complexities and how nobody was truly evil and the show made it seem like there was no way for anyone to fully recovery from this but everyone is holding hands and singing kumbaya’s so alright nevermind then

This show was honestly a little too in love with Jinx. I did not enjoy her writing in acts 1 and 2.

The jokes were really bad this season

The songs oh my god the SONGS. I didn’t mind them in season 1 but in season 2 it started to remind me of love is blind and anyone who has watched that show would know what a massive insult that is.

Caitvi lesbian sex scene and I couldn’t even enjoy it because the writing was pissing me off

Caitlyn should’ve continued her little fascist arc.

Mel’s arc this season felt like weird fanfiction.

A bunch of random side characters die off unceremoniously after the show gave them so much unnecessary screen time

I hated Isha sorry. I’ve never seen a character more clearly made to die.

Jinx death means nothing to me because I know she isn’t dead so why even do all that lol

I will never call this show sexist but it has done a massive disservice to its female characters.

[pro-yearner]

Beyond the Void by proyearning

wordcount: 14.8k (1/1)  rating: explicit  ships: jayce/viktor (League of Legends), mentioned mel/jayce  summary: The last person Jayce expected to see in the repair facility his ship has landed in is Viktor and it really doesn't help when feelings that he thought had been buried deep start resurfacing, especially now that he's light years away from Runeterra.  additional tags: alternate universe - space, lovecraftian erotica, post-breakup, unreliable narrator, infidelity (not between jayvik), dubious morality, love confessions, explicit sexual content, inspired by LOVE DEATH + ROBOTS

[gelatomesomeironqrow]

Show of hands who else is pissed that the creator is trying to push the narrative of Viktor is Asexual after we didn't fall for the brotherly angle they tried to push on us?

Like we can ship them however we want, we already said they transcend above platonic and romantic soul mates.

Also, creator who clearly doesn't know a thing about asexuality. YOU CAN STILL BE IN A RELATIONSHIP WITH SOMEONE. Like come on. Asexuality is a spectrum, it's not a death sentence that means asexuals can't be in loving and happy relationships. It also means that there are parts of the spectrum that can/will/still want sex.

Stop trying to explain away JayVik. They can be in a relationship and not have sex. That is fine. They can be in a relationship and have sex. That is also fine.

What is not fine, is trying to invalidate Viktor as a person, his disability doesn't define him and doesn't mean he isn't capable of feeling attraction or love (which also comes in many different ways). It also doesn't mean that people aren't capable of finding him attractive or from them wanting him. Why was it fine to show Sky having feelings for Viktor? Because she was a woman?

I get it was a flex and their way to show that Viktor wasn't interested in her back, but he cared enough about her that the Arcane used her image and voice to "guide/control" him in season 2.

It didn't really work to show his Asexuality. Oh, he wasn't interested in one person out of a million. He must be asexual. Um. No. Notice how he never shied away from Jayce. It may not have been romantic in season 1, but you cannot have Viktor say "it was affection that held us together." And say the man is Asexual.

He is a scientist who spent most of his life creating and trying to find ways to better the lives of Zaunites. He was merely not interested in pursuing any form of relationship. It does not automatically make him Asexual.

I'm also not saying that he isn't Asexual. He can be Demi, he can be Aro, he can be any form of the Ace spectrum. Heck, if you want to believe that JayVik are "brothers". Than go for it. I'm not stopping anyone from shipping any characters however they like. I'm just saying that the creator is so against two men possibly being in a happy(?) relationship, that they are trying any other angle they can find without actually putting in any effort to research that angle.

The brotherly angle, at least to me, didn't work past season 1, because of how Jayce reacted to Viktor, dying, to how he reacted to Viktor living. The freaking ending of season 2.

The asexual angle, doesn't sit right for me, because the creator is just calling him Asexual. What kind of asexual? Demi? They tried to show the viewers Sky's interest and Viktor's lack of as a way to prove his Asexuality. When he wasn't interested in her because he was busy with his research and low key the Arcane influencing him. His entire arc in season 2 being "I now possess the ability to heal people and connect with them", to his reaction to Jayce killing him, to spending his final form turning everyone into hivemind robots, EXCEPT for Jayce mind you, Viktor was going to leave him down in the HexCore. He personally brought Jayce into the fold himself and even then, Jayce still had autonomy. He was capable of looking around and speaking to Viktor.

Viktor cared more for Jayce than anyone else in his life. Sure, he could be asexual. But providing thought and research into the subject matter would have been nice. Because Jayce was/is interested in Viktor and vice versa. "I just want my partner back". Not brother. Not friend. Partner.

In every sense of the word. They are partners, which goes above brothers, above Viktor's supposed Asexuality.

Also, it does not prove Jayce's sexuality for him having sexual relations with Mel. You can be bisexual and be with a woman. The guy was only ever shown in two relationships. The more physical one being with Mel. But that doesn't negate how much he cared for and spent most of his time with Viktor.

Thank you for coming to my Ted Talk. Sorry if this didn't make any sense. I'm rambling at almost 4 in the morning over this.

[masanstroberi]

Someone tell me why am I seeing praises for Arcane S2 when they basically threw out Piltover and Zaun class struggle plot for an avengers of ultron rewrite with magic?

- Since when did Viktor become all about evolution or some shit. He's someone from the underground who wants to use technology to help his people, why did he suddenly switch into evil jesus after being submerged in slime?

- What happened to treasuring all characters? Why so many careless and unjust deaths? Isha? Loris? Vander? Jinx? No one wants to see a character who has been sufferring all their lives to die for the "greater good." (Thats not even good)

- Who tf would fuck their situationship after losing their dad the 2nd time, witnessing new adoptive little sister's death, and her blood-sister declaring suicide?? All while still inside the prison cell of said sister???

- That you can be the vilest shit and still get the happiest ending? Yes I'm talking about Singed. Also that you can be the most unproblematic character and still have to live a bleak life. Yes i'm talking about Ekko.

- Ambessa being a blood thirsty war monger like she doesn't give a flying fuck about family? Where is the "Is there anything so undoing as a daughter" moment here??? Why is she suddenly just pure evil??

- Wtv the fuck is going on with Mel

- Sevika my girl stopped speaking after act 1

- Why is Cait acting so inconsistently? One moment she's blinded by rage, then she becomes a dictator, then she get cupcaked and switched sides, also she's immune to death after stabs here and there.

- Why does Jinx have to apologize for killing Cait's mom when Cait's mom probably was calling the shots during the Zaunites massacre that killed Felicia and Connel? No one in power is innocent.

- Why would the Noxians and Singed aid evil Viktor into decimating humanity when it means killing themselves?

- Whats all that shit about breaking the cycle and leaving? Clearly they can live happily because "forgiveness goes a long way" as said by AU Silco and Vander.

- Why is Jayce giving speech as if he didn't just fuck over everyone and why would anyone listen to him???

- Zaunites really is destined to eat Piltover's shit. They got dragged into the magic robot war that Piltover started.

I love every character in season 1 but I guess the writers don't. Honestly still reeling from the fact that we go from complex class issues with two traumatized sisters who just want their family back at the center to magic robot fights between an evil jesus, a homeless man, and a third party threat. The show concluded with killing off characters unjustly, putting in shitty eureka moment quotes that don't make sense, and cramming in 10 subplots.

[destined-if]

You and your family moved to Glove City. However, the house caught fire, and you're the sole survivor. Oh, but that was two years ago... you're not still stuck up on that... are you?

After your family died, being 20 with no job or nearby family, you had to live in alleyways, sleep on park benches, and steal food from vendors... until you met them. They hesitantly welcomed you into their little group after you saved their asses, and you've stuck with them ever since. One day, you got commissioned to steal a necklace from a family in the rich part of town for a hefty price, so obviously, your group accepted and prepared for the trip. What you didn't expect is that the family you're stealing from might not be as innocent and powerless as you thought.

Trigger warnings: Violence, drug intake of minor characters, alcohol of main characters (Optional for MC), violence, death, theft, and slight mention of animal cruelty. This list will be updated as the story progresses.

NOTES: Romance options have a ♡ next to their name. Melody is male or female. Optional Polyarmous Route with Melody and Elias. I'll go into more detail with their personalities (As well as appearances) in their character profiles, I've started on them, but they most likely won't come out for a couple days.

Ian/Ivy ♡; A street rat the moment they were born. Kinda a jackass, but they keep you and their friends out of harm's way, so are they really as cold as they pretend to be? Possible Tropes: Opposites Attract, Found Family, Slowburn. Isla "Wren" Hill ♡; Best thief you know. The first time you met, she stole your packet of gum without you ever finding out until a year later when she told you. She's playful, affectionate, and a little bit of a smartass. [Healing Mage.] Possible Tropes: Mutual Pining, Friends to Lovers, Found Family. Valerie "Val" Hill; The little sister of Isla. You think it’s nice how she steals for others free of charge, but don’t understand why. She’s sarcastic, bold, and surprisingly attentive. Oh, and also a bit of a smartass. Trope: Found Family. [Made by @dvoilds] Elias "Eli" Wynn ♡; His life before he met you guys is a blur, or at least what he says, but you don't really think that's true. Other than that, he's as sweet as a thief can be. He's caring and considerate of other's feelings, and your group's peacemaker. Will you get him to uncover his secrets? [Water Mage.] Possible Tropes: Mutual Pining, "You came?" "You called." Melody "Mel" Rose ♡; They got tangled up in this mess, and you're not quite sure how it happened. As far as you can make out, they're actually pretty understanding. It's kinda freaky how nice they are to you guys, even after you got them knee-deep in all this shit. You think they're here to stay, but it's not like they have a choice. Do they have an alternative motive, or are they just this kind-hearted? Possible Tropes: Frenemies to Lovers, Love at First Sight (More like Attraction), Strangers to Lovers. Casper Vespertine ♡; The son of the family you stole from and the man you're running away from. He scares you shitless, and it doesn't help that he talks like a robot. Will you outrun him, or will you let him catch you? Possible Tropes: Rivals to Lovers, Slowburn, Right Person, Wrong Time.

and more!

Customize your MC. Choose your gender, personality, pronouns, assets, appearance, name, and sexuality.

Decide how your MC feels about stealing and how they deal with their family being... dead.

Be a mage or a human.

Run from your problems!

Found family <3

Cute stray animals.

Create close bonds, or break them.

A fully platonic route for those who don't wanna romance anyone!

LINKS; Demo [TBA], Pinterest, Playlist, Character Profiles, Mage Profiles

posted july 19, 2023

[melanodis]

-cartoonishly grabs you with a big hand like a squeaky toy and plops you down- please give me your testing maintenance thoughts. It’s been 84 years, I was there when it was still being written and chapters were still coming out. I’m so infinitely curious on the retrospective perspective on this fanfiction.

articulating myself legibly on this is gonna be so difficult ohhhh my god. oh my god. okay . okay.

so I have read this before during my first portal phase which, granted, was in probably... 2017? 2018? some of 2019? no clue I don't like thinking about when i was 13 that was cringe as hellll. I still have all my fanart from middle school dawg... it destroyed me the first time and by god it destroyed me the 2nd time too but now this time I can actually sort of put my thoughts to paper.

obviously this is gonna have major spoilers so if you intend on reading it I don't recommend looking under here. or do i can't control you okay here we go this is gonna be scattered as fuckkk

First of all, love the entire premise. we never know what happened to Chell after the end of Portal 2, much less Mel, but whatever did we can assume it was probably a lot better than being stuck in a facility made up of machines that want you dead but also worse in the respect that ... well, you're alone now and have to fend for yourself. Remember how to be a human being. Finding food and water and shit with zero idea if you're the last person on earth or not. Imagine being starving and exhausted and probably on the brink of death with a diet of nothing but decades old canned goods and water that probably isn't good either. Then getting basically scruffed like a cat by a robot that drags you back down into the place you fought so hard to escape from, and thrown straight back into testing. Mocked and tormented by a cold, unfeeling machine you accidentally brought back to life to save your own.

The relationship Mel and Virgil have built is so…. vague. And i love it. Neither of them would say i love you and yet both of them would die for the other. Virgil HAS died for her. He defied GLaDOS probably at least 4 different times just to protect her, fully knowing a worse fate would await her if he stood idly by and did nothing at all. His ultimate flaw, and something that is touched upon often, is that he cares. He cares so much. No other personality construct seems to have the amount of empathy he holds for Mel, and it shows. I <3 yearning. I <3 never being able to act upon it.

Something else I think about is that Mel can't even scream. Cry. All you can do is croak and even that feels like it'll make you cough blood. i think she'd be so happy to get her voice back (I can't remember if it was reversible) so she can catch up on all the screaming and crying she missed. Curl up in a little ball for a bit. The grieving she had no time to do. - some of my favorite bits. i don't really have anything to say here they just make me insane

GLaDOS spoke in the voice of a god that had all the time in the world to spare and did not care for its meaning.

-

"And you can't tell me it would be a sweet deal for the two of us to be knocking about in the after life like some kind of supernatural sitcom, because I don't think robots and humans walk in the same cosmic circles after the lights go out.”

-

He struggled with lifting her off the ground, not knowing exactly how to pick a human up in a situation like this, but he had seen photos of grooms holding their brides a certain way so he tried for that as his best option.

hey man why are you just looking at wedding photos first of all

Had he been human like herself, there would be nothing barring her from holding him close and seeing what she could do about his vitals, but he wasn't. He was a machine. A highly advanced machine from an age she did not belong in.

The whole flashback sort of thing with Dr. Aadland destroying the GLaDOS prototype... I'm obsessed with the very idea of all the personality constructs being formerly human. What lives they lead, the relationships they may have had with each other before being converted to machines, their memories picked and chosen, deleted by hand to cultivate a new personality, a pale imitation of the real thing.

In spite of the life you've given I'm just another version of you And somehow I'd rather forget that, too

The person he was, the person responsible for not only building her chassis but involuntarily assisted in being a guinea pig for what they would do to Caroline. Her fate was sealed with his death and yet all she has is spite for him. I guess as some form of catharsis. They took your memories from you. They did a Boeing whistleblower level cover up. You will not be remembered, you will not be mourned. You are nothing, in death and what came after. I don't think Aadland really thought about saving her in particular when he decided to have a textbook crashout, more about the impact it would have on the world overall.

“Its sick. This is sick. Its all sick. There's going to be more like you. All over the world, even. Minds jammed into a compact disc. People are forced to dodge bullets and endure toxic waste and are hooked up to IVs filled with coffee. Its all insane. This place is just… insane. Why am I even here? What am I doing here?”

No matter how strong you think you are, anyone is a mere few nights of bad sleep or none at all from entering psychosis.

"I'm not him, and you really don't want me to be.”

They took away from him the facets of his personality that made him Dr. Aadland. And while we'll never really know exactly what kind of person he was from the little flashes we get, I like to think he was sort of an uptight asshole. Thinking he's better than everyone, getting exhausted with others that fail to understand the reaches of his vast intellect. Something that Virgil could never imagine being. All torn away from him, shoved into a robot with a mere fraction of his intelligence, and all the emotional instability. Possibly one of the greatest minds among them reduced to nothing but a mumbling slurring mess of machine that can barely remember its own name.

Hard drives don't actually delete data until the old data is written over. There's still fragments that can be painstakingly pieced together.

[cat-esper]

I thought I'd redo my intro post and this time make it ✨pretty✨

I'm Cat [she/her | aroace] and I write sci-fi and fantasy with a dose of cosmic horror. I love mixing genres and general experimentation. Whether my work is marketable or not is less important than having fun. My absolute favorite things are found family, robots, and time travel, and I am a firm believer that platonic relationships can be just as fierce and important as romantic ones. Most of my novels are set within a shared universe I call the Starfish Saga and that's my main focus, though I do have quite a few exciting projects outside that.

I am quite shy but love making new writer friends and am open to tag games and ask games and other sorts of writerly socialization.

I have...a lot of projects. A worrying amount I try not to think about. But! Below the cut, you'll find the ones I'm focusing on for the time being, now with new and improved titles.

Books of the Starfish Saga

The Last Paladin | YA science fantasy | 12 part series

When Chelsea Seaver's parents are abducted by aliens, she embarks on a grand adventure across the galaxy--making friends and learning magic on the way--to bring them home.

Status: books 1-3 drafted

Intro | WIP tag

Incantations of the Mad Mage | YA epic fantasy | 6 part series

In order to honor her dead mentor, battle mage Arna Vaughn races against the Sforia Empire to locate six legendary magic spells that have the power to end a bloody war; whoever finds them first will change the course of their world forever.

Status: editing book 3, outlining book 6

Intro | WIP tag

Records of the Spiral | YA portal fantasy | 4 part series

Three misfits stumble into a surreal world inhabited by strange creatures and watched over by the eldritch Enochians; it's a place they belong to more than Earth and if they don't want to see it destroyed, they'll need to stop the very beings who created it in the first place.

Status: book 1 drafted

Intro | WIP tag

Music of the Spheres | YA science fantasy | standalone

Shay Finnegan leaves everything behind when he decides to become a light-wielding Paladin, a protector of the galaxy, in order to find a higher purpose and avoid the fate that haunts him with the words you will bring everything to ruin.

Status: rewriting for the millionth time

Intro | WIP tag

Red Ghost | YA contemporary fantasy | novella

Mel Black joins a ghost-killing organization in order to free the spirit of her dead friend from a fate worse than death, but saving him might just mean the end of humanity.

Status: pending edits

Intro | WIP tag

Nightland Nexus | epic fantasy | 5 part series

As tensions rise across the worlds, a group of characters seek to satisfy their own ambitions, but they'll need to team up and unite the worlds to prevent a long-dormant Darkness from awakening.

Status: world-building

Intro | WIP tag

Sundial Fates | YA sci-fi western | 10 part series

A time machine crashes on the edge of town, launching three reluctant teens into the biggest adventure of their lives. They may be able to face down alien invaders, mad scientists, and unfathomable entities, but can they face the truth about themselves?

Status: overhauling the plot/updating the lore

Intro | WIP tag

Other Projects

The Zodiac Circuit | post-apocalyptic sci-fi | duology

Rhys Valencya reluctantly teams up with an android in order to stop her own family from resurrecting the lich that almost wiped out humanity centuries ago.

Status: book 1 drafted

Intro | WIP tag

Androids Don't Rust | time travel | standalone

With human extinction inevitable, four androids are sent into the past to retrieve data for the Archive that will outlast humanity.

Status: very early planning stages

Intro | WIP tag

Robbery on the Hell Express | weird western | novella

Occasional partners and oftentimes enemies, Harlan Nye and John Callahan team up to rob a ghost train--betrayal, deadly wraiths, and a lethal race against the clock mean they may not make it out of this alive.

Status: planning

Intro | WIP tag

The Chronicles of Josephine Mercer | dark pirate fantasy | ongoing series

In a darker version of the 18th century Caribbean, mutineer and newly self-appointed Captain Josephine Mercer escaped the navy with a ship and ambitions that would see her become the bane of the British Empire.

Status: research/world-building

Intro | WIP tag

Liminal Spaces | urban fantasy | 5 part series

Caffeine fueled video game artist, Ref Sanderson, comes home one day to find his daughter is missing. Turns out, she's been making new realities in her free time. Now she's trapped in one and he'll need to learn how to enter and fabricate realities himself in order to save her.

Status: drafting book 1

Intro | WIP tag

Other Starfish WIPs I'm technically working on, in the background, that I probably won't talk about unless someone wants me to:

The Siege of Coracaltone: a space opera about cinnamon roll wizard Flynn on a quest but gets sidetracked by space pirates (waiting for a rewrite)

Pirates vs Dinosaurs: cosmic horror about, you guessed it, pirates and dinosaurs and the slow dissolving of their sanity (drafted and just waiting for editing time)

Dreams of the Spiral: a prelude to Records of the Spiral about the band Red Tape Rocket and the summer things got really weird (still being planned)

If any of them pique your interest and you'd like to be added to a taglist, let me know!

[coolgirl32]

do u take multiple requests, or just one at a time? also, could u pin the list of fandoms u write for?

Answer your first question I sometimes take multiple request when I have free time on my hands and I take one at a time request when I'm either busy or when it's a busy day and it's overstimulating for me but my honest answer is I take multiple requests but I also take one at a time and to answer your second question here is the list of fandoms I write and it's characters.

Arcane Vander, silco, Benzo, vi, jinx, Cassandra, Viktor, Jayce, Mel, Caitlyn, sevika, claggor and Mylo.

TMNT (I do any decade that I know of such as 2012, 2003, 2007, 2016, and 2024) Leo, raph, Donnie, Mikey, the mighty mutantimals and the villains who are mutants and yes the reader is a mutant I do not do the human thing for TMNT sorry.

Love death and robots kill team kill members, sobieski and Decker.

Blood of Zeus Hades, Poseidon, Zeus, Hera, Persephone, Aphrodite, Hephaestus, Artemis, Ares, Apollo, Hermes, seraphim, heron and Athena and Hestia.

Scooby-Doo Fred, Daphne, Velma and shaggy (I'm not including Scooby-Doo because he's a dog and it's just weird so my apologies but Scooby-Doo and shaggy are my two favorite Scooby-Doo characters because they're funny and they're so relatable).

100% wolf flashheart and Hotspur (I know I'm sorry if I can't find any other characters to put on here in the 100% wolf fanfic but can you blame me again my apologies).

SWAT KATS chance furlong and Jake clawson.

A/n: so I'm sorry if this is a bit short and I'm sorry this does not make any sense but these are just some of the other fanfics I've been wanting to write and also my requests are still open if anybody is interested and if anybody that knows what the SWAT KATS or it was a '80s to 90s show but it only ran through two seasons I wish they ran through more seasons and they had to reboot but you can all go check it out on YouTube and if anybody doesn't know what love death and robots are it's also a show but it's basically in the 2000s like 2014 I think I'm not sure it's an awesome show but weird but pretty cool and the two main episodes I like are killing kill and shapeshifters anyway sorry this is taking too long and I hope that answers your question if any of you have any other questions don't be afraid to ask I'm all ears and I have some answers have a good day.

[hail-dondus]

Have to admit that I enjoyed the Chicken Run sequel, it was better than I expected. I’m not going to make a full on post as I have to be up in a few hours, but a few things:

Obviously I’m still mad about Aardman/Netflix replacing Julia Sawalha, and given that I grew up with the original film the change is just so jarring - especially since they used archive footage/recordings of her voice in the first film for flashbacks, which makes it even weirder for me personally.

I’m not going to complain about Mel Gibson being replaced as Rocky given the circumstances tbh

I LOVE the Paloma Faith song used, it’s a great song, but when I first heard it in the opening scenes of the film I was like “…???”, like it just sounded so… modern and pop-y compared to the first film? It’s a fantastic song, don’t get me wrong, but compared to the first film, where you had a rather old fashioned sounding song played during the film (Flip Flop Fly), it made this film seem more American than British, if that makes sense (which kind of irks me because one of the most charming parts of the original for me is how British it is)

Following on from my point above, whole film in general seemed like it was more modern and more set in present day, which in some ways is to be expected because there’s a 23 year gap between movies, but on the other, the original film felt almost timeless, like it could have been set in any decade. As far as I remember, the original didn’t have any televisions, it had a sort of old fashioned radio and while, yes, there was electricity (the pie machine, Christmas lights etc), it felt like it could have been set in an older year than 2000. Maybe that’s just me, I don’t know, but this film really went twenty times more modern and gadget-y

You know how in the first film, Mrs Tweedy picks out a chicken who hasn’t been laying any eggs, then we see the shadow of her beheading the chicken followed by what is clearly a roast chicken skeleton on the Tweedys’ dinner table? I thought it couldn’t get more fucked from that, but Aardman wanted to prove me wrong because what the fUCK

Have to say that the first film strangely never actually made me want to stop eating chicken, meanwhile this film made me feel sick at the thought of a chicken nugget 😭 it might take a while before I can eat chicken again 😔

Hopefully the chickens I eat are NOT mind controlled on a high tech farm to walk to their deaths

Miranda Richardson back as Melisha Tweedy, SLAAAAAAY 💅🏻

I can’t decide what’s funnier, her introducing herself as “Melisha Tweedy” despite getting remarried or her calling Dr Fry “my current husband”

ALSO DOCTOR FRY IS VOICED BY NATE THE GREAT FROM TED LASSO?!? 😭

I don’t believe Mrs Tweedy is dead to be honest, if being inside the pie machine when it exploded (after falling into it from a great height), flattened by a barn wall/door, and going headfirst into the chicken nugget machine and smothered in breadcrumbs couldn’t kill her than I doubt that the killer robot ducks that shoot lasers will do the job, especially given that they didn’t kill Rocky, a rooster 💀

Calling it now there’ll be a third film and she’ll be back, I’m calling it right now!!!

I SAW FEATHER MCGRAW FROM THE WRONG TROUSERS AT THE END LMAO FEATHERS YOU LIL SKANK THIS AINT YOUR MOVIE 🐧

Anyway, I thought it was better than expected - the first one will always be the best of course, but as far as sequels go, this one was definitely on the better end of the scale!

[mobileleprechaun]

oubgh Tagged Game

I was kindly tagged by the eminent @femboty2k, thank you so much for tagging me!

This one is about introducing yourself with the following:

- One tv show

- One movie

- One album

- One game

However, she went the extra mile and did two each, so I'll do that as well!

TV Shows: Whatever Happened to Robot Jones and Making Fiends

I'm not entirely sure what it says about me that both of my picks here were ill-fated and obscure cartoons cancelled before their time, but I certainly hope it's nothing premonitory about the trajectory of my life!

Robot Jones was a full-on obsession for me when I was young. It's about a robot child having to attend junior high in the 1980s so he can understand humans better, and all the awkwardness that goes along with that. Something about it struck such a chord with me – probably the fact that the protagonist was a sheltered misfit who couldn't understand his peers. I was homeschooled until college, and all of my interactions with other kids were painfully awkward along those lines, so I guess I just felt seen?

It's a weird show, and the tone is pretty bleak. He's mercilessly bullied by both peers and authority figures alike, and episodes rarely ever end with anything working out for him. Maybe I felt seen by that too. It's kind of fucked up, and I'm 70% certain bits of it didn't age well, but for what it's worth, people still really enjoy the one episode where RJ comes to the conclusion that he's nonbinary. It's also lost media at this point, so there's an inherent rewarding feeling that comes with being able to find it at all.

Making Fiends is also pretty bleak, but in a very silly and fun way. It's about a town that lives in mortal terror of Vendetta, this extremely cruel grade-schooler who is able to make monsters (fiends) that can serve her every whim. However, her nasty little gangster baby life is turned upside down when a very dense friendly girl named Charlotte comes to town, and Vendetta finds herself terrorized for a change.

I was obsessed with this one too and was a young stan of its creator. I love that it's about two girls just being dumb as all hell and having weird and fucked up things happen to them. Nobody's boy-crazy, either – both of these little gremlins just get to be people. Neither of them are particularly deep in terms of characterization, but they're so much fun to have a romp with, and they get to fill that slapstick-heavy role that's usually only reserved for male characters. Also, the humor is super fucked up and morbid, but the way everything is delivered will just keep you hooting. It's definitely less emotionally exhausting than Robot Jones.

Movies: Chicken Run and The End of Evangelion

Weird pair, I know!

Chicken Run is another of my childhood obsessions that persists to this very day. It's a fun and surprisingly poignant tale of an insurrection on a farmyard and the brave hens (and one mostly useless rooster) who make it happen. Aardman just knocks it right out of the park with the quirky designs of their ensemble cast and just how rooted it feels in its 1950s setting. The villains are fun, the heroes are fun, somehow Mel Gibson doesn't completely ruin it, and I dunno, it's just very cozy. I could rewatch it over and over again. Also, Mac is best girl.

End of Evangelion is not cozy at all! It's the fucked up and horrifying ending to a fucked up and horrifying anime, and it pissed a lot of people off at how mean-spirited it felt, but like... it's a fucking masterpiece, like it goes incredibly hard. Every element of it – the music, the voice acting, the visuals – it's all stunning, like all the way through. Yes it's sad and upsetting and very strange, but that's just how the anime went. None of it feels out of place, either. I can go back and watch Episode 1 again and not feel like EoE mismatches tonally. I still think about it on the regular, and I still bop to Komm sußer Tod.

Albums: Spirit Phone and Act II: The Father of Death

I've picked these two because these are both albums I always feel the need to listen to as a whole rather than piecemeal. There's some other amazing albums that I feel dirty not including here, but these two are just the ones that hit me the hardest as albums, and I have to be fully honest with myself about that.

Spirit Phone came into my life when I desperately needed it. I had just lost my youngest brother and was trying to find my first apartment after years of being my parents' adult subject. It was such a heady and wonderful thing for me, all these skrunkly-ass songs about the occult and the inherently fucked up nature of American culture. I played it on repeat for almost a solid month, and it gave me the strength and optimism I needed to muscle through the most terrifying time of my life. It's still such a cozy and wonderful thing for me, and I thank Neil Cicirega from the bottom of my heart for putting it together.

The Protomen: Act II wasn't something that got me through a crisis, but it was a fucking crazy-ass bop and a solid goddamn chaser to their first album, which I also love listening to as a whole. The story of Thomas Light's descent into living as a pariah in his own city after his own friend turns on him is masterfully told by this band, and every track hits like a truck. The whole subplot with Joe was incredible, too, and that guy who sings as Wily is so fucking good, and Panther is ridiculously versatile... I still get goosebumps thinking about Breaking Out. Gorgeous album through and through.

Games: Sonic & Knuckles Collection and Cave Story

It might be cheating to include the whole collection as one game, but I don't give a phuck!!!!

I was like 7 or 8 when I got the Sonic & Knuckles collection on CD-ROM, and holy fuck, y'all. I knew I loved The Adventure of Sonic the Hedgehog on TV, but getting my hands on that game about spoiled me rotten. It just felt so perfect in every way. Having gone back and played earlier entries in the Sonic series really gives me an appreciation for how well they perfected the formula here, it's just so smooth and refined. Going back through each stage playing as Sonic, Tails or Knuckles is so good, too, like you really get a feel for how much there is to explore with their different styles of movement. I just love it so much, it's so cozy and so jammed to the brim with pure fun.

Cave Story was something I encountered later in life, and was pleasantly surprised to find as a free download. I was not adequately prepared for what a ride this humble-looking little platformer would be. God, it was such a wonderful challenge, sometimes frustrating, but always so compelling as to keep me coming back. And what a beautiful story, too, and what a gorgeous setting. I full-on cried at many points. Pixel just put his whole heart and soul into this game, and it's so sickening and unfair that he got fucked over by that shitty licensing deal. If you haven't already, please show this man's work some love. It went hard enough that when Undertale was first announced, I assumed it was going to be a Cave Story fangame. 😝

waow that's media!!! I must tag four people; @sammytoesis, @fetus-cakes, @johannesson and @badgrlebie. But if you wanna do it too, DO IT!!!!