#never foreget

[allhandsondeck1]

so this is what i have planned for fics rn. this is more of a reminder for me than anything because i will foreget what to write

Food Habits:

ch.24- Hunter tries Shin Ramen for the first time (8/25

ch.25- Long awaited flapjack/pancake chapter. (8/26-27

Silver Bullets

ch.9- Kings Tide (8/26-27

i was going to do a third one based on an anon request for food habits, it was about like movie theater food. But i hate to break it to you, i have never had movie theater food. Besides popcorn, but the smell makes me nausous so i don't eat it enough to have enough experience to be able to write a chapter lmao

[memoryservves]

roman had learned early on that the chess board had gotten it wrong . you were a pawn or a king . the knights , the rooks , the bishops , even the queen , they inevitably ended up sacrificing themselves to protect the king . the alexandres were meant to be kings . living lavishly from their thrones at the top of the world . looking down and laughing at all the pawns that had to sacrifice themselves . and he used to think that way too . high up on his throne , doing what he wanted , hurting whom he wanted for his own personal pleasure . until , his tower toppled , and he realized he was nothing more than a pawn himself . nothing more than a false god with an ego so big he couldn't even see past his own hand . he was a pawn too . in his father's game . it was rigged . bart would always win .

it would be better for them both if they hated him . safer . easier . it was the only way they knew how to protect patti . he was poison . it was what ran through his veins rather than blood . bart's great grandfather must have made a deal with the devil . and for them to get everything they ever wanted , they had to sacrifice their souls . bart made sure roman lost his at an early age . it was the only explanation for why he gave him everything he asked for and everything he didn't . he was fattening him up , a pig for the slaughter . giving him big expectations and big desires and an even bigger appetite to make sure he would never settle for less . and he couldn't . the choice had been in front of him , and he ran crying to his father just like he did as a child . it was the only way he knew how to live . he couldn't survive on any less than he had . so it was better for patti to stay clear of the mess . stay out of his tangled puppet strings before things got worse . before they were a causality in his father's war the same way soren had been .

" what do you call this ? " hand swept over where they were standing , landing with a finger pointing at the pen that now landed so far away . " it's a pen . you're acting like i handed you a knife to stab yourself . " he moved to run his hand over his face , to reset the mask that was threatening to fall . and when he dropped it , shoving both in his pockets , he looked at them with a mask of disappointment . roman had always admired their fighting spirit . they way they were unabashedly patti . it was something he could never be , and it was refreshing , comforting to be around them rather than the sharks masquerading as a school of fish , waiting for one slip up before they ate him alive . he knew patti wouldn't betray him , not in the way he had them . and it was one of the reason he was drawn to them in the first place . to be with someone who was real . someone who was strong . it was a pity it never rubbed off on him . " go anywhere near you again . you seemed to forget that i already know you , inside and out . it doesn't matter if you don't want that pen because i touched it . don't foreget , i touched it with the same fingers that touched you . " smirk flickered over his face because there would always be a part of him that felt like he needed to win . even when he was in the wrong .

Patti was used to being talked down to. Their mother never knew what to make of them, this amorphous shape that couldn't be confined to one box or another, violent scribbles outside of the lines in a colouring book. Just like your father. Patti pieced together the connotations of that, that it wasn't a good thing even if Patti would've thought it so, further confirmed by his bad spells, worse when they were left to navigate them alone. Their father retreating into the caravan a few fields behind the farmhouse, thudding with bass well into the morning, zonked out among empty bottles and crumpled maps jotted with manic visions of barnyard expansion despite no feasible financial backing. Ups and downs that Patti learned to hike alone, breathlessly scaling inclines, scrambling for balance down unforeseen plummets.

Patti wasn't, however, used to tolerating being talked down to; they'd calcified their resolve years ago, brow nonchalantly set like concrete, lips relaxed in a muted line. What was another person that Patti had cared about acting like they were nothing? It was predictable, they decided. Boring. That's all that Roman was, all that they could allow him to be inside their head: old news, dull as a spent pencil. Patti watched blankly as his internal cogs shifted, his father's mechanical, wind-up toy, and tried to focus on the fact he was acting like a polished fucking tin-man with a coin slot in the place of a bellybutton.

"A temper tantrum? Jesus. You sound like a loser." Rather than stoop to obey his instruction, Patti kicked the pen away from the pair of them entirely, watched it clatter into the crevice of an adjourning cobble. "Fuck," they emphasised with mock devastation, really revelling in it, even reaching up to limply clutch at their forehead, "my pen, my fucking pen. You think you'll be okay?" Another half laugh snagged in their throat, a silk thread on barbed wire; they swallowed, phantom tangs of copper, scratches reopened in never-ending cycle. "Feel free to pick it up and jam it in your eye if you give that much of a shit." They turned away after slipping a thumb beneath their bag strap, tugging it further onto their shoulder. "Sooner rail an iron pike up the pussy than go anywhere near you."

[kil9]

callout: Lee Taemin (SHINee)

it hurts me to say this, as you know i'm a huge fan but i can't ignore his actions much longer. lee taemin:

stole key's wallet

stole key's house

stole key's SOUL (!!!)

stole key's comme des (AND garcons)

punched key in the face (every. single. day!)

is SUCH a crazy boy

[lupuslxna]

I know better than anyone that I’m more accustomed                                      to holding a knife                                              than holding someone’s hand.

[inexorablebloodmoon]

«────── « ⋅ʚ♡ɞ⋅ » ──────»

Just some gentle reminders for fandoms...

🌸 It’s okay to tell somebody when they’re being abusive and toxic even while not bringing their political party into fandom topics

🌸 It’s more than okay to cut out bigots from your blog and understanding you don’t need that negativity or energy

🌸 It’s okay to message somebody with your concerns and asking them to leave you alone and to mind their own business

🌸 It’s more than okay calling somebody out for manipulative behavior and using artists as a way to get free art with proof

🌸 Always ask your friends about payments involving artwork unless they’re gifting you something with their own consent

🌸 Always give credits to translators and artists when permission is granted to repost artwork or translations.

🌸 You don’t need to be caught up in clout or popularity just to get “friends” because your true friends will listen and be supportive.

🌸 Lastly, spreading false rumors without any source of proof isn’t okay and it’s a form of narcissism.

I have minded my own business these past few months and gotten help for my own issues. I have left people be and been on my blog having fun instead of harassing people. I hold accountability for my shitty behavior and freaking out at my friends, now it’s time for others to be an adult and do exactly the same without being a coward and blocking people instead of just being honest and admitting your faults and coming to a compromise. Now I’m done with this conversation of people coming to me telling me a bunch of manipulative and narcissistic people are talking behind my back and starting unnecessary drama. Good day and since I’m aware the same people will come and stalk my page, here. Go reevaluate on this, this, this, and this. ☕️

«────── « ⋅ʚ♡ɞ⋅ » ──────»

[astroismypassion]

Hi! I love your blog so much!! I had a question of what your thoughts were on having Uranus and Neptune in 12th house Capricorn? I look it up but I don’t really understand the interpretation of those planets/placement 😫

Hi!

Thank you so much!

Oh dear, I'm gonna be just honest with you here for a moment. I've just recently met the person who has Neptune and Uranus in the 12th house for the first time in my life. I've never met these people before, so I was just as confused about them as you. But since then I educated, read more on Neptune and Uranus in the 12th house, so here's what's possible:

you feel like you don't really resonate with this generation or like you belong to an older one

ha! those fantasies of seducing people older than you

could overuse a substance (alcohol, cigarettes, drugs, or even just coffee, tea), others can warn you about the tendency, but since it's in your 12th house, you are unware of it or you could be hiding it

you might enjoy vintage clothing or dress like people from previous decades

you are unafraid to stand out with your clothing as well and yeah probably don't follow trends at all

you might like eccentric movies that are forward-thinking

you enjoy spending your alone time with close friends

your friends could have escapist tendencies, they want to merge with you

you do creative work with friends (you make music together), you could also party together, go out, drink, smoke (basically escape together)

you feel often ignored by your friends or you feel like you don't speak up enough in your friend group, others definitely talk more than you

you might not really know what kind of friend you are

you could also idealize your friends, you are also almost too forgiving of them

you might feed them, pay for them or the shared meals etc.

you inspire friend's taste in music

you probably are known as the friend who constantly surprises them

you might also trust easily, but then feel so disappointed when one of your friends lets you down

you are also neglectful or foregetful to SOME of your friends, because you belong to so many friend groups

you might like to go to concerts with friends

you might also have friends that have a swimming pool in their home, host parties and get togethers at home, friends who play instruments, are musicians

you enjoy music from previous decades

@astroismypassion

[xxmia0wm4yh3mxx]

Hey guizzz iz me!! imad sum backrooms ocz so here *gives*

(also these are just lazy doodles)

i love these two frickin idiots❤️ ok but like some backstory:

after a partygoer/partypooper meeting two attendees were transported to level 0 and it took about the frontrooms equivalent of 2 months of smilers, hounds, violent wanderers, skin givers and stealers, to get back to their own levels, but they kinda ended up becoming unlikely friends or "truceies" as funny calls it they try to ignore their obvious friendship

or maybe..?

but even though their as different as can be, they still remain on good terms! (or more like enemies and friends)

despite partygoers usually being super smart, cuppycake is eeeeeeeeeh lesser in intellect, their clumsy, forgetful and just kinda of an idiot in the partygoer's eyes and sometimes even foregets their suppose to kill wanderers

They also like to check into the after party level to check on the capybaras!

Suger Hearts is the main baker in Level Fun, their sweet, but super sadistic

they dont usually exit level fun, but when they do, they'll trick humans into thinking they're nice and feed them human cakes, and kill them hansel and gretel style (if that makes sense) but to the partygoers they're a like a sweet grandma

they also have a sibling relationship :3

Nell Nocliped into the Backrooms with her dad when she was 9, despite her father being completely unexerienced and confused as his daughter was, she still clinged being a scared nine year old girl,

which made his death so much more traumatizing, after that she was found by a young M.E.G researcher you was born in the backroom named Axel, after the years Nell became a top-notch fighter and explorer, but has a distant and cold attitude towards other wanderers because of her father, well expect for Axel, they even work together were Nell fights and Axel studies

but after they tried to study the Gameing halls together Axel didn't Noclip back, so shes trying to get back to the gaming halls to get her adoptive brother back

which was going good until someone notso partygoer and notso partypooper decides to be friends

Entity

Number : 67.8

Habitat: Room #170

Description:

Entity Number 67.8 or "Lucky the PartyCrasher" is a Entity that resides on Room #170 on Level 52 were the PartyPooper used to Reside were they put up ballons, confetti, gift bags, and games. They have a undying Hatered for Partygoers, thus writing on the chalkboard in the board room "THE WAR WILL NEVER BE OVER =|"

Behaviors:

Lucky has been known to be Friendly but very hyper, and over the top, and somewhat anxiety inducing, but overall helpful and somewhat sweet at times Lucky has also been known to have a sadistic sense of humor, and will happily kill anyone their guests dont like, and will take threats and insults as jokes, but will surprisingly will not kill anyone you harms them, and will just sends them to a dangerous level.

When wanderers enter the halls on Level 52 they may find a trail of signs that states

"COME AND HAVE A BLAST! =|"

Many run from this thinking its a Partygoer's trap, but those that do, you'll be startled by Lucky draging you by the hand into Room #170 and be greeted by Lucky handing you a gift bag with, a slinky, bouncey ball, plastic rings, almond water, neon Water, candy found in the frontrooms, sticky hand, and bandages, and warm yellow lucky o milk, which is always Luck falvored

when trying to leave you'll be grabbed by the neck with Lucky saying

"You can't leave yet silly! we still have to bake your cake and play games! :|" when asked to play games, they will excited pull out something like the corpse of a partygoer stuffed with frontrooms Candy held put like a pinyata, and handed a bloody baseball bat with nails sticking out and asked to "Get revenge on those nasty Fun Ruiners!" if you refuse they'll ask you to hold up the corspe, but be careful because Lucky will start swinging the bat blindfolded, after the games, Lucky will ask you to help them "bake your birthday cake" after singing your birthday song, you can leave, Leaving Lucky sad put understanding.

Lucky as been known to hunt Partygoers with a giant crimson sword and ruin their party's and as never lost a battle between them, or anyone else, making some people to believe that they have a relationship with the Crimson Wanderer.

Biology:

Entity 67.8 sports a long sleeved striped pastel Pink and purple hoodie and green pants with yellow four leaf clover patterens all over and a matching party hat, they have a green bag covering their face with holes for eyes with red tear like markings down their face, their skin and face is completely unknown, though their hands have been described as simalir to a partygoers, but other wanderers state that they have gloves hands similar to a PartyPooper's, they wear purple rollers blades for supposed stamina boost, they refuse to take off their bag and hoodie, while hunting or wandering they wear a green mask with a neutral expression

Discovery:

Lucky was discovered by a M.E.G Researcher under the Code name "DRAKO" who was supposed to have an interview with Mr. Freeman, but was cut off when they got distracted by a sign saying "FUN HERE! :|" and being pulled into "The Birthday Room" below is the conversation between Drako and Lucky.

_________________________________________

Interview Log 08/17/2021

Interviewer: M.E.G Researcher Code name: Drako

Interviewee: Lucky the PartyCrasher

_________________________________________

Drako: Who are you? Where am I?

Lucky: Your at your Birthday Silly!

Drako: What!? Get me Out!

he starts running frantically to the locked door

Lucky: Awww Thats Such a Shame! We were Just about to start baking your Cake!

Drako: I have a gun! so dont you-

he noticed how his emergency gun has been replaced by a Banana as Lucky giggles uncontrollably

Lucky: C'mon open your presents!

They hand him a gift bag

Drako: alright..?

Drako: Sticky hand.. Gumballs.. Neon Water...

Lucky: See! Im not Like those Other party Ruiners! im Actually fun! and not a Loser!

Drako: umm alright?

Lucky: C'mon have a Seat!

37ish minutes of silence

Drako: so... Your a Partygoer?

Lucky: of course Not! im not one of those Fun Ruining Losers! Im Nothing like them!

NOTHING.

Drako: Alright! Alright! Jeez!

37ish more minutes of silence

Drako: So... your a PartyPooper?

They slammed their fist on the small plastic table

Drako: Okay Jeez! Sorry!

Lucky: ...well I mean I dont have anything AGAINST them.. its just They have those Flithy FunRuiners on their plate and they WONT. TAKE. A. BITE.

they slam their fists again breaking the table.

Lucky: See! look what they did! but enough of that! lets play a game!

they go into a closet and pull out a corpse of a partygoer with holes in its torso and a red light smashed into its head

While Drako and Lucky were playing a morbid game of operation, he noticed the crimson sword

Drako: Nice sword you got there

Lucky: hm?

Drako: where'd you get it?

Lucky: Oh that old thing? just a gift from a good friend!

As Drako removed the last piece Lucky fling the corpse across the room

Lucky: Hurray you won! now time for cake!

Lucky: Whats your favorite flavor? Chocolate, Vanilla, Almond, FunRuiner-

Drako: FunRuiner?-

Lucky: FunRuiner it is!

Drako: Wait No-

It was to late, they were already adding partygoer flesh into the batter

after the party Lucky brought Him back into The M.E.G Base and gave them a awkwardly long hug.

unfortunately Drako got explosive diarrhea from the cake

_________________________________________

(okay im might get into some of Luckys backstory) Audrey was forced into a noclip area by her older brother with no knowledge of the Backrooms, were she was saved from a smiler by a Partygoer named Happy-Go-Lucky so they could manipulate her into going to level fun were they told her she could take her home, but accidentally become very close friends instead and even considered her "fun".

after a the overused liar reveal troupe Audrey went to Level fun herself, and after trying to save her, they were served a slice of cake with a piece of emerald green eye as a cherry.

after that their skin began to change, their skin began to fall of after refusing to kill any wanderers every again, but not resisting the loud and chaotic part of them that Audrey grew to love, making the skin grow back and fall off again, swearing to kill all the partygoers or "FunRuiners" they became the PartyCrasher.

[sentdownangel]

crossfaded like a mf on this wednesdqy afternoon. it is BEAUTFYUL out here. david lynch voiuce clear skies. no that was a lie a few clouds. here andd there. i saw a few beautidul l;eafsves on my walk from the bus today. the future is bright never foreget it

[megaloboximagines]

Imagine

You're at a pool party with your boyfriend Joe. The two of you are messing around when he playfully shoves you, foregetting that he's built like a steel fucking pipe (as he is Gearless fucking Joe) and sends your ass flying. In retaliation you shove him back maybe a little less playfully (Vindictive rage fuels you) and send HIS ass into the pool. You have a good laugh but after a few moments, a silence fills the air, everyone is looking into the 8 ft deep water. He hasn't come back up.

He never learned how to swim.

[mitsubitchiee]

good morning lovely, let’s just stay in bed for a while 🥺💕 i can hold u and give you so many kisses!! did you have a good sleep? any nice dreams? i had a dream that mammon was my bf, it was so sweet 😭

- 💫

Good morning!! 💖💖 lets!!! Many kisses? id like that thank you 👉👈 i slept well! Cant remember details of my dream but i vaguely remember i had to sing in front of a crowd and foregetting my lyrics so i just sang nonsense to which the crowd laughed haha not like in a bad way, in the "they thought i was funny" kind of way lol

Oh!!! Tell meee about that mammon dream!! I wanna hear abiut it!! Oh man i wish i have mammon dreams but i never have hmmm

[dncinginthemccnlight]

"Of course the flowers are beautiful," Mischa crows with an impish grin. "Do you think that I would bring you some ugly, simplisic flowers that you will soon foreget about. No thank you, I hae a reputation to protect as a lover of beauty and purveyor of artistic glory." Are they aggrandizing, of course, but Mischa has never been known for humility. They come over to Barbara and set the flowers by her bedside before heading out of the room and returning again with their small piano. "Lucky you, I have and you get to hear some of it first...though I admit the sound quality on my spinet will not be as grand as if I had my usual accompaniment. Alas, we shall have to make do." A bright grin colors Mischa's face and they begin to play, fast fingers flying over the keys as they play a dizzyingly joyous piece with a bit more flourish than is needed. Still, when trying to cheer up a friend, it was perhaps necessary to be a little silly.

𝐁𝐀𝐑𝐁𝐀𝐑𝐀 𝐖𝐀𝐒 in a big tedious. She didn't want to sleep, she got too tired off sleeping, also she got tired of playing chess with herself, reading, drawing… She threw her head on the pillows and snorted exhausted. She began to talk to her pet albino bunny as if it was having an human conversation. She move a little and felt a slightly pain on her wounds by the subtle moviment. Then she adjusted herself in a comfy position again, looking at the ceiling then she heard footsteps and a very, very pleased figure. Mischa. ❛ Mischa! ❜ She beamed letting her dimples appearing in pure glee, but she moved a little staying in a sitting position. ❛ Those flowers are so beautiful! ❜ She just realized how much she missed seeing the flowers in the garden, and at the sight of them. She can't recall the last time somebody gave her flowers, but she appreciate it. This makes her remember, not so long she advised a friend gift flowers to his loved one. ❛ Any new music!? ❜

[bifacialler]

This is maybe weird question, but. I'm strugling with drawing faces. My problem is, that any method of admeasuring face can't help me .Is there anything you can recommend me to do it better?

…this is a first art ask I ever got, this is exciting! =))

You wanted an essay. Here is an essay.

Let me start with a preface:

Faces are complicated. They are formed not only by bone and muscle, aka the ANATOMICAL STRUCTURE, but the also exist as parts of HEADS, that are parts of BODIES, and out bodies are basically objects like any other that exist within the multi-dimentional space of perceived reality, aka SPACIAL POSITIONING.

Sounds terrifying, I know.

Good thing about it is - we all are unique, therefore all faces are unique! Before starting with anatomy and such, I think it is important to welcome this idea that this Uniqueness IS Beauty. Therefore every face, no matter the proportion, racial features, anything else, is BY DEFAULT beautiful.

Basically, when drawing a face, the artist’s job (especially if this artist is of academic school, or focused on realism) is to detach from personal perception of aesthetical, and focus on studying the beauty of nature’s design. There will be time for personal taste and creative decisions.

To break the rules you need to know what rules there are.

How to Draw a HEAD

(Mostly because you can draw a disambullated head with some of that shoulder action and get away with it. When you draw just a face - it’s… well it can serve a purpose, but there will be questions. It’s generally better to think of a face as part of a head, it makes life a lot easier.)

As it is customary, the process of drawing an object starts with understanding two basic concepts:

The base shape: if you simplify the object to it’s most basic 3-dimentional shape, what shape would it be (a box, and elongated box, a sphere, a pyramid and so on.) Out of which comes the next one-

Where that object exists in relation to you, aka the Artist, since you are the one who will be drawing it. You have the power. The Power of Perspective.

A head is an object like any other. And a head, as an object, is A BOX.

The basic proportions of the box - and I’m talking the commonly art teacher accepted medium - are:

4 units tall : 2 units wide : 3 units deep

What is a unit, you ask? Will come to that, when talking about points and proportions.

So we have a box, and it’s something like this. 

(Picture belongs to Stan Prokopenko, who is a remarkable artist of anatomical drawing, and generally a professional art teacher. I suggest watch everything he ever made, he has ton of stuff on anatomy. http://www.stanprokopenko.com/)

The grey line in the middle signifies the line of symmetry of the face. It’s on the front plane of box, in the middle. The box is much easier understand that a head with a face. 

What we do with the box? We rotate it in any possible we can come up with, while keeping in mind the proportions. It’s important to always keep those proportions in the back of your mind. 

Why we do this? Because this box will tell us about about the lines of perspective that will interact with our portrait’s features. As you can see on Stan’s picture, the yellow lines indicate which way perspective goes.

(Perspective is a whole another topic altogether that would require a separate tl;dr post, so I’m going to step over it in this essay.)

I took the liberty to use one of your pictures to illustrate, especially since you asked for some feedback. 

Overall this is a good drawing, but see how the orange lines start to stray away from the perspective the box exists in? By sticking to the directions the box helps us with, we can get rid of that feeling of something being crooked - becasue all the facial features will exist in the same architecture as the rest of the head.

Second reason why the box is our friend is becasue on the box we can clearly understand: okay, this side is facing the light, and this is the side is in the shadow. This is the break line between the planes of the object. 

But Ler, you may say, the face is curvier than a box.  

Yes, young padavan. Here is a trade secret: first we tackle the overall, and then we go into details. (then we come back to overall, then back to details, and so on, until you can’t find anything sticking out of the unity of the piece, and you can decide that your job here is done. [it is never done, but perfect is an enemy of good, and sometimes good is “good enough” and “as good as I can do at the moment which is still good”)

This may sound familiar, because it is - it’s a lot like the Loomis method, which is, in it’s essence, your good old illustrative version of academic portrait, but without the hassle of learning all skull bones and facial muscles and crying yourself to sleep.

See how he clearly identifies here the border between the frontal planes of the faces and the side ones? Look how is is not afraid of laying that tone on the sides? This is what I’m talking about. He got it from The Box. 

(I would suggest reading Loomis’s books in general, and especially “Drawing the Head and Hands”, where the illustration above is from. His method of drawing heads is quite good, and he explains it in a very approachable way.)

Now that we sorta figured out the head in space, and the box the head truly is, lets figure out 

Where Do We Put The FACIAL FEATURES

There are a few different school of thought on “where the features are” and “what are the proportions”, so I’m going to share with you how I work around them.

My personal approach is a mix of different methods, and years of life studies - as I explained in the beginning every face is unique and has different proportions, and the more “cartoony” and “caricaturistic” (is this a word?) the style is, the more those proportions are exaggerated. 

My approach to placement of features goes like this [unless I got a life model before me, then I measure with my pencil, old school style.] It’s pretty math intense, so buckle up.

1) [Purple] Cranium is a SPHERE. The axis of the sphere is your friend. Cut it in 3 equal parts. Add one part down - hey presto, this is the height of your head. [Remember the thing about the proportions of the box? These are the units I was talking about. It’s all coming together now.] 

2) [Purple] Eyes exist in the middle of the axis. 

3) [Orange] The protrusion of the face is *design* and may vary. Rule of the thumb: make it an arc, similar to what I did. The lower jaw corner falls into the same cathegory, but I prefer it to be on the same level as the corners of the mouth.

4) [Magenta] Mark 1/7th of the height from the top - that’s your hairline. 

5) [Red] After you mark the hairline, divide the remaining part of the height in 3 equal parts. Lower part is chin to root of the nose, the middle one is root of the nose to eyebrows (actually to the glabella, but let’s call it eyebrows), the upper - from eyebrow to hairline. this is the Rule of Thirds. In reality nothing is perfect.

6) [Yellow] This is the tricky part. This is where I personally mark the border between the frontal facial planes and the side ones. There is a general guideline on how it’s done, but it does require understanding the skull and the subplanes of the frontal plane of the face. In layman’s terms, go from the hills of the forehead down to the middle of the brow, around the eye socket, over the cheek bone, through the middle of the cheek (preferably on an arc) to the chin bone, not foregetting the chind also has upper plane and lower plain and yes, there is a break between them, rounded as it is. 

7) [Dark green] Back to eyes. They are also spheres. In the drawing above I marked them as “width of 1 eye = 1/5th of the face’s width”. This is my design (and also the “fashion portrait design”, but don’t get me started) . What is not my design is that the distance between eyes is about the width of one eye, very convenient. The distance between the ear and the outer corner of the eye is 1 third of the rule of thirds. (see point 5) Don’t forget: eyelids cover the eyeball like peel covers the orange. It has thickness.

8) [bright blue] EAR! Love ears. Their traditional space is snuggly in the middle third. Also their angle usually follows the angle of the nose. 

9) [light green] Nose and Mouth. 

Nose.Take your middle third. Divide it by three (approximately). The top part is where the dip of the nose is. For reference is about the same level as the eyes, maybe a bit higher. The nose itself is a trapezoid. The general width of it - the space between the eyes. There is a shadow under it, in most cases. When drawing from reference, pay attention is the root of the nose goes lower than the edges of the nostrils. It’s important. That’s where character hides.

Mouth. Take your lower third. Divide it by two. That’s - no, it’s not the slit of the mouth. That’s the dip under the lower lip. Take the distance between the eyebrows and the eyes, measure it, and apply from the root of the nose down. That’s where the upper edge of the upper lip is. The width of the mouth is very different, but I prefer somewhere between the irises. 

Oof, that’s about it.

If you are looking into indepth anatomy, I’m going to recommend the bible of all anatomy artists, Mr Gottfried Bammes, and “The Complete guide to human anatomy for artists and illustrators”. No better book was ever assembled. I wouldn’t suggest “reading” it, it’s dry as stale bread, but it has hundreds of illustrations that are pretty self-explanatory.

How to combine this whole knowledge together?

By drawing. Honestly, the rest comes with practice. Lots and lot’s of it. 

I would personally suggest downloading a million photos of faces, plugging them into photoshop and studying then step by step as per process above. 

Second, I would suggest making studies of separate parts of the face: mouth, ear, eye and nose. Break them down into basic shapes. Look at what covers what. There things do in, where they come out. 

Third. After you do your studies on photos, draw the faces you studied. But don’t draw them to minute details. Be as constructive as possible. Basic shape - ok. Hairline - ok. Thirds in proper perspective! - ok. Border of light and dark sides - ok. And so on. 

First hundred many look like crap. It’s okay. You are learning. Then things will get better. The more you draw - the better it goes. The more your drawing chakras open. 

I hope this was helpful. Have fun. Do art. Post art. 

[panicattackpavlova]

This fucking chair IS my childhood!!!

No one can take it away from me. No one can take my love of nanny mcphee away from me.

She can't ruin it for me. It's important to my and i fight for what is important to me.

The name mrs brown is important to me because i knew an important person called mrs brown and she loved me like a daughter and as much as i miss her i will never foreget her.

No one can take away the things that are important to me. Absolutely no one.

No one is going to ruin my happy childhood nostalgia

I WON'T LET THEM

[panicattackpavlova]

Throw what at Elton

Seriously what is he about to throw at him

Who knows

I can't believe I've only just noticed that i didn't specify what Bernie was holding

He looks like he's about to throw a small piano at him

A small square piano

I would love to dream this again because it was so nice

It's 3AM and I've just had a funny dream that was basically Bernie and Elton walking out of a shop and Bernie looks so upset and says "you've betrayed the piano" and he looks like he is about to throw it at Elton and I just find it so funny.

[lm-production]

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