#not to mention incomprehensable

[nabaath-areng]

Fuck Sweden as a nation for turning the woobification of our history and culture into one of our greatest exports, pretending to be wholesome and peaceful while profiting from conflicts elsewhere. For never having the fucking spine to take any stance ever and acting high and mighty for being "neutral", all while frothing at the mouth to get a piece of that colonial cake from the cool kids table where the superpowers are seated. For recognizing Palestine's sovereignty only to then consider a withdrawal of said recognition in response to the current genocide. For allowing islamophobia to get to the point it is now and then pointing fingers at jews as a whole. For giving less of a flying fuck about swedish jews during WW2 and until now, yet patting ourselves on the back and taking credit for heroic deeds done primarily by individuals.

I wish nothing but absolute hell and misery for Ulf Kristersson, who is even more spineless about his inaction than I thought possible. Who had nothing to say about the burnings of the torah and quran, only to claim that he stands for fighting antisemitism. Who puffed up his chest and was acting so tough about the things he would do once he became prime minister, only to hold up on none of his lofty promises in true conservative fashion. Both he and his lackeys (as well as their fanclubs of raging screaming bigots) deserve nothing but hurt and hell for continuing to destroy the lives of all marginalized groups in Sweden, all while shamelessly increasing their own salaries blatantly in the open, to then have the sheer and utter gut to declare that actively supporting genocide is within our best interests.

This country's audacity is one that only became possible because we sacrificed our neighbours safety for the sake of maintaining our own, because when your most recent war was in 1809 it's apparently not possible to even try and comprehend the horrors of modern warfare. That is, besides producing the tools for it to happen elsewhere.

[1ddiscourseoftheday]

Liam was a boy, and then a man, who suffered so much trauma and pain. He was bullied as a child and then lived a nightmare that I think none of us can really imagine of having that triggering experience replicated on a literally global public scale. He became a man who inflicted trauma on others. He was an addict who was unable to find a way out of that disease, and now never will, but who was open and vulnerable about his struggles. He was an incredibly talented musician and artist and an absolutely integral part of one of the most important bands of a generation; his voice and songwriting and skill in the studio shaped every aspect of what One Direction became at their best. He loved that band and being a part of that experience with his whole being and would never have stopped celebrating what they meant to us and to the world. He had problems and did bad things; that doesn't mean he was a bad person who didn't deserve to be loved and helped to heal- everyone deserves that- and the fact that that's not something that can ever happen now is devastating. I was very distressed by many of his actions; and I cared deeply about this man I didn't know and wished for better for him than this outcome.

I'm so deeply, deeply SAD tonight. I'm sad for Liam, who will never now have the chance to look back on this hard time and reflect on how far he's come, and for Liam's family, for his parents and his sisters who loved and supported him so much, and for everyone in the 1D band family and circles. And I'm sad for us. It feels like nothing will ever be quite the same, and that's hard and sad and shocking. It's a special kind of doubled grief, to mourn the loss of the person, and also of what he meant to us in this strange world of parasocial fanning, for the real him and also for the version of him that we made up and attached so much meaning to and for the escape that brought us. For him, and also for the easy uncomplicated joy of listening to those beautiful songs from happier times, which might never feel the same again. For the other boys, who we love so much and wish we could shield from suffering and loss and pain. For our fellow fans, who we also worry about the impact of this on. Everything about this is terrible, and I am sending so much love out to all of you. We are not alone, and it's okay to feel complicated emotions and it's okay to mourn and it's okay to care about how it effects you and your life, whatever you're feeling- it's okay. We are here with you. We are 1D family.

[ferditheas]

fe3h as textposts (part 6 of ?)

[dmwrites]

The End seemed safe. Cleo thought. Nothing was safe, therefore, the most dangerous place to be would probably be the safest. She knew it didn’t make any sense, but nothing did, with gravity losing its pull and blocks getting sucked up into the sky and the damn moon not so much setting anymore.

Cleo went to the End by herself, and she regretted it. Not just becasuse the endermen were agitated and began pulling her rotting corpse of a body apart, but because she was alone. But the endermen were annoying too. Cleo understood it, to some extent. The world was ending, and it was either pulling up the few blocks of endstone that made up the ground under their feet, or pull her apart. They tore at her, her skin and bones taken from her body with screams to echo her own. They stayed angry, even if she didn’t look at them.

Cleo stopped fighting after a while. As far as she knew, everyone in the overworld was probably dead or gone now, so what really was the point? She was alive, but in the hands of terrified endermen. Soon, surely, she would join her friends in the afterlife. At least, that’s what she hoped.

And when the end of the world came and went, what remained in its wake was everywhere. Cleo lay in pieces, watching the world around her fall apart in ways that didn’t even make sense. She tried to call out for death, but there was no sound. The very little bit of her undead consciousness that remained held on, watching in horror.

And then, there was silence. For a long, long time. And Cleo was alive. Well, she was dead, but she’d always been dead. Death, it seemed, didn’t want her.

Her body lay in pieces, unseeing, hurting, and she wondered, in thoughts that took eons of effort to construct, if she would remain in this vacuum of time and space forever- almost nothing, but painfully enough.

And then, something changed. It wasn’t obvious at first, as the pain consumed her constantly. But then something touched her cheek. Something smooth, soft, warm, so different from every feeling that had consumed her for so long. Cleo couldn’t see, couldn’t speak, was torn so far apart that she was hardly anything at all, and yet she felt the warm touch of a human being. And then, a touch on her eyelid. Then her bottom lip. Then her neck. Someone was putting Cleo back together.

The pain was still there, but lessened now, day after day, as her body was reconstructed. Nerves and muscle and tissue were woven into place, and Cleo became more and more aware. First it was touch, the tugging of string, the swipes on a hand. Then smell. The person smelled of flowers, of sun-soaked soil. Then she could hear, a gentle humming that soaked into her very skin.

And then, one day, Cleo could see. Hands pulled away from her eyes, and there was a face hovering over her own. Long brown hair curtained Cleo’s face from the outside world, wherever that might have been. Cleo blinked hard, and the face came into focus. A long, angular face and wide blue eyes. Familiar. Not here, not in the reality Cleo had been pulled apart in. But familiar.

“Hi Cleo,” Pearl said. “You can hear me, can’t you? Blink twice if you can- your voice box isn’t re-installed yet, sorry ‘bout that.”

Cleo blinked twice, and Pearl’s face lit up in a huge smile.

“Cleo! Oh, I’m so glad you can understand! Golly, I… I’ll keep plucking away at this- you! Just… stay with me, okay?”

Pearl sewed Cleo back together with strings of sunlight and moonlight, all intertwined together to make her skin whole again. Gentle touches as she moved muscle and bone back into place, somehow reforming Cleo like she was clay. Pearl talked as she worked, fingers flying with hesitant assurance over Cleo’s body.

“I just never expected my cousin to actually come to visit. Silly girl.”

“It was horrible, just horrible to fall into that hole and not know where we were going to come back out. My wonderful friends, each one of them popped out of existence, one after the other.”

“They’re safe now, though. I saw to that. You will be too, Cleo. We all will. I promise.”

“I knew I had to find the rest of you, bring us to our new home.”

And at some point, Cleo opened her mouth and spoke.

“Pearl.”

“Oh golly goo! Cleo! Oh my god! You scared the life out of me! Does it hurt at all, does everything seem right?” hands flew to Cleo’s throat, gently palpating and examining. Pearl had a huge smile on her face.

“It doesn’t hurt. Not at all,” Cleo answered.

Pearl laughed, a kind of choked up noise that was so painfully human, something Cleo thought she’d never hear again. For the first time in a very long time, Cleo felt hope.

“Oh, I’m so glad, Cleo. You don’t know how afraid I was. Still am, because you don’t exactly have all your bits back, now do you. There is still your legs, and more nerve endings…”

As Pearl went to put a hand to Cleo’s face, Cleo grabbed her wrist. “How are you doing this, Pearl? This shouldn’t be possible. What you’re doing is… I don’t know, magic?”

Pearl shook her head. “Cleo, please just let me work. It’s not… just trust me, okay?” She wrenched her hand out of Cleo’s grasp.

Cleo knew this was real. She could reach out, touch Pearl’s hair, her face, her hands. She could see Pearl work now, leaned against an obsidian tower, looking out over a vastness of endstone, and darkness beyond that. An end island she distinctly remembered watching fall apart into nothingness. But here it was. Whole. Here she was. Almost whole. And there was Pearl, finishing up the stitching on Cleo’s legs with golden string that seemed to shine with a light that came from within itself.

Cleo stood.

“Who are you?”

Pearl walked her, arm in arm, to the portal in the middle of the island.

“I’m Pearl.”

Cleo looked at her. Underlit from the swirling portal like this, she looked tired. Her sunflower crown was wilting. Her green dress was coated with endstone dust. She was Pearl, but Cleo knew she was someone else too.

“Are you coming with me?”

“No. I’ll meet you there. I have others to find,” Pearl reached forward and hugged Cleo tight before stepping backwards into the end portal and disappearing.

The End was quiet now. Endermen had reappeared at some point, strolling among the reconstructed pillars and paying her no mind. Cleo looked over the island in grim amazement, more questions in her mind then answers. She ran a hand down her arm, assuring herself once more that she was real, she was as whole as a rotting corpse could be, and all of this was real too. It was. She was. Despite it all, she was going to be okay. She was going to see her friends again.

Cleo jumped into the end portal and closed her eyes.

——

The first day on the Hermitcraft season nine server, Cleo found herself counquoring a woodland mansion (“who on earth does this first day?” Cleo asked herself multiple times) with Impulse, Gem, and Pearl.

Pearl and Cleo died to a creeper explosion at the same time, and ended up respawned in the bed they’d set just for that purpose.

“Hi.”

“Hi Cleo.”

Cleo looked at Pearl. She was dressed in a pair of shorts and a hoodie, hair thrown back messily. Cleo almost wouldn’t have believed that this was the same girl who had stood over her in a flowing green dress, with her magic needle and thread, if it wasn’t for the knowing smile Pearl gave her.

“I guess I owe you,” Cleo said.

“You don’t owe me a thing,” Pearl replied, shaking her head.

“But-”

“Cleo! Pearl! Impulse just found a library and I’m pretty sure he’s gonna get blown up by creepers! You gotta come watch this!” Gem interrupted, yelling at them from a broken window.

“Coming!” Pearl replied, and took Cleo’s hand. “Come on, Cleo. We’ve got much more fun ahead of us. The past can wait.”

Cleo followed Pearl, still with more questions then answers. But Pearl was right. They were all together again, and there was much fun to be had. Cleo pushed the memories of pain, of light, of hope, into a small corner of her mind, and went to watch Impulse climb a ladder. He did get blown up, as it turned out. And it was hilarious.

[ace-of-arthropods]

manifesting

[renegadecreation]

"Benji didn't tell Ethan he got shot because he knew Ethan would stay with him instead of saving the world" no. Benji didn't tell Ethan he got shot because Ethan would have gone anyway, but the m:i production crew follows an "it's not the lion that eats you, it's the thousands of ducks that peck you to death" philosophy when it comes to stress on crew members affecting safety and this transfers to Benji remembering how he reminded Ethan he didn't want to die in RN and then Ethan drowned making sure he wouldn't die and concluding his mortality is very much a duck.

(little does he know that Ethan "your life will always matter to me more than my own" Hunt runs a little montage of the dead and living people he loves through his head to psych himself up for stunts per DR1, and Benji was never not going to be a duck.)

[nethnad]

thinking about time lords and their fucked up little society again and i just realized how devastating the revelation of the drums in the end of time is in relation to the master's character.

because of all the renegade time lords in the universe, i think it's the master who most exemplifies the philosophical outlook that the time lords have towards the rest of the universe. they're stuffy observers, administrators, yes - but this position is one they've decided for themselves because of this concept of supremacy over other life forms. imposed and upheld this idea that other species that lack a time sense are less-than, primitive. and the master buys into this hard.

and i mean... compared to the doctor, the master is good at being a time lord. he buys into these supremacist concepts, this idea that every other species (and especially humans) is practically a meaningless ant in the grand scheme of the universe. takes it to the extreme, yes, but its the same underlying principle. he's a good student (despite whatever chibnall might think) - that one time lord from terror of the autons (identity forever a mystery) (its brax) even says "he did receive a higher degree of cosmic science than you." the master could play their game if he wanted to. he's remarkably comfortable with being on gallifrey/the idea of gallifrey(in eot/tlotl) than the doctor ever is. where the doctor avoids the subject of the lord presidency like the plague, the master is like "well if you kill the president you ARE the president! and then you have all of gallifrey!" and when the doctor destroys gallifrey (nominally), the master tries to rebuild it in the sound of drums/last of the time lords. tries to emulate their society. honor them in his little fucked up way. he brings them back from the time war!

and what does he get for it? how did the time lords treat him in response?

they decide to implant the sound of drums in his head, stretching back until he's a child. puts this insufferable noise, this splitting headache, in his head for his entire life. all so that they may live while he dies. because he is diseased, because of them. he has swallowed the pill, bought their propaganda, he has followed the rules, he tried to rebuild them he tried. and in response he is chewed up and spit out like trash so that rassilon's god complex can survive while the universe crumbles.

how crushing must that be to someone? to have your whole worldview - that you are better, you are chosen, you are special - come crumbling down in a few short moments? to see the revered founder-god of the civilization you have so desperately tried to revive look at you and say "you are diseased," even though he was the one to poison you in the first place?

and as his heart is torn to pieces... when rassilon says "no more," and charges his gauntlet, the master - who has spent countless lives fighting death with his bare hands - does not move.

part of me thinks he does not want to.

[twentyfivemiceinatrenchcoat]

one thing about me is i will ship suguru geto with characters who aren’t even from jjk . also my mutuals

[casual-praxis]

It's Praxis rambling about Red hours

My two favorite interpretations of why Red acts the way he does in the manga kinda go hand in hand, but I do want to explore both at some point, even if neither are quite how I hc Red to be.

Interpretation 1: Red is simply faking his emotions. The way he bounces between moods so quickly without acknowledging his change could potentially be explained away as him exaggerating the reaction he thinks he’s supposed to be having.

He’s Link’s innocence (and optimism?) after all, this might be why he doesn’t always take situations seriously (hence, the Vaati fight). He’s kinda just playing along.

It’s for this reason that I do think his tears are definitely fake some of the time, but it’s interesting to think the ability to cry on command might pair with Link’s lying/acting capabilities (which went to Vio). Red’s just missing the ability to act alongside his emotional outburst, which is why they feel so jarring sometimes.

I know some variations of this hc include Red doing it for manipulation reasons, which he could be, but if so, he’s doing it really badly. Like, at no point does his crying/excitement/what-have-you ever get one of the others to do what he wants lmao.

I think the closest we get to Red manipulating in this case would be in the ice cave where he tells Blue, "I never thought I'd see you again. I thought I was alone forever," while crying in a much more subdued way. To which Blue seems to respond..positively? I've always interpreted Blue's expression in that panel to be soft, but I don't know exactly what emotion it is, other than maybe the semi-gentle realization that Red cares about him? (It could also just be the realization that Red is alone and that means they're all still split up, since Blue's attitude shift doesn't actually occur until after the fairy tells him to chill.)

Interpretation 2: Red is aware of the audience, and acts according to how they might expect him to. This idea comes mostly from how Red is the only one to directly break the fourth wall by acknowledging the readers, and how they expect something of him, but would be an interesting way to explain his behavior.

In the first chapter, Red acts the most different from how he does later in the manga, as their personalities really haven't been established yet outside of vague dialogue and expressions (plus Green and Blue squabbling). At no point does he remark on being scared or even really show signs of it (outside seeming a little panicked about releasing Vaati again), and he willingly attacks the enemy without prompting, as one would expect a Link to do.

It's not until they get their names and assigned personality traits does Red really start acting as the comedy relief, as the audience probably expects of him. He almost seems to lean into it on several occasions.

I like to think this is why his reaction to Shadow's death is so muted. He either didn't know how he was supposed to be reacting, or just assumed he was out of frame so he was idling (which is the funnier explanation).

Wouldn't it be wild if he knew the actual manga's theme was personality, and that's why his is so all over the place?

[sideblogdotjpeg]

have been thinking about professor sol even. professor bufo with no clearly discernable lesson plan. sol bufo ostensibly martial arts professor who spent two weeks running a yoga and meditation program and shows up to the next class with crochet hooks for everyone. professor bufo who is technically supposed to be assigning grades to students but hasnt given anyone less than an A because "i think they worked really hard and they did a great job :)" (referring to the ugliest and most malformed pot holder anyone has laid eyes upon in their life). professor bufo who is on his way to cluelessly kickstart the sexual awakening of about half the cohort of the academys new students. sol bufo adjunct professor who is gone half the year and his first class back is so immediately and easily baited into going into a long tangent about how cool his friends are. sol who is pretty sure hes easily the most useless professor on campus and almost cries when he sees his little desk overflowing with thank you notes at the end of the year. professor bufo absolutely fucking gloriously hot in the tightest little sweater vest because there were faculty complaints when he wore a crop top to class.

[targarrus]

bele sanje

[fazgoo-connoiseur-1987]

thinking about how overwhelming William's desire to have Henry's hands on him and in him was for the longest time (round about 20 years). How it got weirder, more intense and borderline spiritual after Henry saved his life from something they'd made together. This sort of perpetual reverence that's almost exausting.

And then it happens, they get intimate, and it's underwhelming and regular and discustingly human in a way that makes him feel sick. The want isn't sated because nothing really could (bar Henry actually killing him). If anything it makes it worse- the knowledge that the things he wants from this man are wholely unobtainable. It leaves him directionless and desperate in a way he refuses to analyse.

[jazzically]

guys i think The Vast as a concept is my favorite. or at least in my top 5. i love it so freaking MUCH AAAAHHHHHHHHH I . LOVE THE VAST!!!!!!!!!!!!!!!!!!!! it's SO COOL AND SCARY i mean have you ever laid on your back in a field at 4 pm in perfect weather and just. stared. for an hour into the empty blue. or ducked your head underwater after going "just a bit" farther than you can touch. or traveled a winding freeway in the valley of two giants of the earth and recalled a time you looked across the land from one of their peaks. or taken a microbiology course and, even once, attempted to liken yourself to an atom. cuz i have and it's one of the greatest thrills i have experienced. michael crew and simon fairchild's statements are among my favorites (i have so many aaaa reeeeeee)

in mag 174 there is a comparison of different vastnesses (those on the ground and those making up the Great Beast) and they are both INCREDIBLE the ambience is amazing

[mrhunnynuts]

fanart for the fanfic invisible string!! one of my fav dadvid fanfics of all time i love it sososo much 🫶

[sajdd]

for reasons incomprehensible i thought you were polish

this is hilarious because i am polish actually

[peachfruitcake]

did you hear about what Martin said about Susan and Linda on the Twitter space he hosted on the 27th? i thought of you instantly when he started talking about them and have been waiting for you to post your thoughts! :-)

HEHE YES IM THE ONE WHO’S QUESTION LED TO THAT!!!!!

Now for those who didn’t listen to that space, Martin said that Linda called her to say goodbye but never specified how it went of course. Besides “hey Susan I’m leaving sorry this is really impacting my mental health” “gaaaaaaaaaaey”/j

This is all a personal headcanon but I like to think that their friendship grew incredibly distant ever since Linda married Felix, Susan probably stopped talking to her altogether for a while and it would leave Linda very confused and upset. They might’ve started talking to eachother again a little bit as the series of events began to approach but only very brief small talk, maybe Linda complaining a little and giving Susan a few life updates and them both talking about stuff they’ve been noticing with others lately (especially Felix’s drinking), but nothing deeper than that.

I see Susan being extremely emotionally closed off to most people except maybe a select few that she knows very closely, so if you were to ask her what’s going on in her life she’d give you a very vaguely watered down version and not what’s actually going on or how she’s really managing herself emotionally.

So basically she used to be more open with Linda, but during that period she sort of just started treating her like a stranger.

So when Linda called her first to tell her that she’s finally leaving, Susan acted how she usually would, keeping it calm, understanding and respectful and wishing her luck, but she won’t really show any more than that. Or that she cried later and felt pretty bad that they couldn’t be so close anymore and that she’ll probably never be able to make up for herself acting so distant for the past many years again.

Of course this all comes from how I view Susan as a character myself though and also the fact that I refuse to pass up the idea that she has feelings for Linda. I like to think that she introduced her to Felix cuz Linda was getting more desperate to find a relationship and Susan was getting weird thoughts so in a panic she shoved her off to him so she could avoid the urges. They’ve been boiling within her since highschool and she always was able to push them aside or excuse them as “she’s just my very close friend I don’t have many close friends so she feels extra special” and as the years went by they began distracting her a lot from her work and were growing stronger and more unavoidable aaand they were really beginning to affect how she’d interact with Linda and you see Susan hates feeling like another has any control over her and Linda just wouldn’t shut up about hooooow badly she wants a relationship and hoooow many dates keep failing and Susan was at the point to where she was starting to get the kind of dreams that make you stare up at the ceiling in horror when you open your eyes in the morning so one day when she overheard Felix speaking about being single and wanting to start looking around, she decided to introduce her to him. Susan allegedly never finds a problem she can’t fix in some way so that was her solution.

They hit it off, Susan’s solution isn’t working for some reason cuz she doesn’t feel any relief at all and in fact feels worse but just sucks it up and just focuses on her work and looks the other way. Linda and Felix get married, Susan feels like throwing up the entire day and now feels somehow even more worse by now and suddenly whenever Linda wants to chat she’s suddenly always “busy” every time. Susan’s often busy anyways but you know yourself when there’s a difference between “shit I’m busy that day, let’s do Sunday instead” and “Sorry I can’t, I’m busy”, “I don’t know when I’ll be available.”

While Linda and Felix were dating, Susan probably assumed that she was just jealous that she couldn’t have a little fun at her age herself. When they got married, Susan told herself that she’s probably so depressed over it cuz it’s making her feel like she’s fallen behind others her age and that maybe she feels bitter that all of these people are moving on and going through these important life stages while she remains behind. Which made no sense otherwise cuz Susan couldn’t give any less of a fuck about starting any sort of family or going out. But that’s what Susan would tell herself that she feels so she wouldn’t have to think about it any further. By the time Susan thinks she’s over whatever it was, she begins having brief talks with Linda occasionally. Not often and still a bit distant, but way better than before.

So yeah can you imagine how shitty and guilty Susan felt that whole time of her weird bitterness toward Linda being in a relationship and not being able to approach her much anymore or how Felix turned out to be such a shitty husband.

If this headcanon is aligned with twf’s canon, she’d probably be dead before she even gets to actually acknowledge and accept her feelings as they are. Such is life though. Not like she could’ve done anything about it.