#operational modes

[hvac-eng]

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[infamous-if]

i wish i could tell you guys what im struggling with but i cant because it'd be super spoilery but lets just say writing a story with a large cast is fun until they start acting like a large cast (aka too many characters to keep track of)

in other news im nearly done with chapter 4 and it will be in your hands soon (if i dont rip my hair out first /lh)

[waitineedaname]

I made a flowchart for Binghe's average decision making process

[isawthesainz]

shirtless carlos because i am a simp for this man

[eobe]

Tech quickdoodle as redemption for my tag game idea 😂 started 9:27 pm and finished 22:19 pm – improvement!

Still drawing padawan as you can see with Tech‘s hair. Practising is everything ☺️

[flibbleynova]

We had created monsters we couldn't control. We drugged them, tortured them, eviscerated them... we brutalized their minds, but it did not work. Until they came. And it was not their force of will, not their Void devilry, not their alien darkness... it was something else. It was that somehow, from within the derelict-horror, they had learned a way to see inside an ugly broken thing...and take away its pain

[avalost]

nice canon scene you got there. don't mind if I mentally rewrite it to add details specific to my oc

[shallowseeker]

I think I forgot to answer why I think Mary named her child after Deanna first.

I think her mama was her hero, but in short, it's about the grief of becoming a mother while her own is gone.

The long one?

Mary was young. Scared.

She picked fights with her dad, leaning into TV stereotypes about strict, authoritarian fathers and rebellious daughters who run off with the boyfriends.

Because... it was easier than facing how petrified she actually was. John didn’t have the hunter skills her parents did. That meant dragging someone green into the life. It meant being responsible for someone she loved in that terrifying context.

(I mean... She trained her whole life, day and night, and no matter how prepared the was, demons were still able to grab her and smash her into the wall, like she was nothing.)

When Dean mentioned John being in danger, Mary looked immediately to her mother Deanna to soothe that fear.

///

But besides all that, Mary couldn't square what she loved about hunting (and herself) with the parts that scared the Hell outta her.

So she lashed out. Turned her parents into a cartoon enemy.

And somewhere in all that, she forgot they were just… her messy, imperfect, fallible hunting family. People who loved her.

And she thought they'd always be there, when she either (a) needed to rely on them or (b) save a friend.

Despite everything, they were a soft place to fall.

Her dad, with all his rough edges. Her mom, who could hit a mark with her eyes closed.

Mary took them for granted because she thought she had time. Even if she ran away, she knew deep down, she could come back to them anytime.

But then they were gone.

And the way Azazel took them... it wasn’t just violence... it was cruel, a mockery of everything their family stood for. When Mary asks, “My parents too?” it’s not just the shock talking—it’s guilt. Because suddenly it’s all clear. She’d been so busy dreaming about escape, about starting her OWN family, that she forgot to appreciate the family she already had.

///

So.

When she had kids, she didn’t name them after her parents because it was sweet, or traditional. She did it because the grief stuck.

Because it never really healed.

And in the primary timeline, she keeps getting caught in situations that replay her grief.

Because naming her own kids after the parents she adored wasn’t closure. It was a scream into the void.

I want my mama! (I’m becoming a mommy, and—she should be here. She should be showing me how.)

[deathandnonexistentialdread]

do you think that Yami wants to say that out loud every time someone blames him for something?

[chais-corner]

THIS IS FOR A MINECRAFT AU

cain beating himself up over the fact he didn't work for his position in any facet of his career (even from the start, when he was a child picked up by the schola progenium) meanwhile yarrick fought and worked for his position (even from the start, as an orphan fighting to survive as his homeworld was invaded by orks)

yarrick beating himself up over the fact that he should have been like cain. he should have been better. cain was a much better commissar than he was—his title proves it. cain was the hero of the imperium, yarrick was simply the hero of a single planet.

of course, it's not like their titles mean anything anymore, since they're... somewhere else. certainly nowhere in the imperium! (continued in the tags)

[aecholapis]

Megs and Strika should have bi and lesbian flag colored biolights respectively

[princescar]

Crazy how despite Mikan's love for gory movies and blood, she doesn't do an over the top murder. She doesn't even do a medical themed murder despite it being the main focus of the chapter. (Only one of her victims was a patient and she just strangled her)

Crazy how, when she wants to commit a murder for Junko, she does neck trauma.

That's Yasuke's M.O.

[frameconfessions]

I think it was better when new players didn't as easily get spoiled about humans piloting the warframes. The Duviri Paradox shouldn't be playable until at least around the time of The New War.

.

[flibbleynova]

It's 3am and you sneak downstairs for a cube of cheese. It's dark, and you stub your little toe on the corner of the door.

[dykedvonte]

I'm probably going to post about this on the MW subreddit, but I still find it pretty hilarious that most fans assume the "struggles" Jimbalaya was dealing with back on Earth were related to criminal acts (usually in order to demonize Curly) meanwhile most of the pieces of clues I've gathered from the HFIM dlc and the QnAs we got about the characters' lives have lead me to believe Jimbalaya's struggles were about poverty.

In the HFIM dlc we're pretty clearly playing a fish version of Jimbalaya, and the whole game is about how a capitalistic system ruins people (fish) and those that climb up help perpetuate the system and those that go down just get eaten. So it's pretty interesting to me that Jimbalaya fish even after consuming other fish and items... keeps going down.

But it was the third QnA that sealed it for me. Curly's hobbies are around a lot of friends and family that he could join interesting things. And of course play snow sports in Winter. Winter snow sports... which let's be honest is a pretty expensive hobby to have. Meanwhile, Jimbalaya can't afford any hobbies other than joining one with Curly.

I think this kinda just adds more fuel for Jimbalaya to both envy yet aspire to be like Curly.

I dunno, it's just fascinating to me watching so many fans claim the "struggles" were so obviously to do with crime when most of the current evidence I noticed seems to point towards money related issues.

-🌟 Anon

I think both are valid and valuable interpretations that’s the MW fandom makes but I think the major problem with it is the severity in which they make Jimmy out to be every factor wrong with men in society.

Like I think it’s interesting to use the idea he has some record, misdemeanors/petty stuff, that has complied to make his life more difficult. It’s all his own doing for his entitlement and general behavior but it can also be used to comment on Capitalism banking on desperation and envy. A lot of his actions are desperate because he knows his crimes on the Tulpar will make it virtually to climb any ladder, anywhere anymore due to their weight. Like in the end the problem is undeniably how the proverbial rat race creates environments that fosters Jimmy’s and creates ineffective systems like Curly represents.

Curly on the other hand benefits from the corporate part of it with his financial freedom, stability and prestige but he too is socially stagnant, deeply unhappy in the identities placed on to him and unrecognizable as anything other than a cog in the machine. I think this goes in tandem with the other members too as the identities placed onto them in the scenario all represent stages in capitalism and class discrepancies: Anya represents largely marginalized identities (particularly women in blue collar fields/harassment) and how they ultimately have to fend for themselves. Daisuke a sort of perception of both a class between Curly and the rest, protected no matter the effects of the establishment due to his home life but at the same time he is the metaphorical future gen, things stripped from him as the older generations squabble amongst themselves in private conversations leaving him unequipped. Then there’s Swansea being sort of those who have lived through it, knowing how it ends but ultimately still lack the skills, resources and want to change it, letting it cycle.

The entire thing with Jimmy circles back to the fandom ultimately wanting easy solutions to the events in the games, a face to blame and a weird black and white thinking to issues that are dangerous to view that way.

[biracy]

Having, like, long hair as a trans guy is so funny bc I think I generally look like a skeevy metalhead sort of dude. Skater MAYBE. And then u go online and someone obviously trying to be nice and progressive will b like "wow I love when trans men are femme presenting 🥺🥺🥺😍🥰"