#patrick nadeau

[ruemorinpointcom]

Évènement Éco-conseil 2024

Villes créatrices de santé, vendredi le 26 janvier 2024 à l’UQAC Continue reading Untitled

[unknown171204]

Les Enfoirés meet Starmania

Les restos du coeur ( the restaurants of the heart ) is a food aid association, created by the comedian Coluche in 1985 with Daniel Balavoine as godfather

To promote his project and collect donations more easily, Coluche came up with the idea of ​​asking the immense French lyricist Jean Jacque Goldman ( he is best known internationally for having written the French songs of Céline Dion) to create an anthem sung by French celebrities to present his charitable association :

Despite the death of Coluche in 1986, his association will survive him, it still exists today and each year a major show is put on and performed by volunteer French artists called :

La Troupe des Enfoirés ! !

( The Bastards Troop !! )

But what does this have to do with Starmania ?

In 1993, the Enfoirés sang for their third show, the songs of Plamondon and Berger

28 artists will meet for an evening :

The Actors : Josiane Balasko / Michel Blanc / Valérie Lemercier / Claire Nadeau / Martin Lamotte

The Comedians : Élie Kakou / Les Nuls / Muriel Robin / Pierre Palmade / Smaïn

The Singers : Diane Dufresne / France Gall / Renaud Hantson / Peter Kingsbery / Jean-Jacques Goldman / Patrick Bruel / Michael Jones / Jacques Dutronc / Patricia Kaas / Liane Foly / Yannick Noah / Tonton David / Vanessa Paradis / Florent Pagny / Alain Lanty

Full CD :

I'm not sure if the recording is complete but I found a potential copy of the VHS :

More Starmania ? Curious to discover other French musicals ?

My Masterlist is here :

[detournementsmineurs]

“Les Vieux Fourneaux 2 : Bons pour l'Asile” de Christophe Duthuron (2022) - suite de ses "Vieux Fourneaux" (2018) et adapté de la bande dessinée éponyme de Wilfrid Lupano et Paul Cauuet (2014) - avec Pierre Richard, Eddy Mitchell, Bernard Le Coq, Alice Pol, Myriam Boyer, Claire Nadeau, Patrick Ligardes, Jean Sarrus et Camille Boitel, avril 2025.

[lilanoirsources]

Patrick Nadeau

[deko-ideen]

Entspannendes, hügelförmiges französisches Ökohaus von Patrick Nadeau

Der Sommer klopft fast an die Tür und seine Hitze macht uns schon zu schaffen. Es ist eine Zeit, in der jeder nach einem kühlen oder schattigen Ort sucht, der uns den nötigen Komfort bietet, damit wir der Hitze der Sonnenstrahlen und der warmen Luft, die in der Atmosphäre schwebt, trotzen können. Hier ist es ein Ort, der für diese heißen Sommertage perfekt scheint. Es ist ein von Patrick Nadeau…

[firstofall-howdareyou]

So I had a bit of free time and I went on a Nic Nadeau deep dive. I've concluded that those programs were 100% not Scott's fault, the boy is athletic and not much else, poor thing. He does the same moves pretty much with any choreographer. I think Scott imagined like a Patrick Chan or Jeff Buttle in his head when he choreographed and just assumed that the skater would imbue the programs with that artistic je ne sais quoi. It wasn't something Scott could fix.

Oof that’s unfortunate. At least we’re finally getting an international test at worlds this week for his choreo!

[surrealistnyc]

A Spark in Search of a Powderkeg

Rebellion is its own justification, completely independent of the chance it has to modify the state of affairs that gives rise to it. It’s a spark in the wind, but a spark in search of a powder keg.

André Breton

If only one thing has brought me joy in the last few weeks, it began when the matriarchs at Unist’ot’en burned the Canadian flag and declared reconciliation is dead. Like wildfire, it swept through the hearts of youth across the territories. Reconciliation was a distraction, a way for them to dangle a carrot in front of us and trick us into behaving. Do we not have a right to the land stolen from our ancestors? It’s time to shut everything the fuck down!

Tawinikay (aka Southern Wind Woman)

The toxic cargo carried in Canadian pipelines, whether it be tar sands oil or fracked liquid natural gas (LNG), is, according to all serious climate scientists, a major, perhaps even decisive contribution to global warming, i.e. ecological catastrophe.   Meant to fuel industrial expansion, the pipelines have themselves become fuel for revolt. Designed to move these dirty fossil fuels from one location to another, they are a crucial element in normalizing the dubious paradise of unlimited growth in awe of which all obedient consumer/citizens are supposed to genuflect. In what the colonial mapmakers have called British Columbia (BC), resource extraction has always been the name of the game. However, the emergence in February of this year of a widespread oppositional network ranging from “land back” Indigenous warriors to elder traditionalists and from Extinction Rebellion activists to anarchist insurrectionaries was heartening. Railways, highways and ferries were blockaded, provincial legislatures, government administrative offices, banks and corporate headquarters were occupied. The catalyst for this rebellion was a widespread Indigenous uprising that refused the illusory promises of reconciliation. Together, these rebel forces disrupted business as usual in solidarity with the Unist’ot’en Big Frog clan of the Wet’suwet’en tribal house.

       ​As objective chance would have it, the primary Indigenous land defense camp is situated not far from the same Hazelton, B.C. area to which surrealist Kurt Seligmann and his wife Arlette had journeyed in 1938. During that time, they visited Gitxsan and Wet’suwet’en villages, marveled at the imaginative power of the totem poles and ceremonial objects, made field notes, shot 16mm film, collected stories and recorded mythic histories. Now, in 2020, growing numbers of these same Indigenous peoples have been threatening to bring the Canadian economy to a grinding halt. Unwilling to be bought off by corporate petrodollars or mollified by a legal system that has never done anything but pacify, brutalize, or betray them in the process of stealing their land, Indigenous peoples passionately fought back against the forces of colonial law and order in a radical whirlwind of willful disobedience and social disruption. One action built upon another in creating a rolling momentum that seemed unstoppable. When one railroad blockade would be busted by the Royal Canadian Mounted Police (RCMP), another would spring up in its place elsewhere extending the frontlines of the battle all across the continent. Then the debilitating Covid-19 virus arrived to compound the damage that had previously been done to the capitalist economy by the incendiary virus of revolt. The resistance of these Indigenous communities against the pipelines concerns all of us, worldwide, since they are on the front lines of the struggle to prevent cataclysmic climate change.

       ​In the future, a key question will be whether Canadian authorities can successfully put the genie of Indigenous rebellion back in the colonial bottle of “reconciliation”. As surrealists, we hope they will not, and we stand in solidarity with the unreconciled insurgent spirit of defiant Indigenous resistance. A new reality is to be invented and lived instead of the one that today as yesterday imposes its environmental miserabilism and its colonialist and racist hierarchies.  As surrealists, we honor our historical affinity with the Kwakwaka’wakw Peace Dance headdress that for so long had occupied a place of reverence in André Breton’s study during his lifetime before being ceremoniously returned in 2003 to Alert Bay on Cormorant Island by his daughter, Aube Elléouet, in keeping with her father’s wishes. With this former correspondence in mind, we presently assert that our ongoing desire to manifest the emancipation of the human community as distinctively undertaken in the surrealist domain of intervention is in perfect harmony with the fight of the Indigenous communities of the Americas against globalized Western Civilisation and its ecocidal folly.

                                                                                                               Surrealists in the United States: Gale Ahrens, Will Alexander, Andy Alper, Byron Baker, J.K. Bogartte, Eric Bragg, Thom Burns, Max Cafard, Casi Cline, Steven Cline, Jennifer Cohen, Laura Corsiglia, David Coulter, Jean-Jacques Dauben, Rikki Ducornet, Terri Engels, Barrett John Erickson, Alice Farley, Natalia Fernandez, Brandon Freels, Beth Garon, Paul Garon, Robert Green, Maurice Greenia, Brigitte Nicole Grice, Janice Hathaway, Dale Houstman, Karl Howeth, Joseph Jablonski, Timothy Robert Johnson, Robin D.G. Kelly, Paul McRandle, Irene Plazewska, Theresa Plese, Michael Stone-Richards, David Roediger, Penelope Rosemont, LaDonna Smith, Tamara Smith, Steve Smith, Abigail Susik, Sasha Vlad, Richard Waara, Joel Williams, Craig S. Wilson

Surrealists in the UK: Jay Blackwood, Paul Cowdell, Jill Fenton, Rachel Fijalkowski, Krzysztof Fijalkowski, Merl Fluin, Kathy Fox, Lorna Kirin, Rob Marsden, Douglas Park, Michel Remy, Wedgwood Steventon, Frank Wright, the Leeds Surrealist Group (Gareth Brown, Stephen J. Clark, Kenneth Cox, Luke Dominey, Amalia Higham, Bill Howe, Sarah Metcalf, Peter Overton, Jonathan Tarry, Martin Trippett), the London Surrealist Group (Stuart Inman, Philip Kane, Timothy B. Layden, Jane Sparkes, Darren Thomas) and the surrealists of Wales (Jean Bonnin, Neil Combs, David Greenslade, Jeremy Over, John Richardson, John Welson)

Surrealists in Paris: Ody Saban and The Surrealist Group of Paris (Elise Aru, Michèle Bachelet, Anny Bonnin, Massimo Borghese, Claude-Lucien Cauët, Taisiia Cherkasova, Sylwia Chrostowska, Hervé Delabarre, Alfredo Fernandes, Joël Gayraud, Régis Gayraud, Guy Girard, Michael Löwy, Pierre-André Sauvageot, Bertrand Schmitt, Sylvain Tanquerel, Virginia Tentindo, Michel Zimbacca)

Surrealists in Canada: Montréal (Jacques Desbiens, Peter Dube, Sabatini Lasiesta, Bernar Sancha), Toronto (Beatriz Hausner, Sherri Higgins), Québec City (David Nadeau), Victoria (Erik Volet), the Ottawa Surrealist Group (Jason Abdelhadi, Lake, Patrick Provonost) and the Inner Island Surrealist Group (as.matta, Jesse Gentes, Sheila Nopper, Ron Sakolsky)

The Surrealist Group of Madrid: Eugenio Castro, Andrés Devesa, Jesús Garcia Rodriguez, Vicente Gutiérrez Escudero, Lurdes Martinez, Noé Ortega, Antonio Ramirez, Jose Manuel Rojo, María Santana, Angel Zapata

Surrealists in Sweden: Johannes Bergmark, Erik Bohman, Kalle Eklund, Mattias Forshage, Riyota Kasamatsu, Michael Lundberg, Emma Lundenmark, Maja Lundgren, Kristoffer Noheden, Sebastian Osorio

Surrealists in Holland: Jan Bervoets, Elizé Bleys, Josse De Haan, Rik Lina, Hans Plomp, Pieter Schermer, Wijnand Steemers, Laurens Vancrevel, Her de Vries, Bastiaan Van der Velden

Surrealists in Brazil: Alex Januario, Mário Aldo Barnabé, Diego Cardoso, Elvio Fernandes, Beau Gomez, Rodrigo Qohen, Sergio Lima, Natan Schäfer, Renato Souza

Surrealists in Chile: Jaime Alfaro, Magdalena Benavente, Jorge Herrera F., Miguel Ángel Huerta, Ximena Olguín, Enrique de Santiago, Andrés Soto, Claudia Vila

 The Middle East and North Africa Surrealist Group: Algeria (Onfwan Foud), Egypt (Yasser Abdelkawy, Mohsen El-Belasy, Ghadah Kamal), Iraq (Miechel Al Raie), Syria (Tahani Jalloul), and Palestine (Fakhry Ratrout)

Surrealists in Prague: Frantisek Dryje, Joe Grim Feinberg, Katerina Pinosova, Martin Stejskal, Jan Svankmajer

The Athens Surrealist Group (Elias Melios, Sotiris Liontos, Nikos Stabakis, Theoni Tambaki, Thomas Typaldos, Marianna Xanthopoulou)

Surrealists in Costa Rica: Gaetano Andreoni, Amirah Gazel, Miguel Lohlé, Denis Magarman, Alfonso Peña

Surrealists in Buenos Aires: Silvia Guiard, Luís Conde, Alejandro Michel

Surrealists in Australia: Anthony Redmond, Michael Vandelaar, Tim White

Surrealists in Portugal: Miguel de Carvalho, Luiz Morgadinho

Surrealists in Bucharest (Dan Stanciu), Mexico (Susana Wald), and the Canary Islands (Jose Miguel Perez Corales)

 Postscript: During the process of gathering signatures for the above declaration, we were inspired to see its uncompromising stance against white supremacy and police repression reflected in the brightly sparkling flames of the Minneapolis uprising that lit a powder keg of pent-up rage and incited an earth-shaking eruption of spontaneous rebellion in the streets of America. It was only fitting that in solidarity with the uprising about police brutality kicked off by George Floyd’s execution/lynching at the hands of the police, anti-racism protestors in the United States would take direct action by beheading or bringing down statues of Christopher Columbus, genocidal symbol of the colonial expropriation of Native American lands. (Guy Girard, Michael Löwy, Penelope Rosemont, and Ron Sakolsky, June 18, 2020).

[thenoblehome]

(via Patrick Nadeau)

[mikrolactaki3]

#BettysAdventCalendar - Days 6, 7, 8, 9

Patrick, Beckett, Lea and Cameryn are my entries for the #BettysAdventCalendar challenge hosted by @ladybetty​.

-- DAY 6 -- Theme: Create a Child For day 6, I created Patrick, a child.

Name: Patrick Rains Age: Child Traits: Geek Packs used: Tiny Living - Get to Work - Seasons

-- DAY 7 -- Theme: Sim with Snowy Outfit For day 7, I created Beckett, a snow-ready Sim.

Name: Beckett Bowden Age: Young Adult Traits: Active - Loves Outdoors - Outgoing Packs used: Eco Lifestyle - Romantic Garden Stuff - Seasons

-- DAY 8 -- Theme: Black + 1 Color For day 8, I created Lea, dressed in Black and Gold.

Name: Lea Barker Age: Young Adult Traits: Hates Children - Romantic - Ambitious Packs used: Luxury Party Stuff - Island Living - Discover University - Get Famous - Vintage Glamour Stuff

-- DAY 9 -- Theme: Create a Teen For day 9, I created Cameryn Nadeau, a teenager.

Name: Cameryn Nadeau Age: Teen Traits: Creative - Dog Lover Packs used: Tiny Living - Discover University - Luxury Party Stuff

Enjoy :)

~ Joanne aka mikrolactaki3 ~

[sunkentreasurecove]

[hufmagazine]

Casey, photography by Yan Bleney for HUF Magazinehttp://hufmagazine.com/casey-photography-by-yan-bleney-for-huf-magazine/

[permaculture-des-hommes-blog]

Faire baisser ses impots Fonciers graçe à son jardin

crédits  “La Maison-Vague”, Reims, France by Patrick Nadeau.

Les avantages d’une maison enterrée

Construire une maison enterrée présente de nombreux avantages. Le premier d’entre eux repose sur la capitalisation de la masse thermique de la terre, qui aura un effet sur la température au sein de l’habitat. En effet, la terre, grâce à ses propriétés thermiques, constitue un isolant naturel qui permet de maintenir une température constante au sein de la maison : les parois restituent la chaleur accumulée en été pendant les mois d’hiver et garde la maison au frais en été. Cela permet donc de faire des économies drastiques de chauffage et/ou de climatisation. Il est également possible d’installer des panneaux solaires pour faire encore plus d’économies d’énergie. De plus, l’architecture particulière des maisons enterrées (formes arrondies), laisse une grande place à la luminosité grâce aux grandes baies vitrées.

Un autre avantage de ce type de bâtiment est sa capacité à résister aux intempéries et aux sinistres (incendies, tempêtes, tremblements de terre…) contrairement à un bâtiment « classique », grâce à son ancrage dans le sol.

En outre, la maison enterrée ne nécessite pas d’entretien particulier (hormis quelques travaux de jardinage). Les coûts de maintenance sont donc faibles. De plus, elle s’intègre parfaitement à son environnement et ne laisse pas d’empreinte écologique.

Enfin, ce type d’habitation atteint quasiment l’autosuffisance grâce aux systèmes de gestion et de récupération de l’eau (permettant d’alimenter lave-linge, lave-vaisselle, WC...) et à l’installation de serres permettant de s’approvisionner en nourriture (du moins une partie).

Le principal inconvénient d’une maison enterrée est l’humidité. Ainsi, le design de la maison devra permettre d’optimiser la circulation de l’air afin d’assurer la qualité de ce dernier dans toute la maison.    

Grâce à son architecture originale et « naturelle », la maison enterrée constitue donc un espace de vie lumineux, confortable et surtout très écologique. En effet, cet habitat favorise les économies d’énergie et respecte l’environnement dans lequel il est construit. Face à un investissement croissant en immobilier, à une raréfaction des espaces verts combinés à une régulation plus stricte des habitats durables, les maisons enterrées semblent être une solution viable pour faire face au triple défi écologique, économique et énergétique.

[lilanoirsources]

Patrick Nadeau

[emiliegiordano]

Patrick Nadeau, la Maison Vague, 2012.

Soucieuse d'un avenir plus durable, je me suis penché sur la question d'un design et d'une architecture plus eco-responsable.Le travail de Patrick Nadeau m'a interpellé. En effet, ce-dernier met au coeur de ces projets le vivant, la nature et le croise avec l'habitat.

[deko-ideen]

Entspannendes, hügelförmiges französisches Ökohaus von Patrick Nadeau

Der Sommer klopft fast an die Tür und seine Hitze macht uns schon zu schaffen. Es ist eine Zeit, in der jeder nach einem kühlen oder schattigen Ort sucht, der uns den nötigen Komfort bietet, damit wir der Hitze der Sonnenstrahlen und der warmen Luft, sterben in der Atmosphäre schwebt, trotzen can. Hier ist es ein Ort, der für diese heißen Sommertage perfekt scheint. Es ist ein von Patrick Nadeau…