#performance process

[doortotomorrow]

cooper "the ghoul" howard » portrayed by walton goggins

[luvuomi]

“On the 𝔀ings of a small, simple 𝓶elody

Words take 𝐟light and 𝐬oar

They carry me

A 𝒘orld we'll see . . . ”

a single verse that faintly echoes throughout an empty auditorium; written on delicate parchment, it’s penmanship elegant yet faded with time. though an enchanted being meant to be revered by the awe-like gaze of many, this enigmatic dove has chosen to soar beyond the cosmos where it remains out of sight. once upon a time, miss amélie had once taken to the spotlight, dazzling the citizens of penacony with her soft charm that many likened to the moonlight’s glow. but the amélie of today has since retired from the stage—the details of which she did not enlighten me with nor did i push for after seeing that wistful look in her eyes—and now continues her journey as but a humble songwriter for others.

“i wish to lend my voice to others.. for those who wish to be seen, heard, and remembered. there was a time in which i once felt forgotten by the world, overlooked as a dimly-lit star amongst a sky of countless others who’s light burns brightly. in order to be saved, i too must burn.. or so i thought. this song was created at a time in which i wanted to be heard, and i was. in that sense, i suppose you could say i sympathize with them.”

this was the response the halovian had given me when asked to explain what she believes her purpose as a songwriter is. when i asked miss amélie about whether or not she would ever consider returning to the life of stardom, the young lady merely smiled as she folded up the parchment in her hand, before deftly tucking it away in her old song-writing book.

“my story has been told. i have nothing else to share that i feel needs to be acknowledged. in any case, i’m quite certain we’ll bare witness to many more fascinating stories in the coming years.” a pause. “… i’ll make sure of it.”

— an excerpt from moonlight’s silent voice: an exclusive interview from penacony’s hidden star, amélie.

🎨 →⠀﹐⠀╱⠀hsr! amélie was brought to life by the amazing @charlikesalmon !! AAAAA THEY DID SUCH AN INCREDIBLE JOB this is my second time working with char and to say i’m satisfied would be such an understatement🥹🤍they truly captured what i had envisioned and made it a reality AND IT CAME OUT SO CUTE AND LOVELY OH MY GOODNESS.. i would recommend anyone interested to please check them out and support!

[dykesynthezoid]

I love the theories that Irv has been able to “naturally reintegrate” to a degree, and tbh I don’t think it would be happening just bc of sleep

We can deduce that the severance procedure preserves the outie’s procedural memory, emotional conditioning, and non-autobiographical semantic memory. The innies can remember how to do procedural tasks like driving a car, they tend to have similar baseline emotional attitudes, negative emotions from their outies can carry over, and they can recall objective information about the world. It’s only autobiographical information and episodic memory that the innie is cut off from.

(Interestingly, the outies are, comparatively, cut off from more types of memory than their innies are. The outies don’t appear to be able to access semantic information or procedural memory from their innies; which makes sense, because otherwise they’d know way too much about what Lumon was up to).

We see in early season 2 that innie Irving has leaned into his existing procedural memory for artistic expression. The combination of drawing (his outie’s procedural memory) and the subject being Burt (an explicit visual memory and emotional trigger only innie Irving has access to) is essentially combining memory and brain functions that originate from both the outie and innie. Pairing them together strengthens the possibility for Irving’s two separate brain patterns to begin to overlap and coalesce.

The questions Reghabi asks Mark while reintegrating him point to this canonically being a relevant part of the reintegration process. She switches between questions about autobiographical information (what color were your mother’s eyes? an explicit episodic memory) to objective semantic memory (name a dam, what does MDR stand for) emotional conditioning (what is something for which you feel shame) and back again.

[kingofmyborrowedheart]

Long pond treatment meaning that Taylor explains the songs and plays them acoustically/stripped down.

[henry-fox-biggest-stan]

It’s SO funny to me when I see movie fans writing alex as this daddy dom, himbo guy because Alex is so!!!

If you scream at him a little too loudly he’ll probably cry, just not in front of you. He falls in love really hard and deeply but it takes him so long to accept that he can also be loved hard and deeply! He has the highest grades ever 1) because he’s smart and 2) because he bases his self worth on making others proud, on being useful. He overworks himself, he runs to clear his head until his feet bleed, his coffee is bitter but so are his thoughts. He’s a softie, who writes his bf love letters and who probably giggles and kicks his feet while reading what henry writes back to him. He can absolutely destroy you in a debate, don’t even try to argue with him he’ll win each time. He talks a lot but he has never been listened to. His rivalry with Henry started with a bad meeting and also with constant comparison, because everyone compared them both, and it was just a constant reminder than Alex will never be enough. Henry was born on the spotlight, Alex wasn’t. Henry was white, Alex wasn’t. Henry had everyone’s support, Alex didn’t. *He is a jester and a devoted knight. He knows hundreds of fun facts and will tell you. He loves Texas despite the bad memories of his childhood and teen years it brings. He feels guilty for making his sister worry so much. He loves his mother despite everything, and she loves him too, but they have an unusual, almost unhealthy relationship. He needs to prove himself every minute of the day. He works as a distraction. He puts on a façade around everyone, golden boy, America’s heartthrob, no one sees his house key, his glasses, the hundreds of papers hidden under the windowsill, the pills stolen from Liam. Someone teach this man healthy coping mechanisms. He is a child of divorce, and this affects him more than he lets on. He is actually a huge nerd. He grew up poor. He was in denial about his sexuality for years. He definitely has abandonment issues. He might be impulsive sometimes (storming Kensington palace after being ghosted by Henry) but he usually thinks things through, and is very reasonable. He makes lists, tons of them. He has undiagnosed adhd and this has shaped him as a person in a way I can’t even describe. Before Henry, bea, and Pez, he didn’t have any friends aside from Nora and his sister. He grew up catholic. He is a romantic. And a dork. He is just as passionate about history as Henry is. But Nora makes friends, and Alex ends up with acquaintances who think they know him because they’ve read his profile in New York Magazine, and perfectly fine people with perfectly fine bodies who want to take him home from the bar. None of it is satisfying—it never has been, not really, but it never mattered as much as it does now that there’s the sharp counterpoint of Henry, who knows him. Henry who’s seen him in glasses and tolerates him at his most annoying and still kissed him like he wanted him, singularly, not the idea of him.

Always the talker, never the heard. Always good, never enough. Always ogled, never seen. Always the first son, never Alex.

[winterblues]

i really wish we got to see a little bit of the time ketricken and the fool spent on the run together after shrewd’s death

[shroomerr]

Oh, help me God, this hellboy got me coming back for more

reblogs super appreciated !!! close-ups under the cut !

[larrylimericks]

20Nov24

The thing that could always bring gladness Will now surely always bring sadness. Four men in black dress Laid their brother to rest. Liam’s gone? What the fuck is this madness?

[future-supertuna]

this is very in-text but i love that zoro gets attuned to kiku from the get-go not only because of this sword wielder code that he's followed through all extremes of the practice, from brook to kin'emon -- recognizing and respecting all masters -- but because her existence is the solid evidence, the living proof that kuina was wrong

[diogenesprintco]

Screencap study from Whistle and I'll Come to You (1968) dir. Jonathan Miller, an M. R. James adaptation which inspired the Ghost Story for Christmas series on the BBC. I love how this one turned out - I'm using a different type/weight of lokta paper and it adds a nice grainy texture to the print.

[positivelyadhd]

sending my love to people with slow processing speeds.

you should be allowed to take your time to do things and I am so sorry if people have ever made you feel like you can't.

you and your contributions are just as worthy as everyone else's, the speed in which you do them should not impact that.

I am so sorry if you ever been made to feel like you weren't good enough because you "couldn't keep up".

you are good enough. you are trying enough. there is nothing wrong with you and it's not your fault.

[terezicaptor]

pilukey with newborn rascal. btw. 1 molecule rascal

not sure if it's obvious but lukey is wearing some of pili's clothes here^

[bird-inacage]

A First Kanaphan Gifset | Eyes that Speak: First as Yok

"Have you ever looked into someone's eyes and knew that person was so different than others?"

[copycatovo]

I HATE CLOWNS !

[mostofthingsmostofthetime]

Look me in the eyes & try telling me, Armand DeSM5 wouldn't lose his shit over one these

I dare you

[fictionadventurer]

I'm fascinated by the ways in which the things a creator is good at making don't necessarily line up with the kind of art that they respect or even enjoy.

This has haunted me ever since I saw a Youtube video about the downfall of The Band Perry, a country band that I had liked until their music got weird and they kind of fell off the face of the earth. Well, it turns out that they tried to reinvent their image and their style of music several times before the band finally fell apart. When they started, they had this weird Southern Gothic homeschooler style that really worked for them and was reasonably popular, but then they tried to switch to a cooler type of pop music--a style they supposedly admired and enjoyed--and it just did not work at all. They failed because they chased what they wanted to make instead of sticking with the style that they were good at.

It's a tension that's present in all creative work. At one point does "going outside the box" go too far? Can one be happy making good work even if it's not the kind of stuff they like or admire? Are the techniques and styles that are most appealing to us appealing because they're things that we can't create ourselves? As in, our minds don't work that way, so seeing these things from other creators is exciting, but the fact that our minds don't work that way is exactly why we can't imitate those things. Where's the line between creative integrity--pushing yourself to make better things--and pride--wanting to make something more prestigious and impressive instead of humbly making the type of art you're best suited to make? Can one even clearly see what they're best at making, and appreciate the good that's there rather than chasing after styles and techniques that seem better? There are no solid answers, which is why I'm going to be endlessly thinking about this.