#posting things on the wrong day or time. duplicating my posts

[dragons-and-yellow-roses]

Coworkers are much too loud. I could do my job so much better if people just didn't talk to me.

[midsummer-semantics]

if the world was ending

Okay, I told myself I wasn't going to write anything for @steddieangstyaugust but apparently I lied (I'm sorry)

Here's for day 1: Second Chance

CW: Slight agoraphobia

[not posted to AO3 but you can find other things there.]

When the earthquake hits, he’d like to say he thinks about his parents first. That he wonders where they are and if they're safe or if they’d hear about it from wherever they are in the world. If they’d call to check on him, even though they never did before.

He'd like to say he thinks about Robin, who's two states away studying for a graduate degree in International relations and communication, and likely doesn't feel the ground moving beneath her feet like he does.

Hell, he'd like to say he thinks about the kids, but most of them are scattered themselves, starting college programs (Will, Mike, Dustin) or sports training camps (Lucas) or exploring the West Coast (Max and El).

No, Steve is alone in his big, empty house when it hits, and the only thing on his mind is that they were wrong. Indiana doesn't get earthquakes, so something else has to be afoot. Six years since they defeated Vecna, since everyone tried to move on with their lives while Steve stayed because that's what he does, he stays.

A touchstone Dustin had called him once. Something to do with foundation and a connecting center. Steve still thinks it might have just been him and the rest of the group trying to make him feel better about still being stuck in the same house, in the same town, doing nothing and going nowhere.

He's alone and he thinks 'This is it. What I've been waiting for.'

He has a 6-year-old emergency pack stored that should have more dust on it if it wasn't for the way he chronically checks it. His trusty bat and a duplicate he made just in case, plus the ax he used the last time, are all near enough to the door. He's not sure what the protocol is for earthquakes, having grown up in the Midwest, but he's pretty sure he's not supposed to be indoors, right?

It doesn't last very long, but it doesn't matter. A few seconds of the ground shaking and rolling beneath his feet are enough to jumpstart him into action.

He's gathering supplies, cursing himself for taking too long, when the phone in the kitchen rings.

He should ignore it, knows that whatever or whoever it is can wait until he's secured the area and alerted the cavalry that something is happening. It'll take days for people to get here and Steve thinks he might he able to hold off whatever's coming out of whatever rift has sprung up until then, but he doesn't have time to think about it too hard.

The phone rings off the hook as Steve takes too damn long to double-check that nothing is in the house before he even attempts to go outside, and Steve knows he can't just leave it. Not in case it's someone who's still in town who knows he's here: Mrs. Wheeler, Claudia, Jim or Joyce.

He nearly rips the cord out of the wall when he answers.

"Stevie?!" comes the frantic voice of the person he least expects to be on the other side.

"Eddie?"

"Steve, oh my god." He can hear Eddie panting. "Are you okay?"

It's the first time Steve's heard Eddie's voice in five years. Since Eddie made good on his promise to run like hell out of here, something he'd repeated to anyone who would listen until he finally did. Five years since Steve had realized he was halfway in love with him after saving the world and never got to say anything because he was a coward and Eddie was leaving anyway so what was the point?

He'd gotten one phone call when Eddie arrived in Denver and it's been radio silence since then. Truthfully, he couldn't blame the guy, but Steve had had... thoughts... feelings... probably brought on by end-of-the-world shit but nonetheless. And then Eddie just—

Vanished.

"Yeah, I'm fine. Are you?" he asks.

"We're good," Eddie replies, and only then does he hear the rough grumble of Eddie's uncle in the background, asking why Eddie's on the phone at nearly 3 in the morning.

"Earthquake, old man," Eddie shouts, still too close to the receiver for Steve's already damaged hearing.

Oh.

So, Eddie's in town. Cool. Steve had no idea. Doesn't know when Eddie got in or if he ever intended to tell Steve he was here at all. That's fine.

"Sorry, Stevie. Woke Wayne up. Shit— did I wake you up too?"

Steve swallows harshly, shaking his head even though Eddie can't see it. "No, I was already awake."

"Me too," Eddie replies. "Jet lag. Just got in a few hours ago. What a welcome home, huh?"

"Sure," Steve says, wondering what the point of this call is. "Look, I'm glad to hear from you, but I really need to—"

"Wait!" Steve shuts his mouth, his teeth clacking harshly. "It's fine. Everything is fine."

"Dude, there was an earthquake just now—"

"And it wasn't You-Know-What related," Eddie states, a bit of his franticness back in his voice. "They're leveling part of the plant for safety issues. Wanted to do it at night so no one would freak out." Steve cringes. Hawkins wasn't exactly magnanimous about the rebuilding efforts last time, but he doesn't go to city council meetings to hear about what the efforts might have been since then. "That's part of why I'm home. Wayne's got an extended leave until they sort out what else to do."

Steve sighs, dropping the emergency pack on the floor and leaning the ax he'd managed to grab against the wall. "Oh. Great. Wish they'd have told everyone else just in case."

"I know, sweetheart. But everything is okay."

Sweetheart.

Steve's actual heart skips a beat hearing that again.

"I'll be back, sweetheart. I promise."

"So... you're here then? In Hawkins?"

There's a beat of silence, some shuffling on the other end. "Well, yeah. I told you I'd come back."

"For your uncle."

"He's part of it."

Steve hesitates, hating himself for even considering getting his hopes up.

"And the other part?"

"My guy is here."

When the earthquake hit, he’d like to say he thought about his parents first.

No, he'd thought it was the end of the world. And above that, all he could think about was Eddie.

[olderthannetfic]

https://www.tumblr.com/olderthannetfic/773392582602637312/httpswwwtumblrcomolderthannetfic773101778664?source=share

I want so badly to tell the people I follow to not respond to those asks anymore, as blocking the profiles doesn't make those answered asks not show up in my feed. And sure, people have a choice to do what they want on their own blogs, but sometimes people with blogs that otherwise have rock solid specific posting topics will post these bloody asks anyway and not question them for even a second, even if they otherwise seem like reasonably intelligent people. Of course, nobody wants to tell anyone to not do that, as they'd be labeled as a bigot, even tho I've been online for 2+ decades and I can smell scams from a mile away. I've gotten asks from these things, and I post barely anything let alone ever interacted or posted anything related to this specific topic. Plus, just think about the logic of a poor person in need sending asks to fandom blogs about fanart, RPF, all kinds of things like that, at least I could understand people falling for it if they talk about these things regularly. But no, people don't think. I got a duplicated ask, two of the exact same one at the sane time. I curiously browsed the blog it came from, there was a random shitpost reblog in between like a dozen "plz help us uwu" reblogs. I'm sure that poor helpless mother just found that specific fandom shitpost very funny and wasn't an accidental reblog to the wrong blog from another user to a side blog at all, nobody would ever do that. Begging people here to get a little bit of critical thinking, I promise you're not a bigot for questioning something, you are being emotionally manipulated, I'm sorry. Not all scams are penis pills and preying on your grandma. You are also an easily manipulated target, don't fall for it and it will go away.

--

IDK if it will go away. I block like three of these bots per day.

[fuckyeahisawthat]

Please, talk about the Gom Jobbar scene

Oh hell yes.

So this is one of those posts that really should be a short video essay of me talking over the scene but instead it is gonna be a loooooong wall of text and screenshots. Maybe it will assume its final form some day if I'm ever in possession of the free time and patience to make video essays. I also highly recommend watching Denis Villeneuve's own breakdown of this scene from 2021. I'll try not to duplicate things said there.

We have to start with the setup, which begins with this scene:

We see Jessica on her knees, in the rain, waiting for an arriving ship. These are the first shots in the movie where we see Jessica when no one else is watching her, and this woman who stood calm and composed before representatives of the Emperor of the Known Universe is terrified. Which creates an immediate sense of dread over whoever is coming in that ship.

Whomst in the fuck now?

We also get this shot where we're alone with Jessica. It's a little hard to see in a still frame but there's a moment where she, like, steels herself before she wakes Paul up.

Holy fuck tho, I just noticed the similarities between this shot and the one of the Bene Gesserit arriving, with the almost monochromatic color palette and the shafts of white light.

Once Paul wakes up we shift to his POV. He immediately knows something is off ("What's wrong?" is the first thing he says) but gets no information about what's happening.

Then we get this short scene, where Paul is told he is going to meet the Reverend Mother and but not much else about what's going on. The whole "She wants to know about your dreams." "How does she know about my dreams?" [no answer from Jessica] exchange, I think, implies that she knows because Jessica told her about Paul's dreams, which is this little tiny betrayal of confidence that gives Paul the first inclination that his mother may not be someone he can fully trust in this situation. Which is exactly what Dr. Yueh warns him about immediately after.

We also get two new languages used in this scene. Dr. Yueh speaks to Paul in Mandarin, which he understands and presumably Jessica does not. This gives us a piece of information about Paul's curiosity toward other cultures and his facility with languages. And Jessica uses the Atreides battle sign, which Paul also understands. Outside the library, Jessica pauses to give Paul one more silent warning, although she still hasn't told him what's about to happen.

This is just the setup. So before we've even entered the room, we've created this sense of unsettled foreboding dread (the Denis Signature Vibe) without a clear understanding of why things are happening--which is exactly how Paul feels.

I should also add that in the book, this scene takes place during the day, with the Reverend Mother sitting in front of a window. Shifting it to the middle of the night not only makes it way creepier but also tells us that (1) the Reverend Mother is the kind of person who can command Jessica's attention at any time of day or night and (2) this is all somewhat illicit and possibly is happening without Leto's knowledge.

Whomst in the fuuuuuuck?

We get this sort of weird POV shot of Paul crossing the room when it's not actually happening:

which I think is supposed to suggest some subtler form of control than the Voice, which Paul resists.

Before they've even properly entered the room, Mohiam manages to insult both Paul's parents ("defiance in the eyes, like his father" and dismissing Jessica with a curt "leave us"). And the first thing Paul says is to defend his mother's place in the social hierarchy ("You dismiss my mother in her own house?") with all the haughtiness you would expect.

The power dynamic gets rapidly clarified.

Momentary aside to say that I love the composition of this shot. Neither of them are quite on the third--they're just a bit too close to each other to make the shot look balanced. But neither of them are in center frame either--the box is in the center. They're not exactly aligned to the light gray columns between the bookshelves behind them, either, and the bookshelves are just slightly asymmetrical. It all makes things feel just a little claustrophobic and unsettling. Denis Villeneuve frequently uses this technique of creating unbalanced shots and intentionally leaving too much space in awkward parts of the frame to create a sense of unease.

Paul isn't kneeling in the book either--he's standing beside the chair in a setup that I don't think would actually work given the heights of the actors here, or would look awkward as hell. So they've solved a practical blocking problem and done some storytelling with it as well.

This is where we get our first look at the Voice at full power, and it's one of only two scenes where we get some subjective POV of what it feels like to be Voice-controlled (the other one being Feyd-Rautha and Lady Margot's interaction which deserves its own post). I really like that they didn't go for Voice Slow (zombie shuffling across the room) because Voice Fast is much more disturbing. The subjective experience of it seems closest to like, blacking out and waking up in a place or doing a thing and not knowing how you got there. The camera effect is just a really fast dolly and a slick edit, but Timothée really sells it with his split-second moment of confusion and shock before he realizes what happened and gets angry about it.

So now we're here, with the poison needle and the pain box.

"No need to call the guards. Your mother stands behind that door. No one would get past her."

This is a slick fucking piece of editing. Because just as Paul is learning that his mother has not only trapped him in this situation but is ensuring it continues uninterrupted, we cut to Jessica for the first time since she left the room and we see how absolutely terrified she is.

Also from this point, the sound in the film starts crossing the barrier of the door--we hear some of the dialogue between Paul and Mohiam when we're on shots of Jessica, and when the pain sound effect starts up, we hear it continuously on both sides of the door. So even though Jessica is not literally experiencing the pain, it feels like she is vicariously.

It would be really easy to tip the balance of sympathy in this scene one way or the other--toward Paul who's realizing his mother has handed him over to a painful and potentially lethal test, or toward Jessica who is listening to her child scream in pain and not only cannot stop it but is tasked with making sure it continues. But Denis Villeneuve is an absolute master at controlling and directing your POV in a way that allows you to feel sympathy for multiple characters at once and engage with complicated, contradictory emotional landscapes, and this is a little demonstration of what he's going to do on a much larger scale later in the story.

Timothée's pain acting...is excellent, that's all I'll say about that. Love that he's allowed to get all gross and drippy with it.

Now we get to the litany against fear.

Jessica starts it specifically in response to hearing Paul scream on the other side of the door. So, practically, she is using it to control her own fear. But the way the scene is intercut, it plays as if she is almost coaching or guiding Paul into controlling his own reactions. With every line that she says, we cut back to Paul as he is starting to master the situation.

"I must not fear." Paul is not in control here and seems about at his physical limit for keeping his hand in the box.

"Fear is the mind-killer." This is the one where it really seems like he could be reciting the same litany in his head or under his breath.

"Fear is the little death that brings obliteration." We don't really see Paul's face in the accompanying shot, but the pain sound effect really goes into overdrive, like she is pushing him harder.

"I will face my fear and I will permit it to pass over me and through me." Seems like Paul is getting to some kind of Zen place or whatever where he can withstand the pain.

This is when the first flash of vision pops up and the balance of power starts to shift in Paul's favor. We realize it at the same time both he and the Reverend Mother do.

Then we have this great moment where he looks up at her and we don't quite know what is happening but somehow Paul has started to win this interaction. And we go through a whole Face Journey with him that's intercut increasingly rapidly with Jessica's lines, flashes of the visions, and Mohiam's reaction as she starts to realize she's lost control of the situation.

"And when it has gone past--"

"I will turn the inner eye to see its path--"

"--and where the fear has gone, there will be nothing--"

"Only I will remain."

This part is great because like...nothing is happening. He just looks up at her. But we know that whatever battle is going on between them, Paul is winning now.

(Side note: this is a duel, right? This is his first of three duels, and like the duel with Feyd, he wins it on his knees.)

Then as soon as she says, "Enough," the facade cracks again a little.

And then he does the thing!! That is one of my favorite Paul physicalities!! Where he tilts his chin up so he can look down his nose at someone. Which is particularly audacious when you're on your knees.

It looks arrogant but there's also something a bit...childish? about it. It's something that he does specifically when he feels he does not have control of the situation and he's trying to regain it. He does it to the Emperor at the end of Part Two.

Anyway I LOVE the whole section of intercutting between Jessica and Paul because like. They are physically separated by a door but emotionally they feel connected. She put him in this situation, but then it's almost like she is reminding him that she also gave him the training to survive it. Which like, isn't that a microcosm of their whole fucked-up relationship?

"...You inherit too much power."

"What, because I'm a duke's son?"

"Because you are Jessica's son. You have more than one birthright, boy."

Almost all the dialogue from this scene is taken word for word from the book (although sometimes condensed). This is one of the few lines that got changed. In the book, Jessica is the one who reminds Paul that he is a duke's son--not her son. In general the movie dialogue is more faithful to what's in the book than you might expect. But every once in a while there is a line that feels like it's talking back to the original text like this.

There's another little emotional reversal right at the end of the scene, when Jessica comes in and her face just floods with relief at realizing Paul is still alive. But meanwhile you can see that Paul is really processing how betrayed by her he feels.

And then, after all that, they do talk about his dreams.

Denis has said in interviews that this was one of the very first scenes they filmed. Which is. Insane to me. This is an iconic scene from the book that every fan will come to with expectations and it's a really hard acting job! For everyone involved but especially for Timothée, because so much of the scene turns on him having an intense reaction to something that's not real and generally just...doing stuff with his face, and hoping that the sound design and the score and some scenes that haven't been shot yet will sell what's going on. Usually you would want to work up to an intense emotional scene like this, give the cast and crew a little time to get comfortable with each other. Nope! Anyway Denis has also said that he knew after this scene that he had cast correctly and yeah. I would say so.

[leader-of-grandys]

Okay it seems like rlly unpopular opinion in this fandom. I mean I saw a lot of fics, hdcs and posts where leroux!Erik is bi, pan or straighty and always very like VERY horny and very into all that stuff

but

BUT

I'll duplicate some of the thoughts that I wrote earlier. I personally see leroux!Erik as 1000% asexual because c’mon. This man is afraid of touching esp touching women. For him the biggest joy was INNOCENT KISS on the forehead. And judging by his wishes about his marriage where all he does is going for walkies while holding hands, singing and showing magic tricks is….. you know….. This speaks volumes. I bet he doesn't even think about other more physical aspects, for him it is just a fluffy romantic fantasy (and he's prob read hell of a lot snotty romantic novels while kicking his legs and screaming in pillow). He seeks romantic love and he wants to be loved and accepted as he is, but I see it as purely platonic feelings, not physical. And honestly how he treats Christine and calls her my angel, my saviour and all that stuff????? He idealises her to the core and sees her almost like a divine being - pure and kind. Do you really think that he would project his fantasies on her????? (but I highly doubt that he even has them and I see him as a castrato but its a whole different topic for another day) Do you think he would even allow himself to do that???? I bet he would just roll on the floor like sopping wet cat and scream that he's not allowed to touch this pure being with his disgusting cadaverous hands. Erik was SHOCKED that someone WILLINGLY touched him without running away, showed him compassion and understanding even despite his abuse and threats. All that because he thought he didn't deserve it, that he is so ugly that he can't be treated like a normal human being.

Also about that marriage stuff. I think Erik didn't desire the marriage as most ppl do. For him its just a way to prove that he is like everyone else because wakie wakie, it is a 19th century's heteronormative society where if you are single and were never married at almost 50 years old, then something is deeply wrong with you. Erik didn't want to marry in a first place - for him it's just an instrument to fit in in a strict society that rejected him. Honestly its sooooo autistic coded for me (I'm autistic btw). Dude just went too hard in attempt to fit in but failed miserably. Another thing for me that strikes is that the marriage for Erik could be seen as a guarantee that the person he loves will never leave him (bc divorces at that time were an awfully difficult procedure, you know). He was so insecure about himself, scared to death that he would be abandoned, betrayed, and rejected again and then boom, there's a guarantee drop, a wonderful idea that everyone praised and romanticised in all books. Marriage. You don't have to handcuff anyone to the battery and cry on the floor praying not to leave you because the law will do it for you. I think you see where I'm going. I also have high suspicions where's Erik really felt love or he was so lonely and depressed at that point of his life that he accepted an ordinary friendship and politeness as a pure and beautiful love to the grave (literally) and the only chance for happiness. When Christine didn't suspect a thing, he already drew in his diary himself walking with her in the park and framing it with hearts while lying on the bed like a schoolgirl. Again very autistic trait that I've noticed in myself. To think that you are a genius and have thought everything 10 steps ahead, that the person will act according to your plan and that the regular good word (said purely out of politeness by the person who is not interested in you) is the beginning of a great unbreakable friendship for the ages. If you know you know. I rlly see it as Erik imagined himself castles in the air and saw his deep desire for friendship and acceptance as true love. Because all pll are saying that love is great so it 100% must be it, right? ...........................right? The problem with interpreting your true emotions and feelings are unironically hard. Phew, okay. What I'm trying to say is that I see leroux!Erik as an asexual autistic individual. I don't say that it's canon and theres the only way to view this character because what I say is based not only on my unbiased analysis but also on my neurodivergent experience and kinda similar life problems (but much, MUCH LESS serious and with access to therapy and treatment). Pls don't write mean things to me if you disagree, you have your right to do so but do it outside my askbox. I’m open to discussion but not conflicts. Thanks

[sgiandubh]

On leadership

This is a personal comment on @luhafraser's last post, where she wrote, in plain English:

'But I can't help but notice that since I joined this fandom, what we have in all the groups in this fandom are "leaders", they come and go, new ones appear, or reinvent themselves. There are people that stand out and lead others to follow their ideas and statements. It is these people that receive information, have sources, receive pics, and are fed by "anonymous" (Sorry, but a lot of things that have already appeared could only have come from someone "inside"). I know we are all adults, but there are those who know how to influence or who are led to be influencers, there are those who understand that and there are those who don't.'

Dear @luhafraser,

You wrote a couple of things with great confidence, as you usually do, and I feel I have to say something,

I have invited you already to name names, not allude to persons in your posts, as you so transparently seem to be doing right now. So yes, I felt looked upon and judged. By you (and not only you). Since Day 1. You thought I was never going to respond, well - you were wrong. The day has come and the day is now.

Dear @luhafraser, while I do immensely appreciate your real qualities (intelligence, humor, sleuthing, etc.), I am less a fan of this kind of little games, both in public and behind the scenes. My sudden apparition seems to have bothered you, with Anons asking you (June 20, 2023) if I was really a new person joining in and you denying it without taking the time to talk to me:

This is simply not done, my dear. I have openly and transparently engaged with people since Day 1 and never lied about my own circumstances. Your answer started a flurry of speculation that kept people interested all summer long and forced me to dox myself. So kindly prove me and all the others I am not a newbie (something completely impossible to do), do it in public and own the things you post in here.

I am not a leader of anything, @luhafraser , and I have no wish to be regarded as such. Ever. I have learned, in 20 years of my high-level public service career, that being the boss corrupts and exposes. But yes, I did want to be a disruptively positive voice in what I felt to be an intimidated community. I wanted to bring more clarity and all those research skills to all of you. I wanted honesty. And I, above anything else, wanted to help. And I am sorry that people agreeing or liking what I post seems to bother you. It is not something I can help you with. It is what it is. There is a place for all our voices to be heard in here. Every single one of them.

I have no inside information on SC and never did. I have not betrayed anything that was shared with me in DMs and only posted things when adamantly asked to do so, after careful vetting and only from people I knew. However I am a hell of a bloodhound when I am set to find something and I am rather good at what I do, also in real life. I also know when to stop and will never share things that would be legally questionable. It would expose us and it is a risk simply not worth taking.

I am not here for clicks and likes. My block list is three or four times bigger than my dash. I do not care for fame, but I do care for a couple of trusted people that became real friends. It is for them and for them only that I am not giving you satisfaction and quit.

I keep my promises. I will not go anywhere. If you do not like what I write, please unfollow and block immediately - this goes for anyone that feels bothered about me being here, in any way. I have no wish to start a war with any of you - that would make Mordor glee with joy for months. But please do me and yourself a favor: if in doubt, go now. I cannot stand duplicity, never could.

I hope that sets the record straight. Believe it or not, I have no hostility towards you. Not a single ounce.

I am not expecting an answer.

[Later edit;] I am glad I doxed myself. Very glad. But that is another story.

[birds--daily]

welcome to birds daily!!

this is my blog where i draw a bird every single day! the idea was completely ripped off from one of my best friends of all time, @fish-daily !! please go check him out :0)

my name is sunny and i'm a wildlife biology major and art minor from michigan. i'm 22 years old and i use they/them pronouns!

i'm here because i love birds so much, and i'm assuming if you're following then you do too!!

IMPORTANT INFO BELOW!!

what to know before you request

please check if i've drawn a bird before you request it! if you don't want to scroll through everything, all my birds are tagged by order. don't know the order of your bird? look it up! the IOC world bird list has a great resource for this.

i tag them by name, but some birds have multiple common names.

i also have a spreadsheet of every bird i've done so far! but i can definitely see myself forgetting to update this, so it's best to double check.

any avian dinosaur archaeopteryx-and-beyond can be requested! many ornithologists consider avialae to be the cutoff for "modern" birds.

i can't guarantee full-accuracy of prehistoric birds as i'm not very well-versed in paleontology.

please keep asks to only one bird! feel free to send multiple asks though. if you include multiple birds in an ask i'll just pick one. when i answer the ask to post it, the other birds will be gone forever...

i will prioritize requests in the order i received them in, but a couple times a week i might draw a personal pick instead.

not accepting duplicate birds doesn't mean you can't request a different version of the same bird, which leads me to…

sexual dimorphism and seasonal plumage!

yes! you can request different plumages and sexes of a bird i've already done! want to see a female ruddy duck? of course! want the breeding plumage of the willow ptarmigan? absolutely!

i have sex, maturity, and plumage recorded on my spreadsheet, but i'm bound to make some mistakes on there. once again, double-checking my blog is your best bet to getting accurate bird info!

if you don't specify anything, i'm going to assume the basic mature male with breeding plumage that you come to expect from a bird.

breeding and non-breeding plumage can also be called summer and winter plumage. some birds also have special names for their plumage forms. just to keep things consistent i'll be referring to it as breeding and non-breeding!

final notes

my main blog is @eggpathy if you're interested in any of my other art! i forget to post there a lot. most of my art is on my twitter under the same name (trying to move here though)

i'm a full-time college student with a job, so some days i won't be able to get a bird out. sometimes i might even have to take a few days to a week off just to keep my sanity. this doesn't mean i'm not having fun and enjoying drawing birds! it just means i'm busy and maybe need time for other things

i'm also still human. this means i WILL MAKE MISTAKES! i have not finished my degree yet and i'm still learning! one of the big reasons i made this account was to help myself learn my birds! i take extra time out of my day to find facts to post with my birds, and sometimes those are wrong. if you see me post misinfo, please kindly correct me with a comment, dm, or tag!

any post that isn't a daily bird will be tagged #not birds. any post that is a daily bird will be tagged #birds.

please feel free to add extra fun facts, info, and generally any other silly comment in the tags. i love reading them and they make my day!

asks don't have to be request-related! feel free to ask me anything :0)

thanks for reading! peent!

[lightleckrereins]

Here is a thing about the potential for a new alt costume I've been thinking about. Why are there so so so many people convinced it will never happen?

Is it just accumulated dissapointment (looking at you AUS)? Is it yet another consequence of half of this fandom not being part of theater fandoms before six came out? Is it the social media thing of sending hate and negativity for the sake of it? Is it the other social media thing of needing to be right over older generations or worse experts/proffesionals in things (not saying thats me just that it happens way too much) just because? Is it just me being in fandom spaces since before the pandemic when a lot of mainstream social media only people jumped into it out of boredom and it turned kinda toxic? (Am I in my old woman yells at cloud era already???)

Like. Seriously. What is it? Why is it so wrong to be actively excited about a potentially new cool thing. I'm not saying a new design will 100% happen, but like. Things point to that, three swings with a duplicate costume already, seemingly new boots design, black alt being retired, what feels and looks like a post embargo for rehearsals that has never happened before. I'm just interpreting what I am seeing. And a new costume feels more logical than every single convoluted explainer for it not being a new costume I've seen. Even if it doesn't happen whats wrong with speculating. Its fun.

I know a huge part of the fandom really wasnt in theater fandom before six. And. That. Is. A. Great. Thing. Theater needs audiences that are both passionate and young if we want things that resonate with younger generations to exist. But also the whole not in theater fandom before six means you are not used to some things specific to theater fandom. Costumes appearing out of nowhere sometimes years or decades after the production opened is a thing (a really fucking exciting thing).

What I think stresses confuses me the most is the negativity of it. Why? Fandom is supposed to be fun and collaborative. And at the end of the day in the grand scheme of things it is not important, no one will die if they guess something wrong. But on the other hand we could have a great time being silly in the middle of the world being ready to implode. We are literally debating about what will someone playing a dead queen of england thats alive and in a girl band for some unexplained reason will wear. You cant get sillier than that.

Why not do a repeat of 2021 when the debate was what color will the (eventually revealed as) silver costume be, how do we interpret it from the tiny teasers we got. Is that a skirt or a peplum? Will it get variations? Are alt Cleves reveals a thing? Who is getting it? And if you dont think it is happening why not say it nicely? Something along the lines of I don't think it is happening because of this, but I see where you are coming from. Not tell you you are stupid for having fun and covering my ears because I am right and everyone else isnt. Seriously. Why?

I have a weirdly deep attachment to early days six fandom. Can you blame me? I've always obsessed over background characters, in particular big groups of them who have something to distinguish them. Also big groups of characters. And cool designs. In theater that has always projected to ensembles, in six it is the alts and the variations. And by some sort of miracle it wasnt just me obsessed with that for once. It was home, and it literally kept me sane through the pandemic and my entire life plan crumbling because of it.

So like. Yes why? I swear this isnt meant to attack anyone. I just want to know why people in this fandom sound like old guys obsessed with a limited read of old school star wars over something that should mean fandom wide full on excitement.

[the-view]

Another from M.A. Rothman (I thought I had misplaced this)

I don’t think I’ve posted this previously to my author profile, sorry if it’s a duplicate.

𝐖𝐡𝐚𝐭 𝐈 𝐋𝐞𝐚𝐫𝐧𝐞𝐝 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐞𝐚𝐜𝐞 𝐂𝐨𝐫𝐩𝐬 𝐢𝐧 𝐀𝐟𝐫𝐢𝐜𝐚: 𝐓𝐫𝐮𝐦𝐩 𝐈𝐬 𝐑𝐢𝐠𝐡𝐭

By Karin McQuillan

Three weeks after college, I flew to Senegal, West Africa, to run a community center in a rural town. Life was placid, with no danger, except to your health. That danger was considerable, because it was, in the words of the Peace Corps doctor, "a fecalized environment."

In plain English: s--- is everywhere. People defecate on the open ground, and the feces is blown with the dust – onto you, your clothes, your food, the water. He warned us the first day of training: do not even touch water. Human feces carries parasites that bore through your skin and cause organ failure.

Never in my wildest dreams would I have imagined that a few decades later, liberals would be pushing the lie that Western civilization is no better than a third-world country. Or would teach two generations of our kids that loving your own culture and wanting to preserve it are racism.

Last time I was in Paris, I saw a beautiful African woman in a grand boubou have her child defecate on the sidewalk next to Notre Dame Cathedral. The French police officer, ten steps from her, turned his head not to see.

I have seen. I am not turning my head and pretending unpleasant things are not true.

Senegal was not a hellhole. Very poor people can lead happy, meaningful lives in their own cultures' terms. But they are not our terms. The excrement is the least of it. Our basic ideas of human relations, right and wrong, are incompatible.

As a twenty-one-year-old starting out in the Peace Corps, I loved Senegal. In fact, I was euphoric. I quickly made friends and had an adopted family. I relished the feeling of the brotherhood of man. People were open, willing to share their lives and, after they knew you, their innermost thoughts.

The longer I lived there, the more I understood: it became blindingly obvious that the Senegalese are not the same as us. The truths we hold to be self-evident are not evident to the Senegalese. How could they be? Their reality is totally different. You can't understand anything in Senegal using American terms.

Take something as basic as family. Family was a few hundred people, extending out to second and third cousins. All the men in one generation were called "father." Senegalese are Muslim, with up to four wives. Girls had their clitorises cut off at puberty. (I witnessed this, at what I thought was going to be a nice coming-of-age ceremony, like a bat mitzvah or confirmation.)

Sex, I was told, did not include kissing. Love and friendship in marriage were Western ideas. Fidelity was not a thing. Married women would have sex for a few cents to have cash for the market.

What I did witness every day was that women were worked half to death. Wives raised the food and fed their own children, did the heavy labor of walking miles to gather wood for the fire, drew water from the well or public faucet, pounded grain with heavy hand-held pestles, lived in their own huts, and had conjugal visits from their husbands on a rotating basis with their co-wives. Their husbands lazed in the shade of the trees.

Yet family was crucial to people there in a way Americans cannot comprehend.

The Ten Commandments were not disobeyed – they were unknown. The value system was the exact opposite. You were supposed to steal everything you can to give to your own relatives. There are some Westernized Africans who try to rebel against the system. They fail.

We hear a lot about the kleptocratic elites of Africa. The kleptocracy extends through the whole society. My town had a medical clinic donated by international agencies. The medicine was stolen by the medical workers and sold to the local store. If you were sick and didn't have money, drop dead. That was normal.

So here in the States, when we discovered that my 98-year-old father's Muslim health aide from Nigeria had stolen his clothes and wasn't bathing him, I wasn't surprised. It was familiar.

In Senegal, corruption ruled, from top to bottom. Go to the post office, and the clerk would name an outrageous price for a stamp. After paying the bribe, you still didn't know it if it would be mailed or thrown out. That was normal.

One of my most vivid memories was from the clinic. One day, as the wait grew hotter in the 110-degree heat, an old woman two feet from the medical aides – who were chatting in the shade of a mango tree instead of working – collapsed to the ground. They turned their heads so as not to see her and kept talking. She lay there in the dirt. Callousness to the sick was normal.

Americans think it is a universal human instinct to do unto others as you would have them do unto you. It's not. It seems natural to us because we live in a Bible-based Judeo-Christian culture.

We think the Protestant work ethic is universal. It's not. My town was full of young men doing nothing. They were waiting for a government job. There was no private enterprise. Private business was not illegal, just impossible, given the nightmare of a third-world bureaucratic kleptocracy. It is also incompatible with Senegalese insistence on taking care of relatives.

All the little stores in Senegal were owned by Mauritanians. If a Senegalese wanted to run a little store, he'd go to another country. The reason? Your friends and relatives would ask you for stuff for free, and you would have to say yes. End of your business. You are not allowed to be a selfish individual and say no to relatives. The result: Everyone has nothing.

The more I worked there and visited government officials doing absolutely nothing, the more I realized that no one in Senegal had the idea that a job means work. A job is something given to you by a relative. It provides the place where you steal everything to give back to your family.

I couldn't wait to get home. So why would I want to bring Africa here? Non-Westerners do not magically become American by arriving on our shores with a visa.

For the rest of my life, I enjoyed the greatest gift of the Peace Corps: I love and treasure America more than ever. I take seriously my responsibility to defend our culture and our country and pass on the American heritage to the next generation.

African problems are made worse by our aid efforts. Senegal is full of smart, capable people. They will eventually solve their own country's problems. They will do it on their terms, not ours. The solution is not to bring Africans here.

We are lectured by Democrats that we must privilege third-world immigration by the hundred million with chain migration. They tell us we must end America as a white, Western, Judeo-Christian, capitalist nation – to prove we are not racist. I don't need to prove a thing. Leftists want open borders because they resent whites, resent Western achievements, and hate America. They want to destroy America as we know it.

As President Trump asked, why would we do that?

We have the right to choose what kind of country to live in. I was happy to donate a year of my life as a young woman to help the poor Senegalese. I am not willing to donate my country.

https://www.americanthinker.com/.../what_i_learned_in...

[quibbs126]

I can finally post this, after weeks!

But yeah, this here is something I made to celebrate the 9th anniversary of Evoland 2

Some people may remember this work in progress from weeks ago, but now I can finally show the finished product. Which I finished 2 weeks ago

It’s based on the 3D picture you get when you finish the game, specially the 100% completion, and more specifically, my screenshot that I took when I first completed the game and got 100%

Though I should probably also note that this was the only picture I had of the beach scene until I was mostly done with the picture, so there are some inaccuracies between it and the original. Except for Reno in place of the Prophet, that was completely intentional

This game was I think the first (and will probably be the only) game I’ve ever 100% completed, and when I did it the first time, it was just because I knew that games would have extra things for those who 100% it, and I wanted to see what the game would give me. It’s the only time I was so invested in a game that I had to know what I’d get if I got everything. It’s also the only game where losing nearly 10 hours of progress due to a (maybe) glitch does not make me give up the game in frustration, but instead complete the entire thing within a single school week

I may gripe about my issues with the game, but I absolutely love it, and I have a lot of fun playing it. Well, aside from the parts I’m bad at, but that’s just because I’m bad at them. I feel like I have next to nothing to complain about from a gameplay perspective (which is in part because I don’t know how to critique gameplay, but also because I think any issues I have are my own fault), it’s just narrative stuff. And even then, I wouldn’t nitpick it so much if I wasn’t so invested in the world, story and characters

Maybe today I’ll start replaying it again, seeing how I’m pretty sure I’m free today from any schoolwork

I’m still holding on to some admittedly delusional hope that a 3rd game could release one day, even if I know it’ll almost certainly have nothing to do with this one, but even if it never does, I’ll still have this game to play over and over again, so I can accept it

I was disappointed that I missed the last two, since I first played the game in 2022, but not this year, I remembered!

Now to just talk about the art itself, the reason there’s two versions is because I originally made the background lineless, but after finishing the characters I thought it maybe clashed a bit too much, so I made a duplicate of the picture to do a lined version. But I also spent so long on the lineless version that I didn’t want to just leave it in the void, so I’m showing it too

Admittedly now I think I can say the lined version probably is the better one, but I can still show off both

I used the card colors for the characters, since all of them have cards for reference, but now I’m looking at the colors and thinking they look somewhat wrong. At least on Menos

Also as mentioned prior, I switched out the Prophet for Reno. I know I’m biased but I really think he’d fit in this picture of all the main characters far more than the Prophet, considering he’s kind of the reason the plot started, the second half happened, and he’s the main motivation for one of our party members. I mean, I see why the Prophet’s there in the original. He’s really the only other semi-important character with a 3D model, and Reno never had one, so they’d have to make an entirely new one just for this extra thing. Also it doesn’t make sense for him to have a 3D model in the first place, especially not of his Present era self. But not only is this now a drawing where I have the power to do what I want, this scene isn’t canon in the first place, so put Reno in the background there!

Overall though, I’m honestly surprised the piece turned out as good as it did. Those who follow me know that I was really struggling with drawing during the summer, more specifically drawing people and the Evoland 2 cast. But despite all that, I think the characters turned out pretty well. Certainly not the best, but better than I was expecting. And not only that, but the background turned out so much better than I thought it would, especially since I don’t usually do backgrounds. Though I suppose it does help to have a reference for all this though. But yeah, there was a reason I was so proud of how the sketch turned out, and while the final product may not have entirely been what I was hoping for after the sketch, it still turned out pretty good

As long as I can remember it next year (which I really hope I can, considering that’s the 10th anniversary), I’ll try to make something there too, hopefully with much improved drawing skills, since I’m still trying to figure all that out again still

Not sure what I’ll draw then. Maybe I could redraw the beach scene, or make an entirely new beach scene concocted by my brain. But it’s also the 10th anniversary next year, so maybe it should be something more special

Ah well, that’s next year’s problem. For now, have this to celebrate the game’s anniversary. For the minuscule amount of people who actually play this game, I guess

[lookkle]

6 Things I Wish I Knew Before Analyzing My Site with an SEO Tool

https://www.lookkle.com/tool/seo-tool-for-small-business

When I launched my first website for my small business, I didn’t know much about SEO. I’d just heard, “You need SEO so people can find you on Google,” but I had no clue what that actually meant.

So one day, I decided to try an SEO tool.

I thought it would be simple. Just enter my URL, click a button, and boom—instant traffic tips and magic fixes. Spoiler: it wasn’t that easy 😅

Over time, I learned a lot of things that I really wish I’d known before diving in. So if you're just starting out, maybe this can save you some time:

1️⃣ Competitor analysis shows you things you’d never think of

I never thought about checking what other websites like mine were doing. But once I saw the keywords my competitors were ranking for, the backlinks they had, and which of their pages were getting traffic… I was blown away. There were topics I hadn’t even considered—and that’s where the visitors were!

2️⃣ Backlinks actually matter (a lot)

I ignored backlinks for way too long. I thought they were just some “advanced SEO thing.” Turns out, backlinks tell Google that your site is trustworthy. Once I started tracking them and getting even a few quality ones, I noticed some of my pages climbing in search rankings.

3️⃣ Instant audits are lifesavers

Before, I used to spend hours trying to figure out what was wrong with my site. Now, with a quick site audit, I can see in under a minute if I have technical errors, duplicate content, or missing meta tags. It’s not magic, but it’s a real time-saver.

4️⃣ Technical issues can kill your rankings silently

My site was loading slowly on mobile, had broken links, and some pages didn’t even have title tags. The problem? I had no idea. Meanwhile, my traffic was dropping and I kept blaming “the algorithm” or “bad luck.” Now I know that catching these issues early can save your rankings.

5️⃣ Historical data is gold for planning content

Looking at just weekly traffic wasn’t helping. But once I saw trends from the past 12 to 24 months, I noticed patterns—when traffic spiked, when it dipped, and which blog posts were still pulling visitors. That helped me figure out when to publish new content and what to double down on.

6️⃣ Simple dashboards save your sanity

I’m not an SEO pro. So when I opened tools with a hundred confusing charts and acronyms, I’d get overwhelmed. Now I really appreciate dashboards that show me the important stuff—clearly, simply, without all the noise.

🔚 Final thoughts

If you’re just getting started like I was, you don’t need to be an expert. You just need a tool that shows you what matters, with real data and practical suggestions.

I use Lookkle because it gives me just that: fast audits, competitor insights, clear data, and SEO tips I can actually follow.

[aluckiicoin]

budget mobile rules/about

Aventurine belongs to the Honkai Star Rail universe. More specifically:

A senior manager in the IPC Strategic Investment Department and one of the Ten Stonehearts.

[ about | guideline (also under readmore) | verses ( also under readmore ) ]

As far as personality goes:

He is not a nice person. While he seems rather laid back and as if nothing could ever bother him, he will talk down on you, use you for his own advantage, sell you out if he thinks the offer is good enough. He will manipulate and use you to his whims. His constant smile and ability to wrap words around makes it almost impossible to discern his true feeling. Truthfully, he might not be able to ID them himself. He can be nice and he will be if he thinks it will help him win you over.

But if you want more about how he is, you will have to look up the Information tag (and the one on the old blog).

A very short breakdown on rules:

he won't know who you are unless you are (for now) Topaz. If you want him to, you can mention it before (that does exclude OCs that are a integral part of the IPC, obviously he should've heard of those before). He might have heard of you if you're known to the IPC however.

I can decide what he does by myself, thank you

I'm not big on ships, mostly because I don't wanna hurt myself or others; and he's likely never gonna be what you want him to become

I'm terrified of people and therefore hate dms with a passion, mostly because I can only get myself to concentrate on talking to two people at a time

there might be some nsfw-related things, nothing explicit that would be over there

if you have a problem with trans folks you can fucking leave and get hit by a car for all I care

general tumblr rp lingo:

I am not mutuals exclusive

I will have favourites, it's a human thing to do

I'm a fan of OCs, so come at me

you can always bother him via askbox

If you wanna follow up on an ask, please put it into a separate thread and link to the ask (cannot believe I forgot to mention my biggest pet peeve on here)

it would be awesome if you could cut your posts. You don't have to but if you don't it's unlikely I will follow back because I only have so much space on my dashboard and if I come back from work I'd rather not scroll through 98 posts on the same thread.

I don't mind duplicates - really I wanna see him mess with other versions of himself

in the spirit of favourites I'll probably find mains, those will be the people meant if any muse is ever mentioned in a thread. That's not first come, first served.

I'm very low activity. I will likely reblog one or two memes every day but answers will likely have to wait until the weekend.

The writer:

I'm not a good person even though people that know me will disagree

I agonize over everything I say and then it still comes out wrong

for someone usually rping muses with people skills I am AWFUL at it

I'm overthinking everything, I get anxious about anything and I wish any of my muses would just share a tiny bit of their fucking ego bc I sure could use it

You can call my Skully (Skullbert)

I'm 30+ years, from europe and a guy.

and verses!

encased in amber light ( main verse I; pre Penacony ) which is everything pre-penacony (as in everything up until 2.0 and actually checking into the hotel)

wip (mainverse II, actual Penacony)

the higher I get; the lower I sink. I can't drown my demons; they know how to swim ( post Penacony main verse ) which is everything everything after the stoneheart's oath video

swarm disaster; muse edition (star rail but the characters keep multiplying) ; anything from 'the characters found tumblr and use it' to general meeting multiple versions of the same character goes here

the emergency plan; depending on how the penacony storyline goes on, Ven fakes his death and hides out in Belobog from then on (though with Boothill's description I might have hopes that my suspicions are wrong)

everything else

[rk1k-moved]

okay! this took a bit to type out, but here we are!

disclaimer: my way might not work for you and that’s okay! there’s no right or wrong to make gifs, so long as you enjoy the way you make them then that’s all that counts. this is only a detailed look into my own personal process and things i’ve learned along the way. i'm also an idiot who sometimes doesn't know what he's talking about, so if something doesn't make sense let me know so i can fix it!

but these are some of the things i'll be going into a little more detail than before:

tools

importing & converting to smart object

smart filters

coloring (lighting, basic, and gradient)

exporting

tools

there are a few things i use in the process, some new and some old. whether you want to use them is entirely optional, given that it can be a lot to take in at once.

photoshop 2024

if you use an older version of photoshop, then i think the layout is similar to newer versions. though iirc some older versions don’t have the timeline function so you might have to look that up yourself since i’m not familiar with any ps version without it.

handbrake

i only use handbrake if the recorded video is super long. usually i try to record each scenery shot (4-8 seconds at a time) or an entire cutscene so i don’t have to use handbrake to trim the video. if i do, then i have the settings set to export as super hq with 60 fps, deselecting align a/v start and passthru common metadata. the rest i leave alone.

vapoursynth

this is really useful and makes coloring easier imo. you can download it from the official site, but i found a portable version (i have the 200722 one) for windows here. i’m not sure how to set it up for mac users, and, truthfully, to this day i still don’t know how to use it entirely. i just followed a tutorial i i found on youtube and only changed the amount for the denoise filter and turned off the sharpen filter since i do that in photoshop itself. so it’s trial and error, and i’m erroring a lot sometimes ajdkjasvjdas. it’s also where i crop the video to my preferred dimensions, unless you choose to crop in ps.

jsfiddle code playground

if you want to have the text in the tumblr post be a gradient, then type whatever you want in the first box on the bottom right, change the color from red to your starting color of choice, then the same of the green for the ending color. hit run, copy the code, and paste it inside the text post while in html mode. ngl, i stared at the site for like ten minutes before i figured out how to use it asjdjasdasd

nvidia shadowplay

i use shadowplay since it comes with my laptop’s gpu, set to record in 1080p60. i’ve seen other giffers use obs for recording, but i don’t have any experience with it. there are scenepacks and gameplay walkthroughs on many sites, which you can use as long as you have the uploaders permission and credit them as they ask! please don't steal their videos!

reshade

i’ve started using reshade recently to tone out the blue tint of the game and sharpen it up a bit more. it makes a big difference and helps with coloring if you start out with near neutral colors. the effects i use are: • deband • clarity • sharpcontrast • emphasize • amd fidelityfx contrast adaptive sharpening • fxaa • prod_80_04_colorisolation • adaptivetonemapper i'm pretty sure some of these are redundant, but i’m too lazy to go back and see which ones i don’t need lol. but it’s all personally preference with how you want the game to look, and there are many effects to choose from.

importing & converting to smart object:

my preferred method is the video frames to layers, which is: file > import > video frames to layers, and then select the video. if you use vapoursynth, then there might be duplicates frames (or at least there are for me) so when the popup window appears i check the box to limit the frames to how ever many duplicates there are of each frame. usually in my case, it’s three.

after the video has been imported, i select all frames in the timeline and change the frame delay to either 0.03-0.04 depending on how fast or slow i want the gif to be. for converting to smart object, i recorded my own action set to save time by clicking on a couple of buttons, but the process is: select all layers currently > convert frame animation > convert to smart object.

let me know if you want the action set! it saves a lot of time in the process

smart filters

i don't think sharpening before or after coloring matters, but definitely do not sharpen before cropping if you haven't done already.

vapoursynth combined with the in game reshade sharpening effects doesn’t require as much sharpening as i normally use. just note that it varies from scene to scene, and whatever you're giffing. these are just the settings i used for the pirates’ cove set.:

smart sharpen #1: 500% with a radius of 0.2 px

smart sharpen #2: 10% and 10 px radius

gaussian blur: 0.7 px at 30% opacity

add noise: 1% uniform at 30% opacity

on to the coloring, which i'm breaking this up into three sections: lighting, basic coloring, and gradient coloring, with a brief description and the result after each section.

something to note is that all coloring is personal preference, and how you want your gifs to look. if you're just starting your giffing journey, here's a site i bookmarked that explains pretty well the adjustment layers and what they do if you have questions for how they work. but i'd be more than happy to answer any that you guys have!

lighting:

brightness/contrast:

with this, i’ve found that changing the blending mode to screen brightens it up well enough without having to move any on the sliders. if it’s too bright, then lowering the opacity should do the trick.

curves:

before, i used the white and black point with the eyedropper tool, but now i’ve started using the auto function that can be found in the four horizontal bars in the top right of the adjustment properties. i choose the find dark & light colors options and check the enhance brightness and contrast box. if it’s too bright or tinted too much one color, then i fiddle with the rgb curves individually to get it as neutral as i can.

levels:

with levels there’s not much to adjust other than moving the sliders for the shadows and midtones to give it a little more contrast.

basic coloring:

selective color #1:

for the first selective color set to absolute, i use it for the white/black colors to make them as white and black as possible. increasing the black can make it too dark, so i limit the increase by two or three. sometimes i change neutral if it needs it, after all the coloring is done if it still looks too much of one color that the other adjustment layers can’t fix. i don’t know exactly what the difference is between absolute and relative is, i just remember it being part of a tutorial i read and have been doing it ever since.

color balance:

i only change this as minimally as possible, usually one for cyan, one for magenta, and one for blue for all tones. sometimes i increase it more, but it all depends on how you want it.

selective color #2:

the last selective color i use it for all the other colors, set to relative, usually for reds, yellows, and blues. if there are people in the gif, then i focus mostly on skin tones, bringing out reds and yellows to make it look as natural as possible. a hue/saturation layer can be useful to even out darker skin tones by lowering the saturation for red or yellow. with scenery, i boost whatever dominate color pops up while lowering the other colors by adding in a lot of white if the lighting is bright, or adding black for dim scenes. again, if it needs it, adding in an optional hue/saturation layer, but this time to lower the saturation for less prominent colors.

gradient coloring:

if you’re satisfied with the coloring of your gif, then this step can be skipped!

i’ve recently fallen in love with using gradient fills. there are several preset gradients available, but if you search around online there are other gradients available to download and use. or you can make your own gradient of your colors of choice.

for me, i often use blue/pink or blue/purple gradient fills. the blue/pink preset is the one i used in this case.

gradient fill:

after adding the gradient fill and choosing the colors, i change the blending to soft light and lower the opacity anywhere from 30%-50%. with darker skin tones it might be tricky as it would involve more tweaking of the settings until it looks nice.

gradient map:

i follow it up with a gradient map to help with the sharpness (i think? i’ve forgotten exactly) set to soft light again with varying opacity given how dark the scene is.

vibrancy

this is completely optional here, but i like the colors cranked to the max, boosted to 80% or slightly lower. some minor adjustments might have to be made after this, usually with it being too red or possibly yellow.

exposure

the final adjustment layer to top it all off is exposure. i like my gifs to have a matte-ish look, so i change the offset anywhere from +0.0010 to +0.0030. if the gif is still a little on the dark side, increasing the exposure helps.

the gradient coloring takes the longest to get the colors to look good, but i love my colors so much and the end result is so worth it.

logo:

this is optional of course, but since there's quite a few people out there who love to steal gifs, it's probably a good idea to put your logo on the gif to help deter them. mine's simple and uses either the font code bold or moon. i have it saved as a png so that i can go to file > place embedded and resize it to my liking before moving it to the bottom right corner.

but for me those are too many steps to do for each gif, especially if i’ve been working on them for hours. so i open up an old psd with the same dimensions and duplicate the logo layer for each gif to save time.

exporting:

under file > save for web (legacy) the window for it should pop up. i don't usually mess around too much with the settings here, keeping it at selective diffusion and changing the matte to none.

sometimes the size will be too large for tumblr's limit since i like bright colors, and depending on how many frames are in each gif, most of them end up on the large side. i have to fight photoshop sometimes to make it work by either trimming a few frames or messing slighting with the lighting. occasionally i end up having to go back and reimport the videos to divide the frames equally if i don't want to trim any off. it’s a pain, and it’s something i should honestly try to plan out before that point lmao.

but if you're satisfied with how it looks, save, and you're good to post!

[positivelybeastly]

Plot Wishlist

General:

Any X-characters, but especially Storm, Shadowkat, Cyclops, Iceman, Jean Grey, Abigail Brand, Havok, Dazzler, Colossus, Mr. Sinister, Charles Xavier, Magneto, Sabretooth, et al.

Verse specific plots below.

Feline Hank:

Decimation/Utopia-era plots, perhaps including a PTSD recovery arc for Hank after his torture at the hands of Norman Osborn. Poor guy was literally having flashbacks at the drop of a hat and the best he got was a 'you're the rock, so idk just cope better' speech - would love to dive into this.

Fun, shippy things! Hank is a loveable fella, but utterly bereft of actual self-esteem - tons of ego and bluster, but self-esteem? Wrong house, miss - and I love to see him reconcile the often inflated mental portrait he has of others with his diabolical self-image.

Mutant cure. Hank has a vial of it just sitting in a freezer. All it takes is one particularly bad day.

Post-Intervention Hank:

Anything with any X-character, diving into the period of time between All-New X-Men and Krakoa. Hank screwed up, majorly, and his emotional state is ridiculously fractious - engage with him on this! Force him to change! Or let's have blazing arguments! Let's do both, fuck it!

Inhuman + Kang interactions! Hank was only with them for a short period of time in the grand scheme of things, but I dearly love that he made friends during his time here, and it breaks my heart that he felt like he couldn't go back after Inhumans vs. X-Men.

Avengers:

Defenders interactions! Especially Isaac Christians (Gargoyle), Patsy Walker (Hellcat) and Heather Douglas (Moondragon). I love this team - they're such a weird, kooky team of misfists and emotionally damaged individuals.

Threnody. I'm tired of talking about her as the first brick in the wall for Hank's downfall - let's talk about her as a character, let's engage with the situation, let's call Hank out, let's let him off the hook, let's do something with it!

X-Force:

Any and all members of the Quiet Council, perhaps a thread making sense of Beast's numerous karma houdinis. My portrayal of X-Force Beast diverges from the cartoon character you've seen in Percy's books, but I still want to engage with the situations he must've found himself in and write them like an adult. Let's get political, let's get complicated, let's get cruel, why not?

Any and all interactions where an old friend asks Beast what the hell he's doing and what happened to him. I just want someone to care that Beast has hollowed out his soul and decided it's easier to not care.

Irredeemable Beast:

Pretty much anything, but the tone of this verse suits Fall of X-themed plots and character development over all else. I have an in-progress fic about this verse that I'm working on - I can't tell you how overjoyed I'd be to talk about it with someone. Let's talk redemption, let's talk punishment, let's talk justice, let's talk masochism, let's talk death wishes!

Dark Beast:

Any Age of Apocalypse characters.

A duplicate Hank, tbh!

The guy's a stinker, abuse him, please.

Battle of the Atom:

Any of the time displaced X-Men, future X-Men, or members of the Jean Grey and Charles Xavier School faculty. This version of Hank is so broken and so tragic and so pitiable. Let's engage with that. Let's talk about the future, let's talk about optimism, let's talk about broken faith and mind control and hatred.

President Blaire. If you know, you know.

And obviously, all of the X-characters mentioned above, or hell, any member of the extended X-family, would be much loved as an intersection with all of these plots!

And keep in mind, if you aren't one of these characters, that doesn't mean any of this plot material is off limits to you! Message me, ask me, let's work something out. I crave good character dynamics, hmu. I want to write with you, or I wouldn't be here.

[enneadau]

Series Description:

Yugi was born a girl, inspired by the fact that I found out that Atem is in  fact commonly used as a girl's name. Yes I am aware of the fact that  mythology states that there was an Atem who was the father of Bast, but  once my brain had started ticking, well… here you go. There will be 9 main stories in this series but I make no promises how many side stories and one shots will pop up by the time the series ends. This lines up with the 9 Gods and Goddesses of the Egyptian Ennead and is the reason for the series name.

Story Links:

Palingenesis - In Ancient Egypt the Gods watched without care as the enemy approached…

Kemet -  Before the downfall, before Egypt went to hell, there was a Thief who wormed her way into the palace...  (Complete, One Shot)

Dishonour - Finally, after years of waiting... they've got him. (Complete, One Shot)

Jb - After the events of earlier, the Pharaoh and her Shadow need a moment alone. (Complete, One Shot)

Mahad’s Tale - The moment everything went wrong in Ancient Egypt as told by Mahad in chapter 3 of Kismet. (A comic of Mahad's side of the story by https://twitter.com/fullmoondraws. 1 page up so far.)

Renegade - The night before his father's execution for High Treason and Mass Murder, High Priest Seth visits Akhenaden to try and understand why... (Completed, One Shot)

Duplicity - High Priestess Isis didn't agree with the Pharaoh's plans and instead created her own... (Complete, One Shot)

Season Zero -  After working on the Puzzle that her Grandfather gave her for eight years, Yugi finally managed to complete it. What she couldn't know was how much trouble one little trinket could cause… (Complete, 27 chapters)

In Sickness -  Jou has been ill and now Yugi has come down with the same sickness. Can  the spirit of the Puzzle, Oneesan work out what's wrong with her   Imoto-chan before the sickness takes it's toll?  (Complete, 1 shot)

For Those We Love -  A sudden attack out of nowhere leaves Yugi with no choice but to travel  to an island in the middle of nowhere and compete to save her Ojiisan's  soul. Can she defeat Pegasus, save everyone and somehow, finally, work  out how to interact with Oneesan, all without getting herself killed? (Complete, 27 chapters)

Refrain - Duelist Kingdom was hard on the Kaibas and Seto can't sleep.(Complete, 1 shot)

Kin -  After surviving Duelist Kingdom, Yugi is looking forward to getting back  to normality. Well, what passes for normal when you're the one who  completed the Millennium Puzzle, one of your friends is the host for the  spirit whose rampage ended your elder twin's reign back in Egypt and  old adversaries of your grandfather have moved into town.   (Complete, 15 chapters)

Kismet -  After a close call in a raging inferno, Yugi is left with more questions  than answers.  One thing is certain: as she is, she cannot win the  oncoming fight and with the future of the world at stake, she needs to  know more. Thankfully, looking to the future can sometimes give you  answers to the past... (Completed, 19 chapters)

Unwind -  A little relaxation is good for the soul.  (Set between chapters 5 & 6 of Kismet. Complete, 1 shot.)

Semestral - A collection of drabbles and one shots set in the time skip between Kismet and Battle of the Gods (Complete. 44 chapters)

Fantasia - A game to be tested, a set of rules changed and an unfair plot interrupted lead a set of adventurers into trouble. (Being written, will update VERY slowly because this arc hates me, 2 chapters so far)

Battle of the Gods - Battle City has arrived. Yugi and her twin sister, the Spirit of the Puzzle, need to compete to earn the keys to unlock the Pharaoh's missing memories and powers, but there is danger on the horizon. Will they reach their goal or will the sun set on them, and the world? (Posting, 50 chapters so far...)

Side B - The King A dip in the ocean at the end of the worst day of Yugi's life, leads to a trip from which there may be no return... (One shot, Complete)

Side B - The Pawn The cost of self sacrifice burns deep, and Amane, having risked her life and soul to protect a friend, finds herself making a journey that could end badly... (One shot, Complete)

Side B - The Knight Jonouchi Katsuya knew it was a bad move the moment he made it, but coming back from it could be more challenging than he knew… (One shot, Complete)

Side B - The Bishop There's nothing more important to Kaiba Seto than his little brother, and when protecting him means making the ultimate sacrifice, Seto suddenly finds himself on trial for the future of his very soul… (One shot, Complete)

Truth After an attack on the palace, and on her own life, costs her the two people she trusts the most, Pharaoh Atem is left to pick up the pieces and defend her country. (Complete, 4 Chapters)

Ennead GX Masterpost - everything posted so far involving Jurai and about GX plans

[quornesha]

Philippine Eagle Prophecy And Symbolism

The Following Channel is from higher powers, Divine, the ancestral plane and is prophetic through Quornesha S. Lemon| Whether the Phillippine Eagle appears in dreams, visions, waking life or synchronicities, it is a sign and message that blessings, prosperity and a release from a generational curse is upon you. Your destiny is being unleashed. And your calling is being initiated. What held you back will no longer have access to you. The divine has been watching you from afar and every wrong, every loss that you’ve had to accept will receive recompense. It is symbolic of blessings, recovery, renouncing vows, annulment of toxic vows or beliefs, removal of demonic strongholds. It is also symbolic of a season of confidence in your calling. You are being called forth. You don’t have to tell people who you are anymore nor whose you are, they will now know, witness and sense it. You will see things from a ‘sense of humor’ perspective. You no longer have to ‘threaten’ others for bothering you, all you have to do is pray, and let it be.

You are moving into a season, where Moses, an ancient ancestor has been awakened. And if anyone or anything is sitting on your blessings, holding your money, attacking you in the realm of spirit, sitting on your ideas must be destroyed. Destruction will know their name. Jealousies and envies must bow to the will of the most high. A table has been made in their presence and the haters or gatekeepers against your blessings have now become the audience. And anything or anyone that has rejected you will now watch you rise. For those who hide you divine will hide them in the worst way as well. Divine is your vindicator. Every curse, every road block, every hindrance will crumble away and a new day has dawned. Every delay in happiness and success will break. 

The kingdom of divine, heavenly realms are opened to you. Your throne is ready. Be seated in your honor season. What denies you denies divine and he nor your ancestry will play about you. 

People's hate, negativity, backstabbing, and betrayal are not your responsibility to carry. Divine is your vindicator and no one has gotten away. Divine has a special love for you and even though he hid his face from you for some time, his grace is upon you now. 

We are entering into a season of Moses, so whosoever is holding your destiny, holding up your process, and the will that the divine has for you will suffer the consequences. They will be like pharaohs, and then the plagues will start. 

It is written in the divine Akashic Records that this is to be so. It is universal. Divine commands that thing, that person, that situation to loose you immediately and let you go into the promised land he has for you. 

Divine is in all creation. 

This message isn't, obviously resonant with all whose paths it crosses, as perhaps you may encounter someone of this vernacular, mastery or skill. Therefore, it is a sign from the universe that you're meant to work with such a person. 

Need further clarity or your own queries answered? Book your own reading as my schedule is full and I do not guarantee a reply on social media regarding this post.

If this is not you, then it is time to get clear to rejoin your tribe or the rest of the world of infinite beings. It's time to bring your light to the forefront. However, if you aren't able to invoke, heal or otherwise on your own, call on the assistance of shamans, healers, intuitive people, etc. to assist you. This synchronicity can possibly have specific meanings for you, it's time to get insight. 

The Gift that Quornesha Has can never be duplicated, She is a Shaman, Writer, Healer,  And Teacher with incredible prophetic/healing gifts. Please do not infringe upon her rights as the author. You are not permitted to reuse, nor are you to sale as you wish. This information has been made available to you for the purpose of introduction and demonstration. All rights reserved. If you'd like to use this in a magazine, online publication, or other, please ask for permission first. Legal actions will be taken if you proceed to impose. Be blessed, bless others and be at peace on your journey. What you do is coming back on you. Make sure that it is good, and all is well within you, through you and around you.  The source sees all and knows what you think it does not.