#prompt: urban fantasy

[coffeetank]

Opposing Qualities for your Characters!

I always advocate the concept of Traits and their Inverses when making characters. If you're familiar with my blog, you'll know that in one of my posts, I've told you to use opposing qualities when you make a character to make them real. Here's a link to that post if you haven't come across it yet so you can understand this better: https://www.tumblr.com/coffeetank/747126821111447552/build-characters?source=share ~ List of more opposing qualities to give your characters: persuasive :: manipulative (your character has a way with words and sometimes uses this to get away with things)

humble :: underconfident (your character does not have an ego at all, but they are in actuality always underconfident - show how this can affect their surroundings especially in a situation where others depend on them)

independent :: alienated (your character can do everything on their own and quite literally does not need anyone around, show how this can crossover over with alienation - dig into the emotional background of this supposed crossover)

curious :: invasive (your character has an appetite for knowledge, but they forget boundaries - show how this can get them into trouble)

daring :: reckless (your character has a strong spirit and isn't scared of taking risks, but this can always incline to the bad side and cause them harm - use this to especially add event and conflict in the story)

neutral :: retracted (your character prefers to see both sides before coming to a conclusion and stays neutral 99% of the times, but then when one side needs them more than the other they refuse to acknowledge that need and pull themselves out of that situation - show how this this can affect their relationships with other people especially on a moral ground)

emotional :: irrational (it's always good for your character to have emotional capacity, but it can hinder with their practical side for sure - show how this plays out)

unique :: aberrant (your character has a very solid personality but then some their quirks are too odd to be normal - this is good for revealing an undercover villain/agent/supernatural being later in the story as a twist)

optimistic :: unserious (your character is a positive person, but they take life too lightly sometimes - play with it!)

appealing :: deceptive (your character is absolute delight to be around and wins hearts in an instant - show how they use this power of their to deceive people for their own benefit)

hopeful :: expectant (your character wishes for the bright side - show how this can transverse into having unfulfilled expectations thus making them act out wrongly due to disappointment)

clever :: cunning (as obvious as it sounds, your character uses their intelligence for the wrong - bonus if you mix this with another set of opposing qualities to add depth and layers to your characters)

short-tempered :: violent (easy, simple and impactful; your character loses temper quickly but they damage things around them with every small/big outburst)

Feel free to use these as you'd like! I'll bring you more soon.

-ashlee

[literaryvein-reblogs]

What is the difference between urban fantasy and low fantasy?

Using the Fantasy Fiction Continuum, urban fantasy is closer to "reality" in comparison with low fantasy. But also consider other elements that further distinguish both of these fantasy subgenres.

Urban Fantasy - fantastical characters and concepts are placed in a real-world urban setting, often in the present day; also sometimes called "Modern Fantasy"

Low Fantasy - set in the real world, and includes unexpected magical elements that surprise ordinary characters

Urban Fantasy can also be split into 2 distinct subgenres of its own:

The fantasy elements are out in the open

Or they exist in a kind of a shadow society, with the rest of the world operating normally, generally unaware of its existence.

Elements of Urban Fantasy

If you’re asking yourself “what is urban fantasy?” think of it this way: Imagine a book that combines the dense worldbuilding of fantasy and science fiction with the gritty grounded reality of contemporary novels set in New York City, Chicago, or other iconic urban locales. That’s the urban fantasy genre. Here are some key elements of urban fantasy novels, short stories, and films:

Fantasy tropes: Urban fantasy storylines combine the real-life grit with of modern world with fantastical worldbuilding.

An urban setting: Although small town urban fantasies do exist, most take place in present-day major cities.

Magic: Supernatural elements, sci-fi technologies, fairy tales, and folk mythologies are all found throughout urban fantasy novels.

A noir aesthetic: Urban fantasies lift genre conventions from noir and gritty police procedurals.

Mythical creatures: Urban fantasies are populated with supernatural creatures including (but not limited to) undead zombies, vampires, werewolves, druids, demons, shapeshifters, and perhaps a mage or wizard.

A protagonist with a foot in both worlds: The main character of an urban fantasy is typically savvy to the real-life ways of their urban environment yet can also wield or exploit magical powers.

A young protagonist: Relatively young characters who practice wizardry or witchcraft are common in urban fantasy series.

Elements of Low Fantasy

Low Fantasy is a catchall, and inexact, term for secondary world (i.e., a constructed world; a completely fictional setting, rather than our world) fantasy.

The designation is not a description of the quality of the work, but rather the prevalence of fantastic elements.

Tends towards less “traditional” (simplistic) morality.

Sometimes comedies are also excluded from the genre, but either way the works that remain don't have a natural unity.

However, while there is no complete list of defining features, there are features and tropes common to many Low Fantasy works that can help distinguish them from other fantasy works; each tends to be the opposite of one of the defining features of High Fantasy. Examples:

Magic: While Magic is prominent in High Fantasy, it's generally rare if not non-existent in Low Fantasy. What magic does exist is complicated, ambiguous, reserved for a very select few and/or has specific scientific rules. It's also likely to be dangerous, corruptive, or difficult to control, and magic-users are likely to be distrusted and often genuinely untrustworthy sorts.

Heroes: Usually normal people that have taken up a cause rather than The Chosen Ones of High Fantasy. It's not uncommon for them to be an Anti-Hero of some kind and/or have non-heroic motives (e.g. they take up a cause for personal ambition, for vengeance or just to survive as opposed to doing it for the 'greater good').

Shades of Grey: While High Fantasy usually features Black-and-White Morality with clear-cut heroes and villains, many Low Fantasy works have Grey and Gray or Black and Gray. More importantly, the success of the victor often has no bearing on their motives or honor.

Methods: Victories are usually achieved through physical combat and cunning, not magical battles and certainly not by moral superiority.

Scope: Down to Earth. Tends to focus more on the survival and tribulations of one or a few individuals rather than the whole world.

Examples of Urban Fantasy Works

The Dresden Files series by Jim Butcher (2000)

The Rivers of London series by Ben Aaronovitch (2011)

The Kate Daniels series by Ilona Andrews (2007)

The Merry Gentry series by Laurell K. Hamilton (2000)

The Hollows series by Kim Harrison (2004)

The Mercy Thompson series by Patricia Briggs (2006)

The Jane Yellowrock series by Faith Hunter (2009)

The Southern Vampire Mysteries by Charlaine Harris (2001)

Moonheart by Charles de Lint (1984)

War for the Oaks by Emma Bull (1987)

Examples of Low Fantasy Works

When the plastic figurines come to life in Lynne Reid Banks’s The Indian in the Cupboard (1980).

A Song of Ice and Fire is a generally low-magic setting, with a cynically pragmatic worldview and a focus on political maneuvering between rival factions who are all at least morally gray; however, the politics spans two continents and reaches epic levels on its own even without more traditional, stirring High adventure elements. However, because The Magic Comes Back slowly over the course of the story, the fantasy does get progressively Higher as the series goes on, even though the general tone remains Low in nature. The magic and other mysteries are treated as ambiguous, yet highly dangerous, potentially world-changing and complicating factors in an already combustible political and social situation.

Tangled has very little magic — with the only source of it being Rapunzel's hair. Besides the animals being somewhat more intelligent than normal, there's little else. The protagonists are all human, and the story is mainly Rapunzel's journey to the kingdom. The antagonist is said to be a witch, but she has no powers other than knowing how to activate Rapunzel's magic. As far as Grey-and-Gray Morality goes, one of the lead characters is an unrepentant thief and various side characters are implied criminals with Hidden Depths.

Sources: 1 2 3 4 5 ⚜ More: References ⚜ Writing Resources PDFs

Do go through the sources for more details and examples. Hope this helps with your writing!

[thepromptfoundry]

The Prompt Foundry will be kicking off the new year with Genreuary: A Genre Exploration Extravaganza!

We all have our favorite genres and it's always fun to explore new ones! That's what Genreuary is all about—make something to celebrate your favorite examples of some classic genres, try your hand at creating original work of your own in genres you've never played in before, or run with the excuse to stick your blorbos in some genre-swap AUs!

If you use this list, please tag me here @thepromptfoundry, I’d love to see your writing and art!

Feel free to combine different days' prompts with each other, or combine them with other events! Use your favorite characters from media, make some OCs, give us some academic analysis, make art that's all vibes, whatever tickles your fancy.

Respond to as many prompts as you want or as interest you, don’t worry about missing or skipping any. Remember, this is supposed to be fun!

If you have any questions or musings, check our FAQ, and if you don't find your answer, shoot me an ask.

Plain text list below the cut:

1 Suburban Sitcom 2 Urban Fantasy 3 Steampunk 4 Regency Romance 5 Magical Girl 6 Political Drama 7 Slasher Horror 8 Detective Noir 9 Gothic Romance 10 Time Travel Adventure 11 Post-Apocalyptic Survival 12 Dysfunctional Family Drama 13 Sword and Sorcery High Fantasy 14 Isekai 15 Contemporary Slice of Life 16 Historical War Drama 17 Cyberpunk 18 Spy Thriller 19 Investigation Procedural 20 Courtroom Drama 21 Paranormal Romance 22 Courtly Drama 23 Gothic Horror 24 Western 25 Courtly Intrigue 26 Workplace Comedy 27 Starship Adventure 28 Boarding School Drama 29 Alien Invasion Sci Fi 30 Disaster Thriller 31 Communal Living Sitcom

[marlynnofmany]

Urban fantasy idea: mushrooms shaped like traffic cones. They tend to sprout from the road around damaged spots, like sinkholes and illegal portals.

[lets-get-ready-to-ramble]

Do you think in like, an urban fantasy setting, with a modern lab and chemistry knowledge you could brew super specific potions? Imagine getting a C on your lab final for Potions 238 because you didn’t balance your equation correctly and accidentally added 4 mols of salamander blood when you only needed 2. You lose points for incorrect titration, leading your potion of invisibility to last 10 minutes instead of 20. Would you treat each magical component as its own element/ compound or would you have to break it down into organic molecules? What does “enchanted” MEAN in terms of reactance!!! These are the real questions!!

[call-me-strega]

Dc x Dp Prompt #4: Ghost Selkie

Disclaimer: references and facts about Selkies are based on Selkie folklore, true facts about seals, and stuff I just made up because it works well with the story

~~~~

Okay so Urban Fantasy inspired au where turns out there is some Selkie blood mixed up somewhere in the Fenton bloodline. As such Jazz and Danny exhibit a few Selkie-like traits but nothing too serious: a playful nature, a certain grace and agility, attraction to shiny things (stars and microscopes), a decent singing voice, being strong swimmers, and seeing in the dark better than the average person. After The Accident™️ and being more involved with the super natural world some of those aspects get a bit stronger for Danny but he just chalks it up to being a Halfa. That is until Skulker catches him on an off-day and manages to capture him by snagging the back of his jumpsuit. Phantom, in a moment of panic and desperation, decides to try and rip off his bodysuit to escape. The suit comes of alright but out tumbles Danny Fenton rather than a de-clothed Phantom. Skulker, in a moment of shock, drops the suit and Danny catches cradling it to his chest while every fiber of his being screams “MY COAT. MY PELT. MINE, DONT STEAL IT.” Skulked realizes what’s happened before Danny does and nopes out of there bc “ This is not what I meant when a said I would have your pelt whelp!” Danny is left sitting there feeling stunned. A quick round of experimentation leads him to figure out that he is now able to take off the suit in Phantom form, but it will de-transform him into Danny. Furthermore, the regular "going ghost" transition still works both with and without him physically holding the suit.

A quick consultation with Clockwork and Frostbite reveals the Fenton Selkie heritage and he goes back to report to Jazz and his friends. Due to Jazz’s instance the siblings get a crash course in Selkies through a community of Selkies and Part-Selkies in the Infinite Realms as well as having a younger ghost show them where to find the modern underground Selkie-Community. Which leads to them getting emotionally adopted by their (dead and alive) Selkie mentors. They learn about eating habits, behavior, culture and customs (including the in and outs of courtship and mating), and camflouge/blending into society.

Jazz learns to tap into her vocal magic/manipulation. Her voice has a deeply calming effect on others and they feel more compelled to listen to her. This comes in handy with some of her more rowdy patients at her internships and stuff. She’s also to taps into the physical aspects of her Selkie blood and gains enhanced dexterity, agility, balance and reflexes. She’s also working towards improving her strength and stamina. Needless to say her aim has definitely improved. Nothing too wild but as she gains more liminality, those aspects become stronger so she’s definitely a cut above the average human though not as crazy as Danny.

Danny on the other hand gets the ability to “shed his pelt” by being able to physically take of his suit and de-transform as well as how to disguise the suit as a jacket or something (maybe a romper or a cardigan?) so that he he can keep it on him for quick, more discreet transformations if he wants to. His ghostly form takes on more Selkie traits like fangs for a powerful bite and more muscle mass and fat in certain areas to improve his endurance and cold resistance. He also learns to manipulate his ectoplasm to be able to shapeshift into the seal version of a Selkie. He is able to practice and manipulate his Ghostly Wail and hone it into a Siren Song and Sonic Singing too.

So basically both the Fenton siblings get cool Selkie power-ups (and unbeknownst to the two, admittedly already quite attractive siblings, their looks take on an otherworldly allure too). As well as a new community eager to take them in and provide them with support. That's why when Danny decides he wants to get away from Amity for college (the ghosts have agreed to a truce as long as Danny pops in for a spar and some shenanigans every now and then. He acquiesces because playing and roughhousing is a part of building social relations for both ghosts and selkies) some of their Selkie contacts help him apply for the Wayne Scholarship at Gotham University and get him set up in Gotham.

Let’s switch gears for a moment here. Gotham has always been a weird place full of weirdos, magic, and cursed energy. Basically, overall chaotic, edgy, and somewhat rancid vibes. It also is entwined with the supernatural. Lady Gotham, the spirit of the city, has allowed many a supernatural community to remain well hidden in her realm including but not limited to fae, witches, gargoyles, vampires, and of course, selkies. There is a huge underground supernatural community in Gotham, part of which is the Selkie community. Most of the Selkies moved out of the harbor and onto land due to pollution. The luckier ones who managed to gain some quick wealth settled in the Upper East Side or Coventry while others ended up in Burnley, the Bowery, and Crime Alley. However, family is very important to Selkies, so there is little resentment between the areas. They try to help out each other and the other members of the supernatural community in Gotham whenever possible. The overall magical community is spread out over Gotham with a few hot spots like Old Gotham, Robinson Park, Crime Alley and the Bowery, and Chinatown.

Now enter: Jason Todd (or a different member of the batfam of your choosing but you’re on your own to figure out how that’ll change the story). Jason grew up around a large portion of Gotham’s supernatural community. There were plenty of fae, selkies, sirens, vamps, and various other magical beings within Crime Alley. He discovered the community early on when he found out that the abuela who used to feed him tamales was in fact a Bruja (witch). Her name was Señora Mariana Soliña and she swore him to secrecy and taught him some basic knowledge on how to recognize and avoid being screwed over by the supernatural.

When his mother died Señora Soliña revealed her surprisingly large amount of wealth to him. She chose to live in Crime Alley to be closer to magical friends and people who would seek out her services as a witch doctor (her cover bc the best lies have a hint of truth). She offered him a hot meal and some spare cash when she could but they weren’t able to run into each other as often as they liked. After getting adopted and becoming Robin Jason made periodic visits to her before his death.

Jason’s resurrection didn’t happen in a Lazarus pit but when he crawled out of his grave. It was due to the magical energy(read also high ecto-concentration) in Gotham he had been exposed to that he became a Revenant. He was able to develop a core through the latent energy and become a spirit/reanimated corpse that sought to avenge both his death and countless others at the hands of The Joker. His dip in the Pits (polluted ectoplasm) brought him out of his catatonic state but triggered his obsession and left him with Pit Rage. Yada yada yada, trains with the League of Assassins, yada yada yada, trains with All-Caste and gets the ability to wield the magical All-Blades, yada yada yada, returns to Gotham for revenge becomes a crime lord, etc., etc., you know the drill.

Fast forward to when he’s made up with the BatFam and is now an antihero. His pit rage has gotten more controllable as the natural ectoplasm and magic in Gotham is slowly filtering out the polluted ectoplasm in his system but it’s still a long process. The supernatural community, however, is happy to have him there. You see Red Hood is actually quite a popular vigilante within the supernatural community. Among his many monikers, they were the ones who gave him the nickname “Avenger of the Unavenged”, and nod to his nature as a Revenant, as well as the aura of the All-Blades (which are meant to defeat absolute evil) that most magical beings recognize.

Jason is fully aware of the presence of the supernatural community in Gotham, as well as members of it who live within his haunt. Once things reach a new “normal” for him he tracks down Señora Soliña only somewhat surprised to see her alive and kicking. He asks for her guidance in the supernatural past the basic knowledge she gave him as a kid. Señora Soliña recognizes his magical aura and status as a Revenant and agrees. (Note: Jason is aware that he has some magic in him, but he attributes it to the All-Blades. He is not fully aware of his status as a Revenant. Señora Soliña assumes he knows and thus does not inform him.) She teaches him and helps him start getting integrated into Gotham’s supernatural community. She offers to “adopt” him as her grandson "Jason “Pedro” Todd Soliña" so that he can take on a civilian identity and attend college. He agrees, eager to resume his education and take on a semi-"normal" life.

And thus we've reached the part of our story where two worlds collide. Jason and Danny first meet peripherally during orientation at Gotham U. They don't really have a direct interaction, just learning each other's names during the icebreakers and some eye contact during the tour. Danny is dorming and Jason commutes so the don't see each other much past running into each other on campus or in the dining hall. That is until they spot each other at an underground, supernatural beings-only, cafe called Xenia a few blocks away Robinson Park.

The two realize the other must have a supernatural connection and start up a conversation. The conversation is illuminating as they learn they're both fairly new to the supernatural community and mostly ghostly. Danny reveals himself as a halfa and of selkie descent and Jason uses his cover to introduce himself as the grandson of a bruja with magic, a brujo-in-training if you will. Upon being asked what a halfa is Danny realizes Jason doesn't know a ton about ghost culture and gives him a quick crash course leading them both to figure out that a) Jason is a Revenant and b) Danny could probably help the Pit Rage by giving him some ecto-supplements. Due to this newfound information Jason conveniently forgets that his new friend mentioned having Selkie blood.

The two meet up more after that, intentionally this time so that Danny can continue teaching Jason about ghost culture and just to hang out. (Note: Danny isn't teaching Jason about selkie culture as he assumes the grandson of a bruja would know that stuff already. Jason has been taught a bit about selkies but they haven't thoroughly covered the topic of courtship yet). As they hang out and develop a friendship with each other the seeds of romance are planted.

One day after they wrapped up lunch at Xenia, Danny left the cafe, accidentally leaving his pelt/jacket on his chair as he's still getting used to having to keep track of it. Jason not realizing the significance of his actions picks it up and takes it with him. Later that day Danny freaks out realizing he left it behind when he runs into Jason. Jason was actually looking for him to return the jacket. So he's like "Hey man you left this at the cafe so I took it and now you can have it back" assuming the redness on Danny's face is just embarrassment. Danny, while mortified, is also extremely flustered. Selkies typically only let close family and lovers have access to their pelts because it implies a deep and intimate bond built on trust that they'll give it back. For Jason, who should know about such Selkie customs, to not only take his pelt but then also return it so easily is some very straightforward flirting. But hey, Jason is good friend... and easy on the eyes too. He wouldn't mind if there was something more there. So Danny decides that he wouldn't mind courting/being courted by Jason.

Jason on the other hand has in fact caught feelings for his friend but hasn't realized he already initiated courting by doing this. He plans to do it the ghostly way engaging in some bonding through sparing and roughhousing and building up their feelings before asking him out. Unfortunately for him, there is a lot of overlap between Selkie courting and ghostly courting so Danny believes that Jason has been courting him for some time now. There are also some things that are specific to Selkie courting Jason unknowingly does, such as buying Danny a bracelet (shiny rocks as a courting gift), beating up a couple of guys trying to mug Danny (defending/showing off for your mate), and introducing Danny to his family/agreeing to meet Jazz (family is very important to Selkies).

That's why when they go out to dinner, and Jason embarrassedly corrects a waitress who thought they were on a date by saying "Oh we're just friends", Danny is understandably upset. He was under the impression that their courtship was getting rather serious since Jason had met Jazz and Danny had met Jason's family. When he asks Jason why he told the waitress they weren't dating he replies "Umm because we're not?" in an uncertain tone. Danny feeling hurt and upset takes his glass of water splashes it onto Jason's face and storms out of the restaurant. Jason is left there soaking, confused, and wondering what he did wrong.

That night Jason goes to visit Señora Soliña to see if he messed up some ghostly custom for Danny to get so upset. When he arrives one of the first things she asks him is how it's going with Danny. When he recounts what happened at dinner and explains his confusion, the bruja takes a deep sigh before smacking him upside the head. Jason is like “wtf abuela?!” And she just shakes her head at him and calls him an idiot. She then reminds him that Danny is part Selkie and explains all the ways Jason has been courting him during the past few months. Jason, realizing he screwed up grabs one of his leather jackets and goes off to track down Danny.

Danny has returned to his dorm to cry and eat ice cream in his pjs from the comfort of his own room. He’s about to watch some comfort tv when there is a pounding at his door. He gets to find a disheveled looking Jason standing at his door. Danny frowns and questions what he’s doing here. Jason’s like “Look I know you’re upset and understandably so but please let me in and I can explain”. Danny’s care for Jason wins out over his anger as he resigns himself to letting the other in. The first thing Jason does is apologize for hurting Danny, saying it was never his intention to do so. He then goes on to explain how he hadn't realized that he had been courting Danny in Selkie customs. Danny is understanding but still upset and voices his feelings to Jason. Jason allows the other to get his anger out and then continues to say that he was actually trying to court Danny through ghostly bonding, and he would still like to date him if he’s open to it. Jason then takes off the leather jacket that he brought with him and offers it to Danny, saying that he doesn’t have his own pelt to offer, but this is the next best thing. This gesture nearly brings Danny to tears and he throws himself to hug Jason, accepting the jacket. The pull back and look into each other's eyes before sharing a kiss and spending the rest of the night cuddling before Jason has to leave.

From then on Jason ramps up the courting to 12, determined not to mess it up again. He reasearches selkie and ghost courting customs in depth to properly woo Danny and personalizes dates to their personalities. Danny is happy to be lavished with the attention and returns the favor. The two of them also make an effort to make sure the have clear communication to avoid having misunderstandings again. A few months later Jason decides to re-introduce Danny to the batfam as his partner and brings Danny along to Wayne Family Dinner with a ring around his finger. It’s a promise ring not engagement ring, but what Bruce doesn’t know will surely give him a heart attack and Danny is happy to go along with it. Danny and Jason become the longest and most stable relationship in the batfam. Tim and Damian even come to them for advice when they try to romance their own partners.

The story kind of just finishes off with the two of them being happy with each other and leaves an open ending to add in small scenes that happened during a time skip or after the story (e.g gushing to siblings, an actual proposal, identity reaveals, batboys seeking advice, them engaging in pda, interaction with other supernatural beings, gossip surrounding their relationship, ect.)

[Edit: additional oc info now found here]

[deepwaterfiction]

Text: My roommate lends me two eyeliner pens for our night out, one white, one black. “This one to see ghosts. This one to see curses.”

[munamarvel14]

DIALOGUE PROMPT

"This is where the most ferocious, most terrifying, most hideous monster in all the la-"

"It's a pawn shop. You took us to a pawn shop."

[mysral]

"Bananas shouldn't taste spicy" moments, but for magic.

Someone discovering they have fae or infernal ancestry when they realize that most people don't get an unpleasant tingle from standard protection wards.

A mage's egg cracking after calibrating his spell to a female caster finally resolves the errors she was getting.

Most charm magica being designed for the neurotypical mind giving people with autism or ADHD a degree of natural resistance to it. "Wait, people actually feel compelled by siren song? Can't you just tune it out?"

[happypeachsludgeflower]

You know how the “sight” is described in fantasy content? As in, the ability to see otherworldly creatures?

I’ve decided they’ve all been doing it wrong.

We should all collectively change the description to that of gradually being able to tell something’s there by constant exposure.

What does this mean you might ask?

It’s the way you tell identical cats apart after a year of knowing them.

[laurasimonsdaughter]

Selkie-Human dialogue prompts

• “Hey, wait up! You forgot your blanket!”

• “I can’t believe you don’t know the difference between seals and sea lions.”

• “I’m not going get cursed or something if I just touch it to hand it to you, right?”

• “Please stop crying, the sea is salt enough…”

• “Hear me out, I promise it’ll be worth it: sushi.”

• “I honestly don’t know what else to do, I’ve ‘forgotten’ my pelt at their place three times already!”

• “Oh sorry! Didn’t see you there, I thought I had the beach to myself.”

• “I need a sturdy chest, preferably made out of sandlewood, or something else that’ll keep the moths out. Could you build something like that?”

[wonderful-prompts]

Prompt #1311

The spellbook was falling apart. Its wobbly spine was reinforced with peeling duct tape, the sigils inked on its covers had been nearly worn away by years of travel. Yet it remained in the witch's care.

[crystalfic]

The Last Warrior

"Pick one of the weapons inside, and you'll be a warrior."

The sign itself should have been a warning. Other would-be Warriors get their words engraved on stone doors, or burned into heavy wood, or inlaid in precious metals.

You got a piece of paper taped to a chipboard door that wouldn't look out of place in a fifty-year-old house. The words are handwritten; not beautifully calligraphed, but hastily scribbled, as though the person who wrote it was in too much of a hurry to care.

Sighing, you reach for the handle anyway. It won't go away until you pick something; every Warrior who survived this trial says so. It'll just keep turning up, more and more insistent, until every door is this one. You lost your sister to one of these doors, and by any available metric she was a far better candidate than you'll ever be. (She's not one of the ones who died from making the wrong choice in the armoury. That happened later.)

As your hand wraps around the handle, the piece of paper flutters. Blue ink catches your eye; the traditional words are in black marker, but the blue doesn't fit. You let go. Pull the paper away from the door. Turn it over.

We're out of options, says the blue ink, in the same handwriting as the words on the front. This is all we've got left. You barely qualify, but you might be a better choice. Please. Help.

You grit your teeth. It's true, but seeing it laid out so blatantly still stings. For a moment, you consider opening the door and closing it without taking a weapon, or taking one and not using it. But the unknown letter-writer is right; the one thing that qualifies you for this is that you want to help.

Your fingers wrap around the handle, and you pull the door open before you can think about it. Part of you is hopeful, curious, wanting to see the fabled armoury of the Doors.

It's not there.

In front of you is a broom closet, dust in the corners, lit by a bare electric bulb. There are four weapons on display, and here at least part of the glory you'd hoped for survives.

An elegant sword in bronze and green. A shield in silver and yellow. A wizard's staff in black and red. A set of wings in gold and blue. You know that whatever weapon you choose, you will be an expert with as soon as you pick it up.

They all call to you. Choose one, choose any, they will leap eagerly to your aid. The wings call to you most, but something holds you back.

In the half-hope that there might still be a way out of this, you shuffle the shield aside with the back of your hand. And there, hidden behind the curved metal that wants you to pick it up, is something that few Warriors would ever recognise as a weapon.

A capped fountain pen, discarded in a dark and dusty corner.

It doesn't call to you. It doesn't leap to your hand. But this, this is the weapon you already know how to use. Your fingertips grip it, and you idly pull the cap off. A testing stroke on your skin reveals it to be the same blue as the hopeless note taped to your Door.

"I choose this," you say aloud. There's no instant knowledge, no sudden expertise, but the Door slams shut anyway. The armoury has accepted your choice and made you a Warrior.

You grin.

[cmrosens]

Fantasy Religions: Rethinking Hell & Prayer

I'm creating a fantasy hellscape and death realms so I had some thoughts about that for worldbuilding:

What happens if your hellscape isn't a place of punishment? What alternatives are there to "punishment" as a concept, and what does that say about your fantasy religious system(s) and so on?

like: I'm using a system where it's about how you die. It literally doesn't matter what you were like as a person, if you die in a specific way, you go to the corresponding realm of the dead and you're at the mercy of whoever's realm that is. If they are pretty nice and the place is the one everyone wants to get into, you may need to convince the gatekeeper to let you in when you get there, but that's doable. Also people might then try and manipulate their deaths to fulfil the criteria for getting where they want to go.

It's also fun because then people can go to hellscapes (various) even if they don't deserve it, and what happens then? Can they escape? Can they journey through and find a way out? Can everyone?

Do/how do prayers function in this system?

Are people praying to a deity that can hear them?

How do they try and get said deity's attention and why is that meant to work?

If the deity/deities are very annoyed by the prayers of the living and have deliberately made it difficult for prayers to reach them, what then?

Or, is it more that the living require someone to open a channel of communication so they can be heard, and this also helps the souls of the dead in some way?

Can prayers benefit the dead? How and when?

Can the dead pray for themselves/for the living, so it operates in reverse?

I'm going with the system where you can't pray for yourself, that's an alien concept, because the person who prays becomes a conduit or a channel for somebody else. They have to try and make their mind go blank with repetition of words given to them by the wind - which carries the voices of the restless dead, who died without anyone to pray for them and open a road for them to travel on - and in that moment of blankness, the soul they are praying for can cross over from life to their appropriate death realm. If you don't have someone to pray for you like this, your soul joins the wind forever, and you are just a whisper bringing warnings and bad news to people, and telling them what to pray for everyone else.

This is based on the old folklore that you can hear the voices of the dead on the wind, I think it pops up in Flemish folklore in some form, but also I've heard it elsewhere. I just adapted it.

From this, you can build outwards and work out fantasy religions and philosophy and ideology. Just keep asking questions, layer on layer, and see where this goes, as your answers are the scaffolding and the shape will grow from those first decisions you make.

Like, ok, what's the terminology for these concepts and processes (do they even have words like 'hell' and 'prayer')? How do these terms show up in the language and casual conversation - idioms like "he hasn't got a prayer" or "not a hope in Hell" wouldn't work if prayer isn't something that's synonymous with 'chance this will work out', because in this world, the idea of asking for something in prayer doesn't exist.

So in my world, for example, 'he hasn't got a prayer' wouldn't mean 'he doesn't stand a chance', it means, 'he's going to join the restless dead because he's got no one to pray for him'. That might be used for a very unpopular person: he's so bad, he hasn't got a prayer. (He's such a bad person that he hasn't got anyone who will pray for him when he dies). Or, a very lonely, isolated person: I think that's so sad - living alone without a prayer.

Similarly, if there's no Hell, then all the idioms that use "Hell" as a place of punishment no longer apply, and if there's no equivalent, then "not a hope in Hell" would have to be retired and swapped out for something else that does make sense in this world instead.

Conversely, "living on a prayer" like Bon Jovi would mean "selling my ability to pray for you", like a service that people offer so you don't join the wind, or go to the wrong death realm, or that you'll get passed the gatekeeper if a prayer operates like a ticket to enter, or whatever this might mean in your world.

If this is something that can happen, how are these people seen - as necessary to the community, or as unscrupulous opportunists? Bit of both? There's a whole interesting series of characters you could develop from just that concept, which might draw parallels with the sin-eater figure. And what happens if someone who doesn't deserve a lovely afterlife pays someone to pray for them so that they get entry into a lovely death realm?

There's a lot to play with when you just take one idea away, and try to swap it for something else. In this case: Hell isn't a place of punishment, so what is it then, and does it exist at all, and if not, what is there instead and how does it work?

That's a good place to start with building fantasy religions. I've already done a few other posts on my thoughts there!

EDIT: I'm doing a workshop on Build A Hellscape at the Devils and Justified Sinners online conference, Saturday 24th Aug 2024, 9AM UK Time. Sign up below:

[unboundprompts]

Random Prompt #162

In the quiet recesses of the school library, where dust motes drift lazily in the slanting sunlight, a boy named Leo sits at a table, his presence almost imperceptible. At will, he melts into his surroundings, his form fading like mist, leaving only the faintest ripple in the air. 

[theladyheroine]

Songs that would be good writing prompts ✨

❥ This is just a short post for funsies! Enjoy if you’d like!

I See the Light from Disney’s Tangled

Strangers Like Me from Disney’s Tarzan

Son of Man from Disney’s Tarzan

I’m A Star from Disney’s Wish

The Neglected Garden by Cecile Corbel

The Voice by The Celtic Woman

Now I See by Lou & SQVARE

Wonderful from Netflix’s Over The Moon

To The Sky by Owl City

Dinosaur Park by Owl City

Under The Circus Lights by Owl City

Lavender by JVKE & Pink Sweat$

Broken Melodies by NCT Dream & JVKE

Just A Cloud Away by Pharrell Williams