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Horkheimer on Labor
I do not believe that human beings naturally enjoy working, no matter whether their work has a purpose or not. Originally, the position of man is like that of a dog you want to train. He would like to return to an earlier state of being. He works in order not to have to work. The reification of labor is a stage in the process that enables us to return to childhood, but at a higher level.
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British Romanticism and the East
It was logically inevitably that a civilization believing itself unique would find itself drowned in the sum total of civilizations, just as personal boundaries would be swamped by over-flowing mobs and dislocations of the rational. All this together was called Romanticism, and it produced, through its many re– creations of the past, the present that propels us forward.
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The Concept of Enlightenment
under the
pressure of
labor, through
the centuries,
pleasure
has learned self-hatred,
and therefore
in the state of
totalitarian emancipation
remains
mean and disabled
by self-contempt.
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Hegel Aesthetik
What man requires
for his external life,
house and home,
tent, chair, bed,
sword and spear,
the ship with which
he crosses the ocean,
the chariot which carries
him into battle, boiling
and roasting, slaughtering,
eating and drinking,––
nothing of all this
must have become
merely a dead means
to an end for him; he must
still feel alive in all these
with his whole sense and self
in order that what is in itself
merely external be givenÂ
a humanly inspired
individual character
by such close connection
with the human individual. Â
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Armstrong explicating Gerard Manley Hopkins
Energy leaps over
the gap between us and things,
absorbed, taken up by, dwelling upon,
their being. It does not
dissolve, diffuse, and dissipate things
in order to recreate them and itself
in a successive process of transformation,
for the unity
of the world
is outside the self
and not made by it.
Objects as objects
are fixed and vital in themselves,
Hopkins would have maintained.
This dualism is essential
to his thinking.
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