#scale model project
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carsthatnevermadeitetc · 7 months ago
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Renault Project T600 B, 1957, by Ghia. Company president Pierre Dreyfus had ideas for a futuristic city car. This was the second prototype, built by Ghia using Renault Dauphine mechanical parts. The T600 B didn't make it into Renault's showrooms but you can buy a die cast model of it
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sharkinfishnetz · 6 months ago
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oil pastel thing from a couple weeks ago
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isa-ah · 1 year ago
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I finally finished my buni doll! he's taller than my arm and pretty hefty. it was my first time embroidering, wire armateuring, using this specific pattern making process, etc.... so I think he turned out better than I ever expected lol!
he's mostly posable tho the wire I had access to isn't strong enough to combat the minky. live and learn 🤷‍♂️
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*& dr pepper for scale LOL
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adrianasunderworld · 3 months ago
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Me seeing this: ....I could make that.
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I'm gonna be honest I didn't take a lot of progress pictures because I forget, and my desk isnt very pretty or well lit. But that being said- All done!
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💕We have Sanrio at home.💕
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azuregraffiti · 1 year ago
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Happy Anniversary Megurine Luka 🩷
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「A 5200cm radius is the length of my reach.I'm about to take off so please stand clear. What do you think? Would my former self like what I've become?」
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sublightdrive · 2 years ago
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The Rochelle Heavy Dynamics J-106 Atlas is a mid-weight cargo hauler that's as versatile as it is reliable.
I designed and built this little model from scratch, and and you can build one too! I The template and instructions available on my Etsy.
Full video | More of my stuff
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fanrodent1994 · 2 months ago
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Inspired by the finale of "Fantasmic" at Disneyland in Anaheim, CA and also Disney's Hollywood Studios (Disney-MGM Studios) at WDW in Orlando, FL, this is my fan art concept design of a possible quarter-scale omnibus float that will be made using 3D printed PLA plastic parts, metal parts, waterproof larger hobby RC car motors, waterproof metal gear micro servos + minky fabrics + cotton fabrics + etc (for characters), vinyl decals, & wireless RC controllers someday.
This is for my DIY backyard Plushie City diorama project
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artonkarton · 2 years ago
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Hogwarts Express Book Nook ✨
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youtube
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radiumeater · 1 year ago
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N1-L3 just 2 weeks away
N1-L3 is in 2 weeks!!
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wizisbored · 2 years ago
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(guy who has one million 3d art wips voice) i should make a diorama
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azuregraffiti · 1 year ago
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Hey there! This is my first post and I would like to share with you my bust of Hatsune Miku I made for her 16th birthday ^^ I sculpted her in ZBrush and rendered in Blender Cycles. I am very proud of the end result and hope you guys enjoy it too!
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aspectpriority · 3 months ago
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ahh lads. i am once again facing off against my arch nemesis: figuring out how the fuck to design terrain
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phantomrose96 · 1 year ago
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If anyone wants to know why every tech company in the world right now is clamoring for AI like drowned rats scrabbling to board a ship, I decided to make a post to explain what's happening.
(Disclaimer to start: I'm a software engineer who's been employed full time since 2018. I am not a historian nor an overconfident Youtube essayist, so this post is my working knowledge of what I see around me and the logical bridges between pieces.)
Okay anyway. The explanation starts further back than what's going on now. I'm gonna start with the year 2000. The Dot Com Bubble just spectacularly burst. The model of "we get the users first, we learn how to profit off them later" went out in a no-money-having bang (remember this, it will be relevant later). A lot of money was lost. A lot of people ended up out of a job. A lot of startup companies went under. Investors left with a sour taste in their mouth and, in general, investment in the internet stayed pretty cooled for that decade. This was, in my opinion, very good for the internet as it was an era not suffocating under the grip of mega-corporation oligarchs and was, instead, filled with Club Penguin and I Can Haz Cheezburger websites.
Then around the 2010-2012 years, a few things happened. Interest rates got low, and then lower. Facebook got huge. The iPhone took off. And suddenly there was a huge new potential market of internet users and phone-havers, and the cheap money was available to start backing new tech startup companies trying to hop on this opportunity. Companies like Uber, Netflix, and Amazon either started in this time, or hit their ramp-up in these years by shifting focus to the internet and apps.
Now, every start-up tech company dreaming of being the next big thing has one thing in common: they need to start off by getting themselves massively in debt. Because before you can turn a profit you need to first spend money on employees and spend money on equipment and spend money on data centers and spend money on advertising and spend money on scale and and and
But also, everyone wants to be on the ship for The Next Big Thing that takes off to the moon.
So there is a mutual interest between new tech companies, and venture capitalists who are willing to invest $$$ into said new tech companies. Because if the venture capitalists can identify a prize pig and get in early, that money could come back to them 100-fold or 1,000-fold. In fact it hardly matters if they invest in 10 or 20 total bust projects along the way to find that unicorn.
But also, becoming profitable takes time. And that might mean being in debt for a long long time before that rocket ship takes off to make everyone onboard a gazzilionaire.
But luckily, for tech startup bros and venture capitalists, being in debt in the 2010's was cheap, and it only got cheaper between 2010 and 2020. If people could secure loans for ~3% or 4% annual interest, well then a $100,000 loan only really costs $3,000 of interest a year to keep afloat. And if inflation is higher than that or at least similar, you're still beating the system.
So from 2010 through early 2022, times were good for tech companies. Startups could take off with massive growth, showing massive potential for something, and venture capitalists would throw infinite money at them in the hopes of pegging just one winner who will take off. And supporting the struggling investments or the long-haulers remained pretty cheap to keep funding.
You hear constantly about "Such and such app has 10-bazillion users gained over the last 10 years and has never once been profitable", yet the thing keeps chugging along because the investors backing it aren't stressed about the immediate future, and are still banking on that "eventually" when it learns how to really monetize its users and turn that profit.
The pandemic in 2020 took a magnifying-glass-in-the-sun effect to this, as EVERYTHING was forcibly turned online which pumped a ton of money and workers into tech investment. Simultaneously, money got really REALLY cheap, bottoming out with historic lows for interest rates.
Then the tide changed with the massive inflation that struck late 2021. Because this all-gas no-brakes state of things was also contributing to off-the-rails inflation (along with your standard-fare greedflation and price gouging, given the extremely convenient excuses of pandemic hardships and supply chain issues). The federal reserve whipped out interest rate hikes to try to curb this huge inflation, which is like a fire extinguisher dousing and suffocating your really-cool, actively-on-fire party where everyone else is burning but you're in the pool. And then they did this more, and then more. And the financial climate followed suit. And suddenly money was not cheap anymore, and new loans became expensive, because loans that used to compound at 2% a year are now compounding at 7 or 8% which, in the language of compounding, is a HUGE difference. A $100,000 loan at a 2% interest rate, if not repaid a single cent in 10 years, accrues to $121,899. A $100,000 loan at an 8% interest rate, if not repaid a single cent in 10 years, more than doubles to $215,892.
Now it is scary and risky to throw money at "could eventually be profitable" tech companies. Now investors are watching companies burn through their current funding and, when the companies come back asking for more, investors are tightening their coin purses instead. The bill is coming due. The free money is drying up and companies are under compounding pressure to produce a profit for their waiting investors who are now done waiting.
You get enshittification. You get quality going down and price going up. You get "now that you're a captive audience here, we're forcing ads or we're forcing subscriptions on you." Don't get me wrong, the plan was ALWAYS to monetize the users. It's just that it's come earlier than expected, with way more feet-to-the-fire than these companies were expecting. ESPECIALLY with Wall Street as the other factor in funding (public) companies, where Wall Street exhibits roughly the same temperament as a baby screaming crying upset that it's soiled its own diaper (maybe that's too mean a comparison to babies), and now companies are being put through the wringer for anything LESS than infinite growth that Wall Street demands of them.
Internal to the tech industry, you get MASSIVE wide-spread layoffs. You get an industry that used to be easy to land multiple job offers shriveling up and leaving recent graduates in a desperately awful situation where no company is hiring and the market is flooded with laid-off workers trying to get back on their feet.
Because those coin-purse-clutching investors DO love virtue-signaling efforts from companies that say "See! We're not being frivolous with your money! We only spend on the essentials." And this is true even for MASSIVE, PROFITABLE companies, because those companies' value is based on the Rich Person Feeling Graph (their stock) rather than the literal profit money. A company making a genuine gazillion dollars a year still tears through layoffs and freezes hiring and removes the free batteries from the printer room (totally not speaking from experience, surely) because the investors LOVE when you cut costs and take away employee perks. The "beer on tap, ping pong table in the common area" era of tech is drying up. And we're still unionless.
Never mind that last part.
And then in early 2023, AI (more specifically, Chat-GPT which is OpenAI's Large Language Model creation) tears its way into the tech scene with a meteor's amount of momentum. Here's Microsoft's prize pig, which it invested heavily in and is galivanting around the pig-show with, to the desperate jealousy and rapture of every other tech company and investor wishing it had that pig. And for the first time since the interest rate hikes, investors have dollar signs in their eyes, both venture capital and Wall Street alike. They're willing to restart the hose of money (even with the new risk) because this feels big enough for them to take the risk.
Now all these companies, who were in varying stages of sweating as their bill came due, or wringing their hands as their stock prices tanked, see a single glorious gold-plated rocket up out of here, the likes of which haven't been seen since the free money days. It's their ticket to buy time, and buy investors, and say "see THIS is what will wring money forth, finally, we promise, just let us show you."
To be clear, AI is NOT profitable yet. It's a money-sink. Perhaps a money-black-hole. But everyone in the space is so wowed by it that there is a wide-spread and powerful conviction that it will become profitable and earn its keep. (Let's be real, half of that profit "potential" is the promise of automating away jobs of pesky employees who peskily cost money.) It's a tech-space industrial revolution that will automate away skilled jobs, and getting in on the ground floor is the absolute best thing you can do to get your pie slice's worth.
It's the thing that will win investors back. It's the thing that will get the investment money coming in again (or, get it second-hand if the company can be the PROVIDER of something needed for AI, which other companies with venture-back will pay handsomely for). It's the thing companies are terrified of missing out on, lest it leave them utterly irrelevant in a future where not having AI-integration is like not having a mobile phone app for your company or not having a website.
So I guess to reiterate on my earlier point:
Drowned rats. Swimming to the one ship in sight.
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ohnoitstbskyen · 1 month ago
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You’ve probably been asked this before, but do you have a specific view on ai-generated art. I’m doing a school project on artificial intelligence and if it’s okay, i would like to cite you
I mean, you're welcome to cite me if you like. I recently wrote a post under a reblog about AI, and I did a video about it a while back, before the full scale of AI hype had really started rolling over the Internet - I don't 100% agree with all my arguments from that video anymore, but you can cite it if you please.
In short, I think generative AI art
Is art, real art, and it's silly to argue otherwise, the question is what KIND of art it is and what that art DOES in the world. Generally, it is boring and bland art which makes the world a more stressful, unpleasant and miserable place to be.
AI generated art is structurally and inherently limited by its nature. It is by necessity averages generated from data-sets, and so it inherits EVERY bias of its training data and EVERY bias of its training data validators and creators. It naturally tends towards the lowest common denominator in all areas, and it is structurally biased towards reinforcing and reaffirming the status quo of everything it is turned to.
It tends to be all surface, no substance. As in, it carries the superficial aesthetic of very high-quality rendering, but only insofar as it reproduces whatever signifiers of "quality" are most prized in its weighted training data. It cannot understand the structures and principles of what it is creating. Ask it for a horse and it does not know what a "horse" is, all it knows is what parts of it training data are tagged as "horse" and which general data patterns are likely to lead an observer to identify its output also as "horse." People sometimes describe this limitation as "a lack of soul" but it's perhaps more useful to think of it as a lack of comprehension.
Due to this lack of comprehension, AI art cannot communicate anything - or rather, the output tends to attempt to communicate everything, at random, all at once, and it's the visual equivalent of a kind of white noise. It lacks focus.
Human operators of AI generative tools can imbue communicative meaning into the outputs, and whip the models towards some sort of focus, because humans can do that with literally anything they turn their directed attention towards. Human beings can make art with paint spatters and bits of gum stuck under tennis shoes, of course a dedicated human putting tons of time into a process of trial and error can produce something meaningful with genAI tools.
The nature of genAI as a tool of creation is uniquely limited and uniquely constrained, a genAI tool can only ever output some mixture of whatever is in its training data (and what's in its training data is biased by the data that its creators valued enough to include), and it can only ever output that mixture according to the weights and biases of its programming and data set, which is fully within the control of whoever created the tool in the first place. Consequently, genAI is a tool whose full creative capacity is always, always, always going to be owned by corporations, the only entities with the resources and capacity to produce the most powerful models. And those models, thus, will always only create according to corporate interest. An individual human can use a pencil to draw whatever the hell they want, but an individual human can never use Midjourney to create anything except that which Midjourney allows them to create. GenAI art is thus limited not only by its mathematical tendency to bias the lowest common denominator, but also by an ideological bias inherited from whoever holds the leash on its creation. The necessary decision of which data gets included in a training set vs which data gets left out will, always and forever, impose de facto censorship on what a model is capable of expressing, and the power to make that decision is never in the hands of the artist attempting to use the tool.
tl;dr genAI art has a tendency to produce ideologically limited and intrinsically censored outputs, while defaulting to lowest common denominators that reproduce and reinforce status quos.
... on top of which its promulgation is an explicit plot by oligarchic industry to drive millions of people deeper into poverty and collapse wages in order to further concentrate wealth in the hands of the 0.01%. But that's just a bonus reason to dislike it.
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bymeganlee · 4 months ago
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This Skin was made from a scarf, packing tape, glitter and paint. Then I cut it all up into little scales and adhered them to Astrid’s body with Vaseline. This shoot was wild.
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(Behind the) SKINS // ASTRID // SCALES
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prettycoolducks · 2 years ago
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I had been having such a hard time trying to learn blender after having learned Maya bc all the shortcuts were different. BUT my old school finally revoked my maya privileges a while ago so I finally had an excuse to learn blender. Anyway so I opened up blender today, am learning the new shortcuts bc my muscle memory from maya has worn off at this point and... it's so much more intuitive. The shortcuts... actually correspond to the first letter of what ur doing usually. Wow...
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