#scott mathison

[superiorstr8men]

[willowswriting]

"I haven't had a good time in eight and a half years." Lucian spoke, dark hues shifting to look the women over for a moment. She didn't look like she belonged in a place like this. Skin to soft and although those eyes held a sort of sadness it wasn't the sadness of a women who had been taken advantage of one to many times. Lucian's eyes followed the girls own across the room to where she was looking at a few other women, confirming that she was just another sweet butt, a new one at that. It was always hard for Lucian to watch. As if it was the same as watching a fawn wonder into a wolves den, unaware that they were about to be ripped limb from limb.

"Trying to impress your friend over in the corner?" He questioned, sitting up in his chair, resting his elbows against the table, really looking at her. Lucian wasn't a saint by any means. There were nights that he had taken an Eater or two to bed, always sure to cut the ties before leaving. He knew what most of these women wanted and he wasn't about to be the one that gave it to them. "You know they aren't your friends right?" He questioned "Because if they were they would have sent you packing the moment you walked through these doors." He informed her. Perhaps it was harsh but he had seen women like her enter into the 'business'. He knew that her chances of winding up in a ditch somewhere was far greater than any happy ending she might be searching for.

↳ @willowswriting continued from here for tracker purposes.

               The clubhouse wasn't the typical scene she would have generally found herself in before being picked up by a member of the Reaper Crew. She enjoyed quiet nights and the loud music mixed with various dancing bodies was far from her typical night. But finding herself driving off on the back of a motorcycle with a stranger felt safer than the situation she had been in for years prior. Did she know this was exactly how she would end up? Not exactly. But it felt more free than the cage she had been in before. It was only recently that she found herself in the new town and with the unfamiliar group, leaving her still quite unaware of all the activities the members found themselves up to. His response had teeth nipping at the corner of her bottom lip as colors drew themselves over to one of the girls who had been sitting with her just hours prior. Drilling in guidelines and advice for her, explaining how to survive in her new world. Yet no amount of advice could entirely prepare you for being in the moment. It had her shifting closer, elbows resting on the top of the table. Unsure she wanted to know just how disappointed the other girls would be if she found herself turning around and hiding off in one of the spare rooms. ❝You don't look like you're having a good time,❞ she dared to express as she allowed her head to tilt a fraction, keeping colors locked on the male as if that would make the interaction easier.

[astra-galaxie]

what are some of your LGBTQ headcanons for some of the CC characters?

My LGBTQ headcanons for CC characters? Sure, I’ve got some! I’ll also list some characters' canon facts since I support them, but let’s see what non-canon ones I can come up with!

And disclaimer! These are my current LGBTQ headcanons; there is a chance that they could change as my story progresses!

Sexuality-based LGBTQ Headcanons:

Main Characters

Heterosexual:

Samuel King

Eduardo Ramirez

Frank Knight

Elizabeth Ripley

Angela Douglas

Elliot Clayton

Arthur Wright

Issac Bontemps

Diane Parker

Gloria Hayes

Gabriel Herrera

Penelope Sage

Priya Desai

Felix Reed

Gay:

Nathan Pandit

Amir Devani

Orlando Ordelaffi

Ben Shepard

Lesbians:

Hannah Choi

Carmen Martinez

Michelle Zuria

Evie Holloway

Rose Zhao (She and her husband married for none-romantic reasons)

Bisexuals:

David Jones (Has a preference for women ((and hasn’t realized his attraction to men yet…))

Grace Delaney (She tried to get Jones to realize his sexuality in high school but couldn't get him to understand…)

Alex Turner

Andrea Marquez

Yann Toussaint

Jack Archer (With a preference for women, but unlike Jones, he recognizes his feelings toward men)

Lars Douglas (He likes to call himself and Jack bi-bros and bi-buddies)

Marina Romanova

Jonah Karam

Cathy Turner

Nebet

Christopher Scott

Jacob Arrow

Luke Fernandez

Hugo Mercier

Pansexuals:

Amy Young

Roxie Sparks

Maddie O’Malley

Charlie Dupont

Deigo del Lobo

Martine Meunier

Janis Rivers

Jean-Philippe Delacroix

Gauthier Delacroix

Enzo Traoré

Léa Bonnet

Polyamory:

Zara Tien

Theo Moon

Kai Malano

Nadia Den Yamin

Demisexual:

Russell Crane

Ingrid Bjorn

Rupert Winchester

AroAce:

Dick Wells (This man called science his mistress once, and I have headcanoned him as AroAce ever since!)

Hope Newman

Acesexual:

Armand Dupont

Viola Pemberton

Questioning:

Rita Estevez: Thought she was straight but started having feelings towards a certain woman…

Carrie James: Unsure of her sexuality

Émile Bardot: Unsure of his sexuality

Other Characters

Olivia Hall: Lesbian

James Savage: Demisexual

Edward Dante: Pansexual

Nigel Adakue: Gay

Asal Hawaa: Bisexual

Katherine Woolf: Lesbian

Jasper Everett: Gay

Mia Loukas: Bisexual

Arthur Darkwood: Gay

George Mathison: Gay

Cody James: Pansexual

Gender-based LGBTQ Headcanons:

Nathan Pandit: Transgender (female to male)

Jean-Philippe Delacroix: Genderqueer

(I don’t have many gender-based headcanons yet…)

That’s everything I could come up with! And like always, I am open to hearing about your opinions, headcanons and suggestions on this topic!

[transparentgentlemenmarker]

Scott Mathison

Je suis dur de partout

[denimbex1986]

'As a boy, Andrew Scott had a lisp. "I was sent to speech and drama classes, so I had to do 'He sells seashells on the seashore" endlessly, trying to get rid of the lisp," recalls the Dublin-born actor. "Then in the drama section, you had to get up and do improvisations and all that kind of stuff, and something just happened to me. I was very shy, but when I got up to do those things, I felt, I don't know, emancipated."

Scott made his film debut at age 18 in the Irish drama, Korea. He broke through in the BBC series Sherlock, winning a BAFTA Television Award for his performance as the criminal mastermind Moriarty, and then as the "Hot Priest" on season two of Fleabag. On the big screen, he has had memorable turns in Pride (2014), 1917 (2019), and Catherine Called Birdy (2022).

No matter the role, Scott finds himself returning to his schoolboy days. "I have a strong sense of playfulness, and it's something I go back to daily," he reflects. "Playfulness is something that we're encouraged to do as children, but not so much as we grow into adulthood. You need to keep it playful even when you're doing serious scenes, because you don't know how the day's going to go. Something could happen any second that could completely change our emotional landscape. That's the thing you have to keep alive."

Now, he takes the lead in All of Us Strangers, director Andrew Haigh's haunting love story about a lonely writer, Adam (Scott), who develops an intense bond with a handsome stranger, Harry (Paul Mescal). At the same time, Adam travels back to his childhood home, where he has the chance to reconnect with his long-dead parents (played by Claire Foy and Jamie Bell). It might sound complicated, but for Scott, the "simplicity of the ideas at the center" of the film are what attracted him to the project.

"When I was a kid, I remember I just parked myself in front of the TV and I used to watch those big MGM musicals. I used to be obsessed with those Fred Astaire, Ginger Rogers kind of films," says the actor. "In All of Us Strangers, it's all about bringing your parents back, which is quite a theatrical idea, like in those MGM movies, so you don't need to do any CGI to tell the audience that they're ghosts or whatever they might be. You just play it, and the audience loves that. We like a little bit of surrealism. You want the filmmaker to use their imagination."

Below, Scott shares with A.frame five of the films that have had the biggest impact on him throughout his life, including the Meryl Streep starrer that made him finally commit to becoming an actor.

1. E.T. the Extra-Terrestrial 1982

Directed by: Steven Spielberg | Written by: Melissa Mathison

E.T. was the first film I ever saw in the cinema. I was probably about 6 or 7, and I begged my parents to take me to see it. It was the first time I was ever in a movie theater, and I just couldn't believe it. I couldn't believe it was happening to me. I still think E.T. is so completely wonderful. In a way, Spielberg is able to access something that I don't think a lot of people are able to do, which is the feeling of being a child. His sense of wonder is so extraordinary.

It's a really audacious idea, and people love an audacious idea. We talk about realism and you're like, 'Oh my God, as if that would ever happen.' The movies is our chance to go, 'Well no, that would never happen, but we have a chance to do something that tells us who we are except in a completely different way.'

2. The Poseidon Adventure 1972

Directed by: Ronald Neame | Written by: Stirling Silliphant and Wendell Mayes

I watched The Poseidon Adventure when I was a kid, and I was absolutely beside myself. It's a disaster movie, which I find stressful as an adult, but it's definitely one that I remember. I think some films in your life are just really potent, aren't they? And they just stay with you. As a kid, I was completely transfixed by the storytelling of that. Like, when Shelley Winters swam to save everybody. I haven't watched it as an adult, but I remember being so invested in the story. Maybe I shouldn't have watched it when I did, because it's pretty serious stuff. But that is definitely one that has stuck with me.

3. Postcards from the Edge 1990

Directed by: Mike Nichols | Written by: Carrie Fisher

I remember it really clearly. It was a very strange thing that happened before my Junior Cert, which is a tedious exam that you have to take in Ireland when you're about 15. My mother said, 'Do you want to go and see a film the night before the exam?' because maybe I'd been working hard, which seems unlikely. We went to see that, and because I had to do this exam the next day, I remember I was like, 'I don't care about this exam. I want to be an actor so much.'

The acting in Postcards from the Edge is so sensational. Meryl Streep is a hero to me because of her extraordinary sense of humor. Obviously, she's incredibly affecting, but all great actors have to have a sense of the absurd. Olivia Colman is another person who has got an extraordinary sense of humor. Judi Dench, Ben Whishaw, Claire Foy. The two things I think you should have as an actor are an imagination and a sense of humor.

With Postcards from the Edge, I love that kind of human story that's told with such flair. I think it is Carrie Fisher's screenplay. They know they're having great fun and it's about show business. It's a film that gives me great, great pleasure, and if ever it's on, I would always watch the whole thing.

4. Punch-Drunk Love 2002

Written and Directed by: Paul Thomas Anderson

I love all of his films. I think that beside his extraordinary ability as a storyteller, it's the element of surprise. I love to be surprised. It's a romantic comedy, and I love romantic comedies — I'll watch really any romantic comedy, actually — but that is such a sophisticated romantic comedy. The chemistry between Adam Sandler and Emily Watson is so completely wonderful.

I always think when you're playing tragedy, you should look for the light, and when you're playing comedy, you should look for the soul. I remember when we were doing Hamlet, realizing that it was so funny, even though it's obviously the most famous tragedy in the world. But I think that's the way human beings are, and you always want to have a little bit of both. Punch-Drunk Love has that in spades.

5. Call Me by Your Name 2017

Directed by: Luca Guadagnino | Written by: James Ivory

Call Me By Your Name is such a beautiful love story. It's so atmospheric and it's surprising, that film. At the beginning, I was like, 'What is the dynamic between these two people?' I love the fact that love manifests itself in so many extraordinary ways. It's not just two people who look exactly the same as each other and are exactly the same age. Sometimes in talking about love stories, we don't look at the really surprising love stories, where people just meet each other and connect. They're not always straight people between the ages of 27 and 32 and then they get married, you know what I mean?

Love is for everybody, and there's something about the rebelliousness of that film that's so beautiful. It made me nostalgic for something that I never really had, and it satiated something in me. I just thought it was so beautifully acted and beautifully directed. It was a special one that I remember going to as a full-grown adult.'

[docrotten]

TWILIGHT ZONE: THE MOVIE (1983) – Episode 280 – Decades of Horror 1980s

“Th-th-th-that’s all, Ethel!”  Poor Ethel. It’s bad enough being married to Fred, but now, Anthony has sent Ethel to cartoon land, only to be eaten by an animated dragon. Join your faithful Grue Crew – Crystal Cleveland, Bill Mulligan, Chad Hunt, and Jeff Mohr – as they discuss the infamous Twilight Zone: The Movie (1983).

Decades of Horror 1980s Episode 280 – Twilight Zone: The Movie (1983)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! Click the alert to get notified of new content! https://youtube.com/gruesomemagazine

Gruesome Magazine is partnering with the WICKED HORROR TV CHANNEL (https://wickedhorrortv.com/) which now includes video episodes of Decades of Horror 1980s and is available on Roku, AppleTV, Amazon FireTV, AndroidTV, and its online website across all OTT platforms, as well as mobile, tablet, and desktop.

Synopsis: Prologue: a driver has a big surprise with his passenger; Segment 1 – “Time Out”: A bigot hates Jews, Blacks, Arabs, and Asians and is transported to situations where he feels the effects of his hatred; Segment 2 – “Kick the Can”: In a nursing home, the elder inhabitants learn that their minds can keep them young; Segment 3 – “It’s a Good Life”: a traveler hits a boy on a bicycle with her car and takes the boy home. Soon she learns that the powerful boy brought her home indeed; Segment 4 – “Nightmare at 20,000 feet”: a writer is scared to fly and soon he sees a monstrous creature destroying the airplane engines during a stormy night.

Cast & Crew

Music by: Jerry Goldsmith

Makeup Department:

Craig Reardon (special makeup effects artist) (segments 1-4)

Bob Westmoreland (makeup artist) (segment 1) (as Robert Westmoreland)

John M. Elliott Jr. (makeup artist) (segments 2-4) (as John Elliott)

Rob Bottin (special makeup effects artist / special makeup effects designer) (segment 3)

Margaret Prentice (special makeup effects cosmetic painter: Rob Bottin crew) (segment 3) (uncredited)

Michael McCracken (special makeup effects artist) (segment 4)

Michael Shawn McCracken (special makeup effects assistant) (segment 4) (uncredited)

Visual Effects by: 

David Allen (visual effects) (segment “4”) (as David Allan)

Jim Aupperle (end titles/compositing: titles)

Jim Danforth (visual effects/effects photography/matte artist) (segment “4”)

Albert Whitlock (matte consultant) (segment “4”) (uncredited)

Animation Department: Sally Cruikshank (cartoon supervisor) (segment “3”)

Prologue:

Writer/Director: John Landis

Selected Cast:

Dan Aykroyd as Passenger / Ambulance Driver 

Albert Brooks as Car Driver

Segment 1: “Time Out”

Writer/Director: John Landis

Selected Cast:

Vic Morrow as Bill Connor

Doug McGrath as Larry

Charles Hallahan as Ray

Rainer Peets as German Officer (credited as Remus Peets)

Kai Wulff as German Officer

Sue Dugan as Waitress No. 1

Debby Porter as Waitress No. 2 

Steven Williams as Bar Patron

Annette Claudier as French Monther

Joseph Hieu as Vietnamese

Al Leong as Vietnamese

Stephen Bishop as Charming G.I.

Thomas Byrd as G.I. 

Vincent J. Isaac as G.I.

William S. Taylor as G.I. (credited as William B. Taylor)

Domingo Ambriz as G.I.

Eddy Donno as K.K.K.

Michael Milgrom as K.K.K. 

John Larroquette as K.K.K.

Norbert Weisser as Soldier No. 1

Segment 2: “Kick the Can”

Director: Steven Spielberg

Writer: George Clayton Johnson, Richard Matheson, Melissa Mathison (as Josh Rogan); George Clayton Johnson (story)

Selected Cast:

Scatman Crothers as Mr. Bloom 

Bill Quinn as Mr. Leo Conroy

Martin Garner as Mr. Weinstein

Selma Diamond as Mrs. Weinstein

Helen Shaw as Mrs. Dempsey

Murray Matheson as Mr. Agee 

Peter Brocco as Mr. Mute

Priscilla Pointer as Miss Cox

Scott Nemes as Young Mr. Weinstein

Tanya Fenmore as Young Mrs. Weinstein

Evan Richards as Young Mr. Agee

Laura Mooney as Young Mrs. Dempsey

Christopher Eisenmann as Young Mr. Mute

Richard Swingler as Mr. Gray Panther

Alan Haufrec as Mr. Conroy’s Son

Cheryl Socher as Mr. Conroy’s Daughter-in-Law 

Elsa Raven as Nurse No. 2 

Segment 3: “It’s a Good Life”

Director: Joe Dante

Writer: Richard Matheson; Jerome Bixby (from a story by)

Selected Cast:

Kathleen Quinlan as Helen Foley

Jeremy Licht as Anthony

Kevin McCarthy as Uncle Walt

Patricia Barry as Mother

William Schallert as Father

Nancy Cartwright as Ethel

Dick Miller as Walter Paisley

Cherie Currie as Sara

Bill Mumy as Tim

Jeffrey Bannister as Charlie

Segment 4: “Nightmare at 20,000 Feet”

Director: George Miller

Writer: Richard Matheson; Richard Matheson (based on a story by)

Selected Cast:

John Lithgow as John Valentine

Abbe Lane as Sr. Stewardess

Donna Dixon as Jr. Stewardess

John Dennis Johnston as Co-Pilot

Larry Cedar as Creature

Charles Knapp as Sky Marshal 

Byron McFarland as Pilot Announcement 

Christina Nigra as Little Girl

Lana Schwab as Mother (credited as Lonna Schwab)

Margaret Wheeler as Old Woman 

Eduard Franz as Old Man 

Margaret Fitzgerald as Young Girl 

Jeffrey Weissman as Young Man 

Jeffrey Lampert as Mechanic No. 1 

Frank Toth as Mechanic No. 2 

Carol Serling as Passenger

It’s another double tap for the ’80s Grue-Crew. This time, it’s Twilight Zone: The Movie (1983), first covered by a completely different crew on episode 104 in March 2017. Inspired by Rod Serling’s landmark TV series, the film includes new versions of three classic tales, one new segment, and a loose wraparound. Joe Dante, George Miller, Stephen Spielberg, & John Landis handle the directing chores with a cast including Dan Aykroyd, Albert Brooks, Vic Morrow, Scatman Crothers, Kathleen Quinlan, and many, many more. The film is also shrouded in tragedy and controversy. There will most definitely be plenty to discuss.

At the time of this writing, Twilight Zone: The Movie (1983) is available to stream from Kanopy, Plex, Roku, and multiple PPV sources.

Every two weeks, Gruesome Magazine’s Decades of Horror 1980s podcast will cover another horror film from the 1980s. The next episode’s film, chosen by Chad, will be George A. Romero’s Day of the Dead (1985)! The third entry in Romero’s “Dead” series is a showcase for Joe Pilato’s performance as Captain Rhodes and the special effects magic of Tom Savini et al.

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans – so leave them a message or comment on the Gruesome Magazine Youtube channel, on the Gruesome Magazine website, or email the Decades of Horror 1980s podcast hosts at feedback@gruesomemagazine.com.

Check out this episode!

[builtforperfection]

Scott Mathison

[superiorstr8men]

[chrisitsraining]

resi evil lgbt hcs... part 5(?)

[willowswriting]

Lucian didn't even want to be here. He had never been a huge fan of the Reaper's. The club always seemed to find themselves in trouble, trouble that they didn't need at the moment. However where the President went he was forced to follow. That was the oath that he had taken the day he had accepted the Enforcer patch. There was talk of a merger between the Reaper's and the Rim Reaper's. They might be similar in name but in no way similar with how they operated, it was a recipe for disaster, at least Lucian thought so.

His eyes had been trailing the president from across the room, despite the man telling him to have fun and relax, there would be no business discussions tonight, only fun. His line of vision had been intercepted by a blonde women, ponytail sitting high on her head and her black dress hugging her frame so tightly, as if a second skin. It wasn't hard to guess what she was. "You're barking up the wrong tree darling." Lucian spoke, repositioning himself to look past her.

muse: adelaine 'addy' mathison, 25, bisexual open to: m - 25 + based on: sons of anarchy vibes / adelaine is a 'crow eater' for the reapers mc. she had been picked up on a bike in another state and tagged along until they brought her home. now, she finds herself at her second party at the clubhouse. indie starter page: @indiestarter

               With her body dressed in a tight black dress, heels, and her hair pulled back in a messy ponytail — Adelaine found herself at her second clubhouse party. The other girls had taken her under their wings and explained things to her as well as they could for someone thrown into a completely different world. Be there for them, whatever they need. It felt simple but she knew nothing was ever so simple. All she knew before was that she needed to run from the home she had been tormented with before and this seemed safer. ❝Need some company?❞ Adelaine questioned as she approached one of the men alone at a table. The woman attempting to hide nerves and to pull on her best 'I know exactly what I am doing' face.

[astra-galaxie]

CC Characters' Headcanons - Suspects/Killers (E-H)

(Excluding main and recurring characters)

Eamon Gilligan

Easton Belmont

Ed Miller

Eddie Moretti

Edith Bradley

Edson Caetano

Edward Ramis

Edward Whimple

Edwina Pickles

Ekaterina Romanova

El Desesperado

Eleanor Abernathy

Eleanor Halsted

Elias Willingham

Elisa Melody

Eliza Rheinberg

Elizabeth Hopkins

Ellen Morowitz

Ellen Redfern

Ellie Argent

Ellis Shadrach

Elmer Wentworth

Elvira Milton

Elwood Grimes

Emilio Fuller

Emily Wallace

Emmett Scott

Emperor Lizong

Empress Joséphine

Enid Grimshaw

Ennis Sparhawk

Enzo Jonas

Eoin Cafferey

Erhi

Eric Zwart

Erica Dupri

Erik Tremaine

Erikah Mabayo

Erin Bryant

Ernest Emerson

Ernest Swanswaddle

Ernesto Vega

Erwin Pryor

Esme Badi

Esteban Vallez

Ethel Hubcap

Ethel Spencer

Eugene

Eugene Donkin

Eugene Goffman

Eugenia Hestentrope

Euterpe

Eva Breitman

Eva Coleman

Eva Grant

Eva Reyes

Eva Sanchez

Evan Clarke

Evangelina Cárpena

Ezekiel Hersberger

Ezola Alldred

Fabian Roland-Tavin

Fabien de la Mort

Fabrice Dufort

Facundo Vidal

Falcon

Fang Di Yun

Father Donovan

Father Puce

Father Von Pratt

Fatima Boussefi

Felix Humphrey

Felix Murray

Finley Flanagan

Fiona Cummings

Fiona Flanagan

Fiona Maris

Fiora Tosca

Flake Winningham

Fleur Stone

Florence Brucker

Florence Samuels

Floyd Russel

Forrest Hunt

Fran Wollcraft

Franca Capecchi

Francine

Francis I

Francisco Ramirez

Francisco Zayas

Frank Janovski

Frankie Paisley

Frankie Sparkles

Franklin Caldwell

Freddie Alonzo

Freddie Whitmore

Freddy Gomez

Frederick Wilson

Fredo Mancini

Frida Cruz

Gabriel Thompson

Gail Harper

Gary Silver

Gaston Dumas

General Freeman

George Blanton

George Buchanan

George Mathison

George Okamoto

George Pryce

George Turbot

Georgi Papacoulis

Georgia Ward

Gérard Roquefort

Gertrude Avery

Gertrude Piccadilly

Gianna Verdino

Gianni Domani

Gibby Hayes

Gilia La Bonne

Gina Rowbottom

Ginger

Ginny Farnsworth

Gladys Perrin

Glen Coleman

Gloria Fernandez

Gloria Roach

Goodwill Ngele

Gourav Gajendragadkar

Grace Goude

Grace O'Brien

Grace Udoka

Graham Winslow

Greg Gibbs

Greg Schmidt

Gregg

Grégoire Ewan

Gregory Lynn

Gregory Stravinsky

Greta Gundwood

Greta Meduse

Gretl Beutelspracher

Guadalupe del Prado

Guillaume Boucher

Gunnar Burns

Gunther Fritz

Guruji

Gurvinder Chowdhury

Gus Smiffel

Gustavo Salamanca

Gwen Stanford

Haku Kamaka

Hannah Hersberger

Hannah Simmer

Harley Sackville

Harold Coppersmith

Harold Fuey

Harold Knight

Harper McAlister

Harper Stone

Harriet Davis

Harriet Meadows

Harriet Patrick

Harry Adams

Harry Krane

Harry Landry

Haruki Kato

Haruto Matsushima

Harvey Fitchner

Haseya Roanhorse

Hazel Galloway

Heather Night

Heather Valentine

Hector Harvey

Hector Montoya

Hei Qian

Heidi Müller

Henri Leclerc

Henri Monplaisir

Henrietta Vanderbilt

Henry Pembroke

Henry VIII

Herman Cavendish

Herman Jeffries

Hilda Tipton

Holly Hopper

Hope Woodford

Horace Foster

Horatio Rochester

Howard Boehner

Howard Haggard

Howard Pickley

Howard Stacy

Hubert Bannister

Hugo Mercier (Pacific Bay)

Hunter McFarlane

[givemegifs]

[80smovies]

[introspectiveanalytics]

Goals for real

[builtforperfection]

Scott Mathison