#scott moore

[maccamania-fnaf-sideblog]

hey. hey why does. why does the scar on scott's arm look like a springlock scar. why does the little bit we see of it in the comic where he's talking w " fritz " look like that. why is that there. 🤨

wooooboy, I have gotten so many asks of this ever since I made that comic XD here's an explanation AND some Fritz content

TW FOR BLOOD

He was lucky it was just his arm

[binders-and-beanies]

Limp Wrist, 2011

[bkenber]

'21 & Over' - Crap from the Past and from the Writers of 'The Hangover'

Honestly, I did not laugh once during “21 and Over.” Maybe I chuckled a bit at one or two scenes, but that really doesn’t qualify as a laugh. This film is essentially a rip-off of “The Hangover” with elements of “Superbad” thrown in for good measure. It aspires to be a classic comedy like those films and even “Animal House” and “Adventures in Babysitting” among others, but it does not come even…

[ondasyletras]

Goldmund, Scott Moore, Emily Pisaturo – Flower Duet

[moviesiverecentlywatched]

850: A Bad Moms Christmas [2017]

Merry Christmas, everyone!

2023’s 12 Days of Christmas… Movies: 2/12

A Bad Moms Christmas

[logray]

THE SUBSTANCE (2024) dir. Coralie Fargeat SMILE 2 (2024) dir. Parker Finn

[pierppasolini]

Alan Scott: The Green Lantern #2 - variant cover art by Travis Moore & Tamra Bonvillain

[haveyouseenthismovie-poll]

[atomic-chronoscaph]

The Day of the Triffids (1963)

[rae0fsunsh1ne]

the 10th kingdom is getting a sequel (kind of)

Simon Moore did a live stream for the 25th anniversary on this t10k group on Facebook, and he read the first chapter of the book! Of course I and many others would much rather have a film or series, but a book will still satisfy the curiousity of what would happen after the happy ever after.

If you have Facebook, you can check out the video of him reading it!

[sovaghoul]

Unmasked Ghouls be upon ye

From L to R front row is obviously Laura, Per, Cos, and Randy. Furthest L in the back is Liv, Hayden is on drums. The other two...don't look familiar.

[caeric-arclight]

[binders-and-beanies]

Limp Wrist (x)

[haunted-girlyy]

Tobias Forge said the show is not scripted but very well rehearsed.

Dewdrop choking Rain. Phantom going on his knees. Swiss jerking off Dewdrop. Swiss jerking off himself on Dewdrop.

Without masks.

Very well rehearsed.

[ilikethisacompletelynormalamount]

Andrew Scott, Vogue: April 2024.

by Zing Tsjeng, Photos by Annie Leibovitz

Ripley, in other words, is the hero of the tale. “That’s why he fascinates so many,” says Scott. “There’s been so many iterations of him. I think it’s because people root for him.” Actors like Alain Delon and Dennis Hopper have tried the role; Matt Damon played him as an obsequious, lower-class naïf; John Malkovich, as a slimy, camp killer. Scott’s Ripley is different; a watchful loner escaping rodent-infested poverty, more at home among art than he is around people. Musician and actor Johnny Flynn plays his first victim—the monied Dickie Greenleaf—and Dakota Fanning is Dickie’s suspicious ex-girlfriend. “I find Tom quite vulnerable,” Scott tells me. “I don’t think he’s necessarily lonely, but I certainly think he’s solitary…. He seems to me by his nature that he just can’t fit in. He’s trying to survive.”

In Ripley, Zaillian extracts maximum Hitchcockian dread from every creaky footstep. But most sinister of all is Scott’s face, which exhibits a sharklike steeliness throughout. It’s a performance that exudes queasy force. Is Ripley a scammer, a psychopath, or both? “There’s so many things lurking beneath him that I’ve been very reluctant to diagnose him with anything. I never thought of him as a sociopath or murderous,” Scott declares. “It’s up to everybody else to characterize him or call him whatever they want.”

As we weave through tourists near the Tower of London, barely anybody notices Scott, save for a faint glimmer of recognition among mainly young women. He seems to draw reassurance from it. “I don’t like to think about it too much, if I’m honest,” he muses of fame. “I find it a little bit, er, frightening.” He is known but not blockbuster-recognizable, although he is in the upcoming Back in Action with Cameron Diaz and Jamie Foxx. What stunts did he do? “I can’t give that away, I’m afraid, or somebody from Netflix will come and shoot me in the head.”

What’s been on Scott’s mind the most hasn’t been acting at all, in fact, but art. As a 17-year-old, he was offered his first movie role on the same day he was given a scholarship to study painting. He chose acting, but has recently been thinking about Oliver Burkeman’s philosophical self-help tract from 2021, Four Thousand Weeks, which makes the case for focusing on the five things you truly want to accomplish. “For me at the moment, it’s like, What do you want to do? What do you want to say?”

He scrolls through his phone to show me his work. There’s a watercolor of a couple arguing in a restaurant in rich reds and greens, line drawings of friends and people on the beach, and two self-portraits. “It’s a bit weird,” he acknowledges of his depiction of himself, all bulbous forehead and Pan-like tufts of hair. His brisk, nervy lines are reminiscent of Egon Schiele or Francis Bacon, who turns out to be one of his favorite painters. “Well, God, I’ll take that,” he mutters at the comparison. He would like someday to go to art school. “I don’t ever regret it,” he says of acting. “But I suppose you just get to a stage where you think, What else? That’s one of the big painful things in life for me, where you can’t quite live all the lives.” As he gets older, he feels the tug toward revisiting old working relationships, including with Waller-Bridge: “We’ve definitely got things cooking,” he smiles. “I’d love to work with her again. She’s just a singular, wonderful person.” For her part, Waller-Bridge says: “I’d love to see him do a fully unhinged slapstick comedy character. Someone who is outraged at everything, all of the time.”

As we round the pavement and the Tate Modern looms back into sight, he recalls a poster he received in 2017—a monstrously large graphic that detailed every week in a human life span. “It’s your entire life if you live to 80—you have to fill in all the bits that you’ve already lived,” he remembers in awe, “a visually terrifying gift.” What did he do with it? “I didn’t hold on to it for too long.” Easy come, easy go: We finally finish our loop around the Thames and, as Scott disappears back into the throng, anonymous just the way he likes it, it occurs to me that the actor has many lives to live yet. ■

[birdiebowers]

no surprises || terra nova expedition

112nd anniversary of finding the tent

series: the last place on earth (1985)

song: no surprises - radiohead