#she’s the reason why they’re in such a bad political climate. both because of the fact she got Vander killed and started working for Silco

[snakes-of-the-undercity]

THIS

Behind every 'JINX IS A REVOLUTIONARY' poster is someone who completely disregarded the Firelights and what she did to them.

[mugasofer]

It seems like many, perhaps most, people historically believed in some immanent apocalypse.

Many philosophies claim that the world is passing into a degenerate age of chaos (Ages of Man, Kali Yuga, life-cycle of civilisation), or divine conflict will shortly spill over & destroy the Earth (Ragnorok, Revelations, Zoroastrian Frashokereti), or that the natural forces sustaining us must be transient.

Yet few panic or do anything. What anyone does "do about it" is often symbolic & self-admittedly unlikely to do much.

Maybe humans evolved not to care, to avoid being manipulated?

Many cults make similar claims, and do uproot their lives around them. Even very rarely committing mass suicide or terror attacks etc on occasion. But cults exist that don't make such claims, so it may not be the mechanism they use to control, or at most a minor one. "This is about the fate of the whole world, nothing can be more important than that, so shut up" may work as as a thought terminating cliche, but it doesn't seem to work that strongly, and there are many at least equally effective ones.

Some large scale orgs do exist that seem to take their eschatology "seriously". The Aztecs committed atrocities trying to hold off apocalypse, ISIS trying to cause it. Arguably some Communist or even fascist groups count, depending on your definition of apocalypse.

But even then, one can argue their actions are not radically different from non-apocalypse-motivated ones - e.g. the Aztecs mass-executed less per capita than the UK did at times & some historians view them as more about displaying authority.

I'm thinking about this because of two secular eschatologies - climate apocalypse and the Singularity.

My view on climate change, which as far as I can tell is the scientific consensus, is that it is real and bad but by no means apocalyptic. We're talking incremental increases in storms, droughts, floods etc, all of which are terrible, but none of which remotely threaten human civilisation. E.g. according to the first Google result, the sea is set to rise by 1 decimeter by 2100 in a "high emissions scenario", not to rise by tens or hundreds of meters and consume all coastal nations as I was taught as a child. Some more drastic projections suggest that the sea might rise by as much as two or three meters in the worst case scenario.

It really creeps me out when I hear people who confess to believe that human civilisation, the human species, or even all life on Earth is most likely going to be destroyed soon by climate change. The most recent example, which prompted this post, was the Call of Cthulhu podcast I was listening to casually suggesting that it might be a good idea to summon an Elder God of ice and snow to combat climate change as the "lesser existential risk", perhaps by sacrificing "climate skeptics" to it. It's incredibly jarring for me to realise that the guys I've been listening to casually chatting about RPGs think they live in a world that will shortly be ended by the greed of it's rulers. But this idea is everywhere. Discussions of existential risks from e.g. pandemics inevitably attract people arguing that the real existential risk is climate change. A major anti-global-warming protest movement, Extinction Rebellion, is literally named after the idea that they're fighting against their own extinction. Viral Tumblr posts talk about how the fear of knowing that the world is probably going to be destroyed soon by climate change and fascism is crippling their mental health, and they have no idea how to deal with it because it's all so real.

But it's not. It's not real.

Well, I can't claim that political science is accurate enough for me to definitively say that fascism isn't going to take over, but I can say that climate science is fairly accurate and it predicts that the world is definitely not about to end in fire or in flood.

(There are valid arguments that climate change or other environmental issues might precipitate wars, which could turn apocalyptic due to nuclear weapons; or that we might potentially encounter a black swan event due to our poor understanding of the ecosystem and climate-feedback systems. But these are very different, as they're self-admittedly "just" small risks to the world.)

And I get the impression that a lot of people with more realistic views about climate change deliberately pander to this, deliberately encouraging people to believe that they're going to die because it puts them on the "right side of the issue". The MCU's Loki, for instance, recently casually brought up a "climate apocalypse" in 2050, which many viewers took as meaning the world ending. Technically, the show uses a broad definition of "apocalypse" - Pompeii is given as another example - and it kind of seems like maybe all they meant was natural disasters encouraged by climate change, totally defensible. But I still felt kinda mad about it, that they're deliberately pandering to an idea which they hopefully know is false and which is causing incredible anxiety in people. I remember when Greta Thurnberg was a big deal, I read through her speeches to Extinction Rebellion, and if you parsed them closely it seemed like she actually did have a somewhat realistic understanding of what climate change is. But she would never come out and say it, it was all vague implications of doom, which she was happily giving to a rally called "Extinction Rebellion" filled with speakers who were explicitly stating, not just coyly implying, that this was a fight for humanity's survival against all the great powers of the world.

But maybe there's nothing wrong with that. I despise lying, but as I've been rambling about, this is a very common lie that most people somehow seem unaffected by. Maybe the viral tumblr posts are wrong about the source of their anxiety; maybe it's internal/neurochemical and they world just have picked some other topic to project their anxieties on if this particular apocalypse wasn't available. Maybe this isn't a particularly harmful lie, and it's hypocritical of me to be shocked by those who believe it.

Incidentally, I believe the world is probably going to end within the next fifty years.

Intellectually, I find the arguments that superhuman AI will destroy the world pretty undeniable. Sure, forecasting the path of future technology is inherently unreliable. But the existence of human brains, some of which are quite smart, proves pretty conclusively it's possible to get lumps of matter to think - and human brains are designed to run on the tiny amounts of energy they can get by scavenging plants and the occasional scraps of meat in the wilderness as fuel, with chemical signals that propagate at around the speed of sound (much slower than electronic ones), with only the data they can get from input devices they carry around with them, and which break down irrevocably after a few decades. And while we cannot necessarily extrapolate from the history of progress in both computer hardware and AI, that progress is incredibly impressive, and there's no particular reason to believe it will fortuitously stop right before we manufacture enough rope to hang ourselves.

Right now, at time of writing, we have neural nets that can write basic code, appear to scale linearly in effectiveness with the available hardware with no signs that we're reaching their limit, and have not yet been applied at the current limits of available hardware let alone what will be available in a few years. They absorb information like a sponge at a vastly superhuman speed and scale, allowing them to be trained in days or hours rather than the years or decades humans require. They are already human-level or massively superhuman at many tasks, and are capable of many things I would have confidently told you a few years ago were probably impossible without human-level intelligence, like the crazy shit AI dungeon is capable of. People are actively working on scaling them up so that they can work on and improve the sort of code they are made from. And we have no ability to tell what they're thinking or control them without a ton of trial and error.

If you follow this blog, you're probably familiar with all the above arguments for why we're probably very close to getting clobbered by superhuman AI, and many more, as well as all the standard counter-arguments and the counter-arguments to those counter arguments.

(Note: I do take some comfort in God, but even if my faith were so rock solid that I would cheerfully bet the world on it - which it's not - there's no real reason why our purpose in God's plan couldn't be to destroy ourselves or be destroyed as an object lesson to some other, more important civilization. There's ample precedent.)

Here's the thing: I'm not doing anything about it, unless you count occasionally, casually talking about it with people online. I'm not even donating to help any of the terrifyingly-few people who are trying to do something about it. Part of why I'm not contributing is, frankly, I don't have a clue what to do, nor do I have much confidence in any of the stuff people are currently doing (although I bloody well hope some of it works.)

And yet I don't actually feel that scared.

I feel more of a visceral chill reading about the nuclear close calls that almost destroyed the world in the recent past than thinking about the stuff that has a serious chance of doing so in a few decades. I'm a neurotic mess, and yet what is objectively the most terrifying thing on my radar does not actually seem to contribute to my neurosis.

[ibijau]

Can I request Yanqing? Prompt 67 - “I’m doing this.” “Then I’m going with you." Thank you!

(Untamed verse bc Yanli wouldn’t have been around when wwx confronts jzxun in the novel)

There’s just something off about Wei Wuxian.

Of course, there’s always something off about Wei Wuxian these days, Jiang Yanli reflects. He’s always angry, always on edge, snapping at everyone, acting insolently… She would never dare to say it out loud for fear of hurting him, but Jiang Yanli feels sometimes that Wei Wuxian has become the person her mother always accused him to be, reckless and selfish and endangering their sect simply to stroke his ego.

She hates those thoughts when they come to her.

Others might say what they will about Wei Wuxian, but she knows him better than that. There’s a reason he’s like this, there has to be.

Jiang Yanli knows about secrets. She has a few of her own, or else she’d have already accepted Jin Zixuan’s clumsy attempt at courting, wouldn’t she? And just as she's hiding hers, so deep that nobody ever thinks she's capable of hiding anything, not her, not sweet naive and weak Jiang Yanli, she knows there's something lurking beneath the surface of Wei Wuxian's disdain. 

She listens attentively as Wei Wuxian comes for Jin Zixun's throat, ordering him around, demanding he be told where to find… 

And here, Jiang Yanli almost cries out. 

Wei Wuxian is looking for Wen Ning. 

She knows those Wen siblings, they're like her and her brothers, never far apart, never for long. Where Wen Ning is, Wen Qing will be found as well. Jiang Yanli hasn't found a trace of her… her friend, not since the war ended. Of course she couldn't have asked Jiang Cheng, who wouldn't understand, or Wei Wuxian, who… well, he had his own trouble. Jin Zixuan assured her that all surviving Wen were being treated with more kindness than they would have done for others had they won, but by his own admission he hasn't been involved in dealing with them, the task left to his cousin and half-brother. 

Her heart wild with worry, Jiang Yanli discreetly follows Wei Wuxian when he leaves Jinlin Tai. He doesn’t notice her. Nobody ever does, of course, but Jiang Yanli is hardly good at these sorts of things, so she’s irrationally cross at him, even knowing he’d send her back if he noticed her. She follows him through just outside of Jinlin Tai, hoping and hoping and hoping, until at last Wei Wuxian stops next to a beggar wearing rags that might once have been red.

Wen Qing all but leaps into Wei Wuxian’s arms as he whispers something to her, and Jiang Yanli’s heart skips a beat.

Wen Qing is alive after all.

Having seen her, Jiang Yanli can finally admit to herself how terrified she was that the dear friend she made in the Cloud Recesses had died, another casualty in that horrifying war, her head mounted on a spike somewhere like they did to Wen Xu and many others. It is such a relief to see Wen Qing again, to see her alive, that Jiang Yanli throws caution to the wind and stumbles forward to join the other two, pulling her dear friend into a tight hug.

“Shijie!” Wei Wuxian gasps. “Why are you here?”

“I’m here to help,” Jiang Yanli replies, letting go of Wen Qing, only to immediately take her hands. Her skin is cold, and she’s lost so much weight since they last saw each other. Jiang Yanli wants to bathe her, dress her in finer clothes, feed her. She wants to take Wen Qing somewhere safe, and keep her from harm for good. “What’s going on? A-Xian, you said something about Wen Ning earlier?”

Wen Qing shivers, and looks ready to cry. Jiang Yanli squeezes her hands with as much tenderness as she dares. She listens attentively as Wei Wuxian explains the situation, the Wen of Dafan Mountain being in danger, Wen Qing begging him for help, the Jin’s lies.

“I’m going to Qiongqi path right away to rescue the Wen,” Wei Wuxian announces in a wary tone, as if expecting resistance, but Jiang Yanli only nods.

From the start, her brother has favoured Wen Ning, treating him as a little brother… or something like it, anyway. Jiang Yanli has seen how happy Wei Wuxian was playing with Wen Ning in the Cloud Recesses, how he trusted that boy who should have been their enemy when Jiang Cheng was hurt… and of course she hasn’t missed the way Wen Ning always looked at Wei Wuxian like he hung the moon and stars.

“Then I’ll protect Wen guniang,” Jiang Yanli offers. “I’ll keep her safe with me until…”

“No, I have to go with Wei gongzi,” Wen Qing objects weakly. “A-Ning might need my help, or the others. If they’re wounded, I’ll… No, I can’t stay behind. I’m doing this.”

“Then I’m going with you,” Jiang Yanli simply replies, squeezing Wen Qing’s hands. “You have to let me help.”

Wen Qing doesn’t smile, but her eyes shine with gratefulness… or maybe she’s just that close to crying.

“Shijie can’t come, it’s too dangerous,” Wei Wuxian says. “It’ll also attract too much attention, and it’s not good for your health to be horse-riding such a long distance.”

Horse-riding, not flying a sword, Jiang Yanli notes. She expected Wei Wuxian to say he can’t carry two people, since Wen Qing doesn’t appear to have a sword anymore, and Jiang Yanli’s health doesn’t allow her to fly. It’s so odd. Wei Wuxian is a strong flyer, with a solid golden core, he should be able to fly to Qiongqi path with Wen Qing, so why take horses instead?

It makes no sense.

“I am not that weak,” Jiang Yanli protests, unwilling to be parted from the dear friend she’s only just found again. “And if I am present, I might exert more authority than you upon those people.”

“Or else everyone in the cultivation world will say I kidnapped you,” Wei Wuxian points out. “And then they’ll run after us to rescue you, and Wen Ning will be left to his fate. It’s safer if you don’t come. This doesn’t concern you, shijie, so let me deal with it alone.”

Because it concerns you, of course it concerns me, Jiang Yanli almost replies. Because it concerns Wen Qing, it also concerns me, she’d be tempted to add.

But that would only start a long argument, and Wei Wuxian is right about one thing: Wen Ning cannot be left to his fate. Besides, Jiang Yanli can find other ways to help.

“I understand,” she says, a touch too meekly. She sees a slight crease between Wen Qing’s eyebrows, and it pleases her that the other woman finds it odd for her to give in so easily, that she knows Jiang Yanli well enough for that. “I will stay behind… please be careful, both of you.”

“Don’t tell Jiang Cheng,” Wei Wuxian simply says, sounding oddly on edge at the idea her brother might be involved.

A horrible, terrible idea starts to form in her mind at the memory of those days they spent in Wen Qing’s house, so desperate to find a way for Jiang Cheng to regain his golden core, and how he never seems to do any sort of regular cultivation these days.

With hardly so much as a shiver, Jiang Yanli puts that suspicion aside. Later. She’ll deal with this later.

“I won’t say a word to him,” Jiang Yanli easily promises. “Go now, time is of the essence.”

Wei Wuxian nods. Wen Qing hugs her, just a touch too tight, as if expecting it’ll be the last time. Jiang Yanli has been hugged by Wen Qing for the last time repeatedly, so she knows how that feels of course.

Jiang Yanli watches as two of the three people she holds dearest in the world leave together for a rescue mission that she cannot imagine going well, not with Wei Wuxian’s temper these days. She watches on until she’s sure they’re gone, then heads back inside Jinlin Tai, her pace slow and careful to avoid attracting attention.

The men inside the banquet hall are all shouting and arguing, accusing Wei Wuxian of every crime under the sky, making it sound as though Jiang Cheng is weak for not keeping his head disciple under control. Jiang Yanli ignores them all, and they ignore her back. Sometimes it pays to have little presence.

While everyone argues, Jiang Yanli makes her way to Jin Zixuan’s side and pulls lightly on his sleeve. She would have expected it’d take effort to get his attention, but he instantly turns to look at her, and even tries to smile at her.

“Jiang guniang, I’m sure there’s a misunderstanding,” Jiang Zixuan says. “Since you’ve vouched for him, I believe Wei Wuxian cannot be that bad, or he wouldn’t have your trust. I’m sure we’ll sort this out, once everyone calms down.”

Jiang Yanli smiles back. If there weren’t more urgent things to consider, she’d be touched by his trust, by his gentleness.

“Jin gongzi, as it happens, I need your help,” she says in a low whisper, glad for the noise around them that hides her words. “I need to get to that place your cousin mentioned, Qiongqi path, and I need to get there quickly, but I cannot fly, and I cannot ask my brother.”

The smile on Jin Zixuan’s handsome face disappears, replaced by a severe expression as he glances around and tries to decide what to do. Jiang Yanli wouldn’t even blame him if he turned her down, not in the current political climate, not when his own cousin has just been assaulted. If this doesn’t work, then Jiang Yanli will try with someone else. That nice second Jade of Gusu Lan perhaps. Or else…

But she doesn’t need to think of an alternative. Jin Zixuan nods shortly, and discreetly motions for her to go back outside. She obeys, and he quickly joins her, sword in hand.

Flying is quicker than horses, so they’ll get there before Wei Wuxian and Wen Qing, and if Wen Ning is in any danger, they’ll save him.

And then…

Then it will be another problem.

But Jiang Yanli has just found Wen Qing again and she’s not going to let anyone take her dear friend from her again.

[chamomileteainabuttercup]

18, 20, 39 and 41 for reyrose please? Thanks :)

Nice! I don't get to talk about them all that much (the sequel trilogy turned out so poorly that discussing it just isn't much fun) but I really like to imagine a life they could have together. A lot of this requires ignoring stuff I didn't like, primarily from The Rise of Skywalker. We're going to an AU where Rey is most certainly not Palpatine's granddaughter; she's a "nobody" in the positive sense that she doesn't carry the baggage of being descended from anyone with a significant history. Whatever she does, she's doing of her own accord. Plus, she certainly did not have a romantic attraction or attachment to Kylo Ren. She was simply trying to do what she thought might work to bring peace, despite her natural aversion to him. Also in this AU, Rose got to do stuff that mattered! I don't have many specifics because it would require writing a whole different plot for the movie, but she did!

(oh and the big bad/puppetmaster was Jar Jar, but that's well beyond our scope here)

On to Rey and Rose!

18. What are their dates like? How long do/did they date? Do they ever feel the need to take a break from each other?

For Rey and Rose a really good date is a day out rummaging through junkyards and pawnshops. Rey is great at finding things, Rose is great at fixing things, and together they find all kinds of technological curiosities that they repair, restore, or refashion into something new. They don't necessarily have a lot of dates as such because they're both pretty busy working with their friends to re-establish peace and democracy across the galaxy, but when they have a day off together that's how they like to spend it. Rather than needing a break from each other, during their busy times they wish they could see each other more, and not be too tired to enjoy their time when they do. (It's like having a partner who's going through medical school, but both ways.) When things aren't so busy but they can't take a whole day to do something nice, they work on their fix-it projects together, share a meal, or have a movie night in with Finn and Poe.

So whether that qualifies as "dating" or not, mileage may vary, but that stage of their relationship goes on four or five years before they decide together to make it permanent and get married.

20. What does their home look like? Their room?

Once things calm down enough that they can have a home of their own and spend a lot of time in it (so a few years on from when they meet, a little after they marry), they buy an old scrapyard and set up Rey and Rose's Salvage and Repair, and live in a house they build at the back of the yard. I'm not sure what planet this is on, and it might well be Tatooine; I'm happy with Rey going to live there but I don't want her to take the name Skywalker. After all, Tico is a good surname, if she needs one, and again, it doesn't have baggage.

The house is by no means beautiful; it's functional and sturdy and designed to largely keep itself warm or cool depending on the climate. Their room is sunny and always a little messy and dusty because neither of them is particularly houseproud, but it's not dirty or chaotic. They always have a few rescue droids around the place that they're rehabilitating - ones that have been abused or badly damaged and need some TLC both to get them running smoothly again and to help them regain trust and confidence. Some go back out into the world to find new jobs and some become permanent residents - one of those is Professor Huyang, who they found on a scrapheap during the alternative third-movie plot I haven't fully figured out, and who helped Rey to make herself a better lightsaber and taught Finn how to craft his own too. Huyang is the closest thing to a Jedi mentor they have - since Anakin's lightsaber was cut in two in The Last Jedi, I wanted a new lightsaber quest to be part of the story, and it was meant to tie in with Finn's Force sensitivity coming to the fore and Rey trying to help him get to grips with it while still learning about it herself.

39. Who initiated the relationship? Who kissed who first?  When did they realize they were in love?

This is very much a romance that grew out of a friendship which had a bit of an inauspicious beginning. When Rey needs to go on her quest, Rose, having recovered from her injuries, volunteers to go with her so she doesn't have to do everything alone. That's a good reason but it's also a way to get some distance from Finn, who she's realised is in love with Poe, and now she feels mortified about her grand romantic gesture for him. Finn is a Good Boy who's grateful for her feelings although he can't reciprocate, and doesn't want Rose to feel badly but it's not really in his power to help her with that. She needs time to get over the disappointment and embarrassment without having to see him being all in sync and starry-eyed with his extremely handsome and dashing fighter-pilot boyfriend who is all (bites lip) at the sight of him.

To begin with she also feels awkward with Rey, because she's Finn's best friend and also has this whole legendary magical vibe about her that's a bit intimidating - but a few days on the Millennium Falcon with her and seeing the Magic Knight Hero who floats rocks with her mind also chews with her mouth open, and will happily eat a brick of uncooked noodles as a snack, and has the most delightful scrunchy-nosed smile, and is just as much of a greasemonkey and gearhead as she is (and they need to spend a lot of time just keeping the Falcon going, and there's nothing like solving problems together for making friends), and she soon gets over any awkwardness and realises Rey is a kindred spirit.

Both of them are conscious of their liking for each other growing into a romantic attraction, but they're awfully busy avoiding the First Order and fixing their ship in flight and questing for kyber crystals and encountering Jedi ghosts and realising the Falcon's computer with the "peculiar dialect" is sentient and building a new droid body to transfer L3-37 into so she can live again, so it's a bit hard to find a good time to talk about it. At the end of a tiring day they're sitting in the lounge of the Falcon where the holo-chess table is, feeling pretty exhausted, and Rose leans her shoulder against Rey's, and then her head, and Rey takes her hand between both hers, and they sit quietly for a couple of minutes more, each becoming sure that the other feels the same way, before something goes bleep and the lights go off and they have to get up and find what's wrong and fix it.

While Rose has both hands busy with tools, her hair flops over her eyes and she asks Rey, who's holding the flashlight for her, if she can get that. Rey gently brushes it back with her fingers and pauses with her hand on Rose's cheek, and Rose looks up at her, and the first soft kiss is mutually initiated. And at that moment the whatchamacallit Rose is trying to reset gets its act together and the lights all flicker back on very prettily. It is nice.

Incidentally, Rey has no idea Jedi weren't supposed to have romantic relationships or get married. Either Luke didn't know either or he didn't get around to telling her (it's not mentioned in the ancient texts she saved because they predate that rule, which cynical people say really had a political rather than spiritual purpose, preventing the concentration of power in the hands of Jedi dynasties). It doesn't become a problem. Over the years Rey gradually rebuilds a reinvented Jedi Order (one that's a lot less hierarchical and order-y), finding people of all ages with talent that went undeveloped during the dark period, and a few who've had some training and have been living off the grid - like this one little green kid who lives in a flyspeck on the map called Mos Pelgo with his elderly dads who are nevertheless younger than he is.*

41. Are they party-goers? What are they like when they’re drunk? Does it happen often?

The Rebellion/Resistance does love its victory parties and peace celebrations, and naturally they go to a lot of those. There's also Finn's birthday party. Finn doesn't know when his actual birthday is. Poe has picked one out for him and throws him a rager of a party every year. They don't get drunk with great frequency, they're more likely to have a drink or two to relax together and leave it at that, but Finn's birthday party is the annual occasion when they predictably do.

When Rose gets tipsy, she gets very red in the cheeks and laughs till she snorts - it doesn't take much. She's a happy, friendly and cuddly drunk who everyone wants to take care of. Also kind of sweaty.

Drunk Rey can go one of two ways, giggly and silly along with Rose, or feisty and belligerent. Everyone hopes for silly Rey, who won't do anything worse than jump in a pool with all her clothes on. Belligerent Rey wants to prove how much she loves her friends by fighting anyone who she thinks she overheard saying one word against them. Belligerent Rey has to be pushed in the pool to cool her off.

---------------------------------------------------

*I haven't decided why he stopped attending Luke's school before disaster struck and as a placeholder will use "Expelled for drinking ink."

[maddiebiscuits]

Personal Opinions on FFXIV Villains (in general order of appearance)

As a note, I will not be including any pre-A Realm Reborn villains (as I did not play the original Final Fantasy XIV) nor will I be including any one-off primals, raid bosses, etc. I will be trying to focus on villains as they appear in main or side storylines, in cut scenes, that have some over-arching influence on the story they participate in with something akin to a clear presence - Garleans, Ascians, and so on. Also SPOILERS SPOILERS SPOILERS.

Rhitahtyn sas Arvina

Rhitahtyn gets the shaft out of Gaius’ three main players in A Realm Reborn. A conscript from a Empire-conquered land who rose to power and respect, directly honored by Gaius himself, and possessing an even temper and noble ambition really helped to level out Nero and Livia’s general nonsense. Unfortunately, Rhitahtyn is provided almost no screen-time, development or exploration, and as years have passed, his in-game 8-man trial can now be completed in a regular synced party in mere seconds. He deserved a lot better than what he got, yet remained too sidelined to really leave me feeling invested in wanting to see what sort of story this character could be used to tell.

Livia sas Junius

When first playing through A Realm Reborn my feelings on Livia were...tepid, but optimistic. Of Gaius’ three main players, Livia was easily the most active and ruthless, lacking the shady “long game” and self-serving ambitions of Nero or the more honorable, measured personality of Rhitahtyn. Suffice to say, the dawning (and then confirmed) realization that Livia’s sole motivation seeing the plan of the man she loved through to completion by any means, to the point of tunnel-visioned, murderous intent, was...disappointing. Add to that Livia was raised by Gaius in her backstory, the man being a father figure to her, and the romance motivation becomes even more unhinged (especially since it is largely considered to be a reciprocated romance, at least physically, by Gaius - barf)

Nero tol Scaeva

Nero has become a fan favourite character over the years, thanks to his continued development into Cid’s boyfriend foil rather than outright villain of the main storyline. This development was easy to spot early enough though, as it was clear Nero’s fealty to Gaius was largely self-serving. He didn’t care much about conquering Eorzea or felling primals/eikons - he just wanted to show that he possessed the brilliance to build weapons capable of doing so. His speech/squabble with Cid during the Praetorium sequence paints that picture even more clearly if the players missed the not-so-subtle implications for Nero’s character already. The man lived, breathed and seethed with inferiority when compared to Cid, and in the end he did ultimately prove his engineering mastery, even if the Warrior of Light took it (and him) down. Ultimately though, Nero serves as a much better supporting and “redeemed” character than a villain, so I do have to rank him pretty low.

Gaius van Baelsar

Aside from whatever...weird...thing was going on between him and Livia (again - barf), Gaius in A Realm Reborn was a pretty solid villain, with clear-cut motivations that I actually understood, and begrudgingly agreed with to a small extent. As legatus, Gaius was still the tyrannical arm of the Garlean Empire, but a level-headed one who was more interested with the purging of the primal/eikon threat from Eorzea than subjugating other peoples. Further development of this character into something of an anti-hero and glimpses of how other characters viewed him in flashbacks in later expansions ends up providing his A Realm Reborn rendition with more strength in retrospect. The heads of the three city-states deciding to accept Gaius off to willingly join the Empire is a pretty good sticking point for the validity of his plan as well. Ultima Weapon is...you know, pretty impossible for Ul’dah, Gridania and Limsa Lominsa to face down if they refuse, but more enticing is its ability to, indeed, single-handedly defeat primals/eikons - something the city-states desperately need at their disposal, having been plagued by such threats constantly, for years and years.

Gaius cuts a pretty direct swath to the truth of the Twelve as well - they’re no different than the primals/eikons he seeks to eradicate, and the more stock Eorzeans put into them, the more empowered they become should someone ever try to summon one, making Eorzeans no better than the beastmen and their ‘gods’. Join the Empire and have protection from such powers, and put faith into the leadership of man, versus that of fictional deities that can be given terrifying form...in the world of Final Fantasy XIV, that’s not a terrible proposition. But it would still subject thousands of people to the Empire’s tyranny, so even if Gaius has the oft-coveted ‘Point’ that most villains wish they had, he still must be stopped. Eorzea will simply find other ways to endure the primal/eikon threat rather than bend the knee, and I like that defiant angle the Warrior of Light represents to counter Gaius’ character. Also, Ascian meddling and Hydaelyn shenanigans, sure, but I don’t feel that takes away from the core conflict that Gaius presents. He was a good villain, and I’m happy to see him return and go through the motions of penance for his past deeds and aid the supporting cast now, elevating him even higher into a good character, in general.

Lahabrea

I admit I have a soft spot for Lahabrea, only because he seems to be a universal punching bag for heroes and villains alike in Final Fantasy XIV. He lacks the more subdued, long-term planning of Elidibus or the explored nuance and sympathy of Emet-Selch - he’s sort of the odd one out between the trifecta that make up the unsundered Ascians. Just a blindly-tempered zealot of Zodiark, seemingly more enthused by the ancient primal’s return than the promise of the world being set back to how it was before The Final Days. Even the other Ascians don’t seem to like Lahabrea that much - Elidibus seems keenly aware that Lahabrea has gone off the deep end, constantly needing reminders and wrangling-in to keep the plan in motion. But I will admit, he serves his purpose well enough, and the additional side-story that reveals that Lahabrea was a brilliant scholar unmatched in the Amaurotine field of ‘phantom creation’ was a nice touch to explain why he’s pretty dang good at getting people to try and summon primals and conjuring or corrupting monsters himself. By no effort of Square Enix themselves, I sort of feel bad for the guy. He really was just Doing His Best, and getting no respect for it. His end was also anti-climatic, but by the time it happened, there were far more interesting characters and stories to tell, and he was unnecessary - it was just better this way, Lahabrea.

Nabriales

This one-bit player served one substantial purpose, and it was to see an Ascian get obliterated permanently and thus provide the means and understanding to battle Ascians in the future. Except that the cost to do so was a throw-away villain, a throw-away damsel-in-distress 8-man trial, and turning Moenbrya, a character with a lot of potential to be great, into a throw-away character who has to make an untimely sacrifice because the script says so. Nabriales you’re boring, you’re bad, you’re a waste of time and your mutton chops are dumb as hell.

Ilberd Feare

You know what, I like this villain. I absolutely want to punch his face in, but I figure getting that sort of rise out of me on sight is intended, since, you know: villain. His motivations aren’t bad either, even if his methods are deplorable. The speech he gives at the very end of A Realm Reborn to rile up Raubahn is pretty effective too. Despite both being refugees of Ala Mhigo, Raubahn fought his way to wealth and status, and Ilberd was never afforded that chance, or at least never quite managed. Raubahn pledged himself more to Ul’dah and the Immortal Flames with his new privileges, however, and Ilberd was perhaps right to resent that, with Ala Mhigo still under the yoke of the Empire, and so many refugees left to flounder in The Black Shroud and Thanalan both, Raubahn seemingly unwilling to step in. Ilberd saw the opportunity to change the status quo and took it, and proceeded to rally others to reclaim Ala Mhigo. If the city-states would not help, then they would be forced to help, and for all his dirty tactics, punch-able face and Shinryu-summoning finale, Ilberd’s plan did work: he forced the hand of the city-states to fight against the Empire to reclaim Ala Mhigo, and did indeed remind Raubahn and other passive Ala Mhigans that there was still an important job to do. So, good job Ilberd. Gold star. Now perish.

Teledji Adeledji

I thought the politics at the very end of A Realm Reborn were intriguing, and Teledji’s heel-turn pretty fun, since of all the Monetarists, he seemed to be painted as the most reasonable. Though I found his game plan a bit...suspect. Yes, a poisoned goblet assassination attempt on the Sultana that he could frame on someone else, while usurping control of the Crystal Braves so he could make a bid for full Monetarist control of Ul’dah (with him at the helm) makes sense on paper, but I’m not sure why he sought to frame the Warrior of Light for it, and implicate the Scions either. While it’s true that the Warrior and the Scions would be an obstacle and want to investigate the death, and would prove tenacious foes, if you think about the scenario a bit more, it seems unnecessary. The Warrior and Scion efforts were likely going to start swinging towards Ishgard and the Dragonsong War, to better embellish the northern city-state’s relations with the Eorzean Alliance, nor are the Warrior or Scions people you’d want to make an enemy, especially with the Warrior being one of the only people who can defeat primals (a very active threat in Thanalan).

Framing Lolorito would have been a wiser idea, as he was already disliked and untrustworthy in the eyes of many, powerful and dangerous to compete with though he is. If Lolorito had been framed, Raubahn and the Scions may not have questioned it, and Teledji could have enjoyed planting himself in the eye of the power vacuum that was to come while the Warrior of Light focused their energy up north. Instead, Teledji bet on the wrong chocobo and paid dearly for it - his plan fell apart (and so did he) in more ways than he could anticipate, but on the whole? This was a pretty intriguing and entertaining storyline, I enjoyed it.

Lady Iceheart / Ysayle Dangoulain

I debated putting Ysayle on this list because by the first act of Heavensward, she’s not a villain - but, she certainly was in A Realm Reborn and going into Heavensward, so we might as well just keep representing how good Heavensward is and include her here. Aside from Minfillia, this is one of the only ever characters you meet early(ish) who shares The Echo with the Warrior of Light. Unlike Minfillia or the Warrior, though, Ysayle doesn’t really adhere to the call of Hydaelyn. Instead, her powers allowed her to hear and learn the truth of Ishgard’s history: that it was a lie, and that King Thordan broke the peace in a bid for power for Ishgard, turning Nidhogg to rage and setting the Dragonsong War into motion. Having witnessed Ishgard’s cruelty at a young age when her home was destroyed by snow and ice after the Seventh Umbral Calamity, and knowing what she knew and maintaining close bonds with dragons throughout her life, it’s sort of easy to see why Ysayle would be set upon the path she is. She wishes to end the war much like how Thordan does: ending it, with the dragons as the victors.

Her slap in the face is when she confronts Hraesvelgr though, her bid to sort of not only take the form of Saint Shiva but embody her memory being dismissed as a pale imitation. Saint Shiva wished for true peace, whereas Ysayle demands it through bloodshed - she realizes this, and changes her current course. This is why I debated to list her as a villain, because her gradual change into a supporting character and hero is a logical conclusion as she and Heavensward’s story develops. She starts a villain and dies a hero.

Igeyorhm

Full disclosure: I completely forgot this character existed. And I still don’t actually know why they exist. They’re a second to Lahabrea during the events of Heavensward, and is easily shut down by the Warrior of Light before being annihilated permanently by Thordan. Despite this, I don’t find their existence as offensive as Nabriales’, so...that counts for something.

Archbishop Thordan VII

When I first encountered Thordan (”pope grandpa”, if you will), I thought “oh, he’s evil”, because “church bad” isn’t exactly and uncommon trope and it’s apparent that Ishgard is a broken and unjust society, with this man sitting at the highest seat of power and consorting with Ascians. Yet to my surprise Thordan was...pretty reasonable. At least to start. He makes his audience with the Ascians known and seems unaffected by them and their schemes, is polite and cordial to the Warrior of Light...he doesn’t seem so bad. But the gut feeling remains, and slowly builds as Thordan’s true plan is revealed, becoming a primal-esque deity. And much like Nidhogg, I do get his motivations. Trying to broker peace with the dragons, to him, is just not going to happen - in fact, it’s insulting to ask dragons and Ishgardians both to make a bid for it, when so many people have died and live with the burden of hatred and grief. His solution is more direct: end the war entirely, by winning it for Ishgard.

After assuming his new form and powers, him and his Heavensward have the power to thwart any dragons that oppose them, perhaps even Nidhogg himself if the dreadwrym were to re-appear. Fueled by the generations’-worth of prayers from the Ishgardian population, Thordan was set on ending the war and ousting the dragons from the land, ushering in peace and prosperity. But the Ishgard he sought to protect and defend was built on a history spun of bloodshed and lies, and the dragons were not the true enemy and did not deserve to be put to the sword. Thordan’s plan would have worked in the way he envisioned it, and he made a good argument for it, even if it was ultimately wrong, and that’s a good villain.

Nidhogg

Having come to Final Fantasy XIV from World of Warcraft, a giant, scary black dragon that rants on and on about suffering and misery and pain and vengeance was something of a red flag for a Very Bad Story. Imagine my surprise when Nidhogg was given the screen-time to be properly fleshed out and explored, his motivations and hatred more sympathetically-human than his giant dragon body would have one believe, his presence menacing and well-paced, and his overall being representing the true, dark heart of the Dragonsong War: the cycle of hatred. For dragons, centuries are like days, and the pain Nidhogg feels is no less than what he felt when the Ishgardians brutally broke their pact. Because of this, with each re-emergence of him and his brood, the wheel of suffering turns anew, breathing new hate-filled life into the ongoing Dragonsong War, generation to generation. Time has no effect on his turmoil, and his existence ensures that no other Ishgardians will ever be able to move on from the war either, even as generations continue on.

I find Estinien being consumed by Nidhogg’s rage very thematic as well, Estinien truly embodying the countering hatred the Ishgardians feel towards the dragons, and it makes the final trial with Nidhogg bittersweet. He defeats Hraesvelgr, because as long as Nidhogg exists even the brightest hope for peace will be squashed under the cycle of malice and war. The Warrior of Light must put him down because he cannot be saved - but Estinien still can, and can choose to move on and pursue the peace that Nihogg strived to prevent and Ysayle died to see come to fruition. And he does, and it’s touching, and Heavensward is SO FUCKING GOOD I LOVE THIS EXPANSION.

Quickthinx Allthoughts

I don’t care much for timey-wimey storylines, but I found the Alexander plot easy enough to follow, and the timeloop it creates to be manageable. The truth about the Enigma Codex and the journal Quickthinx has isn’t exactly hard to figure out though once time travel becomes a part of the plot, and beyond beind a fun goblin with a cute kitty cat friend...there’s just not much in the way of compelling character writing here for this gobbo.

Diabolos

Big ancient demon is revived and wants to wreak havoc. Uninspiring, but its also not necessary for Diabolos to be anything more than what he is either. The heart of the Void Ark storyline is the tribulations of Cait Sith, the sky pirates and the history of the Mhachi, Diabolos just being an excuse to explore those characters and lore.

Regula van Hydrus

Regula deserved better damnit. This is the last Garlean villain with nuance and humanity before Stormblood turns everyone who is so much as associated with the Garlean Empire into a cartoonishly-evil, absolutely twisted, reprehensible confusing mess of a person.

Fordola rem Lupis

Stormblood has a lot of story, pacing and character problems. A lot. It has its moments and some people love this expansion, but I do not and its villains are a very large reason why that is. Fordola, for example, had the potential to be quite interesting. She was raised to believe in what her father did: that Gaius and the Empire were not all bad, and then watched her father die trying to protect her from angry, almost barbaric Ala Mhigans who decided that pelting a little girl with rocks because her parents were Empire-sympathizers and supporters was an okay thing to do (as the Garlean soldiers just watched on and let it happen without intervening because they didn’t feel like it - a fact that Fordola knows and remembers). You would think this event would have a sort of polarizing effect on her, feeling betrayed by both her people and the Empire her father believed in, feeling caught in the middle, in need of finding her identity and sense of self. Instead she...basically throws her entire stock in with the Empire, deciding that if she’s a good little soldier for the Empire, then Garleans will have to change their minds about Ala Mhigans and respect them because, see, look: an Ala Mhigan is a respected Garlean asset.

Except this backfires over, and over, her Ala Mhigan team nothing more than vicious dogs that never bite the hand that feeds them, turning their teeth on their own people instead. Fordola is constantly belittled and ridiculed for her heritage and even her gender by the Garleans, and at no point does she ever stop and go “wow maybe the Empire sucks hot ass and I’ve been terribly wrong about my motives this whole time”. And yet, no...Zenos offers her power in some magitek-aether experiment, she kills her own Skulls team, she finished the expansion jailed for her crimes, believing until the very end that the Garleans will win (they did not). She utilizes her anti-primal abilities once, and vanishes from the plot entirely, only to re-appear in a bad side-story where the Immortal Flames have her hooked up to some penalty-of-death submission collar so she doesn’t act out so they can use her synthetic Echo abilities to fight a re-summoned Ifrit.

Bad character, bad writing, and a waste of her new, game-changing anti-primal abilities.

Grynewaht pyr Arvina

This is such...a stupid character. His design, his voice and dialogue...I can’t tell what Grynewaht is supposed to be. Is he comedic relief? Because he’s not funny. Is he a character that you’re supposed to pity or despise? Because I felt nothing towards him. Is he supposed to be a rival? Because...no. I had to look up what his name was. The only thing I can clearly remember about him is that he was the final boss of the Doma Castle 4-man dungeon. That’s it. If you removed him from the plot entirely, nothing of value would be lost.

Yotsuyu goe Brutus

Between the two female villains of Stormblood, Yotsuyu is the more popular. It’s easy to see why: she has a cool design and a lot more screen-time and development, with a big 8-man trial to finish things off. But like Fordola, something is just off about her writing.

I don’t understand her motives or how she even came to feel the way she does about Doma, specificially. And anything bad that could happen to her, has happened to her. She suffered an abusive childhood under her adoptive parents, was sold off to an abusive husband, then sold off again to a brothel after her husband died to repay his debts. She later became a spy for the Garleans, rose in rank and was appointed acting viceroy of Doma, to keep the masses terrified and under her heel. At first, it seems pretty reasonable for her to turn against Doma, and lash out as she does on its people - her Doman upbringing left her used, abused and powerless, and with the Garleans she found power and strength. But this reading falls apart when you quickly realize that Doma was already occupied by the Garleans during the course of her upbringing, her family obedient to the Empire and her suffering just as much the fault of the Garleans. There’s an argument to also be made that not enough time was really spent portraying Doma as the disgusting place Yotsuyu sees it, as from the onset of Stormblood’s story journey into the Far East, Domans are only ever portrayed as a terrified, broken people, scared of the Garleans and Yotsuyu. I also don’t personally care for “character was abused, so now they’re sadistic and crazy” clichés either.

What does work well for Yotsuyu is the theme of power and control. Yotsuyu is a woman who lived a life not her own, weak and frail, until she obtained power. Now that she has it, her drive is to do anything to maintain it and survive - yet for some reason the story is written in such a way as to downplay this much stronger theme of her character, and play up this slightly confusing, all-consuming hatred for Doma instead. Her transformation into Tsukiyomi is also a bit odd (though decently thematic, with her ‘cold, uncaring and distant as the moon’ comparison), with not enough time paid to explore her understanding of Doman deities and why the mirror would trigger this change (and why would she even keep Doman deities in her mind, with her supposed hatred of Doma?)

I also take some issue with her “Tsuyu” arc, where she reverts back to the last time she was ever truly good or innocent, and has the personality of a child while still being an adult woman (and suffering amnesia). I find these infantilizing tropes pretty offensive, especially when Yotsuyu’s arc here is largely just to reinforce and reiterate what cartoonishly terrible people her family were, and provide Gosetsu with some development instead. Aside from killing Asahi and having a cathartic death herself, everything about Yotsuyu just baffles me. Every time I think I like something about her, athe bad writing twists it around.

Zenos yae Galvus

I don’t like Zenos, he’s a bad character, and I hate that Square Enix decided this limp-haired sullen-faced clown was going to be their poster-boy villain for Final Fantasy XIV.

What is the appeal of this character? Yeah, some people find him attractive. I don’t, but I also didn’t find Sephiroth attractive so, okay, whatever - like what you like I guess. But what else does Zenos have going on besides people seeming to think he’s their buff bishonen thicc daddy or whatever the kids are saying these days? His entire character can be summed up in one sentence:

“While the Warrior of Light was practicing empathy, Zenos studied The Blade.”

He’s a Garlean lordling with a bland and cold upbringing who likes katanas and blood sport. That’s it. He’s a sociopath, finding no joy or meaning in life for whatever reason: he just wants to collect Cool Swords and push his bizarre love-hate fight narrative on the Warrior of Light. Because they are opposites, you see: the Warrior of Light is a cardboard cut out of a Good Guy and Zenos is a cardboard cut out of a Bad Guy. He’s not even entertaining about it. He doesn’t want to watch the world burn, he just wants to fight the Warrior because the battle will make him Feel Something. Meanwhile, all I feel whenever I see him in-game, either in a cut-scene or when I’m locked in an unskippable “survive the drawn-out battle!” sequence with him, is a groan coming on. And sometimes villains who are evil just for the sake of it can be fun! But Zenos is not fun - he’s dull, he doesn’t get me hyped up for a fight...I feel nothing.

When he died after using his uber-synthetic Echo to possess Shinryu by taking his own life I thought, “well, at least that’s over” and I felt relieved. And then he came back, bigger and worse than ever! Yippee! I love confusing, unrelatable, boring villains who are recurring. Whatever Square Enix wants to do with Zenos, they need to hurry up and get it done. I care so little about him and just want to explore other stories and characters. I’m assuming he’s going to like, possess Zodiark or something, and then the Warrior will possess Hydaelyn, and there will be some big anime light fight showdown where Zodiark and Hydaelyn both shatter for good and Zenos dies and the Warrior lives another day and uuuugggghhh. How the hell did an expansion like Stormblood follow up Heavensward? Who let this happen?

Asahi sas Brutus

Bowl-cut twink hates his sister because he’s a Zenos fanboy and is angry Yotsuyu got all of Zenos’ attention instead of him. Filled with spite and piss, cartoonishly evil just like everyone associated with Yotsuyu or the Empire in Stormblood. Rest in pieces you little shit.

Varis zos Galvus

I’m lukewarm on Varis. He’s a better villain than Zenos, but that’s like saying a flat three-day-old glass of soda is better than sewage water. The bar is set very, very low. He’s ruthless, but not entirely unfair in his thought processes. Hell, he doesn’t even seem to like his own son (and really, if Zenos was my kid, I wouldn’t like him either). But Varis is a bit too...static, in my opinion. He doesn’t feel like a major player, and his batshit “let’s all just burn so the world resets and we can stick it to the Ascians” is pretty asinine and plays so transparently into the Ascian’s hands. I was originally bummed that Zenos killed him pretty unspectacularly, but...like with Lahabrea, it was probably better this way. 

Omega

I don’t have much to say about this villain, really. The heart of the Omegascape storyline hinges on Cid, Nero, Alpha and the abstract concept of free will and accepting imperfection. It’s almost hard to say if Omega really is a villain, simply acting out a series of programs and statistics in a cold, robotic way, not really with malicious intent, so I think where Omega sort of shines is just as a being to build this sort of story off of, and provide a lot of fun boss fights as well. 

Ran’jit

I had no strong opinions on Ran’jit for a long time, so I guess he improved for me as I now have An Opinion of him. He’s fine. He’s an okay villain. His Zenos-esque “survive the timer” encounters are annoying, but I find his persistence and presence more inspiring than any time crummy ol’ Zenos showed up. The biggest issue with Ran’jit is the lack of time devoted to developing him. This is a man who lost his home in the Flood of Light (which was the First’s equivalent to the Source’s Far East), and has essentially trained and raised numerous Minfillia reincarnations to battle Sin Eaters, just to watch these poor girls he saw as his own daughters die and die and die again. That cycle of loss would break down anyone, and make Vauthry’s postulations of paradise in Eulmore until the end finally comes appealing. Ran’jit pursues the Scions and Minfillia/Ryne not because he’s resolute in following orders, but because he just wants to bring this one psuedo-daughter back and keep her safe - something he could never do for the others who came and went in his tenure.

Naturally, this protectiveness leads to giving in to Vauthry’s nihilistic promises and stifles Minfillia/Ryne as a person. Thancred eventually learns to let the Minfillia he knew go so that Ryne could floruish into her own person - she was not ‘his’ Minfillia and it was terrible of him to ever impose that upon her. But where Thancred can move on and let Ryne develop into the wonderful person she is, Ran’jit cannot. And I’m disappointed this aspect of his character couldn’t be more at the forefront of his narrative.

Vauthry

If you ask me, this is more in line with how I figured Zenos might be. Vauthry lived a life or privilege and power, a child born of divine providence with no true regard for life, just his own desires. He’s spoiled and unreasonable, but his nihilism isn’t really nonsensical in the world of the First. All but a fraction of the world is destroyed, and Sin Eaters are a constant, devastating threat, so why not just relax in luxury, in the safety of Vauthry’s control over the monsters, and live in peace until the world truly ends? The battle against the Sin Eaters is exhausting and has no hope of victory anyway (until the Warrior of Light/Darkness arrives, that is). Even without the meol subplot, it makes sense why so many would flock to Eulmore once Vauthry takes over. Goofy as he can be, I do think Vauthry’s embodiment of just giving in to nihilism, hedonism and annihilation stands as a good thematic contrast to Shadowbringers strong themes of stubbornly striving for hope in even the darkest, bleakest hour. His trial is also fun and a slight swerve. All the Light Wardens up to that point had been monstrous, and Sin Eater transformations the thing of nightmares (Tesleen), so to see Vauthry take on the form of Innocence (ironically appropriate, as he truly believes he is blameless in all he has done) and become a golden-haired, angelic being of beauty - how he likely has always seen himself - is very entertaining, and defeating him feels great.

Emet-Selch / Solus zos Galvus / Hades

Ah yes. The Big One. Most people like Emet-Selch and his involvement in Shadowbringers. He’s sardonic, he’s entertaining, he’s honest, he’s explored, and he’s even sympathetic. The revelation of how Zodiark (and Hydaelyn) came to be, Amaurot and The Final Days is truly tragic. Emet and the rest of the Convocation were trying to save their world, and the cost was staggering - the lives of so many of their own, their minds, and eventually even their own world in the Amaurotine schism that followed. Being able to see a shadow of what Amaurot and its people were like really helps drive home the sorrow of it all, and Emet himself admits that he did try to learn to appreciate what the fragmented world had become. He’s also one of the most “successful” villains in Final Fantasy XIV - his intertwined association with death and masterful ability to raise up and lead empires like the ancient Allagans and modern Garleans to their self-destructing, Calamity-inducing downfalls (of which he was almost successful did with Varis and the Black Rose in the latter’s case) is pretty impressive as far as villainous plans and activity is concerned. Being forced to work alongside him in Shadowbringers because your goals are aligned while attempting to guard yourself from his inevitable schemes - which he’s pretty blunt about admitting he has - is an interesting way to develop him as a villain too. He spends most of Shadowbringers actually helping you rather than outright antagonizing you.

His conundrum is sympathetic as well, if not entirely relatable. If you had the ability to bring back your world, your friends and loved ones, at the cost of countless lives that are trivial in the grand scheme of the cosmos and start again, anew, in a better world that could repair and rebuild, would you do it? Tempered by Zodiark or not, Emet would, and while I don’t agree with him, I don’t entirely blame him either, for feeling how he does. Similar to Ran’jit and Vauthry too, Emet is nihilistic: he clings to something long-gone and will burn the current world down to get it back. To him, the Rejoining and Zodiark’s return is inevitable, and people like the Warrior of Light/Darkness are futile, frustating obstacles that cannot understand not only his plans, but just how he feels. They don’t remember what they lost. Emet does.

And yet in his final moments, Emet seems at peace. He seems to realize, as he is fading into oblivion, that the Warrior of Light/Darkness isn’t just the reincarnation of Azem, but what Azem believed in that made Azem part from the Convocation. Fractured life is still life, and Azem believed that the world and its beings was worth learning about, loving and protecting, capable of great things even when faced with insurmountable odds. The last act of good will Emet can do after requesting that the Warrior not forget about Amaurot, is to free the Warrior from Elidibus’ binds so that the last unsundered Ascian can be put to rest at last. It’s a very emotional throughline for Emet’s character, rather than a more logical one, but it works very, very well and really helps push Shadowbringers into that amazing high its story can get to.

Elidibus

I never liked Elidibus all that much for the longest time. It’s not that his character was “bad’, per se - he’s polite, diplomatic, and enigmatic, providing a much more leveled, intriguing villain to counter-act Lahabrea’s more active plays and cackling. But Elidibus’ long game always left me sort of wanting: I was never really sure what he was trying to accomplish expansion to expansion and how it related to the Rejoining that would bring about Zodiark. His plans also seemed to just regularly...fall through. Sending the Warriors of Darkness to antagonize the Warrior of Light in the Source ended up bringing about the halt of the Flood of Light on the First entirely. Picking up Zenos’ body and squashing Garlemald uprisings while nudging Varis to make and use the Black Rose was promptly halted by the true Zenos making an unspectacular return. I don’t know, I just feel like any plan Elidibus sets into motion gets stopped before it really gets started.

My opinion of him did change, however, during the course of the Shadowbringers expansion. Being the heart of Zodiark, manifesting as the First’s...uhh, first, Warrior of Light, summoning them from across the other shards to wreak havoc and empower himself, only to finally be put out of his misery not just be the true Warrior of Light/Darkness, but Emet-Selch’s last act of will and revealing that he had been an over-working, sad youth who just wanted to save the world he knew was...well, sad. And his first (and last) real gameplay with the various hero summonings was a pretty amazing set piece too, though it also tells me how devastating Elidibus could have been earlier on if he’d taken a more pro-active approach, access to the Crystal Tower notwithstanding.

Valens van Varro

Much like how I wanted to punch Ilberd, because Ilberd is a deplorable person but an effective villain with decent motivations, Valens is just...I just want to punch him, in general. He’s just Disgusting On Purpose. And since we still haven’t shaken Stormblood’s insistence that Garleans are Evil So Evil Oh My God Evil You Guys they’re trotted out a demented borderline sex-offender who forces his child wards to brand subjects who are out of line with red-hot irons. Valens is...entertaining, I guess, in that regard. And Valens does serve as an appropriate counter-part to Gaius in this storyline, the themes of which seem to largely deal with fatherhood and penance for past misdeeds. I just...really miss Garlean villains with nuance.

Fandaniel

Oh god damnit Asahi is back. Square Enix stop doing this, stop bringing back bad characters. Though it is unfair to say Fandaniel is anything like Asahi. Oh sure, he’s using Asahi’s body (and therefore the Brutus’ family inheritance to fund his machinations), he fawns over Zenos, and he’s cartoonishly evil, but at least this go around there’s a certain...goofy charm to it. Fandaniel is a sundered Ascian - he doesn’t care about the Rejoining or Zodiark, he’s aware that he’s a broken being and he is, quite frankly, loving it. He lays his intent out pretty plainly to the Warrior of Light/Darkness: he’s evil, he loves destruction, and he’s doing it because that’s just what he feels like doing. Don’t reason with him, don’t try to understand him, just fight back and cry about it. On some basic level I appreciate that brutal honesty, so much so that I’m comfortable writing my thoughts about him now because I don’t think they’re going to change. What you see is what you get with Fandaniel, and he’s just having such a good time. He’s a terribly-written villain but gosh darnit I just can’t bring myself to hate him.

[brywrites]

Flight Risk IV

Summary: An answer to the age old CM question, “who’s flying the plane?” And the story of a pilot and a profiler. Part IV: In which airplane food is disappointing and the context of a case is heavy.

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Arthur stands waiting for her outside the jet stairs. “So you’re on speaking terms again?”

She freezes, hands still lifted in the middle of adjusting her cap. “What do you mean?”

Arthur gives half a shrug and begins climbing up into the plane. He’s not one to pry into the lives of other people, but she’s discovered he does make occasional exceptions to this rule. “Simply that you seem much happier to be around Dr. Reid today. Your scowl is gone.”

Her face flushes and she’s grateful he can’t see it as they file into the cockpit. “We talked, yes. I think we’ve reached an understanding.”

Arthur gives a noncommittal, mmmm, and gets to work adjusting Geff’s controls. She does the same, going through routine checks, only to be interrupted by a quiet, “Just be careful. I don’t want you getting hurt.”

Y/N blinks, then looks down quickly. She doesn’t ask him to elaborate; Captain Dobson isn’t one for sentimental attachments or expressions. The fact that he’s saying this at all speaks volumes. It makes her happy, to know he considers her someone close. The BAU is obviously close-knit, she’s heard them refer to themselves more than once as a “family.” But the two of them, bound by similar schedules and shared challenges, they’re something of that sort too. Perhaps that makes them distant cousins of the FBI.

The team boards the plane, they’re cleared for takeoff, and it’s all smooth flying and blue skies for a solid three hours. They’re both tired, and the thought of being able to go home and sleep in her own comfortable bed lifts her spirits – until the cockpit door slides open and Agent Rossi steps in.

“I’m afraid I have some bad news,” he says. “We just got word of a case in Houston. Two previous victims and now there’s a kid missing.”

A kid. Oh, god. Rossi looks genuinely apologetic, but Arthur nods.

“We’ll change course immediately.” Rossi murmurs a thank you, then slides the door closed once more, muffling the voices of the other agents, already discussing the case behind them.

Y/N follows all orders, gets in touch with the air traffic controller, telling Indianapolis Center that they’ll be changing directions and heading for Houston. Other than exchanges with ATC and instructions to shift speeds and change controls, they fly in silence. It’s a heavy quiet, weighed both by an acknowledgement that somewhere, something horrible has happened, as well as the fact that they won’t be going home tonight.

It’s harder for Arthur, he has a boyfriend to go home to, people who need him. She has less attachments, but has no desire to spend more time in a small motel once again. Still, things could be worse. It’s important work.

“I think we’ve still got lunches prepared that I could heat up,” she offers. “What do you want – the chicken or the pasta?”

“Pasta,” he replies, without missing a beat.

“You always take the pasta.”

“I’m the captain. When your epaulets have four stripes, you can claim it first.”

“I don’t know why we even bother with the chicken,” she grumbles. “We both hate airplane meat.”

“You know the rules. We can’t have the same meal.”

Y/N carefully clambers to the sliding door. “I know. But honestly, how many planes have gone down as a result of the food?”

“There have been some close calls. Japan Air, 1975, omelets. Overseas National, 1982, tapioca. British Airways, 1984, hors d’oeuvres.” She rolls her eyes, but begrudgingly goes to fetch the saran-wrapped meals. Slipping out of the cockpit, she catches bits and pieces of conversation as the team begins to work. The previous victims were a little older, most in their early and mid-twenties. All women with blonde hair.

“But Caroline Chapman is only twelve,” Morgan adds. “Though she fits the physical type.” Twelve years old. Her stomach turns, and it has nothing to do with the plane. She swallows hard and grabs the meals from the warm tray, hurrying back to the cockpit before she can hear anything else.

Their world is so different from hers. Their work is so heavy. Sometimes, in the silence of the flight, she pretends she’s a commercial pilot, bringing passengers somewhere cheerful. Maybe part of the crew on one of those Make-A-Wish flights.

The pilots eat in silence, then Arthur, sensing she needs a distraction, begins one of their infamous verbal games.

“Fortunately,” begins Arthur, thinking it over, “I’m taking a vacation in Seattle.”

“Unfortunately,” she counters, “climate change has turned Seattle to a frozen wasteland.”

“Fortunately, I’m an Iditarod champion and getting around won’t be an issue.”

“Unfortunately, the number of confused squirrels on the snow is distracting the sled dogs.”

Back and forth they continue, trying to create the most complicated situation until one of them has no counterpoint, or says something so absolutely outlandish they must concede. Sometimes their games can carry on for almost an hour; depending on which one they’re playing. This one finally ends when Arthur claims he’s saved up enough vacation time, and she rebuttals that the BAU has called in an emergency and he has to come fly the plane.

“Ah,” says Arthur, “fortunately Seattle is a frozen wasteland and no planes can take off.”

Y/N admits defeat. They sit in silence, cloud rushing past them. Then she says, “They’re only twelve.”

“I heard,” he says, starting straight ahead at the sky. She shifts in her seat, searching for the words to explain how she’s feeling. Arthur adds, “You can’t think about it too much. That’s their job.”

That’s all he has to say. A few hours later, they touch down just outside of Houston, and the agents file off to SUVs. She and Arthur prepare Geff for his overnight stay at the little airport they’ve landed at, before going off to the hotel. It’s been a long day, and they end up staying at the same one as the team. After a nap, she takes a long hot shower, and they order takeout, exhausted from the long flight.

Dinner arrives at nearly 8 pm; Arthur takes his to his room, and she makes herself comfortable in the lobby. Wet hair thrown up in a bun, a sweatshirt and leggings. That’s the nice thing about traveling. Nobody knows her. She can be anyone in a new city, only to disappear a few days later and leave only faint traces of herself. The sun has nearly disappeared outside the lobby window, when half of the team comes in, looking entirely drained. They head off in different directions, and she’s pleasantly surprised when Reid goes not to his room, but to join her on the hotel lobby couch. Y/N tries not to look too excited.

“You look tired,” she remarks. Holds out the container of pad thai and chopsticks. “Have you eaten yet?”

He politely refuses. “I have, thanks. Besides, I don’t know how to use chopsticks.”

“What? We’re going to have to fix this.” Her joking smile shrinks to one of hesitancy when she asks, “How are you doing?”

Reid shrugs, runs his hand through his long hair. It seems the more stressed he is, the messier it gets, and something makes her want to sit him down and brush her fingers through it until he looks calm.

“We’ve got enough for a partial profile, but that’s it. We still don’t have – I mean, we still can’t find the girl.”

Arthur explicitly warned her not to get involved, not to think about it. And yet, she asks, “So… what does that mean?” She knows enough to realize it’s not good.

Reid purses his lips. “The first hour is the most important. When a stranger abducts a child, it doesn’t always mean they’ll be killed. But of the children who are, almost half die within the first hour. Nearly all of them are killed within the first twenty-four, and we just passed that mark. Hotch, JJ, and Rossi are still out looking, with the CARD team. In five hours, they’ll come back and I’ll go out with Morgan and Kate.”

Kate Callahan is the newest member of their team, a short woman with dark hair and no time for anyone’s crap. She likes the way they look out for each other, making sure they have a chance to rest. But twenty-four hours, it’s such a short timespan. Gone too soon already. What does that mean for Caroline Chapman?

“Are you okay?” Reid asks, tilting his head. His voice is gentle, making it easy to admit to him what she hates to admit to herself.

“This job – it’s different for us, you know? As pilots,” she says. “You’re trained for this. It’s what you know you’ll be doing, going off to fight evil and save lives. I never thought I’d be involved with that. I mean, I like this job, don’t get me wrong. But I love flying. And lately, every time I get a call from work, my heart breaks because I know the only reason I’m going up in the air is because something terrible has happened to someone, and I just don’t know how to reconcile that. Every time I get into that plane, every time we get Geff off the ground, we’re taking you all to danger, and I only get to do what I love because someone else has suffered a tragedy.”

It’s so complicated, to have her great love for the sky tangled up in this mess she feels when the phone rings. It’s fear and it’s anxiety and it’s sorrow – grief for people she will never even meet. And flying back can be just as difficult. A case closing may mean a happy ending, but it also might mean that a victim is dead, or that an unsub – she’s picked up their lingo – is dead. Either way, there has almost always been some sort of loss. Perhaps in the form of innocence or hope or comfort. She can see it when they board before heading home. This job takes things from them. Will a day come when they have nothing left?

“I know it might sound selfish, but it’s just hard for me to understand. And you,” she adds. “I’m always so happy to see you and talk to you, but that only happens when there’s a case. I feel like I shouldn’t feel that way, not when someone’s life is on the line.”

Does it make sense to him? She hopes it does, because otherwise it’s going to sound so self-centered. Of course his job is more emotionally taxing. Of course she’d rather be a pilot than a profiler. But it hurts her heart each time she hears there’s a case. She grieves for them too. And she worries for the team, her team, their team.

He must understand though, because he places one hand over hers, just long enough for her to understand it’s meant as a comforting gesture, and not purely accidental. Reid doesn’t touch many people, she never sees him shake hands with anyone he doesn’t know. Crossing that barrier is a big deal, and that’s what leaves her all the more surprised.

“It’s okay,” he tells her. “It’s okay to feel whatever you feel – about this job, or a case. You don’t have to disconnect from things or stop being affected by them. But you also don’t have to feel guilty about liking your work. You shouldn’t – you’re a great pilot, and a really good person.”

“Thanks, Doctor.”

Reid gives her half a smile, then looks nervously down at the floor. His pulls at his fingers. “You know, maybe we could meet sometime outside of work. That way we can actually talk for a normal amount of time, and we don’t have to worry about anything else.”

“That would be really, really nice.” At that, his smile widens, and she can feel her own mouth mirroring his expression. “Maybe after all this, when we’ve both had enough sleep, we could go get coffee or something? Go to a library?”

Reid’s grin makes his eyes seem less tired, and for a moment it’s so easy to forget the circumstances. “I’d like that.”

[fandompitfalls]

Prodigal Son and why Living Shouldn't Be Controversial

Originally posted 1/27/2021

After my last post I wasn’t sure what I would write about.  Several of my upcoming posts are research intensive and potentially controversial so as far as I’ve gotten on them was to put them in my book for blog post ideas and that’s about it.

And then Season Two of Prodigal Son aired. So what am I doing?  A research (not so intensive) and potentially controversial post.  At least I’m on brand.

For those who don’t really know the show: In its second season Prodigal Son is the story of ex-FBI profiler Malcolm Bright who was fired for his risk-taking habits and came back to the NYPD at the request of Captain Gil Arroyo.  Malcolm Bright is also Malcolm Whitly, the son of the influential and extremely wealthy Whitley family.  The Patriarch of the Whitly family, Dr. Martin Whitly, a convicted serial killer known as “the Surgeon”, is currently in a secure psychiatric facility. His son Malcolm put him there.  Malcolm now works for the NYPD under Gil’s team that includes Detectives JT Tarmel, and Detective Dani Powell and Medical Examiner Edrisa Tanaka. While not solving crimes, Malcom must deal with his tenacious television reporter sister Ainsley Whitly and their wealthy, hovering mother Jessica Whitly.  As well as his father who is trying to make his way back into his family’s life via Malcolm by assisting via telephone with certain cases.

Except for the Whitly’s (who while wealthy are probably not very good role models), the entire main cast is made up of people of color:  Filipino, Black, Asian.  While the first season was introductions to everyone and dealing with Malcolm’s lost memories regarding his father, the father/ son dynamic, cultivating a loyal fanbase and potentially starting some ships both purposefully and accidentally (I’m looking at you Brightwell and Maldrisa shippers), this second season started off with a bang.  Something that might have been relegated to a side plot, I feel, had become larger than this season’s overarching plot and will end up and absolutely deserved to be in equal standing.

In the first season, we are introduced to JT, the by the book detective who doesn’t like Bright in the beginning but by the end of the first season, they’re…okay. We also meet JT frankly adorable wife Tally and discover that he’s going to be a dad.

In season two, months have passed, and JT is acting Captain while Gil is out on medical leave.  He brings Bright in on a case involving a justice killer. At the end while back up is being sent to Bright’s apartment for the final conflict, Dani rushes up while backup is on its way and JT is right behind her.  He arrives moments before the back up and when they arrive, he directs them up to the apartment.  What happens instead is something we’ve all seen on the news this past summer. The first cop that arrives tackles JT and presses him against the wall, baton at his throat telling him to stop resisting.  The terror in JT’s eyes is startling as he realized that these officers, the one holding him and the other five who have their guns trained on him are not going to let him explain that he’s a cop.  It isn’t until Dani runs out holding her badge and Malcom following close behind, both of them yelling to stand down, that he’s a cop does the office let go of JT and step back.  Back at the station, Gil is furious and wants to take it to I.A., but JT insists it won’t do any good and he needs to think about it.  He has a family now and he doesn’t want the retaliation.  The scene ends with Gil, Dani and Bright supporting his decision and telling him they have his back.  JT is emotional and for good reason.  The people who are supposed to be working with him just tried to kill him.

Episode two didn’t let up; in the middle of a chase, Gil tells JT to call for back up and what happens is enraging.  As JT calls on his police issued walkie for backup, the person manning the other end tells him that the line if for police use only and uses the term “boy” before disconnecting.  Later, it shows JT and Dani standing outside the office watching Gil yell at the dispatch for not sending officers for a potential hostile situation.  JT decides to not file a report mentioning that he has a family to worry about and he must work with these people. It is harassment and emotional terrorism at its worst.

In the first episode this season, Dani and Bright are talking and Dani mentions the institutionalized racism she’s been dealing with. With this show being categorized as a police procedural, showing this sort of dangerous institutional racism within the police force is both tricky and important.  While police shows have mentioned an episode or two of racism within the force, it’s usually an episode and the one bad cop is taken to task by the white Captain and the entire thing is brushed over.  The good thing about this show is so far, all the people in power we’ve seen on the force have been people of color.  It also makes it harder to pull the “white savior” role as Bright, while on the team, has no real standing with the NYPD and could be kicked off cases in a heartbeat. Jessica, with all of her wealth and ties (or not, make up your mind Jess) to Gil, can’t really do anything expect throw money at the issue.  The brunt of the conflict will lie between Gil and his team facing the police force including these cops who “are just doing their job” and the veil of secrecy that lies within the Thin Blue Line. It’s not something that can be erased in a five-episode arc and I really hope it’s not.  The racism within the department has been established, it can’t be erased with the firing of the cop who attacked JT and it can’t be addressed with the Commissioner coming in to make everyone go to training to make it all magically go away.

The showrunners spent the entire first season introducing us and making us love these characters and given the current climate of the world, this was a bold and correct decision, one that needed to be addressed.  I know there is talk on message board stating that this season is too “political”.  Black Lives Matter, is not political, institutionalized racism within the police force is not political. Men and women of color that are on police forces are risking their lives to do good and make streets safer and do not deserve to wonder if they’re going to take “friendly” fire from one of their own.  This year we’ve heard too many stories of officers who were threatened out of uniform and officers who spoke up only to be removed from duty. This isn’t a new thing. Nobody should be murdered for living their lives, for sleeping, for complying with proper police requests.

Personally, as a white person, watching these scenes hurt.  Watching JT’s reactions hurt. Hearing someone who was supposed to have his back use a term that has racist undertones when said as it was, made me furious.  Which is what it’s supposed to do.  But this is also a dangerous road the showrunners are taking.  There is no clean and easy way out of this, to have it discussed and “fixed” isn’t reasonable nor believable anymore, to ignore it after three episodes isn’t doing it justice. I don’t know how this will turn out, but it absolutely needs to be addressed this season.  To the extent of having it a plot equal to Malcom’s covering up a murder and hiding the body without getting caught.

If you want more information or want to get involved, please look at the websites linked. It shouldn’t take a television show to spread awareness, but if it does, so much the better. People are starting to get involved with activism because media and it’s good (sometimes).  Television should start a conversation, that’s when it’s working best.

[letteredlettered]

hi! ive been following your writing for a few years now and i drop by periodically to check if you have anything new posted, and im really surprised that you seem to be enjoying the untamed? im curious what you think about the show - its story and characters, the acting, the production, etc. idk if you know, but the untamed is the most successful example of a current trend in chinese entertainment, where popular online novels centered around a gay romance is adapted into a 'safe' drama.

continued:

due to the many explicit and implicit restrictions imposed on creative media in china, many crucial plot points have to be changed (often badly) or removed, including the nature of the relationship between the main characters. the untamed is considered the most loyal adaptation so far, but like all other works in the genre, it received criticism for weak acting and queerbaiting. that's why im really curious about what you think of the show as it is, as itself, free from its context.

if you're interested, you could also check out guardian! it features much better performance and chemistry by the leads imo, but the story was heavily botched bc the original incorporates and reinvents a lot of classic chinese folklore beautifully and stuff like that is considered disrespectful and not-pc. i think it's really sad how so many great pieces of writing with complex world-building and plotlines are simplified into... idek what to call them, but just, less than what they are.

im sorry this turned into a rant. as a mainland chinese person with oh so many frustrations about our current society, it's hard to comprehensively describe my feelings about the untamed's popularity. it's the first mainland chinese show/movie to gain this much organic interest abroad so i should be glad? but, but. anyway, yes, im sorry.

There’s no need to apologize for ranting, but I admit to some confusion as to whether you want your question addressed or the rant. Because I’m me and tend to be thorough, I’ll address everything, in reverse order.

First of all, I’m sorry that this show is sad to you. I’m sorry that the popularity of it is difficult. I’m also deeply sympathetic to your frustrations about your society, as I too am deeply frustrated by my own.

Secondly, yes, I’m aware of the context of The Untamed. I’m aware that the book it’s based on is a BL novel, and that, in order to align with Chinese politics, overt queerness was erased from the adaptation. I’m aware of the censure laws of gay media in China. I’m also aware that some aspects of necromancy and morality were adjusted to make the show more palatable for general audiences, but I’m fuzzier on those details. Lastly, I’m aware that the popularity of the show calls attention to certain things, such as fanfic, and that attention results in more censorship,

The fact of this erasure and this censure provokes a lot of questions: by consuming this product, which contains erasure and censure, do we engage in the erasure and censure? By posting gifs and writing fanfic and talking about this product, do we increase its popularity, thereby encouraging additional erasure and censure? By increasing the popularity of this product, do we diminish the popularity of the original gay morally gray canon, thereby decreasing representation? Do we discourage other authors in China from writing explicitly gay morally gray material? In short, are we allowed to enjoy this media?

I don’t know the answer to these questions. However, I do know that boycott is a very effective tool when it can inflict economic pain on the producer, or when it can exert pressure on an entity to change. That said, I feel like a lot of the calls to boycott certain media these days are a lot like telling people to stop driving their cars to stop climate change: it’s suggesting that individuals can solve the problem, which presupposes individuals are the problem, and therefore fails to address the scope of the problem, or present the possibility of a real solution. Not watching The Untamed isn’t going to change laws about portrayals of homosexuality onscreen in China, partly because the laws in China are a much bigger problem.

The other part of it is that The Untamed is coded queer, so if you run a successful boycott against it, you end up with . . . less queer TV. I know a whole lot less about China than I do about the Hays Code, but if you had told gay people during the Golden Age of Hollywood that they couldn’t enjoy movies that were coded queer because they weren’t explicitly queer, they’d have said you were crazy. In fact, many people will tell you that media that was coded queer was a big reason we got more explicit queer stuff later. And as I’m sure you’re aware, the US is still fighting that battle . . . partly because it wants to sell movies to China.

So then there’s a question about whether me, an American in the US, liking something coded queer from China but not explicitly queer--does that encourage Chinese censorship? Should I only support texts that are explicitly queer? But the answer is the same--it’s not addressing the scope of the problem, and by supporting texts that are coded queer, you could be paving the way in the future for something brighter.

But you weren’t talking about boycott! You were talking about your discomfort with the popularity with this show, which I accept. I understand feeling uncomfortable. I can only hope it makes you a bit more comfortable to know that plenty of fans are deeply aware of the context and do wrestle with the question of what liking this show means in the context of a society that would never allow aspects of the original to be portrayed onscreen.

Thirdly, I’m not against trying Guardian at some point, but by comparing the acting and chemistry of the leads to The Untamed, I feel like you prove our tastes are very different in these regards. I love the acting of the leads in The Untamed; I found their chemistry off the charts. It’s okay you don’t feel the same.

Lastly, you asked my opinion of The Untamed: its story and characters, the acting, the production, sans context of the canon upon which its based and censorship laws in China.

a. I love the overall story, but the plot has deep plot holes. Quite a few segments do not actually make sense to me, because the plot is so haywire. However, I’ve never cared that much about plot, except when it gets in the way of characters and themes, and for the most part, this plot serves its characters and themes, except when the parts they leave out are so confusing that I cannot follow the story. As for the story, it feels like it’s built for me, because ultimately it’s about moral decisions and how to make them; it’s about guilt and paying for mistakes; it’s about learning, changing your mind, and remaking yourself. Really, I’m not sure there are many stories I love more--except they killed my favorite character, and I almost quit. So, that certainly put a damper on things.

b. I love the characters most of all, although the villains are really two-dimensional. However, large parts of the plot are not Hero vs Villain, they’re Hero vs Society, and then some Hero vs Himself in a way that suggests the Hero is no longer a hero. I could talk about the characters forever, but suffice it to say I think they’re really strong. Also, the relationships are really exquisite, particularly when it comes to family dynamics. Unfortunately, they killed my favorite character off. Also unfortunately, there are six women in this show, only two of them are main characters, and every single one of them dies. It disgusts me.

c. I think the two leads are exceptional, in particular Xiao Zhan . . . when he’s not being too broad, which he is quite a bit. However, I do wonder how much of this is direction and production style, because in many instances, he’s quite subtle, and the choices he makes are astounding. Then there are times where it’s like they needed more footage, or wanted to drive home a point, and he turns on the extra, and it’s awful. It could just be him, but I actually feel it’s the case with most of the actors, which does make me think it’s a directing issue. Meng Ziyi never really has that problem though, because she is the most perfect of all. But then take He Peng, who I actually thought could be incredible, but every scene was just SO BROAD that I began to feel sorry for the poor dude having to act that part. But there is nothing to be said for Wang Zhuo Cheng, who really is just terrible, which is sad, because it���s a great part.

d. Production-wise, it’s really hit and miss. So much of the locations are truly beautiful. A lot of the costumes are too, unless the shot is too close. I actually don’t mind the wigs; I love the long hair. The CGI is terrible. And then while a lot of the shots are beautiful, some of them are awkward, and the pacing is really difficult, imo. It really seems like they wanted to drag it out, and there are so, so many scenes where I’m sort of embarrassed that we’re in the same scene or that we’re still looking at someone’s face, or that everyone is just standing there waiting for the shot to finally end.

I will say that film is a language that does differ from culture to culture. It could be that both the broadness of the acting and the awkwardness of the editing are my cultural lens based on American and a lot of western film. When I watched older Hollywood films, the acting is a lot more broad and maybe a little less “true” feeling, but I understand that it’s not the case everyone in the past was a bad actor. It was just a different style, so I’m not sure I’m equipped with the cultural knowledge of Chinese acting, cinematography, and editing to be able to really judge the value of these things.

I do know how I feel, which is that the editing is the biggest hurdle for me while watching the show. However, I feel that the beauty of it makes up for a lot, and the strength of the characters and themes really carries it.

I hope I addressed your points adequately, and I wish you well.

[365days365movies]

February 2, 2021: Pretty Woman (Review)

Before I jump right into this review, I would like to say something about this movie: it’s timeless, while not aging super well for a couple of reasons. Those reasons make this film a tad problematic, and they are as follows, at least according to me:

Prostitution: Look, in NO WAY can I claim to be an expert, or very knowledgeable on culture in the world of sex workers, duh. But, given changing opinions in this during the past three decades since this film came out, this is bound to seem a little dated. Still, some credit for Edward not being...terribly condescending to her throughout this movie. Again, this is just something I’m noting. If anyone with more expertise knows more about how sex workers feel about this film, hit me up; I’m quite curious.

Edward: Speaking of Edward, though, I know that his character came off at the time as similar to Gordon Gekko from Wall Street (can’t confirm, never seen it), and stereotypical businessman characters (and actual people) from the time, and that he was probably considered quite suave and cool at that time. And don’t get me wrong, Edward is...fine...but living in 2021, and in the current political climate in America...dude comes off like a STRAIGHT sociopath throughout this movie. Yeah, no, less Prince Charming, more Prince Harming. I saw somebody describe him as a romantic Patrick Bateman, and GODDAMN does that resonate. That Zodiac Killer joke from the Recap? That was only slightly kidding, real talk.

I’m sure there are more (especially in terms of gender politics and sexism, but I AM NOT QUALIFIED ENOUGH FOR THAT), but these are the ones that came to me during the watching of the film. Anyway, shall we continue? Because I really DID like this movie, despite some problems with it. Let’s get the Review started!

Review

Cast and Acting: 9/10

Edward might be a sociopath, but I don’t lame Richard Gere for that at all. He works through the character to create some legit emotional development for him, and I appreciate it quite a bit. But he’s not the draw here. First, let’s talk about the supporting cast here. Yes, really.  Héctor Elizondo, a Garry Marshall regular, IS A GOD in this movie. I love Barney so much, you have no idea. Laura San Giacomo is a quirky best friend, and I love her. Ralph Bellamy plays a very sweet man in David Morse (even if I disagree with his business). And finally, Jason Alexnder’s Phil Stuckey is IMPRESSIVELY slimy, if a little much at times. Still, he made a good villain in a film that didn’t necessarily need one.

But you all know. You know who takes the entire show here, I know you do. That 9 up there? Sure, the supporting cast carries about 2 of those points, and Gere has one...but JULIA FRIGGIN’ ROBERTS, ACTRESS QUEEN OF ROMANCIA is the star and glue of this movie! She’s perfect, she’s charming, she’s quirky, and she’s absolutely fantastic. Holy shit, I understand solely from this movie, why Julia Roberts became as much of a star as she is.

Plot and Writing: 8/10

Roger Ebert called this a good take on the Pygmalion and Cinderella formulas, both of which the movie heartily acknowledges. And, uh...yeah, it’s a legitimately good take on those formulae, while still being its own unique film, and it’s getting credit for that! It’s interesting to me that J.F. Lawton is the writer, because he...he didn’t do any great things after this one. Under Siege, maybe. Blankman, maybe. I haven’t seen either, so I can’t comment. However, he also wrote Cannibal Women in the Avocado Jungle of Death. Um. What. Pardon me. Wut. Anyway, plot’s good, character development is apparent through the writing and story, and the only real problem I have is that the time scale is literally a week. And it’s a fairy tale, yeah, and the cheesy nature of some of it definitely shows that. So, not perfect, but still good and unique!

Directing and Cinematography: 7/10

Garry Marshall, former advisor of the land of Romancia...yeah, you did alright. Nothing over-the-top amazing, but not bad by any means. It’s good, but it’s an average kind of good. Same goes for Charles Minsky’s cinematography, which is quite good, but never really breathtaking to me. Good, just not necessarily a cinematic masterpiece.

Production and Art Design: 8/10

The dichotomy between Vivian’s street world and Edward’s high-society world is very well visually portrayed, I gotta say. Most of that isn’t exactly iconically distinctive, but it’s still good. I say MOST of it because, well...Julia Roberts, man. The outfits she’s given in this movie are insanely iconic, even to this day, and they really pick up during the second half of the film. The polo dress, the Rodeo drive dress, the GODDAMN RED OPERA DRESS! It’s all gorgeous, and I genuinely love it all. But one wardrobe does not a movie make. Hence, it’s not perfect, but it’s still up there.

Music and Editing: 7/10

How goes it, James Newton Howard? This won’t be the last time I see you this year, I’m sure. And your score here is great! ANd I don’t remember it...at all! Literally, all of that music is drowned out for me by Roy Orbison’s “Pretty Woman.” By the way, DID NOT REALIZE that that wasn’t Elvis Presley, nor did my girlfriend. You learn something every day. But anyway, here’s the deal: this film is Dirty Dancing in reverse, in terms of music. And slightly worse than that. A lot of pop songs are peppered throughout this movie, and they’re all famous and good...but they aren’t really tied to this movie much, outside of “Pretty Woman.” But they’re mostly fitting with the times presented in the movie, unlike some of Dirty Dancing’s soundtrack. Not as iconic, but better fitting with the atmosphere. There you have it.

I mean, yeah, a LOT, even. At least 78% approval from me!

Pretty Woman is a cheesy yet heartfelt fairy tale of a movie, and it’s sweet all throughout. Problematic or not, I understand how this film but a crown on the heads of the King and Queen of Romancia. ALL HAIL KING GERE AND QUEEN ROBERTS!

But wait...on the horizon. A rival, and far larger nation, is arming its people, led by a fearsome warrior Queen, and one of her most faithful Kings. The Holy Romance Empire is on the march, and it wants blood. Until then...they will get no sleep.

February 3, 2021: Sleepless in Seattle (1993)

[tlatollotl]

Reservoirs in the heart of an ancient Maya city were so polluted with mercury and blue-green algae that the water likely was undrinkable.

Researchers from the University of Cincinnati found toxic levels of pollution in two central reservoirs in Tikal, an ancient Maya city that dates back to the third century B.C. in what is now northern Guatemala.

UC’s findings suggest droughts in the ninth century likely contributed to the depopulation and eventual abandonment of the city.

“The conversion of Tikal’s central reservoirs from life-sustaining to sickness-inducing places would have both practically and symbolically helped to bring about the abandonment of this magnificent city,” the study concluded.

The ancient Maya city of Tikal in northern Guatemala thrived from the second to ninth centuries. UC researchers found evidence of water pollution that could help explain why the city was abandoned. Photo/Jimmy Baum/Unsplash

A geochemical analysis found that two reservoirs nearest the city palace and temple contained toxic levels of mercury that UC researchers traced back to a pigment the Maya used to adorn buildings, clayware and other goods. During rainstorms, mercury in the pigment leached into the reservoirs where it settled in layers of sediment over the years.

But the former inhabitants of this city, made famous by its towering stone temples and architecture, had ample potable water from nearby reservoirs that remained uncontaminated, UC researchers found.

The study was published in the Nature journal Scientific Reports.

Unravelling a mystery

UC’s diverse team was composed of anthropologists, geographers, botanists, biologists and chemists. They examined layers of sediment dating back to the ninth century when Tikal was a flourishing city.

Previously, UC researchers found that the soils around Tikal during the ninth century were extremely fertile and traced the source to frequent volcanic eruptions that enriched the soil of the Yucatan Peninsula.

“Archaeologists and anthropologists have been trying to figure out what happened to the Maya for 100 years,” said David Lentz, a UC professor of biological sciences and lead author of the study.

UC graduate student Brian Lane climbs out of the Perdido Reservoir. Photo/Nicholas Dunning

For the latest study, UC researchers sampled sediment at 10 reservoirs within the city and conducted an analysis on ancient DNA found in the stratified sediment of four of them.

Sediment from the reservoirs nearest Tikal’s central temple and palace showed evidence of cyanobacteria. Consuming this water, particularly during droughts, would have made people sick even if the water were boiled, Lentz said.

“We found two types of blue-green algae that produce toxic chemicals. The bad thing about these is they’re resistant to boiling. It made water in these reservoirs toxic to drink,” Lentz said.

UC researchers said it is possible but unlikely the Maya used these reservoirs for drinking, cooking or irrigation.

“The water would have looked nasty. It would have tasted nasty,” said Kenneth Tankersley, an associate professor of anthropology in UC’s College of Arts and Sciences. “There would have been these big blue-green algae blooms. Nobody would have wanted to drink that water.”

UC biologist David Lents said archaeologist and anthropologists have been trying for decades to understand why ancient Maya cities such as Tikal were abandoned. UC's research is contributing to the answer. Photo/Joseph Fuqua/UC Creative + Brand

Precious resources

But researchers found no evidence of the same pollutants in sediments from more distant reservoirs called Perdido and Corriental, which likely provided drinking water for city residents during the ninth century.

The towering city of Tikal rises above the rainforest. Photo/David Lentz

Today, Tikal is a national park and a UNESCO World Heritage site. Researchers believe a combination of economic, political and social factors prompted people to leave the city and its adjacent farms. But the climate no doubt played a role, too, Lentz said.

“They have a prolonged dry season. For part of the year, it’s rainy and wet. The rest of the year, it’s really dry with almost no rainfall. So they had a problem finding water,” Lentz said.

Co-author Trinity Hamilton, now an assistant professor of biology at the University of Minnesota, worked on the analysis of ancient DNA from cyanobacteria that sank to the reservoir bottom and was buried by centuries of accumulated sediment.

“Typically, when we see a lot of cyanobacteria in freshwater, we think of harmful algal blooms that impact water quality,” Hamilton said.

Finding some reservoirs that were polluted and others that were not suggests the ancient Maya used them for different purposes, she said.

UC geography professor Nicholas Dunning has conducted several research projects on the ancient Maya at places such as Tikal. Photo/Joseph Fuqua/UC Creative + Brand

Reservoirs near the temple and palace likely would have been impressive landmarks, much like the reflecting pool at the National Mall is today.

“It would have been a magnificent sight to see these brightly painted buildings reflected off the surface of these reservoirs,” said co-author Nicholas Dunning, head of geography in UC’s College of Arts and Sciences.

A model of Tikal at the National Museum of Archaeology and Ethnography in Guatemala City shows the impressive palace and temple reservoirs that fronted the city. UC researchers found toxic levels of mercury and cyanobacteria in two central reservoirs of Tikal. Photo/Nicholas Dunning/UC

“The Maya rulers conferred to themselves, among other things, the attribute of being able to control water. They had a special relationship to the rain gods,” Dunning said. “So the reservoir would have been a pretty potent symbol.”

UC’s Tankersley said one popular pigment used on plaster walls and in ceremonial burials was derived from cinnabar, a red-colored mineral composed of mercury sulfide that the Maya mined from a nearby volcanic feature known as the Todos Santos Formation.

A close examination of the reservoir sediment using a technique called energy dispersive X-ray fluorescence spectrometry found that mercury did not leach into the water from the underlying bedrock. Likewise, Tankersley said, UC ruled out another potential source of mercury — volcanic ash that fell across Central America during the frequent eruptions. The absence of mercury in other nearby reservoirs where ash would have fallen ruled out volcanoes as the culprit.

Instead, Tankersley said, people were to blame.

“That means the mercury has to be anthropogenic,” Tankersley said.

With its bright red color, cinnabar was commonly used as a paint or pigment across Central America at the time.

“Color was important in the ancient Maya world. They used it in their murals. They painted the plaster red. They used it in burials and combined it with iron oxide to get different shades,” Tankersley said.

UC associate professor Kenneth Tankersley. Photo/Provided

“We were able to find a mineral fingerprint that showed beyond a reasonable doubt that the mercury in the water originated from cinnabar,” he said.

Tankersley said ancient Maya cities such as Tikal continue to captivate researchers because of the ingenuity, cooperation and sophistication required to thrive in this tropical land of extremes.

“When I look at the ancient Maya, I see a very sophisticated people with a very rich culture,” Tankersley said.

UC’s team is planning to return to the Yucatan Peninsula to pursue more answers about this remarkable period of human civilization.

[warsofasoiaf]

I've got a video game suggestion-you've mentioned that your favorite quest in Witcher 3 is Reason of State, and I would like to hear your analysis of that quest.

This is truly a god-tier quest, a very good example of well-done quest design, that culminates a world’s worth of quest-building and features some exceptional character work. Since we’re going to be up to our necks in spoilers, there’s a cut here.

Reason of State might be the grand climax and resolution of the quest arc, but context in this is critical and that goes. The northern wars between Nilfgaard and the Northern Kingdoms is all over the games. Nilfgaard’s plan to assassinate Northern kings using Letho of Gulet is the entire plot of Witcher 2, and the war between Radovid and Emhyr forms the backdrop for Witcher 3. The Northern Kingdoms are almost all broken by the time of the Witcher 3. Temeria is occupied, Foltest was murdered in the Witcher 2. Natalis missing from the Witcher 3, and Vernon Roche forced to fight a guerilla war in caves. Velen is a broken land thanks to this war and under the absentee rule of the Bloody Baron. Aedirn is a non-entity, Stennis is absent no matter what happened in Witcher 2. Kaedwyn is gone, Henselt either being killed by Roche or Radovid and forcibly integrated into Redania. Only Redania remains, forcibly integrating Kaedwyn, but it is run by Radovid V. By the third game, Radovid is a cruel, psychotic king, but has a solid understanding of tactics enough to fight the Nilfgaardians to a stalemate (and he will win, without player intervention). Nilfgaard is responsible for a lot of Northern disorder, their campaign to use Letho to kill Northern kings successfully rid themselves of Demavend III and Foltest, the first of whom was able to successfully predict Emhyr’s movements while the latter is the leader of the most powerful kingdom and successfully defeats Nilfgaard’s invasion. But it’s not all Nilfgaard, Philipa Eilhart murdered King Vizimir II, Radovid’s father and one of the chief architects of the First Northern War victory, largely out of a bid for personal power. This paragraph shows that things are bad all around. Emhyr is a blatant expansionist responsible for a great deal of suffering, and the only man capable of resisting him is an open sadist relentlessly persecuting mages, which might be the only hope for the North to remain independent (it won’t be, but you have no way of knowing that at present)

When the player begins to be introduced to the characters, they’re framed as desperate men on the fringe. Roche is waging a crusade with his Blue Stripes, but the Nilfgaardian advance has been stymied largely by Redania and the two sides attempting to compete for the fleets and treasures of Novigrad. He’s forced to working with Radovid, who he openly doesn’t like, out of a practical need to do something. Ves is even throwing herself into suicide missions against Mulbrydale, out of a desire to do something worthwhile, a far cry from the man who was such a major mover of the plot in Witcher 2. King Radovid does not present well, acting psychotic in his introductory scene with the chessmen, and acting poorly toward Geralt, the player character and thus the vector for exploring the game world even if he is an established character (it’s worth noting that one of the best ways to get a player to dislike a character is to have them be rude to the PC, no matter how justified it may be in-universe). His mage hunts are also not likely to endear themselves to the player; the two primary love interests to Geralt and friends to Ciri are mages, and the witch hunters attempt to bilk Geralt of his reward by demanding the megascope crystal in Redania’s Most Wanted. Djikstra is helpful enough to Geralt during his hunt for Dandelion, but the two end on a bad note which isn’t entirely Djikstra’s fault since Geralt did lie to him; he’s notably nicer if you secure him his vault key, but that requires botching a quest and ends up causing Triss to commit torture to progress the storyline. The player character inclined to be friendly to Roche, if only because he tends to be straight and polite with you. Sure enough, Roche and Ves help out during the climatic fight in Kaer Morhen. Radovid isn’t even an option (and will kill Kiera Metz, further engendering hatred from the player since she’s another character Geralt can shack up with and Kiera’s absence means fellow Wolf School witcher Lambert dies). Djikstra doesn’t help you at all if you don’t get his key back, and if you do he gives you gold, which isn’t likely to be very significant since you’re likely swimming in coin by that point in the game. 

One of the things I like in this questline is that this is a big and monumental quest, but you will lose it if you don’t take the time to get in good with the plotters, you’ll simply miss this quest. If you don’t get in good with the plotters, they won’t trust you. And if you beat down Djikstra instead of giving him information, he despises you and won’t bring you in on the plot, Geralt’s effectiveness as a Witcher and as a protagonist be damned. That’s something that more games need to be doing, rewarding players for investing themselves in the game with content. A lot of Triple-A games these days are so scared of players missing or cutting themselves out of content that they refuse to do this, which makes a lot of RPG’s feel far more shallow. I’m sympathetic to a point to game developers, content is expensive. Graphics and voice acting are expensive and losing content means spending money on content that’s not going to hit 100% of the audience. Thing is though, the same argument can be made for sidequests, or even for alternative conversation paths, so I don’t consider it a good enough excuse on its own. Avoiding this is as brainless as it is lazy.

When the game circles back after the Isle of the Mists, things are clearly reaching a breaking point. Djikstra has recruited like-minded conspirators to his cause to kill Radovid, each of whom have their own reasons. Djikstra, who worked with Radovid’s father, finds him a poor king unlikely to continue Vizimir’s great reign. Gregor the Redanian guard sees the devastation wrought by Radovid’s lynchings and persecutions and despises it, his loyalty to his country is too high to desert but he feels he needs to do something. Thaler and Roche are devoted to the idea of a free Temeria that they’re willing to back Djikstra’s play to bring an end to the Third Northern War. The player is likely to support the conspirators, Radovid’s support of the witch hunters has led to the deaths of non-humans since you need to complete Now or Never and save the mages; pogroms aren’t a great way to endear a player character to Radovid, especially since Zoltan the dwarf has been nothing but a straight-up pal to Geralt. This is a good tactic in RPG quest design, by making the least appealing result the default, it encourages the player to do the quests. As any GM can tell you, you have to make your players want to do the quests, otherwise they’ll do something else. Games are not able to just make up a new quest off the cuff like an improvisational tabletop GM can (this was one of my strengths as a GM, if you trust my players’ judgment), so they must heavily rely on getting the player to do quests. Some are mechanical, do this quest for XP and loot that makes you better at the game. The Witcher excelled though, at getting people invested in characters.

The conspirators’ play won’t work though, not without help from Phillipa; the hated mage is the bait that they need for the trap to work (and coincidentally, it won’t work without Geralt as well both because Phillipa won’t give her ring to any of the other plotters and by virtue of Geralt as the protagonist in the RPG). The trap is laid for Radovid, and if the player goes through with it, Radovid is executed by Phillipa, who flies off into the night having murdered yet another Redanian king.

Then, after the conspirators escape, the stage is set for Geralt to make a moral choice when Djikstra betrays the conspiracy. It’s a wonderfully set and acted scene, from Djikstra quoting a Macbeth stand-in to the patriots’ giddy excitement at the future. Then, the shoe drops and the conspiracy falls apart. Djikstra plans to become the next Vizimir, taking Radovid’s consolidated northern kingdom of Redania and Kaedwyn and fighting Emhyr to a standstill. Temeria would be subsumed into that, ceasing to exist. Naturally, this enrages the Temerian patriots, who refuse to go along with that scheme. It leaves Geralt with a choice, leave and allow Djikstra to murder Roche, Ves, and Thaler, or stay and defend them, resulting in a fight that will end in Djisktra’s death. This is often the case in partisan movements throughout history, where a power struggle over the shape of the victory to come causes disunity and strife, ending with one faction murdering the other ones, so points for historical and thematic elements being on point for the gritty fantasy. Similarly, by making the choice being the resolution of a conspiracy, it threads the needle between the protagonist doing everything and solely resolving the ending for one faction, which often feels shallow, and giving the player no agency which robs investment in the ending. By allowing the conspirators their machinations and taking advantage of others already in place, it allows the player to feel a meaningful impact that has wide implications. Fallout’s ending slides could be hit or miss, though the small scale of post-apocalyptica does make it more relevant. It hits a nice sweet spot, where it’s probably a bit too much to be realistic in a straight history but works just nicely for the scope of fantasy fiction. By forcing the player to do the quests for these people, not only does it meet the threshold of believability by explaining why they would bring Geralt on the quest save that he’s the protagonist, but it invests the player in the characters. Of course, this can only be done because the game did such wonders with its character work. Even if you don’t play Witcher 2, you see Roche love his country, you see Ves try to defend Mulbrydale, and they both can contribute meaningfully in the Battle at Kaer Morhen. Djikstra does influence the main plot and he can be funny with his sarcastic quips delivered by excellent voice acting. Thaler is less of a presence, but he’s also side-splittingly hilarious when he taught the trolls to swear, the player likes these characters and so likes the quest they’re in, and picking between them does actually cut deep in a way that Telltale Games “pick which character you want” drama can only hope to achieve in its wildest dreams. It’s political game storytelling at it’s best, using character work which is easier for players to identify with as I mentioned in my geopolitics essay.

Backing Djikstra is tough in the short run, because you lose three characters that you probably like. Roche and Ves, after all, did join you in Kaer Morhen and it seems cold for them to help and then betray them, unless of course, you didn’t ask for their help. Djikstra rules and reforms the North on a program of modernization, often contrary to the wishes of his subjects. Plenty might think that to be a path of success for the North, since Djikstra will build a military that will defend them and ensure a general level of prosperity. You just have to turn a blind eye to the Temerian patriots being slaughtered by Djikstra.

The alternative, backing Roche and Thaler isn’t a pure win either. Temeria becomes a province of Nilfgaard, but Emhyr gets Aedirn and Lyria. Emhyr finally wins his war and isn’t likely to stop his expansionist ways unless Ciri becomes Empress. Even then, he’s a senior statesman and can exert influence if he wants, Ciri even says so. We can get Roche’s perspective, and we like Roche. After all, he (probably) helps us out in the grand fight at Kaer Morhen, but he’s not an unbiased observer. He’s a Temerian partisan happy to sell out the other Northern Realms for a dubious pretense at some internal autonomy for Temeria alone. In plenty of ways, the Roche path is a collaborationist success story, selling out the North for Temeria alone.

The choice is yours to take and to make what you will. Plenty of folks might hope for a change in direction if they put Ciri on the Nilfgaardian Throne, but they might instead desire for her to adventure on her own as a de facto Witcher. In that case, Emhyr fails, is killed, and who knows what happens next? Could more provinces break away, might there be further wars in Nilfgaard, or power struggles, or something else. It could go a lot of different ways and it’s up to the player to decide. In a way, that’s amazing in its own right, because it’s actually what the real world is like. The absence of a golden ending is standard fare for grimdark, but that so much is left open shows a level of restraint and trust in the player that I admire in a developer. 

Thanks for the question, Anon. Hope you liked it.

SomethingLikeALawyer, Hand of the King

[smokeybrandreviews]

Snips

It looks like Kathleen Kennedy isn't finished with her scorched earth initiative against Star Wars and the fandom. After tanking Gina Carano in the most cowardly way possible, over something that could have legitimately been hashed out in a proper meeting, she and her cronies have set their sights on Rosario Dawson. This sh*t right here? This sh*t makes my booty itch real bad, man. Ahsoka Tano is my second favorite character in the entire franchise, after Vader. She is, quite literally, everything Kennedy wants in a protagonist. Female, dumb powerful, laughably inclusive, and queer coded. Ahsoka Tan absolutely is everything Kennedy wanted to make Rey and that's the problem. She is what Rey Palpatine should have been. Filoni did what Kennedy could not and, just like Favreu's Cara Dune, another stark example of Darth Kennedy's ineptitude and mishandling of the franchise. I've written at length about how the Force has always been female, how strong women are the backbone of the entire goddamn Star Was franchise, but that doesn't matter. It had to be Rey, and it very well could have been, but Kennedy was too focused on politics and not plot. Now that the pressure is on and she's been exposed, Kennedy has decided to take the entire franchise down with her, instead of admitting she was wrong the entire time.

It's wild seeing how transparent her malice is toward the entirety of Star Wars. hay sh*t with Carano didn't need to go that way, especially after hearing Gina's side of the story. All of that petty targeted and antagonism when she just wanted to do her job. It's wild to thin that there is an entire faction within Lucasfilm, focused more on sabotaging Favreu and his vision, that actually creating dope stories true to the mythos on hand. It's f*cking pathetic, especially considering how long it took Kennedy to antagonize Carano into making a fireable mistake, even if that firing wasn't sanctioned by either of the Bobs and communicated over f*cking Twatter. Carano kind of made it easy, though, with the whole Holocaust Jew comparison Getting rid of Dawson is going to be a little harder. I've looked into the allegations that made Dawson's casting so "controversial" and it's literally just a cat whining about how they were treated. By the people around Rosario, never Rosario, herself. And even then, they Dawson considered this person family, a fact i assumed her actually family reciprocated considering they flew this person out and let them into her home.

What this sounds like is a cash grab to me, a way to extort Dawson by leveraging this SJW climate where any accusation can tank your entire f*cking career. Believe all women but don't actually investigate their claims. Everyone is on deck to get Johnny Depp'd because how dare you question a survivor's truth. Yeah, that's stupid. I don't Rosario or her heart but i do know I've never heard a bad thing about this chick until this person decided to cry about being bullied. This adult person who could have just, you know, quit and moved back home to New York. This adult person who Rosario considered family and was probably ribbed as such. I mean, if you haven't seen someone in a few decades and they show up on your doorstep the opposite gender, you're definitely going to say something about that. And, again, according to the "victim" Rosario wasn't even the person antagonizing them, the people around her were. Dawson ,herself, wasn't even home most of the time because she was off filming. Like, what? More than that, Rosario is perfectly cast as Ahsoka Tan, the fan front runner for the role, and she f*cking killed it. There's no way Disney doesn't see that. Dawson, for the most part, aligns with Kennedy's politics outside of this one, easily debunked, episode so she won't be able to bamboozle Dawson into making a mistake like she did with Carano. Plus, Ahsoka, as a character, has way more clout than Cara Dune ever did. She is Darth Vader's only apprentice for chrissake.

Tano is a fan favorite character who has proven to move merch long before Kennedy got her clutches on the franchise. Disney is aware of how much Ahsoka is worth. They're also aware that her episode is the second highest rated among audiences, only outranked by the finale and that was only because f*cking Jedi Knight Luke Sywalker showed up in the last five minutes. Put that into context; The only reason why Ahsoka's Kurosawa inspired, beautifully shot, perfectly cast, absolutely fantastic, spotlight episode, isn't the top ranked among the show so far, is the fact that we finally got to see a version of Luke almost four decades in the making. It took thirty-seven years of raw anticipation to usurp Ahsoka from the top spot. Rosario Dawson has a lot to do with that. She IS Tano. She looks the part and is a fan, herself, so she brought her best to the role. Seeing Rosario in full Togruta makeup felt just as right as seeing Tano in Clone Wars. Sh*t didn't skip a beat.

Let's be real, as popular as Cara Dune was at the time, she was nowhere near as loved as Tano. As dope a character as Dune was and definitely could have been she didn't have the same pedigree as Ahsoka Tano. Cara Dune was vulnerable making Gina Carano expendable. Ahsoka Tano is not which means its going to take a whole lot to get rid of Rosario. Beyond that, Ahsoka Tano reaches across that gender barrier and is loved by both boys and girls, young and old, giving her that rare ability of selling to the entire audience, according to the clueless corporate bunch. And Shareholders love money. Getting rid of Rosario would f*ck up the money WAY more than getting rid of Dune and them same Shareholders are already real upset over that f*ck up. Curious what they have to say about that on the fourth. Good luck sabotaging Favreau after that, Darth Kennedy. Go suck a lemon you bitter b*tch!

[qqueenofhades]

so i’ve been following the presidential race closely, and i’ve been a fan of bernie since the start. however, my mom says that he wouldn’t make any big changes, as he’s hard to work with, can’t make the necessary compromises. the example she used was that throughout his senate term, he’s only passed 3 bills, 2 of which were insignificant. i didn’t think of this, as this is my first time closely following an election. what are your thoughts? would a sanders presidency make any real changes?

Oh dear. You really want to get me into trouble this morning, don’t you. Which is 100% not your fault, you are smart to be thinking about all this and asking questions, and by no means do I want you to stop doing that. So I’ll try to explain this as clearly and straightforwardly as I can, and if I get hate for it, alas.

The thing about Bernie is, which certain subsets of his supporters don’t seem to quite appreciate, is that he’s a great candidate, he’s been useful in pushing the public dialogue and political climate of the Democrats further to the left, he obviously inspires a devoted following, and I agree completely with all of his policies. But there’s still a gulf – a very wide gulf – between all that, and actually putting good ideas into political practice in the (very) flawed American system of government as it currently exists. Yes, the system sucks, we know that, and it can feel outrageously frustrating when moderate candidates are offering milquetoast proposals that don’t really get at the underlying structural causes of massive, entrenched inequality, oppression, racism, sexism, etc that these bright young people have rightly identified in the world. That’s why Bernie is appealing as a candidate, and while my primary already happened on Super Tuesday, I would vote for him over Biden if that was my choice right now. But the seeming expectation that we could pick Bernie, he’d win, he’d instantly remake the entire American political system and implement all his changes, and everything would be fine again – and that if we can’t have that option, just not voting is somehow better – is, to say the least, deeply problematic.

I supported Elizabeth Warren for a number of reasons, but one of them was that while she had many progressive policies similar to or almost identical to Bernie’s, she had tangible evidence of being able to get them done (see: the CFPB), to network and form functional relationships with the Democratic establishment, to work within the existing framework of party politics, and to actually do everything she had written her plans for. To certain Bernie supporters, this made her a corporate shill, a heartless witch who wanted to personally kill poor children, an establishment hack, so on and so forth. They attacked her for running in the first place, they attacked her for challenging Bernie in debates, they attacked her for not dropping out before Super Tuesday, they attacked her for dropping out and then not immediately endorsing Sanders, they attacked her supporters, so on and so forth. I’d still vote for Sanders in a heartbeat over Biden, and I will be happy to vote for him if he gets the nomination. But when you’re treating people that way who fundamentally agree with you on all your policies, there’s something wrong. 

And no, it’s not a touchy-feely “we need to hold hands and be nice and listen to each other!” respectabillity politics issue, which also gets used as a straw man. Warren was committed to Medicare for All, but she also recognized there needed to be a transition period and that a public option was a good first step (something which Alexandria Ocasio-Cortez, the other progressive superstar, has also said). Because she accepted any limitations, because she wanted to work in the system, because she didn’t say she’d burn down global capitalism on day 1, this made her a Very Bad Candidate, and people who otherwise agreed with her didn’t think she’d win, so they didn’t vote for her and turned it into a self-fulfilling prophecy. I’m not saying Warren didn’t have flaws. She did. She’s a politician. There were other reasons people might not have been personally drawn to her. But the flack she got for daring to run as a progressive, while also acknowledging the power of the system and that you cannot uproot these structures immediately (she also planned to use executive power to implement some of her proposals on her first day in office), while challenging Bernie… wow.

Because the thing is, Bernie isn’t going to deliver absolutely everything he promises, and that’s not necessarily his fault. No politician in the history of time ever has. If Bernie somehow does get elected, with a Democratic-controlled House and Senate: great! Then yes, he does have a decent chance of passing some planks of his legislative policy. But there are several things you have to keep in mind here, and this is not “Bernie bashing”:

1. Bernie is not, strictly speaking, a Democrat. He’s an independent, he caucuses and votes often with the Democratic party, and he’s obviously running for their presidential nomination. But he’s not part of the party apparatus, he’s proud of that fact, and this is also a selling point for his supporters: look, he’s not part of the Corrupt Establishment! The DNC obviously has deep and systematic problems and is more committed to the bureaucratic status quo than uprooting inequality in America. That’s not up for debate. But as a candidate and as a nominee for the Democratic Party, Bernie would still need to have the backing of that system. If he doesn’t have it, that makes it harder.

2. “What does that matter?” a certain kind of Bernie supporter might cry. “They’re corrupt and rigging the election for Biden! Voter suppression!”

3. Pause for a deep sigh. Yes. There were long lines in many precincts on Super Tuesday. But voters for all candidates had to stand in them anyway. We’ve already discussed how some Sanders supporters treated Warren and her supporters, the ideologically closest candidate to them in the race. If your entire political ethos involves yelling at people and calling them names on the internet, that’s… not really sustainable as an outreach program and getting them into the hard work of day-to-day coalition building. I say this because I WANT to see progressive politics succeed and actually get put into practice, not just narrowly refined tighter and tighter into a certain tiny subset of Pure Beliefs that never amount to a hill of beans in anyone’s lives. You can have the greatest policies possible, but if you never acknowledge or accept any way to DO SOMETHING about them… really, is that a political ethos based on action and compassion or not? I’m voting for Sanders if he gets the nomination, and I’d vote for him if my primary was still upcoming and my first choice (Warren) was out. But I’m pretty fed up at how some camps on that side have been acting, and I am already a progressive. This… isn’t going to help build support beyond people who are already all in for Bernie. People who you will need to win an election.

4. The usual response here is often to blow off moderates and undecided voters and other people who are apparently just too dumb to see what’s going on. Yes! It is frustrating that half of America still wants to vote for Donald Goddamn Trump! But you’re still not winning an election and getting rid of him that way!

5. Bernie does, in fact, have a thin legislative track record, which may or may not matter if he actually becomes president. America has forgotten that the president is not SUPPOSED to make policy like a king, even though the function of the executive branch has been wildly expanded and bloated since W’s (and honestly, Reagan’s) day. The LEGISLATIVE branch, i.e. the House and Senate, is supposed to make policies, and the president EXECUTES them. That is his/her (ha, if only) JOB. But Bernie doesn’t have the kind of connections in the House/Senate that would help him efficiently mobilize policies, at least on his own initiative. Bills and amendments are slow, boring work. They require committee meetings, drafts, multiple readings, changes, deletions, hearings, final passage, etc. Ironically, the person Bernie could probably most count on in the Senate would be… Elizabeth Warren. And she’d obviously help him out, no matter what the rabid Bernie bros think, but it shows that party establishment politics, no matter how distasteful, are part of getting anything done.

6. Bernie’s plans to pay for some of his big policy proposals, such as student loan debt relief (which I am obviously very into) and Medicare for All, involve, according to him, levying a big new tax on Wall Street and the one percent. Passing a major new tax platform that RAISES taxes is always like pulling teeth. That would require passage in the House and Senate. Cool, let’s say the Democrats control both. Are all of them, especially the moderate ones or senators from red-leaning states, going to vote for it? Probably. But it’s not guaranteed. If you’re funding public policy by raising taxes (the one thing the American public has notably hated since 1773) it’s going to be HARD WORK. Let’s say that takes a year to pass. Let’s also guess that a President Sanders would lose either the House or the Senate in the 2022 midterm elections, because sitting presidents almost invariably do. Obama had two years to enact some of his policy proposals. Then came 2010 and the Tea Party, and it was, as a deliberate and ongoing GOP choice, gridlock central.

7. You think the Republicans obstructed OBAMA? Centrist corporate Democrat Obama, whose policies were solidly in line with the American establishment, but who happened to have brown skin and a funny name? You ain’t seen NOTHING compared to what they would do to a President Sanders. And as we said, even if the Democrats take Congressional control in 2020, they would invariably lose at least one branch in 2022. We are already figuring in at least a year for Bernie to somehow get his tax plan through. The billionaires are mad. They pour money like crazy into GOP candidates. Welp.

8. So this leaves us… maybe 12-16 months for Bernie to try to enact all his policy reforms, while being deliberately outside of the Democratic party establishment, while having to work with the House and Senate in a way he hasn’t really done before, and accepting limitations on his policies and his political ability, also not something he has really shown an aptitude for. 

9. So what? Bernie supporters demand. Are you saying don’t vote for Bernie, it’s hopeless! CORPORATE SHILL!

10. No. Not what I am saying at all. Obviously a Sanders presidency would be light years, LIGHT FUCKING YEARS, better than what we’ve got in there right now. But Sanders (and also Biden) are in their late 70s and have underlying health problems. The likelihood that either of them would serve two full terms is… slim. Obama is two decades younger and we saw how much the presidency aged him. I feel like they’re both flawed candidates in different ways, and my deepest fear is that neither of them can beat Trump, that the Democrats by trying to go for Biden, an Establishment Centrist Old White Man, think they’re playing to a “middle” that doesn’t really exist, and that either progressives or moderates will feel left out in the cold if Biden or Sanders win the nomination. The candidate will have to do the post-convention “pivot,” i.e. trying to appeal to those of their party’s voters who didn’t choose them in the primary, but is Sanders going to do that? His whole platform and the reason his supporters love him is that he doesn’t compromise. Which again, great for ideology, but runs into problems with consistent and actual implementation.

At the end of all this, the takeaway is this: yes, vote for Bernie if you believe in him! But also have a realistic idea of what he will be up against! There is simply no way that he’s going to sweep into office, even if he does get elected, and magically whisk away all the parts of America that we hate. He would have maybe two years to ram through most of his policies, it requires a legislative skill set he hasn’t honed, it rests on passing a major tax package that would be deeply unpopular and cause him to get pummelled in the 2022 midterms, and he has made a career out of operating as the lone wolf. Once again, it’s not a question of whether the current system sucks. We know that it does. But it still exists, and one candidate, no matter how much we agree with him, is not going to change that. He would hopefully manage to pass some of his major policy initiatives. But pretending that there would be no opposition, that it would all be magically fine, and that everyone who DOES raise a note of caution is a cowardly defeatist, a secret capitalist pig, a fake progressive, a secret Trumper (and we’re not the ones threatening to vote for Trump or not at all if our fave doesn’t get the nomination) or whatever else is… not helpful.

Ultimately, if we do get stuck with Biden, we have to hold our noses and vote for him anyway. If we can hold the House and flip the Senate, they can make progressive legislation and Biden is very likely to sign it anyway. The presidential system is not SUPPOSED to rest purely on the personal beliefs of the president, like an absolutist monarch – there was a pretty famous war about it back in the eighteenth century. Biden has displayed no initiative to act like Trump and be a megalomaniacal fascist overlord. We need to take a step AWAY from the insanity that is the current administration, we need to get back to NORMAL, before we can keep going left. Which is what we want! But it happens in stages, if it happens at all, and pretending that it doesn’t, that the only options are the Whole Revolution Now or Nothing, is never, NEVER going to work. And yes, Biden’s positions are generally pretty eye-rolling and I’ll be annoyed if I have to vote for him. But I’ll still do it, because he is NOT equivalent to Trump. Biden got the Violence Against Women Act (which the GOP-controlled Senate notably just failed to reauthorize) funded and passed. Trump has been accused of sexual assault by… what, 22 women? RBG isn’t likely to last another four years. The circuit courts have already been stacked with young, wildly unqualified, hard-right John Birch Society-type judges who will hold their posts for at least 40 years, and this has a direct impact on the kind of cases that are reviewed, confirmed, or struck down even before they get to the Supreme Court. Climate change, the end. There is too much at stake to fuck this up for the sake of Not Getting Everything Now.

As a final note, the Russian propaganda/troll machine has made it clear that they’re posing as Bernie supporters who insist that if Bernie doesn’t win, you shouldn’t vote. They know Bernie supporters are already voicing and disseminating that argument themselves, and they’re going to inflame it as much as possible. So that’s something to keep in mind.

[ardenttheories]

To add another to the BS tally of HS2: what’s with all the political matters all of the sudden? ACAB Vriska (I don’t know how that happened and I don’t wanna know), facist Jane, rebellions... HS did have those political matters, sure, but it wasn’t scrubbed against your poor face with Equius levels of strength. Yet I swear the Epilogues and HS2 are half politics half misc fuckery. Whatever happened with playing a godly game and random shenanigans? Oh wait HS2 also has that! Badly done! Bluh.

I don’t think including political matters into fiction is an inherently bad concept; it can be one of the best ways to immortalise current events and to encourage discussion about them, and Homestuck has never really shied away from political discourse (such as Caliborn’s rampant misogyny, the facist dictatorship of HIC, both on Alternia and on Earth Alpha, and the entirety of the hemospectrum being an anaolgy for real life racism and classism, as well as the multiple rebellions against HIC in Alternian history). 

However, it was often handled a lot better, and wasn’t so fucking heavy-handed. Hussie incorporated these issues a little more naturally, explained them in much better and much more subtle terms. The hemospectrum is definitely something we can relate to our own world, but it’s also just a cool piece of lore for the trolls that makes them a completely unique species. Caliborn’s rampant misogyny is a fun prod at the type of men you find on the internet who are just... like that, and making him a villain was both fitting and making him childish about it was a good way to belittle the point of view he was presenting. And the rebellions on Alternia? Things like Feferi wanting to make things better, but also being morally grey about it herself? It was naturally integrated into the lore of Alternia and into Feferi’s personality as a whole.

Overall, it was just more palpatable because it flowed with the tone of Homestuck. It was presented as part of the lore, as part of the characters, in such a way that it won’t seem like Homestuck has a lot of politics in it unless you pick up on the IRL parallels. But the parallels are there, are intentional, and are firm - and it’s an amazing point of discussion in and of itself, really, when you dive into it. 

The Homestuck^2 team have... a lot less tact about it. They’re going less for natural progression and more for what will shock and horrify. They want it to be as much of a slog to get through as possible, as blunt and brutal as they can make it, which is okay, I guess, and gets the point across, but being so outright about it isn’t... the best way to do it. It doesn’t fit in with the rest of the themes of Homestuck; it’s clearly something that isn’t meant to fit in; it’s clearly something that has been crowbared in from our own world. This, admittedly, is just really bad storycrafting. It ruins the immersion of the text, which is why it’s now so obvious that it’s a “political text”; Homestuck has always had moments like this, but never so out of place. 

And, in general, while it’s good to include politics into media and to appeal more widely to an audience with genuine real life issues, giving them more traction and showing your solidarity with a point of view, you do still have to remember that, like... people read fiction to get AWAY from the world. Sometimes, shoving in harsh and clearly abrasive reminders of what’s going on in the world around your readers isn’t going to go down very well, and can come across as extremely tone deaf (especially since at least Kate seems to be focused more on ACAB as a statement and a non-race-related protest rather than part of the Black Lives Matter movement, which deeply diminishes the fact that ACAB because of the violence they commit especially towards people of colour). 

On top of this, in Homestuck, any negative political commentary wasn’t done with the villains being characters we loved. 

Like, there’s an inherent difference between recognising that HIC is, for lack of a better analogy, like Trump - someone who has always had power, was always born into power, and who got power and went too fucking far off the deep end because they were corrupt to begin with - and watching Jane just... go so violently against everything that we as fans love - which, while not perfect, would be a bit like if Obama suddenly turned around during his presidency and said “close off the boarders, get rid of health care, let the poor die”. It’s not shocking and deeply expected from someone like HIC. It’s deeply shocking and disturbing from someone like Jane. 

It also lessens the point you’re trying to make with ruined character development. People are so lost and confused over Jane suddenly being a fascist that anything they could be trying to say ABOUT facism is being talked over by fandom feelings of betrayal. The joke they made out of Karkat being a Solid Snake ripoff gives no credit towards anything they’re trying to make out of the rebellion. 

In fiction, it’s almost always better to parallel real life issues with clearly defined traits; a villain and a hero. HIC is a villain. Jane is a hero. You can add in morally grey characters, of course, especially those in positions of power, because things aren’t always so well defined - but for something like politics, we’re well aware that there are Good Guys and Bad Guys, or at least Bad Guys and Even Fucking Worse Guys. And we know, for instance, that these people are almost always RAISED to be racist, to be xenophobic, homophobic, transphobic, abelist, classist, murderers - it’s in every ounce of their blood to continue white supremacy because it benefits them most. 

So the fact that Jane is now suddenly a villain, for no actual reason - without a full character arc, without any real justification, she just takes over and all of a sudden she’s paranoid about trolls and being incredibly xenophobic from the start - is what people are going to focus on most. They’ve upheaved so fucking much, it’s almost impossible not to look at the upheaval and to make that the point focus of attention. Like, how much clearer could it be that they’re making Jane a portrayal of white people in power despite the characters supposedly being aracial? And where the fuck did any of this come from? Why are such important and VERY close-to-home topics being thrust onto a character that we used to associate with? Why are they putting Jane up onto the rung of fucking Trump, when they could have chosen a completely new character for this to have been and actually gotten their point across away from the hurt fury of “what the fuck did you do to Jane?”

When you do something like this, you seriously run the risk of detracting away from the point you’re trying to make - which is exactly what’s happened. 

Unless, of course, there’s no fucking point at all. A lot of HS^2′s writing focuses on the “nitty gritty of being an adult”, so there’s a fairly big potential that this... isn’t meant to reflect on anything in specific. It might just be what the writers think are “adult issues”, which, again, almost completely discredits the entire fucking point they’re trying to make. They might be doing this just to be shocking, to be upsetting, because they know ruining Jane will piss a lot of people off - and how much does that undermine the very real issue of facism when a lot of what’s going on in HS^2 is happening in our world right now? 

This isn’t the sort of climate where you just turn someone into a fascist to be shocking. Not when real world fascism is on the rise and becoming more violent. That goes beyond shocking - it’s upsetting and tone deaf and horrifying, actually.

But, yeah. Homestuck has always has politics involved at its very core, like you said. It’s just that it was handled a damn slight better than whatever the fuck’s happening in HS^2 now.

[ehstarwar]

flesh stays no farther reason (3.5/6)

“Did you want me to call?” Ben asks after a minute.

“I’m glad you did.” Rey figures there’s no point not playing coy. He made the first move, after all.

-

Five times Ben looks for Rey and the one time she finds him.

-

Rating: Explicit

Word Count: 1.9K

Read on AO3

A/N: hi friends! so, so sorry for the slow updates, but life is... ya know, life. plz enjoy our two space dummies bein all horny and such (´∩｡• ᵕ •｡∩`) ♡

-

“... so I guess what I’m trying to say is... I’m sorry to be springing this on you right now.”

“Don’t be sorry! This is exciting for you guys. I’m happy for you; really.”

“It’s just been such a long time coming and we’re ready to take the next step.”

“I totally get it. I don’t want you to be sorry.”

Rose looked at Rey with worried eyes, clearly not believing her one bit. Rey tried to smile wider, but she’s pretty sure that would just make her look insane. 

Rey is happy for Rose and Finn, finally taking the relationship to the next level by moving in together. It’s not like this was totally out of the blue. Her and Rey’s lease was ending soon and Rey has seen the Zillow alerts on Roses’s phone more than a few times. She shouldn’t be shocked, and really she’s not, but it’s just hard to come to terms that this is reality and not some fleeting worry. 

“Finn and I can help you out for a little if you want to stay here and not get another roommate, if you want,” Rose offers. Rey takes her hand with a small smile. 

“Don’t worry about me; I’ll be fine, I always am,” she says, but Rose still looks unconvinced.

“I don’t want you just to be fine; I want you to be happy, too.”

Rey sighs deeply and they just look at each other for a minute.

“I will be happy... someday.”

Rose frown lines deepen. “It’s just... you’ve been so mopey recently. That’s why I’ve been scared to tell you.”

Rey scoffed. “I haven’t been mopey. I just get- it’s the change of the seasons. My mood always shifts when the seasons do.”

A beeping from Roses phone makes both of their heads snap up.

“It’s Finn,” Rose tells her.

“Don’t keep him waiting; you two go off and have a fun night,” Rey says while getting up and grabbing Roses purse for her. Instead of taking it from her outstretched hand, Rose pulls Rey into a hug.

“You deserve to be happy, Rey, right now.” Rose whispers. With a quick peck on her cheek and a short ‘bye,’ Rey is all alone. She looks around the apartment, taking stalk of all that she has. Most of the bigger furniture is Roses, passed down from her sister, so she’d probably take those. It would leave her with a broken arm chair, a small side table, and a couple of plants. Rey sighs while picturing it, and decides that it’s a worry for another day.

Rey decided to treat herself this even, seeing as it would probably be one of the last times she could do so if she were to take on all the rent. So she orders her favorite take out, rents the movie she’s been wanting to see for a while, and veges out in her pajamas for the rest of the evening.

-

Captain America has just fought himself and commented on his peachy ass when her phone rings. It’s not entirely unusual for her to get a call this late, but it is cause for some concern. When she looks down at the caller ID, a shock runs though her spine. She immediately picks up.

“Hello?” She asks.

“Hi.”

His voice is tired. She can tell that from just one syllable. He sounds far away and that makes her chest ache for some reason.

“Is everything okay?” She says, unable to keep the worry from her voice.

“Yeah; is everything okay with you?” He questions right back.

“Yeah, I was just... not expecting you to call. It made me nervous.” She tells him.

“Did you want me to call?” Ben asks after a minute.

“I’m glad you did.” Rey figures there’s no point not playing coy. He made the first move, after all.

“Good.” She thinks if Ben were in front of her, she’d see his mouth twitch, his give-away that he’s pleased.

“So... why did you call?”

“To be honest... I’m not sure. I just got back from work and I wanted to hear your voice..” 

Rey glances at the clock on her bedside table. “You just got off work? Ben, it’s like midnight!” 

“It’s only midnight there? That’s good. It’s nearly 3 where I am,” He says.

“Ben...” Her voice is soft, and she can’t keep the sound of disapproval out of it. 

“I know, I know,” he brushes her off. “How was your day?”

She hums. “Eh... not terrible. Work was okay, but...” she trails off.

“Did something happen?” 

“My roommate decided to move in with her boyfriend when our lease is up in a few weeks. Which isn’t bad, necessarily. Before Finn was Roses boyfriend, he was my best friend. I introduced them a few years back and now they’re together, and I’m…”

“… not.” He finishes for her.

“Yeah,” She says sheepishly.

“I’m sorry that’s happening to you.”

“It’s fine, really. I’ve been though worse.”

They don’t speak for a moment and Rey knows if she were with Ben in person, there would be a frown on his face. She hates it.

“Where are you?” She asks.

“Bespin. Or, in my hotel room, if that’s what you’re asking.”

“Hmmm… good to know.”

“That I’m in Bespin or that I’m in bed?”

“Both.” Ben chuckles. 

“Have you ever  been to Bespin?” He asks. She huffs a laugh.

“Ha! I make in a year what it would cost me to stay there for one night.”

“So, no?”

“Correct.”

“Hmm…” he seems to consider himself for a moment, “I think you’d like it. There’s a buffet on every corner; two just in my hotel,” Ben teases her.

“Oh shut it!” She laughs. “That sounds like a good time for anyone.”

The make small talk, mostly on Bespin; the climate, the lifestyle, the difficulty getting Über’s. It’s polite and unassuming, but sort of odd to be having this late at night. Rey want’s to ask him again why he’s called her, but he beats her to it.

“I lied earlier… when you asked why I called.”

“Oh?”

“I miss you. I don’t know if I’m allowed to miss you but I do.”

She doesn’t know what to say. She should say something non-committal or coy but she can’t think of anything other than the truth.

“I miss you, too.” Rey swears she hears a sigh of relief. “How long will you be in Bespin?” She asks.

“A few more weeks, probably.” Rey audibly pouts. “Maybe less depending on how my meetings go.”

“Hmm… that’s unfortunate. It’s much harder to fuck you when you’re a few timezones away.”

“Oh?” The shift in his voice gives Rey goosebumps.

“Harder… but not impossible,” She continues.

“Tell me, Rey, how would you do that”? He asks, voice darker now.

“I’d tell you that I’m not wearing any underwear. Just a ratty old shirt and socks-” Ben groans “- and that I’ve been wet since I heard your voice.”

“Have you touched yourself while we’ve been talking?” He asks.

“No, daddy.”

She hears him curse and the sliding of a zipper. 

“Good girl.”

Rey beams. Its been so long since he’s last said that to her, and the affect those two words have on her body is profound.

“Are you touching yourself, daddy?” She asks.

“Though my underwear. You’re making me so hard, so fast, but I want this to last. Do you want me to tell you what I’d do if I were there?”

“Can I touch myself when you do?”

“Yes, but you have to do what I say.”

Rey scoots down her bed so that she’s laying back, phone propped up against a pillow by her head to she can hear him clearly. 

“I will; I promise,” She tells him.

“First, I’d focus on your chest,” he tells her. “Rub your nipples for me. I like how hard they get. A dark pink. I love to taste them.” She rubs herself through the cotton of her shirt, moaning lightly. “Tell me, Rey, does it feel good?” He asks.

“Yes,” she breaths, “but not as good as your mouth.” Rey hears the distant snapping of something that sounds like the band of underwear.

“How wet are you?”  Ben asks, an urgency now lining his voice.

“Dripping... I’ll have to change my sheets.” Ben curses and Rey hears a slick sound speed up

“I would tease your cunt with my fingers. Just one, to feel your wetness. I wouldn’t touch your clit yet, just around it. Can you do that for me? Can you tease yourself?” Ben asks her.

Rey moans in the affirmative, and immediately snakes a hand down to her cunt. She’s puffy and soft down there, and her hand creates adds delicious friction. 

“I would tease you, too,” Rey says breathlessly. “I would jerk you off slowly. I’d trace my thumb over your head.”

Ben groans and curses under his breath. Rey begins thrusting her hips in time with her hand, but still refrains from touching her clit.

“I wish I could help myself around you but I can’t. I’d have to fuck you, Rey. I’d have to be in you. Do you want that?” The desperation in his voice increases ten fold. 

“Yes...” Rey whines. 

“Fuck, Rey, I want to be there. I want to feel your cunt on my cock. You don’t even know. It’s a fucking drug, being inside of you. I want to keep you on my cock for the rest of my life. Wanna stuff you full of my come so it’s always dripping out of you. Wanna kiss you until the world runs out of air. God, Rey! Touch your clit for me, baby, I need you to come for me. Please, please come for me.”

Her clit is a live wire, and when she touches it on his command, her body convulses. 

“I wish it was you- I want you to do that, all of that. Ben, I’m gonna come, can I come, please?” She begs.

“Yes, yes, Rey-” the words die on his lips as grunts and moans overtake him. Rey grindstone heel of her palm into herself, fingers barely even breaching her entrance. She comes with a shudder, high-pitched whines coming from her. Ben is grunting as the slick sound suddenly halts. 

Rey collapses onto her bed, unwilling to keep even the top half of her body upright. Her heavy breathing is mimicked by Ben. Rey can hear her blood still rushing in her ears, her hand still against her sopping cunt. She doesn’t care to move it because she know the unfulfilling sensation will creep inside of her once she does. 

“Rey,” Ben whispers though the phone, “you okay?” He says it with a softness that makes her shudder.

“Yeah... that was.... a lot.” Her vice is still breathless.

“Yeah,” he says. 

A silence befalls them again but the sound of him breathing is comforting. She feels the weight of sleep being into crawl up her and her eyes become heavy. Rey realizes something and can’t stop herself before she says it.

“If I close my eyes and listen to your breathing, it feels as if you’re here next to me.”

Rey can’t be sure, but she thinks Ben may have whimpered.

“I’m coming back soon,” he says after a minute, snapping Rey back into consciousness.

“But I thought you said-”

“I know, but- I... I’m not... I don’t know how to- I’ll be back soon; I promise.”

“Okay... will you call me? When you’re back, I mean?”

Ben chuckles lightly into the phone.

“Yeah Rey, I will.”

-

come say hi on twitter!

[a-woman-apart]

Astrological Compatibility

After experiencing all that I have this year, I definitely believe that astrology does play a role in compatibility, in the sense that astrology is a pseudoscience based around how time of birth, planetary cycles, and place of birth affect personality. It was developed by human beings at a time when scientific methods of interpreting data were not developed to where they are today. 

If we take a look at how this might play out from a more scientific perspective, think of the “nature vs. nurture” argument. Nature applies to traits that develop either from genetics or during fetal developmental. Nurture applies to external social and developmental factors that contribute to personality after birth. 

There does seem to be a correlation between what season and month people were born in and certain personality traits. It is definitely true that levels of sunlight can have a huge impact on human health and development, but light exposure and seasons can be vastly different across the globe (especially in moving closer and farther away from the equator), which is probably why detailed astrological charts involve looking at birthplace. 

It also provides perspective on why there are differences between the Western and Chinese Zodiacs but there are still some similarities in the way traits are applied. For example, in the Western Zodiac we have “Earth, Air, Fire, and Water” and in the Chinese Zodiac we have “Wood, Fire, Earth, Metal, and Water” because human beings across cultures understand how valuable these elements were to our survival. 

Human beings are pattern-seeking creatures, so it isn’t any surprise that they personified these elements and began correlating them to aspects of human personality. It was just another way of trying to make sense of the world, and I am not surprised that when astrologers examined the natural world and the cosmos (as better astronomical tools became available) they began to make connections between children born in certain seasons and certain personality traits, and I don’t believe the correlation is completely nonexistent. 

The issue we see is that some people tend to think that personality is a fixed thing, and that when someone is born a certain way [nature] their traits are entirely resistant to change [underemphasizing nurture]. 

Even if astrology can offer us some predictors about how a person’s character might develop, we have to remember that personality has nothing to do with whether someone is a “good” or “bad” person. Some people may be more or less outgoing than others, more or less athletic, more or less organized, more or less playful, and more or less “nice” than other people, but that has nothing to do with their morality or ability to be a good romantic partner, friend, sibling, or parent. 

The strength of a relationship is almost entirely dependent on the values of the parties involved.

Whether “star-crossed” or “star-aligned”, the strength of peoples’ relationships is entirely dependent on whether or not they are based on honesty, mutual respect, and compassion. We all know that some people we love have habits that may occasionally-- or frequently-- grate on our nerves, but our choice on whether to continue living with and loving that person is rarely just down to personality. 

We all have that person in our lives with a grinchy, McScrooge disposition, but we love them because they keep their word and you know deep down that they’ve got a good heart even if they don’t always show affection as easily as other people do. 

We also all know someone that is the life of the party, loud, fun, almost obnoxious in their zest for life, but we wouldn’t trust them as far as we could throw them when it comes to any major responsibility. But we still love them anyway. 

And with have to admit to ourselves, that sometimes love is not enough.

Love is never an excuse to allow someone to run roughshod over your boundaries, devalue your ideas, and monopolize your time. Love alone will not save any relationship where either party lacks respect, trust, and compassion.

After ending many relationships this year (including one that I held in very high value) I found out that it isn’t about personality. “Ugh, she’s such a Virgo!” is not a mature answer for why you can’t get along with your best friend, boss, or mother. 

I know that Kati Morton used to say “some relationships are bad recipes” and I don’t really believe that anymore. I don’t really believe that people share mutual blame like that for why things fall apart. It’s fine to admit that someone annoys you or gets on your nerves, but when there is that much bad blood with someone you used to be associated with, I think that boundary violations-- either on your part or theirs-- are to blame. 

I used to lean towards a belief in “star matches” but now I truly believe there are no incompatible signs.   

I know that I tend to lack romantic chemistry with most of my fellow Air nomads, but I always have amazing conversations and a kind of instant connection. I know that from experience, Water signs are amazing listeners. I know that I tend to have a shared drive with so many Earth signs, and that Fire signs have a unique capability to humor and delight. 

Fire signs can also burn your whole life down if you let them. Water signs can be secretive and vindictive. Earth signs can be so stubborn that they won’t admit a single flaw. Air signs can be unreliable and aloof. 

But guess what? So can everyone, because we all have aspects of each element inside of us. Leaning a certain way does not make us more or less bad or good. It just makes us human. 

As I reflect on my experiences this year, I am far more interested in how systems of meaning develop, than the systems themselves. Astrology, just like religion, was developed by humans who desperately wanted to provide an explanation for the mysterious workings of the cosmos, our planet, and the human heart. I think whether or not astrology is “real” is far less important than the history and traditions associated with it. 

Each of the signs in the Western Zodiac has a unique mythological creature and story attached to it. It was only this year that I found out that Capricorn is represented by a half-goat, half-fish creature (essentially a mergoat), and I learned that my sign (Libra) was only introduced into the zodiac later, because there was too much intensity going on between The Virgin (Virgo) and Scorpio (the Scorpion, duh) and Libra was brought in to balance things out. That is the reason why Librans are the only members of the zodiac family to not be represented by a living creature. 

I also found out that this might’ve been part of it because human beings have been liking the number 12 for a good minute, so we had to even out that odd 11 sooner or later. In my numerological deep dive I also found out that Romans were freaked out by the number 17, because it was written “XVII” and that, along with the fact that it was a weird prime number, really upset their sense of symmetry. In general it seems humans are not fond of numbers that cannot be divided by anything other than 1 and itself. So 9 is in, but 13 is out, and its probably more this, rather than the fact that we don’t want a snake sign in the Zodiac, that so many astrologers soundly refuse to recognize Ophiuchus. Obviously we make an exception for 0 (both a number and not a number) and also 1 and 2.  

I “wiki-walked” more and found out that a number of prominent musicians have superstitions regarding numbers, probably because our profession is way more about keeping time and counting than most people realize. 

Also, it’s been fascinating to find out about “the ages” which require incredible math to calculate. We are apparently just beginning the “Age of Aquarius” and a lot of changes that were predicted using past data seem to be “coming to pass.” 

Full disclosure: you can’t use astrology to predict the future of the planet anymore than you can the future of your relationship.

I use astrology to help me understand the past, but I do not trust the validity of horoscopes because it is impossible to know the future. I have developed a saying “History doesn’t repeat itself, but it echoes.” Economists, political analysists, climate scientists, and other experts in their field do not make their predictions based on “hunches” or mysterious esoteric knowledge, they make their predictions based on interpretation of data, and even if these predictions can be incredibly accurate, they are not completely infallible. 

In other words, you aren’t going to experience relationship troubles during “Mercury in retrograde” unless you expect and believe you will, or some other unrelated event causes it. The only difference then is that because you were hypervigilant, you shifted your own behavior in a way that exacerbated the issues, i.e. “a self-fulfilling prophecy.” 

If your marriage or friendship is failing, “astrological differences” likely aren’t the main culprit. Similarly, you should never dismiss your intuition that something is wrong just because your horoscope said, “You will find true love in December” and that is when you found it. That’s called a coincidence, and they’re everywhere. Trust yourself and trust your instincts. Your own personal patterns matters much more than what a stranger or an algorithm has predicted about you. Don’t try to “follow the signs”, test things out and see if things you find in your chart actually line up with what you’ve been experiencing. 

I really do believe in some kind of carnal divinity, a common life-energy that is connecting all living beings to one another. Don’t let your natural light and vitality be dimmed by people who enjoy burying their own light under a bushel. It isn’t a matter of “good” and “evil” in so many cases, but it really is about what kind of life each person wants and/or is willing to tolerate. 

That beings said, welcome to Sagittarius season! I hope you all find your inner flame archer and ride on your metaphorical horse legs right into your destiny.