#simon phillips

[sethnorth]

Simon Phillips v. Nate Bradley

[jt1674]

[myvinylplaylist]

Judas Priest: Metal Works '73-'93 (1993)

Columbia Records

[yourfavealbumisgender]

Sin After Sin by Judas Priest is Gay!

requested by @crimson--freak

[jazzandothersounds-blog]

Hiromi Uehara (one of the goddesses of my Olympus)

“Now Or Never” - Live Session

Hiromi: Piano/Keyboards

Simon Phillips: Drums

Anthony Jackson: Bass

[musicmags]

[spilladabalia]

801 - Third Uncle (Live From The Queen Elizabeth Hall,United Kingdom/1976)

[mywifeleftme]

311: L. Shankar // Touch Me There

Touch Me There L. Shankar 1979, Zappa

My girlfriend fished this record out of the dollar bin because of its weird cover, noticed it was on Zappa Records, and figured I might find it interesting (good girlfriend). And… well, it is interesting. Perplexing might be the better word actually, as it’s hard to imagine who this record was supposed to be for. L. Shankar is an Indian violinist best known for playing in East-West fusion band Shakti with John McLaughlin (and later co-composing the Last Temptation of Christ score with Peter Gabriel, and later still doing a record with the guy from KoRn?); he ended up in Zappa’s late ‘70s band, and eventually cut this solo debut with the mustachioed one behind the boards. Touch Me There is an incoherent mix of the near-parodic beer commercial rock Zappa was churning out at the time, New Age-y violin instrumentals, and doofy fusion. The transition from snickering rocker “Dead Girls of London” (the single, with Frank contributing vocals) to spa muzak number “Windy Morning” at the top of the record is enough to give you whiplash, and it sets the tone for what’s to come, though side two eventually settles into a sleepy background music groove. Despite a stellar cast of session guys (a previous owner of my copy wrote “Simon Phillips!” in pen next to a song he drums on) it’s basically all trash. The sole highlight is “Knee Deep in Heaters,” a benzo’d ska number that splashes together Shankar’s peculiar falsetto and droning electric violin improvisations over a faux Caribbean beat that somewhat improbably works. (The aforementioned girlfriend’s actually here at the moment, and is kicking my ass at describing this song, so I’ll just throw it to her: “This is a very Major Lazer sample, y’know? It’s like the soundtrack to a scene where a guy’s been given some kind of drug and they’re like, ‘I don’t feel anything oh whoa.”) Anyway, this is a bad record, but as with most things Zappa, there’s at least much to scratch your head over.

311/365

[jt1674]

[myvinylplaylist]

The Michael Schenker Group: The Michael Schenker Group (1980)

Chrysalis Records

[brusiocostante]

801 Live ► Tomorrow Never Knows [HQ Audio] 1976

[sensitive2light]

Whitesnake (David Coverdale’s Whitesnake)

2024 limited edition translucent tan

[longliverockback]

Roxy Music The Collection 2004 EMI Gold ——————————————————————— Tracks: 01. Virginia Plain 02. Do the Strand 03. Street Life 04. The Thrill of It All 05. All I Want Is You 06. Love Is the Drug 07. Out of the Blue 08. Ain’t That So 09. Dance Away 10. Same Old Scene 11. The Main Thing 12. More than This ———————————————————————

* Long Live Rock Archive��

[guiadeterror]

Mouse Trap - A Diversão Agora é Outra

Mouse Trap – A Diversão Agora é Outra (Mickey’s Mouse Trap) SINOPSE: No aniversário de 21 anos de Alex, ela está presa no trabalho até tarde. Seus amigos a surpreendem, mas um assassino mascarado, vestido de personagem de desenho, decide jogar com eles. Agora, todos devem jogar para sobreviver. Quem sairá vivo? Assista à crítica em vídeo aqui: Ouça o comentário no episódio no…

[timelyslapintheface]