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amortean · 2 months ago

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I keep thinking about that wolqotd I answered on bsky the other day about how writing Sheila has made me suuuuper critical of the way people treat female characters vs male characters, and how fandoms' treatment of female characters today is only marginally better than it was 10+ years ago when I began writing her

And I didn't delve too much into the topic of how the majority of my former ship partners pushed Sheila onto the back burner so they could pursue m/m ships and what that did to Sheila's psyche ...... but I don't have a character limit here LMAO sooooo.....

deep sheila lore that i don't talk about on bsky because it doesn't directly pertain to ffxiv but is still part of her backstory.

It started with Elias, I guess. There's not a whole lot to say about it because Elias & Sheila weren't together for very long before Elias began his dalliance with Vassar behind her back. Elias eventually came clean, though, and ... frankly, I don't think Sheila has ever been given enough credit for not murdering both of them on the spot LOL especially because she considered Vassar to be kind of an older brother. But She told Elias she just wanted him to be happy, and if being with Vassar made him happier than being with her, then... y'know. Go for it.

Elias eventually died, so she & Vassar became quite close while Vassar was grieving his loss, and they were pretty good friends up until Vassar disappeared.

Then there was..... Quintin and Nazarov.

Quintin and Nazarov were coworkers with a long history together who hailed from a different company before they came to work alongside Sheila. Quintin pined after Nazarov for ages—long before Sheila ever came into the picture—so when Sheila became his rival for Nazarov's attention, he constantly shit on Sheila's personality and mannerisms. Accused her of being too vulgar, too manly, too un-ladylike, blah blah blah. I cannot overstate how almost every interaction between them was Quintin making jabs at Sheila for way she cursed, the way she dressed, her weight, her drinking problem, her brashness, her stubbornness, etc.

And then.... Well. Nazarov fucked Quintin right around Christmastime lmao. The SAME Christmas where Sheila gifted Nazarov a bunch of sheet music for them to play together one day that she STILL carries around with her to this day across all her AUs. Nazarov's justification for fucking Quintin was that his relationship with Sheila was "invalid" because Sheila had failed to properly break up with Flint (a man whom Sheila had briefly dated after Elias' death, but whom she hadn't seen for months by that point.), so letting Quintin seduce him wasn't ✨technically✨ infidelity on his part 🙄

also it would be remiss of me not to mention the absurd amounts of anon hate I used to get for sheila "getting in the way" of Quintin/Nazarov, and how that ship was more compelling than Nazarov's relationship with Sheila. lol. lmao. All 3 of us would get anons about how sheila was ~annoying~ and quintin was the better love interest.

AND THEN THERE WAS... JEAN. Jean has a special place in my heart because I really liked his relationship with Sheila even though they never became lovers ;;

Jean's story was that he was a closeted French film star who began a relationship with a man who later outed him as gay. To quash the rumor's of his son's homosexuality and save his career, Jean's father arranged a betrothal between Jean and a childhood friend named Catalina. I don't remember his exact reasons for leaving France and taking up mercenary work (I wanna say it had something to do with delaying the marriage), but he initially began a relationship with another mercenary named Logan. I don't know much about Logan cause I didn't follow him back in the day, I only followed Jean, but Logan/Jean were one of THE community's favorite ships back in the day. People LOVED them.

Logan's writer eventually went AWOL for reasons I'll never know. Nazarov was also largely AWOL around the same time, so Sheila and Jean became quite close, bonding over their absent partners and such. After Nazarov came back just to break up with Sheila, she and Jean developed mutual feelings for each other... but Sheila was hesitant to escalate their relationship. Jean was always a big flirt, and continually flirted with other men despite his feelings for Sheila, so she was just... afraid of repeating her earlier experiences with Elias and Nazarov.

and BOY let me tell you.... the conversations about biphobia that were happening on bsky the other day made me think of jean and sheila....

Jean's writer and I really enjoyed Jean/Sheila as a ship, but other people.... did not, as it turned out.

I never learned of this until after Jean's mun left the tumblr rp community, but she confessed to me that she received a ton of anonymous hate calling Jean a slut and complaints of gay erasure for cheating on Logan with... Sheila? And that was so wild to me. Jean cheating on his fiancée with another man was OK because Jean was... embracing his sexuality? Being true to himself? But Jean developing feelings for Sheila through the power of sheer chemistry they had together and deciding that he was also attracted to women after all? That he was bisexual and not strictly homosexual? That was unacceptable, and Jean was a slut, and his writer was committing gay erasure. Holy shit dude!!! I can't make this shit up lmao !!! Awful.

anyway sheila had a few other ships here and there after those 3 men, and they've all been with other men who are bisexual or pansexual, and sheila just ... Her experiences with Elias, Quintin/Nazarov, and Jean have made her believe that there is something fundamentally wrong with her. That she is only capable of attracting men who aren't attracted to her as a person (or.. as a woman, maybe I should say) because she's too vulgar, too masculine, too all-the-things-Quintin-said-about-her. That men just use her—consciously or subconsciously—as a stepping stone in their journey of self-discovery, and they'll abandon her Just Like Everyone Else as soon as they decide they'd rather be with another man than with her. Once someone better comes along.

And what is she supposed to do about that, really? So she just closed herself off to relationships and wants to be left alone rather than be constantly reminded that there is something so fundamentally off-putting about her that she'll simply never be good enough for someone to love her for who she is as a person and not merely as something to be used for their benefit.

so like yeah. there's a handful of other ship partners who came after Jean who ghosted me because they wanted to pursue m/m ships, and that really sucks! It made me doubt my abilities as a writer for years. It made me believe my writing and characterization will never be good enough to hold a person's interest in the long-term simply because my character isn't a man. That's kinda why my activity here took such a nosedive for the last 3-4 years.

BUT!!!!!!!!!! the effect that it's had on Sheila's psyche is fascinating to me LMAO Nobody does brain damage like Sheila.

#hello it's time for another ESSAY #ABOUT #SHEILA #but ending this on a happy note that sheila has 5 husbands now who are obsessed with her #and one of them wants to eat her #my ffxiv mutuals know about cillian from bluesky #my tumblr mutuals ALSO know about judas #and then there's like... the men who existed before they turned INTO judas (rydell.. lydes.. sometimes lydes' younger twin brother)#(also named rydell)#sheila has a lot of brain damage about lydes i've yet to go into because of his fate in ffxiv and bloodborne.....

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luminousnotmatter · 3 years ago

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@whisperofsong

Darling Katherine!

This….your words…..took my breath away. (OG Top Gun joke not intended but I’m okay with it. 😉😆 ) How immeasurably t h o u g h t f u l and k i n d!!!! I am as floored right now as I was this morning when I read them first thing, still in my jammies and barely awake. 🥹🫣🫠🥹🫣🫠💗💞💗💞💗

THANK YOU, FROM THE BOTTOM OF MY HEART, DEAR ONE!!! 💗💗💞💞💗💞💗💞😘😘😘😘🥰🥰🥰💛💛💛💛💛 I don’t think it’ll eVER cease to amaze me the beautiful happenstance of Tumblr in that one day two people can be total strangers, or just vaguely aware of one another, and then a short time later be such sweet buddies sharing the love of Some Good Thing Or Other That Makes Our Souls Happy. Bonkers!!! 🥹🫣🤯 But I’m so thankful for it, and for you, and that it happened to us! 💗💞💛✨

I’ll never be over the way you wrote about this little story of mine. 🫣🥹 The way you describe it and the way it made you feel. The dreamiest, most heartfelt and touching language. Flabbergasted f o r e v e r. Gonna come back to it so often to remind myself of your love and support and friendship and the way that a seemingly “simple”, “little” thing like writing a story about a character-loved-in-common can do so much, bring joy and light and enjoyment and the list goes on. I’m legit emotional right now about this AND I LOVE IT.

Thank you again, Amazing Lady. 💗💞😘 You’re a gift and I’m so glad to know you. 💗💗💗💗

This Close

a little j.h.s. something

pairing: My favorite Texan Naval aviator, Jake ‘Hangman’ Seresin x Female…Reader? OC? She’s kind of both? I’ll explain more in the Author’s Note. 😜 warnings: Mutual pining. Yearny. Friends with feelings they’re not acknowledging. PG-level swears. Takes place in a bar that’s not The Hard Deck. There’s a Dean Martin song used.😜 word count: a little over 1k. author’s note: This is my first bit of writing shared in a good long while, and also my first bit of writing for Top Gun Maverick since that movie happened to me this year. Be gentle please I’m nervous???? 😨😱 This story is actually part of a moment I have in mind for a whole, longer, multi-parted story that’s currently simmering on the stovetop of my brain until I can figure it out more/work up the nerve to plot it out and start writing and sharing it involving Jake and a Lady OC who I’m also still developing. Hence she, ‘Birdy’ a nickname she’s referred to as once here ☺, is sort of straddling the Reader/OC line at the moment. I honestly prefer writing this way than in the second person; it’s easier for me and I find I like the way things flow and feel better, so hopefully y’all don’t mind it. Okay. I’ve officially rambled w a y too much so I’m shutting my cakehole now. 🤐 I sincerely hope it pleases you! 💕❤ bonus material: This is the song that’s playing in the bar in case you want to listen in on Jake and Birdy’s dance. It’s not a love song really, but I love it and find there is a certain sweet, romance to it. But then again, I’m a known Sap, so form your own opinion. 😉 tagging: My Sweet B.💗 ‘cause she’s a dear, inspiring, and encouraging gem of a lady, whom I love. @bradshawsbaby

Keep reading

#Clara Can Talk #Clara Replies #whisperofsong #Y’ALL #THIS GIRL #WHAT A GEM AND A QUEEN AND EVERY OTHER LOVELY SWEET DESCRIPTOR #TALENTED FOR D A Y S HERSELF #CALLING MY WRITING ‘MEANINGFUL’ 🤯🫣🤯😭😭 THAT’S NOT GONNA LEAVE ME FOR A HOT MINUTE #WOW.#🥹💞💗💞🥹🤩🤩✨✨🤩🤩#I don’t mean this in any self-serving way but like….guys…THIS IS WHY REBLOGGING PEOPLE’S WORK IS WORTH IT #THESE LADIES WHO HAVE COMMENTED AND SHARED THEIR ENJOYMENT AND SWEETNESS #TOOK WHAT? 3 MINUTES OUT OF THEIR DAY TO DO THAT?#AND NOW SOMEBODIES (mine in this case 😜🫣💞) LOVE TANK JUST GOT A H U G E DEPOSIT #This has brought just endless sunshine to my day and my heart today and that cannot possibly be overstated #SO JUST FRICKIN #SHARE PEOPLE’S SH*T!!! THEY POUR THEIR FEELINGS AND TALENT AND TIME INTO IT #JUST BECAUSE THEY WANT TO AND THEY LOVE A THING ENOUGH TO DO SO #okay diatribe over but….I’M SERIOUS.#*clambers down off of soap boax and retreats to weep happy tears into my tea*#*SOMEBODY’S NOT SOMEBODIES 🤭

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popculturebuffet · 5 years ago

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Star Vs: Stump Day Review or The Why Are You Booing Tom He’s Right Holiday Special

Before we start a special credit to @jess-the-vampire who I discussed the episode with during the writing process and brought up a LOT of good points that ended up going into this review. She clearly hates it as much as I do and had even more good reasons for it. Happy Hanukah, Merry Christmas and Happy Holidays Everybody! And today we got a big, fat, grotesque lump of coal to smash to pieces. And after a long, draining, if worth the effort scrooge review, and with this being something I needed to cross off my to do list this holiday season, I put this one here as I could use the cathariss of giving this steaming bowl of elephant piss a good thrashing. As you can tell unlike my usual reviews, I do not like this episode. This isn’t the FIRST i’ve not liked i’ve covered, but it is the first rather infamous one to me i’ve covered and not just a dead possum of an episode I ran into while reguarly covering an otherwise good show like “Quaraller’s Pass” or “Strife of the Party”. This one’s had it coming, making my top 8 worst christmas specials list last year, and while not the series worst outing, that’s a toss up between the finale and marco jr, it’s easily one of them. So while usually I like diving deeply into something good and picking apart while it’s good, if not ignoring any bad aspects, here i’m just going to take a hammer to this thing to explain why it dosen’t work and why it sucks dirty ass in thunderstorms. I might be overstating it a bit but probably not. Nothing really new has happened since the last episode so the only new thing to cover is why i’m doing the episode here instead of after Monster Bash. And the simple reason is that like the Ducktales Halloween and Christmas specials, this episode clearly does not take place in the same time frame of the episode before or after it, with the next episode, The Bog Beast of Bogabah, taking place the day after Monster Bash. It’s most likely they simply held this episode over till Christmas and it dosen’t really fit in AFTER the huge game changer that is monster bash, especailly since the next three episodes after this all take place in rapid sucession, two on the same day one the day after them. So yeah i’m doing this one first and putting it ahead of monster bash on my episode guide for clarity’s sake.

Good, so with all that settled, let’s unwrap this complete works of pauly shore shall we? We open on the titular Stump Day, essentially mewni’s christmas complete with Cocoa, carols and a gay couple and their equally adorable child. And Star, unsuprisingly is giddy for it as the actual chlidren, and wearing an adorable santaesque dress complete with horns on her santa hat. Seriously you cannot tell me tom didn’t get that for her. Fucking precious. Marco is more just confused and has his hood up and one of Star’s cousins asks uncle river to tell him the origin of stump day. River’s response.. is easily the best joke of the episode.

“(in a jolly tone) ha ha, you don’t tell me what to do”

He does so anyway though: Basically when settlers arrived on Mewni they found themselves cold and griping with each other, and soon found a blizzard had struck.. but by huddling together under a magic stump, they all learned to get along or something like that and now once a year everyone gathers in warmth and camraderie.. or else. Before Marco can understandably question what “or else” means in this context, Star butts in when one of her cousins chastises the younger one who asked river the question for beliviing and says he’s real. It’s a nice touch as it fits star perfectly to still belivie in mewni’s horrifying version of santa. I forgot just how adorable and likeable the character was before the final season shot that to hell. How her energy could be infectious and how Eden Sher really brought her all to the performance, which is still the performance of her career and hopefully like Rider Strong she’ll do more voice acting eventually. So that night as Star tucks in after wonderful night of sleep, and to avoid her dad’s usual drunken chorus of Tom Jones “Sex Bomb”, and gets woken up by Marco who leads her to the dining hall because a windows broken to fix it with magic. Star entirely buys this flimsy story.. but as Jess pointed out, and as I missed hence the credit up top... she dosen’t bring her wand. She.. dosen’t bring her wand.. to go fix something with magic. Now i’ll grant next season shows she CAN fully do magic without it, and while not as powerful like her mom still has plenty of punch behind it.. especially when she does the rainbow fist thing. But it’s still.. weird she dosen’t think to grab it and feels out of character. While Star’s learned by this point not to rely on it, and as we’ll see gives it up entirely, one of the few bits of her character development that actually sticks, it still seems resonable she’d take it with her wherever she goes.. and usually SHE DOES. And her jammies, which are also adorable, seem to have pockets so the animators had no reason to not just stuff it in one. It would’ve made their job harder yes.. but then don’t have marco use an excuse that directly requires it then and draws attention to the fact the wand is missing, and the fact you blatantly just hoped we’d forget about it as it’d ruin the climax.

It’s far from the worst thing in this episode..trust me we’re almost there. But this does bring me to a point.. so far the episode is GOOD. The comedy’s good, the setup for what’s about to happen is good, the holdiay setting is warm and inviting but weird enough to perfectly fit mewni, and River, much like his VA and homosexual talking boat portrayer Alan Tudyuk, is a national treasure as always. Whelp it’s all down hill from here bitches! Giddyup.

So Marco announces a SUPRISE PARTY! And everyone’s there: Tom, Kelly, Ponyhead, Starfan14... oh yeah this is the first ep i’ve coverd with Starfan14 isn’t it? Starfan14 is star’s insane fangirl, voiced by series creator Derfron Nercy herself, who star happily tolerates despite clearly wanting to wear her skin. We’ve all been there. Also Jackie is transparently missing, though at least it’s SOMEWHAT reasonable as she and marco broke up a few .. months ago? I mean it is winter on mewni for this episode but the end of season 4 and the series is set at the start of summer, yet months still pass.....

Confusing timeline aside, Jackie has every reason not to attend a party thrown by her ex for the girl who confesed she had feelings for said ex and it’s probably the only good decision Marco makes this entire episode that he wisely decided to give Jackie some space. And it says something a decision made entirely off screen that was probably because the creators genuinely forgot Jackie once she was out of the way so they could shift the love triangle stuff to Tom, Star and Marco instead of you know.. not doing that because most love triangles are annoying at best and utterly insufferable at worst. Case in point this episode but I can give out more about this aspect of things in a bit with more context.

And to his credit, and as Jess backed me up on, Marco’s gesture is genuinely throughtful.. at least to start with. He got her a choclate fountain, brought all of her friends, and geninely just thought Star never celebrated her birthday on her birthday because it was you know the same day as christmas. As someone whose birthday is a week before christmas, December 16th if you were curious, I understand the pain of having your birthday in the same month as christmas. Of having all your presents clustered at once and of having to manuver around a very stressful season, though it does sometimes have perks like getting to celebrate your birthday and christmas, it also means your birthday is secondary and always will be to most people due to proximity. And Star has hers ON mewman christmas, so it’s even worse. So from Marco’s perspective, TO START, his best friend constantly had to share her birthday with her faviorite holiday and just wanted to do something nice. SO FAR, he’s done nothing wrong and just means well. That’s... about to end. Star.. instead of being greatful.. starts muttering no before going on an manic rampage and destroying everything including hte band’s insturments. And apparnetly star’s gotten some flack for her behavior.. but I understand it. To her the stump is VERY real, and will be very angry if someone else celebrates so to her all she’s doing is saving her best friend from the holiday equilvent of the trees from evil dead, and when Marco asks about it she GENUINELY is sorry, getting he meant well, that he was being sweet, and that he did a lot of nice stuff for her.. she just can’t celebrate not because she loves the holiday but because again, from her persepctive, the stump will kill them all if they don’t support it. She is genuinly affraid for her friends lives and given she could go grab her wand and fight it, clearly thinks she, with all her CONSIDERABLE powers, cannot win this, and neither can tom whose powers are almost entirely fire based. Star is just trying to protect her friends from being horribly murdered. And she turns out to be entirely right about it so no, star was not a jerk here. A bit over the top, but she was not insensitive, she was not mean, she just didn’t want a party for understandable reasons.

So let’s get to actually insensitive shall we?! Marco’s reaction to this is at first confusion as he didn’t realize the stump was real, though Tom, Kelly and Pony are convinced it’s not. Also this episode implies Kelly is from mewni, but she turns out not to be so why she knows about the stump I genuinely don’t know. They think it’s just a baby thing.. though in Tom’s defense he dosen’t phrase it that way, thinks star still beliving is cute, which for a teenage boy finding out his girlfriend belivies in santa is very sweet and mature of him, and is trying to be nice about it even if he doesn’t believe. But Marco.. his response to his friend having a good reason for not wanting to have the party.. is to complain about how much effort he put into it and try to guilt and bribe her into having it by mentoining he got her faviorite cake flavor, rainbow. Just.. WOW. I’ve seen some bad turns from characters, but WOWWWWWW. Holy shit.. I mean at least other jerkass marco episodes before this had SOME reasoning to them. Sophmore Slump had him clearly sublimating his feelings for star combined with the usual obnoxiousness of someone having gone abroard for the first time, which as Letterkenny recently went into, the only thing worse is Stillborn Puppies. Nothing else.

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And with Lint Catcher while he was presumptive and not blameless.. river still outright lied to him. Here? It’s clear star dosen’t want this, cake can be refigirated, he only takes a loss on the choclate fountain and he could still just let everyone have some and say it’s for stump day to appease her. He dosen’t have to take a loss on this finacially or morally and there would be no harm done. But that’s.. not what HE wanted, not waht HE set up and he wants what HE wanted, which was to impress star with a thoughtful gesture. But that’s the thing bud: Gestures aren’t about you or what you get. Their about doint something nice for another fucking person. It’s the whole point of christmas and birthdays: To just give someone something to be ncie and to celebrate the day and them respectively. If she dosen’t WANT your gift for understandable reasons and isn’t being rude about it you don’t have any leg to stand on you seflish twatwaffle.

So already Marco is not coming off well.. and if you know this episode you know it gets worse. Oh god it gets worse. So first PONYHEAD of all people calls out Marco.. and for once, PONYHEAD, the most selfish, most unresonable and a character whose tolerablity varies on the episode, tells him he’s being selfish and is only pressing on because of his need to control things. So not only is Ponyhead right but the episode LIKELY wants you to feel she’s wrong because she’s pony which is not how this work as she knows star well and thus, while unaware she still belivied in the stump, which tracks as while it’s obvious she does Pony is so up her own whatever she has that functions as an ass, it’s understandable she’d miss some details. So no Pony’s right, and the fact PONY is one of the more resonable people in this episode is both a sign of the apocalypse, which is thankfully starting to recede, and a clear marker of just how bad Marco’s being if someone who torments him and disagrees with him out of principal is entirely right.

Oh but it gets worse as next up, Tom steps in and tries to get Marco to back out, admitting he told him this was a bad idea. Now granted Tom did mess up by not stepping in to stop this a bit.. but he A) didn’t know how much his girlfriend genuinely belivied in the stump and B) Probably assumed Marco meant well, as would I before he whined about not getting his way, and decided it was worth a try. So he’s not that bad, and while it is a bit ehhh to try and take back credit for this when he participated, it’s still minor and Marco is still being a huge dick who refuses to help shut things down when it’s clear the party is only causing star to have a panic attack and assault some humble marachi players. He sees nothing good is coming from this and just wants what star wants. Also it paints Marco in a worse light as he was warned about this, and was so obssed with making it a suprise party because that’s how his plan went, he refused to just.. talk to her about it. Hell he could’ve just casually asked “Why do you never celebrate your birthday on your birthday”. It’s an easy question, dosen’t give the game away and allows him to gage if this is a good idea or not BEFORE baking a cake , hiring a band and getting a chocolate fountain. Instead he just went ahead with it. And he did so.. because this ISN’T about making Star happy. This is abotu HIM making star happy. Him showing her how thoughtful, and considerate and sweet he is and how he’s always been there for her and how maybe she should be with him instead of Tom. I mean it just comes off that way.. he made it a suprise party because in his head that’s how it worked and she was super impresed and left tom that day to be with him in some elaborate fantasy. Granted the episode dosen’t say this.. but it sure as hell acccidently implies hte hell out of it by having marco act like a selfish ass who refuses to take what STAR wants into consideration, and just wants to get his fantasy back on track. What supports this to me is how he treats tom, you know one of his best friends: He, again, accuses him of forgetting.. then calls him a bad boyfriend.. a bad boyfriend for NOT wanting to force a celebration on his girlfriend she does not want, and for not forcing it on her. For you know GROWING AS A PERSON. Beacuse here’s the pickle pumpernickle: This thing Marco’s doing? Is exactly the kind of thing a pre-character development TOM did, that was rightfully framed as bad. Being controlling, wanting things to go JUST a certain way instead of letting them flow naturally, not getting the hint star isn’t intrested, and not caring about what she wants and only what you want. Marco is doing the same thing Tom used to do. And for starters i’ts already bad because you know MARCO WAS THE ONE WHO FINALLY GOT IT THROUGH TO TOM THAT THIS KIND OF BEHAVIOR WAS TOXIC AND SELFISH. But apparently when it’s Marco himself doing it it’s fine. If there was ever any clear evidence Marco regressed as a character, there it is. Him actively unelarning a lesson he taught someone else and then getting combative when that person rightly tries to call him out. Marco is just insufferable in this episode: He’s being selfish, creepy and posseive and he’s apparenlty supposed to, at least on some level BE RIGHT. But.. we will get to that. Consider a pin put in this rant.

So Tom overreacts, and throws some fire at marco, which is genuinely wrong and Kelly’s right to call him out, and then headlocks him asking marco to say he’s a good boyfriend. Marco screams out ‘NEVVVEEEERRRR”

I just made this, by hapinstance, while watching the video I put up there. I.. I did not think i’d get to use this so soon but my god. Just my god that’s a terrible thing to say. So the party soon breaks down elsewhere as Kelly is mad at tom for.. understandable reasons again the guy she has a crush on was just nearly set on fire, even if i’m still on Tom’s side overall here, it’s still not right. Janna points out it’s probably because she has a crush on marco, which while acurate dosen’t mean she was wrong and Tad pops out to be upset about that. Even though you know you two are broken up and as Kelly points out he needs to move out. Pony is mad she’s not getting any attention and Starfan is mad because star’s mad. Star results to desperate measures, opening the windows to try and repeate the act of the settlers. She didn’t however count on the Janna factor as she throws the stump in the fire, which is in chracter. What’s not, and again I give Jess full credit for this one, is that everyone just starts.. warming around the stump and not caring like a bunch of jackasses not caring about their close friend, and in tom’s case, girlfriend’s feelings. Also tom and marco apparently stopped fighting just to be this stupid.

But naturally burning the symbolic stump is a bad idea and the real one attacks. Protip: If you live in a world of magical nonsense, maybe don’t discount the magic stump. Everyone’s captured, including moon and river, with River also being suprised and replying to Star’s annoyance at him not beliving with “Sweetie it’s a stump!”. Alan Tudyk is a god and I feel you all should acknowleddge that. But yeah everything seemsm to be bad but everyone apologizes, if not for the right things in Marco’s case, and Tom says “I’m sorry i’m a bad boyfriend!”. You .. you aren’t. You did nothing wrong. I feel like this is tom for the last agrivating 6 minutes of the episode

He did SOME THINGS wrong but he is NOT a bad boyfriend. He is throughtful, kind and while he has flaws, SO DOES STAR. He is not a bad boyfriend for not wanting to repeat past abusive actions! GAH. Let’s just get on with it. They all hold hands, they thiunk this is what made the stump go away but Star is sure it was just going to kill them, Moon and River have a thousand yard stare as they realize they both have to get repairs for this room now and do an extra big stump day next year to make sure it dosen’t come back. And Marco apologizes to star.. for not beliving her. Not for forcing this on her, not for causing all of this, not at all to tom, but for not beliving her while star FUCKING APOLOGIZES TO HIM. Pin removed, bullshit falling to the floor... Trunks if you would.

Thank you. Star DID NOTHING WRONG. Tom DID LESS WRONG THAN MARCO. WHY ARE THEY APOLOGIZING. Why is this little shithead getting everything he wants as the party happens after all, if a day later, and he gets to dance with star, while everyone else is painted as being in the wrong? That’s what makes this special so putrid: that MARCO is apparently in the right for doing the same , if on a smaller scale, manipulative shit tom used to do before he grew as a person, yet the episode sides with him, props him up and teases Starco. If it’s Starco it’s okay apparently and that’s.. not okay. You can’t .. build a ship on a character acting like a jackass. That’s not how this works. Marco was wrong, he was bad and he should FEEL bad. Instead he’s just a creepy jerk this entire episode, being entitled, manipulating star, screaming at tom.. and gets REWARDED FOR IT. Fuck this episode.

FINAL THOUGHTS: I believe I said Fuck this episode. This is easily one of star vs’ worst episode and much like the season after this episode it gets worse the more you think about it. I put it on my worst holiday episodes list for a reason.. and frankly even with the decent first 4 mintues it should be higher. It’s an unplesant mess that throughly ruins Marco’s character and takes him from a kind, upstanding, polite and bright young man to a creepy manpiulative jackasss. Fuck this episode and have a happy holidays.

#Star Vs the Forces of Evil #star butterfly #marco diaz #Tom lucitor #tomstar #starco #kelly #lilica ponyhead #starfan14 #christmas #holidays #holiday #stump day #bad episodes #reviews #animation

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thiswasinevitableid · 5 years ago

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winter prompt fill 29, indruck, sfw?

29. i should’ve done my shopping a month ago but now i’m running around last minute and when i enter your store, i’m absolutely frazzled. help me.

(Pinecone is borrowed from harrisonator’s fic “Monster Mash”)

Working at Kepler Petco isn’t the worst thing, even during the holiday shopping hellscape months. It’s not like anyone is getting in fistfights over cases of Fancy Feast. Which is why, on the 22nd of December, Duck is unprepared for the sudden sound of hands on hitting the countertop.

“I need help.” The guy’s about his age, silver hair going patchy black near the top, pink and white striped sweater around his neck and a massive sweater hanging off his lanky frame. His red glasses barely conceal brown, anxious eyes.

“Sure, what’re lookin for?”

“Rat treats, the kind that won’t make them ill.”

“Can handle that, right this way.” Duck leaves the counter and leads the guy back to the small mammal section. As they go the man spins a ring on his index finger, flushing under the merciless heating vents.

“I’m sorry for the dramatic entrance. I have a mountain of things to do today and your store closes first.”

Duck glances at the AKC branded clock on the wall, which shows 12:30 p.m, “We close at five.”

“Yes, I know, but I really cannot overstate how behind I am on my Christmas shopping. Or, well, holiday is more accurate, since Joseph celebrates Hanukkah, which means I’m already late on that.” He sighs, runs a finger with chipped black nails through his hair.

“Big family?” Duck points to the row of snacks, grabs the man a basket from the end of the aisle when he starts piling them into his arms.

“Lots of friends. We’re having a party tomorrow and I completely forgot about it until today. I know it’s ridiculous to forget about a holiday where you can’t turn around without being slapped with a reminder of it, but my brain doesn’t always work in the way I’d like it to.”

“No judgement here. Once forgot my sisters birthday until the minute my mom asked if I could get some candles for the cake after school.”

“Oh dear.” The man smiles, the expression shifting from odd to shy when Duck meets his eyes, “thank you for your help.”

Five minutes later the guy heads towards the register, then stops, backtracking to the display of rats, mice, and hamsters. Duck joins him in case he has questions, and to steal another look at his singular features. They’re not handsome on the surface, but something about them draws his eye back over and over. He’s just in time to hear the man cooing to a pair of brown rats.

“...so lovely, aren’t you just charming? If I could I’d take you home but space is limited. Oh” he blushes when he sees Duck, “I’m, ah, ready to pay now.”

“One of your friends got rats?” He indicates the pile of treats the man is buying.

“Hmm? Oh, no, these are for Luna and Emperor, my rats. I wanted to get them presents too.”

Duck can’t decide if the fact the guy prioritized spoiling his pets on the day he had to buy a bunch of gifts is adorable or worrying.

“As I said, I came here because you close first. And I, ah, I like spoiling them. It’s nice to know exactly how to cheer another living thing up.”

“I get that. Pinecone, that’s my, uh, my cat, gets more treats a month than I do.”

“Someone ought to buy you a few, then.” The man murmurs, handing over his debit card.

Duck, caught up in the mechanics of fighting with the card reader, doesn’t realize he’s being flirted with until the man is no more than a silver head merging into the throng outside.

He’s lowkey annoyed with himself the rest of the day; he’s been in the market for a cute guy, and while his mystery shopper may not be Ryan Gosling, but Duck wouldn’t mind getting his number.

Since he opened today, he gets off at three, decides to swing by Crate and Barrel in case the apron he thinks Barclay might like. There’s small hallways dotted through the mall, leading to exits or to backrooms. As he passes one, he gets a glimpse of silver hair and a vibrant scarf. That’s the only good part of what he sees; the man from earlier is pressed close to the shiny wall, trying and failing to get his breathing order.

“Hey, man, you okay?”

He jolts, registers who’s speaking, and looks at the ground, “N-not really. I, part of the reason put this off so long is I can get incredibly overwhelmed in crowds sometimes, and yes I know that makes coming here three days before Christmas even worse an idea but I thought maybe I could handle it, but I’ve only managed to buy two of the gifts I need because I cannot focus with everything going on and, and I’m sorry, here I wanted to charming around you and now you’ve seen this and-”

“What would help?”

“I, I’d like to go somewhere quiet, but there’s nowhere, even the bathrooms are packed.”

“Do you, uh, want to come sit in my car for a bit? I can run the heater so we don’t freeze.”

“That’s really alright?” The question is so small and vulnerable he wants to tuck it into a shoebox to keep it safe.

“Yeah. C’mon, I’m parked on this end.”

It’s snowing on and off as they walk to his car, and as he gets it running and turns on the heat his passenger finally pulls his clenched hands from his pockets; one holds a fidget cube, the other a very small, plush moth.

“I tried so hard to prepare for every possible future.” Is what he gets as explanation. The man sets both items in his lap and shuts his eyes, breathing slowly in and out. Duck says nothing, opens his phone and plays two rounds of Plants vs. Zombies before he hears anything at all from beside him.

“Would you mind turning the radio on, at a low volume?”

“Any requests?” Duck hits the power button.

“No talk radio.”

“Can manage that.” He fiddles around and finds the alternative station. Even it has Christmas songs interspersed with the usual mix.

“Is your name really Duck?”

He wonders if the guy is omnipotent until he remembers his nametag.

“It’s a nickname.”

“I’m Indrid.” He opens his eyes, “thank you for letting me come here to calm down. I may actually manage to succeed in my quest now. It’s so hard, I actually enjoy being out around the lights, the feeling of so many people being happy or trying to do kind things for each other. But it’s easy to get overwhelmed, especially when I’m alone.”

“Would it help if you weren’t?”

“Possibly, but I couldn’t ask you to spend even more time in that mall given you work there.”

“Got some last minute shoppin to do myself. Besides, if you get stuck on a gift, I’m pretty damn good at comin up with ideas.”

“Thank you.” Indrid smiles, excited, and that settles it: Duck is asking for his number after this.

They brave the crowds and the holiday cheer blaring across the speakers once more. The first stop is a store selling housewares, including a pair of small succulents that Indrid deems worthy of giving a friend as he listens to Duck talk about his part time job at the National Forest, laughing when Duck mentions last weeks run-in with a pissed-off migratory bird.

The next few stores are no help, and they opt to take advantage of the lull between when people are done with school and when people are done with work to hit up the coffeeshop, Indrid ordering a white chocolate peppermint mocha and promptly getting whipped cream on his nose. Duck is tempted to kiss it off, settles for handing his new friend a napkin while he talks about his recent return to Kepler after traveling around the country in a Winnebago, selling his art at shows. As luck would have it, the store has a shelf devoted to artisan or local coffees, and they’re each able to find one for someone on their list.

Macy's proves more treacherous, and once five o’ clock hits even Duck is feeling cramped. Indrid is tensing, his replies getting short or far off, and just as Duck is about to offer to dip out again, chilly fingers link with his own.

“Is this alright?”

“Better than alright.” He grins and Indrid holds tighter, breathing in through his nose and out his mouth as Duck guides them into a less crowded corner. The do eventually find some high quality hiking socks that Indrid buys, only letting go of Duck in order to pay.

They reward themselves with dinner at Johnny Rocket, Duck hopping over to Indrid’s side of the booth to see pictures of Emperor and Luna, and show off the photos he has of Pinecone hiding under his ranger jacket.

“One more stop, thank goodness.” It’s going on seven and Duck has to say he agrees; he loves being around Indrid, but his feet are killing him and he’s had “Jingle Bells” stuck in his head for an hour.

Indrid’s last item is at Crate and Barrel, and Duck laughs when the other man goes straight to the aprons.

“You got good taste, I’m gettin’ one of these too. Barclay said he needed a new one.”

A fine-boned hand freezes mid-reach, “Did you say Barclay?”

“Yeah?”

“I am also buying this for a Barclay. Is your Barclay, by chance, dating someone named Joseph and hosting a party tomorrow?”

“Yep.”

They stare at each other, frozen long enough that another shopper passes between them. Then they double over in sync, Duck wheezing out a laugh while Indrid cackles.

“Holy shit, we’ve been shoppin for the same folks!”

“Barclay mentioned there’d be new people at the party but I never thought one of them would be such a catch.”

Duck gets his breathing in order, steps across the faux-hardwood and takes Indrid’s hand.

“Hey, Indrid? You wanna be my date to the party tomorrow?”

“Absolutely.”

“....wait, fuck, which one of us is gonna give him the apron?”

“You can, I have another idea for him. Consider it an early present from me.” Indrid tease.

“Sugar,” Duck slips his hands into Indrid’s back pockets, smiling up at him, “you might just be all the present I need.”

#Indruck #indrid cold/duck newton #winter fills #fluff #meet cute

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opbackgrounds · 5 years ago

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I don’t have the time or energy right now to do another ask-a-thon or to do a bunch of long meta posts, but in celebration of reaching 5000 followers I did want to do a write up of a character that I see overlooked a lot by the fandom who is very near and dear to my heart. What makes them especially interesting is that I think their existence is a prime example of Oda’s skills at a writer, foreshadowing plot elements that wouldn’t be expounded upon for hundreds and hundreds of chapters.

It’s pretty common for Oda to play the long game in his writing. Going back through the series as I have I’ve gained a new appreciation for Oda’s world building and his ability to set up certain element of the story that won’t be pertinent until far in the future. It helps the world feel organic and lived in, but on the downside, it’s sometimes easy to forget that certain characters or organizations even exist, which can make their sudden reappearance in the series feel jarring or forced.

There are also characters and plot elements that are in and of themselves not very prominent but are there to help establish themes and motivations for other characters. For example, Gaimon was only in the manga for one chapter (and a couple of cover stories) but helped answer one of the driving questions of the East Blue: “What is treasure?”.

The character I want to talk about today is a good example of this second group. Like Gaimon, they were only around for a single chapter, and yet their importance cannot be overstated when it comes to understanding Sanji’s character both in the Baratie and in arcs to come. They’re a type, a way of foreshadowing, and absolutely instrumental to the overall plot of the Baratie arc all at the same time. It’s pretty rare to see a character able to fulfill so many roles with such a short amount of screen time, and as much as people gush over Oda’s character writing, this is one instance where he doesn’t get the credit that is due him.

Who is this mysterious character you may ask? Well, Batchee of course

It’s not a coincidence that Batchee is introduced in the same chapter Sanji is, because in a way, their stories mirror one another. It’s ironic that Fullbody would dare to accuse Sanji of hurting a fly when the Whole Cake Island establishes without a doubt that Sanji is not only has the gentlest spirit of the Straw Hat Pirates, but cares so much for the world around him that he is literally willing to feed hungry rats. To be clear: Sanji would not hurt a fly, especially if that fly was a woman. In the same way, Batchee shows a remarkable resilience, never once retaliating against the injustice they faced for being in the wrong place at the wrong time. And unlike Sanji, who is outwardly very coarse and uncouth, he does so quietly, uttering not a single line of dialogue throughout his brief appearance. It’s this instance with the soup that triggers the entire plot of the Baratie arc (and is paralleled towards the end when the chefs try to force Sanji away by insulting his cooking), making Batchee an absolute essential component of the arc, one of those tiny gears that hardly anyone notices but would cause the whole machine to fall apart if removed.

We see Batchee suffer in silence as he’s horribly abused by the people around him. Not only was he attacked unprovoked by a jealous Fullbody, notice how we see no other insects during the Baratie arc. Batchee is alone, just like Sanji was alone before Zeff rescued him. It’s no coincidence that Oda used a bug in this scene, as bugs have exoskeletons just like the Vinsmoke siblings, and although it’s arguing from silence, I would not be surprised if Batchee was likewise driven away from his family for being too weak. As to why he was on the Baratie at all, I can only assume that he dreamed of being a chef, only to have that dream torn away from him by a cruel and unjust governmental system, setting a precedent for further atrocities later on in the series.

There’s just not enough information given to speculate further, but I have the fullest confidence that Oda won’t let this plot thread dangle. I’m not someone who likes guessing about future chapters very often, but I would not be at all surprised if he returns during the Wano arc as one of Kaido’s gifters as another Duval-type situation where an old, forgotten foe swears revenge on the Straw Hat’s cook. Hopefully he’ll be given a similarly happy ending. After all he’s been through, he deserves it.

(Edit to add: while looking up stuff for this post I found an old interview that’s pretty interesting

“...Unfortunately Gin’s will wasn’t strong enough to defeat the deadly poison...But even with that, I think fans can be excited for what’s planned next...2016 was the Year of Sanji, it’s time to get ready for the Year of Batchee...”

—Eiichiro Oda

Oda’s predictions on his timeline are famously bad, but with everything going on in the story I could definitely see an imminent return)

An interesting thing to note is that Batchee has a drastically different character design in the manga than the anime. Historically the anime has worked closely with Oda in order to ensure maximum accuracy, however the insect shown during these episodes can’t possibly be a fly. It’s got 10 legs, antenna coming out of its butt, and no wings to be seen

Obviously this is another reference to Sanji’s future transformation abilities. Unlike the the Vinsmoke siblings, Batchee’s power isn’t named, but his color scheme makes me believe he fulfills the role of the brown Power Ranger. With such a drastic transformation (albeit offscreen, likely to preserve the surprise during WCI and beyond) from common horsefly to...whatever that is...I wouldn’t be surprised if Vegapunk himself had a hand in his creation. Only time will tell.

To wrap things up here, the story of Batchee and Sanji are closely intertwined. One cannot exist without the other, and just like how Batchee foreshadows much of Sanji’s Whole Cake Island storyline, I believe that Sanji can help us see Batchee’s ultimate fate. One Piece is ultimately a very optimistic series, and since there’s no confirmation that he actually died during his introductory chapter I have to assume that the little guy is still out there chasing his dream. I would have liked to have seen him during the post-time skip cover stories, but his absence can only mean that Oda has big plans for the future, and I for one look forward to seeing what he has in store.

#opbackgrounds #one piece #long post #batchee #sanji #parallelism #character analysis #thank you for supporting me being ridiculous #to the anon who let me know it was his birthday #I think you from the very bottom of my heart #deliberately misconstruing facts for my own amusement #just for fun

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kenbunshokus · 5 years ago

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this is a (super late) update to this fic rec post! i was planning to just keep editing and updating that post, but it’s been so old it no longer appears on tumblr search system and all, so here we are. be ready for some old school zosans in the mix

all complete

absolute favorites will be noted with a ♡

list will be updated as i find more

story count: 30 fics

last update: jan 5th 2020

CANON-VERSE

Goings On by clarify ♡

Zoro and Sanji understand each other, and sometimes have a very similar sense of humor. Even though they're worlds ahead of most, sometimes they can't help but to act their age.

easily one of my favorites. zoro and sanji are completely in character, being themselves and comfortable in each other’s spaces. for anyone who thinks zoro and sanji can’t get along in canon, this fic can easily prove them wrong.

Part Timer by 8ball ♡♡

Sanji really, really doesn't want to give Zoro a job at his restaurant. Zoro doesn't really even want to work there in the first place, but, well, there’s this thing with Sanji, and this thing with feelings and the whole thing is pretty damn stupid all together.

Zeff just wants grandkids. He’s too old for this bullshit anyways.

a wonderful, heart-wrenching, roller coaster ride of a post-series fic. this fic is not just a mere fic — it’s a zosan magnum opus with guest appearances by so many other characters, lots of crew hijinks and a must-read for everyone who craves for a happy ending for these good boys.

Say It Again by 8ball

Zoro tells Sanji how he feels. And then again. And again.

since we’re talking about 8ball i just want you to know i’d rec everything they’ve ever written, but special mention to say it again — a classic miscommunication trope fic done well where the miscommunication stems from fundamental misunderstanding of each other’s principles and views instead of just some plot-convenient coincidences. and soft zoro. god, he is soft.

The Wedding Night by cuethe-pulse (lj)

Zoro had never expected any of this.

major character death warning. don’t let the first few scenes fool you. note the warning; the last few lines were like a punch in the gut for me, except, you know, the good kind of punch. also, a quick rec of a drabble by the same author to soothe the pain after this one.

Roronoa Zoro: World’s Greatest Bug Killer by insaneidiot ♡

Sometimes, Zoro's life really sucks. He should've known better than to make fun of Sanji's bug phobia, though...

zoro’s internal monologue is hilarious — until today, this author is still my go-to expert on zoro’s voice, especially his more sarcastic side.

Quitting’s Easy by insaneidiot

Sanji decides to quit smoking. This is not quite so easy as he thinks it will be. Also, his crewmates (excluding Robin and Nami, of course!) are assholes.

fun, fun strawhat hijinks and oblivious sanji. the crew dynamics and especially sanji’s voice are pitch perfect. there’s a hint of luffy/nami that you can easily scroll past if it’s not your thing.

I can’t stop thinking that i can’t stop thinking by hieiandshino ♡

In which Brook changes tactics and Zoro is not amused. Everyone else is, though.

holy shit is this fic hilarious. i love comedy fics that manage to slip in thoughtful observations and character study in between the hijinks, and this fic pulls that off with flying colors.

The Walls See All by threesipsmore

Reiju hides a snail cam in her brother's room.

fun short fic from reiju’s pov. there’s never enough zosan set in whole cake island arc and this fic delivers.

Stormbird by Judin ♡

The Straw Hats' first landing in the New World is on Arashi Island, where it looks like they'll be spending a fun week attending the local festival and making new friends. Until they spot a strange pirate ship in the harbour, and Sanji starts behaving oddly. The Straw Hats become entangled with the mysterious Gently Pirates, a crew that harbour many secrets, and whose captain is a man out of Sanji's past who has the power to tear the Straw Hat crew apart.

it cannot be overstated how wonderful this fic is, and how it could’ve fit into the canon just nicely, like a better-written one piece movie, except with zosan. not only are sanji and zoro in character, every strawhat gets a spotlight and has pitch-perfect voices. brook is especially lovely in this fic.

Unintended Consequence by itsmylifekay

A group of marines charge, Zoro slices through them, and in that instant Sanji feels his own eyes grow wide. Because there, on the arm now outstretched towards him, steel glinting in hand, is the stupid bracelet he’d given Zoro. The bastard is actually wearing it.

there’s a reason this is the most kudo-ed zosan fic on ao3 right now — it’s so soft without being ooc, and there’s a quiet undercurrent of affection laid throughout the fic that will warm you up from the insides.

Somewhere Between Sorrow and Bliss by srididdledeedee

Sanji has never cared for winter.

He can see himself, is the thing. There are bits and pieces that poke through, but it’s not all him. It’s like staring in a fractured mirror. He knows, intellectually, that the person staring back at him is himself, but his face is splintered and his shape is distorted and his body is wrong.

a fantastic character study on trans!sanji and how he comes to terms with his identity with the help of his crewmates. supportive strawhats are always a lovely addition to a zosan fic

Give In To Love by libbylune

Zoro knows better than to think about it too much, but between the rowdy festivals and ancient unexplained temples on this island, it's hard to forget about wanting Sanji.

i love how this fic puts as much focus on the boys after the confession as it does before the confession. a good case fic with its own unique island adventure and i’m always a sucker for soft!zoro

Laundry by libbylune

Dealing with Sanji makes Zoro develop a lot of opinions about clothes.

there’s absolutely nothing hotter than bi!sanji who’s completely comfortable with his gender identity and sexuality. also gay disaster zoro fumbling his words whenever sanji is around is 1) accurate 2) hilarious.

Language of Swords by HaveMyWeedCookies ♡

It took them for a while but finally, Zoro asked if Sanji wanted to hold his sword.

i love fics that explore zoro’s relationship with his craft and his swords, and adding zosan into the mix is something i didn’t know i needed. an interesting outsiders pov zosan in the pov of zoro’s swords.

Ghost of a Chance by sabershadowkat

“I know, for sure, that I didn’t expect to miss everyone so much, including you.” Sanji cut a glance at Zoro and rephrased correctly, “Especially you.”

this fic handles tropes that are usually associated with character death fics, but manages to end it with a happy ending. zoro’s devotion here is heart-wrenching.

Idiot Romance by sabershadowkat

"This has to be a joke," Sanji muttered, poking at the colored petals. Zoro couldn't have just given him flowers.

a classic — this is literally the first zosan fic i’ve ever read — and a lovely one at that. sanji is oblivious and zoro attempts romance, not that zoro ever needed to.

festival night by thisislegit

“ANOTHER FEAT BY THE WORLD’S STRONGEST MAN, JORIRI.” The woman turned to Mr. Mohawk and with faux sympathy said, “Oh! Sorry, sir. Maybe next time. We can’t always beat the best, but we can do our best and that’s what matters. Do we have any other takers? ANY OTHER TAKERS READY FOR THE STRONG MAN CHALLENGE? HOW ABOUT YOU SIR? MADAM? YOU OVER THERE? ARE YOU INTERESTED?”

“What kind of shit name is Joriri,” said Zoro and Sanji in unison.

i’m an absolute sucker for fics that have zoro and sanji simply hanging out and enjoying each other’s company, comfortable in a way they couldn’t with their other crewmates, and this fic exemplifies that. just them being little shits and having fun with one another.

No Victory in Hesitation & the Past Has Its Lessons by EudaimonErisornae & vageege

Zoro has a lot of things he wants to say to Sanji, but he just needs one more day. || Zoro tries to fix a mistake he made in the past.

major character death warning. i died a little bit inside after reading this tbh. there are some devil fruits-explained time travel hijinks, but mostly it’s this looming, grim inevitability of death that’s written so pervasively throughout the fic that really got me.

Imperatives by dollcewrites

Zoro is confident in saying that Sanji is a man who doesn’t do what he’s told. Which is why, when a command accidentally slips from Zoro’s lips during foreplay, he is expecting to hear the cook’s scoff as he continues to do what he pleases.

i don’t tend to do pwp, but this isn’t just one — it’s a completely in-character piece about their relationship and dynamics.

when you say by bluewalk ♡

It's a long time in coming. Usopp can promise, but.

this fic is as much sanuso as it is zosan, and usopp here is — still very much usopp, but also a very beautiful take on his character as someone who spent a lot of time behind sanji’s back, and realizes that when he watches sanji’s back, he gets to see zoro’s, too.

a complete guide to falling in love by ThousandSunny

Sanji was trained in the Bridal Arts; this does not go unnoticed by the rest of his crew.

while the main ship is still zosan, the fic also focuses a lot on zoro and sanji’s relationship with the rest of the crew, and it’s one of those fics that really makes you realize how much of a family the strawhats is. a lovely read all around.

destructivity is a poison that run through our veins by wasteofmind

Zoro thinks that, someday, they are going to kill each other.

a dysfunctional take of their relationship. it’s fascinating in the same way a car crash is fascinating — there’s an undercurrent of something violent, something visceral. this is one of the fics that inspired me to write migratory animals.

ALTERNATE UNIVERSE

Ocean’s Child by 8ball ♡

Here's the truth: Zoro couldn't swim. He fell in the water and sank like a stone because there had never been anyone to teach him how to move his arms. He forgot that if he screamed for help the water would get in his mouth, and he even opening his eyes hurt.

Here’s the other truth, the one that stays a secret: a mermaid saved him.

a fascinating retelling of the one piece canon with mermaid!sanji. it feels a lot like a love letter to the seas, and it’s mesmerizing how sanji’s mermaid backstory is seamlessly weaved into the one piece canon.

with you by Cirro

How to find your life partner in three easy steps: 1. Punch them in the face 2. Insult their cognitive abilities 3. Embarrass them so much they agree to marry you

a wholesome two-part modern au series. my personal favorite is the second part, where sanji brings zoro home to meet zeff — complete with the two of them teasing sanji in their own ways.

The Proper Reaction (or What To Do When Your Son Brings His Boyfriend Home by three_days_late

Holidays at the Baratie were always hectic, but it's nothing Zeff can't handle. Sanji's new boyfriend, on the other hand...

on the topic of meet-the-family: the only thing more fun than zoro meeting zeff is zoro meeting zeff and the entirety of baratie staff. also includes one of my favorite line about bi!sanji: “sanji loves nice girls and bad boys”.

Exclusive by cuethe-pulse

Zoro loves Sanji, Sanji loves Zoro. Zoro wants to be exclusive, so Sanji should, too. Right?

this is a circus/bakery au. yes, you read that right, and yes, it works. i went into this fic with a lot of doubts and came out very satisfied with how fleshed out everyone in this au is, and i’m forever in awe with how the author can set up an entirely separate, vivid universe with so few words.

Delivery by styx_in_the_mud

Sanji is stuck delivering pizzas when Patty is out of commission for a while. Zoro likes to order pizza after training. Both of them are sort of idiots, but Zoro can be smooth as fuck if he puts his mind to it.

a fun, in-character au with good ol’ banter and cute get-together.

The End of It All by xpiester333xx

Humans have been forced underground due to the effects of a chemical weapon that has made surface life impossible. Sanji lives in one of these underground colonies and though he dreams of bigger things his life has been mundane; spent following strict rules and obeying higher commands. Or it was, until a stranger shows up and changes everything.

the author labelled it as sci-fi au, but I personally think it’s more dystopian-like? either way, while this fic is on the long side, it manages to keep everyone in character until the very end, which is something that can’t be said for a lot of fics.

well, there we go! feel free to drop me an ask if you want to rec me fics or ask for a more specific/themed rec list; i’ll also update this post regularly !!

i also have an ao3 donutsandcoffee if you want to see my take on these dorks o/

#opgraphics #zosan #roronoa zoro #sanji #opfanfic #one piece #fic rec #mine*#mine: fic rec #//#zoro #op

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sheliesshattered · 5 years ago

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This Isn’t A Ghost Story extras for Chapter 7: The Museum

The penultimate chapter of This Isn’t A Ghost Story has been posted! It’s here on Tumblr and here on AO3. Lots of pictures, explanations, and a few spoilers below the cut. The extras follow the flow of the chapter, so it’s safe to follow along with this post as you read, if you like.

Chapter 7 is named for and takes place in the Museum of Egyptian Antiquities in Cairo. This is the same location where Clara and the Doctor first met in 1921, as detailed in the journal entries in chapter 3 and some of Clara’s recovered memories in chapter 4. The museum was originally built in 1901, and besides a few modernizing improvements over the years, it hasn’t changed much since then. Here’s a postcard depicting the museum while it was being built:

And the museum as it appears today in modern Cairo:

The interior of the museum hasn’t changed much either, and a few of the larger artifacts haven’t even been moved since they were originally put in place for the opening in 1902.

Here’s a short walk-through video of both the entrance and the interior of the museum, showing what it looked like in 2017. The new Grand Egyptian Museum was supposed to open in the spring of 2020, but has been pushed back to at least 2021 because of the Covid-19 pandemic. For Ghost Story I decided to skip right over 2020 and assume that by May 2021, the original Cairo Museum will still be open to the public, whether or not GEM has finally opened.

Clara asks the Doctor if he remembers what she wore to that black-tie party in 1921, and I have to imagine it was something like her dress from Mummy On The Orient Express:

This amazing dress from 1925 is also a strong contender.

While the Cairo Museum doesn’t have a reproduction of the tomb of Thutmose III like I described in this chapter (and, in fact, until the new museum opens, the Cairo Museum is far too crowded with artifacts to be able to devote an entire room to Thutmose III), that specific burial chamber has been recreated at a museum in England, with stunning attention to detail:

Comparing it to the original tomb in the Valley of the Kings, you can see how accurately they’ve reproduced it:

Clara comments on the star ceiling, photographed in the original tomb here:

Which, as the Doctor notes, is a common feature in a lot of 18th dynasty and other New Kingdom architecture, and in This Isn’t A Ghost Story connects directly with Clara’s star sapphire wedding ring:

Those of you who have followed me here on Tumblr the last few months may have heard me yell about the tomb of Thutmose III before, and in particular the art depicting the Amduat aka The Twelve Hours of the Night. What Clara describes as “stylised stick figures” is in fact what the walls of the burial chamber are absolutely covered in, and I cannot overstate my love for it. I mean:

I love this art style, possibly more than anything else in all of ancient Egyptian art. I love how stylized and timeless it is, I love that it’s used to tell a complex story that is part of an even more complex funerary tradition. I love the sweeping lines and tiny bits of shading, I love the little upturned toes of their shoes and the tiniest hint of hand shapes. I love their skinny little arms and skinny little legs, oh my god. The fact that this is a real 3500 year old work of art constantly boggles my mind.

The reproduction of the tomb of Thutmose III at Bolton’s museum in England also has a short video that retells the story of the Amduat in gorgeous stylized animation, following the recently deceased pharaoh as he joins Ra on his journey through the underworld to rebirth, if you would like a more complete idea of what the wall art is depicting.

The Twelve Hours of the Night poem Clara quotes is credited to the poet William Ashbless, the less about whom is said the better. But if your curiosity compels you (and I certainly hope it does), I do highly recommend Tim Powers’ excellent novel The Anubis Gates. Tim Powers is possibly my all-time favorite author, and a huge influence on all of my writing. This Isn’t A Ghost Story is quite definitely the most Powers-esque thing I’ve ever written, and was probably influenced most specifically by The Anubis Gates, Declare, and The Stress of Her Regard. Finding a way to work in a subtle nod to both Ashbless and The Anubis Gates felt fitting and highly amusing to me.

My long-standing love for the Amduat was an early part of the development of this story, coming right on the heels of deciding to give the Doctor a background in Egyptology. I spent a fair part of mid-June digging into research on the Amduat, reading every little scrap about it that I could wring out of the internet. On June 19th -- three months ago this weekend -- all of that research quite suddenly solidified into this chapter, which at the time I figured would be chapter 6, before chapter 5 up and decided to split into two chapters.

Using the twelve hours of the night as the linchpin for the happy ending I wanted for these two really helped solidify and clarify my ideas about how the Doctor functioned as a ghost with regard to sunlight. The sunlight/darkness and day/night theme is really the backbone to the whole story, and is also echoed by the dichotomy of Clara’s wedding ring, which looks like a star in the night sky, but only when viewed in direct sunlight. All of that, from chapter 1 onward and even the story’s title, was leading to this moment, the twist at the end of this chapter.

I wrote the first draft of this chapter in basically one go, beginning to end, which is super unusual for me for any scene, much less an entire chapter. The first version was about 400 words shorter than the final version, and almost all of that growth was in the moment right after the Doctor starts feeling lightheaded. I wanted that sequence to have enough emotional weight, without tipping over into feeling like I was milking it for melodrama. While editing this chapter, Jack said that he thinks there will be a lot of wailing in the comments this week, and I’m very curious to see how that moment will go over for all of you.

Clara and the Doctor have so many exquisite moments of heartbreak in canon that I couldn’t help but borrow from them all heavily here. And as a writer who really enjoys eliciting emotion from the reader as well as communicating the emotions of the characters, I couldn’t resist the urge to make you, my lovely readers, think that I just might take this down the path of tragedy, even if only for a couple of paragraphs. I would say I’m sorry except that I’m really, really not. :D

We’re down to just one chapter to go now, an even shorter epilogue that grew out of some of the research I did for this chapter. I’ll be back next week with the behind the scenes details for that chapter, as well as a few things about the story as a whole, including the full timeline for Clara and the Doctor.

Do you have any questions for me heading into the final chapter? Any behind the scenes details you’d like me to cover? Let me know! ❤️

Extras for Chapter 8: The Temple

#This Isn't A Ghost Story #This Isn't A Ghost Story extras #process thoughts #my writing #Doctor Who #Doctor Who fanfic #Clara and the Doctor

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channelmono · 5 years ago

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I dunno if I have a lot to say, but I figured that give how many people follow me, I wanna share some tips on preserving mental health during these chaotic times

If you follow me on Instagram, you might have noticed my last story QA, which was a bit of a survey just to see how some of you lovely monitors are feeling, because I know the world in general has been stressed lately for obvious reasons. The elephant in the room is that we as individuals are all walking a tightrope of staying up-to-date about the future and how to maintain our physical health while also trying to preserve a sense of productivity and activity to sustain our mental health, the latter of which I’m noticing being especially strenuous for many of you, likely because this prolonged period of uncertainty and anxiety is highly unfamiliar. I want to disclaim right away: I am not a doctor, I am not a psychologist trained in extensive therapy who knows how to guide each and every one of you to your healthiest behaviors. However, I still wish to still help you with some advice. I do wish to see you as my friends, and as my friends, I want to ensure that you are happy and healthy. I already have a history of self-isolation, and without getting too in-depth of the exact details, this involuntarily hermit-like lifestyle we’re all being encouraged to ascribe to has been my way of living for the past several years (the involuntary-ness included). I’ve become much more acclimated to not just being alone, but stuck in a place of residence with little directive or seeming control of my own future, with a long history of trying to discern of not just what to do with my life in general, but just getting through the day-to-day. I want to discuss that day-to-day, because the month(s) away we have from returning to a normal world again is still comprised of many, many days, and if I can’t come up with a surefire long-term plan for how to deal with a future we are all in unfamiliar territory of dealing with, I can at least suggest a few low-cost stepping stones to helping you take in each day a lot easier, and hopefully help lift a bit of the collective burden over however long we may be like this. 1) DON'T LET YOURSELF GIVE UP. I feel like this is a bit of an obvious tip that might come across as “are you feeling sad? Just be happy!”, but hear me out. One of the biggest sources of human (or human-equivalent) stress is the feeling that one has no control over their life. The period where I fussed incredibly hard about the fate of my future as I was first condemned was one of the darkest, most exhausting parts of my life, as were all the times I had done before. It wasn’t merely that I was so ashamed of my failures, but it was the fact that I’d constantly and semi-consciously associate it with my entire being, to the point where I couldn’t make a casual joke in a non-depressed context that didn’t end with a side remark of how I wanted to die (now that I explained it without context… yikes.) Eventually, there was a eureka moment for me where I had enough of being tired. I’m not sure exactly what triggered it -- perhaps it was just dealing with the banality of the isolation, perhaps it was just me thinking more about how I mentally hurt myself and what I could do to stop, perhaps it was me simply deciding to find professional psychological help for it -- but whatever the case, I realized that even if the world could do bad things to me, I wanted to stop doing things that would hurt myself, as not only was being good to myself the least that I could do, but it also helped me forge a modicum of very real power for my self-esteem, giving that first boost to kickstart my life again (in part by starting this channel and making new online friends!) This wasn’t a solution to get rid of all my outside problems, but rather a means to help accept that things would be tough, but I could still live with them. Challenges will need to be faced, and there will be failures because that’s how life can be sometimes, but it also helped me better comprehend that there will also be victories, because that’s ALSO how life can be sometimes! I can’t say for sure how each and every one of you will be able to help yourself realize that negativity, hopelessness, and cynicism are not the only means to approach an uncertain and stressful future. Perhaps you already realized it! Perhaps you were in the process of realizing it but the articulation of my journey may give some guidance. Perhaps you still need some more time and thought to think about it. But whichever way, I implore you to consider that this future is not solely one to be defeated by, but one which you can fight to be happy in… and win. 2) GIVE YOURSELF A DAILY RHYTHM. One of the biggest things I see people complaining about is how without their usual daily schedule with work or school, their mental acuity is going haywire and it’s difficult to get things done. There are many reasons for why our brains are reacting to the situation the way they do: a bunch of collective trauma surrounding the pandemic putting our brains on edge for what to expect next, stress making us unable to register complex tasks, our inner survival instinct diverting away our ability to think about personal minutiae, etc. The human brain is a fickle thing doing its best to cope with the trauma it’s presented with, and first and foremost, it’s important to be patient with yourself. Going back to the “how to take on the day-to-day”, let’s talk about schedules. The truth is that many of us crave at least a mild semblance of structure and compartmentalization, and a big factor for why our minds are getting sloggy is because we’ve lost the ones we followed, mostly ones imposed onto us by our professions, and were wholly unprepared to figure out a compensation plan (as many of you students learning via Zoom conferences are aware). The practical trick I have to help remedy this is a pretty basic-on-paper one: seek out your own schedule. Speaking from my own experience, the daily grind into this miasma of a future becomes less cumbersome once you intuit what you actually define as “the daily grind”. This is not to say you need to become a rigid, Clock King-esque fanatic who plans every action by the minute, as simply understanding what you do and what you WANT to do will be of help. For me, I schedule my alarm clock to go off at 8:30. Every day I get up and make coffee or tea along with breakfast for myself and The Master. My current daily priorities are messy janitorial duties and Animal Crossing, while my personal hobbies that I’d reserve to my free time include filming content, playing video games, watching movies or Youtube, cooking, or going outside to jog. Every week or so, I go out for groceries. I do my best to go to bed and sleep before midnight. Of course, this is just MY schedule, but this is how rudimentary it can get while still giving me a sense of fulfillment when I do pass the time as I do accomplish my tasks. There are many ways to go about it, but really, one of the simplest ways to recognize them in your life is just write it out. Actually articulate it into just a really simple list that you have to transfer from mind onto paper/digital text. This is especially recommended if additional tasks or changes to your life occurs: write it down so you can remember everything! And allow yourself to do it! This is not to say you should be worrying constantly about how productive you are, as the goal is not to define yourself by how much you accomplish per day, but rather a way to give yourself that sorely needed daily rhythm we all miss, while allowing you to reward yourself when you hit your goals. And like every plan, it doesn’t need to be flawless -- there will be times where we need to relax and take a break. There might be emergencies to deal with. There may be times where things are so overwhelming where it’s like “Yknow what? I don’t wanna do anything today.” And that’s okay. On a related note: Something I’d like to place importance on with my schedule is my sleep. As someone who has experienced long periods of miserable exhaustion in my life, I cannot overstate just how important and cathartic a good, consistent sleep schedule is. I’m not joking: the night when I stopped being “insomniac” by going to bed tired but staying on my phone up until 2 AM, and instead actually went to bed at 11-ish, I woke up feeling the best I had in years. Exhaustion no longer felt like a necessary, expected burden. I felt legitimately well-rested, and discovering that I could freely feel things that weren’t depression was almost epiphanic (if that’s a word lol). I know that going to sleep and waking up on a consistent time of day might sound chore-like to many of you night owls, and there may be other concerns at play like actual insomnia, but I implore you to at least consider giving yourself a consistent nightly rhythm as well as your daily one. Being exhausted is an easy way to get stuck in your own head, and if you’re thinking dark thoughts and lack the energy to force yourself out, you can be in trouble. Don’t underdo or overdo it that you still feel like crap when you wake up. Be honest to yourself. Good sleep can be incredibly rewarding in ways that you might not even believe until you experience it for yourself.

#channel mono #no signal studio #mental health #quarantine #quarantine life

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murilloautumn · 5 years ago

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can you get insurance without a license

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perpetualxfire · 5 years ago

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ooc - explaining my absence

I’ve been putting a lot of focus lately on outside story-writing projects, mostly to maintain my sanity; I’ve expressed this a bit to some friends (one friend) but I’ve been a little leery spending too much time here for... Historical fandom reasons, I’ll say, and what happens in fandom this next season is probably going to determine a lot whether or not it’s time to finally shelve a blog that I’ve been running in some iteration or another for about eight years now, so... It’s kind of a big deal.

(Pre-post Edit): Sorry, This post is going to jump around a lot, aha, sorry; it’s tkind of stream of consciousness and I just don’t have the emotional energy left after writing it to go back and try to make it more coherent. I promise if this weren’t bothering me so much I wouldn’t have said anything at all - I’m the kind of person who tends to keep a lot of these issues to myself.

I don’t know if there’s anybody left here who particularly cares about the details, as I know I’m both apparently a very intimidating individual to contact and then very difficult to maintain a conversation with once you have (sorry;;; i’m just... not much for talking, aha) but honestly at the end of the day that only peripherally contributes. This isn’t a post meant to say “nobody cares about me and why am I here”, don’t get me wrong - I know that I’m difficult to communicate with and I’ve accepted that for eight years in this space now. The fact that it’s been dead as hell after S14 and the last three seasons in show... weren’t the miracle the series needed, tbh (they weren’t BAD they just weren’t FANTASTIC, you know?) certainly hasn’t helped.

My issue goes back into the early days of S9 and S10 fandom - my character has always been an incredibly controversial character to people, and I love her very very deeply and am more than happy to express how various misconceptions are wrong - or... I was. But it gets exhausting to get hit with vitriol over and over and over all the time, and a lot of well respected members of fandom have developed some... Not great ways of coping with what I can only describe as trauma from having stayed attached to such a controversial character. Trauma might seem a stretch, but when just the thought of some of it makes me start getting aggressively defensive, I don’t really know what else to label it as.

There were a few years - a sweet spot - where people were finally receiving the message, were finally realizing just how deep and well written C.arolin.a is; S13, after the disaster (for Carolina, at least) that was S12, was practically her golden age. All of the good, and bad, the learning, the depth of her character - all of it was perfect. For once, it felt like everybody was on the same page, and while I didn’t get a lot of blog activity (not nearly the activity I had back during S9-11) it was nice to feel like I didn’t have to defend my right to love my character.

The issue is, however, that S17 opened a wormhole. Don’t get me wrong - I love Lina’s arc in the past three seasons, even if I hate the tone they’re setting and converting S9+10 into (it feels like they’re bastardizing some of the most complex story-telling in the series, but that’s just my take); I even love the concept of her labyrinth scene - she’s literally physically fighting her interpretation of the person she was in the past. But, you can ask my friends, I knew the Instant I watched that episode that the way they handled it was sloppy and was going to be bad for fandom, and I’ve only been proven right. We’ve seen a consistent uptick in exactly the kind of thought process that I was terrified of, and exactly the kind of process that I simply do not have the energy to engage with again.

Sorry if I start to lose coherence, this is honestly a very very emotional thing to write about - I can’t express my love for my time with this character and community enough, and the idea that I might have to deal with every a very faint fraction of, a faint hint of the vitriol I dealt with back in the day again has me literally shaking, so I’ll try to be fast.

I’ve seen, in increasing numbers, the idea that C.arolin.a now is a much better and more loveable character than C.arolin.a back then was. And, on a surface level, you aren’t wrong; she’s softer, and easier to process. But the idea that you can have the C.arolin.a now without the C.arolin.a then is literally painful to me. I’ve spent hours upon hours taking apart how she’s such a powerful feminine figure in a dominantly male show and community, and to this day I’m convinced that that’s why she’s hated on, even if the people doing it don’t realize. She’s a woman who’s allowed to make mistakes, who’s allowed to make bad decisions that affect others as the result of deep manipulation I’d like to add, and who’s allowed to feel remorse for them when she learns. She’s allowed to be a full person, to explore the full range of a powerful emotionality and the impacts thereof, and the entire time she honestly believes that she’s doing what’s best (and that’s a hill I will die to defend, but I can’t really get into that right now).

But now that the vast majority of her story arc has reached resolution, the issue we’re running into now is in a couple of different parts - namely, the 100% villainization (i know, not a word) of her past self (we should note that that scene was her interpretation of her past self, but god knows the people looking to dunk on her can’t appreciate that subtlety) and then the hanging idea that C.arolin.a did nothing but use and abuse the people around her - an inherently false idea that she proposes that the narrative allows to leave hanging.

And, as I’ve predicted, I’ve only seen the people who hate everything who made her who she is today explode in numbers, and I just do not have the emotional energy to cope with that. If I have to see one more person say that they love her now but didn’t during the project I might explode. For a very very long time I was patient with people who didn’t like her during the project, because, to be fair, the writing did her no favors there, either; two seasons that were supposed to focus on her story (words of RT themselves, not me) managed to frame her as an irrational and irredeemable bitch because RT chose to focus on the dude squad (TM) to a point that it was detrimental to C’s character. All the pieces you need to put her rational and thought processes are there, but most people don’t take the time to see them and put them together. I can’t blame people for that. That’s why I’ve been so patient.

But I can’t do this anymore.

I can’t.

Every single time I see it I start to get defensive, realize that’s not helping, and just shut down. I no longer have the patience necessary to help people put together the puzzle pieces that RT did a shit job of providing. I can’t handle people talking about how C is OBJECTIVELY worse than Wash again (I’m not going to argue here, don’t FUCKING make me), I can’t handle people claiming C did shit just to push her authority, or because she couldn’t stand being one-upped, because that’s inherently untrue and I just want to grab the community as a whole and scream how can you not see this after all this time.

I just.... I’m tired of hurting for something that used to bring me so much joy. There was a time I didn’t mind fending off the haters because I had a close community of friends who would gush with me, some of whom I even converted from hating on C’s character, who were only just realizing the complexity of not just C but of those two seasons and all of the dynamics wherein as a whole. I loved going over just how complex freelancer was, if you can find the pieces, I loved forging new narratives within it, and since all of the freelancers have left, I’ve mostly hung on, because while the avid community that I like to think I helped foster was gone, so was the hate.

But now, even if in a lesser form, that old mentality is lurking again, and I literally cannot handle it. I just can’t.

So... We’re going to sit back. And lurk. And wait. And see what this next season (and the potential RP Com. Boom that comes as a result) has in store. And if it’s as bad as I’m worried it might be... It’s time for me to leave. Because I can’t put this much energy and love into something just to have to explain my right to do so anymore. There are people who love much more controversial characters who are accepted far more than there are people who love Ag.ent C.arolin.a, and at the end of the day, I just... I can’t accept that anymore. I like to think that I contributed at least a decent amount to the RPC over the years. Maybe I’m overstating; maybe I’m just tooting my own horn.

But maybe it’s time I moved on.

#>> out of character;;#long post //#(I guess it's a little negative but i tried to keep the worst out of it)#(so i guess read at your own risk?)#(I'm heartbroken and in tears like.)#(this might seem petty to some people. like. it's just a character.)#(and i'd say that about almost any of my other muses.)#(but this one.)#(she's. important to me in a way i can't express in words.)

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caffeineivore · 6 years ago

Text

Commission #1

For @ellorgast

Prompt: A Very Spirited Wedding

Ships: Usagi/Mamoru, Senshi/Shitennou

Rating: PG

Get your own commissions from me here or check out other people offering commissions here!

Something Old…

Her dress is spotless white satin glimmering with seed pearls and a flowing overlay of chiffon embroidered with rosebuds. Angela has just finished dressing, and makeup, and had kicked out the well-meaning army of her mother and future mother-in-law and bridesmaids and photographer after the requisite pictures and champagne, just to take a moment for herself. The woman in the mirror glows with excitement and the flush of love, but there’s always a hint of nerves, of the finality of tying oneself to another person for the rest of one’s life. She knows, more than most, anything can happen. Countless tragedies spring from a single blink-of-the-eye catastrophe, or one bad decision.

A knock, a harmonious, familiar voice at the other side of the door. “It’s Jay. Are you decent?”

He looks exceedingly handsome and somehow a bit stately, dressed in pale grey linen with a sprig of sage and ivy— silvery and lush green— pinned to his lapel. It’s not a typical choice for a suit or boutonniere, but it suits more than black-tie would, and he’s holding something in his hands— gleaming silver.

It’s a delicate tiara, wrought branches of metal so intricately worked as to look like the slender stems of living flowers and vines twisted together. Drops of clear crystal like dew glitter against the silver, along with fantastical flowers carved out of jewels— blue irises, pink rosebuds, yellow daisies and red poppies— an effect which should’ve been crass, but when he places it on her head, over the filmy lace veil, she looks like a fairy princess. The metal feels slightly warm and almost alive against her hair, and she smiles up at this surrogate brother, this forever friend. “How did you know I’d looked in every single boutique in this city and couldn’t find anything?”

He grins, and the stately, somewhat remote look vanishes. “Well. For one thing, this is super old. But I am firmly of the belief that it will bring you good luck, you little ball of sunshine. I brought it out of storage.”

She thinks art nouveau, circa 1920’s, perhaps out of a safety deposit box somewhere in a bank. He knows, but doesn’t say, that it had been wrought by the masterful hands of his clan’s greatest artisans, in moonlit smithies high up in mist-shrouded mountains back before the first ships had ever even crossed the ocean, blessed by starshine and magic and centuries’ worth of romantic hopes and dreams. She just knows that it fits perfectly, and her eyes shine a bit brighter in the reflection, and she reaches up, impulsively, to give him a hug. “Something old, right? Thank you.”

“I wish you all the best and brightest of this world’s blessings, my friend.” He presses a brief, grave kiss to her forehead, right under where the metal meets skin, and it feels like the strangest of benedictions, almost solemn and formal. But then he steps back, and he’s Jay again, and he makes a cheeky comment about how beautiful she looks and how Adam is going to swallow his tongue when he sees her, and he leaves as quickly as he’d come on quick and silent feet.

Something New…

The blind date with Jareth’s friend had gone surprisingly well. Zhen, with his indolent green eyes and roguish smile, is well-spoken and courteous, with an almost-dangerous way of looking and listening to a woman as though he’d been waiting all his life for what she had to say at any given moment. Raina considers herself immune to such foolishness for the most part, but that Jareth considers him a friend is a point in his favour. It’s unspoken, but not unknown, that she and Jareth are both a bit out of the realm of the ordinary mortals who surround them.

When she’d mentioned the wedding, he’d cheerfully agreed to go as her date. “I love weddings. Such an optimistic sort of atmosphere, no? Whatever storms the happy couple may face in the future, for today they are deeply in love, heads and hearts full of rose-coloured dreams and hopes. And then they almost always have fabulous food and delicious cake. That cannot be overstated.”

She’s not as optimistic, perhaps, about the concept of marriage. But she rather likes Adam King, out of her colleagues at the hospital. He’s intelligent and capable, as is expected for his profession and academic record, but furthermore, there’s a soul-deep, untarnished light of compassion and empathy in the blue of his eyes. He had not become a healer because it was his birthright, like her, but because he genuinely, in his quiet, mortal way, felt and wanted to heal the pain of his fellow humans. It stirs a long-dormant feeling of fond protectiveness in her, and when she and her date go to wish the happy couple well at the start of the reception, she means it genuinely.

Zhen looks keenly interested in the proceedings, and though she’s quite sure that neither the bride nor groom had ever met him before, he greets them both with the cordiality of a socially-adroit man intent on befriending them both. He had not brought a gift-- (she had picked a popular programmable coffee and espresso machine out of the online registry, knowing Adam’s fondness for mochas)-- but he’d brought a card, and tucked in a scratch-off lottery ticket. He hands it to Adam, in person, rather than adding it to a pile left somewhere, and the groom opens it, reads the message aloud.

“Best of luck with your love and your lives together. Blessings upon you both.” It’s a nice enough message, and written in exuberant flourishes of looping script. Good-humouredly, Adam claps Zhen on the shoulder, and scratches off the silver wax on the lottery ticket, then his eyebrows shoot up to his hairline as he scans the ticket again.

“Did you win something?” Zhen inquires pleasantly, his lazy smile playing across his lips.

“Three matched sevens across, and then these two numbers mean…” Adam furrows his brow, and glances around before lowering his voice. “I’m not much for playing the lottery. But if I’m reading this correctly, did I just win $5000?!”

“Well, well.” Zhen’s voice is low and pleased as an animal’s purr. “How lucky for you, my friend. I do think that is a fantastic beginning to your new life together, wouldn’t you say?”

Raina hears pleasure and something close to triumph in her companion’s voice, but not even a little bit of surprise. This man, with his scintillating gaze and effortless charm, is much more than he seemed. She’d have to keep an eye on him.

Something Borrowed…

Linden Thorne does not often work in the role of caterer, but on impulse, she had accepted to provide both the cake and food for this wedding, and she had found herself pleasantly surprised at how much she’d enjoyed it.

The bride and groom were perhaps two of the most pure-hearted, genuinely good mortals that she had ever come across. A doctor and a social worker, both working tirelessly to help and heal the physical and emotional damage of any of their fellows that crossed their paths-- and humans are a fragile lot, indeed. They had been pleasant, easygoing, not at all demanding, and so deeply in love that both of them all but glowed with it. The bride especially, with her boundless energy and equally irrepressible sweet tooth, took particularly well to any and every thing that Linden had her sample.

So, she’s not entirely surprised when Angela-- who had been Angela King for all of perhaps an hour-- peeks into the kitchen area where the wedding reception is taking place. Linden has a half-dozen sous chefs and assistants putting together delicate canapés with the efficiency of a battalion following the directives of their commanding officer: a lanky young man is on top of a step-stool putting the finishing touches on the top tier of the wedding cake-- translucently thin slivers of gold leaf, velvety rosebuds in shell pink and scarlet, a woman with a severely pinned bun is garnishing exquisite smoked salmon toast rounds with glossy black caviar and eyelash-thin fronds of fresh dill. The bride, still in her gown though sans veil, grins at her with a good-humoured yet half-embarrassed look that Linden interprets in an instant.

“You’re starving, aren’t you?”

“A bit, yeah. I had a salad last night for dinner. Then it was my fault this morning because I was too excited to eat. But now I’m shamelessly begging in here like I have no sense. You can totally tell me to buzz off.”

Linden finds herself laughing, unoffended. “It’s your wedding, so it would not make much sense for me to tell you to buzz off, wouldn’t you agree?”

“But you’re busy, and this is probably rude of me, so…”

“I will forgive it this time.” Linden steps away from the buzz of activity, digs through the pantry and fridge. The bride is a silly, bright-eyed slip of a girl, sweet and pure as vanilla buttercream, and if the world has yet to break her spirit, who was Linden to take that onerous task into her hands. She cuts two slices of rye bread, then adds Dijon mustard, peppery arugula leaves, generous slices of red tomatoes and sharp cheddar and cold chicken breast. A sandwich is probably the least glamorous meal that she could have put together in that moment, but the girl’s eyes light up like stars nonetheless.

Linden, with an indulgent smile, slips her own chef’s apron off of her neck, and carefully ties it over the bride’s flowing white gown. “Okay. Eat up.”

“Oh, God, this is the best thing I’ve ever had, and I know I’ll be saying that again like twenty times tonight after everything else you’ve made, too,” Angela says in between bites, looking like a mischievous fairy princess who’d snuck down to the palace kitchens in that borrowed apron. She finishes the sandwich with rather unladylike haste, but then gets up, with her usual endless energy, and reaches up to give Linden a hug. It’s such a human gesture-- warm and impulsive and sweet and unexpected, and Linden pauses awkwardly before returning it.

“Feel better now?”

“Oh yes. Thanks for the apron. And the sandwich. And everything.” Angela slips the apron off, mussing her hair just the faintest bit, then beams up at Linden again. “I really hope that you’re as happy as I am today. Forever. Does that sound silly?”

Forever is a long time, far beyond the scope of what this silly mortal bride could fathom, but Linden knows that the bright-eyed, perhaps foolish girl means it with every beat of her kind and affectionate heart. And so she lets the genuine goodwill of the wish warm her spirit, like a borrowed candle shining valiantly on a dark night, far after the party is over and the bride is well on her way to her honeymoon.

Something Blue…

The late September breeze filters through the tall, slim boles of a tall aspen decked in autumnal gold outside on the grounds of a Manhattan church, the sound soft and gentle as whispered prayers. Inside, a wedding ceremony is taking place, a young man and woman exchanging their vows to their God and each other to live the rest of their lives together in love and unity and devotion.

Contrary to popular belief, Kafziel does not spend the majority of his time on the premises of churches in the city. But this morning finds him on the rooftop of this particular building, a stalwart sentinel visible only in the fleeting, ever-changing reflections of the panes of the intricate rose window in the facade of the building. Of course, there is no one around to see him-- all the visitors to the church are well enough inside to watch the happy couple getting married.

Kafziel knows, of course, the history of the bride and groom, as he knows the history of every other man, woman and child currently living in that great city, and even by his exacting standards, both of them live decent, upstanding lives above reproach. Neither of them were born here; indeed, the young man in particular had been the product of a most unpromising beginning. And yet, they had found their way here, and to each other, and flourished in love and light and goodness despite everything which might conspire to tarnish the kindness of two such spotless souls.

The pane of leaded glass reflects, at that moment, a face of stark, stern beauty and foreboding. “Let love be genuine. Abhor what is evil; hold fast to what is good.” The words are familiar and easy, but Kafziel knows, more than any, of the way great darkness follows great light with dogged, demoniacal tenacity. There is a chill in the air; winter is coming, and with the frost portents sharp strife, perhaps even great trouble. Those who would engender all which he abhors would feed, frenzied, upon the darkest, basest impulses and sins and actions. The happy couple who are even now enjoying their first kiss as man and wife have no idea that their union portends any number of potential catastrophes of a dark and sinful world rebelling against their very radiance. Kafziel’s reflection squares its shoulders, firms its grip on the mighty, fire-tipped sword that throws jewel-like beams of light through the stained glass into the building.

But even as he braces himself for what must inevitably come-- perhaps a day, or a month, or a decade from now-- he feels the presence of others crowding in, like a ragtag bunch of plucky soldiers summoned to a war they might have no call to fight and yet taken on with every bit of courage as such a troop might muster. The chaotic whimsy of a shifter. The primeval fire-and-wildwoods magic of a nature goddess. The calm, steadfast wisdom of a healer and the tireless, graceful agility of a brace of wandering Ælf-kine. Others, too, all gathered here, converging by luck or fate. Kafziel pauses, and allows himself a faint, almost-hopeful smile, and overhead, the sunlight breaks through the clouds as the sky turns a brilliant blue.

#ellorgast #senshi/shitennou #mamoru x usagi #commission #fanfiction #fanfic #sailor moon

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popculturebuffet · 4 years ago

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Tex Avery Birthday Spectacular!

Hello all you happy people! And welcome to a celebration of the only cartoon director I knew as a kid and one of the finest whose ever lived, Mr. Tex Avery.

Avery is a legend in the animation industry and rightly so. Starting out at a few other studios, and loosing sight in one of his eyes due to some tomfoolery at one, Tex was annoyed with the restrctive enviorment and eventually found his way to Termite Terrace, the animated shorts wing of Leon Schislenger Productions, aka the future Warner Brothers Studios and the makers of Looney Tunes. And his impact on the franchise is vast, cannot be overstated and I only learned about just how much recently: The man created Daffy Duck and Bugs Bunny, created the prototype for Elmer Fudd, and created the design for Porky we’re all far more familiar with.

Eventually though while he was happy there, his career when ended when he eventually got into a squabble with Leon schsinger over the ending of “The Heckling Hare” and left soon after. Given he got a four week unpaid suspension for it , a bit extreme given all he’d given the studio, I can’t blame him. He instead went over to MGM who badly needed his wacky energy, and thus got to go as nuts as he wanted, with creative control a better budget and the result was his peak and classic characters like Red and my personal faviorite and personal boy: Droopy. I will try and do a birthday thing for him next month, we’ll see if my rather packed schedule will allow for it. Point is I watched the guys cartoons a lot as a kid between looney tunes and his shorts being repacked for the Tex Avery show in the late 90′s, and until recently I had no idea the depth and scope of his career: The guy gave looney tunes it’s standard fourth walll breaking and made it a huge part of the industry, and he was the one to hlep htem break out of being a Disney knockoff and into what we know today. The guy has my utmost respect so today I honor him as the first animator to get one of my birthday specials: As is my standard ten shorts, my patreons get to pick one each (I now have two but she start’s next month so her benefits will too) if they so choose (Kev opted out of the porky pig one next week) and I went to my friend blah for a recomendation as he’s an avid fan of the golden age of animation and thus usually has a really good choice up his sleeve. Now that’s out of hte way join me under the cut for some shenanigans as old tex would want it that way.

1. The Gold Diggers of 49 (1935)

This was Tex Avery’s first short with warner and the first of his I could find, not ot mention his first time working with Chuck Jones and Bob Clampett, who he’d mentor and go on to be the heart and soul of Looney Tunes and define the characters Tex created. And since this is more significant than his earlier work i’m coutning it as his first. And as a start it’s.. ehhhhhhh.

I don’t blame him for it though. Most don’t hit it out of hte park their first time up to bat, and frankly the deck was stacked against him. He was saddled with Beans the Cat...

No one brak no one. He was part of an attempt by warner to create a new star as part of a Little Rascals/Our Gang style group of kids debuting in the short “I Haven’t Got a Hat”. This short is notable not for Beans, who no one cares about, but for the debut of Looney Tunes first star: Porky Pig. Porky was just one of the various characters but the only one audiences really liked. It took some time for Warner to get the hint though, hence Beans starring here and Porky playing his girlfriend’s father.. and also now being much older than him for some reason.

So instead of being a Little Rascals ripoff bean is now a mickey mouse ripoff, as the short gives me mickey mouse vibes.. but without the things that made those shorts actually good and feels mostly built on studios trying to make what they think audiences will like. There’s sparks of waht Tex would become.. but just not enough wiggle room for him to make something special. Also porky looks and sounds weird in this one and Bean’s girlfriend has a REALLY annoying voice. Oh and two horrible Asian stereotypes, because it was acceptable at the time but lord was it never okay. Then again I should be at least mildly greatful none of the shorts had blackface.. because tex apparently REALLY had a problem with that, something I obviously didn’t know as a kid as they edited it out but given most of his MGM shorts have “blackface edited out of x version”, yeahhh.... I may like the guy, quite a bit and feel those gags weren’t done out of malice.. but it dosen’t make them okay, they were never okay and he should’ve done better.

2. I Love to Singa (1936) Thankfully our next entry is 800% better, as we get a classic from my childhood and probably multiple childhoods. Admittedly part of the reason this one stuck in my head is the title song, sung by a young jazz singing owl whose dad doesn’t like that he sings Jazz instead of classical, enters a contest and nearly looses singing classical to please his dad only for his dad to intervene and finally accept his son. It’s a wonderful story of acceptance with some decent gags, beautiful animation and one hell of a title track that will probably never leave my head. The song is really what makes this short and sometimes that’s okay. Also just to note so someone else doesn’t: This short was a parody of the Jazz Singer one of the first talkie’s.. and also a film that uses blackface and whose 80′s remake bafflingly also uses blackface for some reason. Yes really.

3. Tortoise Beats Hare (1941)

One of Tex’s only four Bugs Shorts.. but given 3/4 of them are certified classics, and one of them involving a horrible stereotype.. to the point it’s part of the rightfully infamous “Censored 11″ and the ONLY one involving Bugs Bunny.

So as I said, Tex has a bad history with casual racism, and while it was the style at the time and I don’t THINK he was actively malicious towards black people.. it doesn’t make some of his work any less harmful. The rest of his bugs work though is remembered for the right reasons: his first appearance, and early classic we’ll get to next.. and this standout everyone who saw it as a kid or an adult fondly remembers.

You all know the premise: Bugs finds out, in an utterly brilliant wall shattering bit at the start where he reads off the crew names and then the title, that this picture will have him beaten by a turtle and taking offense to that challenges the guy. This is honestly one of the few Bugs shorts where he’s the out and out villain of the picture. He’s doing this race purely out of ego, yells at Cecil whose perfectly nice in this one, and in general is the bully set up for a fall he’d later be famous for taking on. But it works, both because this si early in bugs career so it’s entirely in character, and because Mel just really sells the obnoxiousness while still being funny.

This short also has one of Tex’s trademark setups as this is essentially a prototypical droopy cartoon: A meek, goofy voiced protagonist whose shorter than his large obnoxious enemy and who torments him by showing up every where he’s going to be and casually doing it. Cecil even does so using an army of fellow turtles with Droopy later using a similar trick in one of his shorts. As a big Droopy fan i’m clearly not complaining and while Droopy would do it better, this short’s still a classic for a reason with tons of great bits and is a fun break from the usual bugs setup, though in full fairness the usual bugs setup is still solid gold so take that how you will.

4. The Heckling Hare (1941)

Originally I was going to have Daffy in Hollywood in this spot as I thought it was on Max, it was not, so I swapped it out with his final bugs cartoon. For the record his first, and Bugs, is being saved for Bugs birthday this summer. And honestly i’m glad I did because this was 7 mintues of pure joy that has another setup that Tex himself and other Looney Tunes animators would resuuse: Bugs being pitted up against a far dumber antagonist. One who often still fully deserves it but allows him to just have fun for several minutes at this dumb bastard’s expense. It works well here, with tons of clever gags, my faviorite being the two doing dumb faces with each other only for bugs to stop and pull out a sign as seen right above.

It’s also an approriate capper to our warner made Tex shorts for the day, as this would be the one that got him fired. He and Schisnger argued over it and he got suspended as I mentioned and I found it again a bit fucking extreme. So did Tex and after a handful of shorts elsewhere, he’d move over to MGM, whose cartoons would ironically be bought up by warner. They needed a shot in the arm to compete with Disney and Warner and Tex was happy to provide hte needle filled with nonsense. And the results.. are pure gold.

5. Dumb Hounded (1943)

I’ll admit as a kid I didn’t know Tex’s MGM shorts were theatrical, or any shorts but somehow I knew they weren’t looney tunes. Besidds obviously having hteir own show they just had their own tone and pacing and style. While the Looney Tunes aren’t bad, at all honestly, Tex’s work here was in a class by itself with MGM gladly giving him a higher budget and even more creative freedom. And the results speak for themselves and one of those results is one of if not my faviorite classic cartoon character. And since I might not be able to get to his birthday with one of these next month, though i’m certainly going to try march is just VERY VERY FULL. Anyways point is our happy hero was introduced here. And given i’m frequently depressed and often withdrawn, not that you could tell from my reviews here, I related to this depressed bulldog who always won anyway despite being an outsider, finding love, sucess and always beating a much larger, much more assholish antagonist. But Droopy is good on his own merits as his shorts are just that funny.

This was true from Day One as dumb hounded is fucking perfect: The Wolf that Avery always used in his cartoons escapes from jail and is hunted by bloodhounds including our boy, who charmingly introduces himself with “You know what, i’m the hero”. From there it’s a simple setup but a great one as Droopy finds the guy.. then chases him from here to enternity with one amazing gag after another. Simple, utterly hilarious and the dawn of a legend, with the ending having Droopy go a bit nuts after getting his reward money before returning to his usual demeanor “You know what? I’m happy” So am I bud, so am I.

6. Red Hot Riding Hood (1943)

Yup same year. Tex hit the ground sprinting. This one is his signature MGM toon and for good reason. Using his usual forth wall breaking style, both the wolf and red riding hood rebel when it opens with a typical telling, so it changes to a 40′s nightlife setting: Grandma lives in a penthouse and is man hungry, Red is a fanservicey night club act and the Wolf is a sexually harassing asshole who chases after here and has some over the top reactions to her that are iconic in some’s mind.

The short is gorgeously animated with Red’s dance sequence and Wolfie’s reactions being the highlight and the short isn’t as bad as it could be as the wolf is treated as a scumbag for hitting on her and generally being a creep. SO the first two thirds aren’t bad with nice touches like the narrator clearly improvising the new story. It’s just badly hampered by the last half where Grandma sexually harasses Wolfie and it just doesn’t work. This double standard stuff annoys me and “haha get it it’s funny when a woman stalks a man” isn’t funny. Wolfie stalking her really isn’t that funny either it’s just not you know an entire third of the film. So a classic for a reason.. but one that really has degraded with time. Still worth analyzing and what not, just not great.

7. Who Killed Who? (1943)

Yes still. It was a good year. This is another one off like Red Hot Riding Hood and as is tradition since the Tom and Jerry one, my patreons each get to pick one and Kev selected this one. And this.. was a great choice.

Seriously I could not stop laughing with a great gag a minute, WAY too many to mention, a classic ending, and just nothing but net the whole time. I don’t have much to say really.. but because this one’s just good. The whodunnit genre hasn’t really gone away, it’s cliches are welll known even today and this is a lovely parody of it that hits the ground running after a live action intro and runs right through the wall across a lake and straight into droopy “You moved.”.

The only real observation I have other than “This is fucking awesome watch it immediately” is that the villian looks exactly like the Phantom Blot. Who knew the Phantom Blot was a live action guy with a weird haircut the whole time huh? Seriously this one is a masterpiece, an instant faviorite, and I highly recommend it.

8. Screwball Squirrel (1944)

As you can probably guess by how I lead it in this one is not very good. It is tex TRYING to make a bugs or daffy type character again and somehow failing at it. He created them, he did plenty of shorts like theirs with other characters and got how the cat and mouse antics of the old theatrical shorts worked.. so I have no idea how this one happened.

I’m really not overselling it: The short is about Screwy, who hyjacks it from a cute widdle bunny clearly parodying bambi.. who he beats the shit out of, then decides to get things going asks a dumb dog to hunt him, then insults him to provoke him to attacking him. He then spends the entire short tormenting the poor dumb bastard who again HE PROVOKED. It feels like a poor imitation of dumb hounded, as while Bugs clearly outclassed the dog there, he’d die if he lost, so while he was punching down, he clearly didn’t have a choice and you can’t honestly blame him. Here, Screwy is fine, he just wants someone’s head to fuck with and spends a whole short torturing him. We don’t even get catarsis as while the dog does catch him at the end via weird gag, they end up deciding to beat up the bunny instead.

His voice is also just the worst, just utterly grating and making me wish an anvil woudl fall on HIM instead. Screwy would return for some other shorts but I have no idea why. This was easily the weakest of these ten shorts and I will probably not return to the guy next year.

9. Bad Luck Blackie (1949)

This is one i’d forgotten till I got a ways in. It’s also weirdly one of the only MGM Tex shorts on HBO Max as this was included in the Tom and Jerry collection for some reason, the dog in it clearly isn’t the tom and Jerry verison of spike... though the dog Droopy fought a lot was indeed called spike. Yes that is confusing, no I don’t know why MGM thought this was a good idea.

As a result though I have been saving giving out about this till now but seirously , put the tex avery shorts on HBO Max. Their on Blu-Ray, their on boomerang, especially Droopys. I do not get why they aren’t on here. I’m tired of them holding things out for the boomerang app when not everyone subscirbes to that. Let me have my morose dog dammit.

That giving out aside i’m glad this one caught my eye via i’ts weird name as it’s another masterpiece. It also does what one Tom and Jerry short I reviewed, the one where tom’s a millionare, earlier this month failed to: properly make it’s antagonist loathsome enough to deserve the parade of abuse he gets. With that one Tom is tourturning jerry for like 30 seconds, but Jerry torments him for most of 5 minutes.

Here we get about two minutes of our lead kitten getting torremnted by a mean bulldog. It’s not only still a bit entertaining to lessen the horror just enough to be watchable but not enough to make the bulldog likeable, but it makes what happens for the rest of the short oh so fucking satsifying. While the previous short today really didn’t get the karmic ballance neded for a good classic screwball comedy short this one overwhelmingly does.

Our kitten gets some help in the form of Blackie, a professional black cat who agrees to turn the tables, sauntring across to a wonderfully catchy tune. any time the little guy whistles. The result from there is 5-6 nonstop minutes of comedy genius, as Tex finds new and creative ways for the cat to come out of nowhere, and even shakes things up to keep it intresting towards the end iwth the dog getting the whistle.. only for it to still not work out, and for our little kitten to get his revenge at last by painting himself black after the bulldog paints blackie white. As should be obvious by now, it’s really good, showing Screwball Squirrel was the exception not the rule. In general Tex was this good during his mgm and when he was at his peak we got gems like this. Truly sensational, watch it if you have max it’s under the tom and jerry section for some reason.

10. T.V. of Tommorow A decent one I remember seeing as a kid. Not much to say though, it’s mostly a bunch of gags about “future” tv’s based on their viewer’s needs. Some good stuff.. not as good as most of what was here today but still better than the worst of it and still very memorable and part of a memorable tetralogy i’ll probably come back to when I do Tex’s birthday again next year. Not a bad note to end on though.

Overall these shorts show just how strong a creator tex was, gleefully taking convention and ripping it to tiny pieces. As i’ve mentioned many times i’ll be coming back to his work next year.. and probably be watching a hell ofa lot more in the time between. Might even do a second special on him in between birthday ones. We’ll see how this does. The Tom and Jerry one sadly wasn’t quite the hit I hoped.

Until then I have many other reviews. And since Today (This review is late) was supposed to be the 90′s tom and jerry movie but that turned out not to be on Max for some reason. I still plan to cover it some day i’ll just have to find it and buy it first. But tommorow if I have the time i’ll be continuing the Lena retrospective with an intresting little side trip. So until then, i’ts been a pleasure and you know what? Thanks for reading.

#tex avery #droopy #bugs bunny #porky pig #the gold diggers of 49 #cecil turtle #tortoise beats hare #the heckling hare #tv of tommorow #dumb hounded #red hot riding hood #who killed who #red #spike #bad luck blackie #screwy squirrel #screwball squirrel #owl jolson #I love to singa

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beingablacknurserymanager-blog · 6 years ago

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Intersectionality and Race -Edgbaston Park Day Nursery

In any Early Years setting the richness of the experiences that the children have with regards to their holistic learning and development are directly informed by the adults who work with them and the environment that those adults create.

In today’s Early Years settings across the UK the importance of actively recruiting a diverse workforce cannot be overstated enough, and not just using one identity marker but looking at as many as possible including gender, class, ability, sexual orientation, ethnicity and religion. But the work does not stop there, having a Black practitioner so that you can tick a box or so it looks ‘inclusive’ on your nursery website is tokenistic the real work to counter discrimination is embedded within the practices of the workforce.

The examination of how any one of these identity markers intersect must be acknowledged as being extremely important. Intersectionality, a term coined by the Black feminist scholar Kimberlé Crenshaw, examines how different forms of social and political discrimination overlap with gender to compound and further marginalise people within society.

As the term has evolved it has been used outside of feminist theory more to look at how certain sectors of society are often more disadvantaged by multiple sources of oppression interlocking and compounding meaning that equality and social mobility is even harder to achieve by already marginalised communities.

As an Early Years workforce we are assisting and preparing children to be contributors to a fair, accepting and pleasant society it is therefore imperative that we examine Crenshaws theory and heighten our awareness of precisely how it can directly impact the children that we work with every day.

It is not good enough to dismiss the importance of intersectionality because you are a well meaning Nursery Manager who says things like “We don’t see colour here! All of our children are the same to us” or “Why does it matter so much, all the children are happy and we’re not racist!” We must examine how to be actively anti-discriminatory in our practice and we must work to ensure that necessary training is not just delivered within the area of intersectional theory but is embedded within the practices of our settings.

For the past 15 years I have managed Edgbaston Park Day Nursery in Birmingham. We are located a stones throw away from the leafy middle class suburbs of Edgbaston and the newly developed ‘Edgbaston Village’ part of the Calthorpe Estate near houses that are increasing in value by the year. We are a stones throw from Ladywood, an area of inner city Birmingham. We are 10 minutes away from Harborne High street in one direction and 10 minutes away from Winson Green prison in the opposite direction. (a quick google search will fill in the blanks if you are not familiar with Birmingham)

Needless to say the intersections of race, class, and religion that surround my setting are things that I am acutely aware of. The demographic of the children who attend are almost all Black and South Asian.

The setting is a 46 place private day nursery that has been owned by my mother since 1994. With 38 children currently on roll 31 of these children would be classified as being Black African-Caribbean, 2 are Black African, 1 White British, 3 are South Asian and 1 is East Asian.

I employ 11 staff, and using the same ethnic background descriptors, 5 are Black African – Caribbean, 1 is Black African, 3 South Asian and 2 White other. My choice to ensure that I recruit from as wide a range of people as possible is a very conscious one because reflecting the city and more importantly the Britain that I am preparing the children to grow up in is something that I believe is extremely important.

For me that means that the children who attend must not only see themselves reflected in the practitioners but must also see how the importance of collaborative partnerships amongst people who all look different, speak with different accents and who express their religions, gender identities and abilities can all share commonalities as well as feel confident and unashamed to express their differences.

I recognise that one of the most prevalent identity markers of the children who are on roll at my setting is race, but I am also very much aware that class, family structure and religion, in line with intersectional theory, are additional sources of oppression that directly impact the children and families who attend the setting. All of my current staff identify as cis females but I frequently engage with external male practitioners from a variety of creative disciplines who come in to deliver chess workshops, or art programmes , music sessions or story telling activities. This is to counter the fact that I recognise that a large proportion of the children do not live with their fathers and some have limited contact with them or no contact at all due to family breakdown, incarceration or because the fathers have been absent from birth.

Self - development and building resilience and confidence within the psyche of the children is something that I ensure happens at my setting daily and each of my practitioners are encouraged to promote a culture of excellence in their engagement with each other and the children. The cohort of children , particularly in my Pre-School group, is disproportionately girls and in this ever increasing Instagram and social media driven society the direct impact that this has on the children is staggering, particularly when beauty standards lean towards the preference of White skin, slim frames and blonde hair, or most recently a trend of being racially ambiguous with slim waists, big breasts and a shapely bum. You’d be surprised at how readily the 3 year old girls adopt poses whenever a camera is pulled out akin to the latest social media influencer or Love Island contestant and how frequently they put items under their tops to imitate having breasts.

We have had cases of Black girls aged 4 expressing their desire to have White skin or telling other girls that they’re clothes don’t look nice because of their “Fat bellies”. Countering these things means paying close attention to observing the children through play and not just being reactive in our approach through having the token Black doll but having permanent displays that showcase the beauty of braided hair with colourful beads and intricate canerowed hairstyles. One of my practitioners is renowned for her canerowing skills as she plaits the children’s (boys and girls) hair at the parents requests. Effectively we have a live hairdressers role play station located within our Pre- School classroom.

I upskill my practitioners to be confident enough to have those difficult conversations with parents about what we may have heard their children say to one another and we do not celebrate Eid , Black History Month or Diwali just because these celebrations are marked on the calendar but the discussion of multi faith and cultural practices by my practitioners is explicitly encouraged. Our nursery cook of 10 years ensures that steamed fish, curried chicken, plantain and seasoned EVERYTHING is served throughout the week as well as a chickpea curry or a roast with yorkshire puddings for balance so that the familiar smells float throughout the nursery at meal times.

Exploring how multiple sources of oppression intersect must be considered carefully with the Early Years to ensure that children’s exposure to as many things as possible to counter these factors can have a long lasting positive impact on their lives.

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