#some bashing
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watcher0033 · 2 years ago
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Y’all, the Archive admins are made up of VOLUNTEERS. And they have been working for 12-13 HOURS STRAIGHT.
I better not hear any complaints when donation period comes around. OR ELSE.
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cosplay by @woahchriswoah on Twitter
EDIT: How do we show appreciation to the volunteers? For me reading these deep dives on OTW issues u guys apparently it's been said multiple times that one of their objective statements is to have paid staff for ao3 and there's a surplus of donations they haven't used up or the other community solutions that needs to address. For those more financially literate feel free to analyze, snipe me or add to the discussion etc. linked here by deepa. They’re cool and these yearly analysis they did aint no joke.
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But Seriously what can we do for these volunteers? The probable burn out from this entire fiasco would be no joke. @ao3org
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just-null · 9 months ago
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Do you ever do requests? If so, do you ever plan on drawing some Yandere with the Hantengu clones? :D hope you have a good day/night!!!
Mentioning an unfamiliar name
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yes!! I love yanderes.. and these guys.. these guys are such good material...... nods nods..
I'm not sure about requests..I assume you mean drawing requests? I suppose if it REALLY catches my interest enough, I'd do it, but it'd probably just be line art/sketches.
#null rot#yandere kny#yandere demon slayer#kny#kimetsu no yaiba#demon slayer#hantengu#hantengu clones#sekido#karaku#urogi#aizetsu#midori306#YOU ALREADY KNOW THE ANSWER TO THE YANDERE QUESTION MY BELOVED CULT MEMBER#uwaa and i recently checked back on their designs.. THEY HAVE LONG SLANTED EARS DUDE WHAT THE FUCKKK THATS LIKE THE CUTEST EVER#i tend to shitpost and focus on the dere than the yan but thats my mistake!! im sorry cult members.. I'll need scarousal#when calling sekdio. he pretends to ignore you but you can tell he heard you when his ear twitches#He's flabbergasted that you met someone else to begin with. who let you go out without one of them?!#hes too shocked and angry to even properly get upset!!#Karaku loves everything you have to say. less so if its positive abt someone else. still listens tho. listening carefully for details..#he doesnt mind others eyeing you. youre perfect in his eyes. who wouldnt? still.. thats not gonna fly well.#Urogi loves when you seek him out but mentioning someone else... is bc you want to feed him right? ofc! you want to benefit him!#its cause hes your favorite! yeah! youre so sweet!!! ofc he'll get rid of someone for you both!!#Aizetsu's bashful. he feels put on the spot when calling him but hes always hoping you give him affection of some kind. always ready for yo#mentioning someone else was NOT what he wanted and now hes sad.. youre making him sad.. whats so important you had to bring that up?#The thought of anyone else makes him feel so exhausted already.. wont you comfort him instead? he needs you now.. atone for your mistakes#uwaa expressions.. uwaaa aizetsu releasing some of the tension in his brows when hes feeling upset towards you uWAA#i CANT RAMBLE ENOUGH IN THE TAGS SO WAIT FOR THE POST I HAVE IN THE BACK BURNER FROM SOMEONE ELSE WHO ASKED FOR SOMETHING SIMILAR!!!!!!!
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dootznbootz · 10 months ago
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Penelope is also Athena's pet/blorbo/special little mortal/etc. and if you think otherwise you're straight up wrong.
You're also wrong if you think Athena only likes Penelope because of Odysseus and/or Telemachus. As if Athena didn't see a young Penelope pull some shit and immediately think "Oh! Another mind to mold! C'mere you! Let's do some riddles and weaving!". Athena was happy that two of her favorite pets have met and fell in love!
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sebssunshine · 11 months ago
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the fact that the endingshot of d&w is their suit helmets sitting next to eachother on the counter of the ONE BEDROOM APARTMENT that they share while their found family has dinner in the background
insane
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ghost-bxrd · 1 year ago
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Prompt:
Tim is the first to find out the Red Hood’s identity and from then on sticks to Jason during patrol like glue (much to Jason’s chagrin, dammit, it would feel wrong to beat up Robin when he’s that starry eyed…)
Cue: PANIC from the rest of the Batfamily, who still think Hood is a forty-something year old crime lord and now assume they’re dating.
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melioristicbeast · 2 months ago
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Wanted a cover for my 'I could see Stiles listen to this' playlist and since it can't be a gif - in which case it would have been this one:
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- second best was a redraw of the lofi girl although the playlist is probably as far from lofi as you can get LOL
Link to playlist under the cut for those curious:
I've listed the ones I've done art for at the beginning but from there on I've just been adding whenever I came across something from my own liked songs that I could see stiles jam out to. Best on shuffle!
It ended up with so many of my hype favorites hahaha. if you put this on, say 'actually, what would realistically happen in this scenario is...' in the mirror 3 times and open a can of coke, you'll summon a ghostly apparition of me that'll poorly but enthusiastically dance in your kitchen.
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jedi-enthusiasm-blog · 8 months ago
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When a Jedi takes in a child, it's kidnapping. But when a Mandalorian does it, it's a foundling.
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lucabyte · 10 months ago
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Olive Branch
Wrong Move
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yuwuta · 1 year ago
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you ask yuuta if he wants a bite of your food and when he says yes you offer your plate to him, but he’s just sat there looking at you with his dumb big bambi boy eyes and his mouth slightly open and he will not look away or blink or close his mouth until you lift your fork to his lips to feed him and then he grins like shit’s sweet and hums about how good the food is like nothing happened like he’s not ridiculously attractive. gonna chew on steel
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hinamie · 10 months ago
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playing around w slightly different hair renders
#my art#jujutsu kaisen#jjk#jjk fanart#jujutsu kaisen fanart#jjk art#yuji itadori#megumi fushiguro#itafushi#fushiita#yuuji#megumi#cries megumi fought tooth n nail..... i refused 2 flip the canvas tho >:(#i vastly prefer drawing him facing right bc fr some reason it makes his hair look better silhouette-wise#so having him face left is alr a Challenge#but also having him slightly look down (difficult angle + changes the silhouette) had me bashing my head in2 th TABLE#same thing happened earlier this month w gardening megu middle pose . i did not learn my lesson#but even worse w this one yuuji's head is blocking th main pointy part tht basically carries the entirety of the shape language#u can imagine my distress i am sure#anyway th render made me a lot happier with it thank god. colours hard carry bless <3333#i didn't plan on making it a full sheet but i needed 2 remind myself that im good at drawing megumi#so i threw in solos of each of them n tried slightly different render flavours#idk how Different all of them look visually but th process fr each ws Very different so i am satisfied#fight aside this ws useful i think! got 2 break out some Clunkier chalks n dust off a few of my smoother blended brushes#think i picked up some things i can keep also !! which ws. u kno. the Goal#tbh every time i do art studies i feel like i am kirby#one time i got called an art ditto by one of my fav artist mutuals when i did a style challenge#SUCH high praise from her it lives in my mind i take it out on days when i feel like trash#it doesnt Sound good when u say u r good at copying but real talk it is such a good skill i am very happy 2 have it in my arsenal
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paperbodiesamongthestars · 1 month ago
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Halfway out the door, but it won't close
Yeah, I'm still mad. The show flatly refuses to address the emotional fallout of the events that take place on it, so I guess I'll do it myself.
Title from Say Don't Go by Taylor Swift, because I love a T Swift lyric as a fic title.
Read the whole thing below, or on AO3.
For the first time in a long time, Buck wants to run. 
The roots he spent so many years putting down washed away more easily than he ever could have imagined, and that hurts. He’s always known Bobby was important—the linchpin of the 118, in addition to being the father Buck always wanted—but Buck was somehow still surprised when things spiraled apart so quickly and so completely without him. 
And Buck gets it. He does. Everyone is retreating into their own corners, taking comfort from their families, and that’s good. He’s glad everyone has that kind of support system. He’s glad they have families to lean on, and to grieve with. 
He just wishes he had someone in his corner too. 
And Maddie’s got him—he knows she does. If he called, she’d be there in a heartbeat, no questions asked. But she’s pregnant. And Chimney almost died. And Bobby did die, making sure Chimney got out. They have a lot going on, and Buck doesn’t want to be selfish. 
Besides, he’s managing. Sure, he wishes he didn’t feel quite so alone all the time, and he wishes that all of the ways he’s trying to help weren’t fundamentally selfish, like they apparently are, but he’s dealing. The hardest part is that he’s been doing his best to be what everyone else needs—to live up to Bobby’s last words—and he’s falling short. He doesn’t—he’s really not sure what else to try, at this point. 
It really doesn’t feel like anyone wants him to keep trying. 
The temptation to pack up his jeep and just choose a direction is intense. He doesn’t, because he promised to take over Eddie’s lease, and Maddie’s baby is coming, and maybe there’s something Athena will need from him at some point, but he looks at the horizon on his way to work and all he sees is freedom.  
He compromises, and requests a transfer. The 118 doesn’t mean what it used to, to him, and maybe at another house he can get up for work without feeling like the grief is going to pull him under. Maybe at another house he’ll stop wanting to take a hard turn onto the freeway, and drive until he loses track of where he is. The 118 is already changing anyway. Eddie will head back to Texas, and the team will get a new captain at some point, and Buck isn’t at all sure that he can see someone else in that seat. Maybe this way he can keep his love of the job, even if it feels like he’s lost just about everything else he cares about. 
And then the building goes down, and the 118 pulls together to help. 
Buck withdraws the transfer paperwork. He doesn’t want to feel disloyal to Bobby’s memory. Going to work every day at that station, like things can ever go back to the way they were before, still makes him feel like he’s going to vibrate out of his skin, but he doesn’t know what else to do. He’s paralyzed; every decision he wants to make feels like the wrong one. 
What he really needs to do is start looking for an apartment. Eddie and Chris are coming back to LA, and of course Buck is going to give him them their house back. He’s happy they’re returning—obviously he is. And the house never really felt like home anyway, aside from—well. It’s never felt like his, is all, aside from one bright, hopeful morning in the kitchen. 
He tries not to think about that too much. The warm light, and the billowing hope in his chest, and Tommy’s familiar scrunchy smile before everything went sideways. It’s too bright to look at for long, so he’s gotten used to locking it away again. 
He should call Tommy, probably, but it feels like it’s been too long. Tommy took a lot of risks to help them, and came to the funeral when Athena asked, to round out Bobby’s first team at the 118, and Buck didn’t even call him after. Never really thanked him. He’s got some texts on his phone—how are you really doing?—that he never responded to, and a couple of voicemails he hasn’t listened to. So yeah, he assumes that window is closed, no matter how much Tommy put on the line for him—for them. 
It’s one more thing that Buck used to have and doesn’t anymore. 
Buck is quiet at work, and the team thinks he doesn’t see the worried glances and the wordless conversations. No one asks him about anything, so he doesn’t share. He spends a lot of time thinking about how he used to picture his life, where he thought he’d end up. 
It should be enough, to have what he has now. He has his sister and the 118. He’s loved, certainly.  He matters to people—he knows he does. But it doesn’t feel like quite enough anymore. He knows everyone lost Bobby, and everyone is dealing with it in their own way, but he doesn’t think he should have to feel like an afterthought, or an inconvenience. He has the vague sense that he shouldn’t have to keep making his grief smaller, but he does it anyway. What else can he do?  
Eddie sets a firm date for his return, and he keeps telling Buck that he doesn’t have to move out, but Buck does. He does have to move out. It’s just—it’s the right thing to do. He thinks it is, anyway, but maybe he’s making it all about him again. He can’t tell anymore. 
Buck goes on calls, and he gradually packs his life back into boxes and labels them, and he goes to look at apartments. He doesn’t find any that he likes. They’re too small, or too dark, or in the wrong neighborhood, or they just don’t feel right. Big shock there—nothing feels right to him. 
Buck knows his realtor is frustrated when he tells her the kitchen in one of the units faces the wrong direction, and he gets it; he’s frustrated with himself. 
Buck goes back to his—to Eddie’s—to the mostly packed house, and he finally admits to himself that he’s not really looking for an apartment. 
He goes to see Gerrard, with a request for vacation this time. 
“It’s a good chunk of time,” Gerrard says slowly, from behind the desk where Bobby should still be sitting. 
“It is,” Buck agrees.
“Sometimes staying busy is better, in these situations,” Gerrard says. Buck can tell he’s trying to be gentle about it, but all he can see is Tommy’s shoulders hunching when Gerrard all but called him a fairy at the medal ceremony. He doesn’t waver. He holds Gerrard’s gaze until the man looks away, clears his throat, and signs the request. 
“I hope you know what you’re doing, Buckley.” He sounds irritated, and Buck feels a little better. He also hopes he knows what he’s doing, but he has a good feeling about it. He’s optimistic, maybe, for the first time in a while. 
Buck shows up to his next shift with a countdown clock in his head, and the rush of relief he feels almost makes him dizzy. He’s got another ten days before his time off starts, but it’s sitting there on the horizon now, an emergency exit, an escape hatch from his life.
He feels steadier now that he can see it up ahead. He’s a little more settled in himself, and he knows everyone sees it. His friends exchange relieved glances when they think he isn’t looking, and some part of him wonders why they can’t just talk to him. He wonders why they couldn’t just sit him down and tell him they were worried, but maybe that’s unfair. Maybe everyone is doing their best, and Bobby’s loss is just insurmountable. It feels that way sometimes, like Buck won’t survive this. It feels like all the bonds tethering him to his life snapped at once, and they’re just dangling now, the severed edges fraying by the day. 
Buck doesn’t say anything about the time off. He works and he smiles at his friends, and no one eats together or makes plans to hang out after work. He tries not to be too hard on himself for giving up—for betraying the last thing Bobby asked him to do. He tried—he really did—but he just can’t anymore. He can’t throw himself into holding everything together when no one seems to want to be held. 
He hopes Bobby would understand, but he can’t be sure.  
The day finally comes. Buck’s stuff is packed into his jeep or his new storage unit. He works his last shift and still doesn’t say anything. He thinks about it, but he’s not sure what he would even say. He figures his friends will have questions when he doesn’t show up for the next shift, but that’s a couple of days from now. Maybe by then, he’ll be far enough away to have found some answers. 
Buck makes it a little over an hour into his drive, heading north, before he has to pull over; he’s crying so hard he’s afraid he’s going to hit something. He takes the next exit, doesn’t see the number through his tears, and parks in the first parking lot he finds. He turns the car off, leans over the steering wheel, and gives in to his sobs. 
He’s not sure how much time has passed when he takes one deep breath, and then another. He feels calm for the first time in a while, emptied—for the moment—of the deep, terrible sorrow that’s been suffocating him for so long. He cleans off his face and then sits up straighter and looks around. He’s parked near a Jack-in-the-Box and he’s suddenly starving, so he goes inside and orders about half the menu. He goes back to his car to eat, windows down, staring unseeing at his surroundings as he thinks. 
Getting even this far out of LA, he feels like his brain has rebooted itself, like he’s stepped out of a fog and can suddenly see clearly again. He considers what he wants to do next. 
He could turn around. He could drive back into the city, and find a place to stay for a couple of weeks while he keeps looking at apartments, and he could use the time off to get settled into a new place. He could rebuild his routine. The thought of it makes a pit of dread open up in his stomach, so that’s a no. 
He could keep going. He could get back on the road, head north the way he planned, drive until he feels like stopping and find a place to stay the night. He could do that for weeks—he’s got six of them before he has to be back at work. It’s what he should do, probably. He could rely on himself, learn how to be alone. Only he feels like he’s already pretty good at that. He’s been alone a lot in his life, and he knows he could do it. But six weeks on his own suddenly feels a lot more like loneliness than freedom. 
Buck tilts his head back against the headrest and closes his eyes. With this unexpected—and almost certainly temporary—feeling of calm and clarity, he’s suddenly confronting some uncomfortable revelations. 
Underneath the grief and the helplessness he’s been feeling for weeks, he’s angry. He’s angry at Eddie for getting in his face, and for implying that he didn’t do everything he could to save Bobby. It felt like shit to hear it, and Eddie was a dick for saying it. He’s angry at the rest of the team, too. For not taking him seriously. For assuming he was as fine as he seemed, even after losing someone who was more of a father to him than his own father ever was. For not even asking where he was moving to when he left Eddie’s house. He loves Chim, but maybe he was wrong; maybe Buck doesn’t owe it to Bobby’s memory to stay in a place where he doesn’t really feel seen anymore.
Buck knows he’s a lot—he can be a lot. But he also knows that he’s grown up in the last few years. He’s loyal, and will do anything for the people he loves. And even before Bobby died, he wasn’t getting that back from his friends. He understands why—they all have lives, and kids, and it’s been a crazy year for everyone. But he consistently made the effort to be there for them, and it doesn’t feel great that no one could find the time to do that for him. 
Well. One person did. One person always showed up for him.  
Maybe Buck doesn’t actually need to get out of LA for six weeks. Maybe he needs some space from his friends and family until he’s got a better handle on his anger with them. But maybe he doesn’t have to spend the next six weeks alone. 
It’s entirely possible that Buck’s silence the past few weeks closed that door for good. But Tommy’s been texting and calling, even though he’s not getting anything back, so maybe it didn’t. There’s only one way to find out. 
It’s early afternoon by the time Buck parks in front of Tommy’s house. He doesn’t know Tommy’s schedule anymore, but he gets lucky—Tommy’s truck is parked in the driveway. Buck’s hands are sweaty all of a sudden, and some of the conviction he felt earlier has drained away. There’s enough left to propel him out of the jeep, though, and up the steps onto Tommy’s porch. 
He rings the doorbell and waits. It’s only a few seconds before Tommy opens the door. His face creases with surprise when he sees Buck, but his eyes are warm. 
“Hi,” Buck says a little awkwardly, and then he barrels on before Tommy can say anything in return. “I want to be friends,” he blurts, without really meaning to. Tommy’s eyebrows shoot up and then furrow as he frowns, and Buck watches his eyes shutter, the way they did in the kitchen that morning. “For now!” he adds hastily. “I’d like to be friends for now.” 
Tommy’s expression does something decidedly judgmental before he gets a handle on it. He’s such a bitch sometimes, and Buck likes him so goddamn much. Loves him, in fact, but he thought about it the whole drive here, and he’s a mess right now; if he says it for the first time today, neither one of them will ever trust it.
“Maybe you should come in,” Tommy says slowly, and his tone is so neutral that Buck winces. It’s fine. He can fix this. Tommy’s willing to at least hear him out. 
He follows Tommy into the kitchen, and sits on one of the barstools at the island while Tommy makes two cups of coffee. He slides one over to Buck and sits at one of the other stools. He’s got his expression under control now, and Buck hates it. Tommy’s so expressive when he’s comfortable that this carefully polite mask feels like a slap. 
Still, Buck feels more relaxed right now than he has in weeks, just because Tommy is sitting across from him, watching him, and yeah, he should probably start explaining. 
“I put in for a transfer,” he says, and there go the eyebrows again. Buck smiles despite himself. “I withdrew the request, later, but then I took some time off. Kind of a lot of time off, actually.” He has a thought, and he looks up. “S-sorry I didn’t get back to you.” 
Tommy shakes his head. “It’s fine, Evan. I figured you were busy with your family.”
“Not, uh. Not so much,” he says, feeling tears pricking at the backs of his eyes. “It’s”—he waves a hand—“everyone has their own families, you know?”
Tommy’s frowning at him now. “You’re their family too,” he says slowly, like it’s an obvious truth, and that does it. The tears come, and so does the whole of the last few weeks, words spilling out and over each other as Buck tries to convey his loneliness, and helplessness, and what Bobby said, and how hard he tried, and how no one seemed to want that, and then Eddie—
He loses the thread a little bit, and he’s not sure what he’s saying. He’s trying to get the important parts out through the tears, but he’s not sure he’s even making sense anymore. And then Tommy’s arms are around him, big and warm and grounding, and he stops talking at all and just cries for a little while. 
When Buck is composed again, Tommy takes a step back. Buck wishes he wouldn’t, but he holds out his hand and Tommy takes it, and that’s something. There are some things Buck still needs to say. 
“It got a little jumbled earlier, so I’m not sure if I mentioned it, but I, uh. I gave Eddie his house back.”
“You said,” Tommy says, and squeezes his hand. 
“I didn’t find a new apartment,” Buck admits. “I was going to go on a road trip, just drive for the next few weeks, stay wherever I felt like staying.”
“That sounds nice,” Tommy says. 
“It did at first,” Buck says. “Then it sounded really lonely.” Tommy makes a soft noise in his throat. “So I—I turned around and came here instead.”
“Because you want to be friends,” Tommy says slowly. 
“Because I want to be friends right now,” Buck corrects. “I absolutely want to try again. I wanted to try again last time, before—but I screwed it up.”
“Pretty sure I screwed it up,” Tommy says. 
Buck shrugs. “Maybe we both did. I want to do it right. But I’m a mess right now, and I don’t want you to think that I’m only here because…because everything else in my life is falling apart. I want to choose to try again when we’re both solid.”
Tommy nods, but his gaze stays on the countertop in front of him. “What if”—he clears his throat—“what if you get your feet under you, and realize this isn’t what you want?”
“I won’t,” Buck says, calm and sure. He tugs on Tommy’s hand to get him to look up. “Tommy, I won’t. I’ve been missing you for months. The only reason I want to wait is because I want both of us to know for sure that we’re building on a solid foundation, okay?”
Tommy stares for a long moment, searching his face, and then he gives one short nod. “Yeah,” he says. “Yeah, okay.”
Buck can feel the smile stretching over his face. “Yeah?” he asks. 
“Yeah,” Tommy says, and smiles back. 
“I thought you weren’t ready to move in together yet,” Buck says without thinking, when Tommy shows him the spare room. 
Tommy rolls his eyes. “This doesn’t count. This is me helping out a friend, like everyone should do.” His tone is pointed, and Buck tries to ignore the little burst of pleasure he gets from knowing Tommy is mad on his behalf. He can work on being less petty about it later. 
“Yeah?” Buck asks. 
“Evan,” Tommy says, leaning in. His voice is low and intimate. “When I actually ask you to move in with me, you’ll know it.”
“Yeah?” Buck asks again, and it’s a lot breathier this time. 
“Yes,” Tommy says with a smirk, and Buck briefly wonders how committed he has to be to the friends thing. He watches Tommy saunter out the door, heading for the kitchen, and he firmly reminds himself that waiting is the responsible choice, and will absolutely be worth it.  
He’s by himself for the moment, but he doesn’t feel alone at all. He looks around the spare room, at his clothes hanging in the closet, and the soft blue comforter on the bed. Tommy put fresh sheets on it earlier, and they smell faintly of lavender. He sits on the edge of the bed, closes his eyes, and breathes. He feels good here, safe and comfortable and wanted. 
He knows his grief will be back, and the real world will intrude sooner rather than later. He’ll have decisions to make, and explanations to give when the team realizes he’s gone. He and Tommy still have a lot of talking to do. 
For right now, though, he can smell the faint scent of lavender, and Tommy’s body wash underneath that. He can hear the sound of Tommy moving around in the kitchen, and birds chirping at each other outside the window. His hand moves over the comforter, and he feels the echo of Tommy’s palm against his. 
Buck blinks his eyes open and smiles to himself. He’s not okay yet—not by a long shot—but for the first time since Bobby died, he knows that he’s going to be.  
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snakeredbirdbatkatana · 9 months ago
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"I'm angry at you" Tim forces out.
It's been a long time coming, the words that have been circling his mind for years. Rotting the back of his throat.
Jason is Bruce's son in a way that he will never be. It's just a simple fact.
Maybe he could have picked a different time maybe a family dinner wasn't the place, but he was the one that spent year's of his life having to dodge bullets and murder attempts. He had to spend month's in physical therapy after the tower.
The place he felt safe was ripped away because Jason who is traumatized he hasn't forgot that fact, decided to hunt him down and hurt him.
Maybe Robin isn't a child, but Tim Drake was.
He turns to Bruce who's face is of course blank he's the one who wants Jason here yet not an emotion in sight.
Turns back to look Jason in the eye the man who's sitting next to Damian sometimes he wonders if Alfred does it on purpose a way to remind Tim that his murderers will always have something he doesn't.
He will look him in the eye he will not falter today.
"I was a child, I should have never been the exception to your rule. Say what you will about Robin being something else but you didn't care about Robin you cared it was me"
Silence it's funny how comforting it can be.
"I should not have to sit at the same table as two of my attempted murderers and pretend that it's ok. You are both traumatized I understand that but it will never be an excuse for traumatizing me. I see the Red hood and Robin in my nightmares."
He turns to look at Dick who as always is to the right of him once again pointing to Alfred doing this seating on purpose.
"You are a hypocrite who has never shut up about drying but goes out his way to kill another Robin."
He sees Alfred step forward closer to Bruce he wonders what the point is will he say anything, not likely but why move he almost asks yet if he doesn't finish he never will.
"This was your home first it still is, but I have bled and given more than you will ever know to secure my place here. So Bruce I do not ever want to partnered with either one of them in the field. You or Dick are the only options. You will not argue with me this is me laying my boundaries which I am entitled to."
He stares at Alfred loosing the blank look to let some of the anger out. He wants him to know.
"You will also never again force me to sit at a dinner table across from them again. Whatever British Passive-Aggressive gesture this is. You have no right to do. I will never forgive you for my birthday."
Dick goes to interrupt he doesn't let him.
"Bruce and Alfred have my full permission to discuss the psychological torture they put me through as my birthday present. But from now on none of you get to treat me as if I am some replacement or placeholder. I am a person with feelings, I will not be treated like a doormat."
He makes eye contact with each of them Alfred, Bruce, Jason and Damian.
Before turning to Dick for the last part.
"You are the only person here who has never deliberately hurt me, your my brother and I love you. I want to spend more time with you and I am specifically requesting that you come with me when I leave this table. We can get dinner or hang out but I need you to leave with me."
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Bruce is speechless.
How did he do this, his child is sitting at his table trembling and he can't move.
His child who just spent ten minutes defending himself and he is doing nothing.
Dick interrupts what he can admit is a pity party.
"Your my brother, I will happily follow you to the ends of the earth and if we leave now we can go to the Thai place that you like."
He can't let them leave he has to say something.
Tell Tim that he loves him, that he can fix this that this isn't the end. That it matters but before he can there gone.
His boys leave.
His precious sons, one loyal to a fault and one hurt beyond measure and what did he do nothing.
What he always does nothing.
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zourried · 8 months ago
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addiction kills. Harassment kills. Mental illness kills. Take care, educate yourself and reach out to others before playing god and deciding that pointing fingers is the only way to go
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robo-milky · 2 months ago
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Twisted Target - Killing Game AU
[CW: Death, Gore(? in future content)] *Subject to change
In an alternate timeline, after the events of Ch. 6 and before Ch. 7, S.T.Y.X. is granted permission to run a simulation on the overblottees (including Idia) for a rehab program. That simulation gets hacked, and is changed into a killing game. All the real players are Riddle, Leona, Azul, Jamil, Vil, and Idia. The rest of the 21 players (or more) are extremely convincing simulacrum of NRC students*. The simulacra are neutral players, simply programmed to fill slots and prolong the game when needed. The total number of players is unknown, and new simulacra may be added occasionally. Simulacra are unmarked and cannot be told apart from real players.
*Another real player may be brought into the game, and gets revived as a simulacrum after elimination or vice versa, starting out as a simulacrum then their real counterpart is forced to join the game.
The premise of the game is simple, everyone is given one target to eliminate and one to protect in secret. Players can be eliminated if they are killed in game, or the target they’re protecting is revealed*.
*If a player thinks they know who another is protecting, they have one chance to make a declaration before the next round. There are no consequences for a wrong guess. The targets remain the same each round, so there may be another chance.
The rules of the game get more complex when two or more players share the same target (to eliminate/protect). Some players can be doomed from the start if they have a paradoxical target.
Paradoxical targets:
• A: A that player must eliminate themselves and protect themselves. They can be protected by others, which stop them from their goal of eliminating themselves. (Best Strategy: Wait out the rounds until you’re one of the two players left.)
• B: The player must eliminate and protect the same exact person.
• C: Player A must protect Player B, but Player B must eliminate Player A.
Each round will conclude when at least one player is eliminated. If nobody is out of the game by a certain timeframe, then a loser is randomly chosen.
The game will run until a winning pair is recognized. A winning pair includes a player and the one they’re protecting as the last players standing, regardless if the protected player’s conditions are met (failed to eliminate/protect their target). If a winning pair does not emerge by the time two or less players are left, new players are brought in until there is a winning pair.
FAQ:
• What organization could have possibly bypassed the Cerberus System?
“:3 Why would we dox ourselves?”
• How are we expected to kill our targets if we don’t declare who they’re protecting?
“Magic, barehands, you can be creative! What, you think we’ll baby you and give you the tools? We’ve already provided you all with this beautiful playing field!”
• What happens after a real player is eliminated in game?
“Electric chair! …Or something. You probably don’t want to lose.”
• Will the winning pair be free once the game is over?
“Sure, if that’s what’ll motivate you to participate and not wait for RNG to randomly pick y’all off.”
• What’s with these janky rules and loopholes?! What’s the point in playing if you’re set to lose?
“It’d be boring if everything is clean and organized.”
• What happens if one of those imposters win?
“Then they win. Sucks to lose to an NPC.”
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bad-wolf-circe · 2 months ago
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'pedro pascal only plays father figures' bullshit. pedro pascal only plays characters that are doomed by the narrative and who die in the most violent and heart-rending ways possible
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ghostlyarchaeologist · 4 months ago
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"The O'Hares are mobbed up."
Leverage S02E01 The Beantown Bailout Job.
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