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tigerstrikesasteroidnetwork · 6 years ago

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PHL / Sagas

Sagas February 1 — March 9, 2019 Opening Reception: Thursday, February 14th, 6-9pm

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Tiger Strikes Asteroid Philadelphia is excited to announce their next exhibition, Sagas. This group show brings together artists of various backgrounds who all explore their cultural and personal histories through their artmaking processes. The show will feature Sachiko Akiyama, Mary Henderson, Megan Hueble, Susan Lichtman, Juan Logan, Naomi Nakazato, Enrico Riley, and Anna Tsouhlarakis. The exhibition, co-curated by Mark Brosseau and Mary Henderson, runs from February 1 to March 9, 2019 with a reception on Thursday, February 14th from 6 to 9pm.

Sagas ask questions of how myth and folklore are different than fiction. All of these genres are types of storytelling, but myth and folklore are rooted in the exploration of cultural histories. They are stories that attempt to make sense of complex social and personal interactions, and to organize seemingly overwhelming information and events into a form that is approachable and relatable.

The show grew organically, in a way that parallels the passing down of myths and folktales. The curators built it by pulling in people from their various experiences as artists – colleagues, former instructors, artists they have admired. This exhibition is a way of bringing these stories together and looking for themes and challenges shared among a broad range of perspectives and artistic practices.

Sachiko Akiyama’s sculptures and drawings explore how to create physical representations of the complex and mysterious world of internal, psychological states. She received her BFA from Boston University in 2002. She is best known for her sculptures that combine hand-carved wood forms with other materials such as clay, resin and metal. She has exhibited in the United States and abroad, including solo exhibitions at the Akinofuku Museum (Hamamatsu, Japan), the University of Maine Museum of Art (Bangor, ME), and group exhibitions at the Kohler Arts Center (Sheboygan, WI), Smack Mellon (Brooklyn, NY), and Field Projects (NYC, NY). Her work has been reviewed favorably in Art New England, The Boston Globe, and The Portland Press Herald. Among numerous honors, Akiyama was awarded a Joan Mitchell Award, an Artist Resource Trust Grant, and residencies at UCross and Skowhegan School of Painting and Sculpture. Her work is in the permanent collections of Decordova Museum and Sculpture Park and Gordon College. Akiyama currently lives in Portsmouth, NH.

Mary Henderson’s painting installation, “Serious Men,” adopts the format of the typology as a mode of symbolic storytelling. The work considers public performances of masculinity and the notion of “seriousness,” as part of the artist’s ongoing exploration of displays of collective identity, power and the relationship between the public and private self. Henderson received an AB in Fine Arts from Amherst College in Amherst, MA, and an MFA in Painting from the University of Pennsylvania in Philadelphia, PA. Recent exhibitions include the solo show, “Public Views,” Lyons Wier Gallery (New York), and group shows at the Mesa Contemporary Arts Museum (Mesa, AZ), the Woodmere Museum (Philadelphia, PA) and Ringling College of Art and Design (Sarasota, FL). She is a 2019 finalist for the Bennett Prize and has been the recipient of a Pennsylvania Council on the Arts Individual Artist Fellowship, a PCA SOS grant, and a residency at the Jentel Foundation. Her work has been featured in Harper's Magazine, L’Espresso (Italy), New American Paintings, The Philadelphia Inquirer and Art in America, among other publications. She teaches painting and drawing part-time at St. Joseph’s University; she is also the assistant director for the Philadelphia site of the non-profit network of artist-run spaces,Tiger Strikes Asteroid. She lives and works in Philadelphia, PA with her husband and two children.

Megan Hueble explores biblical themes of knowledge, good and evil. Her paper cutouts hide and reveal, using floral elements to evoke the imagery of Eden and plants of knowledge. She earned a BFA in Visual Arts from Clemson University in 2017. While at Clemson, she received multiple research scholarships and the Harold Cooledge Award in Undergraduate Art History. Additionally, she spent a semester abroad in Cortona Italy, and interned at the Mint Museum in Charlotte, NC, and the Museum of Fine Art (MFA) in Boston, MA. Her senior body of work was informed by the wide variety of floral and decorative motifs at the MFA, and it primarily concerned the value and perception of female labor, specifically artistic and craft labor. Upon graduation, she was accepted as a Brandon Fellow at Greenville Center for Creative Arts. Her current work is a vehicle for asking questions that relate broadly to female representation in religious art, self portraiture, and the power of subjectivity. She is based in South Carolina.

Susan Lichtman’s paintings are ruminations on the social fabric of her home, in which people, pets and things are placed together intuitively, conjuring up the casual ways family members inhabit a shared domestic space. She has had recent solo exhibitions at Gross McCleaf gallery in Philadelphia, Steven Harvey Fine Arts Projects in New York, and at the Wilson Museum of Hollins University in Roanoke, VA. A recipient of a 2018 Massachusetts Cultural Council grant, she also has received awards from the American Academy of Arts and Letters and the Louis Comfort Tiffany Foundation. She was the Frances Niederer Artist-in-Residence at Hollins University in 2017 and the Guest of Honor at JSS Civita in 2016. Lichtman received her undergraduate degree from Brown University and an MFA in Painting from Yale University School of Art. She lives in Rehoboth, MA and is a professor at Brandeis University where she teaches painting and drawing.

Juan Logan’s “imagery mourns and affirms, transforms and quietly asks us to consider the physic cost of insensitivity and ignorance and to confer the gift of our humanity in the wake of brutality. His message comes to us in part through ritualized forms, a symbolic language constructed of graphic signs and objects the artist has selected form otherwise unnoticed day-to-day artifacts” (Excerpts from the essay Reliquaries for the exhibition catalog, "Juan Logan: Close Inspection" by Ken Bloom, Director, Tweed Museum of Art, Duluth, Minnesota.) He received his MFA from Maryland Institute, College of Art (Baltimore, MD). He has shown extensively nationally and internationally, and his work can be found in private, corporate, and public collections, including the Whitney Museum of American Art, the Philadelphia Museum of Art, the Gibbes Museum of Art, the Baltimore Museum of Art, the Memphis Brooks Museum, the Zimmerli Museum of Art, and the Boulder Museum of Contemporary Art. Most recently, his pieceSome Clouds are Darker became part of the Smithsonian's National Museum of African American History and Culture. His awards include fellowships from the from the John Michael Kohler Arts Center, the North Carolina Arts Council, the Mid Atlantic Arts Foundation, the Rutgers Center for Innovative Print and Paper, the Carolina Postdoctoral Scholars Fellowship, and the Phillip Morris Companies.

Naomi Nakazato makes work that attempts to understand the dichotomous nature of her Japanese-American biracial identity through constructions of artificial nature and fragmented spaces. Her piece “Fifty Days of Forever” is a response to a trip made to Japan in April 2018 to attend her grandmother’s funeral. It considers video game tutorial systems, NPCs (non-player characters) and avatars, and her inexperience with Japanese Buddhist funerary customs – particularly kotsuage, the transferring of bones of the deceased to the urn – drawing parallels between set objectives and her own personal dissociations. Nakazato’s multidisciplinary work spans drawing, painting, sculpture, printmaking, and installation to examine belonging within hybridity. She received a BA from Anderson University, South Carolina and an MFA from The New York Academy of Art, New York. Nakazato was awarded an initiate Brandon Fellowship at the Greenville Center for the Creative Arts in Greenville, South Carolina, a 2017 summer residency at the Leipzig International Artists Program in Leipzig, Germany, two Elizabeth Greenshields Foundation Grants, and is currently a Keyholder Resident at The Lower East Side Printshop in New York, NY. She lives and works in Brooklyn, NY.

Enrico Riley uses the medium of painting and drawing as a method for remembering and reflecting upon grief, and investigating links between the old world and the new, within a contemporary media context of reflexive violence perpetrated on African Americans. Riley received a BA in Visual Studies from Dartmouth College and an MFA in painting from Yale University School of Art. He is the recipient of a John Simon Guggenheim Memorial Foundation Fellowship, a Rome Prize in Visual Arts, an American Academy of Arts and Letters Purchase Prize in painting and a Jacobus Family Fellowship through Dartmouth College. He has exhibited work at The American Academy in Rome, Rome, Italy, The Virginia Museum of Fine Arts in Richmond, VA. The Columbus Museum, Columbus, Georgia, The Nasher Sculpture Center, Dallas, Texas, The American Academy of Arts and Letters in New York City, Hood Museum of Art, Hanover, NH, The Museum for the National Center of Afro-American Arts in Roxbury, MA, Accademia di Belle Arti di Roma, Rome, Italy, Rhode Island School of Design Ehp, Rome, Italy, Teckningsmuseet, Laholm, Sweden, Giampietro Gallery, New Haven, CT, Jenkins Johnson Projects, Brooklyn, NY, SACI School of Art Florence, Italy, Pageant Gallery in Philadelphia, PA, Hampshire College, Amherst, MA Lori Bookstein Fine Art in New York City, The Painting Center in New York City, SACI School of Art Florence, Italy, Hampshire College, Amherst, MA. He is a professor of studio art at Dartmouth College in Hanover, NH. He currently lives in Norwich, VT.

Anna Tsouhlarakis’s signage installation draws upon her informal surveys among Navajos about their beliefs and thoughts on reaching harmony, or hozho. The resulting work combines oral and quasi-scientific traditions in its exploration of Navajo narratives of future worlds. Tsouhlarakis works in sculpture, installation, video and performance. She received her BA from Dartmouth College and MFA from Yale University. She has participated in several art residencies including Skowhegan School of Painting and Sculpture and Yaddo. Her work has been included in exhibitions both nationally and internationally. She has been awarded various grants and fellowships including the Eiteljorg Fellowship for Native American Contemporary Art. Her recent awards include an Artist Fellowship from the Harpo Foundation, DC Commission on the Arts and Humanities as well as a Native Arts and Cultures Foundation Fellowship. She currently resides in Washington, DC with her partner, 3 children and trusty dog.

Mark Brosseau did his undergraduate study at Dartmouth College and received his MFA from the University of Pennsylvania in 2001 before receiving a Fulbright Fellowship to spend a year painting and making prints in Iceland. He has exhibited nationally, with his most recent solo and two-person shows at Tiger Strikes Asteroid, Los Angeles, University of South Carolina Upstate, and The Neon Heater. He lives and works in Greenville, SC and teaches at Clemson University.

#sagas #tigerstrikesasteroid #tiger strikes asteroid #philadelphia

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chocolateheal · 6 years ago

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nofomoartworld · 8 years ago

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Hyperallergic: Art Movements

Opening of “Monument,” a temporary art installation by Manaf Halbouni on the historical Neumarkt in Dresden, in front of the Church of Our Lady, Tuesday 7th of February (photo by David Brandt, courtesy Kunsthaus Dresden)

Art Movements is a weekly collection of news, developments, and stirrings in the art world.

Around 150 anti-immigration protesters gathered in Dresden to disrupt the unveiling of Manaf Halbouni‘s “Monument,” a public sculpture dedicated to the people of Aleppo. The sculpture, which consists of three upturned buses fastened together with wire, refers to a photograph of a barricade built on the streets of Aleppo in 2015. According to Christiane Mennicke-Schwarz, the artistic director of the Dresden Kunsthaus, the opening was disrupted by chants of “traitors” and “get lost.”

Sotheby’s filed a second lawsuit over the sale of a group of Old Master paintings that it believes to be forgeries. The auction house filed a lawsuit against art dealer Mark Weiss and collector David Kowitz in order to recover the profits of the 2011 private sale of “Portrait of a Man,” which Sotheby’s attributed to Frans Hals at the time. In a statement, Weiss said that he “intends to contest the claim vigorously.”

The Louvre Museum was reopened less than 24-hours after a man attacked a French soldier with a machete. An Egyptian Interior Ministry official identified the attacker as 28-year-old Abdullah Reda Refaie al-Hamahmy.

German prosecutors announced that a 36-year-old Tunisian man arrested on terrorism charges is also being held for his suspected involvement in the 2015 attack on the Bardo Museum in Tunis.

The Bombay High Court rejected Chintan Upadhyay‘s bail application. The artist stands accused of murdering his wife Hema and her lawyer Haresh Bhambani.

Pontormo, “Portrait of a Young Man in a Red Cap” (1530) (courtesy DCMS)

American hedge fund manager Tom Hill rejected a £30.7 million ($38.4 million) matching offer from London’s National Gallery for the purchase of Pontormo’s “Portrait of a Young Man in a Red Cap” (1530), a decision he attributes to the fall in the pound’s value. The UK government is likely to refuse a permanent export licence as a result. An export bar was placed on the work in 2015.

Hundreds of artists, dealers, critics, and curators signed an open letter opposing President Donald Trump’s executive order banning non-US citizens from seven Muslim-majority countries.

A report by Bloomberg identified Oprah Winfrey as the former owner of Gustav Klimt’s “Portrait of Adele Bloch-Bauer II” (1912). The work was privately sold to an Asian buyer last year for a reported $150 million. An unnamed source told Bloomberg that it was Winfrey who purchased the work at Christie’s for $87.9 million in 2006.

The New Art Dealers Alliance announced that it will donate half the ticket proceeds from its upcoming New York fair to the American Civil Liberties Union.

Tracey Emin and gallerist Xavier Hufkens are two of five benefactors funding a four-year scholarship for three Syrian refugees at Bard College Berlin. The scholarships are part of the Program for International Education and Social Change.

A book of Tahitian photographs taken by Jules Agostini is thought to contain images of Paul Gauguin and his mistress Pahura. Two albums of Agostini’s photographs — a friend of the artist — were sold at auction in July 2015, one of which was acquired by art dealer Daniel Blau.

A group photograph by Jules Agostini allegedly showing Gauguin in Tahiti (© Daniel Blau, Munich)

Archaeologists discovered a cave in the Judean desert that is thought to have housed a collection of Dead Sea scrolls.

The FBI repatriated Franse Verzijl’s “Young Man as Bacchus” to the Max and Iris Stern Foundation.

A search of the State Hermitage Museum’s Staraya Derevnya restoration and repository center by the Federal Security Service (FSB) was part of an investigation into “operational procedures” according to the museum’s director, Mikhail Piotrovsky. As noted by the Art Newspaper, the FSB’s search coincided with Piotrovsky’s criticism of the Russian government’s decision to transfer control of St Isaac’s Cathedral from museum officials to the Russian Orthodox Church.

A portrait of Queen Elizabeth II by photographer David Bailey was reissued to mark the monarch’s sapphire jubilee.

Attendance to the UK’s major museums and galleries fell by almost 1.4 million last year according to a report by the Department of Culture, Media and Sport — the first decline in almost a decade.

A collection of water-damaged recordings of Bob Marley‘s concerts were restored following a $31,200 project. The 13 tapes — two of which were blank and one ruined — were discovered in the basement of a run-down hotel in Kensal Rise, London.

Transactions

Jacob Lawrence, “Builders #1” (1968), gouache and tempera on paper, 29 x 21 1/2 in, Colby College Museum of Art, the Lunder Collection (photo by Peter Siegel, Pillar Digital Imaging LLC. © 2017 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society, ARS, New York)

Peter and Paula Lunder donated over 1,100 artworks to the Colby Colby College Museum of Art.

The Canadian government allocated $5.1 million from the Canada Cultural Spaces Fund to the Museum of Contemporary Art Toronto Canada.

Jeanne and Michael L. Klein donated 28 video works to the Blanton Museum of Art. The gift includes works by Tania Bruguera, Isaac Julien, Pipilotti Rist, and Javier Téllez.

The Andrew W. Mellon Foundation donated��$400,000 toward the Museum of Contemporary Art, Denver‘s “Animating Museums” program.

MCH group acquired a 25.1% stake in art.fair International, the organizer of Art Düsseldorf. The Swiss conglomerate acquired 60.3% of the shares in Seventh Plane Pvt. Ltd in New Delhi, the organizer of the India Art Fair, last September.

The Columbia Museum of Art acquired works by Bing Davis, Renée Cox, Michaela Pilar Brown, and Colin Quashie — all of whom took part in the museum’s 2016 exhibition REMIX: Themes and Variations in African-American Art.

Renée Cox, “Liberation of Aunt Jemima and Uncle Ben” (1998), dye destruction print, Diasec mounted, 8 1/2 x 61 1/2 in, museum purchase (courtesy Columbia Museum of Art)

Transitions

Peter Keller was appointed director general of the International Council of Museums.

Manuel de Santaren was appointed president of the Cisneros Fontanals Art Foundation.

Jock Reynolds will stand down as the director of the Yale Art Gallery next year.

The New York Times reported that Michelle D. Gavin stepped down as the director of The Africa Center over three months ago.

Karen Hindsbo was appointed director of Norway’s National Museum.

Laurel Ptak was appointed executive director of Art in General.

Silvia Filippini Fantoni was appointed director of programs and audience engagement at the North Carolina Museum of Art.

Dirk Boll was appointed president, Christie’s Europe, Middle East, Russia and India. Bertold Müeller was appointed managing director, Christie‘s Continental Europe, Middle East, Russia and India.

Sotheby’s appointed Adam Chinn as its chief operating officer.

Harry Dalmeny was appointed UK chairman of Sotheby’s.

Gabriel Pérez-Barreiro was appointed curator of the 2018 São Paulo Biennial.

Jen Graves resigned as art critic for The Stranger.

The 2017 Spring/Break Art Show will take place over two floors at 4 Times Square.

Tim Youd is now represented by the Cristin Tierney Gallery.

Washburn Gallery will vacate its space at 20 West 57th Street amid speculation that the building will be demolished for redevelopment.

Christie’s announced that it will open a new, 5,400-square-foot space in Beverly Hills, California.

Accolades

Hans Haacke, “Gift Horse” (2014), horse: bronze with black patina and wax finish stainless steel fasteners and supports, bow: 5mm flexible LED display stainless steel armature polycarbonate face, 15 ft 3 in x 14 ft 1 in x 5 ft 5 in (© Hans Haacke / Artists Rights Society, ARS, New York, photo by Hans Haacke, courtesy the artist and Paula Cooper Gallery, New York)

Hans Haacke was awarded the 2017 Roswitha Haftmann Prize.

Günter Herzog was awarded the 2017 Art Cologne Prize.

Opportunities

The Lower East Side Printshop is accepting applications for its one-year, Keyholder Residency program. Emerging artists have until March 1 to apply.

Obituaries

Marta Becket (1924–2017), dancer. Founder of the Amargosa Opera House.

Annette Cravens (unconfirmed–2017), artist and arts patron.

Henry-Louis de la Grange (1924–2017), musicologist and critic. Biographer of Gustav Mahler.

Buchi Emecheta (1944–2017), writer.

Gwendolyn Gillen (1941–2017), sculptor.

Walter Hautzig (1921–2017), pianist.

Dame Jennifer Jenkins (1921–2017), former chair of the National Trust.