#tape weft
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reignhair · 2 months ago
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Tape Weft Extensions
Balayage
�� Enhance or Change Hair Color
• Create Highlights and Lowlights
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o-ddel · 12 days ago
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Premium tape hair extensions UK
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Premium tape hair extensions UK designed for a natural look and long-lasting wear. Our high-quality, salon-grade extensions blend seamlessly with your hair, offering instant volume and length. Perfect for all hair types, they’re lightweight, reusable, and easy to apply. Shop now AT WEBSITE #oddel.co.uk!
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bdchaircollective · 4 months ago
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Where to Find the Best Weft Hair Extensions Near Mount Evelyn
Looking for the best weft hair extensions near Mount Evelyn? Look no further than BDC Hair Collective—your go-to destination for premium-quality hair extensions and expert application. At BDC Hair Collective, we specialise in custom weft installations that blend seamlessly with your natural hair, giving you the length, volume, and confidence you’ve always dreamed of. Our experienced stylists are passionate about delivering flawless results in a warm, welcoming environment. Whether you're after a subtle enhancement or a full transformation, we tailor every service to your unique style and hair goals. Discover the difference at BDC Hair Collective—where beauty meets expertise.
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cooviphair · 7 months ago
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🌎www.cooviphair.com ✨We're Top3 European Human Hair Extension Supplier 📌Tape Weft Hair Extensions: Factory to Salon Installation - COOVIP 🎁Coupon code: hair5 🎁Use Code hair5 for 5% Off Your Order! 💎Buying directly from manufactures to save money and get more profit.
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sorealhairextensions · 8 months ago
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5 Signs It's Time to Opt for Skin Weft Tape Hair Extensions
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Do you want to enhance your hairstyle with added volume, length, and seamless blending? If you answer yes, then skin-weft hair extensions are a fantastic option. Unlike other types of extensions, skin wefts are known for their thin, flexible base that mimics the scalp, making them virtually undetectable. Here are five clear signs that skin weft tape hair extensions might be the perfect choice for your hair needs and help you carry yourself confidently.
You Desire a Natural Look with Seamless Blending
One of the top reasons people choose skin weft tape hair extensions is their ability to blend seamlessly with natural hair. The thin, skin-like base of these extensions mimics the scalp, allowing the extensions to lie flat against your head. This unique design makes them look incredibly natural, even when your hair is pulled back or styled in various ways.
If you've tried other extensions but found they're bulky or difficult to hide, skin-weft tape extensions may be the solution. Their undetectable, thin base ensures that you won't have to worry about visible wefts, making them ideal for those who want a flawless, natural look without the fuss.
You Want to Avoid the Hassle of Frequent Maintenance
Some skin weft tape hair extensions require daily adjustments and regular salon visits for upkeep. Skin weft tape extensions are known for their durability and low-maintenance nature. Once applied, they can stay securely in place for up to 6–8 weeks before re-taping. It depends on your hair growth and how well you care for them.
Skin wefts are an excellent choice if you're looking for a hassle-free extension option that doesn't require constant attention. The secure, long-lasting adhesive for these extensions ensures you can enjoy weeks of beautiful hair with minimal maintenance, giving you more time to focus on other aspects of your life.
You're Looking for a Comfortable, Lightweight Option
Some skin weft tape hair extensions, such as clip-ins or sew-ins, can feel heavy or uncomfortable over time if worn daily. Skin weft tape extensions are incredibly lightweight. This makes them more comfortable to wear for extended periods. Their thin, flexible base allows them to move naturally with your hair.Thus, reducing strain on your scalp and ensuring they won't cause discomfort even after hours of wear.
Skin-weft tape extensions are a fantastic option if you're concerned about comfort or have a sensitive scalp. They're so lightweight that you might forget you're wearing them. Plus, they won't cause the tension or pulling that other types of extensions sometimes can.
You Want to Add Volume and Length Without Damage
Traditional extension methods like bonding or sewing can strain natural hair, potentially causing breakage or damage over time. Skin weft tape extensions are gentle on hair. Besides, they don't require heat, glue, or harsh chemicals for application. Instead, they use a medical-grade adhesive that's safe for hair and easy to remove without leaving residue.
Skin weft tape hair extensions are ideal for individuals who want to achieve fuller, longer hair while protecting their natural strands. The non-damaging application process ensures you can enjoy the added volume and length without compromising the health of your hair. Thus making them a preferred option for those with fine or delicate hair types.
You Need a Versatile Styling Solution
If you enjoy experimenting with different hairstyles, skin weft tape extensions provide the versatility you need. Their seamless design lets you style your hair up or down without worrying about exposing the extensions. You can achieve various looks, from sleek ponytails and braids to glamorous curls and waves. All while keeping your extensions discreet.
Skin weft tape extensions can also be styled with heat tools. The process is just like natural hair, making it easy to match them to any look. If you're a fan of changing your style for different occasions or prefer a flexible extension solution, skin wefts allow you to do so without limitations.
Final Thoughts
Selecting skin weft tape hair extensions is a great way to enhance your look while keeping things natural, comfortable, and damage-free. Whether you're aiming for more volume, length, or versatility in styling, these extensions provide a high-quality solution that complements your natural hair. By recognizing these signs, you'll know when to consider skin weft tape extensions a reliable and stylish hair enhancement option. Shop for versatile, stylish, and ready-to-wear high-quality skin-weft hair extensions from So Real Hair Extensions and accentuate your beauty.
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hairandbeautyca · 9 months ago
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Unveil your beauty with Invisible Skin Weft Tape in Human Hair Extensions. Rediscover Confidence with Our Flawless Hair Extensions
Meet Grace, a remarkable woman whose journey to rediscovering self-confidence began with our Invisible Skin Weft Tape in Human Hair Extensions. For years, Grace struggled with thinning hair, which affected her self-esteem and readiness to enjoy social interactions. It wasn’t until she embraced our natural-looking extensions that she began to see herself in a radiant new light.These extensions…
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handweavers · 1 year ago
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Would it be recommended to make ribbon on a loom? I see jacquard ribbon in stores and I know that’s a type of loom. Is this something a person could make at home?
you can absolutely make ribbon by hand! many cultures have versions of band or tape weaving (those are older terms to refer to thin decorative strips of fabric, and helpful to know if you're researching weaving this type of textile) and they can be warp or weft faced, in other words the vertical threads can make the patterned design or the horizontal threads can make the patterned design. warp-faced woven bands are very popular in many cultures because they make a durable, strong fabric that can work for anything from straps for bags or other utility items, to decorative applique on garments and even hem-facings
norwegian pick up band weaving gives an effect similar to jacquard ribbon, you can see more about it here
brocade tablet weaving also gives a similar effect, which you can read about here
more about band weaving
fingerweaving is another technique that can create elaborately woven bands, and has been practiced in northern europe as well as among the indigenous peoples of the americas. it is the technique that métis sashes are made with, and bands woven with this technique have also been found in old viking graves. you can read about it here
if you're interested in learning any of these techniques, you don't need a table or floor loom to make them. some work best with an inkle loom, which is generally small and portable, or can be made off loom using heddles or tablets. searching 'band weaving' either online, at a book store, or a library site can lead to a ton of resources on the subject, far too many for me to cover here 🤎
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ckmakes · 7 months ago
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Pergola
September - December 2024
Tapestry weaving. Wool weft, 8 epi. Cotton seine twine warp. Cotton twill tape and wooden dowel.
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bdchaircollective · 6 months ago
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Expert Hair Stylists for Weddings: Picture-Perfect Bridal Styles
Reliability, clear communication, professional advice and stunning long-lasting results are something every bride looks for when entrusting a hair stylist for wedding and makeup artist with their big day.
Our highly qualified team will leave you feeling confident with enhancing your natural beauty , leaving you feeling like an even better version of yourself. 
Specialising in the ultimate soft glam makeup that will last all day and placing in the top 3 for Bridal in Australia in 2019, you will feel confident in our hands.
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tiuhtaviuhta · 9 months ago
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Sample 7
Paper warp & mock-leno
Weft 1: Harmony - wool covered paper yarn
Weft 2: mesh tape yarn
I like how the tape yarn goes squish between the (very expensive) harmony threads.
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cooviphair · 7 months ago
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📌Invisible Tape in Extensions: Salon Application Process - COOVIP 🌎www.cooviphair.com ✨We're Top3 European Human Hair Extension Supplier 🎁Coupon code: hair5 🎁Use Code hair5 for 5% Off Your Order! 💎Buying directly from manufactures to save money and get more profit.
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sorealhairextensions · 1 year ago
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4 Reasons Why Choose Skin Weft Tape Hair Extensions?
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Are you looking for a way to add length, volume, or a splash of color to your hair? Skin weft tape hair extensions might be just what you need. These extensions are becoming increasingly popular for their natural look and easy application. In this blog, we will explore everything you need to know about skin weft tape hair extensions. From what they are to how to care for them, we’ve got you covered.
Skin weft tape hair extensions are thin. Flat hair extensions that are attached to your natural hair using a special adhesive tape. The term skin weft refers to the base of the extensions. It mimics the appearance of your scalp, making them virtually undetectable. These extensions are designed to blend seamlessly with your natural hair, giving you a fuller and longer look.
Why Choose Skin Weft Tape Hair Extensions?
There are many reasons why skin weft tape hair extensions are a great choice. Here are a few:
Natural Appearance: The skin weft base makes the extensions look like they are growing directly from your scalp. This gives a very natural and seamless appearance.
Comfortable to Wear: Unlike other types of hair extensions. Skin weft tape hair extensions lie flat against your head. This makes them more comfortable to wear and less likely to cause irritation or discomfort.
Easy to Apply and Remove: These extensions are easy to apply and remove. The adhesive tape is strong enough to hold the extensions in place but gentle enough to be removed without damaging your natural hair.
Versatile: You can style skin weft tape hair extensions just like your natural hair. Whether you want to curl, straighten, or color them, these extensions can handle it all.
How to Apply Skin Weft Tape Hair Extensions?
Applying skin weft tape hair extensions is a simple process. You can do it at home or with the help of a professional. Here’s a step-by-step guide:
Prepare Your Hair: Start by washing and drying your hair. Make sure your hair is clean and free of any oils or products that could affect the adhesive tape.
Section Your Hair: Divide your hair into sections. This will make it easier to apply the extensions evenly.
Apply the Extensions: Take a small section of your natural hair and sandwich it between two pieces of skin weft tape hair extensions. Press the tapes together to secure the extension in place.
Repeat: Continue applying the extensions section by section until you achieve your desired look.
Style as Desired: Once all the extensions are in place, you can style your hair as desired.
Caring for Your Skin Weft Tape Hair Extensions:
Proper care is essential to keep your skin weft tape hair extensions looking their best. Here are some tips to help you care for your extensions:
Avoid Oily Products: Products that contain oil can weaken the adhesive tape. Causing the extensions to slip or come loose. Stick to oil-free shampoos and conditioners.
Be Gentle: When brushing or styling your hair, be gentle to avoid pulling on the extensions. Use a wide-tooth comb or a brush designed for extensions.
Wash Carefully: Wash your hair in a downward motion to avoid tangling the extensions. Be sure to rinse thoroughly to remove any product buildup.
Avoid Heat: While you can style your extensions with heat. It’s best to use a heat protectant spray and keep the temperature low to prevent damage.
Skin weft tape hair extensions are a fantastic option for anyone looking to add length, volume, or color to their hair. They offer a natural appearance, comfortable wear, and versatile styling options. With proper care and maintenance, these extensions can help you achieve your desired look without damaging your natural hair. Whether you’re new to hair extensions or looking to try something different. Skin weft tape hair extensions are definitely worth considering.
If you want beautiful, natural-looking hair without the hassle. Skin weft tape hair extensions are an excellent choice. They are easy to apply, comfortable to wear, and can be styled just like your natural hair. By following the care tips and guidelines provided in this blog, you can enjoy your extensions for weeks and look fabulous every day.
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kesh-hair · 10 months ago
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Discover the beauty of machine weft hair extensions for effortless volume and length. These extensions blend naturally, offering a full, luxurious look that lasts. Perfect for anyone wanting an easy, glamorous transformation. Enhance your style with machine weft extensions today!
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riccikapricci123 · 1 year ago
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Brazilian Blow Out
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Renowned for its transformative effects, the Brazilian Blow out effectively reduces styling time and promotes healthier-looking hair by sealing the cuticles and protecting against heat damage. Brazilian Blow out Experience luxurious, salon-quality results with this popular treatment, designed to leave your hair irresistibly sleek and effortlessly beautiful.
For more information visit here - https://maps.app.goo.gl/VUPtTj9R68bULmCD6
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reignhair · 4 months ago
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Stunning Butterfly Weft
Premium quality to achieve a more natural look and feel.
https://reignhair.com/
Custom and private labeling
WhatsApp +8615625154561
https://wa.me/message/4KR7WCWVHNIUB1
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irish-dress-history · 1 year ago
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Making late Medieval Fringe
Fringe was an important part of 16th and 17th century Irish fashion. In this post, I will discuss the historical evidence for its use and my attempt to reconstruct it.
Fringe shows up on Irish garments in several period works of art.
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1680 Portrait of Sir Neil O'Neill by John Michael Wright and the 'Civill' Irish Woman from John Speed's 1611 map of Ireland, both shown wearing a fringed brat (Irish mantle).
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Detail from 'Drawn after the Quicke', an anonymous 16th c. English print showing Irish men wearing ionair (Irish short coats) embellished with fringe.
Historical Research:
The Irish use of fringe is mentioned by several period writers. In 1548, Paolo Giovio stated that most Irish men wore, "a soldier’s woollen cloak, with a fringed and variegated edge for elegance" (translation from Harris 2007). Similarly, William Good said Irish men and women wore "mantles or shag-rugs [. . .] fring'd round the edges with divers well mixt colours" (1586/1695). 17th century writers Luke Gernon (1620) and John Lynch (1661/1850) both described how the Irish continued to wear fringed mantles in spite of British colonial laws banning them. Gernon stated that the Irish mantle (ie brat) "differs nothing from a long cloke, but in the fringe at the upper end, which in could weather they [the Irish] weare over their heades for warmth," suggesting that this use of fringe was such an important part of Irish fashion that it was a marker of cultural identity.
This fringe appears to have been a separate trim, typically made of wool or silk, that was added to the garments. This is suggested by John Speed's description of Irish mantles as being "purfled with a deepe Fringe of divers colours" (1611). Applied fringe trim can be seen on the brat in Sir Neil O'Neill's portrait. In his poem "A Vision", 16th c. Irish poet Tadhg Dall Ó hUiginn describes a fairy woman wearing, "A purple mantle with satin fringes" (1550-1591/1921). Fringes made of silk and wool are found among recorded imports to Ireland in the late 16th c. (Flavin 2011).
Despite all this period evidence, I sadly do not know of any extant examples of Irish fringe from this period. Since at least some of the fringe used in Ireland was imported, I decided to look at examples from other parts of Europe to determine how Irish fringe might have been made. Looking at 15th-17th c. examples in the V&A, I saw 2 common manufacturing methods: warp-faced plain weave and tablet weave.
I decided to go with tablet weave for this project, because tablet woven bands have been found at earlier Medieval sites in Ireland (Wincott Heckett 2002). Following the historical costuming advice of The Welsh Viking that simple things less likely to be wrong, I used this simple late-15th c. fringe from Sweden as the basis for my pattern. Simple tablet-woven fringes continued to be used into the late 17th or early 18th century.
I used wool yarn for this project, because I wanted something that could have plausibly been made in Ireland and afforded by Irish commoners, instead of a luxury import like silk. Wool also seemed like the best fit for John Lynch's characterization of the fringe on a brat as a practical feature which protected the wearer's neck from the rain (1661/1850). I chose blue based on a combination of the availability of woad in 16th c. Ireland (Flavin 2011), the noted fondness of the Irish for bright colors (McClintock 1943), and personal preference.
My reconstruction:
I used Garnhuset wool weaving yarn I purchased from Vävstuga Weaving School in size 20/2 for the warp and 28/2 for the weft. (Check out this video, if you need an explanation of how tablet weaving works.) I made a box loom out of a cardboard box, although I suspect that any loom type that works for tablet weaving would also work for this.
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Also used bamboo chopsticks, tape to cover the rough edges of the cardboard, and a shoelace. Not pretty or historically accurate, but cheap and easy to make.
My tablet weaving pattern uses 6 cards. Cards 1,3,5 are Z threaded. Cards 2,4,6 are S threaded. All 6 cards are turned in the same direction until too much twist is built up on the warp to continue, all 6 cards are then turned in the opposite direction until too much twist is build up to continue. Reverse direction and repeat until you run out of warp.
For the weft, I used 5 strands the of 28/2 yarn run together as if they were a single weft thread. I placed a rectangle of sturdy cardboard against the left side of the warp and looped the weft around it as I wove. I neglected to get a good picture of this on my actual loom, so here is a picture of my test piece setup.
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The relevant part here is the light blue and purple threads. Ignore the shuttle of black thread.
As I advanced the warp, I slid the cardboard rectangle forward to continue weaving. After I took the completed fringe off the loom, I took a pair of scissors and cut the bottoms of the weft loops.
If you try this, I strongly recommend covering the long edges of your cardboard rectangle with tape. This will both protect your warp from being chewed up the cardboard and make the cardboard more slippery and easier to to slide forward. Also, make sure you are beating the shed well and pulling your weft tight. Once you cut the loops, the tightness of your weave is the only thing keeping your fringe from pulling out.
Results:
I whipstitched the completed fringe to the edge of my brat. I am extremely happy with how this turned out. I had never done tablet weaving with wool before, so I had no idea what to expect.
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This method creates a thick, fluffy fringe which I think does a nice job recreating the look of "Drawn after the Quicke". You do lose quite a bit of length though. The wool yarn is kind of stretchy, and tablet weave is kind of stretchy (similarly to a twill-weave fabric). Between the ends of the warp lost to setting up the loom, and the stretchiness of the finished product, 11 ft (335 cm) of measured warp gave me 92 in (234 cm) of completed fringe. Oh, well. At least my loom can easily accommodate a longer warp, and this piece only used 20% of my 2 skeins of yarn.
I did also make a test piece out of DMC Pearl cotton. The warp is size 8 embroidery thread, and the weft is size 25 embroidery floss with all 6 strands used together. It is slightly easier to work with than the wool, (wool warps do have an annoying tendency to stick to each other), but I don't like the way it looks as much.
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Wool fringe above, cotton below. Ignore the purple fringe. It has an extra weft thread that is not part of the fringe, which is why it looks more gappy than the light blue.
The cotton tends to stay in its discrete clumps rather than feathering out to form a nice fluffy, connected whole like the wool does.
I then went to the Ren Fair and located an appropriate sword.
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(Yes, that's an English kirtle and smock. I haven't finished making my other Irish garments yet.) Me carrying a sword a la Albrecht Dürer's kern.
I really should have made this fringe longer. It's only 1 in (2.5 cm) long. Looking at the scale of Speed's "Civill" woman, I would estimate that hers is closer to 2 inches long. I may add a longer second layer. John Lynch does say that the brat has a doubled layer of fringe in the neck area (1661/1850). Adding a second color to the weft would probably better match William Good's description of "divers well mixt colours" and Paolo Giovio's "variegated," but I like the way the solid blue looks.
As a bonus, I will say that the wool fringe feels softer and nicer than the cheap coating wool I used to make my brat. I suspect that may be part of the reason the 16th-17th c. Irish were so fond of having thick fringes in the neck area, to protect the skin of their necks from the irritation of a brat made of coarse wool. The léine would have protected most of their body, but it largely left the neck bare.
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Irish woman wearing a brat with a deep fringe by Wenceslaus Hollar published 1643
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Bibliography:
Flavin, Susan (2011). Consumption and Material Culture in Sixteenth-Century Ireland. [Doctoral thesis]. University of Bristol.
Gernon, Luke (1620). A Discourse of Ireland. https://celt.ucc.ie/published/E620001/
Good, William (1695). The Ancient and Modern Customs of the Irish. In W. Camden (ed) Camden's Britannia newly translated into English, with large additions and improvements; publish'd by Edmund Gibson (p. 1042-1048) (Edmund Gibson, Trans.). Edmund Gibson. (Original work published 1586) http://name.umdl.umich.edu/B18452.0001.001
Harris, Jason (2007). Ireland in Europe: Paolo Giovio's "Descriptio" (1548). Irish Historical Studies, 35(139), 265-288.
Lynch, John. (1850). Cambrensis Eversus (Matthew Kelly, Trans.). Dublin: The Celtic society. (Original work published 1660) https://archive.org/details/cambrensisevers04kellgoog/page/200/mode/2up
McClintock, H. F. (1943). Old Irish and Highland Dress. Dundalgan Press, Dundalk.
Ó hUiginn, Tadhg Dall (1921). The bardic poems of Tadhg Dall Ó Huiginn (1550–1591) (Eleanor Knott, Trans.). (Original work published 1550-1591) https://celt.ucc.ie/published/T402563/index.html
Speed, John (1611). The Theatre of the Empire of Great Britaine: presenting an exact geography of the kingdomes of England, Scotland, Ireland, and the iles adioyning. William Hall, London.
Wincott Heckett, Elizabeth (2002). Irish Viking Age silks and their place in Hiberno-Norse Society. Textile Society of America Symposium Proceedings, 427. https://digitalcommons.unl.edu/tsaconf/427
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