#taylor swift rolling stones 2012

[bialvindraper]

Taylor Swift for Rolling Stone Magazine (2012)

[beacarrot]

"do you get déjà vu?"

yeah, i did.

(when i saw the rolling stones album on karaokê i immediately remembered it)

[midnightsslut]

A Guide to Red - The Quintessential Taylor Swift Album

After the release of The Manuscript, the role of Red and Red (Taylor’s Version) in Taylor’s life and discography has been highly discussed. A lot of people have referred to it as her magnum opus and most formative album. I have decided to compile a condensed list of about a dozen key interviews, performances, speeches, posts, and videos from 2011 all the way until 2024 that illustrate the importance of this record for Taylor’s personal life and career. I’m putting the list under a cut because it got pretty long. You don’t have to go through all of these, obviously, but I would suggest at least one per era. The bolded ones are essential in my opinion.

Pre-Red - These interviews hint at Taylor’s emotional state at the time and thus the content that will be explored on the Red album

2011 The New Yorker profile

Taylor Swift reveals new album is all about heartbreak - Extra TV

Bonus: an article going through Taylor’s arm lyrics on the Speak Now World Tour, which she described as mood rings for any particular show

Lover diary entries from the making of Red (credit to @cabincreaking for the scans)

- All Too Well lyrics first draft (February 2011)

- Random bursts of happiness and anxiety during the Speak Now Tour (June 17, 2011)

- Red (September 8, 2011)

- Holy Ground (February 2012)

- Nothing New (March 2, 2012)

- Working with Max Martin (June 10, 2012)

Red era - Listen to the original sixteen songs on the Red album at this point.

Red announcement livestream + Q&A

Red prologue

2012 Rolling Stone interview

2012 The Guardian interview

2012 Billboard interview

2012 Esquire interview

Sirius XM Town Hall - an hourlong interview from the day Red came out

Good Morning America - this is the first mention of the ten-minute version of All Too Well

Red track-by-track descriptions

Random interview where she discusses the connection between writing Speak Now and Red

I Knew You Were Trouble music video

Diary entry about how love is fiction and she might move to New York after all (January 6, 2014)

Diary entry from Grammy night (January 25, 2014)

Red Tour London performance of All Too Well - any performance of this song from 2013-14 will work here, but this one has a pretty comprehensive speech

Final performance of All Too Well on the Red Tour - just listen to the speech here

Post-Red era - Over the course of these interviews, you’ll see her relationship to the album evolve.

Taylor’s description of Clean (skip to 11:18)

2014 BBC Live Lounge interview

1989 World Tour interview where she mentions thinking she’d never sell as many albums as she did with Red before 1989 came out

Clean speech - a lot of these will work, but these two best describe her relationship with the Red era and heartbreak in general

All Too Well (The 1989 World Tour live)

2015 GrammyPro interview

All Too Well Super Saturday Night performance

Reputation Tour All Too Well speech

Red into Daylight performance - 2019 City of Lover concert in Paris

Re-recordings era - at this point, listen to the red vault

2020 Rolling Stone podcast

Red (Taylor’s Version) prologue

2021 Saturday Night Live performance

All Too Well: The Short Film + Behind the Scenes

Seth Meyers interview

2022 Tribeca film talk OR TIFF (both are equally good. I have a slight preference for the former, but there are some interesting new details in the latter). You could also watch directors on directors from the same year as a bonus, but it’s less comprehensive.

2022 Graham Norton - How All Too Well (10 Minute Version) came about + how the re-recordings inspired Midnights

Also listen to Midnights

The Eras Tour

All Too Well speech (Glendale Night 2 & Atlanta Night 1) - any of the speeches from March and April 2023 will work, but these two really illustrate how she feels about this time in her life now and how the fans changed the Red album for her. Obviously credit to @cages-boxes-hunters-foxes for the transcripts!

Maroon first ever live performance (‘This is a song about something that happened a long time ago, but it took place in New York’)

Aaaand finally listen to The Tortured Poets Department, especially The Manuscript

This is a lot, but it’s worth it. Enjoy!

[lex-loudestwoman]

The Whole Story

Before we begin, a disclaimer: I believe that Taylor Swift and Karlie Kloss are in a romantic relationship together. I've come to this conclusion carefully by reading all the signs Taylor has given us through her lyrics, media presence, clothing & jewelry choices, marketing, visuals, and interviews. This is all a theory of what I think has gone down between Karlie and Taylor since 2013.

2013 & Earlier - The Beginning

VS Fashion Show 2013: The first official meeting of Karlie & Taylor was at the 2013 VS Fashion Show.

This may not have been their true first encounter (s/o @sophietv for her amazing work about this, she outlines all the times Kaylor interacted prior to the fashion show in 2013!).

According to a Teen Vogue interview in 2014, Taylor and Karlie were introduced to each other at the same time that Taylor met Emma Stone by Andrew Bevan of Teen Vogue. That was in 2008 at the Young Hollywood Awards.

After that first meeting in 2008, Taylor attended a number of fashion shows that Karlie walked in: Tommy Hilfiger Spring Show (9/16/2009); Rodarte Spring 2012 show in NYC (9/13/2011); Jean-Paul Gauthier in Paris (9/30/2012), Elie Saab Spring/Summer 2013 Show (10/3/2012).

Karlie & Taylor also both attended Roberto Cavalli's 40th Anniversary Party (9/30/2010) and the Met Gala in 2011. Teen Vogue included a quote from Karlie about the Met: "Taylor Swift. I was introduced to her at the Met Gala, and we joked about having a baking date!"

January 17th, 2012: The iconic Twitter interaction between Kaylor finally happens! Taylor's cover story with Vogue includes a quote about Karlie: "I love Karlie Kloss, I want to bake cookies with her!" Karlie tweets at her the same day the cover releases.

2013 Victoria's Secret Fashion Show

By the time the 2013 VS Show rolled around, I think they were already dating in some capacity, and the fashion show was a PR move. If Taylor & Karlie were going to become "close friends" in the public eye, they needed a high-profile, highly documented story about how they met to avoid questions about the nature of their close relationship.

Taylor performed I Knew You Were Trouble (Red) for the show, and she danced with Karlie on stage while 'snow' fell.

"So it goes, you two are dancing in a snow globe round and round." - You Are in Love, 1989

Karlie later revealed in an interview that she had gotten a dramatic haircut during a Vogue shoot just before the VS Fashion Show began. This haircut was a big deal- she changed her look completely without talking to anyone about it, and Vogue asked her to keep it a secret until the shoot dropped. So she showed the VS Fashion Show like "surprise! New hair!" which drew up quite a buzz. Taylor's hair was pretty blonde and long at the time, not fully bleached but certainly lightened up in comparison to her natural hair color.

"flashback when you met me, your buzz cut & my hair bleached" - Dress, reputation

Karlie posted a ton of pictures from this event (most of which were of her and Taylor) on her Instagram. She also starts posting really sappy Instagram posts about being in love.

I think that the November 14th, 2013 post about receiving your favorite flowers from the person you love is about Taylor Swift, but who's to say!

Then, on Friday, December 13th, 2013 (Taylor's 21st birthday, which I think she references in an interview sometime when she's talking about why she loves the number 13) Karlie posts two sugarplum fairy-related photos, capturing the scene in The Nutcracker where snow falls from the sky as delicate performers dressed in white dance along the stage. This is super Taylor-coded, giving YAIL, dancing in the damn snowglobe again.

Interesting caption there, Kar. "#flashbackfriday to the good old days as a sugarplum fairy myself (aka the day I peaked)"

On December 14th, Karlie posts a solo shot on instagram and tags Josh with photo credit (this is hilarious that we let them just tell us whoever took their picture with absolutely no questioning whether they might be lying???). For some reason, I get the feeling that Taylor took this photo for Karlie the morning after her birthday when they were still together from celebrating the night before.

2014 - You're My Best Friend

Taylor buys her massive Tribeca, NY Penthouse apartment in April 2014. The home was actually TWO penthouse apartments next door to each other, and then she bought a third townhouse unit next door in 2017, and in 2018 she bought an additional 3-bedroom unit in the same building. Go off NYC Real Estate Queen! Taylor moved into her iconic Cornelia Street apartment during a round of renovations at her Tribeca home in 2016.

Big Sur Trip

VS Fashion Show 2014

Vogue Cover

BEST Best Friends

1989 - October 27, 2014

"The inspiration that I found in that [New York] city is kind of hard to describe and hard to compare to any other force of inspiration I've ever experienced in my life." - Taylor Swift, discussing the importance of NYC in an interview with ABC News given on 10/20/2014 ahead of a 1989 promo single release for Welcome to New York (1989). That quote actually reminds me of a lyric from 1989: you understand now why they lost their minds & fought the wars, and why I've spent my whole life trying to put it into words (You Are in Love, 1989).

2015 - Hiding in Plain Sight

1989 era so many public appearances blah blah blah they were girlfriends in public kissgate gay whatever, everyone agrees that Karlie & Taylor were dating in 2015 during 1989 World Tour etc

2016 - Beards or Bust

Politics and Jared Kushner

The unfortunate reality of 2016 was that Donald Trump really did get elected president, and then he really did take office and become the President of the United States from January 2017 - January 2021. (Sadly, none of it was a nightmare or even a collective hallucination, all of this actually happened in the good old U.S. of A., yeehaw!!) The sociopolitical climate in the US is charged, fraught, uncertain, and divided. Even worse for Taylor & Karlie is their closeness to Jared Kushner, Josh's older brother who is married to Ivanka Trump. Jared served as a senior advisor to Donnie Boy for his entire term, and he did such a good job being Don's accomplice in negligent, ethnocentric, homophobic, misogynistic leadership from the White House that he was made the Director of the Office of American Innovation (this entire office was created by Trump in March 2017 and dissolved by Biden in January 2021).

I think (and this is JUST speculating, I have no real evidence compiled yet to back this up, but I'll look for it eventually) Jared Kushner & Ivanka Trump are also in a queer-bearding relationship contract. I'm not going too far into it now, but there's stuff out there for both Jared and Ivanka, like former Trump staffer Noel Casler's allegations that Jared is gay and in an "arranged marriage" with Ivanka, who doesn't care about his sexuality due to her own sexual opportunism and likely queer identity.

If Jared and Ivanka really are queer and in a non-monogamous, mutually beneficial public relationship that allows them to co-parent their three children, then their involvement in the Trump administration makes things pretty damn unsafe if they ever were found out. So, I think that when Trump was elected, the entire Kushner family had to be super locked down to keep both Jared & Ivanka AND Josh & Karlie (and Mikey and Taylor) safe from any unwanted allegations.

Since the Kushner and Hess families hold international influence, wealth, and power, if all these billionaire men were suddenly outed as gay there could be serious economic and political consequences across the globe.

Not so coincidentally, Karlie and Taylor's last public event together was Lorde's birthday on Monday, November 7th, 2016. The 2016 Presidential Election took place on Tuesday, November 8th, 2016, which sealed the fate of the Kushner name to be attached to Donald Trump's Presidency. I believe that if Trump had not won (which no one expected him to do) Karlie & Taylor would not have started this Love Blackout.

This photo is the end of Kaylor's public friendship, and the start of their Love Blackout (shout out to @sophietv again for being the BEST!!)

Joe Alwyn - A Perfectly Palatable Person

I'm sure when the team realized Trump might actually win the election, they started looking for an acceptable beard. Joe really was a great choice for Taylor's life: he had features similar to Karlie's (light eyes, tall, blonde hair), he didn't have much going on with his own reputation, he had a sparkling clean dating history - because Taylor was his first ever girlfriend, he was a fellow artist and was already media trained, and he was gay, too!

Met at the Met - May 2016

red herring lyric (tied to VS 2013 show)

First Reports - May 16, 2017

The Sun broke the news of Taylor Swift and Joe Alwyn dating on May 16, 2017. According to Tree Paine a source, they had been secretly dating for months. It's later assumed that they started dating a few months before January 1, 2017, (revealed in a Lover journal released in 2019). Some sleuthing swifties connect a lyrical swap in the acoustic cover of "September" by Earth, Wind, and Fire as performed by our girl Taylor (Friday, April 13, 2018) to the diary entry and determine their anniversary was probably September 28, 2016.

Supportive Boyfriend Award? - December 8, 2017

Joe does something of heroic power. He goes to a concert with his popstar girlfriend. He apparently attended Taylor's performance in the iHeartRadio JingleBall in NYC and "stayed for the whole show and they later left together as well." lmao wut, okay, lots of people stayed for the whole show, this is such a boring relationship roll out, especially for Miss Extra!! (lovingly)

Toe is Officially Official - May 8th, 2018

Joe finally takes his instagram off private mode and posts a picture of himself, alone, next to a big cactus. Taylor also posts a picture of herself, alone, near the same big cactus. Alright, I guess that *technically* counts as giving the public some confirmation that you two know each other, but I bet Tree was mad as hell when that was their "official instagram announcement."

Then, Joe joins Taylor at the opening night of the Reputation Stadium tour in Glendale, AZ. He wore a baseball cap low to cover his face and "stay incognito" (Joe, babe, no one knows who you are...but like okay i guess, be weird about your fame that you literally wanted and signed up for). But during the song Gorgeous apparently Taylor pointed at Joe in the VIP tent, while he proudly filmed her.

Taylor travels around the country for the Reputation Stadium Tour from May-November 2018. The Rep tour is SO, SO GAY, like Jesus Christ Lesbian Jesus save us from all the rainbow and bisexual flagging!! Check my twitter thread for a full analysis of how gay the Dress performance is.

Reputation Promo:

Taylor Swift socials

Karlie Kloss socials

Reputation, The Album

Reputation was released on November 10, 2017.I consider Reputation to be Taylor & Karlie's "I'm so in love that I might stop breathing" album. This is the honeymoon, this is the up all night, can't stop, won't stop, I need you more than air kind of love.

This album is all about the pining and desperately waiting, hiding their anticipation, hands shaking from holding back from touching each other where anyone might see them. Much like Taylor's own media presence & public interactions in the Reputation era, Kaylor had gone dark, nobody heard from them for months, but they're doing better than they ever were.

2018 - Desperate Measures

The honeymoon phase ends in 2018 as shit in America gets worse for queer folks. The sociopolitical climate is getting more dangerous now, and Trump's constant attacks on LGBTQIA+ rights & safety is making matters much worse. Jared Kushner & Ivanka Trump are in the media a lot now, which means all eyes are on Josh, too.

Toe is Officially Official - May 8, 2018

Joe finally takes his instagram off private mode and posts a picture of himself, alone, next to a big cactus. Taylor also posts a picture of herself, alone, near the same big cactus. Alright, I guess that *technically* counts as giving the public some confirmation that you two know each other, but I bet Tree was mad as hell when that was their "official instagram announcement."

Then, Joe joins Taylor at the opening night of the Reputation Stadium tour in Glendale, AZ. He wore a baseball cap low to cover his face and "stay incognito" (Joe, babe, no one knows who you are...but like okay i guess, be weird about your fame that you literally wanted and signed up for). But during the song Gorgeous apparently Taylor pointed at Joe in the VIP tent, while he proudly filmed her.

Taylor travels around the country for the Reputation Stadium Tour from May-November 2018. The Rep tour is SO, SO GAY, like Jesus Christ Lesbian Jesus save us from all the rainbow and bisexual flagging!! Check my twitter thread for a full analysis of how gay the Dress performance is.

Instead of hosting her usual big 4th of July Party at the Holiday House in RI, Toe goes on vacation to Turks & Caicos to celebrate the holiday. They call Backgrid to take a few pictures of them "frolicking" at the beach together. I'm so convinced, they're in LOVE!! Can't get enough of each other!! They totally hold hands all the time, this feels so natural and not weird at all!

Karlie posts a few photos in a row about the 4th of July this year. First, she's in her Anti-Hero colored pajamas with her left eye closed in a wink, sitting on a few suitcases, captioned "Kissin Paris Goodbye. *kissy face emoji*"

Then, another post on the 4th itself is of a WMAG stylized photoshoot where Karlie is a cowboy, for the Wild West with Cowboy Karlie campaign. It's captioned "Going into the 4th like *cowboy emoji* @/wmag" EXCUSE ME. "You're a cowboy like me, perched in the dark, telling all the rich folks anything they wanna hear like it could be love I could be the way forward only if they pay for it"

The implications of a Cowboy Like Me reference and this photo's timing has on their engagement story has me dead. I'll do a whole lyrical analysis and tie in of it soon.

And then she posts this pic of her swimming in an unidentifiable body of water. Could it be Turks & Caicos? Maybe!

Joshlie announces their engagement on July 24, 2018 while the two are on a vacation in XYZ? People Magazine reports that the proposal "took place a few weeks ago during a romantic weekend together in upstate New York." So they got engaged sometime in the beginning of July, right?

On July 10th, she posts a video of herself voguing down the runway with "This Kiki is Marvelous" playing in the background during Paris Fashion Week in September 2013. Her performance was considered one of the highlights of Paris Fashion Week. She captioned the video: Mood. @/jpgaultierofficial.

Quick question for Karlie, why do you feel the same way you felt before you went on stage for a make or break performance out of your comfort zone? You performed incredibly but it could have easily turned out very differently. Why would you be feeling like that right around the time of your engagement to Josh Kushner?

Karlie's instagram post on July 16, 2018 captioned "bestest of weekends with my bestest of friends" included group photos and a video of her & four girlfriends from her childhood.

So she got engaged and then spent a weekend with her friends, who then commented on instagram pictures from the weekend saying "remember, there's nothing better than old friends!" Why the heck are they talking about friends so much!? She literally just got engaged to Jo- ohhh.... Oh, right, he's gay, and she's gay. Old friends. Ahhhh.

Taylor responds to the engagement news breaking by having special guest, Haley Kiyoko aka Lesbian Jesus, join her for the Rep show at Gillette Stadium on July 27, 2018. Taylor specifically requests to sing Curious with Haley, which is a song about a lesbian woman singing to her ex-lover who is now dating a man, asking her ex if she lets him touch her the way she used to. So gay, so timely, Taylor is a petty bitch & I love her.

Do the girls back home touch you like I do? Delicate (Reputation)

The Wedding, October 18, 2018

Karlie wears her custom Dior gown and very amicably marries Joshua in someone's backyard, it looks like. Things seem perfectly pleasant, almost like watching a wedding scene featuring two actors with no sexual chemistry whatsoever.

2019 - Every Time I Don't, I Almost Do

Lover Promo is all very gay, very loud, very comingoutlor.

ME! out now! on Lesbian visibility day, April 26, 2019.

YNTCD music video out on June 16, 2019.

The Wedding, Part Two: Cowboy Karlie and Her Cowboy, Her Man

Karlie Kloss and Joshua Kushner celebrate their wedding again with a private group of friends from June 20-23rd, 2019 in Wyoming. It's cowboy themed, for whatever reason.

This wedding into a honeymoon in Africa would have been a wonderful strategy to keep the spotlight off of Karlie in Taylor Swift's immediately impending plan to come out on June 30th, 2019. Go read @sophietv's incredible post that details the failed coming out (fuck Scooter Braun).

<timeline jump>

2020: The Great War

January:

February: Karlie is in Paris, Taylor is advertising The Man MV (out February 27).

March: Quarantine begins March 16th & Taylor starts writing folklore almost immediately, which means that the events in folklore have already happened before COVID begins.

MORE ON THE WAY! I've got:

What happens when Karlie gets back to the US?

How does the Lover era go?

Lover social media & marketing presence

8.24.2019 - Blue

9.9.2019 - Lover in Paris performance

10.7.2019 - Sad Girl SNL

10.11.2019 - Sad Girl TinyDesk (& ring)

Continued sus social media from TSwift

Miss Americana

2020: The Great War (3.16.2020, Quarantine begins)

Lonely Millennial Woman Covered in Cat Hair

folklore

evermore

Karlie's Pregnancy

2022: Go Viral (Midnights, Red TV)

2023: Midnights, Eras, Speak Now TV, Broken Toe, 1989 TV, Kaylor Renaissance

My Predictions

[themisinformationproject]

replacement

the good the bad and the dirty by panic! at the disco / dallon weekes in 2012 / ryan ross in 2006 / is it over now? by taylor swift / dallon weekes and brendon urie in 2012 / ryan ross and brendon urie in 2006 / a ryan ross interview with the rolling stone / northern downpour live in 2012 / cabaret by penelope scott / ryan ross and dallon weekes in 2025

[theblsckdog]

Taylor Swift for Rolling Stone Magazine, 2012

[foxes-that-run]

But Daddy I Love Him

Daddy I love him is an Ariel quote, when Ariel gives up her voice for love. Taylor has given up love for her voice (career), but also not spoken up for what she wants most. But Daddy I Love Him is a continuation of a theme of how fame and fandoms have affected Taylor's personal life. What I love about this song is it sounds like an older Taylor Swift song, she embraces a country sound and speaks her mind.

While the parallels to the reaction to a relationship in May 2023 can be seen, this overlooks much of her experience with this behaviour. I don't mean to say it is not an element, but it is far from a complete story to say it is about ending a 3 week relationship with someone about whom she also said "And I'll forget you, but I'll never forgive" on the same record.

In her NYU Graduation address in May 2022 Taylor had part of the concept in this already swirling in her mind, a full year before she dated Matty Healy:

Having journalists write in-depth, oftentimes critical, pieces about who they perceive me to be made me feel like I was living in some weird simulation, but it also made me look inward to learn about who I actually am. Having the world treat my love life like a spectator sport in which I lose every single game was not a great way to date in my teens and twenties, but it taught me to protect my private life fiercely. Being publicly humiliated over and over again at a young age was excruciatingly painful but it forced me to devalue the ridiculous notion of minute by minute, ever fluctuating social relevance and likability. 

What Taylor is referring to is the treatment by the media and fandoms throughout her career, but this was never more of an issue than 2012-2014. Nothing is a terrifying as a teenager on fledgeling social media. This TikTok creator describes it perfectly:

From tabloids, twitter, tumblr, even people who looked like Taylor were abused.

So yes, Harry has had and worn t-Shirt with the song title for years, and yes they have both dressed up as Ariel. But that is not all that makes this song about Taylor loosing her love over fan behaviour... it's because she did. She lost the love she wrote 1989 including "This love left a permanent mark / This love is glowing in the dark"  about. And it continues today, there are a lot of people who still call Harry's partners vile names and think it is OK to treat others poorly because they suggest he could care for someone. I think anyone who's read this far knows exactly what I mean, probably first hand.

This affected Taylor the point the Clean Speeches on the 1989 Tour were on this topic, every night she talked about bullying, self worth and holding onto love.

The 'Daddy' is not just the fans and media, but probably her team also. I think the varied shapes in the CDs are to show this comes in many forms and roles, not just one experience. As Taylor said to Rolling Stone in 2014 before 1989 was released:

Lyrics

[Verse 1] I forget how the West was won I forget if this was ever fun I just learned these people only raise you To cage you Sarahs and Hannahs in their Sunday best Clutching their pearls, sighing, “What a mess” I just learned these people try and save you ‘Cause they hate you

For the international fans like myself 'How the West was Won' is a 1960's film about American colonisation. I think the opening 2 lines do 2 things, place us in a country setting and also tell us Taylor cares more about speaking her mind than what may be higher bigger goals.

The second half of this verse goes on to set out that it is fans who are approaching her love lost as trauma porn, and I am here for it.

I also note the cage reference, Taylor (and Harry) have a long theme of being caged or trapped by fame, she has a literal cage in her Nashville apartment, he has a cage tattoo and they have used cage, glass boxes, fishbowls, snowglobe imagery. Here she points out the fans are not really there for her, they are seeking to control her.

[Pre-Chorus 1] Too high a horse for a simple girl To rise above it They slammed the door on my whole world The one thing I wanted

The pre-chorus furthers that the final straw has been broken, she's been cornered by fans to give up something she cares for.

Vigante Shit "Ladies always rise above / Ladies know what people want / Someone sweet and kind and fun /The lady simply had enough"

Is It Over Now? "I was hoping you’d be there and say the one thing I’ve been wanting, but no"

That is the only time Taylor has sung about ‘wanting one thing' before. This also reminds me of the Delicate Behind the Scenes, where she said she got a note from a lover and wants to be with him but realises 'it can never be him'

[Chorus] Now I’m running with my dress unbuttoned Scrеaming, “But, Daddy, I love him I’m having his baby” No, I’m not, but you should see your faces I’m telling him to floor it through thе fences No, I’m not coming to my senses I know he’s crazy, but he’s the one I want

In the chorus Taylor acts out a churlish child yelling at a father. The 'daddy' is many roles, her actual parents, fans, media and probably record company and PR people who told her she could be with the one she loved, throughout her life. She says the matching line to Harry's Kiwi, which has the same meaning.

Taylor 'floors it through the fences, fed up and unwilling to listen. This is great imagery, to break through fences, and also as metaphorical fences that have been placed around what considered acceptable for her. Cars are also a Haylor theme, including Run below and often used as a metaphor for their love escaping as it is here. (All I know is that you drove us off the road / Let’s get out of this town, drive out of the city, away from the crowds)

Is It Over Now?: Was it over when he unbuttoned my blouse?

Run: And my so-called friends, they don’t know I’d drive away before I let you go

In Kiwi Harry yells a tabloid line followed with it's none of your business. In his Harry's House ONO complete with pointing at the camera and crowd. Taylor also referenced these same tabloids headlines in the Reputation magazine.

Kiwi "I'm having your baby / It's none of your business"

[Verse 2] Dutiful daughter, all my plans were laid Tendrils tucked into a woven braid Growing up precocious sometimes means Not growing up at all He was chaos, he was revelry Bedroom eyes like a remedy Soon enough, the elders had convened Down at the city hall

In the second verse Taylor establishes that she has gone everything asked of her:

Style - "I got that good girl faith and a tight little skirt"

Style - "So it goes, he can’t keep his wild eyes on the road"

Yet is denied freedom and the elders decree the match is unsuitable. I think the elders are her team. She describes the muse as chaos and revelry. This is very reminiscent of the I Knew You Were Trouble introduction poem, but while in 2012 Taylor was contrite and said it was too much she now revels in the revelry:

"And the crazy thing is I don't know if I'm ever gonna feel that way again, but I don't know if I should. I knew his world moved too fast and burned too bright, but I just thought, how can the devil be pulling you toward someone who looks so much like an angel when he smiles at you? Maybe he knew that when he saw me. I guess I just lost my balance. I think that the worst part of it all wasn't losing him it was losing me"

[Pre-Chorus 2] “Stay away from her” The saboteurs protested too much Lord knows the words we never heard Just screeching tires and true love

The 'daddy' has now forbidden the love, this is reminiscent of Love Story: "And my daddy said, “Stay away from Juliet”

[Chorus] And I’m running with my dress unbuttoned Screaming, “But, Daddy, I love him I’m having his baby” No, I’m not, but you should see your faces I’m telling him to floor it through the fences No, I’m not coming to my senses I know he’s crazy, but he’s the one I want

'Crazy' and Madness are a Haylor theme, particularly in the Blank Space music video, and these lyrics

Wonderland "And in the end, in Wonderland, we both went mad"

Kiwi "She's driving me crazy, but I'm into it (Oh) and "It's getting crazy, I think I'm losing it, I think I'm losing it"

But many more songs:

[Post-Chorus 1] I’ll tell you something right now I’d rather burn my whole life down Than listen to one more second of all this bitching and moaning I’ll tell you something ’bout my good name It’s mine alone to disgrace I don’t cater to all these vipers dressed in empath’s clothing

I love the last line, vipers dressed in empaths clothing, that is exactly what they are.

[Bridge] God save the most judgmental creeps Who say they want what’s best for me Sanctimoniously performing soliloquies I’ll never see Thinking it can change the beat Of my heart when he touches me And counteract the chemistry And undo the destiny You ain’t gotta pray for me Me and my wild boy and all of this wild joy If all you want is gray for me Then it’s just white noise, and it’s just my choice

The only time Taylor has described someone as wild in lyrics is in Style "So it goes, he can’t keep his wild eyes on the road"

Afterglow "Chemistry until it blows up"

I love the end of the bridge, elsewhere on the record Taylor describes her long term relationship as grey, staid and boring. For many years some fans have shoehorned this person into lyrics because they want to see themselves in her, as they settle down they want her too. From my point of view some rather loud warning signs in songs were overlooked, or seen as 'she's remembering the past/when they first got together' to avoid accepting she was unhappy and wanted out.

Out of the Woods "The rest of the world was black and white But we were in screaming color"

[Verse 3] There’s a lot of people in town that I Bestow upon my fakest smiles Scandal does funny things to pride, but brings lovers closer We came back when the heat died down Went to my parents and they came around All the wine moms are still holding out But fuck ’em, it’s over

This verse is where I think it becomes clear than the 2023 lens is at best reminding Taylor of a past love, because that relationship never came back. Matty has said they never dated in 2014, there was no controversy around her attending concerts then. They dated for a few weeks then stopped talking, and of story.

However Harry and Taylor did sing about a hidden relationship for years. In fact Taylor wasn't connected to anyone else in a serious way for three years. In particular

Wildest Dreams: I said, “No one has to know what we do”

This Love "This love came back to me, oh, oh, oh"

I know places : "Somethin' happens when everybody finds out / See the vultures circling, dark clouds" and "we're bulletproof I know places (Hide) and you know for me, it's always you"

…Ready For It?: "Island breeze and lights down low, no one has to know"

I Know Places TV's lyric video for got a very TTPD themed look.

[Final Chorus] Now I’m dancing in my dress in the sun and Even my daddy just loves him I’m his lady And, oh, my God, you should see your faces Time, doesn’t it give some perspective? And, no, you can’t come to the wedding I know it’s crazy, but he’s the one I want

Taylor is asking her fans, parents, media if they have grown up, from when they were teenagers playing with her real life, do they have perspective and willing to accept that she loves someone of her choosing?

And no, they can't come to the wedding, but I bet they have Eras Tour tickets.... and some showed up at Jacks.

[aileen2010sworld]

Lana Del Rey: La Poetisa Melancólica del Pop Moderno

Lana Del Rey, cuyo nombre real es Elizabeth Woolridge Grant, es una de las artistas más enigmáticas e influyentes de la música contemporánea. Con su estilo vintage, letras cargadas de romanticismo oscuro y una voz que evoca nostalgia, ha creado un estilo único. Este ensayo explora su carrera, su impacto cultural y cómo ha redefinido el concepto de feminidad en la música.

Trayectoria Musical

Lana Del Rey surgió en 2011 con "Video Games", un sencillo indie que se volvió viral por su estética cinematográfica y letras introspectivas. Su álbum Born to Die (2012) mezcló hip-hop, pop barroco y referencias a la cultura americana de los 50-60, creando un sonido que la crítica llamó "sadcore".

A lo largo de su carrera, ha evolucionado el sonar de su música. Álbumes como Norman Fucking Rockwell! (2019) (elogiado como uno de los mejores de la década por Rolling Stone) muestra su madurez como compositora, con letras que exploran el amor, la decadencia y el sueño americano.

Influencia Estética y Cultural

Lana ha creado una marca personal inconfundible:

- Imagen retro: Inspirada en pin-ups, Hollywood clásico y road movies, su estilo rinde homenaje a figuras como Marilyn Monroe y JFK.

- Videoclips como arte: Sus videos ("Ride", "Chemtrails Over the Country Club") son mini-películas que critican el consumismo y romantizan la fugacidad de la vida.

- Literatura en su música: Cita frecuentemente a poetas como Walt Whitman y Allen Ginsberg, fusionando alta cultura con pop.

Controversias y Feminismo No Convencional

Lana ha sido criticada por:

- Su representación de relaciones tóxicas en canciones como "Ultraviolence".

- Declaraciones sobre artistas como Beyoncé o Ariana Grande, que algunos interpretaron como insensibles.

Sin embargo, también ha sido defendida por abordar temas tabú (como depresión y adicciones) con honestidad cruda, ofreciendo una perspectiva alternativa sobre la libertad femenina.

Legado y Relevancia Actual

A pesar de no buscar hits comerciales, Lana ha influido en:

- Artistas: Billie Eilish, Taylor Swift y Lorde han citado su trabajo como inspiración.

- Cine: Su música aparece en películas como The Great Gatsby (2013) y series como Euphoria.

- Moda: Marcas como Gucci y H&M han replicado su estética vintage-bohemia.

Conclusión

Lana Del Rey es más que una cantante: es una narradora que ha convertido sus obsesiones en arte. Su capacidad para mezclar lo kitsch con lo profundo desafía las normas del pop y ofrece una voz única sobre la soledad y la belleza de lo imperfecto.

Dato Curioso: Su nombre artístico viene de su fascinación por el glamour de los años 50 y el actor Lana Turner (Vanity Fair, 2012).

Referencias

- The Atlantic (2017). Lana Del Rey’s Complicated Feminism.

- NME (2020). Why NFR! Is a Masterpiece.

- The New Yorker (2019). Lana as a Literary Figure.

- Rolling Stone (2019). Album of the Decade?

[therecordchanger62279]

My Favorite Records of the 21st Century

     This century is already a quarter of the way over. I think twenty-five years is long enough to wait to make my first list of favorite albums of this century. So, I thought I’d go ahead since I’m not sure I’ll be around long enough to do a half century list. It’s been a pretty good first quarter musically – at least good enough to bother making a list of the best 40 records. Given how wretched the 1990s were, I couldn’t be more surprised. The list reflects my diversity of taste, and my attachment to artists that debuted last century. But a few “new kids” were able to break through. All of these albums were new releases, and the year of release follows each artist’s name.

  1. Doll Revolution – The Bangles (2003)

  2. That’s Why God Made the Radio – Beach Boys (2012)

  3. Blue & Lonesome – The Rolling Stones (2016)

  4. The Tortured Poets Department: The Anthology – Taylor Swift (2024)

  5. No Pier Pressure – Brian Wilson (2015)

  6. Liars – Todd Rundgren (2004)

  7. 3X4 (Paisley Underground Tribute) – The Bangles, The Three O'Clock, The Dream Syndicate, and Rain Parade (2018)

  8. Say You Will – Fleetwood Mac (2003)

  9. Trilogy 2 – Chick Corea Trio (2019)

10. TexiCali – Dave Alvin & Jimmie Dale Gilmore (2024)

11. Norman Fucking Rockwell – Lana Del Rey (2019)

12. Folklore – Taylor Swift (2020)

13. World Without Tears – Lucinda Williams (2003)

14. Let England Shake – PJ Harvey (2011)

15. Can We Do Tomorrow Another Day? – Galen & Paul (2023)

16. Born to Die: The Paradise Edition – Lana Del Rey (2012)

17. The American Project – Yuja Wang and The Louisville Philharmonic (2023)

18. Sound Grammar – Ornette Coleman (2006)

19. Analog Man – Joe Walsh (2012)

20. Rachmaninoff: The Piano Concertos and Paganini Rhapsody – Yuja Wang & The Los Angeles Philharmonic (2023)

21. Downey to Lubbock – Dave Alvin & Jimmie Dale Gilmore (2018)

22. Songs in Red and Grey – Suzanne Vega (2001)

23. John Adams: Must the Devil Have All the Good Tunes – Yuja Wang with The Los Angeles Philharmonic conducted by Gustavo Dudamel (2020)

24. Resist - Midnight Oil (2022)

25. Rockferry – Duffy (2008)

26. Holy Ground – Dead Daisies (2021)

27. Ruby’s Torch – Nanci Griffith (2006)

28. Take A Good Look – The Fleshtones (2008)

29. Thirstier – Torres (2021)

30. Hackney Diamonds – Rolling Stones (2023)

31. Red (Taylor’s Version) – Taylor Swift (2021/2012)

32. This Mess is a Place – Tacocat (2019)

33. Brainwashed – George Harrison (2002)

34. Charlie Watts Meets the Danish Radio Big Band (2017)

35. The Border – Willie Nelson (2024)

36. That Lucky Old Sun – Brian Wilson (2008)

37. Whoosh – Deep Purple (2020)

38. Alphabetland – X (2020)

39. Beauty & Crime – Suzanne Vega (2008)

40. Pinky’s Blues – Sue Foley (2021)

[crossedmythoughtlessheart]

Taylor Swift for Rolling Stone Magazine 2012

[justinsentertainmentcorner]

Miles Klee at Rolling Stone:

YOU CAN’T PLEASE all the people all of the time — even if you’re as popular as Taylor Swift. Having attained a somehow higher level of mega-celebrity with her record-breaking Eras Tour and a closely followed romance with Travis Kelce of the Kansas City Chiefs (who are headed back to the Super Bowl as the defending NFL champs), the singer now faces the perplexing wrath of MAGA conspiracy theorists who have decided the league and the relationship are rigged to help Joe Biden’s chances in the 2024 presidential election. The premise is as disconnected from reality as it sounds, but it’s all the stranger given that this courtship between a pop icon and football star — both white, Christian, good-looking, wholesome public figures — should fit the all-American conservative ideal. And Swift herself long retained her mass appeal with a mostly apolitical presence on the world stage, only voicing liberal positions and endorsing a select few Democrats from 2018 onward. But it was, in part, this late entry into civic discourse that allowed right-wingers to sell themselves a narrative of Swift as a propaganda puppet, after years in which some ardently worshiped her as a blonde, blue-eyed avatar for white supremacy. Here’s the complete timeline of how the far right fell in, and out of, love with Taylor Swift.    

Pre-2016: Country Roots

Swift came up in the Nashville scene, from the age of 14, as a country singer-songwriter inspired by the likes of Dolly Parton and Shania Twain. Her debut single, “Tim McGraw,” alluded to her love of another country legend — and her early hits climbed the genre’s charts along with heartland tunes full of cowboy twang and pickup trucks. Whatever the identities of individual performers, this music has always been conservative-coded, and its biggest names have rarely shied away from an aggressive style of red-meat patriotism. Swift, of course, was a teenager singing about innocent young love: She only happened to suit the fantasy of a small-town girl next door that informs so much Americana. (And she certainly didn’t have Parental Advisory stickers on her CDs.) It was when she started to drift from these roots on Red (2012), and fully embraced electronic pop with 1989 (2014), that fans could begin to think of her as totally distinct from the traditionalist milieu of her early career. The latter’s “Welcome to New York” signaled a new, cosmopolitan life far from the backroads of country radio. In fact, a civilian Donald Trump was blasting the album’s second single, “Blank Space,” while driving around with wife Melania and son Barron, as seen in a 2014 video Melania shared on her Facebook page [...]

The ascendant alt-right, shitposters by nature, saw a chance to disingenuously claim Swift for their own, as both a secret Trump supporter and neo-Nazi. (It didn’t seem to matter that she had previously expressed her happiness at Barack Obama taking the White House in 2008, her first election.) The attempt to rebrand her had older, murky origins, including 4chan in-jokes and a Pinterest user who in 2013 went viral for images falsely attributing Hitler quotes to Swift, but picked up steam as Trump did. Andrew Anglin, founder of the white supremacist website the Daily Stormer, declared her an “aryan goddess,” while Milo Yiannopoulos, in a column for Breitbart, explained why she was an “alt-right pop icon,” noting her whiteness, blondeness, unrevealing clothes, lack of piercings, and occasional mini-scandals over music videos accused of racist undertones. It probably didn’t help that Swift endorsed neither Hillary Clinton nor Trump, leaving room for misinformation about how she secretly voted for the GOP candidate. Following Trump’s victory, some Democrats vented their frustration at Swift’s silence during the campaign, believing she could have moved the needle for Clinton. [...]

In the following months, the #MeToo movement shed light on how often sexual misconduct is dismissed or covered up to the perpetrator’s benefit, and Swift became one of the founding signatories of Time’s Up, an advocacy group for survivors, and donated to its legal defense fund.  None of this was likely to endear Swift to conservatives who had already begun to argue that #MeToo had “gone too far,” yet she continued to press the issue, gracing the cover of Time’s Person of the Year issue along with fellow “silence breakers.” And the next year, she finally waded into electoral politics, sharing on Instagram that she would be backing Democratic congressional candidates in Tennessee for the 2018 midterms. [...]

2019-2020: The Activist

By 2019, Swift’s politics were no mystery. She was openly in favor of gun-control reform, took a pro-choice stance against government attempts to crack down on abortion, gave a surprise performance at New York’s Stonewall Inn for that year’s Pride celebration, and urged the senate to pass anti-discrimination laws. Any far-right fan clinging to the notion that she harbored extremist views would’ve been in clinical denial. For the most part, conservative commentators got in the habit of attacking her as they would any other liberal entertainer with a massive platform. Ben Shapiro, for one, complained of her “abrupt and obviously pandering shift into a political wokescold.”    At last, Swift also formally denounced any admiration from the racist far right in a cover story interview with Rolling Stone. “There’s literally nothing worse than white supremacy,” she said. “It’s repulsive. There should be no place for it.” She explained that she feared a 2016 endorsement of Hillary Clinton could have backfired, since Clinton’s celebrity support was “used against her in a lot of ways.” As for conservatives who had once assumed she was on their side, she quipped, “I don’t think they do anymore.” [...]

2021-2024: Taylor Derangement Syndrome

The “aryan goddess” interpretation of Swift had been more or less put to bed by the time Biden assumed office. But the reorganizing MAGA right had little reason to single her out among the legions of professional entertainers who express their distaste for Trump here and there. She didn’t endorse candidates in the 2022 midterms, either, though she did communicate her dismay at the overturning of Roe v. Wade. Conservatives who bothered to take a swipe at her tended toward lazy outrage bait: calling her boring, overrated, or a lonely cat lady (mind you, she was in a long-term relationship with actor Joe Alwyn that was heavily covered by the tabloids). In 2021, Swift embarked on the formidable project of rerecording her first six studio albums after the rights to that catalog were sold to a company run by controversial music mogul Scooter Braun, and released the hit record Midnights in 2022.

It was in 2023 that American conservatism launched into an enduring freakout about Swift, her cultural dominance, and her potential influence on voters. Anyone dimly aware of the Eras Tour — an unprecedented run of sold-out stadium shows — could see she had reached another pinnacle of success, and amassed a near-cultish audience of millions who hung on her every utterance. We got plenty of think pieces on whether this was a good or bad phenomenon, with varied musings on how Swift had created her own monoculture. The sheer saturation of Taylor content was enough to irk those less disposed to her vibe — and there were gripes about that, too.

[...] The release of The Tortured Poets Departmentlast Friday, April 19, inevitably (and unfortunately) brought a new round of grousing. Sean Feucht,  the far-right “MAGA Pastor,” raised the alarm on social media, saying “half the songs” on the album “contain explicit lyrics (E), make fun of Christians, and straight up blaspheme God.” And lest you think he’s “just being religious & overreacting,” Feucht shared several apparently offending lyrics that certainly dabble in classic religious imagery, but in the most basic, writerly way imaginable. Among the most harrowing lines, to Feucht: “I would’ve died for your sins, instead I just died inside” (from “The Smallest Man Who Ever Lived”); “What If I roll the stone away / They’re gonna crucify me anyway” (“Guilty as Sin”); and “God save the most judgmental creeps / Who say they want what’s best for me / Sanctimoniously performing soliloquies I’ll never see,” from “But Daddy I Love Him,” which definitely seems more critical of Swift’s own fans than an entire religion.  And, of course, Shapiro got back in on the action as well with a YouTube video dubbed, “Taylor Swift’s New Album Is GARBAGE” and nuanced opinions like, “Can we stop pretending she’s high art?” and, “She’s so tortured that she’s worth billions of dollars for singing songs that are most appropriately sung by 16 and 17 year old girls.” 

Rolling Stone has an in-depth report on the timeline of Taylor Swift's career that led to the eventual right-wing sour grapes-fueled culture war against her, especially in the last few years or so.

[tayfabe75]

As the title suggests, 1989 was influenced by some of Swift's favorite Eighties pop acts, including Phil Collins, Annie Lennox and "Like a Prayer"-era Madonna. (Given that 1989 is also the year Swift was born, she necessarily got into them later, usually via VH1's Pop-Up Video.) The album was executive-produced by Swift and Max Martin, with whom she first collaborated on her 2012 single "We Are Never Ever Getting Back Together." Officially, it's not even finished yet: Somewhere in Sweden, Martin is tinkering until the very last minute to ensure the drum sounds are as up-to-date as possible. Swift's last album, 2012's Red, straddled the line between country and pop. "But at a certain point," she says, "if you chase two rabbits, you lose them both." So this time, she set out to do full-on "blatant pop music." A casual fan won't notice much difference, but to Swift and her brand, it's a big step. She says she won't be going to country-awards shows or promoting the album on country radio. When she first turned in the record, she says the head of her label, Scott Borchetta, told her, "This is extraordinary – it's the best album you've ever done. Can you just give me three country songs?" "Love you, mean it," is how Swift characterizes her response. "But this is how it's going to be."

September 8, 2014: Taylor discusses the artists that influenced her new '80s pop sound with Rolling Stone. (source)

[ometochtli2rabbit]

MAYA:

13.0.12.9.0

wak[6] AHAU[lord]/AJPUH[blow-gunner] - waxaklajun[18] POP

galactic tone: flow/ organic balance

sun sign: SUN| snow or conch/yellow or blue/south

ask for wisdom and continued honored memory of our ancestors

NAHUA:

chicuacen[6] - XOCHITL [flower]

Mictlantecuhtli | Xochiquetzal

chiquatli [barn owl]

lord of the night: Chalchihuitlicue

trecena[6]: Xochiquetzal

x: caxtolli-omome[17] - tlaxochimaco

"The Beautiful Ones", Njideka Akunyili Crosby, 2012.

"The Beauty", Titian, 1536

Day Xochitl (Flower, known as Ahau in Maya) is governed by Xochiquetzal, Flower Feather, as its provider of tonalli (Shadow Soul) life energy. Xochitl is a day for creating beauty and truth, especially that which speaks to the heart who knows it will one day cease to beat. Xochitl reminds us that life, like the flower, is beautiful but quickly fades. It is a good day for reflection, companionship and poignancy; it is a bad day for repressing deep-seated wishes, desires and passions. - www.azteccalendar.com

Today is a day for BEAUTY/BEAUTIFUL:

David Bowie: Beauty and the Beast

Stevie Nicks: Beauty and the Beast

Whitney Houston: The Greatest Love of All

Loretta Lynn: Van Lear Rose

Taylor Swift: Sad Beautiful Tragic & Beautiful Ghosts& Stay Beautiful

Nicki Minaj: Beautiful Sinner

Marilyn Manson: The Beautiful People

Van Morrison: The Beauty of the Days Gone By

Alessia Cara: Scars to Your Beauty

Neil Diamond: Beautiful Noise

Neil Young: Natural Beauty

No Doubt: Beauty Contest

Cliff Richard: She's So Beautiful

Florence + The Machine: How Big, How Blue, How Beautiful

Motley Crue: Beauty

Christina Aguilera: Beautiful

Elvis Costello: All This Useless Beauty

The Moody Blues: Love and Beauty

Halsey: Finally/ Beautiful Stranger

The Platters: You are Too Beautiful

P!nk: Beautiful Trauma

U2: Beautiful Day

Lady Gaga: Beautiful, Dirty, Rich

Earth, Wind and Fire: Beauty

Beyonce & Shakira: Beautiful Liar

Al Green: Simply Beautiful

Bob Dylan: Tomorrow is a Long Time

Elton John: Beauty in the Bones

Temptations: Beauty is Only Skin Deep

The Rolling Stones: Dangerous Beauty

Stevie Wonder: Bird of Beauty

Elvis Presley: Young and Beautiful

Nat King Cole: But Beautiful

Joe Cocker: You Are So Beautiful

Dolly Parton & Porter Wagoner: The Way I See You

Dolly Parton & Willie Nelson: Everything is Beautiful

Dolly Parton: Where Beauty Lives in Memory

Fleetwood Mac: Seven Wonders

Queen: Fat Bottomed Girls

Waylon Jennings: I've Always Been Crazy

John Lennon: Beautiful Boy (Darling Boy)

Depeche Mode: The Love Thieves

Björk: Venus as a Boy

Lana Del Rey: Black Beauty & Young and Beautiful & Beautiful

People Beautiful Problems & Beautiful

Prince: The Beautiful Ones & It's Gonna Be a Beautiful Night

Madonna: Vogue

The Beatles: Beautiful Dreamer

[seasurfacefullofclouds1]

I was just reading on a blog about the Haylor timeline from 2012 and would like to know your opinion on it. Were there feelings from both sides, or did Harry use her to enter the celebrity circles in the US?

100% PR. They both milked it for at least 5 years, if not longer.

Incidentally, it’s very funny how Larries switched from saying Two Ghosts was 100% about Louis in 2017 to admitting now that the song was written to imply Taylor Swift in 2025.

Louies said Harry was using Haylor for marketing in 2017 and were terribly bullied for it.

But Harry used Taylor’s name to market his song and album, both in the Rolling Stone cover article and on BBC Breakfast with Nick Grimshaw (“Help me, Jeffrey!”).

Even if there’s any genuine feeling in any of Taylor Swift’s or Harry Styles’ “romantic” relationships (with anyone), you can bet that they’ll use it for marketing. This has been the case for 100% of their relationships, even if you include Larry.

After all, there’s no romance as great as a romance with yourself own ego.

After all the tender and bittersweet love songs, Taylor and Harry are remarkably cynical about actually liking any partner enough not to use them for promotion. (I say this even though I think Taylor is a good songwriter and I like some of her songs.)

[severingt]

(End of) Summertime Hits Show 80. 19th October 2012

The Ying Tong Song - Goons

You're Moving Out Today - Carol Bayer Sager

Creque Alley - Mamas and Papas

Apeman - Kinks

All I Have To Do Is Dream - Everly Brothers

Save The Last Dance For Me - Drifters

Pretty Little Angel Eyes - Showaddywaddy

Teenager In Love - Dion and the Belmonts

16 Candles - Crests

Denise - Randy and the Rainbows

Down on the Corner - CCR

Get Offa My Cloud - Rolling Stones

Eight Miles High - Byrds

Everybody's Talkin' - Nilsson

My Brother Jake - Free

I Love To Boogie - T.Rex

Show Me The Way - Peter Frampton

Sad Sweet Dreamer - Sweet Sensation  

Blockbuster - Sweet

Ball Park Incident - Wizzard

All Because of You - Geordie

Broken Down Angel - Nazareth

Here Comes The Sun - Cockney Rebel

Hold Back The Night - Trammps

Car Wash - Rose Royce

Philadelphia Freedom - Elton John

If I were A Boy - Beyonce

Love Story - Taylor Swift

Let It Rock - Kevin Rudolf Ft. Lil Wayne;

Gold - John Stewart

Evil Woman - ELO

Down In The Tube Station At Midnight - Jam

[foxes-that-run]

NEVER GO OUT OF STYLE

Harry Styles Proclaimed His Enduring Love for Taylor Swift’s “22” During a Concert

Years after breaking up with Taylor Swift, Styles is (understandably) still quite a fan of the bop.

by Steph Eckardt March 22, 2018 W magazine (x)

Harry Styles Tour Opener at The Masonic Auditorium

Remember “22” by Taylor Swift, the seminal pop song released long before the singer declared herself dead and started out hanging in bathtubs full of millions of dollars’ worth of diamonds? Of course you do—the song was such an omnipresent bop at the time that chances are you know the words to at least the chorus. Still, it doesn’t seem to have been at the forefront of most people’s minds, since it came out in 2012, but those select few notably happen to include Harry Styles, who’s still publicly showcasing his love for the song years later.

While onstage as part of his Copenhagen tour this week, Styles decided to give a birthday shout-out to one of his fans. He then asked how old she was, and then tried to guess in an extremely strange, apparently self-aware voice of what fans would speculate from his making a reference to his ex: “22?” Apparently deciding to just go for it, he briefly launched into a verse from the single’s chorus: “I don’t know about you, but I’m feeling…” (Though the crowd burst into cheers, his cover unfortunately abruptly ended after that.

This isn’t the first time Styles publicly expressed his approval of the song: He also threw his fans into a frenzy on his 22nd birthday back in 2016, again making a direct reference to it by tweeting simply, “I don’t know about you, but I’m feeling 22.”

His love for the song may seem a bit awkward, given that he and Swift dated from October of 2012 to January of 2013, a relationship most memorably memorialized in the paparazzi photos documenting their extremely public walk in Central Park. Since then, Styles has been the much-rumored subject of at least three songs on her subsequent album, 1989, including the not so subtly named “Style.” None are particularly bitter about their subject, though Swift did seem to express some of her not-so-positive memories of their fling when she once performed “Out of the Woods,” telling the crowd that it was about a relationship in which “the number-one feeling” she felt was anxiety. “Because it felt very fragile, it felt very tentative. And it always felt like, ‘Okay, what’s the next roadblock? What’s the next thing that’s gonna deter this? How long do we have before this turns into just an awful mess and we break up? Is it a month? Is it three days?'”

That sounds difficult, but it’s also not the worst reason for a relationship to end. And while he professed to not knowing for sure whether they were about him, in 2017, Styles told Rolling Stone that he’s “well aware” that “Style” and “Out of the Woods” are considered to be about their relationship, and that he’s, in fact, glad she wrote them. “I write from my experiences; everyone does that. I’m lucky if everything [we went through] helped create those songs. That’s what hits your heart. That’s the stuff that’s hardest to say, and it’s the stuff I talk least about,” he said.

Whether they’re about him isn’t even his biggest concern about the songs: “The issue is, she’s so good, they’re bloody everywhere,” he added, even continuing his praise when pressed: “She doesn’t need me to tell her they’re great. They’re great songs…It’s the most amazing unspoken dialogue ever.” He even thanked Swift for writing them: “In writing songs about stuff like that, I like tipping a hat to the time together. You’re celebrating the fact it was powerful and made you feel something, rather than ‘this didn’t work out, and that’s bad.’ And if you run into that person, maybe it’s awkward, maybe you have to get drunk…but you shared something. Meeting someone new, sharing those experiences, it’s the best shit ever. So thank you.”

Getting back to the present, Thea, the birthday girl who prompted the homage, afterward tweeted about the experience to her 20 or so followers. She also retweeted an extremely strange mash-up her friend made replacing Swift’s “22” with Styles’ extremely oddly voiced one that is definitely worth the six-second watch—even, it seems, for Styles and Swift, too.