#this is obvs reader's interpretation
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joyousedd · 1 month ago
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this shit rewired my brain like dmt. death not as in ruin and despair but death as in an indisputable, irrevocable relief. death as in the final long rest
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themeraldee · 5 months ago
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that valentine's sweets ask made me think about Homelander receiving a Valentine's card from an unseemly, quiet employee at Vought. The kind where they felt bad that he didn't seem to be receiving any gifts with a personal touch. You know, making a card for the kid you're worried isn't gonna receive one otherwise. Sure he's received a ton of brand promotional material and gifts that are meant to butter him up or thank him for how much his appearance boosted their viewership. But what is he meant to do with all of it. Not like he's gonna wear that cheesy shirt, or eat all that chocolate.
But him and Maeve are over, he's had his bachelor phase going for a while now and nobody seems to be brave enough to approach him with work-related needs, let alone a silly frivolous card.
So colour him surprised to see a simple red envelope on the desk by his chair. In it a card with some cheesy print and less "i love you" and more "you're amazing" vibe to it. Inside a simple line handwritten from you saying happy valentine's & have a great day!
And what is this if not a public proposal to him. How kind of you to have signed it with your name, makes the job of chasing you down hell of a lot easier!
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kindlythevoid · 1 year ago
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As promised. Memes:
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And as promised, ranting:
Okay, so, real talk, I did not actually like everything in this book, but I still fucked with it SO HARD. Like, honestly, I picked up what this was putting down (a little heavy-handedly, but done so well imho???) and the WAY IT WAS WRITTEN????
Like, I did a course on the Aeneid. And obviously it was a Roman mythos, not Greek, but DAMN, CLAIRE NORTH. I could see my translations!!! Written in the vernacular of english!!! RiGHT THERE IN THE TEXXT!!!! I GOT SO FREAKING EXCITED!!! It's just, such little things. The phrasing of a certain line. The odd usage of certain similes or metaphors that go off about people or places. The strange diversions to explain events or people right in the middle of the text before jumping straight back into the story. IT WAS SO VERGIL GUYS I SWEAR.
(i haven't had to translate the greek myths sorry guys and I read the odyssey so many years ago in english many apologies am working off what I got)
And, like, as I said, it was very heavy-handed as it backhanded the greek poets for ignoring the women but, like, she was right??? It was insane guys. It was absolutely insane. And everyone was so nuanced and had personalities and hopes and dreams and backstories and at points I was worried she was going to sacrifice the guys to further the women??? Which, like, I understand the irony, and obv couldn't super fault her for it, but she ended up balancing everyone out so well??? Like the guys were in the background instead but they were still all unique and had different priorities and shit.
Just, this whole book was such a breath of fresh air. Damn.
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Wait so regarding that last line when it comes to his age. I- what do you mean he was 34 on his first birthday like- IS HE A VAMPIRE??? (Excuse my stupidness it’s 5am in the morn where I’m at)
👀
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twentyfivemiceinatrenchcoat · 11 months ago
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how old (approx) is dilfguru? just curious
i don’t have an exact age in mind, but i imagine him being in his late thirties / early forties!!! :3
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movingmusically · 1 month ago
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Hello! I saw this prompt years ago but have never seen anyone actually write it. I think you'd be perfect for it! Austin and co-star (reader, obv) have a sex scene together that they're filming. It is so intimate and spicy that reader actually (accidentally) has an orgasm. No one knows except her and Austin. The film crew are oblivious. They just think the acting was phenomenal. She's super embarrassed and tries to avoid him after. But eventually, they have to talk about it, right? I'll let you decide how to end it. The only thing I ask is that Austin is a sweetie (cause we know he would be) and that it doesn't have a sad ending. Hope you will write this! If not, i understand. Thank you!
Word Count: 8.2k
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Unspoken - Part 1
You hadn’t known what to expect, exactly.
Austin had been friendly over Zoom, warm and low-key, but it was hard to tell what someone would be like in person—especially on a set like this. Small crew, no distractions, nowhere to hide behind glossy production. If it didn’t work between you, the whole thing would fall flat.
But it did.
From the read-through onwards, it had felt easy. Not instant chemistry—a quiet kind of comfort. The kind of working rhythm that didn’t need effort. He asked good questions, knew his lines without showing off, made quiet jokes when the room got too still. He was generous without making a show of it.
You got used to him fast.
By the end of the first week, it was already normal—splitting snacks, borrowing chargers, leaning your heads together over the sides of marked-up scripts. The film demanded closeness, and you slipped into it like it had always been there. Long takes, low lighting, scenes built on shared silences. Half your scenes were filmed with your knees touching.
It wasn’t flirty. You never caught him looking at you the way actors sometimes look when they forget where the cameras are. It wasn’t that.
He was just kind.
And that made it easy to match him.
You’d sit beside each other in makeup, legs stretched out, talking about nothing. Pass each other notes when the blocking didn’t make sense. Trade bad coffee on the days where breakfast had been skipped.
It helped that the film itself moved slowly. Years of friendship, worn soft around the edges, turning into something else. It was about trust. About timing. About all the ways people stop themselves from saying what they really mean.
And maybe that was why it worked so well between you.
You weren’t trying too hard.
You didn’t have to.
So when the call sheet landed in your inbox that Friday and Scene 87 was there—INT. BEDROOM – NIGHT—you tapped the attachment open, noted the time, flagged your sides, and closed it again.
You’d known about the intimacy scene from the start. It had been in the script, flagged clearly, nothing ambiguous about it. You’d spoken to your agent. Met with the intimacy coordinator, Lizzy. It had all been handled. Tidy. Professional.
You hadn’t thought about it in weeks.
The first rehearsal was set for late morning.
No cameras. No costumes. Just you, Austin, and Lizzy on one of the quiet rehearsal stages—black tape marking out the bed frame, a couple of chairs off to the side, printouts and notes and breath mints on the foldout table in the corner.
You’d dressed for comfort—oversized hoodie, joggers you could move in. Something low-effort. Unremarkable. You were early. Austin arrived a couple of minutes later, T-shirt soft and familiar, hair still damp like he’d only just rolled out of a shower and straight into daylight.
He gave you a smile.
“Hey,” he said. “You sleep?”
“Define sleep.”
He nudged your elbow with his. “You’ll be great.”
Lizzy talked you through everything. No acting yet. No emotion. Just spacing. Breath. Weight distribution. A choreography of intention.
This hand here. Pause. Step across. Sit. Press of the hips. Shift weight. Hold. Reset.
It was fine.
Fine in the way things are when you’re concentrating hard enough that your body doesn’t have time to interpret what’s happening. Every moment had a cue. Every touch was mapped. There was no room for awkwardness when there were angles to hit, timing to remember, direction to follow.
Austin was calm beside you. Clear. Always asking before he touched you. Always quiet when he did. “Here okay?” “This side?” “Let me know if anything’s off.”
It made it easier to breathe.
And then—somewhere in the second hour—your body slid into position over his, knees bracketing his thighs, hands placed exactly where Lizzy had marked, and your eyes met at the top of the next beat.
It didn’t last long.
Half a second, maybe less. Long enough for something to catch low in your throat.
It wasn’t his expression—it was the stillness. The weight of being seen from that close, that carefully. Like you were both holding a match between your teeth and trying not to breathe too hard.
Then Lizzy reset the moment. Adjusted the timing. Moved you on.
You exhaled. Stepped back. Pulled your hoodie on.
Your skin felt warmer than it had when you arrived.
You didn’t wake up thinking about the scene.
You had errands to run before your call time, and a voice note from your sister about some family drama you didn’t want to get dragged into. You had other things on your mind.
But your body remembered.
Not the shape of the scene, exactly. More the feeling of being in it with him—close and quiet and not entirely sure where your breath was supposed to land. You’d shaken it off last night, told yourself it was nothing, but something had settled low in your stomach and hadn’t moved since.
The second rehearsal was longer. Slower.
You got there five minutes early again. Austin was already inside this time, barefoot, stretching in that loose, lazy way that somehow made him look like he belonged there more than anyone else. He glanced up as you walked in.
“Morning,” he said, soft and a little rough around the edges.
You dropped your bag by the wall. “How’s the caffeine situation?”
He smiled. “Better than yesterday. Tastes like actual coffee.”
Lizzy appeared a moment later, warm as ever. “Alright, team. Let’s pick up where we left off.”
This session was about layering. You’d done the bones of it—now came the rhythm. More eye contact. Partial dialogue. Transitions between physical beats. Still clothed. Still private. But closer.
You moved through the choreography again, syncing your breath to his, feeling his hand find its place at the small of your back like it had always been meant to rest there. The movements were slow, deliberate. Lizzy’s voice floated in from the edge of the room, guiding but never interrupting.
“Let the hesitation sit. Don’t rush past it. You don’t know if you’re allowed to want this yet. That’s where the tension lives.”
You nodded. You did know that. You’d read it. Felt it. But when you looked up and found Austin’s eyes already on yours—steady, unreadable, entirely focused—it landed somewhere lower than the page.
His hand shifted slightly. Not new choreography. A gentle adjustment, thumb pressing into the curve above your hip. Your breath caught for half a second before you remembered what came next.
You hit your mark. Let him guide the movement. Said the line. All of it exactly as planned.
But it felt different now.
Not intimate exactly.
Kind of… charged.
Like your skin was paying more attention than it should.
You tried not to overthink it. You were tired. You’d had too much coffee. It was just a long week.
But when you stepped away during a break and uncapped your water bottle, your hands were shaking slightly. And when he brushed past you to grab a copy of the notes, your body tracked him before your eyes did.
It was only awareness, you told yourself. That’s all.
Still, when the rehearsal wrapped, you left without saying much. Just a wave. A quiet, “See you tomorrow.”
And when you got home, you didn’t turn the shower on right away. You stood there, in the centre of your bathroom, trying to name what you were feeling.
And failing.
By the third day, it was muscle memory.
The basic choreography had sunk in—weight, timing, the way your breathing had to shift depending on whose hand was moving where. It wasn’t second nature exactly, but it no longer required so much conscious effort. Your body knew what to do before Lizzy even called the beat.
You’d kept your hoodie on through warm-up. Stretched your arms, read through the notes again, checked your cue lines even though there weren’t many in this part of the scene. But when it came time to start, you pulled the hoodie off and folded it neatly to the side.
You were down to joggers and a sports bra now. Modesty garment already in place beneath the waistband—silicone-lined, taped down. It didn’t cover much, but it did enough. You were quietly grateful for it. That, and the way Lizzy explained everything like it was just another technical element—same as a light cue or a lens change.
She ran through the new additions with her usual steadiness.
“Austin, your hand will go under the waistband. Just placement—over the shibue. No movement. You”—she turned to you—“will roll your hips twice. That’s the entire rhythm for today.”
You nodded. “Got it.”
Austin looked over. “All good?”
“Yeah,” you said. “All good.”
You lay back, joggers soft beneath your fingers, and let your legs bend into position. Austin settled between your knees, braced one hand beside your shoulder, and waited for the mark.
On cue, his hand moved under the waistband—warm, steady, fingers spread wide enough to cover the space he needed to hit. The contact wasn’t rough, wasn’t wandering. Simply there.
You rolled your hips once.
Then again.
Not a grind. Not even a proper press. Only the motion. The suggestion. His hand stayed still.
It didn’t feel like anything, really. A moment of pressure and a reminder of how close the camera would eventually be. The modesty garment stayed where it was supposed to. That was the only thing you registered—that and the fact that your exhale felt a little too controlled when you came back down.
The scene paused.
You sat up and adjusted your waistband. The edge of the shibue tugged slightly where it had been taped, but it was fine. Not enough to worry about, but enough to feel it.
Lizzy marked the note, nodded once. “Again when you’re ready.”
You glanced at Austin. He gave the smallest nod.
You breathed out. Repositioned.
You were fine.
Just warm all over, and very glad the garment did what it promised.
You knew the choreography now.
Every beat had been mapped. You’d talked it through with Lizzy and Austin, with the director, with wardrobe. You’d written your own version of the scene in your notes—a series of bullet points, clean and factual, so it didn’t feel like anything else.
But standing on set that afternoon, barefoot on the edge of the taped-out space, it hit you that this would be the last time you ran it before the cameras were rolling. That the next time you did this, you’d both be fully undressed—just the modesty garments left between you, and not much else.
You adjusted the waistband of your joggers for the third time, even though it didn’t need it.
Austin was sitting on the edge of the bed frame, script in hand, thumb running a slow line down the margin. He looked calm. Focused. Not performing yet—allowing the moment to settle around him.
Lizzy’s voice broke the quiet.
“Alright. Today we’ll run the full scene, blocking and pacing. We’ll work in the breast contact—touch, mouth—if you’re both still comfortable. We won’t pause unless someone calls reset.”
You nodded. “Yep.”
Austin echoed it beside you. “All okay here.”
The hoodie came off before you stepped into place. You handed it to the wardrobe assistant and kept your arms folded across your chest until Lizzy gave the go.
Then you lay back on the bed. Arms at your sides. Skin already prickling from the air.
Austin climbed in carefully—one knee first, then the other. His hands moved with that same, steady confidence they always had. He kissed your shoulder first, then your collarbone. Not rushed. he eased you both into it.
Then his hand came up.
A cupped, warm press to your breast. Placed deliberately. You could feel the heat of it seeping through your chest in a way you hadn’t fully registered in the abstract.
His head lowered next.
He hovered above you—mouth angled toward your breast, close enough that you could feel his breath as it passed over your skin. He held that position while Lizzy circled behind the camera line, checking visibility, framing. You stayed still. So did he. No contact.
Only the space between.
You didn’t flinch. Didn’t move. Just held the shape of it while Lizzy walked around the perimeter, watching angles, checking marks. Her voice was a background rhythm. Reassuring.
Then came the final cue.
Austin’s hand slipped under the waistband of your joggers again, warm and still over the modesty barrier. His other hand braced beside your shoulder.
You rolled your hips. Once. Then again.
You felt the pressure land the way it was meant to. Controlled. Calibrated. Friction implied, not enacted.
Then stillness.
Reset.
He pulled back carefully. Rolled off the mattress. Extended his hand without needing to ask.
“You alright?” he said, voice low, just for you.
You nodded as he helped you sit. “Yeah. You?”
He gave a small smile. “Glad it’s with you.”
You looked at him properly then. Not in character. Not through the lens of the scene. Him. Quiet. Steady. Present.
“Same,” you said.
And you meant it.
You got there early.
Not because you were nervous—more out of habit now. One last quiet moment before everything tipped into movement. The lights were set, soft and low, casting the bed in that kind of glow the DP loved. There was a stillness to it that felt almost too peaceful for what was about to happen.
You heard the door open behind you but didn’t turn right away.
Austin’s footsteps were familiar now. So was the quiet.
He came to stand beside you, hands in his pockets. Didn’t say anything for a second. He looked out at the space like you were both about to do something much simpler. Like any other scene. He was calm in that quiet, grounded way he always was right before a take.
He glanced at the bed. Then at you.
“Well,” he said, easy, “if this is the day I forget everything we rehearsed, now’s a fun time to find out.”
You huffed a soft laugh. “No pressure.”
“Nah,” he said. “We’ve got it.”
It wasn’t cocky. Just said with the kind of calm certainty that made your shoulders drop a little.
He looked at you properly then—a beat longer than necessary. Not searching. Simply present.
“We’re fine,” he said. “Feels like we’ve already done it a hundred times anyway.”
“We kind of have,” you said. “But clothed. And with a smaller audience.”
He smiled at that.
And that was enough.
When Lizzy’s voice came through the monitor—“We’re ready when you are”—he didn’t even blink. He tipped his head slightly toward the bed.
“Shall we?”
You nodded once. “Let’s go.”
And together, you stepped into the scene.
You were already on the bed when they called action.
Sitting near the edge, legs folded under you, fingers curled lightly in the hem of your t-shirt. This part of the scene didn’t ask much of you except stillness. Waiting. The kind that held its breath.
You heard the door creak softly as he entered.
The sound of him was familiar now—bare footsteps, quiet breath, that stillness he carried when the scene asked for it. You stayed still, like the script said. Eyes down. Shoulders held a little too tightly.
He stopped just inside the room.
“You left,” he said, voice low. Like it might break something if he spoke too loud.
You looked up.
He was already watching you. T-shirt rumpled slightly, hair a little messy like he’d been running his hands through it. His mouth opened, then closed again. You waited.
“I didn’t want to say something I couldn’t take back,” you said.
He nodded. Not because he agreed. Because he understood.
“I didn’t want it to end like that,” he said. “Not with you.”
That was the moment the scene turned.
The shift you’d rehearsed. The beat the whole film had been circling.
He stepped closer and sat beside you on the bed, steady and familiar. The mattress dipped under his weight. His hand found balance behind you. His knee brushed yours.
Neither of you spoke. The silence wasn’t empty—it was full of every version of this that never happened. Every almost. Every nearly.
You turned toward him.
He was close. Closer than usual. The kind of close that made silence feel like a question.
His eyes flicked down—your mouth, your hands—then came back up to meet yours again.
You moved first—only slightly.
He met you without hesitation.
The kiss was soft. Gentle. A breath before it landed. You could feel the warmth of him, the way his lips moved against yours like he’d already memorised the shape of it. His hand rested lightly on your leg. Yours slipped up to his chest.
The second kiss came a little deeper. Not rushed. Certain. The kind of kiss that filled a room without raising its voice.
His mouth tasted faintly of mint.
You stayed with it, let it build, felt it start to root somewhere deeper than rehearsal.
Still in character. Still focused.
But something in your chest had shifted. Something slow and warm and creeping.
You weren’t tracking marks or pacing anymore.
You were just kissing him.
And he was kissing you back like it meant something.
His hand slid up beneath your shirt. Warm across your stomach, steady as he pushed the fabric up. He knew the beat. You’d rehearsed it. You shifted to help, lifting your arms, letting him ease the fabric over your head. He dropped it off the side of the bed. You were already breathing differently.
You reached for his shirt in return, fingers brushing his skin as you pulled it over his head. He let you. No pause, no shift in rhythm. Now skin against skin, your chest rising against his with every breath.
You kissed him again.
And this time, as your mouths met, you moved—slowly—easing one leg over his lap, settling against him.
The bed creaked softly beneath you. His hands came to your thighs, anchoring you there. One slid up, fingers splaying lightly at your waist. The other stayed low, grounding you.
You felt the shape of him under you. Not against your bare skin—not yet—but close. Closer than rehearsal. The weight of him, the pressure of his hands, the way his eyes kept flicking between your mouth and your eyes, like the scene was happening in two places at once.
His lips trailed lower.
Down your jaw, your throat, the curve of your collarbone.
You tilted your head slightly to give him room.
His hand came up to your chest.
Fingers spreading. Thumb brushing across your breast.
You felt your nipples tighten at the contact—part from the cool air, part from the way he touched you. Careful. Measured. You’d practised this, but it felt different now the barrier of your sports bra had disappeared. He cupped you fully in his palm, and then—
His mouth followed.
Warm, soft, unhurried. Lips closing around your nipple, tongue catching enough to make you shift slightly in his lap. You kept your breathing even, stayed in character, but your body was already reacting. The scene didn’t ask for more than this yet. But you could feel something gathering. Low and quiet.
Then he looked up.
His mouth still on your skin. His eyes meeting yours.
And for a second, everything else dropped away.
You were just watching him watch you.
You inhaled, chest rising against his mouth.
And you felt yourself begin to lean into it.
His lips lingered another second, then lifted.
His hand slid from your breast back down to your waist, and with a shift in his weight, you both began to move, easing back across the mattress. You stayed close, bodies aligned as you let him guide you down.
He hovered over you, one hand braced beside your head, the other trailing lightly over your ribs. The rhythm didn’t break. This was where the pause lived. A breath. Something unspoken passing between two people who’d been circling this forever.
Your legs bent beneath him. The sheet rustled.
Then his hand slipped lower.
Fingers sliding beneath the waistband of your shorts, past the edge of fabric, finding the smooth barrier taped carefully into place. His palm settled there, warm and solid. You’d rehearsed it, but it landed heavier now. Like your body had started listening more closely.
You rolled your hips—once.
Then again.
The pressure landed right where it was meant to. Precise. Calibrated. But sharper than you remembered.
You felt it instantly. A flicker of heat. Something low and tightening that hadn’t been there in rehearsal. Your body responding like it didn’t know the difference between performance and something else.
You blinked.
Tried to breathe through it. Tried to shake it off.
It’s choreography, you told yourself. Muscle memory. Contact over fabric. Nothing real.
But your chest felt tighter. Your limbs too aware of his weight above you, the way his gaze tracked every shift in yours.
You could stop. That thought surfaced—quick and quiet. If you tapped out, they’d cut. Reset. No one would question it.
But you didn’t.
Because nothing was wrong.
He hadn’t broken the scene. He hadn’t pushed or rushed or taken anything that wasn’t given. He was exactly where he was supposed to be, moving the way you’d rehearsed, watching you like he always did—with focus, with care, never with pressure.
You held still.
There was a flicker of heat low in your stomach. You noticed it. Filed it away. Only your body reacting to pressure, to breath, to rhythm. It would pass.
You’d trained for this. Layered every beat, anchored every moment. You could hold this.
Austin didn’t falter. His touch stayed steady. His eyes never left yours.
There was no hesitation in him. He was all presence, all intention.
So you stayed with him.
And he kept going—rhythm unchanged, breath slow, every movement shaped by the scene you were both holding in place.
He eased his hand back out from beneath your waistband.
No rush. It was part of the scene. The breath before the shift.
You let yours out slowly, fingers moving to the hem of your shorts. He reached for them too. Together, you pulled them down, until you had to lift your hips to help. They slid free with barely a sound. He tossed them aside.
Then he sat back on his heels and reached for his own waistband.
You stayed where you were, watching. A second too long.
His sweatpants came off easily, the soft fabric catching briefly at his knees before falling to the floor. You hadn’t meant to stare. But something about seeing him now—fully undressed except for the small, skin-coloured patch covering what the camera wouldn’t see—pulled your focus.
The shape of him. The way his body moved. The way he carried the stillness without tensing.
You’d never seen him like this. Not really. You’d mapped every moment, but now there was no extra layer. No fabric between the weight of him and the heat of you.
Your skin prickled. You blinked, looked away.
This was still a scene. Still choreography. You knew the rhythm. You knew your cues.
You lay back.
He followed.
Came over you slowly, hands bracketing your ribs, one thigh nudging between yours as his body lowered into place.
Then he kissed you.
It was meant to be soft. Familiar. A continuation of what came before.
And it was—until it wasn’t.
His mouth moved against yours like it always had, but this time, as his hips settled into position, his tongue brushed over yours.
The faintest flick. Tentative at first, then firmer.
You didn’t expect it.
The breath caught in your throat. A sound slipped out—half sigh, half noise you didn’t recognise.
You felt him pause, for a heartbeat.
Then the kiss deepened.
He held the shape of your mouth with his, steady and warm, letting the scene carry on like nothing had changed.
But something had.
Your fingers curled against his back. Your legs shifted slightly wider. The rhythm began—hip to hip, friction finding its place.
You were still in character.
Still hitting your marks.
But the sound you’d made hadn’t been planned.
Your body was reacting before your brain could reason with it.
He moved again.
Controlled. Deliberate. His hips pressing forward in the pace you’d agreed on, fabric brushing fabric, pressure steady between you. There was no rush, no fumbling. Only that quiet escalation the scene called for.
You felt him shift his weight slightly, adjusting the angle. His hand stayed firm at your waist, the other beside your head, fingers flexing once into the mattress. Your legs shifted higher, wrapping around his waist for the mark.
Then came the sounds.
Small, intentional—part of the scene.
His breath, unsteady but measured. A soft grunt on the next roll of his hips, just under his breath. The kind of sound meant to suggest release without exaggeration. Practised. Real enough to land.
You felt it all.
The weight of him. The tension in his arms. The way his jaw brushed yours when he dipped close, exhaling like he was on the edge of something.
He was performing it.
You knew that.
You’d heard it in rehearsal. You’d run it with Lizzy counting beats at the foot of the bed. But now—now with him above you, eyes flicking between your mouth and your face, his body rocking against yours like you were the only two people left in the world—it felt like more.
You lifted your hips to meet him again.
The friction was too good. Too exact. Every pass catching perfectly over the spot you were trying not to think about.
The heat bloomed fast.
You tried to breathe through it. Tried to stay with the scene. But your body wasn’t listening.
Austin let out another soft sound, low in his throat as he pressed into you again.
That’s what did it.
Not the contact. Not even the movement.
But that sound.
And then it hit.
A clench deep in your belly. Tight, hard, spreading in slow, impossible waves. Your legs tensed. Your breath caught.
It passed through you fast—quiet, sharp, almost invisible.
You didn’t cry out.
But your fingers curled. Your thighs trembled once. Your lips parted just enough to let something slip free—barely a sound.
Austin didn’t flinch.
He kept going. Perfectly on cue. Still in it. Still steady.
But in that second, as he looked down at you again, something in his eyes flickered.
And you wondered if he’d felt it too.
He kept moving, breath low and strained in his throat. You could feel the tension in his body—measured, deliberate—the kind of control that came from rehearsal, not instinct.
His hand slid from your waist to your thigh, anchoring you. His head dipped to your shoulder, and you felt his jaw flex as his body rolled once more into yours.
A soft sound escaped him. Weighted. Part of the scene. Part of the finish.
Then he kissed you again.
Gentle. Breathless. Like something settling.
His weight lowered onto you slightly.
You stayed still.
Your heart was hammering. Your skin flushed.
Shit.
Fuck.
No. No, no—
It had happened. You knew it. You could feel it still humming in your body, the aftershocks settling beneath your ribs. Nothing dramatic. Nothing obvious. But real.
You came.
On camera.
With everyone watching.
“Cut.”
The word sliced through the air.
Austin’s body stilled above you. He exhaled through his nose and lifted his head slightly, hands braced to push off without pulling too fast. You stayed perfectly still beneath him, blinking up at the ceiling, trying not to let the shape of what had happened show on your face.
There was a pause. One of those charged, still seconds where no one moved—only the buzz of silence settling into the space you’d created.
Then:
“Holy shit,” came the director’s voice from behind the monitor.
Sharp. Breathless. Immediately followed by, “That was beautiful.”
Chairs scraped. People exhaled. The moment broke.
“Let’s reset for coverage,” she called. “But I want that one in the cut. That was—” A pause. “It didn’t feel like acting.”
Someone nearby murmured agreement. You heard the script supervisor say “Gave me chills.” Another voice—camera maybe—added, “The eye contact? Jesus.”
Lizzy stepped in from the edge of frame, already talking through small adjustments for the next take. Her tone was warm, reassuring. “You okay?” she asked, gently, already reaching out with a robe for each of you.
You nodded. Managed a small sound—something halfway between a breath and a “yeah.”
Austin rolled off you slowly, bracing a hand beside your shoulder as he shifted his weight. You felt the air hit your chest and pulled the robe over yourself without looking up.
He stayed close for a second longer than necessary. Not hovering, but steady. Grounding.
“You alright?” he asked, voice low.
There was something in it. More than routine concern. Something deeper. He’d felt it. Knew, at least on some level, what had happened. And he wasn’t pretending otherwise.
You nodded too quickly. “Fine.”
He held your gaze for half a second longer—long enough to make your chest tighten—then gave a small nod and stood.
He offered his hand. You took it. Let him help you sit. Fingers clumsy at the robe’s tie.
Everyone else was still buzzing. Still riding the afterglow of a great take. Austin was already standing, sweatpants back on, robe loose around his shoulders, listening as Lizzy walked him through a minor camera shift.
He looked completely calm.
You tried to mirror it.
Tried to focus as someone handed you your shorts, your t-shirt folded neatly over them. You took them without speaking, your fingers trembling slightly as you clutched them to your chest.
“I mean it,” the director said again, her voice carrying across the room. “That was the best work I’ve seen from either of you. Whatever you tapped into—don’t let it go.”
The words landed too close. Too accurate.
You forced a smile. A nod.
Everyone read the look on your face as emotional exhaustion. Commitment. Like you were still in it. Someone even whispered, “She’s really gone there,” like it was a compliment.
And you didn’t correct them.
You kept your eyes on the floor. On the nearest mark. On anything but him.
The corridor felt too bright after the bedroom set.
Not blinding. Wrong, somehow. Like the light hadn’t caught up to the rest of you yet.
You kept your robe cinched tight, clothes folded against your chest. Someone passed with a clipboard. Another crew member rolled a rack of jackets toward storage. Everyone moved like the day was done.
You’d moved too. Through the coverage takes, through resets, through minor adjustments no one would remember tomorrow. They hadn’t needed the whole scene again—a few moments. Different angles. Fragments for the edit.
You’d hit every mark.
You’d said the line over his shoulder, felt his hand at your jaw, let him kiss the corner of your mouth while pretending your legs weren’t still shaking.
And you hadn’t looked at him once.
Not properly.
You’d seen him, of course—getting notes, sipping water, slipping back into his hoodie between takes. Once, you’d felt his gaze brush yours across the room and looked away so quickly you nearly knocked over a chair.
No one noticed.
They thought you were exhausted. Spent.
They were right, but not in the way they meant.
A PA held the door open as you stepped into wardrobe. You nodded in thanks and moved straight to your rail, pulling your hanger from the hook like you’d done a hundred times this shoot.
Shirt. Jeans. The things that made you feel like yourself.
You changed fast. Mechanically. Robe off, clothes on, avoiding the mirror. You didn’t want to see the flush still high on your chest, the way your eyes didn’t quite look back at you.
A voice echoed faintly down the corridor—low, familiar.
Austin.
You didn’t catch the words. Just the sound of him, talking to someone, maybe Lizzy or the director. You froze halfway through tying your shoe.
Then you turned—quietly—and slipped out the other way.
The hallway to the dressing rooms was half-lit, most of the crew already packing up elsewhere. You walked faster than you needed to, fingers still curled tightly around the edge of your script even though you hadn’t looked at it since morning.
Inside your room, the door clicked shut behind you.
No mirrors. No cameras. Just stillness.
And for the first time all day, you let yourself exhale.
You stayed in the dressing room longer than you needed to.
Not long enough for anyone to notice. Enough for the hallway to settle. The noise had drifted elsewhere—footsteps fading, radios crackling in the distance. Your bag was already packed. Your hoodie was looped over one arm. All you had to do was leave.
You pressed your palm to the door for a second before opening it. Breathed once. Then stepped out.
The lights were dimmed to end-of-day levels. Most of the crew had already headed out. You turned left toward the exit you knew would be quickest—then paused.
Austin was up ahead.
He stood near the back entrance, hoodie on, bag slung low over one shoulder. Talking to Lizzy in a low voice, both of them facing the far wall, mid-discussion.
He turned first.
Then Lizzy, already smiling as if to say goodbye. She peeled off toward the side hall.
And Austin looked at you.
His eyes met yours before you could drop them. Just a second. No expression. No smile. Only… watching.
You felt your whole chest tighten.
You shifted your grip on your bag and went back the way you came, turning right instead. Not the exit you’d planned. The long way round. The concrete floor echoed faintly under your shoes. You kept your pace even—steady, controlled.
And when you glanced back, he was still watching.
He didn’t follow. Didn’t call out.
He let you go.
You turned back, gaze low, and didn’t lift it again until the air hit your face. Then walked all the way to your car without looking back.
Your apartment was dark when you got in.
Not pitch black—a soft, shadowed quiet, the kind that comes from forgetting to leave a light on. You didn’t bother fixing it. You dropped your bag in the hallway, kicked off your shoes, and stood there for a second, still wrapped in the quiet.
The silence wrapped around you too easily.
You peeled off your hoodie. Slipped into the kitchen to drink half a glass of water you didn’t really want. Let the fridge hum fill the corners of the room.
Your phone lit up on the counter.
Austin: Hey. Just wanted to check in. Hope you’re okay.
No emojis. No overthinking. It was him—true to form. Simple. Present. Kind.
You stared at it too long.
Part of you wanted to reply. To say yeah, all good, or thanks for earlier. Something normal. Something easy.
But your fingers didn’t move.
Because nothing about today had been normal. And easy didn’t feel honest.
So you flipped the phone over.
Screen facedown. Lights off. Bedroom door shut behind you.
And you let the message sit there, unread.
You hadn’t slept much.
Every time you closed your eyes, it came back—his body over yours, the weight of his gaze, the press of his hand, the exact second your body slipped past the edge and didn’t come back.
And the way he looked at you after.
He knew.
You were sure of it. It wasn’t a guess. It was in his voice when he asked if you were alright. In the pause before he stood. In the way his eyes had stayed on you even as the crew moved around you, like they were part of a different scene altogether.
He knew.
And he hadn’t said anything.
Neither had you.
You’d run the pickups. Dressed. Walked past him. Left the message on your phone unanswered.
And now you were sitting in your dressing room with your script in your lap, pretending to focus, your coffee untouched, your stomach tight. Reading the same half-page of dialogue about burnt toast and unsaid feelings, over and over again.
Today’s scene was simple.
But facing him wouldn’t be.
The door was open. You’d left it that way on purpose—some part of you hoping someone else might fill the space first. A call time. A wardrobe check. Anything.
Instead, there was a knock.
Soft. Two gentle taps against the frame.
You looked up.
Austin.
He was leaning lightly on the doorframe, one shoulder braced, sleeves pulled down over his knuckles. He wasn’t smiling. He watched you, calm and still.
“Can I come in?” he asked.
His voice was steady. But you could feel something underneath it.
You didn’t answer right away.
You blinked slowly, heart thudding harder than it needed to, your fingers still curled loosely around the edge of the script.
He waited.
Didn’t fill the silence. Didn’t take a step inside.
You nodded—small, barely there—and lifted one hand in a quiet gesture.
Come in.
He did.
Closed the door behind him, soft click of wood meeting frame, and crossed the room with the kind of unhurried calm that made you want to both shrink into your chair and lean toward him at the same time.
He didn’t sit yet. He paused there for a moment, giving you the chance to change your mind.
You looked down at the pages in your lap, then folded them closed. Not because you were ready. Because there was no point pretending anymore.
Your voice came out quieter than you meant. “Sorry I didn’t reply.”
Austin gave a small shake of his head, stepping further into the room.
“You don’t have to apologise.”
His voice was gentle. Uncomplicated. Meant to land softly.
He sat down opposite you—not too close, not too formal. Elbows resting on his knees, hands clasped lightly, like he wasn’t sure how long this would take but had already decided to wait as long as you needed.
“I didn’t send it expecting anything,” he said. “I just wanted to make sure you were okay.”
You nodded—once—but it felt like too much and not enough at the same time.
He didn’t press. He gave you that look again—level and open, like he had time. Like there was no version of this where he walked away without at least letting you speak.
The silence held for a beat.
Then two.
You let out a quiet breath and glanced down at your script again, thumb smoothing the folded corner like it might give you something useful to say. Then back up at him—finally—and cleared your throat.
“Okay,” you started, already flushed. “I’m just gonna say it, and then maybe I’ll dissolve into the floor and we can pretend this never happened.”
He didn’t interrupt.
You kept going, even though your voice caught halfway through.
“I didn’t mean for it to happen,” you said. “I didn’t even realise what was happening, not really—not until it was already…”
You trailed off, the words stalling somewhere in your chest.
“I didn’t fake it, Austin. It happened. It caught me off guard. And I didn’t know what to do with that. So I panicked. And left. And ignored your message. And thought about quitting acting and taking up landscape gardening.”
The heat in your face was instant. Crawling up your neck, into your ears.
“I don’t know if you knew. I mean—I think you did. You looked at me like maybe…”
You didn’t finish.
You didn’t need to.
Because he was already smiling—soft, crooked, steady.
“Well,” he said, tilting his head a little, “if it helps… you were very convincing.”
Your stomach flipped. The colour in your face doubled. You let out the most horrified sound of your life and dropped your face into your hands.
“Oh my god.”
He laughed, warm and gentle. Like he wasn’t shocked. Like it really, truly was okay.
You kept your face in your hands for a full three seconds longer than necessary.
Then peeked through your fingers.
He was still smiling—steady, soft around the edges. Like you’d given him something fragile and he’d known exactly how to hold it.
“I’m never going to work again,” you mumbled into your palms.
“Pretty sure that’s not true.”
“I might actually be the least professional person alive.”
“That also seems unlikely.”
You let your hands fall into your lap, still half-hiding behind your hair.
“I mean… who does that?”
Austin tilted his head, like he was giving it actual thought.
“Someone really committed to the scene?”
You groaned and leaned back in the chair. “Stop.”
He laughed—quiet, shoulders shaking a little. Then softer, “I’m serious. I don’t think anyone on that set had a clue. And even if they did—” He lifted one shoulder in a shrug. “They’re not thinking about it the way you are.”
You looked at him. Properly.
“And you?” you asked, voice quieter. “How are you thinking about it?”
He didn’t look away.
“I think… it happened. That’s all. I think we built something that felt real, and that’s kind of the point, right?” His voice softened again. “And if it felt too real for a second—I’d rather that than the opposite.”
Your heart kicked hard in your chest.
You didn’t know what you expected him to say. But it wasn’t that.
Something in you eased.
Like maybe you weren’t going to break after all.
You let out a slow breath, eyes still on him. “I thought you might be weird about it.”
“I thought you might be,” he said, smiling gently.
You huffed a laugh, the sound catching at the edges. “I nearly sprinted out of here yesterday.”
His eyebrows lifted.
“Okay—did sprint,” you admitted. “And yeah, I took the long way out so I wouldn’t have to walk past you.”
Austin gave a small, helpless shrug. “You know I saw that, right?”
You winced. “Of course you did.”
He let out a quiet laugh. “Wasn’t exactly subtle.”
You dropped your head back against the chair and groaned. “Kill me.”
“Nah,” he said. “I need you for the press tour.”
Then, after a beat—“I mean…” He leaned back in the chair, playful now. “If someone asks about chemistry, I feel like I’ve got material.”
Your eyes narrowed. “Don’t you dare.”
“I’m just saying,” he teased. “If anyone brings up method acting, I’ve got a pretty strong anecdote now.”
You grabbed your script and batted him lightly with it. “I will actually murder you.”
You pulled the script back into your lap, still half-smiling, still a little red.
The silence that followed wasn’t awkward this time.
It was warm. Settled.
You watched him for a moment—he shifted into his chair bouncing his knee once before going still again. Like the nervous energy had nowhere left to go.
“Thank you,” you said quietly.
He looked up.
“For being…” You shook your head a little. “Exactly like this.”
His smile faded a little—softened into something more serious.
“Of course,” he said. “Always.”
There was a knock at the door before you could say anything else. A voice from the hallway. “Ten minutes!”
You both nodded at the same time.
He stood first. Adjusted the hem of his shirt, then glanced at you again like he wanted to say one more thing—but left it unspoken.
“I’ll see you out there?” he said.
You nodded. “Yeah.”
He paused in the doorway for a second. Long enough to make sure you were really okay.
Then he was gone.
And somehow, your chest didn’t feel quite so tight anymore.
*
The lights were flat and bright, designed for cameras more than comfort. The table was long — eight chairs wide — with placards lined in front of each seat and slim-necked water bottles sweating quietly beside them. The Cannes logo loomed behind like a watermark, and half the room was journalists with notebooks already open.
Austin sat third from the left. Y/N was to his right.
From where he sat, Austin could see the top of her knee bouncing—small, contained, but constant. A nervous tic she usually didn’t have. She was good under pressure, sharp during interviews, but something in her posture today was tighter. More alert. Like she was already rehearsing the answer in her head. The movement stopped the second someone asked about that scene.
“This one’s for Y/N and Austin,” the journalist said. “I wanted to ask about the intimacy scene. It’s a sex scene, technically, but it’s incredibly quiet. Almost reverent. There’s a lot of emotion but very little exaggeration. How did you approach that?”
Austin turned just enough to see her profile.
The stillness came first. Her inhale was shallow — barely there — but he caught it. That tiny moment of bracing. Like she knew this question was coming. Of course she did. They both did.
But it still landed.
He hadn’t forgotten what happened. Not for a second.
It was over a year ago now — and still, sometimes, when he closed his eyes, he could feel it. The shape of her breath against his mouth. The moment her legs tensed. The sound she made, barely audible. So small he wouldn’t have noticed if he hadn’t already been watching for it.
Not because he was trying to catch her out.
Because the second it started, he’d known.
The shift was subtle. A tremble just beneath the rhythm. The way her eyes lost focus for half a beat, like her body had slipped somewhere without her permission.
It had felt… private. More than anything else they’d filmed.
She hadn’t pulled away. Hadn’t flinched. Hadn’t asked to cut.
So he hadn’t said a word.
He stayed where he was, kept the pacing right, and pretended he didn’t feel her come apart underneath him.
But he had.
And he’d thought about it more times than he probably should have.
Across from him now, she leaned slightly toward the mic.
“I think that tone was always intentional,” Y/N said. “Our intimacy coordinator — Lizzy — was with us from the beginning, and we rehearsed it like choreography. Every beat. Every moment. Nothing was improvised.”
Austin watched her closely.
She sounded calm. Grounded. But there was something in the way she kept her eyes focused just above the crowd — like she was holding a line and didn’t want to step over it.
“I think because so much of the film is about restraint,” she went on, “we knew the payoff had to match that. It wasn’t about tension exploding. It was about the weight of finally letting go. And Lizzy really helped us hold that tone—technically and emotionally.”
His chest pulled a little at the last line.
She was still protecting it. The secret of what had happened.
No one else in that room knew what had really happened. Not the director. Not the camera op. Not even Lizzy.
Only them.
When the room quieted again, Austin leaned into the mic.
“Y/N’s right,” he said. “We built everything on that foundation. Trust. Patience. Rehearsing until the tension wasn’t coming from discomfort — it was coming from the story.”
Out of the corner of his eye, her hand shifted slightly on her lap.
His gaze flicked to hers — not a full turn. Enough to let her know he was there. Still holding it with her. Still following her rhythm.
“I think that kind of quiet is harder to get right than people realise,” he added. “It only worked because she was right there with me in every moment.”
“I think we got lucky. I don’t know if that kind of trust happens on every job. But Y/N made it easy. She made it feel… honest.”
He meant it.
Not only as an actor.
There was a version of him that had felt something real in that moment. More than the weight of her under him — it was the trust she’d shown by letting the scene keep going.
She could’ve stopped him. Could’ve paused. Could’ve broken the frame and called cut.
But she didn’t.
And he’d been in awe of her ever since.
The journalist smiled. “It really was beautiful.”
There were nods. The moderator moved on. Someone else raised a hand.
And under the table, he felt it.
The lightest pressure. Her knee nudging gently against his.
Not insistent. Not drawing attention.
Simply there.
Like punctuation. Like thank you.
He nudged back.
Didn’t look at her. Didn’t need to.
But he smiled at the tablecloth anyway.
And let himself wonder—
just for a second—
what it might feel like if the next time wasn’t for a scene at all.
Taglist:
@thefallofthedamned @saturnsdaughtr @bellesdreamyprofile @butlerrizz @myradiaz @chocolatetree222 @faegoddessog
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whtepony · 2 months ago
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What are your Rick headcanons?? 🧐
misc. rick headcanons
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ft. rick sanchez x mostly gn reader, could be interpreted as fem
warnings: nsfw under the cut so 18+, cnc, drugs and alcohol mentioned, i think that’s it???
notes: i love this old freak so bad. this is kinda short but i hope u like it!!! my rnm fixation is kinda dying again bc im getting back into creepypasta but it’ll probably come back when s8 drops 🙏🏼 im so excited yall have no idea
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sfw:
genuinely won’t keep you around if you don’t get along with summer and morty. as much as he says he “couldn’t be bothered” what his grandkids think, he does need someone that’ll mesh well with his family
SOOO unbelievably protective. if you manage to become someone rick really loves, he’ll do anything to keep you safe (and WILL kill anyone who hurts you if it comes to that)
likes taking you on adventures but only if you can handle yourself. obv like i said above he’ll protect you to the best of his ability but he can’t be with someone who can’t also look out for themselves
not super into pda but he likes to be touching you most of the time, whether it be a hand on your lower back, thigh, etc or standing so close to you that you’re touching some way or another
jealous and possessive. gets super insecure if someone flirts with you and has a bad habit of lashing out when he feels that way
he tries to hide it but rick really loves making you laugh. he knows he’s funny but he especially likes when you find him funny
i don’t think he really has preferences based on looks, rick seems like the kind of guy to not have a “type”
when you get close and he realizes he doesn’t want to lose you, he cuts back on his drinking and actually makes an effort to be better for everyone in his life
rick in love starts acting like rickbot and morty gets suspicious at first lol
lets you mess with stuff in the garage but only if he’s there to supervise and definitely hovers over you in case you get hurt
nsfw:
HE’S A FREAKKKK
down for pretty much whatever you wanna do. super open minded and will try almost anything once or twice
switch with a heavy dom lean (doesn’t sub unless he completely trusts you and even then it’s a semi-rare occurrence)
lowkey lazy sometimes bc he’s old lmao (makes you ride him more often than not but his fav is doggy)
probably controversial but he definitely has an intoxication kink that goes hand in hand with a cnc kink… likes getting you drunk/high just to play with you
^^ and definitely knows how to make an aphrodisiac that drives you insaneeee
rick is an ass and thighs guy. argue with the wall
can be kinda mean in bed but would never really hurt you if you didn’t like it. he’ll slap, spank, bite, and manhandle you but it’s out of adoration trust me
not the best with aftercare but if you ask him to do something for you he’ll 100% do it. usually consists of cleaning you up and letting you cuddle up to him unless you specifically ask for something more
hates pulling out sorry 😭 rick looovvvesss to cum inside you and has a number of options to prevent pregnancy if that’s a possibility/concern for you
actually super vocal and talkative in bed. he moans like a slut and the dirty talk is insane idc
has no preference for giving/receiving head bc he loves both!!!!!!
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genericpuff · 11 months ago
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Public service reminder: I love y'all for your support in what I do here, but (a very gentle but) I want to make it clear that this isn't the way-
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Names are censored for obv privacy reasons and I don't want to put any of my own readers on blast because I trust comments like these are made with good intention. I appreciate y'all for loving what I do here and putting it out there for others to read along, but I don't do it for this. As much as Rekindled is indeed a parody redraw of LO that's trying to "fix" a lot of the original comic's issues, at the end of the day it's still just a Tumblr project that I'm doing here for fun and I don't want to see it used as ammunition in the comments sections dedicated specifically to LO (for clarification, this was in the @webtoonofficial announcement post for LO winning its third Eisner).
Whether or not it's "better" than LO is subjective and irrelevant. I obviously can't pretend like I didn't have my own motivations to "fix" what I felt was broken, but the act of "fixing" was for those of us who saw it as broken, not for those who love LO as is.
I also can't reasonably ask anyone to keep their opinions about Rekindled to themselves, it's a piece of work that is publicly available and therefore that will put it under the lens of public opinion, but from me to you, this ain't the way. I host it on Tumblr and DH precisely to keep it out of the main view of the fans/stans, because this work isn't for them, it's for all of you who share my disappointment in the original series. I want to be able to run this space free of any extreme fandom discourse - this is also why you won't see me using general LO tags on Tumblr/IG - but the only way that can happen is if we all play nice and don't let the heat of the discourse get to us. Rest assured, I will always stand by my work and what I do here because I love it and have found my lost joy in what LO used to mean to me through it as well as a community of amazing writers and creators... but prevention is better than the cure and I don't want any of that heat getting thrown back my way through weaponizing of my work with or without my knowing in the first place.
Am I pissed about the comic's third win? Absolutely. And as much as I feel it isn't worth anyone's time or energy to get into bickering matches with the stans in these comment sections, those opinions regarding the comic pre-exist my participation in this fandom and would have, one way or another, hit that boiling point regardless (and it's been wild to watch that comment section go down, I can't lie lmao) But this is not the way. Rekindled is - to me, and hopefully to you, too - a reclaiming of the love and passion people like myself used to have for LO, and a celebration of Greek myth and transformative fiction as a genre, above everything else it stands for or could be interpreted as. It's not a weapon meant to be used in discourse. Let's please do our best to be mindful of that so we can keep having fun in this special little space we've carved for ourselves and not make ourselves into the monsters we're often made out to be just for critically discussing and transforming a piece of media that, in spite of all its flaws, brought us together in the way that it did. Let's keep being the best for each other instead of turning ourselves into the worst over others within this massive fandom who we were never going to agree with in the first place.
Thank you all, much love 💖 Do no harm, take no shit ✊️
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zhonglisbeloved · 2 years ago
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Pretty Femboy Venti <3
tbh venti awakens my need to have a real cock so i can breed him :3 thank you to @komelrebi-san who made a subby!boys post that inspired this fic, check it out, it's amazing <3 the fic itself may not be good but it's all a sleep deprived author can give y'all :")
femboy!sub!venti x gn!dom!reader (cock can be interpreted as strap on or an actual cock <3)
Warnings: NSFW (obv), degrading, anal sex, recording sexual acts, overstim
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pretty little venti who dresses up in a maid outfit with an absolutely scandalous lingerie underneath. he's so horny he doesn't know how long he can last but with you being busy with work, he has to try. Otherwise, you'd punish him and you're rarely kind when you do that. but when hours have passed and the horny boy has to go through two more hours of waiting before you even reach the door, he can't help it. he's too desperate. he pulls out his phone and sets it in front of the floor length mirror in the bedroom and presses record, he teasingly takes off the maid outfit, his cocklet is so hard and dripping with precum that his lingerie is soaked! poor darling. he pumps his cock to the thought of you, his hand moving faster and faster on his tiny hard cock, whines and moans leaving his mouth, praises of you and your name spilling out as if it was an automatic response, the way he throws his head back and shows off his slutty little self is sure to have you all hot and bothered. after he's had his first orgasm, which wasn't as good because you're not here :( he pulls out a vibrating dildo, it's huge but nothing compared to your cock. he fucks himself hard and begs for you to breed him, to breed his hole, to fuck him stupid and senseless. "mhm~ 'm your brainless slut ♡♡~"
he grabs one of your own lacy lingerie and rubs it all over his tip, he fucks into it and moans and gasps, his other hand is busy trying to stretch out his slutty hole using the dildo, to get anything that is even close to the pleasure you give him. he moans as he comes once more, the boy is so lost in his pleasure that hasn't even noticed you stepping in the room. here you were planning to reward your good boy for waiting but oh? it seems he has broken rules. how could you let the brat off without a punishment? so you make him throw away the dildo and put him on all fours before effectively making him arch his back prettily while your cock pumped into his tight hole. "god, you slut, couldn't even wait for me to come home?" you're so evil, not even letting him breathe!
"how do you survive when I'm on business trips? or have you broken the rules before and not told me? hm? what? can't talk you little bitch?" you scoff as you watch venti cum for the nth time, his cocklet dripping with cum and his moans growing more and more whiney "mh- no- can't too much ♡♡♡♡~ please!~" he whimpers while pushing his hips back against you. "too much? why are you pushing back against me then? what a whore" you clicked your tongue and spanked his pretty ass a few times, the skin reddening. your pace got faster before you released your cum deep inside him, breeding him thoroughly. he milks your cock for all its worth, while his own cocklet twitches, not even being able to cum at this point. you pull out and push a butt plug in his ass to keep your cum from spilling out before you carry him to give him a warm bath and clean up, after all your pretty boy took his punishment well.
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i-smoke-chapstick · 1 year ago
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Request: I'm already back for more. As l've already told you I love your interpretation of a reader with dwarfism and since you are okay with me requesting more, can I get multiple headcanons of Gotham!Rogues x Dwarf!reader with just either simply day to day headcanons or their first reaction to meeting/seeing them? Rogues including jervis(obv Imao), Jerome, Oswald, Victor fries, Zsasz, and ra's al ghul!
The plot can be the reader being similar to the Cheshire Cat or Nightcrawler when it comes to teleportation powers. They're friends with Barbara, Selina, and Tabitha. The rogues always see photos on them on the news, newspapers, and sometimes in person but if they even get caught staring, reader teleports themself and whoever they're with away, so they don't really get a chance to talk or know them.
Like last time, only write this if you're okay with it and I'll understand if you can't or just don't want too!
Thank you tons again! - anon
‘VOULEZ-VOUS,
-GOTHAM VILLIANS X READER-
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⋆ Characters ↬ Jervis Tetch, Jerome Valeska, Oswald Cobblepot, Victor Fries, Victor Zsasz, Ra's Al Ghul
⋆ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒 ; gotham villians with a cheshire cat!reader who has dwarfism!
⋆ tags/warnings. GOTHAM!villains x female reader. FLUFF! I love readers power SOSOSOSO much! Super creative <3 Also villians being whipped for reader just cuz they can. Protective Tabitha. REALLY protective Oswald. Jerome's a bit insensitive. Victor Zsasz is not immune to a pretty girls smile. Have never written for Victor Fries or Ra's, so fingers crossed their parts aren’t too bad! Ra’s and Fries parts got a little angsty
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𝐽𝐸𝑅𝑉𝐼𝑆 𝑇𝐸𝑇𝐶𝐻
♫ “Across the room, your eyes are glowin' in the dark." Voulez-Vous by ABBA
Oh, the man is completely enthralled with you. How could he not be? You're the missing piece to his wonderland puzzle.
Similarly to Alice, he believes your powers go hand and hand with each other. He rules the mind, while you have complete control of your body. His first thought when he see's you in the newspaper is simple.
He must have you.
He will do anything it takes to track you down. He finds himself becoming more and more entranced with the prospect of you working with him, partners in crime, connected body and soul. Of course those feelings of admiration become obsession.
Before you know it, the man is going lengths to find you; just like how he was with Alice. Hiring Jim Gordon as a bounty hunter? Mayhaps...
When he finally finds you at the siren's club, he can't help but be in awe. You're so small, so fragile, so unique. He wants to kiss your flattened cheekbones that look like pure porcelain. Your his doll.
"My dear, Y/N!" He's calling when he finds you, his teeth spread into a wide grin. He finds your eyes quickly turning to meet his gaze, glowing underneath the club's light. His shadow towers over you.
"You look ravishing, I must admi-" He goes to speak, just before you disappear from thin air. His mouth is open for a few moments, eyebrows scrunched.
Where did his precious little Cheshire Cat go?
Oh yeah, he's pouting. He's never been a fan of the disappearing act. But he doesn't mind. He's determined. He's played this game with Alice for far too long, he will not take no for an answer.
You'll find notes, gifts, flowers, dresses tailored to your sizing. All perfectly crafted from Gotham's most professional hypnotized seamstresses or florists.
Barbara is smirking when she finds the gifts, cackling about how sweet small little Y/N has a loony admirer. Tabitha's less than pleased, throwing out any bouquet she finds before you see them. Selina agrees, the guy's a freak.
It's up to you if you want to give him a chance <3 He would be the most devoted lover and partner if you decided too...if not a bit overly infatuated.
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𝐽𝐸𝑅𝛰𝑀𝐸 𝑉𝐴𝐿𝐸𝑆𝐾𝐴
♫ “Nothing promised, no regrets." Voulez-Vous by ABBA
Uh oh! Murderous clown on the loose, and he's also 100% fixated, just like a certain hatter.
Jerome brushes you off at first, don't get him wrong, he adores your work on the city. Nothing he loves more than seeing some horribles destroy Gotham! He's a fan, if you could call him that.
It takes him some time to warm up to the idea of being whipped. But once he is, you have him wrapped around your pretty little finger.
Similar to Jervis- he can't help himself. You're powerful. You're strange. You're a freak just like him and the rest of these bad boys in Gotham! You remind him of the circus, all different shapes and sizes of people around him. You belong with him. By his side. On his side. Maybe sitting in his lap... What?
Yeah, he's not sure where that came from either. But hey, he's not complaining! He likes to think he's a bachelor, a young beau waiting for his turn in the love game! Before he knows it, he's slicking his hair back, putting on his finest and most colorful suits, and making sure his face is stapled all the way. Then he's getting his cult to crash the Siren's club. Moment of silence for Tabitha who will have to clean it up after.
The place is a shit show, people in makeup dancing wildly and giggling manically. Tabitha, Barbra, Selina and you get tied up in the confusion. It's hard to fight back against a bunch of crazies when your expensive alcohol is being thrown at walls, and you four are simultaneously tied up together in one big rope. Barbra's throwing a bit of a hissy fit.
Everyone is quiet when Jerome enters, dressed to the nines, with a loud and boisterous,
"Hey gorgeous! I'm sure you've heard of me," He speaks, bending down to your level, invading your personal space. He goes to continue, until the four of you evaporate before him. Teleported away. He's left staring at the loose ropes, smile unchanged- but eyes widened in surprise.
Oh. Okay. So that's how it's gonna be. Alright.
Jerome loves a game of cat and mouse.
He craves attention. He loves the center stage, and he will not be ignored. No no no no.
He will not leave your club alone until you confront him. Yeah, sorry Babs and Tabs. Barbara will start urging you to just "sleep with the damn clown!" while Tabitha is trying desperately to not have you anywhere near that creep.
But the club isn't all he'll do, doll! No, he'll get his cult to do more and more mass murders and sprees across the city, each one broadcasted on live television. Each time, he looks into the camera, blood on his face, professing his undying love.
"This is for you, Y/N!" He's showcasing the violence around, "Call me!" He gestures, ending the broadcast abruptly.
Well, kind of hard to ignore a man when your club is in shambles, Barbara is going batshit insane, AND you have Jim Gordon trying to find you; just in order to stop these massacres around the city in your honor.
Once again, you should give the man a chance! He doesn't think he'd make a horrible boyfriend, y'know, if you're into gingers.
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𝛰𝑆𝑊𝐴𝐿𝐷 𝐶𝛰𝐵𝐵𝐿𝐸𝑃𝛰𝑇
♫ “Take it now or leave it." Voulez-Vous by ABBA
Ozzie's a bit harder to gauge, because I don't think he'd become infatuated with someone unless he got to meet them first. So for arguments sake, we are just going to say you two have meet previously on many occasions! Specifically when he's had some bad blood with Barbara and Tabitha.
At first, he detests you. He thinks you're a nuisance, and a powerful tool for the Siren's. You can escape from ANYONES grasp, and take them with you. His nose is scrunching up every time he thinks of just how he can get rid of you.
Well, if he can't get rid of you, he's well versed in manipulation. Perhaps he can convince you to join his team.
You're going about your day at the club, tending bar on a step stool, the usual. Oswald comes in, Victor trailing behind him. Tabitha and Barbara are instantly on alert.
"Hello." Oswald fixes his suit jacket, rolling his cane in his fingertips. He wears a faux smile, and Tabitha huffs.
"What can we help you with, Ozzie?" Barbara is smiling, just as fake as his. It's a weird Gotham crime boss stand-off.
"I was wondering if you, my dear," He speaks, suddenly nodding down to you, "Would like to accompany me for lunch tomorrow."
Yeah, everyone's jaws drop, including Oswald's at the silence. Oswald didn't necessarily intend for it to sound like he was trying to ask you on a date. He's flushing red under everyone's gaze, suddenly fidgeting. If you look closely, Victor's giving a lazy amused smirk in the back.
"Like hell-" Tabitha's about to answer for you, before you squint at the man.
"Sure." You scan him up and down, hesitantly. Before anyone has a chance to speak, Oswald's turning on his heel.
"Wonderful! 2:00 sharp. Don't be late." He's smiling, knowing he's got a one-up on the Siren's.
...Well, leave it Oz to have things never work out quite his way. One lunch turns into two, and two turns into three. He's forcing himself to remember why he's doing this; you are just a tool. This is all a charade!
Hard to focus though, when you two seem to enjoy one another's company. Like when you show him what it feels like to teleport, (He's closing his eyes in fear, only for it to feel like nothing.) Or when you two have a strangely intimate discussion about what it was like growing up not very normal.
He's opening up about his schoolyard bullies, about his mother. About the feeling of being taunted, teased for his nose or height. You tell him, you know the feeling.
He stares at you, eyes focused solely on you. He's enamored.
He turns viciously protective over you. Any snide comment made towards you by a henchman of his, or a frequent at the Siren's club, they are brutally stabbed to death, a bit impulsively, with a bottle shard.
When he realizes he's falling in love with you, similar to Jervis, he likes doing grand gestures to get your attention. If there's anything you desire, you'll get it. Which is why when he finds out you're avoiding him, he becomes sour.
What? Why are you leaving him? He doesn't understand. The intimacies you two have shared, did they mean nothing to you? He's hurt, he's angry, he's aggressive. He's more irritable than usual; and judging from the fact he's irritable ALL the time, it's pretty bad. If you don't explain yourself, this sadness will probably turn into anger. He already believes you two have some weird pseudo-romantic relationship, so he's taking this like a break-up. He's a vengeful ex.
Whenever he stops by the Siren's club, and sees you teleport away at the sight of him, it stings. It all comes to a head when he's breaking down in his mansion. You will have to be the one to confront him, because he'll be too busy sulking. He loves you. He doesn't want to make you uncomfortable. If you don't want to talk to him, he won't force you, even if he's going crazy trying to figure out why.
When he sees you, he's standing up in a hurry, fumbling over his words, sniffling. His blue-green eyes are puffy, and you'll have to sigh and talk to him.
Please, tell him why your avoiding him. Explain if you're insecure, if you're scared of loving. He'll be thankful for the explanation. He'll be angry on your behalf for anyone who made you believe you were unloved, whether for your dwarfism or your powers. He's promising to kill for you, tear down the city to avenge you.
"Okay, Oz, I'm not dead yet."
"Yet?!"
Cuties <3
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𝑉𝐼𝐶𝑇𝛰𝑅 𝐹𝑅𝐼𝐸𝑆
♫ “Now is all we get." Voulez-Vous by ABBA
Forgive him, he’s trying his hardest not to care, and failing miserably.
Similarly to Ozzie, I can’t see him becoming infatuated or obsessed like Jerome and Jervis so quickly, not since what happened with Nora. So, I’m imagining you’ve also met him once or twice; using your powers for the sirens, just like he and firefly have done some hitjobs for you four in the past.
He’s in love with the idea of having a family; of being accepted, of leaving this life behind. It’s made him bitter, cold; but the man will do anything for love. Anything.
And it’s hard not to notice the small woman running around on her toes in the club, parts of her body vanishing here and there. You’re gorgeous to him. Those small cheshire-like smiles you send him when he’s supposed to be working. They break his hard exterior. He doesn’t know if he loves or hates it. He loves it.
Even a small pit of jealousy fills him, whenever he sees you in the news. Or when he watches silently on the sidelines, while you talk with Barbara and Tabitha and Selina. You do it so effortlessly. How could anyone not be entranced by you?
He thinks that he’s a freak. Firefly’s a freak. Just like Jerome and Oz, he definitely finds solace in the idea you are just like him. You’re one of them; a freak. Pushed out by Gotham’s careless inhabitants, forced into this life. He remembers being driven out of town by Penguins army. He wonders if you’ve expirenced the same treatment at one point in your life. He wants to show you, he’s here for you. He loves you, every part of you. No matter how unconvential or mistreated. He just wants to take care of you.
Just like Oz, he’ll be ready to kill anyone for you. Freeze em’ to death in one single sweep. Just give him the go ahead.
Victor is terrified of hurting you, as well. Not only your tiny stature, but he’s sure he’d get ice burns from his fingertips. He imagines a life where it’s just the two of you, without the cold, back when he was just himself. He dreams of cooking for you. Owning an apartment. Even having a family. He swears, he’d be gentle. But he’s too uncertain. He isn’t good enough, and he certainly isn’t good for you.
You’ll have to be the first person to talk to him, warm up to him. He might not state it directly, other than a nonchalant nod here and there, but it makes him feel special. It’s the little interactions you two have that make him fall helmet over heels.
You two will spend hours, at the club, watching from the sidelines. Barbara and Tabitha out on business, Selina doing…Selina things. You’ll poke fun at the passerby’s to get a reaction out of him.
“Oh god, I just saw that guy kissing that girl- what’s he doing with that other chick?…Oh- they are making out. Oh, okay, he’s taking him to the back. I’ll give you $20 if Barbara kills this guy for doing it on her desk.” You’re snickering, gossiping. Every now and then you look over at him to see him already staring at you, the hint of a smile on his lips. It’s all you’ll get for now…until he responds.
“…Guess you’ll owe me $20 then.” He’s firing back, voice low. It’s the first time he’s spoken. The first time you’ve seen him do something other than brooding. It’s sweet.
These little things will become routine, and he’ll find solace in them. Eventually you’ll even play some tricks with your teleportation on the clubs costomers, scaring them, bumping into them. All the while you’re watching him in the corner, smiling, exhaling through his nose. He playfully scolds you sometimes, other times he chuckles. Either way, it’s a sight to see.
God, please don’t dissapear on this man. I don’t think he could take it. Gotham be damned, if you ever find yourself scared of him, he’d be broken. He’d think it was his fault, he’d think he lost his second chance at love. If you ran away from him, he might just up and leave Gotham.
But even if you did try to avoid him for awhile, I think he’d let you go without a fight. He’d just be more sulky than usual, more prone to picking petty fights with Firefly. You might find the room uncomfortably cold, even when he’s not occupying it. (He froze the AC to the club, he was upset. Sorry Barbara.)
I think he’s the only one on this list of characters that Barbara, Tabitha, and Selina might all actively approve of. Barbara wouldn’t mind having a henchman dating her bestie; soldifies his loyalty to them. Also, he’s good eye-candy. Tabitha doesn’t have any personal issue with the man, other than previously working with Penguin, of course. Selina will still make fun of him for being a walking freezer, but hey, what can you do. You have their blessing.
If you caught him before he decided to up and leave, explain to him why you run away, why you’ve been avoiding him. He won’t just understand, he’ll practically worship you. He’ll explain himself too, why he’s terrified of touching you. It’s not because of your dwarfism, or your powers. It’s just how he’s afraid of hurting or loosing you. Loving people is hard.
If he could cry, he would. But his tears will freeze when they touch his cheek. You’ll have to show him you aren’t fragile. He’ll believe you.
You guys can heal eachother.
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𝑉𝐼𝐶𝑇𝛰𝑅 𝑍𝑆𝐴𝑆𝑍
♫ “The girl means business, so I'll offer her a drink." Voulez-Vous by ABBA
THIS Victor, on the other hand, is much more brash in his approaches to courting you.
He’s heard about you on the radio, from his boss, seen you in the newspapers, on the tv, watched you from the window in your apartment.
…What? Who said that?
He studies your every move. The man is calculated in his methods, what can he say? He’s not obsessed! (loud incorrect buzzer)
He just wants to size you up a little, see who the newest danger is in Gotham. He’ll convince himself he’s doing it for his boss, whether it be Falcone or Penguin. But it definitely goes deeper.
Unlike the other villians on this list that see your dwarfism as something to empathize with, Victor doesn’t really pay it any mind. He’s been around the block a few times- he’s been with women of all ages, heights, race, etc. The man really doesn’t have a type. What he’s attracted to is strength, independence, someone who will laugh at his dry humor with him. He’s stalked you at the club. He sees the way you banter with Tabitha and Selina, the way you make Barbara dissapear when she’s being too annoying with a flick of your wrist.
He’s incredibly attracted to a woman whose witty and good at what they do. Just like him.
Victor’s more subtle in his approach. He’ll make it casual.
So when you’re at the bar in the club, sitting around, watching the passerby’s, he’ll make his move.
“Now, what’s a girl like you doing here, alone?” He sneaks up behind you, giving you a start. You flush red at the man in front of you. Victor Zsasz. The words are spoken as he drums his fingers on the bar, cocking his head at your short frame. He towers over you, caging you in.
When you don’t speak, it doesn’t phase him. You’re about to teleport away in an instant, until he drawls your attention back to him with a lazy smile.
“So…” He whistles. “What’s your drink of choice? Wait- Let me guess.” The man doesn’t stop talking, listing off drinks that are most definitely not your drink of choice.
He watches you all the time. He knows exactly what your favorite drink is. But he wants you to stay.
It’s a bit awkward, a bit intimidating, and strangely charming. He speaks with an inflection that borders on sarcasm and curiosity. It’s intriguing, coming from Gotham’s most dangerous hitman.
“Can I ask-“ You squeak, now nursing a drink he ordered for you. It’s a Vodka Cran, and it could be worse. “…Is there a hit on me?”
He stares at you expressionless for uncomfortably long, before it forms into something quizzical.
“…Nah,” His voice is slow. He clicks his tongue. “Just an admirer.”
There’s an awkward scilence. He shrugs.
“Y’know. I’m a big fan of this place. Like the ambience.” He sips his own drink, you don’t know what it is. Just as his words sound out, you swear you can overhear a gunshot in the distance, probably from Barbara’s meeting with some other underground boss. Somehow, the sentiment makes you laugh.
He perks up at the sound.
You aren’t used to this. Someone being so casual about you, your powers, your small stature. He’s a bit flirty from time to time, but between the alcohol and his quips, you don’t seem to mind. He seems oddly genuine in his demeanor with every compliment or joke that slips.
You two keep the banter going for the rest of the night. Mostly chatting about how tiring your respective bosses can be. He does a poor drunken impression of Penguin, and you do one of Barbara. It’s a relaxing night in comparison to what you usually expirence living in Gotham.
You think you only see him every so often. Coming by the club whenever Penguin comes, or when a job is sent out, and his target is there. He’ll always send you a wink when he leaves, blood on his face.
But he sees you every day.
Yeah, the stalking only worsens. If you find your phone in different places throughout the day, or your window reopened, he’s the reason why.
He’s fine like this. In his head, the two of you are going steady. He’s pretty committed. You’re his girl, and that’s that.
Until you start avoiding him like the plague.
Zsasz WILL find a way to confront you. He doesn’t care if you teleport away each and everytime. He’ll find a way to get the message clear, through other means.
If you find a “talk to me.” with a smiley face, written with some poor saps blood, on your mirror, I apologize. He’s gotta get the message sent somehow.
Yeah, he won’t give up. He’ll go great lengths to get you two back together. He’s also listening to disco break-up ballads to cope. He’s getting the zsaszettes to stalk you when he can’t. If you still won’t budge, yeah, Tabitha might end up with a gun pointed at her head until you talk to him.
He’s not necessarily angry, but chasing after you is certainly taking a toll on him. Give the guy some credit.
Tabitha, still with a gun pointed at her, will be barking at you to not talk to him. He’s a creep, he’s an asshole, and you shouldn’t compromise your honor! (His eye will twitch at her words, trigger finger itching.)
Up to you what you decide to do! Explain the situation, talk to him, make things official, or…bye bye Tabitha. And that still won’t stop him. He doesn’t take rejection very seriously.
When you tell him exactly why you teleport yourself away, he’s the only one on this list who might think it’s stupid. He’ll understand, don’t get me wrong, but this is Gotham! Why would you be insecure? He garuntees you he’s met at least ten other people with far worse skeletons in their closet. You’ll have to teach him that’s not the issue.
Yeah, our little sociopath has a hard time with feelings. But I think you two would maybe be good for eachother! Teach him to listen more, whip him up into shape, and reap the benefits of having Gotham’s number one hitman as your personal bodyguard and lover. He’ll take you to stakeouts, make fun of Jim Gordon, crash your place. You two can watch Netflix under the blankets. He loves your size- cuddling into you like his own personal pillow.
Tabitha’s very dissapointed.
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𝑅𝐴’𝑆 𝐴𝐿 𝐺𝐻𝑈𝐿
♫ “I'm really glad you came, you know the stars, you know the game.” Voulez-Vous by ABBA
May god have mercy on your soul, reader. Ra’s is a sight to behold when he’s in love.
He heard whispers of your name all around Gotham. He sees you on the news when he’s absentmindedly listening. A girl who can teleport herself and others, to any location? Even the power to control which body parts you maneuver. Extrodinary.
He’s immeadiatley infatuated with your power. He wants to covet you. Possess you. Have you close to him. He needs to see your power for himself.
He’s similarly calculated in his response to tracking you down. He will appear at the club, slinking into the shadows, whispering a quaint,
“Hello.”
It makes you jump, and as if on instinct, you teleport yourself away. He marvels at the way in which you do so right infront of his eyes. How rare it is, for him to be so easily confounded.
He must see you again.
You’ll feel his presence every now and then. Maybe even catch a glimpse of him watching you. You’ll turn back, eyes squinted, only to find he’s not there anymore. It confuses you just the same.
Though, you eventually get used to him watching. It turns into a little game between the two of you. If he can catch you, if you can catch him. It’s strangely endearing.
He’s also becoming increasingly more attentive to your daily habits. He memorizes your schedule. He sends members of the League of Shadows to observe you, to take notes on how you use your powers.
If any member insults you, or pokes fun at your dwarfism, Ra’s will spare them no mercy. Yeah…he’s making it a big deal. He’s ruthlessly insulting them for their ignorance, before killing them without a second thought. In a way, you belong to Ra’s already. He will not stand for disrespect among his order.
Ra’s is a gentleman. Just like Ozzie and Jervis, you’ll find gifts littered around your apartment. Little notes from him, written in the most exquisite cursive, expressing his admiration of you. Beautiful, rare, and expensive jewelry, tailored to the size of your wrists and neck.
You’ll see him exiting Barbara’s office sometimes, when he needs her for the demons head. He’ll send you a smile, half-way gentle, half-way playful. He’s unsure where the lines between love and facination blur; but he’s slowly realizing he loves you. He hasn’t felt such a way in decades. He’s been alive for very very long. No human woman has made him feel so helpless. He enjoys it thoroughly.
He’ll confess, the night before Gotham is meant to be blown to the ground. He’ll turn up, before the events are set in motion. You won’t have a clue in the world what he’s up to.
“My dear.” He’ll drawl, and you’ll go to teleport away, as you always do. It’s tradition for you two at this point.
Before you get a chance, he’ll click is tongue at you.
“Wait.” He speaks, voice sounding strangely desperate. It makes you freeze. “Come with me. Leave the city. Get somewhere else. I’d like to show you my home.”
Your choice, if you choose to leave with him. He’d make for a very attentive lover, and would protect you at any cost. But if you choose to do so, you’ll leave Tabitha and Barbara and Selina to their own fate <\3
Not that it matters if you decide to reject his offer. He’ll have you, one way or another.
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158 notes · View notes
abiiors · 1 year ago
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persephone - matty x reader ˖𓍢ִ໋🌷͙֒✧💌˚.⋆🌿
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a/n: this is kinda loosely based on the myth of persephone and also this is just one interpretation of it, obv several exists in the media :) and like matty's barely hades lmao, this is mostly just the connection of persephone, demeter and spring ♡ cw: this contains themes of parental neglect, dysfunctional families, emotional abuse/neglect and alcoholism, and they're very much PRESENT and DETAILED. this isn't angst but it's def bittersweet (emphasis on the bitter whoops) wc: 5.1k
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the first word she learns is “mama”. 
she has a faint memory of this—a woman with shining brown hair, smiling and cheering at her. everything is blurred around the edges and filtered in through a haze. everything has a foggy white quality to it but the woman’s eyes are crystal clear and looking at her, focused solely on her. she has a memory of others laughing and clapping along, encouraging her to say the word again and again. 
mama.
the brown haired woman looks tired—she’s young and, looking back, barely even an adult. but the woman smiles at her and coos along. “mama,” the woman says in an exaggerated baby voice and points to herself. 
“mama,” she babbles again at the woman she now recognises as her mother. the woman gives her a bland smile, playing with her almost absently. the woman even lets her grab onto her fingers and bite on them—not that it counts much as biting, she barely has teeth at this point. 
the next memory she has is of an older man with a freckled happy face and salt-n-pepper hair. he throws her up in the air and catches her until she’s giggling and breathless and light as air. he's often at their dining table, peeling pomegranates.
mama says she can't eat them yet—they're of course a choking hazard for a baby her age. but the old man peals it for mama, because mama looks happy when she sits next to him and pops the seeds into her mouth, sighing at the sweetness.
“these are delicious, daddy,” mama says to him and he smiles at mama with all the tenderness in the world.
when mama needs a break from her, he takes her to the nearby pond, and lets her touch leaves and rocks. he points at the tiny things in the water and says a word she barely recognises. 
fishies.
he clicks his tongue and waits for her to imitate the word, but she only claps her hands and says “mama” again. 
the man laughs. “let’s get you home to mama then.”
the younger woman gets mad at him when they get home though. mama grabs all the treasure—their entire day’s hard work—and puts it away somewhere where she can never reach it again. 
the man grumbles about it too but she’s far too young yet to understand words and tone, much less full blown fights. all she knows is a distinct sharp feeling of fear when mama snatches her away from the old man’s hands and puts her away in a room alone. 
there are white bars around her that she can’t climb, even though she cries and cries and screams for mama. even when a pungent smell fills the room and she feels uncomfortable wetness in her onesie. 
but mama doesn’t come. and the old man’s voice can’t reach her anymore. there’s only the sound of her cries and an eerie music box lullaby that plays on repeat as if it would ever be enough to pacify her.
mama doesn’t come for hours. 
years later, she’d know why mama can’t be bothered. 
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the last time she calls her mother “mama” is when she’s seven years old. 
it’s rained all night and the backyard is wet and muddy. mama grimaces the moment she looks out the window but for a seven year old girl, it’s the most fun thing to ever exist. mama makes a sound of disgust when she runs outside, whooping with joy and slipping and sliding in the mud. 
all she wishes for is a companion now—a sibling or a dog or a cat, she’s not picky. a friend works too, but she’s not entirely sure where someone gets those. 
“if you get mud on my carpets, i swear!” mama shakes her fist from the back door but she can’t care less.  
she’s drenched in mud and having way more fun than she’s had in days. so much so that she doesn’t even realise when mama shakes her head and goes back inside. 
the winter chill is almost gone, there’s even a few little saplings sprouting from the ground and she can’t wait for the whole backyard to be filled with weird little weeds and wallflowers. she can’t wait until it’s warm enough to sit outside in the afternoons and make her little witchy potions from mud and weeds and flowers and see if any butterflies would be curious enough to land near her. (or maybe even on her like they do in the movies she’s seen!) 
she forgets the movies for a moment, though. today is the best day a girl could have. 
her grampy—her grandpa—is supposed to visit too, and she knows he’s going to bring treats; sweet honey from the hive on their farm or tiny red strawberries that dribble juice down her chin. she knows he’ll sit in their kitchen and peel her a pomegranate (she can eat those now!) and tell her about the new calf on the farm. (she’s asked this story twice now but it only gets better each time) it’s all so exciting that she even forgets about her aversion to the kitchen for a bit, forgets how a pit opens in her stomach every time she has to be in the kitchen with mama. 
she can’t wait for the after, but right now she runs through her backyard again, whooping and cheering and smiling. 
she’s slipping and slipping, just like before. the fence comes closer, her little mind tries to calculate the distance, her feet try to slow down but the mud’s grown too slippery and she just can’t stop, can’t put her arms up in time. 
her jaw collides with the fence with a sickening crunch. pain flares in her mouth along with the sharp coppery taste of blood. it almost makes her gag and she tries to spit it out. something white falls on the ground, covered in blood—her first tooth, the one that’s been loosening for days. 
she stays curled on the ground, covered in mud, sobbing and spitting out more blood until her saliva runs clear, then she somehow shuffles inside, hoping mama would have a magic fix. 
mama’s eyes widen the moment she walks in, dried mud crusted around her feet, blood on her chin.
“what the fuck?!” mama yells, the glass in her hand jostles dangerously and the dark liquid inside almost splashes out. mama’s words also have an unnerving, slurred quality to them but she’s too much in pain to care. 
“what’s wrong with you?!” mama screeches again and gets up. through tears, she manages to splutter out what happened. she shows mama the tooth, (girls in school have told her about the tooth fairy) but mama only smacks her hand away. 
“i told you not to get mud on my carpets. who’s going to clean them huh? not you, you’re useless. you’re all useless.”
more tears fall on her cheeks and she looks at mama, horrified. but mama slams the glass hard enough on the table that a crack goes through it. she’s worried mama’s going to yell at her more, but mama only yanks the mop from the corner and waits for her to move out the way. 
she takes the hint, grateful it didn’t get worse. she tries not to get the mud onto anything else but a little gets on the bathroom tiles anyway. 
under the hot water, she finally lets her sobs free and scrubs her little body until the skin is all red and raw and stings from the temperature of the water. until each stream of the showerhead feels like a bb bullet. 
then she gets on her hands and knees and scrubs the bathroom floor clean, occasionally flicking her tongue over the now-empty spot where the tooth used to be. it tastes vaguely salty, and it still aches but not as much, definitely nothing in comparison to her jaw which is turning a nasty shade of purple. her tooth’s still safe on the counter, though—free of blood and mud now. gleaming white. 
at least that’s the saving grace of the day. at least she’ll get a visit from the tooth fairy. 
grampy cancels his visit—his knees hurt, mama says—but she tries not to be miffed about it. she’ll make sure to get grampy something nice with the money from the tooth fairy. 
that night she gingerly places the tooth on the bed, carefully places the pillow on top so that the tooth is protected from all sides. nice and snug. 
then she closes her eyes, dreaming of tiny fluttering wings and shiny pennies. but the tooth fairy never visits at all. 
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her mum ages rapidly in a decade. by the time she’s seventeen, her mum’s already gone grey—unravelling at the seams, fraying with each passing day. not that anyone’s seen her mum in days. or months even. her mum’s not coherent enough to hang out with people most of the time. 
she’s started spending less and less time at home. it helps to have a part time job on top of school—a place that delivers chinese food. a couple guys from her school work there too, not that she really knows a lot of them. except one. 
matty. 
he’s the one person she’s ever considered a friend. 
the one person who’s been worthy of that title. 
matty’s all casual smiles and laughs—he flirts shamelessly and kisses people on the cheeks when he gets drunk. he offers her fags and spliffs even though she always denies them. he nicks leftover chinese so they can eat it in his car, giggling and laughing, way prouder of their heist than they should be. 
the food tastes better when she’s with him. everything’s better when she’s with him—even the shitty, off-brand beer he keeps buying. with him it tastes like expensive champagne. not that she knows what champagne tastes like to begin with, but she imagines the bubbles settling on her tongue feel like his laugh spilling from his lips. she imagines it tastes like the sparkle in his eyes.
matty looks at her differently too—she’s not stupid, she knows what interest looks like. 
she’s been the object of fascination since she turned thirteen and developed boobs seemingly overnight. she shies away from attention most of the time—wears t-shirts twice her size, keeps her hair a bland brown. she barely even looks at boys or men who tell her she looks mature for her age. but when matty looks at her, it’s different. 
when matty looks at her, she wants to be seen. 
“you sure it’s okay for us to be out so late?” he asks one night when they’re sat in his car. the world around them has already gone quiet—it is a school night after all, she should be in bed too. but she sees the cigarette dangling loosely between his lips and for a second she forgets to respond. matty quirks and eyebrow and she realises she’s been staring at his mouth. 
“my mum won’t mind.” her response is a bit curt, but she leaves it at that. there’s no need to mention that her mum’s probably drowning in wine by now, tripping and spilling the liquid onto floors and sofas and carpet. 
“she must be chill,” matty hums to himself and takes a drag of his cigarette. she watches him hold it into his lungs, some of it escapes through his nose and curls around his face. 
she keeps quiet, unwilling to get into that topic of conversation. 
“i’m thinking of dropping out,” matty says quietly once the cigarette turns into a tiny stub. his voice is carefully neutral, monotonous. she whirls to look at him, jaw practically dropping to the (dirty) floor of his car. matty stares straight ahead, trying to look as nonchalant as possible, but the tension in his shoulders gives him away. 
images flash in front of her—walking the school corridors alone, eating lunch alone, doing her homework alone. working at her job alone. 
alone, alone, alone. no one but her mum around her again. that wretched fucking woman occupying every atom of her existence.
“did you h—”
“i heard you.” her voice has gone quiet now but there’s an edge to it that doesn’t go unnoticed by matty. 
“and?”
“and what? if i said no, would that convince you to stay?”
she doesn’t mean to sound so sharp, so bitter. certainly not so selfish. but an ugly feeling bubbles up so deep inside her that all the excitement from before just dies—all the butterflies from just a moment ago, now dead and rotten, making her feel nauseous. 
“no but—”
“i don’t want to tell you why it’s irresponsible, matty. frankly, i don’t know if i believe that myself but… it’s… it’s big.”
his face falls further and further the more she speaks. with each word she wants to press a hand to her mouth, wrap it around her throat so it would strangle everything else that’s about to come out. with every word she wants him to tell her to just shut the fuck up, that she doesn’t know what she’s talking about. but matty only looks at her and a different sort of quiet spreads around the car. 
“you think this… this thing you’ve got going on. music. you think that’s enough?! you play for fucking retirement homes, matty! you play for old people who probably won’t even remember what they heard twenty minutes later. and you want to–what? you want to leave your education incomplete? you want to leave a-levels and school and your job? you just want to…leave?”
which is the real problem. 
he gets the luxury of leaving. 
she gets the misery of staying. 
“thanks,” he says dryly, trying to roll his eyes. she catches the extra shine they now have, she catches the way his throat bobs. and suddenly the car is so stifling she can’t stand it anymore—can’t stand the taste of the nasty, cheap beer and the too-salty, too-greasy chinese they’re eating and she can’t stand the cliche, indie rock music playing at low volume. 
she can’t stand him anymore. 
“i need to go,” she says curtly, wiping her hands on her jeans and already halfway out the door when matty grabs her wrist. 
“wait—”
“what.”
“n-nothing.” it’s the first time she’s heard him stutter, first time he’s ever said something without sounding completely sure of himself. “let me just drop you home.”
it’s also the first time he’s offered to do that. 
“i have my bike.” besides there’s no need for you to see the state of the house right now, no need to come across that belligerent woman in case she’s still conscious. 
“it’s late.”
she can’t really argue with that logic. it is almost 11 at night and she might not live in a very shady neighbourhood but it’s still not the safest at this time of the night. still, she doesn’t want matty driving her around and dropping her home. that feels too vulnerable. besides, she just wants to be away from him.
he’s leaving anyway, she might as well start practising that from now on. 
“i’ll text you when you get home,” she mumbles and forces her wrist out of his hand. 
she’s out of the car and slamming the door shut before he can even protest. she’s marching across the empty road and to her bike before the absence of his warmth registers, before her body realises that she can no longer feel his skin against hers. 
before she really has a chance to let anything sink in. 
matty honks and she hisses. 
“what!”
“i’m following you home.” and then the little shit rolls up the window. 
she has half a mind to stubbornly wait him out, see how long he stays if she just refused to move but that’s a stupid plan. like it or not, it’s happening. he’s following her home. 
like it or not, she’s going to have to let him. 
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“i’ll only accept your apology on one condition.”
it’s two days later that they’re back in his car—her with a guilty conscience, matty with a smug smile. 
“ugh, if you’re about to be a boy about it!”
“you haven’t even heard me out yet!”
the pit in her stomach shifts, the hollow cavity catching in her throat until she has to forcefully clear her throat and blink rapidly. it’s not that she’s completely forgiven him for wanting to leave, she hasn’t completely given up on that yet either. but she realises the way she went about it was perhaps…a bit shitty (okay it was definitely a lot shitty) 
“spring dance”
“what?!”
the words jerk her out of her thoughts so violently that she almost forget about everything else for a second. the spring fucking dance. 
matty healy, the boy who nicks chinese food and drinks cheap beer and wears ripped, skinny jeans wants to go to the spring dance. 
“right don’t look at me like i’ve asked you out to a strip club—”
“that’d be more in character—”
“oi! just… let me speak!”
and so she shuts up, puts her hands under her thighs so she won’t impulsively chew on her nails while her crush is…trying to ask her out. 
matty rolls his eyes at her and the fond smile on his face takes her breath away. 
“i want to do it. i want one last cheesy school experience before i…” he trails off, maybe not wanting to finish that sentence for her sake. or maybe because it affects him more than she thinks. “and i want to do it with you.”
“me? ooh like i’m special or something.” she tries for it to be teasing and playful, but the words come out sounding so hopeful that it knocks the breath out of her. 
“don’t pretend,” matty’s voice goes all quiet then. serious too, and suddenly he can’t meet her eyes. “don’t pretend like you don’t see it.”
“see what…”
there’s a lot in her life that she pretends not to see—half the things at home, sometimes her failing marks, sometimes the way other people look at her and whisper. but he is the one person she can’t pretend with. can’t pretend to not see the way he looks at her and acts around her. can’t pretend to not notice the way his touches linger and his smiles last longer. 
even now, she can’t pretend like he’s not looking right at her lips, leaning in a smidge at a time. wishing she’d close the gap. 
involuntarily, her eyes flutter shut. anticipating. 
she wants to feel it so fucking bad—his hands on her waist, his fingers on her skin. she wants to feel his faint stubble against the palm of her hand, his lips on hers. most of all she just wants to feel him close, to feel his breath on her skin. 
matty jerks away and a loud horn of a car breaks the spell. 
“fucking dicks!” matty rolls the window down and yells at the retreating figure of teenagers in a car, one of them even flips him off and next to him she seethes. 
fuck this, fuck everything. why can’t she just have nice things. 
why must someone come and ruin it every time. 
it takes them both a minute to breathe and settle down and meet each other’s eyes again. even then there’s a slight pink tinge on his face that makes him look adorable. 
“sorry about that…” matty mumbles and taps his fingers against the steering wheel. “so…spring dance?”
“i’d love that.”
she hopes the smile she gives him is genuine. she hopes he sees it plain and simple all over her face—all the words she hasn’t said and cannot say. 
matty smiles wide. “then i forgive you.”
and it’s like a weight gets lifted off her chest. 
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“you look pretty,” her mum’s eyes roam over her body, eyeing her from head to toe, flicking over certain places again and again until she almost feels naked—like the blush pink fabric doesn’t even exist. like her mum sees right through her. 
years of this has taught her that it’s not a compliment. if anything, it’s just another trap, so she focuses on her reflection in the mirror and smiles with as much warmth as she can muster. “thanks!”
her mum reeks of wine already, maybe even a little weed but it’s nearly not enough today which is surprising. she would have expected her mum to be at some bar by now. 
“i’ll be a bit late. don’t worry i have my keys though.” 
then she scoffs to herself. when has her mum ever worried? 
“who’s taking you? to the dance.”
“wha–? oh. uh, just a few friends. only met them recently.” she winces, trying to get the last of the curls in place, trying not to be too cagey in front of her mum. she doesn’t want her mum to think she’s hiding something—mostly because it never ends well, and she can’t be arsed to deal with another screaming match right now. not when there’s a ball of anxiety and anticipation in her chest, wound so tightly that it’s slowly choking the air out of her lungs. 
she just wants to be outside. she just wants matty to see her, to call her pretty and maybe even kiss her. 
she just wants this one night with him. 
just one. 
her mum huffs and stumbles into the room. everything about this woman wants to make her shrink away—the days old stink of sweat and alcohol and cigarettes, the grime under her fingernails, her beady stare… 
even when her mum’s fingers twirl around her curl, she fights not to shrink back, to slap her mum’s hand away. 
“you look pretty,” her mum repeats. “prettier than i did when i was your age.” 
her stomach churns at the cruel edge to those words but her mum isn’t done yet. “huh–not so easy to be pretty with a seven month pregnant belly. like a fucking whale…”
and there it is. 
her fault that her mum was robbed off having normal teenage experiences. 
“right, mum,” she smiles shakily, “need to get going.”
it’s almost a miracle that her mum doesn’t say anything else. mum just backs away and lets her gather her things. she quickens her pace, heart beating in her throat, hands trembling when she picks up her small purse. 
it’s okay it’s okay it’s okay
“don’t spread your legs for that boy.”
she freezes in place, almost out the door.
“wha—”
“act dumb again and i’ll make sure you never see that boy again.” 
“mum…” she swallows harshly, prays that the tears pricking her eyes don’t spill down her cheeks. then she nods and books it out of there. better to go before her mum changes her mind. 
better to go before leaving becomes impossible. 
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matty makes her forget all of it. 
the moment she sees him, the shakiness in her limbs disappears, her heart thuds in her chest for all the right reasons. he’s in a suit. a fucking suit that makes him look all grown up and handsome but then his unruly curls go all over the place and suddenly she’s laughing with the boy she’s had a crush on. 
no matter what he wears and what he looks like, he will always be that boy.
the school auditorium is full of flowers—some fake, some real. all the girls around her look stunning, dressed in colourful pretty gowns. it’s all spring incarnate. 
all night he dances effortlessly, twirls so many people around him like he’s friends with everyone. and maybe he is—he’s certainly always been so much more popular than she has. she should be the one leaving. 
but she also can’t help but stare. she wonders if he is a daydream, something her lonely mind conjured up during hours filled with boredom or after long, exhausting fights with her mum. and suddenly, he is looking right at her. sweat makes his white shirt stick to his body in the most flattering way possible, makes his sweaty curls fall into his eyes until he can barely see straight.
stop ogling! 
“staring is rude, you know?” he walks—no, saunters—over to her. suddenly, there’s not enough air left in the giant school auditorium. 
“you’ve been staring too,” she counters. and she’s right. all night she’s caught his long lingering glances that make her feel like she’s coming alive. 
like a flower blooming in spring. 
“you kinda make it hard not to stare.” so does he, she thinks. but everything, from his half smile to his relaxed posture, tells her not to inflate his ego further. she stifles the faint blush creeping up her face and shakes her head bashfully.
“come on,” he says. 
at first, she doesn’t realise what’s happening. then he whisks her away to the dance floor and her shriek of surprise turns into one of delight. she has never danced like this before but that night they dance till her heart pounds in her ears, till she can’t stand straight anymore. then they sway softly, in spite of the rock and roll playing in the background. 
“you’re beautiful,” matty smiles at her, sincere and real. 
if she discovers anything about herself that early spring night, it would be her love for dancing. it’s a feeling she’s never felt before—something that almost feels like…freedom. it’s foreign at first, all the blood coursing through her body at the speed of lightning. she tries to keep track of how many times she shrieks and laughs and jumps in excitement. all of it until matty picks her up and twirls her around. 
round and round until she’s breathless and light as air and fucking free. 
somewhere after that, she loses count. at the end of the night, her dress clings to her and matty can’t stop staring. can’t stop letting his eyes roam all over her until he’s grinning himself. his smile is boyish. perfect. and just as she’s getting self-conscious, he pulls her closer. 
“you’re fucking perfect, you know that?”
next thing she knows, matty is holding her softly against the wall and kissing her bare neck. he softly caresses her waist through her dress and she shivers against the warm spring breeze. she can feel him shaking too, almost like he’s…nervous to do anything more. to actually kiss her and shatter the moment. she can’t have that, can’t let this moment slip through her fingers. 
“kiss me,” she pleads and matty moves in an instant, his warm mouth capturing hers. like he was only waiting for her permission.  
his lips are a little chapped. far from perfect and yet electricity zings through her all at once. if it weren’t for the wall, her legs might have given out from under her. she might just be a heap on the floor, surrounded by all the spring flowers. 
matty kisses with such reckless abandon that it steals her breath away. kisses her until her heart swells in her chest, ready to burst. her fingers tangle themselves into his hair and she kisses him back with everything in her. she can’t care less about how public this is, there’s only him in this moment. 
only the two of them on a warm spring night suspended in this one moment.
she almost whines when matty pulls back. annoyed beyond belief that he’d pull away now. 
“mat—”
“it’s late.”
“it’s not!”
“it is, love.” suddenly his voice has gone gentle, almost quiet. matty pulls his old phone out of his pocket (with the screen cracked and all) and holds it in front of her. the screen flashes with 11:17
shit where did all the time go?
matty makes no move to untangle himself from her arms, still pressed against her. in her ead she forms a childlike grudge against his phone. if it weren’t for it, they would have never known what time it was…
“i hate this.” her voice comes out thick with tears and something wet hits her nose. “i don’t want to go, i don’t want you to go. please.” but even then she knows how unfair it is to put him in this situation. 
matty’s caresses her cheek, wiping away her tears, smiling at her like she’s the most gentle precious thing in the whole world. 
and maybe she is. in his world. 
“you’ll finish school too,” he says, voice a low murmur, “and then you have a uni to attend. so much shit to do. god, you’re brilliant enough to get everything you want.”
but it’s you i want. still she doesn’t say it. not just yet. 
she nuzzles his palm instead, placing a soft kiss on it. “i hate spring. i wish it was autumn instead. i’d be starting uni at least.”
“and you will,” matty reassures again. “you’re going to do so many things.”
“you won’t be here to see them…”
and there it is, all the things she’s been holding deep inside laid bare. matty looks at her for a long time and smiles sadly. “who said that? i’d find you, we will keep in touch. isn’t spring meant to be about new beginnings and all that? so why don’t we start a pact?”
“that’s a silly idea,” she teases but even then she’s eager to know what he means. 
matty ignores it. “stay here for spring and summer, finish school. i’ll find you when autumn comes.”
“you’d really do that?”
“who’s gonna help you move into uni halls huh?”
through tears she laughs. only matty could make it sound so exciting. only matty could make her hate it so much less. 
she doesn’t trust herself to speak anymore so she kisses him instead. he tastes like peaches, mint and something sweet. the very first boy she’s ever loved. the boy she will always love. 
he’s leaving soon, she knows it. who knows maybe she will wake up tomorrow and he will be gone. she feels all that passes between them and she tries to send all her longing and all her yearning down that bond. for a brief second she is determined to make matty stay through sheer willpower. 
but that would be the most selfish thing she’s ever done. and so she smiles and lets him go. 
matty might be leaving but she’ll always have this one warm spring night. even as the clock inches towards midnight and a new day threatens to arrive.
for a brief moment she wonders if she can make time stand still. this one moment stretched into eternity. 
but the minutes tick by anyway. and tomorrow comes anyway.
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raett97 · 12 days ago
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hi hi hi I have thoughts and feelings about The Martian. I know a normal amount about it. pspspspsps
yeah hi hello polaraaace hi yes okay so another thing? i cannot get over how fucking. amazing. and brilliant and clever a decision it was to write 90% of the book as an epistolary
like. okay so obv Watney was alone on Mars for basically the entire book. the usual problem with having a character alone is there's no dialogue, and you end up with a lot of exposition, which can feel like information dumps and can tend to drag. by writing it as an epistolary and having Watney tell 'NASA' what was going on, the reader was told without it feeling like an info dump.
it also meant he could complicate or dumb down explanations as much as he wanted without seeming out of place. imply the science w/ minor explanation rather than science the science, which made it a lot easier to follow.
additionally, it really Did Something for the pacing of the story, and the flow and such. like i was thinking about it. right. and he could skip all the boring shit and Watney just reports the Major Event, Key Factors etc. to the logs. he just. skipped over days of digging or weeks of driving or drilling holes or any of the other hundred things that would have been slow and tedious to write out. and. summarised the interesting parts in as few or many sentences as required without too much depth. like. consider the drilling. he explains, in brief, that he tried to drill. it sucked bc the drill wouldn't catch. he chipped out a bit with a driver and the drilled and that went better and then he did it like a hundred more times. how long would that have taken to write out in full if it was 3rd person limited? how tedious? the lost time and the frustration and the problem solving? no, instead we get the problem, and then immediately what it took to solve. just. quickly. which meant each chapter was quick and snappy and set a really fast pace for the book from start to finish.
it also i think impacts how we view Watney as a character. like. you're not in his head. it doesn't go into what he's feeling so much. so i know when i think of his character i think of him as Brutally Pragmatic. Have problem? Solve problem. whatever it takes, and then it's only the next problem. and that's probably in part bc you're not in his head, only the logs. but it's also bc like. in the hab breach scene? he has a hissy fit at Mars (in the logs) and then the next log he's like 'okay i had my hissy fit now on to solving the problem'. it sets the reader apart and creates distance from him in such away that really keeps a humorous and lighthearted tone to the book that perhaps you couldn't if it was 1st POV or 3rd POV limited. but, still and despite that i guess, still my interpretation of him is brutally pragmatic. he didn't let emotion or despair at any point get in his way.
AND THEN. we get to the 3rd person limited sections, not epistolary, where we were watching the way the events on Mars were being viewed by earth and NASA. that was interesting to me. the POV change. it made it feel much more immediate, much more Real Time than the epistolary parts. we were there with Mindy, knowing what she was seeing when she realised Watney was alive. with Vankat as he had to tell Teddy. with the Hermes III crew as the got the Rich Purnell maneuver and had a choice. we got to see that, those key moments in real time.
ALSO, the 3rd person omniscient parts? god, i dreaded those. as soon as the POV changed to focus on a thing rather than a person i immediately started dreading what was going to happen next. it was like watching a car crash. knowing something was going to happen and being unable to look away. the hab breach scene? the Iris launch failure? the rover rolling? all of them fucking. preceded by a 3rd person omniscient POV. just. until a thing went wrong they were innocuous but that fact that Weir saved that pov for those scenes just mean that when they came up it was building tension and suspense anyway. just an innocent scene about how hab canvas is manufactured. about the launch of the Iris probe. about the weather and dust storms on Mars. totally innocent, nothing to see here....
and those scenes contrasted so dramatically with the immediate follow up of the logs.
like. the 3rd POV omn. is slow. dramatic. 'the canvas expanded for the last time. the hab breached.' juxtaposed with Watney's log which is a lot move lively. and then later compared with the quiet horror from Mindy or Vankat or something seeing it from the satellites and just crossing their fingers and praying. I think that aspect was really brought to life even more in the audiobook though, which is how i read it. like. serious kudos to Will Wheaton and his performance. i feel he did a lot of work and an amazing job setting the tone and the emotions of all the characters. the tiredness and the happiness and all the rest.
... okay i think that's all i have to say on this, unless someone else wants to weigh in. there's probably more i haven't considered and i'd love to hear your thoughts.
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argisthebulwark · 11 months ago
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TES Summer Fest Day Three: Ghost/Hungry
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summary: Vilkas swears that he's just being a good friend - you're stuck far from home and he can't let you starve. gn vampire reader/Vilkas, no gendered pronouns or y/n used. warnings: blood obv, fangs in skin, description of biting/feeding. sexually suggestive, minors should not read or interact with this post. @tes-summer-fest TES Summerfest Masterlist
"Just do it already."
"No. I told you I'm not doin' that." Vilkas rolls his eyes and bites back whatever insult his tongue has lined up next. Your crossed arms, the guarded way you're standing a few steps away from him, the way you won't meet his eyes - it's unlike you. Usually he's begging for an inch of personal space yet he quickly decides that this distance is far worse.
"We don't have an option."
"Of course we do. I can wait."
"You plannin' to starve?" He barks, stomping closer. He notices the nervous flush in your gaunt cheeks and can hear the way your heart kicks up when he grows near but your glare is gone. He's heard your stomach growling and seen the way you struggle to eat the salted meats he's offered - it's not enough.
"I'll be fine -"
"We've been snowed in here for days. We're out of options." Grinding his teeth together, Vilkas swallows back against his temper. He sees the fear in your eyes as they stare up at him, hands nervously playing in front of your chest.
"I can't ask this of you." Your voice wobbles, tears gathering in the corners of your eyes and his rage fizzles out. He's choking on words he can't bear to say aloud, choosing instead to grab your wrist and tug you toward the bed.
The blizzard began five days ago. If the mission had gone as intended, a branch of the Silver Hand would be extinguished without issue and you'd both be warming up in the grand hall of Jorrvaskr. Vilkas snorts at the mental image of your nose pressed to a frosted window demanding that he, your 'very best friend', play in the snow with you.
Instead, you'd taken an arrow to the gut and Vilkas' pack was abandoned in favor of speed. He'd carried your broken body to the nearest village and pleaded with the one healer to patch you up enough to get home. He didn't give a shit about the villagers glowering from their porches, he knew how terrifying he'd appeared; a bloodied stranger limping in to town and begging for help fixing some half dead vampire didn't inspire much warmth from the locals.
Vilkas is relieved that you fall to the rickety bed at his side. This abandoned cabin doesn't offer much but coverage as you wait for the storm to pass, expired rations enough to keep Vilkas alive and a couple blankets to stop your shivering. Your fingers are chilly when he feels them on his chest and he stomps down on the fucking ramming behind his ribs.
"What if I hurt you?" You whisper, big eyes staring down at his face. Vilkas fights to convince himself that his heart is hammering because he's about to let a vampire feed on him, that it has absolutely nothing to do with the idea that your lips will be on his skin. He forces his gaze to remain locked in yours, staunchly refusing to look at your uneasy grimace.
"Just stop before I'm dead." He grunts, squeezing his eyes shut. It has to be because he's looking at you that he's so flustered; your wide, worried eyes and the way you bite so nervously at your lower lip. It'll be over in a moment and he can forget everything.
Fuck, he's wrong.
Your lips sear into his skin when they press to his throat. Your hands are pressed to his chest and he knows you feel the breath he sucks in, praying that you interpret it as mere nerves. His skin is tingling when you lean in closer, lips lingering over his throat just close enough to tantalize him.
"You sure?" Your breath ghosts over his skin and fuck, all those walls he's built up are crumbling. Vilkas spirals from the threat of your mouth on his skin, entire body suddenly alive.
"Get it over with." His words are missing their usual venom. Excitement colors his cheeks as anticipation chokes out whatever quip he tries to make, mind going blank when you bite him.
Sharp and quick, Vilkas feels your fangs sink into the sensitive skin of his throat. He'd worried about the pain or discomfort but he hadn't prepared for this - the shameful, all consuming arousal flooding his brain. Fists clenched at his sides he swears to withstand this without making a scene.
Vilkas fights to tame his mind, though each slight shift of your body against him leaves him wishing once more. The feeling of you relaxing into him, fingers curling into his shirt and lips resting easily against his throat, it takes time to curb the need to touch you. This is a necessity, an offer to keep you alive. Nothing more.
He will get through this. He repeats those words to himself over and over, gritting his teeth and forcing his body to remain rigid against the bed. It is for survival. It means nothing. He will remain calm. He will not make a fool of himself.
It takes all of his willpower to disregard the little fucking noise you make as his blood flows over your tongue - the soft sigh of contentment. His jaw aches from holding back the filthy sounds your touch summons, even the hint of pain feels good because it's you.
Vilkas isn't ready for your tongue to run over his throat. It's quick - the sensation of your fangs slipping from his skin and tongue skimming over the little marks but it's enough to wreck his self control. Some needy little sound rumbles through his chest and he's grabbing for you, dizzy from the loss of blood and drunk on your touch.
"Sorry, did I hurt you?"
Vilkas gazes up at you, completely speechless at how beautiful you look. Loose hair falls in pretty strands over your worried eyes, cheeks fuller and more flushed after feeding on him. And oh, the way your parted lips are smeared with the bright red of his blood - he can't look away. Vilkas watches numbly as his hand raises to your cheek, thumb swiping at the stain on your soft lips.
"No." He mumbles, distracted only by a tickling on his neck. He watches your eyes dart to where you'd bitten him and instinctively Vilkas arches his chin back, pleading with you for one more touch.
Fuck, your tongue traces up his throat once more and Vilkas sees stars. His need for you consumes every thought, each nerve in his body alight in a way he'd never felt before when you press a little kiss to his wound. Some desperate sound claws up his throat and Vilkas can't clamp down on it anymore. He needs you.
"You should rest." You instruct, tugging a blanket around his body. Vilkas wants to thank you or curse you for breaking down his walls but his mind is shamefully empty. He gazes up at you, one hand closing around your hip in a silent request for you to stay.
Thankfully, you remain at his side. Vilkas' eyes drift closed once he feels you curl into his chest, whispered thanks and apologies occasionally floating to his ears. He doesn't say a word, too focused on the feeling of your finger tracing little circles around the mark you've left on his throat.
He hopes it leaves a scar.
88 notes · View notes
heartthrobin · 2 years ago
Text
my bleeding dream, my shadow in the night
jake lockley x female!reader
wc: 9.5k
warnings: mutual pining, enemies to lovers (kinda?), angst, jake lockley is emotionally constipated, there is heavy steven / marc x reader but mostly jake centred, description of wounds and stitching them up, blood, a couple references to sex, there is a dog (i see him as a leonburger btw), jake still works for khonshu, post mk s1, heavy handed on the spanish fight me
an: hey loves !!! sorry it took so long, but here you go. obvs this is my interpretation of jake cause we don't see much of him in mk :// remember to comment and repost to support your fav writers
summary: you were convinced, no: you were sure, that Jake Lockley couldn't stand the sight of you. then why was he consistently banging at your door in the middle of the night, dripping in blood and begging to be stitched up?
Mouse was noisy.
You really wished he wouldn't be.
He was a big boy, the largest puppy you'd ever seen when you'd picked him up from the shelter. Tall enough now to sit straight up at your kitchen table and swipe leftovers off the middle shelf in the fridge when left unattended.
Despite his monstrous presence, Mouse yipped and whined like a teacup terrier.
It wasn't too bad most days. You were more than welcome to lug his eighty kilogram bum with you to the veterinary clinic where you worked, which you did, but it was the weekends that were tough on him.
When he'd be left alone in the flat.
Mouse would whimper at the door all the hours you were gone, whine until he heard you shuffling back up the corridor after a couple drinks with friends or between all the mostly horrible dates with monotonous men you subjected yourself to.
You couldn't call him a nuisance - he was your baby, you could never - but the guilt picked at you. You wondered most of all if he bothered your neighbours.
There was a sign up in the elevator: no pets allowed in the building! which you avoided eye contact with on a daily basis.
It wasn't all bad, Mouse's noisiness.
After all, it was his dramatics that brought Steven Grant to your door in the first place a Sunday night somewhere deep into April.
Steven had knocked so lightly, so politely on your door.
You'd opened it just slightly, enough to hide the furry mountain who was hovering curiously behind your figure. Who's there? Who's there?
He'd stumbled out a greeting, introduced himself as your neighbour. Two doors down.
You were long lost in the confusion of how you'd never realised that the most handsome man you'd ever laid eyes on was living less than a few feet from your front door, when he mentioned Mouse.
Not by name, exactly, but rather asked if "the dog" was alright. That he'd heard whining into the early hours of that morning.
That morning when you'd been in a bar two streets up from the apartment building listening to a man tell you about why Bitcoin was the "future of finance". God.
Dread had drained your face of colour, you remember how you'd tripped over your apologies, and begged him not to mention it to the landlord.
Steven's face reflected your panic. He assured you that everything was fine, he was just worried that something had happened. He apologised about as much as you had.
You invited him in that night, let Mouse sniff around the edges of his pants.
Mouse had sat with his bear-sized head in Steven's lap the rest of the afternoon when you'd poured them tea. Steven chuckled nervously: you figured that he hadn't anticipated the size of the dog when he'd come to make his welfare check.
From that day, things rumbled into a colourful blur of neighbourly dues to genial friendship to ... god, you didn't even know anymore.
Stops in the corridors became twenty minutes for tea which morphed into "I cooked too much pasta, care for a plate?" and then three hours over your kitchen table.
Steven, you found, was cheeky and endearing, and shy in all the right places.
He talked more than he listened and you would warm yourself happily with the sound of his voice for hours before he'd stutter out a "I'm so rude, I didn't even ask how was your--", and then you'd give a little too.
There were books he put you on, mostly about Ancient Egypt, but others were poetry or mysteries or biographies. He'd invite you for tea in his flat, poke and prod you on your thoughts on the book while Mouse sat quietly invested in watching Gus and Gil float up and down the tank for hours.
You met Marc eventually.
He was soft in different ways to Steven, eyes wearier than his counterpart's. Marc was hesitant, following slowly when Steven tugged him out into the light of your eyes.
You worked on him gently, steadily. Brought him baked goods when you'd made, walked out with him some mornings to work and offered to stop with him for a coffee.
More than that, none of the boys took to Mouse more than Marc.
It was something about the military in him, you thought, that brought Marc around to bury his hands into the spaces behind the dog's ears. Coo at him and fish pieces of jerky out his pocket just so long as Mouse sat draped over his lap the whole time.
It rolled into walks with you on the weekends, when you'd need to sneak Mouse out the building, and then dinner on the way home.
The ebb and flow of it was sweet, and slow, and you sunk into the boys' presence like a cat bathing in sunlight.
Jake came later. Later, in the early days of July when the tendrils of Summer had sunk themselves deep into the heart of London.
He wasn't like Marc, not skittish. Neither welcoming nor open to your meddling, he seemed distinctly above it. Above you.
There was an explicit distinction between him and the other boys, maybe just to you.
Jake avoided your eyes and your conversation. He kept up with his alters' wishes but entertained you no further.
You'd heard about him long before you'd met him. A rainy afternoon, chasing down the foyer of the building with a "hold the elevator!"
His eyes found yours and you beamed at catching Steven or Marc before heading up.
"Hey--" you watched his eyes turn you over.
Jake didn't slouch like Steven, nor was he taut and tense in the shoulders like Marc. He stood with an ease about him, his head tilted down under the flat cap that worked to shield his eyes.
He greeted curtly, a definite East coast twang to his speech.
"You must be Jake." You said plainly, finding no other way around it.
The man's brow tightened, "Sure."
There came a realisation to his expression, twisting up again. "You must be the doll from down the corridor."
The elevator dinged and the doors slid open. Neither of you moved.
"Uh ... I suppose so."
Jake nodded, moving without another word down towards his door. Your feet tripped over themselves to follow him.
Jingling keys broke the quiet of the corridor and his door creaked open.
"It was nice meeting--"
It closed with a thump.
"... you."
Your interactions with the third member of the system were spread out, bumps here and there. No more than a few words.
Steven worried about him, about Jake.
Him and Marc had told you about Khonshu, about the Moonknight, in the darkness of a Thursday night following a few glasses of whisky.
"But ..." the glass teetered over the wooden table where Marc was twirling it round. "He's gone now, right? I-I mean, you're done, aren't you?"
Marc's eyes flickered up just once.
"Yeah, yeah ..." he nodded, words blurred around the edges with alcohol. "Just some days ... I ... I don't know."
"You don't know?"
His eyes flickered.
"Yeah, love. We just worry about Jake some days, he comes home with bruises and stuff--" Steven.
His expression twisted again, this time almost painfully.
"Nothing to worry about." Marc had returned, clearly intent on shutting Steven up. He took a long slug of the brown remnants in his glass. "You still got any of that cake from yesterday?"
And so it passed that way, for weeks.
Jake was a ghost that haunted the corridors between awkward elevator interactions or sometimes when he'd pop into the middle of you and Steven's documentary movie nights.
It stayed that way for a long while, until the visits began.
The landlord arranged a check-in once a month, just to ensure that nothing was broken, that you were keeping the place clean, that you weren't hiding one of the hounds of Baskerville in your flat. Things of that sort.
Steven had graciously offered to let Mouse come stare at his fish tank for a few hours until the check-in was over.
You lingered at his door and knocked twice, eyes flickering nervously up and down the corridor for signs of any other tenants creeping out their own flats.
The door opened and with one glance over his figure, you knew it wasn't Steven.
"Jake?"
He squinted at you, clad in pajamas and looking you up and down affronted as if it wasn't already three o' clock in the afternoon. It was clear that he'd just woken up.
"Yeah?"
His hair was tousled in a way that was making your stomach churn. God, surely there were laws in place to stop men from looking this handsome in the middle of broad fucking daylight?
"Sorry to bother," your hand tightened around Mouse's leash where he was inching forward to lick at Jakes exposed ankles. "Steven said I could leave Mouse here for a couple hours while the landlord comes to check my place?"
Jake's eyes dropped to the dog, as if he was noticing him for the first time. He nodded, pulling the door further open for him to slip past.
You smiled softly, feeling the awkwardness crowd over your face and redden your cheeks. "Thanks, I-I really appreciate it."
He nodded again. "Yeah, no problem."
When you collected Mouse later that night, Marc opened the door with the dog merry under his palm and Jake was foggy memory.
That was the first night.
The street outside had already dimmed to a soft whir of taxis and buses when you'd slipped off into bed. Mouse was taking up most of the space, as he did most nights, and you'd passed out before the blinking light on your bedside clock had even hit midnight.
It was thunderous, the knock, when it came. It jostled you from sleep with the immediate panic that the door was being broken down.
Mouse was scratching at the base of the door before you'd even sat up, adrenaline pumping through your system. The clock flashed four thirty-seven.
"What the fuck ..." your bare legs kicked off the sheets, stumbling towards the door.
In hindsight, maybe checking the peephole would have been wise, but you threw open the door in oversight.
Leaning, head down and panting, against the wooden frame stood the figure of your neighbour.
"Jake?"
The jacket with the fur lining, the cap crumpled in his fist. It had to be him.
"What are you ..." Your eyes found the side of his waist, white shirt blossoming with a crimson stain.
Jake looked up with wide black eyes. Even in the darkness, they curled with remorse.
"Listen, I'm sorry, I just--"
"Get inside," your hand reached for his arm, helping him off the doorframe and guiding him to crash down into the nearest chair at your kitchen table.
He seethed, head leaning back over the seat. "Fuck ..."
Your knees found the wooden floor, hands creeping up his legs towards his shirt. "Can I?"
He nodded.
Cold hands crumpled up the edges of the once white t-shirt and you lifted it up against his chest. A deep gash was reaching from his armpit towards his hips.
You drew a shaky breath, "Jake, you need to go to the hospital--"
"No." His voice was stern. "No hospitals, I can't ... they can't know."
Realisation was dawning on your reeling mind.
"This has to do with Khonshu. Doesn't it?"
Jake's gaze burnt into yours, but he made no move to answer. It was the response you'd expected.
You sighed, running a hand back over your hair. "I ... I don't know what you want me to do?"
Mouse was sniffing curiously at Jake, sensing where the tension was building.
"You're a doc, aren't you?"
"For animals!"
He shrugged, "I'm as close as you're gonna get, muñeca."
Sucking in another deep breath, you glanced back at the wound. The dim light in the kitchen worked to hide where you were sure other cuts and bruises were forming over his torso.
The thought of Steven and Marc occurred to you. When they would wake up tomorrow morning in a hospital bed, panicked.
You nodded eventually.
"Fine." It was barely a whisper. "Give ... give me a second."
There was a small set-up in the cupboard beneath your sink, the basics you'd need to stitch him up.
He made no other comment in your movement to the bathroom and back. You placed the box onto the table noisily.
"You need to get up on the counter," you said, flipping the light on in the corner of the room. "I can't work kneeling down like this."
With a grunt that made your cheeks warm, Jake rose from the chair and hauled himself up onto your kitchen counter, knocking your toaster back against the wall loudly.
"Lose the shirt." You said it without meeting his eyes.
When his jacket and shirt had been tossed back against the table behind you, you neared him again: letting your fingers graze softly around the wound. You worked hard to ignore the sharp inhale he made at your touch, or the goosebumps that rose around your hand.
He was watching you with heavy eyes, you glanced up to meet them and if you didn't know better, might have said that they twinkled with a shine of endearment.
"I don't have any anaesthetic," you whispered, sure he could hear you at the close proximity you now found yourself with him. "You'll feel everything."
"He tenido peores."
I've had worse.
You considered him for a moment, before reaching behind his head for the knob on the cupboard: swinging it open.
Behind some coffee mugs was the last of a bottle of vodka you'd gotten for your birthday. Not a lot, but maybe enough.
You handed it to him and he took it without question, spinning off the lid. He took three big gulps, face twisting as he sat it down.
Picking it up before his hand had even left it, you took two similar sips to wash down the panic rising in your throat.
When you found his face again, a smile had curled into his lips. Like he was on the verge of a laugh.
"Oh no," you set it down, "Don't go starting to like me now right before I have you put your life in my hands."
The objects from your little medicine box clattered out onto the counter beside him, you pretended not to notice where his face curled up in confusion.
"What makes you think I didn't like you before?"
You huffed. "Jake, please."
It seemed he didn't have an answer. Silence grew stale between your figures as you sanitised the utensils and your hands.
You drenched a bandage in alcohol, giving Jake a sympathetic look before pressing it over the wound.
He seethed at the pain, but not enough that you worried. You wiped it down as gently as you could manage, resting your other hand on his shoulder.
When the dried blood had been cleared and only fresh blood was leaking out did you reach for the needle.
"You ready?" You whispered, voice trembling.
He shrugged, "Are you?"
Mouse nudged at your leg, whining lowly. You ignored him and nodded.
Your fingers pushed at the skin, nudging them together where you pierced the needle and Jake let out a jolt.
The needle wove in and out, your fingers stained in blood against where Jake was groaning. He'd reached for the bottle of vodka again, guzzling down sip after sip: the rim of the bottle working to quieten his moans of pain.
Your eyes flickered up between the wound and his face, his face twisted and his chest reeling with heavy pants.
"I'm sorry," your words wobbled, the vision of the wound growing blurry behind gathering tears. "I'm sorry, I'm so..."
A hand found your jaw, pulling you back up into Jake's line of sight. The grip was warm.
"Hey, hey ..." his other hand released the neck of the bottle, swiping a calloused thumb over your cheek where a tear had run down. "You've done this before, I'm just like a ... a big dog. Just not as hairy."
You nodded, ragged breaths escaping you. "Yeah. Yeah, okay."
His hand stayed over your face and you hoped it would linger for a little longer.
It moved, returning to the safety of the last swigs of vodka.
Your hand came to find the needle again, working it into his side to finish out the last few stitches. He was making more of an effort to stifle his groans, you could tell.
When you finished, you patted it with alcohol again before setting everything down against the counter. You wiped your hands, watching down as you stained the kitchen cloth with blood.
Jake investigated the wound site, hunched carefully over. "It looks good. You did a good job."
You handed him a roll of fresh bandages, ignoring his needless compliment. "It needs a fresh wrap every time you shower ... and put some antibiotic ointment on if you have. If you don't have, go buy."
He slipped gently off the edge of the counter, you took a seat at your kitchen table: sucking in hard breaths and avoiding his face.
The jacket and shirt slid off the table, he pressed them against his chest.
"Thank you."
You nodded, still not looking at him. "You need sleep, Jake."
But he lingered, made no move towards the door. The quiet stretched long enough to where your head came back up to find him.
His fist was curling and uncurling at his side, lips pursed.
"What is it?"
Jake's brow softened. "Please don't .... don't tell Steven or Marc that I was here."
You stared at him, affronted. "I think that's the least of your worries, Jake. If I were you, I'd worry about how you're gonna explain the twenty stitches in your side."
"You'd think." He shrugged, an air of charisma to his tone that you were realising was characteristic of him. "They'd freak those two, if they knew I woke you up in the middle of the night for this. For anything, actually."
"Meaning?"
He huffed, tugging the blood-wet shirt over his frame carefully. You avoided where your eyes were desperate to follow the trail of black hairs down over his stomach.
"You're a smart woman, princesa. Playing dumb doesn't suit you." Jake tightened the jacket to his side. "You've got those two wrapped around your pretty little finger."
The implication made your cheeks flush. Made you itch under your skin with his remarks, with how little care he tossed them at you.
"Right. So that's why you don't like me, is it? Cause I care about Marc and Steven?"
He shook his head in place of answering.
"I'm gonna go." Jake's feet shuffled backwards.
The door clicked behind him and Mouse whimpered at his absence.
-
In the weeks following that night, days dissolved into a technicolour blur of work and sleep.
Things had picked up at the clinic: you were tied down by late night surgeries and early morning consults.
You didn't see Jake once in that time.
Steven invited you around in the few moments you were home when you had them, with the pot boiling, offering a store-bought muffin warmed on a plate and good intentions.
Even Marc had stopped past your work, a coffee in hand and a smile lit between blushing cheeks. It was the one you liked from the place around the corner.
But Jake remained a foggy memory and as they days passed, you were growing more and more sure that his visit had only occurred in a dream.
That was until he came again.
Another knock, another confused shuffle through the darkness towards the door.
The light from the hallway framed a halo over his head, throwing a shadow over where you knew a cheeky grin was forming. "Princesa."
You drew the door back, rubbing the sleepy buzz from the corners of your eyes. Too tired to indulge him with argument, you motioned for him to pass into your flat.
He limped past your frame, hand kissing his bloody shoulder.
"On the counter, Lockley." You mumbled around the sleeve of your pajamas.
Jake lifted himself with his left arm, groaning where he slid onto the surface. He reached into the cupboard, bumping past mugs to where you'd stashed the bottle of vodka. There was hardly two sips left in it and he cleaned them out before you'd even returned.
Mouse was watching the action from a spot on the couch.
When you'd set the kit onto the space beside him, his shirt was already pulled to the side: revealing two stab wounds up his right shoulder.
You made no move to lift your arms from your sides, instead your eyes traced the wound where blood was leaking steadily out.
"I thought there was a suit? Steven says it used to heals wounds."
Jake's gaze hadn't left your face since he'd sat down. He shook his head.
"I don't wear it, the suit." He said simply.
You said nothing else, instead moving to wash your hands and wipe down the needle, attaching some thread to the end of it.
Silence rung in the space. You could tell by his fidgeting that it bothered Jake, but still, he made no move to talk.
Your hands, cool from the water, ran up over his arm and pressed gently into the skin surrounding the cuts. He sighed and you pretended that the sound didn't eat you up from the inside, pretend that you weren't thinking about how it would sound muffled against your own mouth.
The needle pierced his skin without warning and he jerked against your hand before apologising quietly.
Compared to his last visit, these cuts were deeper rather than wide: like the perpetrator only managed a nick before Jake threw himself back. It would only need five or six stitches and you sewed them in gently, but this time, insensitive to his twitching and squirming.
Annoyance flared beneath your skin. He doesn't show his face once in the time since he last appeared at your door, but here he was again: offering his wounds like a struck puppy.
"You know I could lose my license for this." You say it quietly, more of a comment than a question.
He observed you from under thick black lashes. "Why're you doing it then?"
There hung a pause where you grappled for answers. Different combinations of words fought to leave your mouth - all of them reaching out from your bruised heart.
"Because Marc and Steven are in there." You settle on. "And if I left it to you, all three of you would die of sepsis."
Something akin to hurt flashes across his face, but it's hard to tell through the darkness and easy to chalk up to the needle dipping in and out of his skin.
"Good to know you worry about me, too, muñeca."
You wipe the now stitched wound unceremoniously, not even admitting to the end of the procedure and definitely not addressing the fact that you do worry. That since his last visit, you worry about him every fucking night before you sleep. But he doesn't need to know that.
"Let me see your side." You motion over his shirt where you'd stitched him up less than a month before.
Jake lifted the shirt tentatively. You were met with the pink stretched scar down his abdomen.
"Who took out the stitches?"
His abdomen rippled where he shifted. "I'm sure you can guess."
The image of Steven poking around between dried stitches and gagging dramatically made a chuckle rise up in your throat. "Marc."
"Yeah."
"What did they say? About the scar?"
Jake's hand brushed along where your forearm rested at the counter, but - not for the first time - drenched your question in silence.
Irritation picked at you again. You pulled your arm out from under his touch. "Whatever, Jake. Keep your fucking secrets."
Before you'd even been allowed the chance to storm back to your room, he caught your arm: slinging you back against the counter.
Your breath caught on the back of your teeth when his forehead pressed against yours.
It was warm and sticky with sweat.
"I'm sorry," he whispered, his nose pressing against the side of your own. "I'm sorry, don't be angry at me princesa. Please?"
His eyes were so intoxicating this close. You unstuck your face from his, far enough to wash him with your gaze but close enough to still feel the puffs of warm pants across your jaw.
You pressed some hair up out of his face, letting your fingers venture softly through its brambly depths.
"I'm ... I'm not." His forehead was salty where you pushed a kiss there. "Go to bed, Jake."
You'd already disappeared under the comfort of your duvet when your neighbour's footsteps faded out into the hallway.
-
Steven and Marc had taken to asking you about Jake. More than they ever had and far beyond what was necessary.
It peaked suspicion in you.
"No, I've barely seen him." You'd shrugged. Not completely untrue in your words, but not letting on what you knew you could. "Why's that?"
Steven would shake it off. "Nothing, just wondering."
Marc's responses were laced in a little more candour. "He's been asking about you. Talking about you."
"What's he say?" You pretend it's unimportant, like you're not burning to know.
Marc raised his shoulders. A part of you knew that Jake had to be imploring him, insisting he abandon it. Leave him alone, and you alone, and you and him alone.
It was a matter your mind twisted over: did they know? know about Jake and Khonshu and your medical handiwork? -- until it wasn't.
Steven asked you out on a Monday night outside your flat door.
He'd stuttered and stumbled through: "I'd like to take you to dinner."
"Sure, that sounds great Stevie--"
"No, like ... like a date. I'd like to take you to dinner. On a date, i-if you want to."
You'd paused, delight crawling up over your face and manifesting into two cherry red cheeks. "I'd love that."
That Friday after work, you sat across Steven at a tiny round table in a dress you'd not had opportunity to wear in ages.
It was at a pizza place up the road where a single candle lit the space between you, like it did in the movies, and a bouquet of white roses sat in the open chair with your purse. Steven had bought them for you.
You noticed his eyes flicker back in intervals when you spoke, but pretended you didn't.
He was attentive and funny, like he was most every time you saw him, but this time seemed more nervous at it. Your hands curled around his across the red tablecloth and he smiled over words when you brushed a forefinger over his own.
The night ended with a takeaway pizza box interrupting the space where you pushed against his chest, taking his jaw gently into your hand and kissing him sweeter than you'd offered a man before.
It was barely Monday morning when Jake came again. Hardly a week since his last visit.
He hung at your doorframe, fist hovering over the wood.
His head was throbbing something terrible and he could feel where blood was trickling between the tendrils of hair down past his left ear.
A part of him wished he could feel an ounce of shame for it, for creeping out into the night in search of a fight. In search of a reason to end up back at your door.
He didn't.
The knock scraped his knuckles and echoed down the hallway past the other flat.
Jake waited for it. The sniff of the dog at the door, then the sleepy shuffle of feet over wooden floorboards.
It played into the space like his favourite song. The door clicked open, spreading to reveal your figure against the light from the street beyond the window.
The image was burnt into his mind the first time he'd seen it, playing like a video on loop until the next moment that he was blessed with the sight again.
Your sleeping shorts rumpled up against the top of your thigh, sleeves reaching down to your fingertips and a stretch of stomach peeking up at him. So soft, so domestic - he wanted to squeeze you between his calloused palms and press you against him until your forms fuzed.
Instead he settled, like he's done before, with a "princesa" and a finger motioning to wherever he let a deadbeat land a punch or a swipe of a blade on his body.
Tonight, he was dripping all over your doormat. The sky lit up the flat behind you with a crack of lightning, followed with a rumbling that could just have easily grown from the back of your throat as it did from the sky.
Jake felt your eyes, felt it's warmth over his neck where the trail of blood was leading down like the Nile.
"Have you ever thought of coming to visit me when you're not fresh off the bad end of a beating?"
I never stop.
"You gonna patch me up or not, doc?"
He found his usual spot, up on the counter. You disappeared, like you did each time. The dog rested a friendly head on his lap and Jake offered him a pat.
You'd bought a new bottle of vodka, he found it behind the mugs just as he did the time before. He wondered for a moment if you'd gotten it specifically for him.
Cool hands found the base of his neck. This was always his favourite part, when he'd get a taste of your touch against his begging, desperate skin.
And as much as this was his immediate reason for coming, your skin lingered further in his mind: a memory that didn't belong to him. It had kept him up for days.
You were working quietly, like you'd done before and the time before that.
"So." He broke the crisp air that had settled around you two. "Steven asked you out?"
Your eyes flickered up from where you were patting an antiseptic drenched cotton ball at the bump on the side of his head between his hair. The smell was reminding him of the last time you'd pinned him against this counter.
Why're you doing it then?
Because Marc and Steven are in there.
They were words that punctured a new wound into his gut every time he thought on it.
"What's it to ya, Lockley?"
Your hands went back to work, unconcerned for his question.
He shrugged like he didn't care. Like he hadn't scratched violent tears into the sides of his shared brain for a fraction of a sight of you that night: in the prettiest green sundress he'd ever seen and looking like heaven on a plate.
Satisfied with just that, he'd slunk back into the shadows again.
Steven deserved the moment to himself. Deserved you to himself.
It didn't mean that Jake was any less jealous. Any less ripped apart by your place in their life, the place he could never make for you in his own.
"He took you to Lorenzo's, right?"
You hummed, not looking at him.
Jake shrugged noncommittally. "I mean ... everyone knows that the pizza at De Luca's is better. The wine too, but whatever, I guess."
A nail raked gently over a spot behind the cut and Jake tried - failed - not to shiver at it.
"Isn't that place run by the mafia?" Curiosity weaved through your tone.
Jake hummed, "That's what makes it the best."
You laughed softly at that, just barely under your breath, and it made the pit in the base of his stomach warm. He could grow drunk on the sound.
He noticed the red vase on your kitchen table, white roses peaking out the top and watching him merrily.
"And white roses?"
"I like them, Jake." you dug a finger into soft spot against the side of his neck, no doubt on purpose. He jerked against it. "Steven put in a lot of effort."
It struck a funny chord in him, listening to you defend his alter.
"You'd prefer carnations though, wouldn't you? You said they're your favourite."
"Not to you, I didn't."
Sure, you hadn't. You'd mentioned it to Marc one afternoon stroll past the new florist that had opened up around the corner, but that didn't mean he hadn't heard. Didn't remember.
He leaned closer to your face, watching how your eyes flew up from wiping the blood down his neck.
"You forget ..." He whispered, tapping a finger against his temple. "I'm always here, muñeca."
You stepped back and out of his space, tossing the bloody tissue into the bin.
"Well, if it bothers you so much ... you're welcome to take your complaints up with Steven when you see him. Alright?"
"You kissed him."
That made you stop. Made your hands freeze over the kitchen cloth you'd been using to wipe his blood from your fingertips. Another line of lightning cracked beyond the window loudly.
Your eyes moved slowly between resting on his knee and taking sips of his own gaze. There was a sliver of moonlight grazing over your cheek, Jake was sure it was Khonshu taunting him.
"Is that the only place you were bleeding?" You deflected his question with another.
Jake watched you with desperate eyes. He didn't know what he wanted, he just knew that he wanted all of it. All of you. It's heat dissolved when he looked down to his boots. Sticky drying blood smudged over the toe.
"Yeah. Tha's all."
He was surprised when a warm palm closed over his cheek. Droplets of water chased down from the edges of his hair over the back of your hand.
The hand was gone before he'd even a chance to acknowledge it.
"You could have a concussion, Jake." You perched yourself at the edge of your kitchen table across from him. "I think you should go shower and put on warm clothes and come back ... so I can watch you for a bit. Okay?"
As tempting as the offer was, and it did tempt him something terrible, he nudged himself off the counter shaking his head. "No. I should go."
"Jake." Your voice was stern. "Just ... please. I want to make sure that you're okay."
"That I'm okay, or that the others are okay?"
You swallowed. "That you're okay."
His chest inflated and deflated loudly against the hum of the rain at the window. Was it a crime to want more than just a few blood and pain filled moments under the solace of your hand?
"You have work in the morning."
A simple huff escaped you, akin to a chuckle. "Never stopped you before."
He flashed you an annoyed look that held absolutely no substance. His hands itched for yours.
"I'm not gonna go change."
"But you're wet."
"A little rain never killed anybody."
"Does someone pay you to be difficult, hm? A little something on the side?"
You grinned, proud of your little jab at him and he could melt under it's sticky sweetness.
"Shut up." He mumbled.
You sighed and he followed you without instruction towards the couch where you fell back against it. He sat more civilly down beside you - purposeful in the space he left between your thighs.
"You wanna watch something?" You ask quietly.
He shakes his head. No. You nod. Fine.
The fabric was growing damp under his wet jeans, Jake could feel the cold creeping up his legs. The dog was snoring loudly from a spot on the carpet.
"Where did you find this giant dog--?"
"Why do you only talk to me when something's wrong?"
Jake's eyes flew to you, but your gaze remained steadfast on a dark corner of the book shelf across the room.
"I found him at the shelter. Named him Mouse, thought it would be funny ... cause mice are small. And ... he's so big." Your voice was only barely more than a whisper, meandering between words like you didn't know where the sentence was going. "Your turn."
He ran a hand down the jean over his thigh, adjusting in his wet seat. Honesty choked him with the way it was clawing it's way up his throat. You make me nervous and I'm too scared of how much I care for you to face you in the light of day.
A hard swallow washed that confession back down from whence it came. You still weren't looking at him.
"I like it when it's just us." He mumbled instead. A half admission.
You sniffled like you might be crying. Jake was too scared to look.
"It could be just us during the day sometimes too, you know."
There was nowhere left to look for answer, so he didn't bother. Instead, he reached tentatively across the space where your hand was curling on itself at your side.
He pressed his palm against yours and it uncurled, fingers drawing around his like they knew all the curves and dips and callouses there. You shifted so your head pressed into the side of his arm, it stayed there.
Nothing else was said. Not for the rest of the night.
A long quiet hour had drifted past when Jake realised that you'd fallen asleep. Soft, predictable breaths were drawing in and out from your nose.
He shifted to look down at your face, a movement that jostled you off of him and he almost mourned the loss when you curled instead onto the plush of his lap: arms twisted up against your chest.
It took a long moment of convincing to lift his hand from his side: letting it brush along your hairline, tucking back pieces that fanned over your forehead.
His fingertips trailed down over your face, brushing along the bridge of your nose - he watched where it scrunched up and twisted, feeling his heart melt stickily over his ribs - and softly over puffy lips.
He thought again about how you'd kissed Steven.
Jake knew because Steven had told him, voice breathless and heart thumping against his chest just moments after he'd shut the door on you. Marc was proud, Jake was too - but it burnt where it lingered.
Marc would no doubt get there with you too, ask you on another date and have his moments with you. Have something to tend to, to grow, and he knew it because he saw how you looked at them.
That endearment that he knew he could have too if only he just--
He blinked the thought away.
There was danger in allowing himself to love you, far too much to consider it. A weakness that one of Khonshu's adversaries could surely exploit. 
Sure, Steven and Marc could bask in your warmth. Taste the sweet fruit of your intelligence and kindness, wrap themselves around your heart.
But not him.
It’s what kept him so far, you at arm's length. 
Only in the moments where pain and adrenaline blinded him to sense could he offer himself pathetically at your door in the dark of hot London nights. 
You twitched against him.
"I'll come for you one day, muñeca." He whispered for nobody but himself to hear. "Te lo prometo."
I promise.
-
Life fell into a sweet sway after that, it curled around the edges with the warmth of finding home in a person.
You drifted between work and the comfort Steven's presence.
It took three more dates and a shy kiss along a bridge over the Thames before he asked you to be his girlfriend and your heart swelled three sizes at the look on his face when you agreed.
Many weeks passed that way: Saturday mornings were warm despite the creeping winter where you found the morning light between the crack in Steven's arm over your waist.
Marc was around almost as much as Steven.
He'd asked you to the ice-rink in the days after Steven and you had become official. He wouldn't have asked if Steven hadn't thought it fine so you smiled and accepted his offer too.
You'd promised and delivered on the fact that you couldn't skate. Marc spent most of the time catching you moments before hitting the ice and your stomach cramped with laughter. He laughed too, loudly and with a shaking chest pressed against your own. It was the most you'd ever seen him smile.
He'd held you close under the gazebo where you'd bought him a coffee and yourself a tea, his nose brushed against yours almost as nervously as Steven's had. A different kind of nervousness though, more ... tentative. He shivered with it.
His hand slipped into yours, nose against yours but shifting no further than it. Quiet in his plea for permission.
"Steven?" You whispered against him.
Marc's eyes found the puddle below his feet, the hint of a smile teasing at his mouth.
"He's been begging me to ask you out for months, d'ya know that?" He chuckled softly, warm breath drifting over your lips. "Been holding out. Kind of forced him to do it first."
You laughed too, brushing your top lip over his. "You two are ridiculous."
He snorted. "Just wait till you get to know, Jake."
You kissed him.
Marc was confident, leading the kiss where Steven only followed. It was all-consuming, hand at the bend of your throat and sucking oxygen from your lungs until it's absence forced you apart.
You'd already made peace with the fact that maybe Jake was just a ghost. A figure that appeared to you in the night and you'd never see his shining beetle-black eyes in the light of any day.
But as you should have long since made out, Jake had a special talent for surprising you.
He appeared in the five minutes between making eggs and toast that you'd run to the bathroom. Nearing the kitchen: you found Steven leaning against the counter and biting down into a piece of buttered bread, wide back turned to you.
Your face found the centre of his back, nuzzling your cheek against his warmth. Cool from being freshly washed, your hands slipped under the flimsy layer of Steven's pajama shirt and chased up his hot stomach.
"Ay, mierda!" he flinched, but his voice stayed soft and even, "your hands are freezing."
It took a hard second, digesting his exclamation, before your hands withdrew from his chest as if scorched by a hot stove.
"Jake?" Disbelief laced your tone.
He glanced over his shoulder, clearly unconcerned when he nodded, "good toast, this."
That same wave of irritation was crawling over you, the one that found you late when the banging on your door deafened you, but it was numbed by the endearment. The fondness at hearing the lilt of his voice, seeing him so bright in the daylight.
"It wasn't supposed to be for you." You grumbled but the words held no malice.
Jake bumped his shoulder against yours, he shrugged: "Same stomach."
You rolled your eyes.
"But," he sighed, sipping on Steven's mug and making a face, "If you want your darling back so desperately, you could have just said."
"Jake, wait--"
His eyes rolled back and Steven returned, gripping the counter. "Was that Jake?"
He chuckled softly, reaching for the mug Jake had just abandoned. "Sneaky man."
You nodded, sighing quietly. "Yeah ..."
It wasn't the last time. Jake cropped up again and seemed determined to surface in the moments where things were most tender, the most private.
Late one night, your bare chest draped over Marc's. His fingertips drifted up and down your back, and you smiled while he talked.
"Why're you looking at me like that?"
He was grinning though like he already knew, fishing for affection.
You shrugged, pressing closer to him. "Like what?"
"Like that."
"What, like I'm lying against a very handsome man and enjoying his conversation but also thinking a little bit about how I wished he'd kiss me again?" Your nail outlined a little heart over his tanned chest. "I have no idea what you're talking about."
A warm hand moved up your side, finally resting up behind your neck and steering you in the direction of his face.
"What, like this--" His voice crackled out like a television losing signal and his eyes rolled back as they'd done time and time before.
Pupils straightening out again, you knew who it was immediately: that tight, thin line tugging between his brows giving it away.
"Jake, what the hell--!" Your hand grappled for the sheets, ripping it up over your chest to hide your body. You straightened up to sit on the bed.
His eyes widened, hands inching himself backwards. "I ... I didn't know-- perdóname. I'm sorry--"
He was gone again.
It carried on like that, Jake popping in for a few minutes at a time: once at lunch, once when you'd arrived from work, again when you'd fallen asleep against Marc on the couch - you'd awoken to find him there.
Sometimes, he lets you get a question in edgeways: "you gonna stick around, Jake? I'm about to put the pot on?"
"No, no. Just ..." he always looked around like he came for something but he'd forgotten what. "Never mind."
-
Christmas leered in the distance. Almost two months since Steven had asked you to be his, nearly one since Marc asked you to be theirs, and Jake remained the elusive man in the shadows.
There was ten days to New Years when Jake appeared for the fourth time.
You'd long dropped the habit of waiting up for him, having done that in the early times he visited. It was almost enough to put him out your mind, almost enough to pretend you didn't miss him miserably.
The door rumbled against the hinge as it had all the times before. You sat straight up, Mouse was already bounding noisily down the hallway.
Your hand ran up over your face, waiting for the knock to sound again. Maybe you'd dreamt of his return.
But it delivered, and the sound echoed through your flat.
With little concern of the sheets tangling around your ankles, you leapt from the bed and stumbled to where Mouse was scratching at the foot of the door.
The knob rattled under your hand where you threw it open and, as you'd hoped, there stood Jake: illuminated by the starchy yellow light of the building hallway.
"What's wrong?" Your eyes pressed over his figure for another bloody wound or ripped tendon. "Where are you--"
Your eyes could only find one smear of red. Barely more than a trickle edging down from the bridge of his nose. He pointed tiredly up at it.
Jake drank in your figure with his eyes. You'd abandoned the shorts that he loved so much, replaced by winter bottoms: the ends too long and trapped under your heel. A worn jumper hid your hips.
Like all the times before, you moved aside and Jake found himself up on the counter. He'd be surprised if the cut on his nose even bruised come morning, and he hadn't even gotten it in a fair fight. If you didn't consider hitting himself with the cupboard door while looking for a mug a fair fight, that is. But the pain had his eyes stinging with tears and the blood against his fingertips reminded him of you, again, and he'd crushed his tight fist through the cupboard door where it ripped clean off the hinge.
It's what lead him down the corridor, down the six steps separating your door from his.
You reappeared beside him, little first aid kit in hand and your side brushing his knee. When you dug through the box, your calf nudged at his hanging ankle.
The sharp smell of sanitiser made his nostrils itch but warmed his insides. Reminded him where he was, who he was with.
Your hand was gentle where it overtook the stubble of his cheeks. "This is gonna hurt a little, okay?"
Jake nodded, before realising that he still had yet to say a word since entering the flat. "Sí, amor. Está bien."
The cotton was ice cold against his nose and he groaned against it.
“Why are you here?” You wiped the drying blood down his cheek.
He watched you down the bridge of his nose. “Whad’ya mean? I’m all banged up here. Needed the doc to fix me up.”
He couldn’t tell if you appreciated his little sarcastic comment, but you didn’t answer him.
“Oh, you didn’t miss me?” He asked, digging and prodding in the hopes of hearing your teasing voice again.
“I missed you so much it made me sick, Jake.”
It was so quiet, a sentence said half into your chest and Jake thought he might have imagined it.
The words bubbled something inside his chest that was making it hard to breath. Hard to think.
But maybe that’s what made it so easy for his envy to creep up around the lump in his throat and jump out of his mouth.
“Didn't look like it.” His voice didn't come out as strong as he'd hoped it would have. "Got those other two keeping you plenty busy."
Your eyes flew up where to him. They were wide and wet.
"Like I didn't ask you to stay all those times you decided to pop in? Huh?" You pressed, tone crumbling around the edges. "You're the one who jumps in and out as he pleases."
"Not everything is about you, y'know that princesa--" It was a disgusting fat lie and Jake knew it too. Every breath he drew was in your honour, he'd long decided.
"Just answer me, Jake." Your hands trembled. "Just this once, can you give me something more than shrugs and silence. Can you answer me this once?"
He betrayed you with his silence.
"What do you want?" The wetness was collecting at your waterline, shivering like your frame.
Jake shook his head, the threat of your tears was making it hard to focus. "I can't ... I just can't."
"Can't? Can't what?"
"I can't have what I want."
You stepped closer again, hips pressing into his knees where he was still up on the counter. The gap of silence egged him to continue.
"Khonshu ... someone, they'll--" he sighed, hands curling into fists at his side. "I'd be putting you in danger."
Your head shook. "You think I didn't know that when Steven told me? That I'd be in danger?"
"It's not the same. thing"
"It is, Jake, it is!" your hands tightened against his thigh, "Do you forget that you're walking around with the same face? That I'm holding the same hand walking down the street?"
Mouse was peeking up at him from where he'd crammed himself under the kitchen table. He whined miserably.
"So what now?" He asked, not exactly sure what he wanted. "That solves everything?"
You retracted your hand and Jake desperately wished you hadn't.
"You still haven't answered my question." A whisper.
He shook his head, as if his thoughts would come tumbling out his ears at the motion. Frustration willed him off the counter, he huffed like a wild animal and pushed past your still figure towards the door.
His hand hadn't even collided with the doorknob when your voice rung out again.
"Don't come back, Jake."
Your tone was soft, apologetic, but the words hit him like a curled fist to his windpipe. He stopped.
"I ... I used to wait up nights for you. Hoping you'd come by. It's the waiting that'll kill me ... and I can't do it anymore."
Jake's forehead pressed against the wood of the door. He sighed deeply against it. Is this really how it ends?
"I want what they have."
He made out the sharp breath you sucked in. "What?"
His shoes squeaked against the wood where he turned. "I want what they have. I want what Steven and Marc-- I want you."
You seemed suddenly uncomfortable in your body, weight shifting between each leg and hands folding over themselves. "Oh."
It snapped a cord in him and his legs were moving before they'd been commanded, urging himself against you in three long strides.
"I also want to take you out," His voice was course, but pressing gentle words where he nudged his cheek against yours. "To De Luca's because Lorenzo's is shit--"
You giggled wetly under tear kissed lips and it made Jake's knees buckle. His hands found your jaw, face still hiding in your neck.
"-- and I'll bring you carnations or whatever the fuck you want. I want you to make me toast and coffee, too, and I want to come home to you. Let you patch me up like you do, but I want to stay. Want to fall asleep next to you afterwards and not ... not disappear like a coward anymore."
Your hands found his waist, scrunching his shirt into your fists. "Jake, I--"
His own hands slipped down from your face, caging your hips between his wide palms.
"And I wanna make you feel good." His thumbs dug welts into the soft skin there, he pressed a hot kiss against your neck and watched where the skin rose with goosebumps under his mouth. "Fuck, princesa, I could make you feel ... so good."
Hot pants were warming the shell of his left ear.
There was a long moment where nobody moved and nothing was said. Fear was starting to drain him of the courage that had so readily devoured him moments before.
When your hands nudged at his chest, he stepped resentfully back. Your face was twisted into an expression he couldn't place and you motioned him back toward the counter.
"Come on ... I haven't finished patching you up yet."
He slid himself back onto his usual seat. You rustled back in the little first aid box, your hand emerged with a little slip of paper.
"This is my last plaster." You flashed it at him, he made out the little pink poodles and sparkling hearts decorating the glittery little patch. "Is it fine?"
He sighed, pretending as if he cared even at all. "'s fine."
You smiled, the kind of smile that could stop traffic down the Lincoln Tunnel, and pressed the sticky end over the bridge of your nose.
"You not gonna say anything?" He asked quietly.
You chuckled softly, laughter bubbling like you'd been holding it in a while. "Oh, not so nice is it?"
"You're very annoying."
Shrugging, you pressed yourself into the space between his knees. "And yet, you seem pretty in love with me, Jakey."
His face ran hot all over at the allegation.
"Jakey?" he guffawed, his heart thrumming against his ribcage like a rabid dog. "Worse than annoying, I'm afraid, you're absolutely aggravating."
Your face drew closer against his own.
"And you are exhausting. You're worse than a child." But you grinned the whole time, "And you make me want to rip my hair out."
His nose prodded your own. "Well, you--"
"Jake, will you shut the fuck up and just kiss me."
It took all the willpower not to melt off the countertop when your lips met his. They were warm and soft and tasted sweeter than he could have imagined them to.
His hand pulled you all the way against his figure, desperate to swallow you whole. Your breath stuttered over the bow of his lip, parting for a fraction of a moment before pressing hot surging kisses against him again.
"I want that too," words huffed out between wet, red lips. "I want to take care of you, Jake. All the time, until you get desperately sick of me--"
Jake licked into your mouth, aghast at the accusation. "Not ever, mi princesa. Nunca."
Your hot tongue chased over his and he swore he was moments from floating off the counter. Your soft sighs were making his hands more desperate where they brushed over the warm skin of your back.
You pulled back abruptly, eyes wild and lips swollen. Guilt was twisting at your face. "We have to tell Steven and Marc."
Jake shrugged, his pulled you back against him by the sides of your pajama pants and kissed you again.
"Ugh, don't worry about 'em. They already know."
"What do you mean?"
He sighed, "Who do you think told me to come here in the first place?"
A silence divided you, words sinking in when you slapped his chest: plaguing him with a widening grin. "I was worried, you asshole."
"Claro, pero al menos ahora soy tu imbécil."
Sure, but at least now I'm your asshole.
-
comment and repost <3 mwah!
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flippinpancakes64 · 11 months ago
Note
May I request the cullens with a reader who sings?
The Cullens with a Singer! Reader
I interpreted this as either a reader who’s in choir/theater for the highschooler Cullens and someone who does like small gigs for money or smthn for the adult Cullens
Thank you for requesting and I hope you enjoy!
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Edward:
He loves your voice
He is at every single concert or performance
And he obv brings some flowers too
Loves to play the piano while you sing
He thinks you have the most amazing voice ever
Loves when you sing him to “sleep”
He can’t sleep obviously but he never feels more calm than when he’s laying in your bed and you’re singing
Whenever he hears you humming as you do stuff around the house he has to stop and listen
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Alice:
I feel like she’s also probably in choir
And yes she does bully the director into letting you have many solos
And duets with her
She’s already at every concert
But she loves hearing you sing
Genuinely thinks you should go professional
And she might be able to pull a few strings to get you there 😼
She may or may not see a future where you’re on broadway
But that’s for her to know and you to find out
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Jasper:
He absolutely loves it
Singing is calming for you
And so when you sing, he picks up on your calm emotions too
Please hum when you’re cuddling with him
Laying on your back, his head on your chest, your hands in his hair, you humming a tune
If he was human he would be out like a light
He loves going to your performances as well
It’s just magical to him
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Rosalie:
It’s the perfect background noise
She loves when you hum or sing while she’s working on her car
Better than any radio station she could tune into
She’ll hum along with you occasionally
But mostly she just likes to listen to you
She has some ties here and there
And by that I mean she’s scary
So it’s best not to question anything when your choir instructor suddenly gives you a solo
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Emmett:
He hears you humming or singing as you work around the house all the time
He thinks your voice is nice
He is at every concert or performance
And he is in the front row
He always cheers the loudest, no exception
I don't think he would try to push you to make a professional career out of singing
But that's only because he wants to keep your talent for himself :)
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Esme:
You had described your gigs as nothing more than a hobby you like to do from time to time
So when she went to one for the first time she wasn't expecting anything amazing
But now she is convinced that you need to go sing in the super bowl or smthn
She thinks you have the most beautiful voice
Like literally perfect
And she loves listening to you sing while she does stuff around the house
She's your #1 fan
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Carlisle:
When he's working on finishing up some paperwork at home, he can hear you practicing your singing in your shared room
And he loves it
It helps him focus more on his work
He is at every single one of your gigs btw
He likes to go up to you and pretend to be a fan
"You were incredible tonight! Can I have your autograph?"
He genuinely believes that you will be famous one day
And he's so excited for you
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Vampire! Bella:
I get the feeling that she cannot sing at all
She couldn't sing when she was human, she still can't sing now
But she doesn't think anything special of you being in the choir until she goes and watches a performance
She is blown away
You shouldn't be in a highschool choir, you should be on a stage somewhere
And she tells you that
She is your biggest believer
Always tells you how much she loves your voice
And how much she loves you of course
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sanduchengjiu · 2 years ago
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The thing about jc and wwx is that i do not take any other characters interpretations on their relationship seriously, tbh only jyl would have a chance to understand those two and she’s dead by the end of the story so we don’t get her side (regretfully). But no other character in the story (not even chengxian themselves rlly) can understand their relationship without putting some of their own biases in it. Like lwj from his perspective sees jc as a selfish abusive brother but he’s not privy to all the experiences jc and wwx have had, he met them when they were 15ish and was in and out of wwxs life (without jc) until his death. Wn (no offense to him) is clearly only aware of what wwx did for jc, not the other way around. The thing that irks me about the story is that jc doesn’t have riders and shooters like wwx does for many reasons (he’s a bitch) and any person that can vouch for jc is literally gone (see: dead family) or a child (see: Jin ling) so we as the readers are the only ones who get to see their relationship fully since we are not being deceived by anyone and can see the way outside influences as well as internal ones culminate in the relationship between them.
What I’m trying to say is that it’s obv jc’s story ceases to be important in the eyes of the narrative bc mdzs is a romance novel at the end of the day, so for people who enjoyed the back and forth between chengxian (romantic or platonic) were left with an unfulfilling ending where jc also sacrificed something before wwx did so technically there’s nothing left to say. I do enjoy the fact that they ping pong sacrifice back and forth for each other but I can also see that ending their story there just plays into the narrative that their relationship is transactional, that is if you don’t read much into it, which is what most people who read mdzs do. Cuz most people only show up for wangxian which is perfectly fine and what youre supposed to do, I mean that’s what the story is about. But I can definitely see how the opinions that other characters have on chengxian and their whole mess (affectionately) of a story can lead to readers misunderstanding jc or wwx and woobifying one to make the other the innocent party. It’s also very frustrating and we’re allowed to complain about it lol.
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