#tree lined street

[annapolisrose]

Chelsea street.

[vesperalities]

love still as you once loved, deeply and without patience (the gift).

[thedarkermelody]

@aroace-get-out-of-my-face I couldn't stop thinking about fake logo for the Science Time with Dr Pine's so.

[wasyago]

not drawing for others. not drawing for myself either. playing video games. okay? yay

[i2-xmf]

[galleryofart]

View of a Dutch Canal, Possibly the Oude Gracht in Haarlem

Artist: Job Adriaensz Berckheyde (Dutch, 1630-1693)

Date: 1666

Medium: Oil on panel

Collection: The Mauritshuis, The Hague, Netherlands

[sagent-of-chaos]

the subtext of flowers

[metasattva]

Autumn 2024_94 4 seasons in the neighborhood, Japan

[moonbeampixels]

Blood sky tree 🖤🩸

[annapolisrose]

Along the rooftops at dusk.

[2000ghosts]

december 27, 2010

[these-summer-nights-in-december]

Christopher Citro | This Is Today |2025-02-09

[kojiarakiartworks]

December 2003 PDX Portland Oregon U.S.A. 

© KOJI ARAKI Art Works

Daily life and every small thing is the gate to the universe ：）

[malfnction-54]

I don't even know where I was when I took this but I think I was drunk in an uber HAHA. anyways the long exposure was accidental and a result of using iphone live photos

[animaallure]

July 2024

[galleryofart]

The Mall in St. James's Park

Artist: Thomas Gainsborough (British, 1727–1788)

Date: ca. 1783

Medium: Oil on canvas

Collection: The Frick Collection, New York City, NY, United States

Description

St. James’s Park was near Gainsborough’s London residence, Schomberg House, in Pall Mall. The long tree-lined avenue called the Mall, which runs south of St. James’s Palace, was a fashionable place for strolling in the eighteenth century. This composition is unusual among the artist’s later works and recalls, as several contemporary critics remarked, the fêtes galantes of Watteau. The feathery foliage and rhythmic design led one observer to describe the painting as “all aflutter, like a lady's fan.” Another reported that the artist composed the painting partly from dolls and a model of the park.

The large proportion of the canvas devoted to the setting testifies to Gainsborough’s abilities as a landscape painter and to his pioneering interest in the picturesque. Attempts to identify the ladies in the central group as the daughters of George III and the background figure under the tree at right as the artist himself are attractive but unsubstantiated.