#trying to keep safe

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[mycapofmisfortune]

Established!Ghoap who dress each other before missions, putting the tac-vests on the other, tightening up the straps, running hands down each other's front to be certain that nothing is out of place.

Ghost who puts extra pencils in his pockets in case Soap runs out of his own and can't sketch, Ghost who puts snacks he knows Soap likes in his pockets, extra C4 because he knows Soap will run out of it, Ghost who dedicates an entire leg full of pockets for extra medical things because he can't stomach the idea of Soap getting hurt and not being able to treat the wound.

Soap who has started to carry extra knives on him, sharpened just the way Ghost had taught him to. Soap who carries protein bars because he knows Ghost prefers them when they're in a safe house, easy and fast to eat. Soap who always carries extra skull balaclavas with him, one for him in case he needs it and a spare for Ghost.

Ghoap who always say "I love you" before a mission even if they're mad with each other for whatever reason, because if it's the last time they hear it, at least they did.

[crazycatmilo]

We don’t talk enough about how Martin was likely mostly running the institute by himself (cuz Peter probably wasn’t all that helpful, Martin for sure never wants to see a spreadsheet again) while in a depressive episode AND manipulating Peter to make him think he’s on his side. Like holy fuck bro. It pisses me off when people act like he’s dumb because did we listen to the same show??

[toss-a-coin-to-your-stan-account]

i know that when people say "hey we made it through the last four years! we can do it again!" it's usually because they're just trying to tell themselves it'll be fine because they're scared too so I don't want to be a dick about it but like. they didn't have a guy make a fucking nazi salute to a fucking cheering crowd in his inauguration on day fucking one eight fucking years ago. i mean not to damper down the optimism or nothing but. i feel like it's important to point out that it's not just going to be a Repeat of 2016-2020 All Over Again. it's probably going to be more like the Fucking Worst of it that we got in 2020 (or the 2021 Fucking Insurrection) will be the Starting Point for whatever the fuck happens next and we should. idk. plan for that

[just-a-joey]

for swap au... if cOOlkidd is a survivor now how do the other killers treat him??? will they be the same as 7n7 where they just spare him out of morality or do they kill the child

Oh yeah they kill the child. They’re monsters, not villains.

[itsajollyjester]

Thinking about an AU where Lenore Dove DID manage to survive up to seeing Katniss and Peeta and what that would mean and driving myself a little crazy in the process

[technically-human]

After the confession, they still had to run.

[bluerosefox]

Phantomish Rogues

Team Phantom get ripped from their home universe into the DCverse. With no money or real ID's in this world. Now thats a problem.

Another big problem is that Danny is badly injured and his core kinda put him into a deep cryo sleep. He needs to rest and gather ectoplasm.

Bigger problem Team Phantom have no clue how to get home because they don't know how to decode the Fenton Portal blue-prints, not even Jazz who at the time didn't pay attention to her parents portal work anymore by the time they finished it. The only one who does have an idea is Danny!

Biggest problem, they landed in a place called Gotham that seems to be overrun with actual villains and heroes? (vigilantes). And for some odd reason many of them seem to find them no matter where the Team goes to hide.

Until they can get their hands on a safe space, tech, and money, Team Phantom might have to go a bit Rogue/Villainous if they wanna keep Danny safe until he wakes up.

[starry-bi-sky]

im dedicating this to @detectivedarling. i felt inspired after seeing their little ficlet yesterday sadhjfl 🫶

-

Danny's grip on his cane tightens.

"What—"

His voice cracks. He stops, clears it, then tries again in spite of the nausea twisting in his gut. "What are — you, uh, watching, Bruce?" He sounds horribly far away.

Bruce doesn't look at him, his attention laser-focused on the screen. Which is— fine. It's usually not a problem, Bruce gets like that when he hyper-focuses on a case, and unless it's urgent — or he's been at it for hours — Danny sees no need to pull him away from it. He likes the quiet camaraderie they have, it's companionable and unique to the two of them.

He wishes he was right now though. Looking at him, that is.

That way he wasn't watching what was clearly one of Danny's ghost fights. One of the nastier ones, if the collateral damage and rubble on the street is of any indication.

Danny tries to remember which one that is. He shuffles a little closer to the desk, ignoring the rock in his stomach or the ugly weightlessness in his arms. It's not the blood blossoms, that much he knows. He just recently had an injection so it shouldn't be bothering him this soon—

So it's just nerves. Perfect.

Most footage of his fights are— messy, at best. Unusable at worst. Amity Park was obsessed with appearing 'normal' when they first started happening, and typical news stations censor the worst of the fights anyways for publishing, since they can get pretty gory at times. And ghosts move too fast to be caught on regular standard cameras, not including distance and light and—

That is to say— finding usable ghost fight videos is hard.

Danny wonders how Bruce got his hands on this one, and then stops wondering.

The audio is muted, which is - good. Good, because the fight is ugly and chaotic and clearly this was taken on someone's phone. Fuck, he can't remember if he ever saw that before — clearly not. They're hiding behind an overturned car, and Danny grits his teeth so he doesn't tell that idiot to run.

The camera turns up, and focuses on two figures in the air. It takes a few seconds, but when it does, Danny gets hit with a wave of vertigo. His grip tightens and he leans heavily on his cane, he waits for the black dots to disappear.

He- uh, he remembers this fight now. Uh, sort of.

He remembers being twelve at the time, and he remembers some of the injuries he got out of it. His eyelid spasms abruptly. This ghost wasn't one of his regulars, so he doesn't remember whatever name they had, barely remembered what they looked like up until- uh. Now.

Was he always that small? Well— Phantom's never been particularly big, perks of being a dead kid, but— it's - different. Seeing it from an outsider perspective. Was he that small? Or is it just because he's wearing a jumpsuit clearly too big for him that casts the illusion of being small?

Doesn't really - matter. Now. He can't access his ghost form, and he already knows the answers to his appearance.

Phantom is clearly bleeding, viscous and violently green like the bubbles of a lava lamp, clutching onto a limp shoulder that's missing an arm from the elbow down. Half his face is drenched in similar blood, the eye on the drenched side is closed — not because he can't see through the ectoplasm.

Danny's memories of that fight slowly come in a bit clearer. Right. He took a pole to the eye in that one. That had - hurt. A lot. Getting an eye gouged out usually does. It and the missing arm took hours to grow back.

He rubs his eye with his palm for no other reason than it itches.

The other ghost isn't untouched of any injury either, but he's not in a state of dismemberment like Phantom is.

Danny drops his gaze down at Bruce, whose sitting in his chair with his hands threaded together, looking so tense that Danny half expects to meet solid steel if he were to touch his back. His face is - blank. Terribly blank, with an intensity in his eyes that Danny doesn't see often.

He looks terribly distressed.

He opens his mouth, and finds that nothing comes out. His throat is thick with an ugly, tar-like feeling that makes his eyes sting. Kinda reminds him of when someone wraps their hands around your throat and presses. He closes his mouth, then tries again.

"B—" hhhhhh, "Buzz."

Finally Bruce looks at him, one hand slaps the space button on the keyboard, and the video pauses. His expression doesn't shift, but there's a weight in the lines of his face that reminds Danny of a set of weights sagging.

He looks quite like he's grieving something.

Bruce opens his mouth, his voice comes out terribly soft and heartbroken: "He looks like you."

Which is— a terrifying sentence in and of itself. One that makes Danny's legs shake and ignite his ragged, poison-chewed nerves alight with the need to run. An instinctive urge to deny, deny, deny.

How could he? He could say, that's a ghost, Bruce. I'm not a ghost. He could crack a joke, and ask, 'do I look dead to you?' or say something about how he knows that his parents studied ghosts, but that didn't make him one.

He could say that, and he could say it knowing full well that Bruce would see right through it. He'd probably let Danny too.

Danny closes his eyes. They sting, you see? So does his nose, right in the back like someone popped him in the face. And his throat is thick and gross and like someone stuck a spider, the big fat tarantula kind, right down into his esophagus.

He breathes in — through his mouth, because his nose stings and so it'd be best not to irritate it further with air — and it's terribly shaky and uneven. But it clears a pathway to his lungs big enough for him to say — whisper, really:

"You know, I think you're the first person to notice that."

[choccy-milky]

bird in her gilded cage 💙🪽

[ghost-bxrd]

Prompt:

It’s not that Jason forgot, per se.

But between smuggling a toddler out of the League of Assassins, trekking halfway across the world, and finding a suitable hiding place that’s also child friendly… well, it kind of slipped his mind that he’s supposed to be… dead.

Something that comes back to bite him in the ass when he takes Dami out for some ice cream and just so happens to run into non other than Brucie-fucking-Wayne

[tomatoart]

_(>u<)/🩷\(O_ō)_

[flwrkid14]

The Immortal Weight of Tim Drake

There’s a part of Tim that he keeps buried deep inside, locked away so no one can see it—will ever see it. He can’t let them know. Not Dick, not Jason, not Bruce. Hell, not even Steph or Cass. It’s better this way. Because the truth is, Tim Drake isn’t like them. He can’t stay dead.

No matter how many times it happens—how many times a blade finds its way into his gut, a bullet catches him in the chest, or a fall from a skyscraper crushes every bone in his body—Tim comes back. Not right away. No, it takes minutes, sometimes agonizing minutes, where he lies broken, breathless, and unmoving, with nothing but the darkness pressing in. He feels it each time. The quiet nothingness of death that should be final but never is.

He’s not like Jason.

Jason died. Really, truly died. He was buried, mourned, and remembered as the second Robin. His grave sat cold, a monument to a boy too good for the world, too bright to last. And Jason, when he clawed his way out, became a zombie in every sense of the word—not quite living but not quite dead either.

Jason knows what it’s like to rise from death, to feel like he doesn’t belong, like a walking corpse.

But Tim doesn’t know that part.

Tim knows what it’s like to die. He knows the brief moments of oblivion that come with it, the aching cold, the stillness. But he’ll never stay dead. His revival is a guaranteed, while Jason's was a miracle. He’ll never have a grave. Never be mourned, because he’ll always come back.

And that’s what hurts the most.

No one sees him die. He’s careful. So damn careful. On the rare occasions when he can’t hide the fact that he’s dead for a few minutes—those close calls where he doesn’t get up fast enough—he brushes it off, masking the pain with a smile and a joke. If anyone noticed the blood pooling in his suit or the sickening sound of his heart stopping for too long, they never questioned it. The danger passes, and life goes on.

For them, anyway.

For Tim, it never really stops. Every death, every time he’s pushed past the edge, it weighs on him. He knows he’s playing with something dangerous—something unnatural. But what choice does he have? The truth is, it’s not just that he can’t stay dead—it’s that he should be dead. So many times over, in fact.

There are days when Tim wonders if he’s meant to be this way. Maybe, in some twisted, cosmic joke, the universe decided that Tim Drake would be the one who can’t die. Maybe it’s because Gotham needs someone like him. Someone to shoulder the risks no one else can take. After all, if Tim can’t die, what’s one more mission where death is a near certainty? What’s one more gamble with his life? It doesn’t matter anymore, right?

And he doesn’t want them to know, because the moment they know, everything changes. If Dick saw Tim’s body cold and unmoving for just a little too long—if Bruce knew Tim had been gone, even for a heartbeat—what would they do? Tim knows exactly what they’d do. They’d stop sending him on the dangerous missions. They’d protect him, smother him with concern, lock him away to preserve him like some fragile thing that can’t be touched.

But the truth is, Tim’s more dangerous now than he’s ever been. Because he can go where no one else can. He can risk everything, go into every deadly mission, every impossible scenario where the chance of survival is zero. Because he’s already proven that, for him, death is temporary.

That doesn’t mean it doesn’t hurt. It doesn’t mean he isn’t scared every single time it happens—when he feels life slipping away, the weight of his body going limp, his heart stopping, his breath gone. There’s that brief moment, that flicker of panic in his chest as he wonders, Is this the time I don’t come back? Is this the one that sticks?

But then the pain rushes back, and so does his heartbeat.

He’s alive again, and no one’s the wiser.

Tim can die a thousand times over, but he’ll always get back up. And that’s his curse. To always come back. Even if it means he’ll always be alone in the moments that matter most.

He’ll never have a grave. Never be mourned. But maybe that’s the point.

Jason can have the grave, the tragedy, the return from death that breaks the world apart. Tim just… dies. And he’ll keep dying. Keep coming back. Because that’s what he’s meant for.

It’s better if no one knows. If they don’t know, they won’t hesitate to send him on the missions no one else could survive. They’ll trust him to do what they can’t. And Tim will keep shouldering that weight, carrying death with him like a shadow, never far from his heels.

Because for Tim, death isn’t an ending. It’s just another step in the fight.

[the-ineffable-dance]

Just a little reminder... this is the way Aziraphale looks on the way back into the bookshop at the beginning of the Final Fifteen.

The Metatrash has just told him to "Go and tell your friend the good news," and Aziraphale is headed back to convince Crowley to return to heaven to be an angel again.

That is not the face of a happy angel.

THIS is the face of a happy angel...

Or this one...

Especially this one...

No... what you have as he returns to the bookshop after whatever was said with the Metatron is not happy. That's the look of a man shaped being desperately coming up with a plan. Who knows that danger is staring straight at them, and suddenly he's in a perilous dance that he must do perfectly in order to protect Crowley.

He doesn't want to go back to Heaven. He has to.

[sad-leon]

a mood or somethin