#usercaitlyns

[useryoumna]

THE 12TH PRECINCT'S GUIDE TO TROUBLED BIRDS 🐦 Happy Castlemas Caitlyn! @jayjmaybanks

[daphnevincent]

THE KNIGHT AND THE MOTH

“it’s not true, you know,” he said. “you don’t have to be good, or useful, for someone to care about you.”

[aaronstveit]

editing challenge vs. @cosettepontmercys ❀ favorite hadestown song

Wait for me? I will.

[permanentreverie]

literature moodboards: station eleven by emily st. john mandel

“i stood looking over my damaged home and tried to forget the sweetness of life”

[thepunkpanther]

isn't it, isn't it, isn't it? isn't it? isn't it, isn't it, isn't it?

[parisakamali]

book lovers, by emily henry

sometimes, even when you start with the last page and you think you know everything, a book finds a way to surprise you.

dedicated to @anthnybridgerton & @selwynkane  ♡

[jeremy-knox]

There’s a boy in there, waiting for you.

[natgoodmans]

get to know me meme ♡ favorite musicals → waitress

when your breaking point's all that you have, a dream is a soft place to land. may we all be so lucky. sugar, butter, flour.

[daphnevincent]

hell bent by leigh bardugo

that was the problem with love. it was hard to unlearn, no matter how harsh the lesson.

[aaronstveit]

editing challenge vs. @cosettepontmercys ❀ favorite aaron tveit role

"In the first chapter with these guys, two pages are spent on each person, completely describing them. That was like gold for me as an actor. Enjolras' only love was liberty, and he was dedicated to the revolution, but he was a very gentle person. As far as women were concerned, he wasn't like the rest of his girl-crazy compatriots. He was so focused on the ideals of this revolution that anytime a young lady was around, he'd shamefully lower his eyes. Such an eloquent description of him! I literally printed out those two pages of his description of Enjolras and pasted on the front of my script. Every morning I would look it over before we began shooting." —Aaron Tveit

[permanentreverie]

literature moodboards: if we were villains by m. l. rio

"you can justify anything if you do it poetically enough."

[dallaswinstons]

@storyseekers​ event 18: 2021 debut — ace of spades by faridah àbíké-íyímídé 

“i stop myself from apologizing— because what would i even be sorry for? existing too loud?”

[broadwaydaily]

OUT OF OZ | Kristin Chenoweth & Idina Menzel

[parisakamali]

@chaptersnet event ii: dark academia – if we were villains, by m.l. rio

“for us, everything was a performance.” a small, private smile catches me off guard and i glance down, hoping he won’t see it. “everything poetic.”

[midnighttaylors]

@storyseekers event 15: character that i relate to

— “to build something permanent. a monument to last a thousand years.”

[natgoodmans]

“Those last two lines were a repeat of the Hades and Persephone exchange in “Way Down Hadestown.” I threw them into a draft on a whim, uncertain if they would make sense to anyone. Some loved them and some didn’t; the creative team was divided right down the middle. I liked the symmetry and the idea that the young couple had, at some level, “become” the older one. But the lines seemed to require the engagement of the mind at a tragic moment when it felt better to simply engage the heart. In subsequent productions I instead had the lovers cosmically “name” each other . . . one last time.” — Anaïs Mitchell (Working on a Song: The Lyrics of HADESTOWN)