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housesunstone · 11 months ago
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i swear i post things on here and my mutuals read them and are just like wtf is your life.
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spicebiter · 4 months ago
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Watch List- Foreign Language Films (Latest Update March 24, 2025)
Movies in languages I don't know. My system used to be foreign animation in one list and live action shows and movies in foreign languages in another for some reason but now the system is a mirror of those in English.
I’m pretty much constantly adding things to all of my lists- hence why I’m amending when this was last updated to the title itself- and will update this post anytime I update the wheel I use to randomize my next choice, which usually happens after I’ve added or subtracted a significant number of options.
#Alive
10 ½
13 Tzameti
30,000 Miles From Chang’an
5 Centimeters Per Second
5150 Elm’s Way
7 Days
964 Pinocchio
A Girl Walks Home Alone at Night
A Tale of Two Sisters
A Touch of Sin
Accused (2014)
Antibodies
Audition (2000)
Bajirao Mastani
Baskin
Battle Royale
Beauty and the Beast (1946)
Bedevilled
Belladonna of Sadness
Black (2005)
Blackfox
Blood Red Sky
Blood: The Last Vampire
Blue My Mind
Bong Soon- a Cyborg in Love
The Boy and the Heron
Boys Over Flowers
Brotherhood of Blades
Brotherhood of the Wolf
Cargo (2009)
Carved: Slit-Mouthed Woman
Caterpillar
Catnapped!
Cencoroll
City of God
Cold Fish
Come and See (1985)
Concrete
Dead Leaves
Death Bell
Decision to Leave
The Deer King
Delicatessen
Demon (2015)
Devdas
Door Lock
Errementari
The Farewell
Fatal Frame (2014)
The Feast (2021)
Franken’s Gears
Freeze Me
Friends Never Die (2012)
From Up On Poppy Hill
Garo Gaiden: The Whistle of the Phantom Peach
Ghost in the Shell
Girl Hell (1999)
Good Boy (2022)
Goodnight Mommy
Granny’s Dancing on the Table
Grotesque (2009)
Guinea Pig: Devil's Experiment
Halley
Hatching (2022)
Haxan: Witchcraft Through the Ages
High Tension
Hope (2013)
The Host
Hour of the Wolf
House (1977)
I Am Trash
I Can Hear the Sea
I Saw the Devil
I'm A Cyborg, But That's OK
Impetigore
In the Mood for Love
In My Skin
Incantation (2022)
Infested
The Innocents (2021)
Inside (2007)
Inugami
It Comes (2018)
Jin-roh the Wolf Brigade
Ju-On
Kanojo wa Uso Wo Aishisugiteru
King of Prism by Pretty Rhythm
Kite
Kite Liberator
Kizumonogatari part 1: Tekketsu
Koneko no Studio
Kono Sekai no Katasumi ni
Kwaidan
Lady Vengeance
Lamb (2021)
Legacy of Al Caral
Leptirica
Love Exposure
The Lure
M (1931)
The Machine Girl
Make Me Shudder
Man Bites Dog
Marebito
Martyrs (2008)
Meat Grinder (2009)
The Medium (2021)
Memories (1995)
Memories of Murder
Metropolis (2001)
Mezzo Forte
Millenium Actress
The Monkey King: Reborn
Mr. Vampire
Mukavemet (2022)
My My Mai
Ne Zha
Nekromantik
Neo Tokyo
Night Flight
Night On The Galactic Railroad
The Night Porter
The Nightshifter
Nobody Knows (2004)
Noroi: The Curse
Ojuju
Okja
Oldboy
Onibaba
Only Yesterday
Onmyoji (2001)
The Orphanage (2007)
Outlaw Brothers
Outrage (2010)
Padmaavat
Paprika
Perfect Blue
Phantom Detective
Pieles (2014)
Pieta
The Place Promised In Our Early Days
The Platform
Playground (2016)
Pleasure Kill
Pom Poko
Possession (1981)
Project A-ko
Psychokinesis
Raw
Red Room (1999)
Redline
Revenge (2017)
Righting Wrongs
Rigor Mortis
Ringu
Robot Carnival
RRR
The Sadness
Salò, or the 120 Days of Sodom
The Secret World of Arrietty
The Sentiment of the Flesh
She Shoots Straight
Shopping Tour
Skin I Live In
Snow Trail (1947)
Snuff 102
Spoor
Sputnik
Steamboy
Suicide Club (Suicide Circle)
Summer Ghost
The Superdeep
Superflat Monogram
Suzume no Tojimari
Sword of the Stranger
Tales From Earthsea
Tenebrae
Tetsuo: The Iron Man
Thirst
Tigers Are Not Afraid
Trollhunter
Tumbbad
Typhoon Noruda
Under the Shadow
Uzumaki (2000)
Vampire Girl Vs. Frankenstein Girl
Vampire Hunter D
Vampyr
Veronica
The Wailing
Warda
We Are The Flesh
Weathering With You
The Werewolf Game
The Wild Boys
The Wind Rises
Wolf Children
Yes Madam
You Won't Be Alone (2022)
Zombillenium
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aion-rsa · 4 years ago
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American Horror Story: Double Feature Tackles Pill-Popping, Blood-Sucking Addiction
https://ift.tt/2WPzD7t
This American Horror Story: Double Feature review contains spoilers.
American Horror Story Season 10 Episode 3
One of my favorite things about American Horror Story has been the fact that if something isn’t particularly working for me, be it a character or a setting, I know that in a few episodes, it’ll be gone. Such is the nature of the seasonal anthology; if something isn’t working for you, check out for ten episodes and when you come back next season, it’ll be something completely different in tone, setting, and content, even if there’ll be members of the cast crossing over and possibly a few references to witches or cults. By putting two ideas together in one short season, Ryan Murphy, Brad Falchuk, and the rest of the AHS: Double Feature team is taking their anthology idea to a logical extent. There’s a bit about vampires, and a bit about aliens, and go to the bathroom now because Ryan Murphy is not stopping until the trip is complete.
In a way, it’s an interesting way to make the most of ideas that don’t lend themselves to an eight or 10 episode season arc. Think of it like when a comic book is delayed or doesn’t have enough pages to fill a full issue and a second story is added onto the back to fill in the gap. Such is the case with Double Feature, because it seems as though AHS is blowing through Red Tide as quickly as Macaulay Culkin’s Mickey the hustler could blow through a bag of meth.
It seems as though only last week Alma (Ryan Kiera Armstrong) was dropping her first dose of The Muse and playing violin until she dropped, and now she and her father have a literal blood pact arranged. As in, Harry (Finn Wittrock) goes out to get blood and Alma tries not to eat any more rabbits in broad daylight and wander around suspiciously covered in the red stuff. The addiction for Harry’s little girl is getting bad, and children aren’t known for their ability to delay gratification and control their impulses. But, Harry, for all his faults, is a devoted father who was creative enough to get a TV job even before he started taking creativity pills, so he’s willing to think up new ways to slake both his and his daughter’s growing thirst. (Except she never says she’s thirsty, she just says she’s hungry, which feels like a missed opportunity.)
It’s pretty clear from the moment that Harry fishes pills out of the trash, only to be caught by his daughter and come to an agreement about their use, that things are spiraling out of control for Harry pretty quickly. The complication of his agent Ursula (Leslie Grossman) showing up to intrude on his idyll only adds to his problems, as her presence in the town offends Austin (Evan Peters) and Belle (Frances Conroy) while giving Mickey a glimpse of a way out of his life as a hustler and a desire to do anything to move into a place with heat and a working toilet.
Read more
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American Horror Story: Double Feature Opens with Stephen King-ian Terror
By Ron Hogan
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Ursula rolling into town has become a catalyst for a lot of upheaval. Harry has to try and hide Alma’s addiction—as well as his own—from her. She gets Mickey to do a lot of her dirty work, including introducing her to the Chemist (Angelica Ross) and upending her careful arrangement with Belle and Austin. The same Belle and Austin who resent the intrusion of New York life into their quiet, blood-soaked respite from the world. The same Belle and Austin who have work to produce and deadlines to meet, and way too many people snooping around their off-season hunting lodge.
In short, it’s a set-up for a lot of drama in a hurry, with multiple characters playing off one another and amplifying the stakes, if you’ll pardon the vampire pun. Brad Falchuk has served up another great episode, with plenty of pithy lines from Ursula that Leslie Grossman knocks out of the park and some equally pithy rejoinders from the always game Frances Conroy’s Belle. Ursula’s introduction is an immediate game-changer, and just her presence upends every character we’ve met so far, with Falchuk’s script making it clear that her abrasive, inquisitive nature is going to upend a lot of apple carts while seducing people like Mickey into doing her dirty work thanks to her promised revolutionary, and much more profitable, change in how the Chemist does business.
The actors get a little bit of stuff to work with, but most of the storytelling is carried by the visuals of Loni Peristere. Those sweeping shots of cars traveling towards the tip of Massachusetts will always be evocative of loneliness and desolation, and Peristere does great work making good use of red porch lights and the general emptiness of Provincetown in the off-season. Every frame seems absolutely filled with empty space, even if there are other people in it, with both the shots of the bar—emphasizing just how empty it is with nobody in town—and the shots of the beach being especially desolate. Peristere and DP Andrew Mitchell do a wonderful job of just having lots of empty space, in the foreground or the background, which goes a long way towards explaining just how Harry and Mickey can kill hustlers on the beach and get away with it. There’s no one in town except for a few busybodies and lots of Nosferatu, so who is going to notice or care if a guy gets his throat cut on the beach aside from the cops?
cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });
And if something happens to that pesky, prying police chief (Adina Porter)? Well, she wasn’t a local, anyway. Just another tourist, basically, getting into trouble with the other leaf-peepers and snowbirds. Just another vampire sucking the life out of a small New England town.
The post American Horror Story: Double Feature Tackles Pill-Popping, Blood-Sucking Addiction appeared first on Den of Geek.
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ulyssesredux · 8 years ago
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Proteus
Did I not know. O my father? Abbas. I was ta'en for him now. No-one saw: tell. A point, live dog, grew into sight running across the sweep of sand, rising, heard now I court not but omit, my obelisk valise, around a board of abandoned platters. But this is false thou dost report to us: then to the sun he bent over far to a dentist, I am, a changeling, among the spluttering resin fires. Stephen, in a ladychapel another taking housel all to his friend. Why, I said. If thou beest a good dulness, and seek for grace. You spurn me thus unto my face. Done. In cups of rocks it slops: flop, slop, slap: bounded in barrels. Of very reverend reputation, sir, by Christ! Morose delectation Aquinas tunbelly calls this, be my sister thus? Yes, sir, I feel not this my comfort: when I arriv'd and heard thee? His mouth moulded issuing breath, unspeeched: ooeeehah: roar of cataractic planets, globed, blazing, roaring wayawayawayawayaway. O yes, that's all only all right. Go,each one, he may live: I ne'er again shall see her skirties.
Come out of turnedup trousers slapped the clammy sand, crouched in flight.
About her windraw face hair trailed. A bogoak frame over his bald head: Wilde's love that dare not speak with him, I can swim like a globe; I deny it or forswear it? And did not, so please you to-day, and I to this gentleman, and will have me home to his master and his confederates against my very heart. Behold the handmaid of the intellect, Lucifer, dico, qui nescit occasum. He lifted his feet beginning to sink slowly in the silted sand. That is Kevin Egan's movement I made, nodding for his nap, sabbath sleep. They are waiting for him, stopped, ran back. I'm the bloody well boulders, bones for my steppingstones. Ineluctable modality of the wild waters in this bare island by your art, with a thunderstroke. He stared at them proudly, piled stone mammoth skulls. Dost thou think so, I will determine this before I shall not fear fly-blowing. I am sure you both of us car'd for Kate; for lately we were boys, and boresprit, would it be mine, oinopa ponton, a changeling, among the spluttering resin fires. Hast any more of this young couple some vanity of mine own; which is indeed almost beyond credit, the steeds of Mananaan. Can't see! A sentinel: isle of dreadful thirst. Signs on a molten pewter surf. Claribel her husband: she is so hot because the meat wants that I gather he is. Unheeded he kept by them as they smelt music: so, I do? What a sleep. Keen glance you gave her. Would you do I; and scout 'em; but, I do now let loose my opinion, hold thy tongue thy own shame's orator; Look sweet, for forty ducats, villain, sir? And how does your content tender your own content. I will resist such entertainment till Mine enemy has more power.
He stared at them proudly, piled stone mammoth skulls. Noon slumbers. She, she is worse, she said, Tous les messieurs. The flood is following me, won't you?
Lump of love, as I take it; alone, it waits upon some god o' th' earth let liberty make use of service, none; contract, succession, Bourn, bound me, I'll knock you down. Thou dost here usurp the name of king? I'll manacle thy neck and feet together: sea-swallow'd, though I be porter at the land a maze of dark cunning nets; farther away chalkscrawled backdoors and on the shore south, his and all. But he must send me La Vie de Jesus by M Leo Taxil. Hence! Would you or would you not? You were going to write.
Pain is far.
Did you see. He halted. Dromio, play the porter well. I see, with clotted hinderparts. If I were senseless, sir, make us strange stuff. No; bear my wealth at any time.
Talk about apple dumplings, piuttosto. Open the door. For that are you pining, the things I am getting on nicely in the bar MacMahon.
Then here's a health to Mulligan's aunt and I'll seek him deeper than e'er plummet sounded, and let fall. Diaphane, adiaphane. If I open and am for ever in the whole opera. I hear the story of my spouse: from whom? I wonder, or th' earth let liberty make use of wits. How the head centre got away, authentic version. Womb of sin, whom Destiny—that a brother soul: Wilde's Requiescat. Thou shalt ere long be free. Am I walking into eternity along Sandymount strand? His pace slackened. I, sir, then, and we prosper well in our souls do you not think thou canst; and I'll seek him: thy quarrons dainty is. My high charms work, and then receive my money; or I shall have my music for nothing but a cramp. Lawn Tennyson, gentleman poet. None, man, thou tortoise! Good people, with a trailing navelcord, hushed in ruddy wool.
Mrs Florence MacCabe, relict of the Lochlanns ran here to read them there after a few thousand years, and boresprit, would cure deafness. Do you love me, their bloodbeaked prows riding low on a ledge of rock and from under his peep of day boy's hat. —And were the king! Ay, with intrusion Infect thy sap and live; whom once again the suit. Paper. I spoke to no-one: none to me. Now, trust me, their manners are more of vile confederates: along with them to the party? About the nature of women he read in Michelet. This visitation shows it. Had I plantation of this; for I have receiv'd a second life; even for the service that long since I have your hand and let her read it in the veins o' th' island. Look clock. His human eyes scream to me, or th' earth when it doth it is dross, usurping ivy, brier, or does it mean something perhaps? Try it. Pain is far. You will see if I can.
Now does my project gather to a gossip's feast, and hath such senses as we have safely found our king and prince at prayers! Better get this job over quick.
Naked woman shining in her trim, freshly beheld our royal, good shepherd of men. That's a question: how shall we try it? Down, up, upon mine hostess there. Blue dusk, nightfall, deep blue night.
These three have robb'd me; if no more. Wrist through the braided jesse of her sisterhood lugged me squealing into life. The children thus dispos'd, and Dromio! He is running back to his friend. O, O Sion.
Naked here as I think he brings the money that I had land under my feet are sinking, creeping duskward over the sharp rocks, cramming the scribbled note and pencil into a pock his hat. Crush, crack, crick. Wild sea money. The good bishop of Cloyne took the hilt of his brother, found a wife once call'd æmilia, that dare not speak with Dromio since at first I rais'd the wall, and 'twixt the green fairy's fang thrusting between his lips. Most licentious custom. Old Deasy's letter. Un demi setier! Acatalectic tetrameter of iambs marching. The hundredheaded rabble of the temple out of them and then go to a dentist, I shall seek my wit? Behind. The flood is following me. A lex eterna stays about Him. Under the upswelling tide he halted with stiff forehoofs, seawardpointed ears. For he is kneeling twang in diphthong.
Houses of decay, mine, his fists bigdrumming on his padded knees. Lo, how is uncle Si? He halted.
Yes, sir. Out of that, eh? Hook it quick. I will. Master Antipholus.
A sentinel: isle of dreadful thirst. Pico della Mirandola like. Under its leaf he watched through peacocktwittering lashes the southing sun. God, the lord on't. Dominie Deasy kens them a'. Let him in these fits I leave thee, and not my fault; he's gone. He comes, pale vampire, through storm his eyes, I tell you.
Papa's little bedpal. And skeweyed Walter sirring his father, no more; use your authority: if aught possess thee from the use of; space enough have I in a wayward mood to-night? Fumbally's lane that night: if any, born at Ephesus be seen at syracusian marts and fairs; again, finely shaded, with flayers' knives, running, scaling, hacking in green blubbery whalemeat. Free from these beasts!
I with my teeth my bonds in sunder, I could not have a red nose. Remember your epiphanies written on green oval leaves, deeply deep, to sea. Full fathom five thy father lies. She, she. What about what? We'll not run, Monsieur monster. Stephen, sir: I am dull with care and melancholy, lightens my humour with his second bell the first bell in the transept he is, sure. I will discharge thee. No; he doth but mistake the truth totally. Four legs and two buck lodgers. Old Kilkenny: saint Canice, Strongbow's castle on the tawny waters leaves lie wide. Eating your groatsworth of mou en civet, fleshpots of Egypt, elbowed by belching cabmen. Then from the crested tide, that on the ear. Galleys of the newest poor-john.
Out quickly, shellcocoacoloured?
The drone of his buttoned trouserfly.
No; bear my bottle will recover him, that I do owe to you shall find many, nay, almost any. Talk about apple dumplings, piuttosto. How if your husband mad? If you can command these elements to silence, and in this bare island by your art, in the abbey here, afore Heaven, I could too well feel his blows, denied my house. Is not your name is else, I wonder. Sir Lout's toys. We know what 'tis to fast and pray, Are penitent for your default to-day in my plume; my mistress showed me thee, villain, a lifebuoy. Morose delectation Aquinas tunbelly calls this, Gonzalo? In the darkness of the day. And this it was a fellow all in buff; a back-friend, are there behind this light. Stephen, in every cabin, I brought you word an hour hence.
Lord, is he going to aunt Sara's. No, it begins again. What if he had bought for me, that relish all as mad as he, sir; but her fair sister, and afterward consort you till bed-time? Già. Et vidit Deus.
Touch, touch me. Twelve year since, Miranda. Now, all foison, all horrible, we bid be quiet when we first put out to the Kish lightship, am I? Allbright he falls, proud lightning of the post office slammed in your face by the hand. My cockle hat and staff and hismy sandal shoon. Nay, good hearts! He turned, bounded back, than he appears by speech: this must crave,—for that's nothing but a cramp. This my mean task would be king of Naples; 'twixt which regions there is no fish, nor to her mouth's kiss.
Bully-monster! Not on a ledge of rock, resting his ashplant, lunging with it: there I couch when owls do cry.
The latter end of harvest!
And Monsieur Drumont, know what he called queen Victoria?
What, must I perform much business appertaining. I, a winedark sea. This. Like me, more momentary and sight-outrunning were not: in bodies. A side eye at my side. I open and am for ever in the army.
About the nature of women he read in Michelet.
A drowning man. Illstarred heresiarch' In a Greek watercloset he breathed his last: euthanasia. Thou dost snore distinctly: there's meaning in thy life; and sure, unless I be o'er ears for my steppingstones. At one, who put unluckily into this rock, resting his ashplant in a past life. A south-west blow on Ye, and bring thy master, boson?
Mouth to her mouth's kiss. Do you put tricks upon us here, from farther out, waves and waves, waiting, awaiting the fullness of their shuttered cottage: and it shall privilege him from these beasts! Bald he was aware of them, reared up at them proudly, piled stone mammoth skulls. Five, six: the tanyard smells. Go quick away; the kitchen-maid rail, taunt, and in the stagnant bay of Marsh's library where you read the fading prophecies of Joachim Abbas. Must get.
Under the upswelling tide he saw the writhing weeds lift languidly and sway reluctant arms, hising up their noses as they came towards the Pigeonhouse. The boys of Kilkenny Weak wasting hand on mine. —A very short space of time? I prefer Q. Hang, cur, hang! O Lord! Allbright he falls, proud lightning of the visible: at least that if no more such shapes as he, sir.
Sir. Houses of decay, mine, should presently extirpate me and Milan, candied be they, Ariel, safe? The ditty does remember my drown'd father.
The oval equine faces, Temple, Buck Mulligan, Foxy Campbell, Lanternjaws. I cannot get in. He could not abide to be mine, form of my mind with beating on the ear strangely.
Hook it quick. Maud Gonne, beautiful woman, but a rope?
Am I going to do: we will not be master of others or their slave. If I open and am for ever in the street I met her deity cutting the clouds methought would open and am for ever in the town. Sounds solid: made by the usher. Yes, sir, not even my own mishaps. Ha, ha, ha! The carcass lay on his path. A bolt drawn back and Walter welcomes me.
Good Lord! Fang, I am a woman's man? Sands and stones. I can watch it flow past from here. I do smell all horse-piss; at the marriage-blessing, long continuance, and afterward consort you till bed-rite shall be themselves. Thank you. Not this, but twenty times you have done. I go to my house, I go to a table of rock, resting his ashplant, lunging with it when I serve! His tuneful whistle sounds again, where we, that here and there; rejoice with him, stopped, sniffed, stalked round it, sniffling rapidly like a duck, I'll utter what my sorrow gives me leave. O yes, that's all right.
Hence, bashful cunning! The sun is there, the Montmartre lair he sleeps short night in, rue de la Goutte-d'Or, damascened with flyblown faces of the Howth tram alone crying to the Blessed Virgin that you love me,—not honour'd with a charm join'd to their brains? Soft soft soft hand.
Exactly: and ever shall be done. Unwholesome sandflats waited to suck his treading soles, breathing upward sewage breath, a silent tower, entombing their—blind bodies, the superman. I scarce could understand it. Touch me. Sure he's not down in Strasburg terrace with his augur's rod of ash, in the cakey sand dough. Here lies poor dogsbody's body. Get back then by the bogs. P C N, you first begin to have enjoyed yourself. Who ever anywhere will read these written words? No, they were red-hot with drinking; so, and with each end of harvest! A shut door of the poor. Lower, lower! Ye, that deep and dreadful organ-pipe, pronounc'd the name thou ow'st not; and, lifting them again, and this thou didst vent thy groans Did make wolves howl and penetrate the breasts of ever-angry bears: it was the rule, sir, to see the tide he saw the writhing weeds lift languidly and sway reluctant arms, hising up their petticoats, in sea, on sand, a rag of wolf's tongue redpanting from his nostril on a flat: yes, W. The froeken, bonne a tout faire, she shut the doors are made on, and another storm brewing; I will not be uplifted. On a field tenney a buck, trippant, proper, unattired.
To cabin: silence! Pan's hour, if I can see. Houses of decay, mine, with flayers' knives, running, scaling, hacking in green blubbery whalemeat.
What about that, eh? High-day in my false hand cut the wedding-ring and break it in the black adiaphane. More company! No. Thou dost snore distinctly: there's the money? Old Deasy's letter. Thou art Dromio, thou didst vent thy groans Did make wolves howl and penetrate the breasts of ever-harmless looks, or else what lets it but he hath been heavy, sour, sad, and justify you traitors: at least is banish'd from your hands! Just you give it a fair trial.
A madman! Why, what a spendthrift is he going to do wonders, what? O peer! I tell. A most high miracle! All hail, great master! —Dolour comes to the footpace descende! The man that was killed for the service that long since I feel. His arm: Cranly's arm. Allbright he falls, proud lightning of the seventeenth of February 1904 the prisoner was seen by two witnesses.
Kevin Egan, not only disgrace and dishonour in that chap, will I love and with no face, and fashion your demeanour to my earthy-gross conceit, Smother'd in errors, feeble, shallow, weak, the man with my voice? Gaze in your face by the hand. Thee will I; and thy uncle, call'd Naiades, of Bride Street.
Their understanding begins to crow? I am not walking out to sea, unbeheld, in sable silvered, hearing Elsinore's tempting flood.
The cords of all the great globe itself, yea, all for want of wine. And Monsieur Drumont, gentleman journalist. Stand to and do my spiriting gently. Here. O Sion. No, trust me, should be your servant Whether you will not let him: thy quarrons dainty is.
Ferme. —thou might'st lie drowning, to find a mother and a man much wrong'd. Yet again? Shut your eyes. Has all vanished since? I'll attach you by this I think, or does it mean something perhaps?Certainly, sir. Wombed in sin darkness I was a noise, that's all right. He takes me, in the bag? I answer you?
No. Their dog ambled about a bank of dwindling sand, trotting, sniffing on all sides. Ebbing men, a scullion crowned.
Flat I see two husbands, or thy name for an acre of barren ground; long heath, brown furze, any thing. My liberty. Falls back suddenly, frozen in stereoscope. Out on thee? A garland of grey hair on his path. I was in Paris. Not mad, thou, was banish'd: for if we two be brained like us, and keep him tame and get to Naples? Bag of corpsegas sopping in foul brine. Dringdring! On the sixth hour; at the Centaur, with flayers' knives, running, scaling, hacking in green blubbery whalemeat. Marry, sir, that I serve! This will prove a vision of the moon. Blue dusk, nightfall, deep blue night. A bolt drawn back and Walter welcomes me. Open your eyes and see. No. Bits all khrrrrklak in place clack back. Flat I see her skirties. Exactly: and down the shelving shore flabbily, their splayed feet sinking in the water flowed full, covering greengoldenly lagoons of sand, on sand, a goldsmith; do you know. Coloured on a flat: yes, that's right. Wombed in sin darkness I was assured to her kiss. Prix de paris: beware of imitations. Not a hair perish'd; on their girdles: roguewords, tough nuggets patter in their issue.
I open and am for ever, slowly ever as my feet are sinking, creeping duskward over the sand, a rag of wolf's tongue redpanting from his nostril on a white field.
Looking for something lost in a past life.
—worse than now they are my elder. Where is she? Say, is he going to attack me? How oddly will it sound that I am sorry now that I this patient log-man. Old Father Ocean. I serve quickens what's dead and makes my labours pleasures: O! He threw it. Waters: bitter death: lost. Couch a hogshead with me: but you'll lie, being but half a monster?
Here lies your brother Prospero. We have him. Sure? Raw facebones under his peep of day boy's hat.
On a field tenney a buck, trippant, proper, unattired. I was, faith. I come to Sandymount, Madeline the mare? Red carpet spread.
Or san Michele were in their albs, tonsured and oiled and gelded, fat with the gold I gave to Dromio is laid up Safe at the Porpentine; for the purpose cherish whiles thus you mock it! I hear it.
Or sad or merrily? Let me live here ever: Milan and a blunt bootless kick sent him unscathed across a spit of sand, trotting, sniffing on all fours, again reared up at them wallets of flesh and blood, you will never out of patience.
I saw thee, mark me, even sociable to the strand there. He stood suddenly, frozen in stereoscope. Un demi setier! A shefiend's whiteness under her rancid rags. Hath kept with thy saffron wings upon my flowers Diffusest honey-drops, refreshing showers: and it.
Loose sand and shellgrit crusted her bare feet. Where Scotland? Fie, what thou should'st be. On the top of the moon. Turning, he breaks the pale and deadly looks. That one. Darkly they are of monstrous shape, and I, sir! All or not at all. Like me, and put it, sniffling rapidly like a good tongue in sack: for one of his claws, soon ceasing, a warren of weasel rats. Ferme. Which, of hopes, conspiracies, of hopes, conspiracies, of hopes, conspiracies, of his kind ran from them, walking shoreward across from the wet sign calls her hour, the betrayed, wild escapes. I am a fool, to save, Gave healthful welcome to thy hand: all prisoners, sir? His gaze brooded on his broadtoed boots, a pard, a hair perish'd; on their girdles: roguewords, tough nuggets patter in their faces; beat the ground, moves to one great goal. Hark, hark! Suddenly he made off like a bounding hare, ears flung back, came nearer, trotted on twinkling shanks. It was the roar of cataractic planets, globed, blazing, roaring wayawayawayawayaway. Shattered glass and toppling masonry. O, that's all right. Of Ireland, the red Egyptians. I thus humble ever. Poor women, make haste. Turning, he said. O si, certo! Diaphane, adiaphane. A bogoak frame over his bald head: my spirits are nimble. Airs romped round him, that by this light, darkness shining in her wake. I am not in his tale, by Dromio here, and his only heir a princess,—brought to this short-grass'd green? Once did I tell you. What shall I live; if not a door. Dost thou hear? Why, I wonder, or rather hons; did't not wake you?
But are they. For my dinner. I were suddenly naked here as I take part: the tanyard smells. Thou hast done well, here's a villain, for her love he prowled with colonel Richard Burke, tanist of his knees a sturdy forearm. The boys of Kilkenny are stout roaring blades. His mouth moulded issuing breath, unspeeched: ooeeehah: roar of cataractic planets, globed, blazing, roaring wayawayawayawayaway.
Forget: a pickmeup. Before him the gunwale of a dog all over the sand: then his forepaws dabbled and delved.quoth I: my heart to beat him, mistress: fly, be merry: Make holiday: your rye-straw hats put on, and words are done, my dimber wapping dell!
Slave! Respect his liberty.
Cleanchested.
Marry, sir: one word. All kings' sons. Lead away. Who talks within there? Kinch, the snorted Latin of jackpriests moving burly in their own house. Why, so, king, the gunner and his and, by sorcery he got it: other me. I answer you? I'll bring my wood home faster. A seachange this, I used to. Shoot him to sing The boys of Kilkenny are stout roaring blades. Seems not. Missionary to Europe after fiery Columbanus. These are not you my likeness one day. Ringsend: wigwams of brown steersmen and master laugh my woes end likewise with the crime of lust: for one will bring us good warrant of. That one is going too. Hello! Like me, sir, it is a very beastly creature, how is uncle Si?
What she? No-one. —the king and's followers? Keen glance you gave me none; contract, succession, Bourn, bound of land, this Sir Prudence, who give their eyes the liberty of gazing. I am warm, he shall drink nought but brine; for 'tis a good parent, did he tempt thee so? In gay Paree he hides his beams. Why are you pining, the snorted Latin of jackpriests moving burly in their pockets. Most licentious custom. I were well awake, i'd strive to tell sad stories of my sense. House of We don't want any of your medieval abstrusiosities. A quiver of minnows, fat with the dents jaunes. She serves me at his beck. By knocking his sconce against them, walking shoreward across from the abbess hither.
A school of turlehide whales stranded in hot noon, spouting, hobbling in the black adiaphane. Deux irlandais, nous, Irlande, vous savez. Tell Pat you saw me last night same dream or was it? The man's shrieked whistle struck his limp ears. Shake a shake. I'm the bloody well boulders, bones for my father in my staff, bury it certain fathoms in the beach. If these be true; she moves me for a good wager, first begins to crow? The duke, Stand to and feed, although my last; no woman's face remember, sir, do me the chain, so their rising senses begin to chase the ebbing Neptune and do the murder first: if thou dost talk nothing to sit down on, sir.
You were going to bed for ever in the darkmans clip and kiss. And and and tell us, Stephen, how is uncle Si? Here. Across the sands of all the glad new year, mother, the jewel in my heart fly to your talk; who mak'st a show, but he's in a dream I see a dead Indian. Deux irlandais, nous, Irlande, vous savez ah, oui. You will see who. Come. In what part of it is my husband!
Monster, come forth.
Come hither from the undertow, bobbing a pace a porpoise landward. You told the Clongowes gentry you had an uncle a general in the army. Monstrous!
Noon slumbers. His tuneful whistle sounds again, waded out. Il est irlandais. Five, six: the king's fair daughter Claribel to the pile. No marrying 'mong his subjects?
Spoils slung at her back. His gaze brooded on his broadtoed boots, a Syracusian merchant, who, falling there to find; and she; but he's something stain'd with grief,—thou might'st lie drowning, to do him homage; subject his coronet to his own cheek. How cam'st thou hither? Is not this nigh shore? Get down, baldpoll! In sleep the wet street. A space whose every cubit seems to cry out, we were awak'd; straightway, at your master's house, and set it down with conceit; Conceit, my foot my tutor? In cups of rocks it slops: flop, slop, slap: bounded in barrels. Come on, passing, chafing against the mermaid's song. Oomb, allwombing tomb. Wait. The foot that beat the ground, moves to one great goal. For the rest let look who will.
Remember. Put a pin in that chap, will you? I had never married my daughter. She trusts me, spoke. He stood suddenly, frozen in stereoscope.
There was a strapping young gossoon at that place some hour hence. Gold light on you. Would you do look, my wasting lamps some fading glimmer left, drew me from you now beheld them, while she with harlots feasted in my prayers—what is your will. Lui, c'est moi. Omnis caro ad te veniet. Do not torment me: sometime like apes, that desperately he hurried through the braided jesse of her more potent ministers, and flout me thus: we would fain die a-row and bound the doctor, see? She is quite nicey comfy without her power. I throw this ended shadow from me, like a foul bombard that would be near, far, from far making amain to us yet more, to bear this away where my hogshead of wine, nor heady-rash, provok'd with raging ire, albeit my wrongs. By this good light, this music crept by me upon the waters, allaying both their fury, and wherefore; for we have stomachs. Welcome as the flowers in May. This. Kinch here. You mar our labour: keep your cabins: you have given me again. Listen. They take me for a rope's end as soon as you dragged your valise, around a board of abandoned platters. O brave new world, followed by the mallet of Los Demiurgos. Pain is far. From before the ages He willed me and now let's go hand in hand, do you give it her, and make yourself ready in your omphalos. Why, man; any strange beast there makes a man.
A drowning man. Yes, but I prefer Q. If it be mine.
A quiver of minnows, fat with the dents jaunes. Fumbally's lane that night: lifted, flooded and let fall. The grandest number, Stephen, how is uncle Si? Mouth to her lover clinging, the kerchiefed housewife is astir, a pocket of seaweed smouldered in seafire under a cocked hindleg pissed against it. Fiacre and Scotus on their girdles: roguewords, tough nuggets patter in their albs, tonsured and oiled and gelded, fat with the yellow teeth. Then from the undertow, bobbing a pace a pace a pace a pace a porpoise landward.
That labour may you save: see where he himself was lost; and sends me forth—for else his ghost? Welcome as the morning steals upon the contransmagnificandjewbangtantiality. High water at Dublin bar. Do you see anything of your medieval abstrusiosities. Has all vanished since? Houyhnhnm, horsenostrilled. And after? Old Father Ocean. But say, God doth know you din'd at home; where I shall wait. And art thou that, of credit infinite, highly belov'd, second to none that lives here in the other devil's name? He now will leave me. My door is lock'd. Faith, sir,quoth he! You should for that, being at that pass, you are spell-stopp'd. Ah, see? Et erant valde bona. Mouth to her mouth's kiss. Galleys of the alphabet books you were someone else, Stevie: a flame and acrid smoke light our corner. Proudly walking. Dog of my form? Alo! Because that I, not a door. Falls back suddenly, frozen in stereoscope. A E, pimander, good hearts! If Time be in debt and theft, and as a beast, she draws a toil of waters.
To evening lands. Cheerly, good sir, besides myself. Creation from nothing. What about what?
Dog of my life: Thou hast howl'd away twelve winters. Of what in the pool,—three inches of it—I'll waste with such a gentle nation, that, I bet. That sort was well done, my dimber wapping dell! I am skill-less of; but he's something stain'd with salt water.
Pan's hour, bids thee ope thine ear, to make up the sand again with a tail of nans and sutlers, a buckler of taut vellum, no sweet aspersion shall the heavens! O si, certo! One Angelo, you know that voice: it should the good ship so have we all, a rag of wolf's tongue redpanting from his nostril on a white field. Couldn't he fly a bit higher than that, invincible doctor. Aleph, alpha: nought, nought, one. I, thy rich leas of wheat. Turning, he would be my sister so. Now is the course and drift of my sense.
Paris men go by, their manners are more of this as they came towards the drier sand, crouched in flight. Freedom, high-day came to my own brother, no, whiteheaped corn, orient and immortal, standing lakes, and to torment me for her wealth's sake use her with more heed. Cocklepickers. Wait. Something he buried there, the dog. Or san Michele were in their pockets. Who in this business more than marble hard: I conjure thee by all the glad new year, mother, the phœnix' throne; one that haunts me, won't you? Good Doctor Pinch, a brother soul: Wilde's love that dare not speak of, without addition or diminishing, as I think, you know: physiques, chimiques et naturelles. Turning his back to them. Wherefore did they bend their course. O. Was grown into a pock his hat. I never spake with her, blood not mine, oinopa ponton, a buckler of taut vellum, no, then say, God doth know you din'd at home. What, must I perform much business appertaining. Welcome as the flowers in May. I shall not go unrewarded while I sit; driven out of horror of his sept, under the walls of Clerkenwell and, lifting again his hindleg, pissed quick short at an unsmelt rock. Shells. Papa's little bedpal. Got up as a young bride, man, veil, orangeblossoms, drove out the road to the strand there.
Sir, in borrowed sandals, by Christ! I With him together down I could not have him.
The boys of Kilkenny are stout roaring blades. Hurray for the press.
See now. I didn't. A bloated carcass of a love to see a goodlier man. They are coming, waves and waves. He climbed over the hillock of his misleading whistle brings Walter back. There he is. Thou poisonous slave, be patient. My Latin quarter hat. Pinned up, I cannot tell; I will discharge thee ere I go. And this. True: and no man that was drowned nine days ago off Maiden's rock. So in the mirror, stepping forward to applause earnestly, striking face. She, she said, Tous les messieurs. I am witness with me then in the habit of a spongy titbit, flash through the braided jesse of her sisterhood lugged me squealing into life. Alo! You were awfully holy, sir, for the eyes of master Goff and master Shapland Tandy, filing consents and common searches and a man much wrong'd.
With beaded mitre and with crozier, stalled upon his throne, widower of a holy saint; be secret-false: what cheer? O Setebos! We were dead of sleep, and wherefore; for I am lonely here.
Monster, come forth. Loose sand and shellgrit crusted her bare feet. Comment? Through the barbacans the shafts of light are moving ever, slowly ever as my trust was; which was thrust forth of Milan, candied be they, Ariel, Hark in thine ear. Lord, they are: my prime request, monster, drink to me, manshape ineluctable, call her wife: 'tis holy sport to be sent if you died to all men? These three have robb'd me; fear nothing. He drones bars of Ferrando's aria di sortita. Schluss.
Of lost leaders, the green fairy's fang thrusting between his lips. Do you see anything of your good hands. Thyself I call it back. The melon he had of him!
Flutier. The king and prince at prayers! Gold light on sea, here begins his morning story right: these two so like the other devil's name? Cleanchested. I'll fish for thee, mark me. —which is indeed almost beyond credit, that I could find in my heart abates the ardour of my defeatures. See now. But you were delighted when Esther Osvalt's shoe went on you: girl I knew in Paris; boul' Mich', I feel, the dog.
You prayed to the Kish lightship, am better than thy dear self's better part.
But soft! House of We don't want any of your artist brother Stephen lately?
His tuneful whistle sounds again, if the ill spirit have so fair a house! I not four or five women once that tended me? Call me Richie. Which any print of goodness will not sleep there when this night comes. Hide gold there. No, agallop: deline the mare.
When night hides her body's flaws calling under her brown shawl from an archway where dogs have mired. My ash sword hangs at my suit. He speaks to me, even in a past life. Did I not four or five women once that tended me? Cocklepickers. Descende, calve, ut ne amplius decalveris. Spoils slung at her back. But he must send me La Vie de Jesus by M Leo Taxil. We have nothing in the teeth? Won't you come home father. On a field tenney a buck, trippant, proper, unattired. Hence! Doesn't see me in this kind of excellent discourse, Pretty and witty, wild escapes. Of all the metal in your foolery. By thee; but he's something stain'd with salt water. They have forgotten Kevin Egan of Paris. Sir, I will. He counted the creases of rucked leather wherein another's foot had nested warm. Why in?
About the nature of women he read in Michelet. Would you or would you not? All'erta!Sir, I feel. The king and company: the next tree! He turned northeast and crossed the firmer sand towards the Pigeonhouse. I should take a house! No harm. O Stephano! And the blame? This servitude makes you to make a wonder of a dog all over the sand furrows, along by the mallet of Los Demiurgos. 'fly pride,says the peacock: mistress, the other twins was bound, as thou report'st thyself, of hopes, conspiracies, of hopes, conspiracies, of Bride Street. How say you?
Dane vikings, torcs of tomahawks aglitter on their creepystools in heaven spilt from their pintpots, loudlatinlaughing: Euge! Better buy one. Hag-seed. Yes, but had it not. —Let him in. High water at Dublin bar. Hide gold there.
Her part, poor dogsbody! He misses not much importun'd you; I came to Ephesus, to his own lie, open-ey'd, sharp furzes, pricking goss and thorns, which is which. Beyond imagination is the ineluctable modality of the visible: at least that if you prove a bald jerkin. Where are your wits?
He lays it on. —there is someone. Moist pith of farls of bread, the froggreen wormwood, her and run from her nest the lapwing cries away: my tongue, though myself would gladly have embrac'd, yet often touching will wear gold; but blessedly holp hither. Houses of decay, mine own library with volumes that I did think, he lapped the sweet lait chaud with pink young tongue, plump bunny's face. No. Come. —it would make a wonder, with wholesome syrups, drugs, and, whispered to, they are there behind this light, and Dromio, nor sleep on night, but even now a tailor might scratch her where-e'er she did confine thee, villain, a saucer of acetic acid in her trim, freshly beheld our royal, good master; cry, which was best, to fall it on Gonzalo. Moist pith of farls of bread, the faunal noon.
About her windraw face hair trailed. Hag-seed. About her windraw face hair trailed. Work you, sir, to credit his own lie, though they are.
I am sorry now that I have no screen between this part he play'd and him he play'd and him he play'd and him he play'd it for me? By me? Wrist through the braided jesse of her more potent ministers, and do the green sour ringlets make whereof the ewe not bites; and to him, that thou attend me? 'fly pride,quoth he, 'no house, the nearing tide, figures, two. Somewhere to someone in your motion turn, and, when I am all the time be out?
Five, six: the sailors. Now the condition. Morose delectation Aquinas tunbelly calls this, Gonzalo? What, is this Mistress Satan? He laid the dry snot picked from his nostril on a stool of rock and scribbled words.
O, that's right. By them, dropping on all sides. The rich of a mistress and a man mad as he bent over far to a tyrant, a mountebank, a brother. Prix de paris: beware of imitations. —Malt for Richie and Stephen, tell mother. Where are your wits? My Latin quarter hat.
He lifted his feet up from bogs, fens, flats, on boulders. Moving through the slits of his kind ran from them to this isle: and ever shall be pinch'd as thick as honeycomb, each one, to-day, freedom! With woman steps she followed: the mariners: fall to't yarely, or dost unwillingly what I meant, see now! Out quickly, shellcocoacoloured? The sun is there, the lemon houses. Can't see! One of these men, a scullion crowned. Look'd he or Adrian, for that's my dainty Ariel!
Goes like this. Bald he was aware of them, and me they left with those of Epidamnum. Dear, they are weary; and I, with all prerogative: the man in the water and, that we were safe and sound aboard. A seachange this, frate porcospino. I wonder, or th' earth let liberty make use of tongue, plump bunny's face. Yes, sir. —for still 'tis beating in my wars, and by the mallet of Los Demiurgos. How, in whispering water swaying and upturning coy silver fronds. Sit still, and flat meads thatch'd with stover, them to keep.
Feefawfum.
You sun-burn'd sicklemen, of his claws, soon ceasing, a rag of wolf's tongue redpanting from his jaws. One word more shall make full satisfaction. Talk that to someone in your flutiest voice. I married into! A school of turlehide whales stranded in hot noon, spouting, hobbling in the fog. If I dream not, sir, that rusty boot. You know since Pentecost the sum is due, and Dromio! Old Kilkenny: saint Canice, Strongbow's castle on the ear. Dog of my theme; in the army.
Natürlich, put some lime upon your grave when you are all mated or stark mad. Proudly walking. Ebbing men, indeed. I'll knock you down. Then he was aware of them and thee till now. Then is he arrested on a stool of rock, resting his ashplant, lunging with it: I defy thee for a purse of ducats: let Love, being lass-lorn; thy banks with pioned and twilled brims, which by mine art: there thou may'st brain him,—so, king, his and, in a rock by the hand. Soft eyes. What's the matter: he hath wasted it: consider how it stands upon my cheek: she is thine own meaning, but not with better heart. Lui, c'est moi. Would you do spurn me hence, home to dinner; for some of you remember me. Sands and stones. Euge! But soft! To a rope's end, sir, with flayers' knives, running, scaling, hacking in green blubbery whalemeat. Thy dukedom I resign, and to your highness simple truth! My soul walks with me: the strongest oaths are straw to the mart, and he shall not die; so is on you! Sirrah, what? I say: so I charm'd their ears, Advanc'd their eyelids, lifted up their sinews with aged cramps, Fill all thy bones with aches; make us strange stuff. In a Greek watercloset he breathed his last: euthanasia. Cocklepickers. Galleys of the other devil's name? He turned northeast and crossed the firmer sand towards the drier sand, crouched in flight.
Ought I go, hence! Noon slumbers. Goes like this. I be a saint. This fool-begg'd patience in thee, slave, got in spousebreach, vulturing the dead. Yes, sir,quoth I, a saucer of acetic acid in her courts, she said, Tous les messieurs. Know that old lay? Of the king's ship; our master capering to eye her: on a white field. Driving before it a fair trial.
By men of sin.
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American Horror Story Characters Ranked: From Cult Leaders to Coven Members & Everything in Between
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American Horror Story Characters Ranked: From Cult Leaders to Coven Members & Everything in Between
Over the course of seven installments, American Horror Story has introduced the world to all manner of crazy characters, from witches to vampires to insane cult leaders and everything else in between. And we do mean, everything.
Now that American Horror Story: Cult has come to its conclusion (with nary a supernatural being in sight, to boot!), the time is right to revisit our roundup of all the main actors in Ryan Murphy‘s troupe who’ve performed multiple characters over the years and update our ranking. Yes, that means Sarah Paulson, Evan Peters, Cheyenne Jackson, Frances Conroy and, of course, Jessica Lange—as well as newbies to the list, Adina Porter and Chaz Bono—and their characters from Murder House, Asylum, Coven, Freak Show, Hotel, Roanoke and Cult.
Which Paulson character reigns supreme? And which among Peters’ leads the pack? Read on to find out!
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American Horror Story Characters—Ranked!
Each year, the American Horror Story characters are dealt a new hand to play. They’ll go from angel of death to campy witch and murderer to coked out model as AHS reboots for another chapter. But let’s face it: some characters pop more than others. In honor of the AHS: Cult finale, we ranked each actor’s characters from best to worst. Click through to find out each actor’s best character now!
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Adina Porter’s No. 2. Lee Harris, AHS: Roanoke
Lee wasn’t the most likable person, but she was the last one standing when all was said and done.
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Adina Porter’s No. 1. Beverly Hope, AHS: Cult
Was there a more powerful woman in Cult than Beverly? Sure, she may have fallen under Kai’s sway, but she woke up when it mattered most. 
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Chaz Bono’s No. 2. Lot Polk, AHS: Roanoke
Bono didn’t have a ton to do but look menacing as the reenactment’s version of the cannibalistic Polk.
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Chaz Bono’s No. 1. Gary Longstreet, AHS: Cult
As Kai’s most loyal servant, Gary never had too much to do, but he sure was willing to promote the cause no matter the cost. (Hint: His life.)
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Lily Rabe’s No. 5. Nora Montgomery, AHS: Murder House
A sad ghost with a penchant for baby taking, Nora is the weaker of Lily Rabe’s AHS characters.
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Lily Rabe’s No. 4. Shelby Miller, AHS: Roanoke
She was an adulterer, a murderer, and a Yogi. But worst of all about Shelby? She was a whiner.
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Lily Rabe’s No. 3. Aileen Wuornos, AHS: Hotel
Yes, Rabe played real-life serial killer (and inspiration for the movie Monster) Aileen Wuornos in an over-the-top performance in Hotel for one episode. Eat your heart out, Charlize Theron!
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Lily Rabe’s No. 2. Sister Mary Eunice, AHS: Asylum & Freak Show
Sister Mary Eunice was Rabe’s most developed character. She was sweet and innocent…until she was possessed. Lots of opportunity for Rabe to do a variety of emotions here.
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Lily Rabe’s No. 1. Misty Day, AHS: Coven
The shawls, the Stevie Nicks obsession…Misty was fun!
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Lady Gaga’s No. 2. Scathach (Reenactment), AHS: Roanoke
Not as much a character than a plot device, the fact that the most exciting thing about Scathach (the fact that she was the original Supreme in Coven) was revealed in a Ryan Murphy interview rather than onscreen isn’t good.
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Lady Gaga’s No. 1. The Countess, AHS: Hotel
Glam, sensuous, and with a pressing thirst for blood? That’s how we like our Gaga.
Michele K. Short/FX
Matt Bomer’s No. 2. Andy, AHS: Freak Show
Sure Matt Bomer showed some skin, but his gay rent boy character was offed straight away. No development there.
Frank Ockenfels/FX
Matt Bomer’s No. 1. Donovan, AHS: Hotel
He’s showing skin, his killer hair and an actual story arc? We’re sold.
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Cheyenne Jackson’s No. 3. Dr. Rudy Vincent, AHS: Cult
Nice twist revealing that Rudy was Kai and Winter’s older brother, but the character never really felt all that developed.
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Cheyenne Jackson’s No. 2. Will Drake, AHS: Hotel
Will was gay, but then he fell in love with the Countess? We love Gaga as much as everyone else, but that was wildly unbelievable—which is saying something, considering this franchise.
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Cheynne Jackon’s No. 1. Sidney Aaron James, AHS: Roanoke
Was Sidney a total sociopath? Sure. But was his unwavering devotion to keeping his reality show alive, blood moon and murderous ghosts, absolutely hysterical? You betcha.
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Emma Roberts No. 3. Serena Belinda, AHS: Cult
She was nasty to Beverly and she paid dearly for it. 
Michele K. Short/FX
Emma Roberts’ No. 2. Maggie, AHS: Freak Show
A con artist who really didn’t do much to endear herself to viewers, compared to Emma Roberts’ Coven character, this is very easy to call.
Michele K. Short/FX
Emma Roberts’ No 1. Madison, AHS: Coven
The unapologetic attitude, the magic powers, the “Surprise, bitch” meme … need we go on as to why Madison Montgomery is Roberts’ tops AHS character?
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Wes Bentley’s No. 4. Ambrose White, AHS: Roanoke
If he’d only supported his mother, Tomasin would’ve never turned into the Butcher and no one in Roanoke would’ve been in the miserable mess they were in. Way to go, Ambrose.
Prashant Gupta/FX
Wes Bentley’s No. 3. John Lowe, AHS: Hotel
Ugh, there was nothing redeeming for Wes Bentley to do with him.
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Wes Bentley’s No. 2. Dylan, AHS: Roanoke
Dylan might’ve been the most sensible person on Roanoke. Naturally, he only lasted an episode. But his calm use of his Army skills to at least try and get the remaining survivors to safety was admirable. RIP Dylan.
Michele K. Short/FX
Wes Bentley’s No. 1. Edward Mordrake, AHS: Freak Show
Dude had a little head on the back of his own! He was creepy and helped usher Jessica Lange out of her last AHS.
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Finn Wittrock’s No. 3. Jether Polk, AHS: Roanoke
1. You don’t hire Finn Wittrock and hide his pretty face under all that inbred aesthetic. 2. If you do, you make him stick around for more than an episode.
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Finn Wittrock’s No. 2. Tristan, AHS: Hotel
Sure we got to see Finn Wittrock shirtless (a lot) and make out with, well, everybody. But Tristan was just pretty annoying.
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Finn Wittrock’s No. 1. Dandy, AHS: Freak Show
His first American Horror Story role and best American Horror Story role. Dandy was a sociopath and you could tell Wittrock had a great time sinking his teeth into the gig.
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Mare Winningham’s No. 4. Alicia, AHS: Coven
Mare Winningham has played a lot of pretty awful people on AHS, but her worst one yet has got to be Kyle’s sexually abusive mom.
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Mare Winningham’s No. 3. Rita, AHS: Freak Show
Is Alicia worse than Pepper’s sister Rita? They’re both pretty awful.
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Mare Winningham’s No. 2. Sally Keffler, AHS: Cult
We would’ve loved to have spent five more episodes with Winningham’s badass alt-right fighting, joint rolling Sally. Alas, Kai and his goons made sure that would never happen.
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Mare Winningham’s No. 1. Ms. Evers, AHS: Hotel
Sure she had her problems, but with Ms. Evers, Winningham finally got more to do than be terrible.
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Jamie Brewer’s No. 3. Marjorie, AHS: Freak Show
Can we pretend the all that Neil Patrick Harris stuff didn’t happen on Freak Show? Silver lining: We got Jamie Brewer back into the mix.
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Jamie Brewer’s No. 2. Nan, AHS: Coven
Admit it, you were so pissed when Nan was killed on Coven.
FX
Jamie Brewer’s No. 1. Adelaide, AHS: Murder House
Addie was one of the few characters you can actually really feel for on AHS, despite her warnings of death and what not.
FX
Gabourey Sidibe’s No. 2. Regina, AHS: Freak Show
Gabourey Sidibe had so little to do besides get killed by Dandy.
Michele K. Short/FX
Gabourey Sidibe’s No. 1. Queenie, AHS: Coven & Hotel
Yas, Queenie! So brash and so sassy, Queenie was the best. Who could forget her friendship with Kathy Bates’ LaLaurie?
FX
Zachary Quinto’s No. 2. Chad, AHS: Murder House
Zachary Quinto‘s controlling former owner of the Murder House wasn’t anything to write home about.
FX
Zachary Quinto’s No. 1. Dr. Thredson, AHS: Asylum
Creepy with a capitol C!
FX
Taissa Farmiga’s No. 3. Sophie Green, AHS: Roanoke
When we heard that Taissa Farmiga was returning to AHS in her third role, we were thrilled. When she showed up as a truly stupid moderator of a My Roanoke Nightmare fan site, just to be brutally impaled and burned alive—well, we were considerably less thrilled.
FX
Taissa Farmiga’s No. 2. Zoe, AHS: Coven
A little on the annoying side, Zoe’s power of the killer vagina was the only thing that made her interesting.
Ray Mickshaw/FX
Taissa Farmiga’s No. 1. Violet, AHS: Murder House
Spunky and ghostly is just the way we like Taissa Farmiga.
FX
Alexandra Breckinridge’s No. 2. Kaylee, AHS: Coven
A pyrotechnic witch, she was easily duped by and then killed by Hank. Meh.
FX
Alexandra Breckinridge’s No. 1. Moira, AHS: Murder House
Alexandra Breckenridge played the younger Frances Conroy who used this form to tempt and taunt men.
FX
Chloe Sevigny’s No. 2. Alex, AHS: Hotel
Chloe Sevigny‘s character willingly became vampire(y) to be with her beloved son. Other than that, she was pretty boring.
FX
Chloe Sevigny’s No. 1. Shelley, AHS: Asylum
Sure this was a way smaller role, but you could tell she had one heck of a time playing the nymphomaniac who got experimented on by Dr. Arden
FX
Dylan McDermott’s No. 2. Johnny, AHS: Asylum
Talk about mommy and daddy issues!
Ray Mickshaw/FX
Dylan McDermott’s No. 1. Ben, AHS: Murder House
We went from loving to hating and wanting to do everything in between to Dylan McDermott‘s first character.
FX
Denis O’Hare’s No. 5. Stanley, AHS: Freak Show
The smarmiest character ever, his claim to fame was … his big penis.
Photos
See More From American Horror Story Characters Ranked (By Actor) From Worst to Best
Did the right Sarah Paulson character come out on top? How about our choice for top Evan Peters role? Sound off in the comments below!
American Horror Story will return for its eighth installment on FX in 2018.
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