taviamoth

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KPDH Texpost Memes - Megapost

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Cutey cutey romantic moment because I need the serotonin. And a hands insert shot because I apparently hate myself.

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Generations of locking the fuck in.

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has anyone asked this

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Projecting our period cramps onto Saja boys

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England’s Pearl and Their Beloved Queen

Mary I and Katherine of Aragon by @francy-sketches

Guys. I have not been so excited for a commission in my life. I know it’s not ASOIAF so definitely not as anticipated among my friends, but it’s just so well done. I adore Katherine and Mary and this turned out so beautifully. I cannot sing Francy’s praises high enough; after the initial reference pictures I sent her, I did not need to correct anything at all, she completely got the vision.

As anyone who has ever encountered me before will have known, I am incredibly particular about commissions and therefore very involved. I usually like to give pieces I pay for extra thought and historical authenticity. For this piece, I went and looked for available quotes and contemporary accounts of Katherine’s fashion choices. I wanted to make sure from the base of the dress (the farthingale underneath) to the jewelry were all as accurate as was reasonably possible. I did even learn a thing or two, despite my initial intention of just checking to make sure everything I had previously believed was true. For example, I learned that Katherine sometimes wore a flemish hood, which I wouldn’t have thought that would align with her fashion sense; I was proven wrong. I have seen practically all the artworks available to the public that have been confirmed to be Katherine, so I had already guessed black was her favorite color to wear. But I did learn that her other favorites were purple and red. I decided to keep it simple with the black. It’s elegant and regal, black was an expensive color but still is not obnoxiously ostentatious. The jewels around her neckline as taken directly from portraits of her. The pearls seem a mainstay for her, but I did learn that her dresses had many other colored jewels tied into them. I just thought black looked the best. Her dresses were fur-lined, although I would definitely say we took some liberties on what the fur looked. The fur she wore was pretty much exclusively ermine. The sleeves also have true gold, which Spanish royalty traditionally loved (for hundreds of years, by this point, at least). Katherine’s Spanish outfits, of which she had many, definitely collected dust in favor of more traditional English outfits. There’s no indication that she was forced into this, as she did sometimes dress in the Spanish style when it struck her fancy, but it was important for her to present herself as English with English loyalties and priorities in mind. That being said, something as innocuous as gold embroidery, which was not completely foreign to the English court, was definitely something she could implement from back home without seeming like a foreigner. I have pomegranate embroidery on her sleeves, which is more of symbolism rather than something accurate. There’s no proof she ever wore pomegranate embroidery on her sleeve, but her official symbol was of a pomegranate, so I figure that was something important to her.

Katherine’s necklace is obviously a direct copy of the necklace she wears in several of the contemporary artworks depicting. This is pure speculation, but I personally believe that this necklace could have come from old English jewels that had been melted down and repurposed for her. Generally, people weren’t as sentimental in the same way we are today, nor worried about these aspects of preservation, so jewels were melted down and used for other purposes all the time. She also usually wore many strings of pearls, but it just would have looked like too much and would take away from the piece overall, so we decided just to do the necklace. Her gabled hood is also directly taken from her contemporary portraits, the gold and black with the red jewels was what she usually wore. She has a girdle belt with a long string of pearls. Sometimes she would wear a cross at the end or some black jewels that matched her necklace. What’s depicted in this is actually a pomander that turns into a rudimentary clock when it is opened. Katherine is recorded as having one of these; I thought that was very cool. I also asked for her to have some rings. She did have a wedding ring, but I found no description of it, so the artist just did basic gold. She’s wearing two which I think is pretty funny considering she was married twice, of course she wouldn’t have worn two wedding rings, but imagine if she did have the audacity to. Katherine had so much jewelry, more than any of Henry VIII’s wives. She had the royal collection available to her, pieces from Spain, and gifts from Henry specifically made for her. She usually decked herself out as expensively as possible.

Unfortunately, there is basically no information on how Mary dressed as a child. We know her mother dressed her and was having the clothes ordered herself, but beyond that, there’s really nothing available that I could find. I felt that Mary would be dressed similarly to her mother, but I wanted to give her a purple dress because purple fabric was generally the most expensive thing you could buy. I wanted to illustrate how loved and well taken care of she was. She has matching rings with her mother, but no girdle belt or necklace because I’m envisioning her as being 6-9 in this, so I wanted to give her something she could play in. She’s wearing a French hood. Katherine ordered her one in 1520, when she was four. My references on how hers should look is from portraits of her aunts Mary and Juana. I felt that Katherine would probably want to buy a style she was familiar with. Mary’s embroidery is of the Tudor rose. It turned out so beautifully. Similarly to Katherine, there’s no evidence that she actually wore that embroidery, but I wanted some symbolism in there.

My intention with this piece was to show the closeness between Katherine and Mary. Katherine loved Mary with all her heart and showed no outward indication of disappointment that Mary was a girl. She spent more time with Mary than any other highborn individual in this time period that I know of. I wanted to show that Katherine is someone that Mary deeply and completely trusted, even when court could be over the top and crowded, frightening for a child. I feel as if people other themselves from people in the past. People often feel as if people 500 years ago did not care as deeply about their children or weren’t attached to them. I believe this is true in some instances, but generally we are more like the people of the past than we like the believe. As far as any research I’ve done has shown, Katherine loved Mary as much as any mother of our time loves her children.

I believe Francy did a beautiful job, so all compliments go to her, I hope everyone checks out her page to see her amazing work. The caliber of this is unlike the commissions I’ve done in the past. I cannot thank her enough.

I hope this ended up being relatively historically accurate, I’m sure someone will let me know if it’s not haha.

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imagine your dad changes the entire country's religion to divorce your mom and then does All That. Mary I suffered more than Jesus

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Spin the wheel. That's who's trying to kill you.

Spin the wheel again. That’s who’s trying to protect you.

(If you have zero idea about the name you got, spin until you see someone you recognize.)

(Six months ago, I did a version of this poll with about five hundred options on the spinner wheel. For this one, I more than doubled it.)

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people talk about their writer friends stealing their weird habits or borrowing backstories but what you don't know is that we will steal your house. layout location garden colour scheme décor the whole lot. i have childhood friends with entire abodes immortalised in my stories. i have people i met once who would be able to recognise ancient six-month lease domiciles from a decade and a half ago. i'm in your house i'm in your blueprints and i am taking the lot.

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on survival

-// @aridante // @orivu // @buzzkillgirls // ? // ? // richard siken// @cemeterything // moomin, tove jansson// @disenchanted-killjoy // isn't that enough, shawn mendes// @ prettytheyswag on twitter// @ coletyumuch on twitter// ? // ? // bird by bird, anne lamott// undertale// @strawberrycircuits

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Sorry we really went from free the nipple, take back the night, slut walks, and ending gender/sex segregation in sports being fucking milquetoast feminism 101 concepts to fucking girl dinner and "I just worry about fairness if we let trans girls play against cis ones" and "it was right of that woman to call the cops on a black man for existing near here in public during the day time because men are all violent monsters" and "radical feminism isn't transphobic we just need to kill all men including trans ones those oppressive traitors" and I will legit never be able to be normal about it. What the FUCK happened. I'd say I wonder what the feminists of my youth would say about this but I'm one and lemme tell ya I want to throw up. Go fucking read bell hooks or do something else useful please because all of this learned helplessness, gender essentialism, and transphobia dressed up as feminism is actively holding us back.

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I think maybe I don't talk about how, as a former Sex Worker, these completely braindead talking points from SWERFs about the industry make it impossibly hard to have nuanced conversations about the actual risks, dangers, and broken stairs that exist in the industry. Imagine if, when people were working to make movie sets safer for talent and crew, some group was like "MOVIES DANGEROUS ABOLISH ALL FILM" and people nodded in agreement with that take and caved to it?

Like the industry IS exploitative often because having a conversation about regulation that actually moves toward legislation is nearly impossible. Politicians are afraid to touch the requests of actual industry workers because they will be bombarded by harassment groups, labeled as "groomers" or worse for even discussing our issues.

Instead it can feel like the conversation boils down to "Sex Work is empowering" vs. "Sex Work is rape" and those things are both absolutely insane, because sex work is a damn job???? It's not either of those things without additional information. My day job now sure as fuck isn't empowering. And I get threatened and assaulted here more than I did in any strip club, despite it being a "normal" job. The only difference is that I have avenues to escalate those things here, and people generally take me seriously when I do. Sex Workers need avenues like that too but you paranoia-stricken, self-centered, infantilizing mobsters don't want our actual needs to be met.

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affirmations for writers: i know how to write. i have seen sentences before, and i know how to make one. i can identify up to several words and their meanings. i am not afraid of semicolons.

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the only reliable, effective way of "protecting children" is education. but people don't want to hear that because they don't actually care about protecting children, they care about protecting a mythologised ideal of innocence

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fuck i just saw that there are some google street view photo spheres in the gaza strip and now im fucked up

cause the satellite view is recent and its a nightmare just shattered gray expanses of rubble and all these deep ruts through the dirt everywhere that looks like some kind of machinery.

but the photo spheres are from before the buildings were destroyed so there are these cute little courtyard gardens with olive trees and pots with herbs painted in colors and nice little apartment buildings with laundry out to dry on the balconies. and when you zoom out to satellite its just completely obliterated wasteland of rubble and debris

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Another beautiful victory for Latin america!