theinconsistencyprinciple

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#labanotation 

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Sibelius "Violin Concerto" | Itzhak Perlman, Pittsburgh Symphony, Andre Previn

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"Peace Piece" | Bill Evans

“What happened was that I started to play the introduction, and it started to get some much of its own feeling and identity that I just figured, well, I’ll keep going” – Bill Evans

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“It Never Entered My Mind” | Miles Davis Quintet

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“Chase” | Trichotomy

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Erroll Garner plays “Misty”

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Bach Studies 01. Featuring Jon Boogz | Benjamin Millipied

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Synchronous Objects for “One Flat Thing, Reproduced” (Top View)

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“One Flat Thing, reproduced” | William Forsythe

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Lighting Field | Richard Box A grid of fluorescent tubes lit entirely by the electromagnetic energy leaking from the power lines above

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Lightning Field | Walter de Maria

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“I don’t enjoy observing people as much as I used to. Everyone acts like they’re on stage. People used to come to The Village sheepishly. Nobody was sure if they belonged. We didn’t know if we were artists. These days everyone walks around like they’re contributing something. There’s no angst anymore. There’s too much certainty. And that’s a shame. Because all the best art comes from people who feel like they don’t belong. Art is a way of proving your existence. When I was a young man, a person that I respected told me that I was an artist. It was one of the worst things that could have happened to me. I stopped walking into museums or galleries with a sense of awe. I walked in feeling like an ‘artist.’ My arms would be crossed. If I liked a piece, it was ‘good.’ If I didn’t like a piece, it was ‘bad.’ I didn’t feel vulnerable anymore. I lost my humility. And that’s when growth stops.”