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[thesworldblog]

Deberían leer esto. No es justo que cualquier autor sea acusado injustamente y después aunque seas inocente y se haya demostrado, te quede el estigma de “plagiario”. En lo personal no me gusta mucho la adaptación que han hecho de la saga en la serie Shadowhunters, pero tampoco es justo que se la cancelen. Espero que no llegue a eso.

I heard a rumor that Sherrilyn Kenyon is no longer suing you for plagiarism or copyright infringement or whatever. Is that true? Is the court case over? I keep thinking that if it was, it would have been covered more in news outlets. -[redacted]

Okay. Let’s walk through this.

Are you being sued for plagiarism?

I am not, no.

I heard Sherrilyn Kenyon accused you of copyright infringement/plagiarism?

She did initially, yes, but then she dropped those claims.

When did she drop them?

Almost two years ago. May 31, 2016.

Why did she drop the claims?

You’d have to ask her. I would guess it was because almost all of her specific claims referred to material in books she hadn’t published yet at the time my books were published. Claims about things happening to characters in books she published in 2010 that I supposedly ripped off in City of Bones in 2007. That kind of thing.

 In most cases copyright infringement is kind of muddy and the merit of the claims has to go before a judge to be decided, but there are a couple of exceptions to that. One of them is the question of “access” – did the alleged infringer have access to the material they allegedly infringed: i.e. could they have read it/seen it/heard it? In this case, since I only move forward in time like everyone else, I didn’t have access to books published in 2009 or 2010 when I was writing City of Bones in 2005. That’s straightforward business with no complicated judgment call needed. So before anything had happened with this lawsuit in an actual court, Kenyon’s team withdrew the entire copyright claim in full, leaving only a complicated trademark complaint regarding the title of the TV show and the design of my covers.

That’s weird. 

I go into detail below. Read on! Keep in mind 2007 is a significant date here because all three of the first TMI books had been turned in to my publisher by then.

So, wait, if Kenyon dropped the copyright claim isn’t that the big deal thing? The plagiarism thing?

Yes, I’d like to think so. Trademark claims are about branding and packaging, which by and large isn’t even up to me as regards my books. (Publishers do that.) There’s nothing in this lawsuit anymore that even slightly refers to the contents of my books, and I care about my reputation for integrity as a writer far more than I care about my publisher’s branding strategy.

That said, it is of course horrible to be sued — it is a horrendous process that upends your entire life; it is destructive to your work, your family, your finances, your friends, and your sanity. 

Have you read Kenyon’s books or met her?

I have never read any of her books. I have never met her or communicated directly with her in any way. 

So what’s the problem?

The problem is no one knows that the copyright infringement claims were dropped, and when I see it mentioned, it’s always stated as a fact that I’m being sued for plagiarism or copyright infringement. And I am not. This hasn’t been anything but a trademark lawsuit for a year and a half now. And this doesn’t just turn up in Internet gossip — it turned up in a poorly researched article in Forbes, for instance. This is an accusation I have to live with despite the claim having been withdrawn.

Why didn’t I hear about this?

Because of the way the copyright claim was withdrawn. Let me walk you through this.

When Kenyon filed her initial complaint/suit, it included an “Exhibit” that broke down a long list of elements, characters, and ideas in her books that she claimed had been copied in my books, and what material from my books was supposedly “the same” as her material.

(First of all, let me point out that while this document was riddled with inaccuracies and errors, it never, at any point, claimed that any direct text from Kenyon’s books was copied into my own. Kenyon has never claimed that — to do so would require providing examples of the plagiarism, and there are none. Whereas claiming copyright infringement is much muddier. The claim merely requires that you feel you have been copied. For instance, a woman once sued Stephen King claiming he had broken into her house and stolen her diaries so he could base a character on her. Her evidence was that she felt that that was true, and nothing prevented her from filing that suit. Anyway, though many people are confused between the two, the Kenyon complaint did not levy an accusation of “plagiarism” — she claimed “copyright infringement” because plagiarism refers to the copying of exact passages of words and nothing else. A claim of plagiarism requires proof to file a suit; a claim of copyright infringement requires proof to win a suit but not to file it. They are not the same.)

The initial complaint was a shock to me, since I’d never read any of her books (and still haven’t), and have no familiarity with their characters or world or anything about them. Upon reading the complaint, however, I noted that a number of claims about what happened in my own books were inaccurate. For instance, the exhibit claimed that  Valentine was a demon, that Amatis was a shape-shifter who was in trouble for breaking “shape-shifter code”, that the Shadowhunters were a highly technological society (while true in the TV show, in the books, the Shadowhunters are specifically anti-technology), that Isabelle’s eyes were hazel. And so on. Because of this, my legal team started early in going through, in detail, the claims in Kenyon’s document. 

What we found was stunning — that (a) the claims in Kenyon’s filed exhibit were often totally inaccurate as to the contents of my book/s. Her claims are on the left, rebuttals are on the right.

Claims regarding Clary:

(b) quite a lot of the plaintiff’s claims suggested that she had invented common and ancient storytelling tropes, e.g. “A sword having a name,” and stated that those tropes’ presence in my books could only have come from her books and not, say, the entire literary and folkloric tradition of tropes that all authors draw on:

and, most importantly, C) a huge number of her claims were impossible due to the chronology of publication — that is, when she was comparing material in our books, her material had been published *after* my material. Copying does not work that way, since time does not work that way.

So my legal team wrote all of that up — a point-by-point, line-by-line refutation of Kenyon’s claims, and filed it as our own exhibit. You can read it right here. If you’d rather hit up twitter, you can see some of it here.

In response, Kenyon filed what is called an Amended Complaint.

The court allows her side to take on board anything from our response and, if necessary, file a new version of the lawsuit making changes based on anything they’ve learned.

And in the Amended Complaint, the whole copyright claim just…disappeared.

Like, gone. Not there at all.

What was left?

Trademark issues. They are more specifically about what the covers of my books are allowed to look like, branding strategies, and the title of the television show. I cannot go into the details of this, or why it would come up suddenly thirteen years after my first Shadowhunters book was published, because that is part of an ongoing case, and one cannot comment on ongoing cases. The copyright thing however is not ongoing. Again, it was dropped in May, 2016.

If Kenyon won her case would the TV show be cancelled?

Yes. 

Interesting.

Well, we’ve all learned something today. Primarily, we have learned that I am not being sued for copyright infringement or plagiarism or anything like it, and also that people are really interested in negative gossip and controversy, but not particularly interested in exoneration. I cannot tell you how much it sucks to be accused of something awful that you did not do, in public (however used to it you may be); I cannot express how humiliating and horrible it is, or how depressing it is to realize that basically nobody cares if it isn’t true. Many, many news outlets reported on Kenyon suing me; only one that reported on the original claim reported that she had dropped the copyright claims.

I have done my best here to provide 100% factual information for anyone who was confused or believed false reports about this situation. I am under no illusions that this will prevent people from saying I am being sued for plagiarism, because it gives them pleasure to be cruel. I can only hope that for those people who are actually interested in what is true, this will serve as a useful link.

[thesworldblog]

Photo review | Gravity Falls Journal #3

Photo review | Gravity Falls Journal #3

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Book Review | Captive in the Dark

Book Review | Captive in the Dark

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Book Review | Eleventh Grave in Moonlight

Book Review | Eleventh Grave in Moonlight

La reseña puede contener spoilers de los libros anteriores. [book-info] (more…)

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Book Review | Grey

Book Review | Grey

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[thesworldblog]

Le tome 4 entre les mains et on se rend compte dès les premières pages que Charley souffre d'agoraphobie après la torture d'Earl

Les échanges entre Charley et Cookie

La première apparition de Reyes et sa dématériliasation avec son corps physique

Charley décide d'aller affronter Reyes qui s'est mis à la lutte en cage et s'ensuit leur première scène dans le vestiaire

Reyes sauve la vie de Charley attaqué par un démon

Quand Reyes débarque lors du groupe de soutien improvisé par Cookie, Oncle Bob, Gemma et Amber, et les réactions de ces derniers

La scène entre Charley et Swopes

Confrontation entre Charley et Denise sa belle mère

Scène entre Reyes et Charley au motel et qu'on apprend la signification de “Dutch”

Charley apprend pour la fin imminente de son père qui lui tire dessus deux fois

Le baiser entre Charley et Donovan et quand Reyes lui fait la remarque ensuite

Le meilleur chapitre du livre, le chapitre 17 : The scène de sexe, Reyes qui aide Charley à affronter la Zone 51

Et à cet instant j'imagine très bien Reyes dire à Charley…

Quand Reyes tombe sur la photo de son passé conservée par Charley

Reyes sauve une nouvelle fois Charley en prenant la balle à sa place

Finalement Charley découvre que son nouveau voisin n'est autre que Reyes

Charley et son don de donner un nom à tout : Barbara ( son cerveau ) Fred ( son crâne ) Betty White ( son coeur ), Margaret ( son arme ) , Will et Danger ( ses seins ), Mystery ( sa voitute )

[thesworldblog]

I am an instrument God uses to annoy people.

T-shirt, Third Grave Dead Ahead (via ntsmry)

[thesworldblog]

Un poco de corrector de ojeras, un toque de barra de labios y voilà, estaba lista para enfrentarme al mundo. No obstante, la cuestión era: ¿estaba el mundo listo para enfrentarse a mí?

Primera tumba a la derecha (Charley Davidson #1) - Darynda Jones (via laprincesadelosespejos)

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If god is watching us, the least we can do is be entertaining.

Darynda Jones (via pointless-mind-project)

[thesworldblog]

— ¿Por qué no me lo contaste? — ¿Para que me odiaras más todavía? Levanté la vista, sorprendida. — Yo no te odio. Reyes apretó la mandíbula. — La línea que separa el amor del odio es muy fina, ¿no lo habías oído? A veces resulta difícil determinar con exactitud cuál de las dos emociones es más fuerte. Alcé la barbilla. — Tampoco te amo. Reyes agachó la cabeza para observarme a través de sus abundantes pestañas oscuras. — ¿Estás segura? Porque la emoción que desprende tu cuerpo cada vez que estoy cerca de ti no es indiferencia, de eso estoy seguro. — Eso no significa que sea amor. — Podría serlo, te lo prometo. Quítate el suéter y dame diez minutos. Verás como después te sientes enamorada sin la menor sombra de duda.

Cuarta tumba bajo mis pies (Charley Davidson #4) , Darynda Jones

Reyes Farrow & Charley Davidson

(via laprincesadelosespejos)

[thesworldblog]

“You,” he said, his voice lowering an octave. “I want you, Dutch, body and soul. I want you in my bed every night. I want you there when I wake up in the morning. I want your clothes strung across my apartment and your scent on my skin.”

Reyes Farrow (Darynda Jones Fifth Grave Past the Light)

[thesworldblog]

Un amigo te ayudará si alguien te derriba. Un mejor amigo recogerá un bate y dirá: — Tranquilo. Yo me encargo.

Eighth Grave After Dark, de Darynda Jones. (via quobooks)

[thesworldblog]

“I’m gonna choose to see the best in you.” 100 days of captain swan: Day 32

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― Sanober Khan

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#NotaExpress Portada revelada del doceavo libro en la saga Charley Davidson por Darynda Jones. The Trouble with Twelfth Grave se espera para Halloween del 2017 y yo ya no puedo con la espera!

[thesworldblog]

I forgot how much I loved the morbid humor of a series of unfortunate events 

[thesworldblog]

Hace unos cuantos dias comence a ver esta serie, y puedo decir que es muy buena. Si bien, Neil Patrick Harris no me convenció del todo como el conde Olaf (Jim Carrey lo hizo muy bien), me gustó bastante y espero la segunda temporada con ansias.

Violet, Klaus, and Sunny Baudelaire were intelligent children, and they were charming, and resourceful, and had pleasant facial features, but they were extremely unlucky, and most everything that happened to them was rife with misfortune, misery, and despair. I’m sorry to tell you this, but that is how the story goes.