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not Alan Alda’s grandson liking this review of Goodbye Farewell and Amen…

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Winners announced for the 2019 Eisner Awards

The winners were announced last night for the 2019 Will Eisner Comic Industry Awards.

Tom King and Mitch Gerads, partners on the Mister Miracle series from DC, took home five awards between them. John Allison’s Giant Days and The Prince and the Dressmaker by Jen Wang also took home multiple awards.

The Eisner Awards also inducted 10 people into the Hall of Fame last night: the judges chose Jim Aparo, June Tarpé Mills, Dave Stevens and Morrie Turner, while voters chose José Luis García-López, Jenette Kahn, Paul Levitz, Wendy and Richard Pini, and Bill Sienkiewicz to join the class of 2019.

Other awards given out last night included the The Bill Finger Excellence In Comic Book Writing Award, which was presented to Mike Friedrich and the late E. Nelson Bridwell, and the Russ Manning Most Promising Newcomer Award, which went to Lorena Alvarez.

The 2019 recipients of the Bob Clampett Humanitarian Award were Edgardo Miranda-Rodriguez, for his work on Ricanstruction: Reminiscing & Rebuilding Puerto Rico, and comic artist Tula Lotay, AKA Lisa Wood, for creating the UK-based Thought Bubble Festival. And La Revisteria Comics in Argentina won the Will Eisner Spirit of Comics Retailer Award.

You can see all the Eisner winners below, in bold.

Keep reading

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I relived a high school anime and it was Not Good but my god was it funny

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My conduct this year landed me on Santa Claus's fabled and controversial "Kill-at-all-Costs" List. Turns out the reason the big man and his people don't exercise that option more often is that they really aren't good at following through on it. Well outside their core competency. He's delegated to the elves, and they've got this ingrained assembly-line mindset that doesn't translate at all to the adaptable and fluid mindset needed for siege breaking. They just haven't adjusted their playbook at all from when they're doing rote deliveries. Armed Elves have been rappelling down my chimney one at a time into the roaring fire I've kept going nonstop for the last week. They haven't even thought to try my front door yet. Whole house smells like peppermint, which it turns out is what burnt elf meat smells like. Thought I was being super clever putting cyanide-laced almond milk out with the cookies as a last line of defense, but none of them have made it even the scant few feet to the side table where that's sitting. At the rate things are going the real danger is that I'm gonna forget what I did with that and accidentally drink it myself while I'm watching the show

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I know I've talked about this before, but I love the idea of the doctor and the master regenerating together in mysterious circumstances, and having the audience be kept in the dark about which one's which for an episode or three

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ok ok but the ending of the killing joke is. seared into my brain? we don't have to kill each other. batman's compassion as his defining characteristic; he always values the potential of a life. i can rehabilitate you. the most potent example i ever saw of joker's humanity beneath the persona. the final moment of laughter. whatever bats chose, strangling or sparing joker, it's a mercy. you CAN step off the ride. the choice is THERE. but you NEVER will. fuckign... clink 🍻

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here's the thing. yes hannibal is gleeful and yes will is brooding, BUT:

hannibal is a meticulous planner, a polyglot, a genius, nigh unstoppable in a fight but always opting for prep time whenever possible, the wealthy owner of a gothic-style ancestral estate; he sees himself as a manifestation of justice, is represented visually by a leathery-black animal/human creature, had a childhood defined by a family loss, maintains a secret basement, and has a flouncy, cheerful, socialite public persona

will is a nobody from nowhere - "always the new boy at school," no family, no close friends, no past where he would be remembered; he is also a genius, but his most dangerous trait as a killer is that he is chaotic, disorganized, vicious, artistic but impulsive, ruining his own carefully-laid plans on a whim; he has successfully seduced an employee of a mental hospital into killing in his name, and he is a jealous little bitch, ruled by his emotions first and foremost

they're dancing to the same tune as batjokes, just in reverse

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the funniest thing in the entire pirates of the caribbean series is definitely that one scene in At World’s End where they have parlay but davy jones is part of it, and rather than have him stand in the shallows or something they get a big bucket of water and have in stand on it on shore

who thought of that idea? who thought “put davy jones in a bucket of water” and had the guts to suggest it aloud? and then who went “hey that sounds like a great idea!”

at some point someone told davy jones their idea was for him to stand in a bucket of water and he agreed to it

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OMG. Somebody said it out loud.

Disney is absolutely not the only studio doing this though.

It seems to have become standard practice across movies and series everywhere.

Anything that doesn't do it is like a breath of sunlight and fresh air inside a dank musty cave.

It's part of the 'fix it in post-production' epidemic sweeping through the studios. Fix it in post is often used as a time/money-saving measure - and is absolutely part of the same mess that the WGA is fighting against currently.

Rather than fixing things on-set - audio, lighting, something in-frame that shouldn't be, etc. (which is all handled by unionized crew) - they leave it for the CG folks (not unionized) to edit later.

(on ridiculously tight schedules that leave them scrambling, cutting corners, and working inhumane hours)

See also: that part where scripts aren't finished, because the studio won't fully staff the writers room, and won't pay to have writers on-set for day-of-filming script questions and fixes (which could resolve issues such as 'what kind of lighting do we need here?')

Anyway, all this shit we, as audiences, keep complaining about - bad lighting, bad sound, wonky visual effects, over-usage of not-great CGI, stilted acting on green-screen sets, scripts that seem not-quite-finished, costumes that look like they're cheap and flimsy, terrible hair and makeup, films and series that aren't as polished as they could be...

Plus the complaints we have about streaming services and their shenanigans...

All of that is enmeshed in the extreme capitalism that has taken over everything, including entertainment, to the point that studios are abusing their workforce and churning out material that - at best just doesn't live up to its potential - at worst, is just unwatchable shit.

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suggestion brought to you from my discord, pm if you wish to join!

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"Is it a safe space to say i hate-" NOT IN THE MAINTAGS IT ISNT

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I don't think I'll ever find a show more comforting to me than mash. It not only has an episode for probably any scenario you could think of, but it just reeks of love. It reminds me just how many types of love there are in the world, and how many ways there are to show it. It doesn't pretend that anything is perfect and yet the themes of vulnerability and togetherness in adversity feel whole and familiar. The outpouring of love and the interpretations that come from the fandom is staggering and the love shown for these imperfect characters is so validating. Its just so friendly.

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I know I've talked about this before, but I love the idea of the doctor and the master regenerating together in mysterious circumstances, and having the audience be kept in the dark about which one's which for an episode or three

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So excited to be able to announce another Big Finish project from early next year! You can pick up my story "The Clockwork Swan" in the new Call Me Master boxset, starring Sacha Dhawan, in February 2025.

What an amazing actor to write for, and what a crew of fellow writers, actors and producers! I couldn't be more thrilled to be part of this set.

MORE INFO AVAILABLE HERE

EPISODE INFORMATION BELOW THE CUT

Master of disguise, disarray and disorder. The Master has always enjoyed creating chaos, but this incarnation revels in it more than most.

A new Master is unleashed upon the universe, and he is taking his time - and pleasure – in finding out exactly who he is...

Self-Help by Robert Valentine The Master is having a crisis of the existential variety.

While he may have a classic diabolical scheme on the go, the dastardly Time Lord's latest incarnation isn’t quite feeling himself. In fact, he’s not even sure who he is anymore. He needs help. But can he help himself?

The Clockwork Swan by Georgia Cook Opening night is approaching for the latest presentation at cultural theme park Historica Dramatica: Earth-set whodunnit The Clockwork Swan. But cast and crew are being murdered...

Enter a mysterious stranger. Who better to solve the crime than galaxy-renowned detective LeMaitre? Only, LeMaitre isn’t all he seems...

The Good Life by Una McCormack On a distant Island, a group of holy men and women work together to keep the Balance. Elta, one of the Shore-folk, has come to learn. But there’s a new man on the Island – the first in living memory – and it’s not clear whether he’s saint or sinner.

Is it only coincidence that the weather seems more changeable these days? That people are angrier and turning to violence? Where, wonders Elta, is this all heading – and does the stranger even know himself?