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you ever see a picture of two guys and the only thing you can think is oh definitely one drunken handjob in 2006
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― Salma Deera, Letters From Medea
[text ID: The centre of every poem is this: / I have loved you. / I have had to deal with that.]
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not gonna lie to you i didnt really "find god" so much as god grabbed me by the scruff of the neck and said "HEY. HEYYY. whats in your mouth"
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take me in / open up and spread me thin / feel around the brain in my legs
'Slime' Marika Hackman
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Alisha Boe as Conchita Closson in every episode of The Buccaneers (2023-) 1.04 Homecoming
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“There are no ghosts, but up here”—she gestured toward her head—“it’s a haunted house.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow
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He Cong by Leslie Zhang for Vogue China September 2023
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What is a rival? An equal. A reflection. An echo.
And when I face you on the battlefield, I will look for the only person who knows me.
This is How You Lose the Time War, Amal El-Mohtar and Max Gladstone // Carry On, Rainbow Rowell // Gideon the Ninth, Tamsyn Muir // Good Omens, 1x04 // This is How You Lose the Time War, Amal El-Mohtar and Max Gladstone // Kings Rising, C.S. Pacat // Fence: Disarmed, Sarah Rees Brennan // The Untamed, ep. 27 // Carry On, Rainbow Rowell // This is How You Lose the Time War, Amal El-Mohtar and Max Gladstone
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yeah i’m doomed by the narrative but i have a little time to be absolutely gay
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Sam used to say that Marx was the most fortunate person he had ever met - he was lucky with lovers, in business, in looks, in life. But the longer Sadie knew Marx, the more she thought Sam hadn’t truly understood the nature of Marx’s good fortune. Marx was fortunate because he saw everything as if it were a fortuitous bounty. It was impossible to know - were persimmons his favorite fruit, or had they just now become his favorite fruit because there they were, growing in his own backyard? He had certainly never mentioned persimmons before. My God, she thought, he is so easy to love.
- Tomorrow, and Tomorrow, and Tomorrow, Gabrielle Zevin
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from Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin
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"comrade in arms" yeah i bet he was in your arms. every night. fruit
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ANDREW SCOTT as THE PRIEST in Fleabag (2016-2019)
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starting a collection
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Tonight I need armor to look at you; when I want To tell you how we should be together, no human Language comes out. I have known this feeling That warms, then scalds, me
Before, when you and I touch: it’s the best And the worst—I’m brittle tin, I’m paler than drought grass, I shake, my eyes turn black, and I can’t see you Anymore, and yet
I do. I am going to survive this experience Even if it’s like coming back from the dead.
— Stephanie Burt, from "Before the Wedding," We Are Mermaids
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