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this is crazy i’m going crazy over this

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It’s never over, Noelia Towers

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a 1958 Czechoslovakian stamp from a series on fungi

[ID: a postage stamp with an illustration of a cluster of mushrooms. end ID]

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Are You There God? It's Me, Margaret. (2023) dir. Kelly Fremon Craig

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Are You There God? It's Me, Margaret. (2023) dir. Kelly Fremon Craig

It was a perfect adaptation

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My hobbies include taking photos near the water.

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La flore décorative : recueil de plantes dessinées d'après nature accompagnées d'exemples d'interprétation et d'application à l'ornement - Paul Lorain - c.1900 - via Biblioteca Virtual del Patrimonio Bibliográfico

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finally, a way too long and yet not exhaustive list of my favourite video essays:

tell her I'm sorry

the ouroboros of grief: a video essay

ocean waves - studio ghibli's (accidental) queer film

the last unicorn: a love letter to humanity

sesame street created the perfect secular grieving ritual

penda's fen: the greatest movie you've (probably) never seen

this wikipedia article hides a sorrowful secret

understanding snapewives: religion, fandom, sociology & erotica

tiktok gave me autism: the politics of self diagnosis

studio ghibli's apocalypse and the atomic bomb

the blind eternities | a void between planes

bo burnham vs. jeff bezos

we need to talk about call me by your name

why the hell do I own a copy of the fountainhead?

dead doesn't mean gone - a haunting of bly manor video essay

you can't save the galaxy in a day

in search of a flat earth

my neighbour totoro: what's real?

a modern greek tragedy: kentucky route zero

legacy, chronicle & every other reimagining of the craft

the art of religious interpretation (midnight mass vs god's not dead)

the tragedy of the monster

the molting house | a guided tour of duskmourn

control, anatomy and the legacy of the haunted house

control, lovecraft in the modern day

outsiders: how to adapt lovecraft in the 21st century

how a forest digests you

video games, the forest, and the things that live inside them

my transformers midlife crisis

an unhinged deep dive into wicked's biggest pothole

the wasteland of jordan peterson

majora's mask retrospective

breaking down true womanhood & black girlhood in media

chances to change - a happy death day video essay

the villain of edith finch

saurian cinema: capitalism killed the dinosaurs (and we're next)

dark souls 3 is thinking of ending things

midnight mass: christianity and trauma

why knights of the old republic 2 is beautiful; an analysed playthrough

stranger things & the meaning of life

every zelda is the darkest zelda

madness, memory, mill & discard

the autistic horror of don't hug me I'm scared

I wish I could (and don't) hate buffy season 6

transition regret & the fascism of endings

the strangest pair in nature

what is no-face?

the dolphin house

searching for god in film

a desperate deconstruction of stephen king's it

everyone's cheating at chess (allegedly)

I saw the tv glow, the matrix, and trans gnostic stories (a video essay)

playing stardew valley made me question everything I've ever loved

myhouse.wad - inside doom's most terrifying mod

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L'Art et la mode, no. 33, vol. 15, 18 août 1894, Paris. La journée une élégante. Dessin de F. Fournery. Bibliothèque nationale de France

Pour faire un tour le long des grèves, avant dîner, elle tient à être particulièrement élégante, et la voici dans une robe forme Empire, en soie Liberty, vieux rose ou vert-Nil à dessins crème. Des valenciennes et des nœuds de satin noir relèvent la tonalité pâle de l'ensemble. Le chapeau, un très gros paillasson, porte au centre un nœud assorti à l'étoffe de la robe.

To take a stroll along the shores before dinner, she wants to be particularly elegant, and here she is in an Empire-shaped dress, in Liberty silk, old pink or Nile green with cream patterns. Valenciennes and black satin bows enhance the pale tone of the ensemble. The hat, a very large doormat, has a bow in the center matching the fabric of the dress.

—

Veut-elle faire une apparition le soir au Casino, ou bien faire un tour de valse dans quelque villa voisine, elle revêt une robe de soie crème à raies inégales semée d'arabesques mauves. De très fines guipures forment la berthe. Gants blancs très longs, plaquant sur les bras, et ceinture de satin noir cerclant la taille gracieuse et souple.

If she wants to make an appearance in the evening at the Casino, or to take a waltz in some neighboring villa, she puts on a cream silk dress with uneven stripes sown with mauve arabesques. Very fine guipure lace forms the berthe. Very long white gloves, flat on the arms, and a black satin belt encircling the graceful and supple waist.

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People just seem absolutely unable to comprehend what’s happening in Ukraine. You tell them everything that is happening including tens of thousands of kids possibly hundreds but that number hasn’t been fully considered have been kidnapped and being trafficked and they can’t comprehend how bad it is because it doesn’t fit their narrative of the world. It’s just a white country fighting a white country how can any side oppress the other. It’s like their brains literally cannot comprehend it because it doesn’t fit the only framework they know for comprehending the world. I don’t understand how they hear this and then aren’t horrified

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Virgil Finlay (1914–1971) - “Her Demon-Lover”

illustration of a passage in Samuel Taylor Coleridge’s ‘Kubla Khan’

from ‘Weird Tales’ Vol. 31 #1, January 1938

source

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Bram Stoker's Dracula (1992) dir. Francis Ford Coppola

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Bram Stoker's Dracula (1992) dir. Francis Ford Coppola

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Bram Stoker's Dracula (1992) dir. Francis Ford Coppola

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Bram Stoker's Dracula (1992) dir. Francis Ford Coppola

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Bram Stoker's Dracula (1992) dir. Francis Ford Coppola