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David Mocatta (architect) and John Urpeth Rastrick (engineer), Ouse Valley Viaduct, Balcombe, 1841. Photography © Anna Hawes.
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Back of a flyer for Torture of Women, by Nancy Spero, with text by Lucy Lippard. New York: A.I.R. Gallery, 1976
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Marcel Mariën, L'introuvable, glass, plexiglass. Dimensions: 11 x 27 x 18 cm. Sylvio Perlstein collection. Antwerp, 1937.
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Gold oak wreath, tomb of Philippos II of Macedon, Vergina, Greece, 2nd century BC.
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Andres Serrano, The Morgue (Knifed to Death II), 1992, cibachrome, silicone, plexi-glass, wood frame, 49½ x 60". Courtesy of Paula Cooper Gallery.
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In 1972, as part of the Apollo 16 mission to the moon, astronaut Charles Duke left a photo of himself, his wife, and his two sons which was enclosed in plastic on the moon's surface.
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Armed with the Eye of the Arrowing Wasp Osip Emilyevich Mandelstam (1891 – 1938)
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Naqsh-e Rustam, c. 1000 BC, Iran
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Emre Arolat, Sancaklar Mosque, 2011, Istanbul, Turkey.
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Massimo Uberti, Uno studio, 2003, neon e steel cables, 360 x 500 x 500 cm
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Bruce Nauman, A rose has no teeth (Lead Tree Plaque), 1966; lead plaque; 7.5 x 8 x 2.25 in.
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Miss Mary Playfair.
Capt. Henry Craigie Brewster ,1842
(Salt, from a calotype negative)
[ via splattergut ]

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Doris Salcedo, Untitled, 1987; Mixed media, displayed: 187 x 241 x 46 cm, 65 kg.
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Mark Manders, Reduced summer garden night scene (reduced to 88%), 2011; sand, painted porcelain, iron, wood, and rope; 33 1/2 × 59 3/8 × 39 3/4 in.
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Jasper Johns, The critic smiles
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Richard Serra, Casting, 1969, lead (destroyed)
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