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happy tank family 😊

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My cartoon this this week’s Guardian Books

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“This is a chord. This is another. This is a third. Now form a band.”

“There’s an illustration from a fanzine called Sideburn #1, which was a drawing made by Tony Moon just to fill the space. It’s a drawing of three guitar chords and it says, ‘now form a band’. That fanzine is extremely rare, but the drawing is often quoted by lots of musicians as the impetus to do something, and it’s seen as a key message of punk,” says Toby. “You didn’t need to have been to music school or be particularly proficient or skilled. It was much more about the energy and drive to do something. It’s a rallying call to the troops.”

Nice to know the story behind a drawing that always puzzled me: Why are the markings on the frets and not in between them? And what songs can you play with A-E-G? 

(Turns out, you can play AC/DC’s “TNT” and T-Rex’s “Bang A Gong.”)

Image from Oh So Pretty: Punk in Print 1976-1980

Filed under: zines

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Alien: Resurrection (1997) dir. Jean-Pierre Jeunet

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Drink some water if you haven't lately, it's important.

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Why are all the starships and buildings in the Star Trek animated series pink?

Hal Sutherland, director of the animated episodes, was color blind, and so to him, pink looked like gray.

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Commemorating a sad day in Alfa’s history: today, exactly 100 years ago (26.07.1925) Antonio Ascari died during the French GP of Linas-Monthlery, following his crash in lap 22.

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Sunshine

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It's a bird! It's a Land-Air 'Mech!

No, it's a franchise trideo rental store!

(3D printed custom Battletech terrain piece off eBay)

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Image: IWM (Q 32182) Rolling a puggaree. A puggaree was a decorative band wound around hats. They could also signify a unit.

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sSoeondrtpf4c522l9fl918h5a1ug65713ugmu731utgh0hllg84l47c2lc6  · 

Elizabeth MacDonough doesn’t give fiery speeches on the Senate floor. She doesn’t pound podiums, tweet clapbacks, or beg for airtime on cable news. Most people couldn’t pick her out of a photo lineup. But this week, she did more to derail Donald Trump’s legislative fever dream than any Democrat in Congress. With nothing but a binder, a brain, and a spine forged from 230 years of procedural precedent, she calmly gutted the “Big, Beautiful Bill” — and sent the Republican Party into a frothing, incandescent rage.

Here’s the part that should terrify the GOP: she’s not even elected. She’s the Senate Parliamentarian, the nonpartisan referee responsible for interpreting the arcane rulebook that governs the world’s most dysfunctional deliberative body. She doesn’t write laws. She doesn’t vote. She doesn’t grandstand. Her job is simple: enforce the rules, no matter who’s in charge. And when Republicans tried to use reconciliation — a fast-track process meant for tweaking budgets — to shove through a far-right wishlist of land seizures, healthcare rollbacks, and anti-trans cruelty, she read the fine print and dropped the hammer.

The “Big, Beautiful Bill” was supposed to be Trump’s magnum opus: a tax-slashing, Medicaid-burning, land-devouring beast of a bill that would reshape America in his image. It included everything from selling off millions of acres of federal public land to states and private developers, to gutting Medicaid for low-income families, immigrants, and trans people, to defunding Planned Parenthood and hacking away at environmental protections like they were weeds in a billionaire’s backyard. It was grotesque. It was rushed. And it was entirely dependent on sliding past Senate rules without a fight.

Elizabeth MacDonough was the fight. She reviewed the bill’s contents and ruled — piece by piece — that major provisions violated the Byrd Rule, which bars unrelated ideological junk from hitching a ride on budget bills. The land sell-off? Not budgetary. Out. The Medicaid provider tax cap? Out. The bans on gender-affirming care, immigrant coverage, and ACA subsidies? Out. The GOP was left holding a gutted husk, their legislative trophy reduced to a few tax cuts and a pile of redacted dreams.

This wasn’t sabotage. This was MacDonough doing her job — the job she’s held since 2012, appointed under a Democratic majority, and respected by both parties until it became inconvenient. She is the Senate’s quiet guardian of process, a civil servant who doesn’t answer to polls, Super PACs, or social media mobs. Her loyalty is to the rules — even as the people around her treat those rules like a hotel minibar. She doesn’t flinch. She doesn’t yield. She simply reads the law and applies it, with the precision of a scalpel and the force of a freight train.

And oh, how the GOP hates her for it.

Mike Lee, who tried to shove his public lands fire sale into the bill like it was a foreclosure listing, is already scrambling to rewrite the language and sneak it back in. Trump, fuming from whatever taxpayer-funded golf course he’s currently defiling, is screaming about “deep state rule tyrants.” Senate Majority Leader John Thune is getting asked uncomfortable questions about whether it’s time to “review” the Parliamentarian’s role — a polite way of saying, “Can we fire her for being smarter than us?”

Because that’s the rub. They didn’t lose because the Democrats outmaneuvered them. They didn’t lose because of public pressure or media backlash. They lost because a woman they barely understand said, quite plainly, “You can’t do that.” And when they asked why, she handed them the rulebook. And when they tried to argue, she pointed to precedent. And when they blustered, she didn’t even blink.

Elizabeth MacDonough has no political agenda. That’s what makes her so dangerous to people who do. She exists outside their theater. She answers to no party. And yet, she is currently one of the most powerful people in Washington — not because she makes the laws, but because she refuses to let anyone break them.

So no, she didn’t kill the Big, Beautiful Bill. The GOP killed it themselves — by trying to use budget procedure as a battering ram for authoritarian fantasy. MacDonough simply told the truth. And in 2025, that might be the most radical thing anyone in government can do.

Let the Republicans rant. Let them plot her removal. Let them rewrite their monstrosities and try again. But remember this: when the bulldozers were revving, when the Medicaid cuts were inked, and when Trump’s wrecking ball of a bill was barreling toward the American people — it wasn’t a senator who stopped it. It wasn’t a protest. It was a woman with a binder and a backbone.

We see you, Elizabeth. And we thank you.

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Vincent Price - The Invisible Man Returns (1940)

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